See synaesthesia in All languages combined, or Wiktionary
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"ref": "1893 July, Mary Whiton Calkins, “De Phénomènes de Synopsie. Par Th. Flournoy. Paris, Alean, 1893. [book review]”, in G[ranville] Stanley Hall, editor, The American Journal of Psychology, volume V, number 4, Worcester, Mass.: J. H. Orpha, publisher, →ISSN, →OCLC, page 550:",
"text": "M. [Théodore] Flournoy includes all the phenomena of \"Colored Hearing\" and of \"Mental Forms\" under the convenient and adequate name Synæsthesia—in place of which, to be sure, he himself usually employs the less defensible term Synopsie. […] The phenomena of synæsthesia are divided into three main groups: \"photisms,\" among which are included, as by [Eugen] Bleuler and Lehmann, all the varieties of pseudo-chromesthesia; \"Schemes,\" comprising not only \"forms\" (diagrammes) associated with series of words or numbers, but \"symbols,\" or particular figures associated with single letters, numerals, colors and the like; and \"personifications,\" in which the associated factor is no mere color or form, but has become richer and more concrete.",
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"ref": "1903, Frederic W[illiam] H[enry] Myers, “Sensory Automatism”, in Human Personality and Its Survival of Bodily Death … In Two Volumes, volume I, London, New York, N.Y.: Longmans, Green, and Co., […], →OCLC, paragraph 603, page 224:",
"text": "Probably in all of us, though in some men much more distinctly than in others, there exist certain synæsthesiæ or concomitances of sense-impression, which are at any rate not dependent on any recognisable link of association.",
"type": "quote"
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{
"ref": "1926 July, Paul Campbell Young, “An Experimental Study of Mental and Physical Functions in the Normal and Hypnotic States: Additional Results”, in Margaret F[loy] Washburn, Karl M. Dallenbach, [Isaac] Madison Bentley, Edward G. Boring, editors, The American Journal of Psychology, volume XXXVII, Ithaca, N.Y.: Cornell University, →ISSN, →OCLC, footnote 6, page 346:",
"text": "[…] R. H. Gault's case of synesthesia in a deaf and blind girl, who could distinguish colors by the sense of smell, […]",
"type": "quote"
},
{
"ref": "1945, Julian Blackburn, “Introduction”, in Psychology and the Social Pattern (International Library of Sociology and Social Reconstruction; 251), London: Kegan Paul, Trench, Trübner & Co., →OCLC; republished London: Routledge, 2013, →ISBN:",
"text": "Now just as normal perceptions in terms of sense organs different from those stimulated can be interpreted through common past experiences, so it is likely that synæsthesias may be partly explicable in terms of individual experiences.",
"type": "quote"
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{
"ref": "1984, William Gibson, chapter 18, in Neuromancer (Sprawl; book 1), New York, N.Y.: Ace Books, →ISBN, page 221:",
"text": "Into her darkness, a churning synaesthesia, where her pain was the taste of old iron, scent of melon, wings of a moth brushing her cheek.",
"type": "quote"
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"ref": "2002, Sean A. Day, “What Synaesthesia Is (and Is Not)”, in Paul Mc Kevitt, Seán Ó Nualláin, Conn Mulvihill, editors, Language, Vision and Music: Selected Papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland 1999 (Advances in Consciousness Research; 35), Amsterdam, Philadelphia, Pa.: John Benjamins Publishing Company, →ISBN, →ISSN, page 171:",
"text": "For example, I myself have a type of synaesthesia: The sounds of musical instruments will sometimes make me see colors, about a yard in front of me, each color specific and consistent with the particular instrument playing.",
"type": "quote"
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{
"ref": "2003, Marina Rakova, “Across Sensory Modalities”, in The Extent of the Literal: Metaphor, Polysemy and Theories of Concepts, Basingstoke, Hampshire, New York, N.Y.: Palgrave Macmillan, →DOI, →ISBN, section 4.2 (Seeing Sounds and Tasting Shapes), page 52:",
"text": "Colour is the most commonly induced synaesthetic percept and it can be invoked not only by auditory stimuli, but also by smells, tastes and touch sensations[…]. Other synaesthesiae include musical taste and smell, visual smell, perceptions of shaped or auditory pain, and polymodal synaesthesiae.",
"type": "quote"
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{
"ref": "2008, Adam Mars-Jones, “Permission to Die”, in Pilcrow: Novel, London: Faber and Faber, →ISBN; 1st paperback edition, London, 2009, →ISBN, page 231:",
"text": "For me Saturday was a bright red color, just as the other days of the week were chromatically coded. […] This wasn't the true synæsthesia which is such a fascinating mystical hint, a loose thread in the fabric of perception left a-dangle, an unravelling which suggests that we could dissolve all our unreal categories.",
"type": "quote"
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{
"ref": "2009, Graham Richards, Psychology: The Key Concepts (Key Concepts), London, New York, N.Y.: Routledge, →ISBN, page 244:",
"text": "Synaesthesia can occur particularly powerfully during mescalin and LSD intoxication, and is often given mystical significance.",
"type": "quote"
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"ref": "2018 April, Helena Melero, “From Pain to Pleasure: A Neuroscientific Approach to Pain-color and Orgasm-color Synesthesias”, in M[ari]a José de Córdoba Serrano, Julia López de la Torre Lucha, Timothy B. Leiden, editors, Actas del ‘VI Congreso Internacional de Sinestesia, Ciencia y Arte + Actividades Paralelas 2018’: Alcalá la Real, Jaén (España), Granada, Spain: Fundació Internacional Artecittà, →ISBN, page 4, column 1:",
"text": "[S]ynesthetes themselves can provide the indispensable cues to design a structured qualitative questionnaire: color synesthesias and their variations during sexual arousal, direct physical stimulation, and orgasm […] can help scientists differentiate the specific triggers and their characteristics.",
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"alt": "きょうかんかく",
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"word": "共感覚"
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"word": "синестези́я"
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"ref": "1963, Claude Lévi–Strauss, “Postscript to Chapters III and IV”, in Claire Jacobson, Brooke Grundfest Schoepf, transl., Structural Anthropology: Translated from the French (Harper Torchbooks; TB5017), New York, N.Y.: Basic Books, →OCLC, pages 91–92:",
"text": "On a phonemic level, phenomena of synesthesia have often been described and studied. Practically all children and a good many adults—though for the most part adults will deny it—spontaneously associate sounds, whether phonemes or the timbre of musical instruments, with colors and forms.",
"type": "quote"
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{
"ref": "2007, Boris Wiseman, “Structuralism, Symbolist Poetics and Abstract Art”, in Lévi-Strauss, Anthropology, and Aesthetics (Ideas in Context; 85), Cambridge: Cambridge University Press, →ISBN, page 112:",
"text": "For one of the enigmatic features of synaesthesia is that, within a given cultural group, the kinds of associations made by different subjects occur according to statistically verifiable recurring patterns. As Jakobson explains, ‘when we ask whether /i/ or /u/ is darker, testing such phonic oppositions as grave vs. acute, some of the subjects may respond that this question makes no sense to them, but hardly one will respond that /i/ is the darker of the two’[…].",
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"ref": "2006, Stephen Bowkett, “Descriptive Writing”, in Boys and Writing (Pocket PAL), London: Network Continuum Education, Continuum International Publishing Group, →ISBN, page 38:",
"text": "Linking moods with colours is one example of synaesthesia. […] As a tool for improving writing, the idea of synaesthesia is versatile and innovative. Why use only visual references to describe visual impressions? Why just describe sounds using sound-related words? Play with cross-matching the senses.",
"type": "quote"
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"ref": "2007, Antti-Ville Kärjä, “Visions of a Sound Nation: Finnish Music Videos and Secured Otherness”, in Roger Beebe, Jason Middleton, editors, Medium Cool: Music Videos from Soundies to Cellphones, Durham, N.C., London: Duke University Press, →ISBN, page 181:",
"text": "[I]t may be stated that the concept of synaesthesia is instrumental for understanding music videos, since videos are based on the soundtrack's visual associations. Yet to discuss associations here may cause some problems. […] [Nicholas Cook] seems to be relying on a rather normative conception of synaesthesia, which for its part supports the idea of absolute, nonrepresentational music. The implication of his discussion is that the \"true\" forms of music–image synaesthesia come only in the forms of perception of color or light when hearing a certain musical sound.",
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{
"_dis1": "1 2 98",
"code": "pt",
"lang": "Portuguese",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "sinestesia"
},
{
"_dis1": "1 2 98",
"code": "es",
"lang": "Spanish",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "sinestesia"
},
{
"_dis1": "1 2 98",
"code": "sv",
"lang": "Swedish",
"sense": "literary or artistic device",
"tags": [
"common-gender"
],
"word": "synestesi"
}
]
}
],
"sounds": [
{
"ipa": "/ˌsɪn.ɪsˈθiː.ʒə/",
"tags": [
"Received-Pronunciation"
]
},
{
"ipa": "/ˌsɪn.ɪsˈθiː.zɪ.ə/",
"tags": [
"Received-Pronunciation"
]
},
{
"audio": "LL-Q1860 (eng)-Vealhurl-synaesthesia.wav",
"mp3_url": "https://upload.wikimedia.org/wikipedia/commons/transcoded/0/07/LL-Q1860_%28eng%29-Vealhurl-synaesthesia.wav/LL-Q1860_%28eng%29-Vealhurl-synaesthesia.wav.mp3",
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},
{
"ipa": "/ˌsɪn.əsˈθi.ʒə/",
"tags": [
"General-American"
]
},
{
"rhymes": "-iːʒə"
}
],
"synonyms": [
{
"_dis1": "0 0 0",
"tags": [
"UK",
"obsolete"
],
"word": "synæsthesia"
},
{
"_dis1": "0 0 0",
"tags": [
"US"
],
"word": "synesthesia"
}
],
"word": "synaesthesia"
}
{
"categories": [
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"English entries with incorrect language header",
"English lemmas",
"English links with manual fragments",
"English nouns",
"English nouns with irregular plurals",
"English terms derived from Ancient Greek",
"English terms prefixed with syn-",
"English terms suffixed with -aesthesia",
"English terms suffixed with -ia",
"English uncountable nouns",
"Entries with translation boxes",
"Pages with 1 entry",
"Pages with entries",
"Rhymes:English/iːʒə",
"Rhymes:English/iːʒə/4 syllables",
"Terms with Catalan translations",
"Terms with Czech translations",
"Terms with Finnish translations",
"Terms with French translations",
"Terms with Galician translations",
"Terms with German translations",
"Terms with Greek translations",
"Terms with Hungarian translations",
"Terms with Icelandic translations",
"Terms with Irish translations",
"Terms with Italian translations",
"Terms with Japanese translations",
"Terms with Kazakh translations",
"Terms with Mandarin translations",
"Terms with Polish translations",
"Terms with Portuguese translations",
"Terms with Russian translations",
"Terms with Spanish translations",
"Terms with Swedish translations"
],
"derived": [
{
"word": "synaesthete"
}
],
"etymology_templates": [
{
"args": {
"1": "en",
"2": "grc",
"3": "σύν",
"4": "",
"5": "with"
},
"expansion": "Ancient Greek σύν (sún, “with”)",
"name": "der"
},
{
"args": {
"1": "en",
"2": "syn-",
"3": "-aesthesia"
},
"expansion": "syn- + -aesthesia",
"name": "affix"
}
],
"etymology_text": "From Ancient Greek σύν (sún, “with”) + αἴσθησις (aísthēsis, “sensation”), modelled after anaesthesia. It is analysable as syn- + -aesthesia.",
"forms": [
{
"form": "synaesthesiae",
"tags": [
"plural"
]
},
{
"form": "synaesthesias",
"tags": [
"plural"
]
}
],
"head_templates": [
{
"args": {
"1": "~",
"2": "synaesthesiae",
"3": "s"
},
"expansion": "synaesthesia (countable and uncountable, plural synaesthesiae or synaesthesias)",
"name": "en-noun"
}
],
"hyphenation": [
"syn‧aes‧thes‧ia"
],
"hyponyms": [
{
"sense": "neurological or psychological phenomenon",
"word": "chromesthesia"
}
],
"lang": "English",
"lang_code": "en",
"pos": "noun",
"related": [
{
"word": "aesthesia"
},
{
"word": "ideasthesia"
},
{
"word": "metaphor"
},
{
"word": "phonaesthesia"
},
{
"word": "synchresis"
}
],
"senses": [
{
"categories": [
"English terms with quotations",
"en:Neurology",
"en:Psychology"
],
"examples": [
{
"ref": "1893 July, Mary Whiton Calkins, “De Phénomènes de Synopsie. Par Th. Flournoy. Paris, Alean, 1893. [book review]”, in G[ranville] Stanley Hall, editor, The American Journal of Psychology, volume V, number 4, Worcester, Mass.: J. H. Orpha, publisher, →ISSN, →OCLC, page 550:",
"text": "M. [Théodore] Flournoy includes all the phenomena of \"Colored Hearing\" and of \"Mental Forms\" under the convenient and adequate name Synæsthesia—in place of which, to be sure, he himself usually employs the less defensible term Synopsie. […] The phenomena of synæsthesia are divided into three main groups: \"photisms,\" among which are included, as by [Eugen] Bleuler and Lehmann, all the varieties of pseudo-chromesthesia; \"Schemes,\" comprising not only \"forms\" (diagrammes) associated with series of words or numbers, but \"symbols,\" or particular figures associated with single letters, numerals, colors and the like; and \"personifications,\" in which the associated factor is no mere color or form, but has become richer and more concrete.",
"type": "quote"
},
{
"ref": "1903, Frederic W[illiam] H[enry] Myers, “Sensory Automatism”, in Human Personality and Its Survival of Bodily Death … In Two Volumes, volume I, London, New York, N.Y.: Longmans, Green, and Co., […], →OCLC, paragraph 603, page 224:",
"text": "Probably in all of us, though in some men much more distinctly than in others, there exist certain synæsthesiæ or concomitances of sense-impression, which are at any rate not dependent on any recognisable link of association.",
"type": "quote"
},
{
"ref": "1926 July, Paul Campbell Young, “An Experimental Study of Mental and Physical Functions in the Normal and Hypnotic States: Additional Results”, in Margaret F[loy] Washburn, Karl M. Dallenbach, [Isaac] Madison Bentley, Edward G. Boring, editors, The American Journal of Psychology, volume XXXVII, Ithaca, N.Y.: Cornell University, →ISSN, →OCLC, footnote 6, page 346:",
"text": "[…] R. H. Gault's case of synesthesia in a deaf and blind girl, who could distinguish colors by the sense of smell, […]",
"type": "quote"
},
{
"ref": "1945, Julian Blackburn, “Introduction”, in Psychology and the Social Pattern (International Library of Sociology and Social Reconstruction; 251), London: Kegan Paul, Trench, Trübner & Co., →OCLC; republished London: Routledge, 2013, →ISBN:",
"text": "Now just as normal perceptions in terms of sense organs different from those stimulated can be interpreted through common past experiences, so it is likely that synæsthesias may be partly explicable in terms of individual experiences.",
"type": "quote"
},
{
"ref": "1984, William Gibson, chapter 18, in Neuromancer (Sprawl; book 1), New York, N.Y.: Ace Books, →ISBN, page 221:",
"text": "Into her darkness, a churning synaesthesia, where her pain was the taste of old iron, scent of melon, wings of a moth brushing her cheek.",
"type": "quote"
},
{
"ref": "2002, Sean A. Day, “What Synaesthesia Is (and Is Not)”, in Paul Mc Kevitt, Seán Ó Nualláin, Conn Mulvihill, editors, Language, Vision and Music: Selected Papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, Ireland 1999 (Advances in Consciousness Research; 35), Amsterdam, Philadelphia, Pa.: John Benjamins Publishing Company, →ISBN, →ISSN, page 171:",
"text": "For example, I myself have a type of synaesthesia: The sounds of musical instruments will sometimes make me see colors, about a yard in front of me, each color specific and consistent with the particular instrument playing.",
"type": "quote"
},
{
"ref": "2003, Marina Rakova, “Across Sensory Modalities”, in The Extent of the Literal: Metaphor, Polysemy and Theories of Concepts, Basingstoke, Hampshire, New York, N.Y.: Palgrave Macmillan, →DOI, →ISBN, section 4.2 (Seeing Sounds and Tasting Shapes), page 52:",
"text": "Colour is the most commonly induced synaesthetic percept and it can be invoked not only by auditory stimuli, but also by smells, tastes and touch sensations[…]. Other synaesthesiae include musical taste and smell, visual smell, perceptions of shaped or auditory pain, and polymodal synaesthesiae.",
"type": "quote"
},
{
"ref": "2008, Adam Mars-Jones, “Permission to Die”, in Pilcrow: Novel, London: Faber and Faber, →ISBN; 1st paperback edition, London, 2009, →ISBN, page 231:",
"text": "For me Saturday was a bright red color, just as the other days of the week were chromatically coded. […] This wasn't the true synæsthesia which is such a fascinating mystical hint, a loose thread in the fabric of perception left a-dangle, an unravelling which suggests that we could dissolve all our unreal categories.",
"type": "quote"
},
{
"ref": "2009, Graham Richards, Psychology: The Key Concepts (Key Concepts), London, New York, N.Y.: Routledge, →ISBN, page 244:",
"text": "Synaesthesia can occur particularly powerfully during mescalin and LSD intoxication, and is often given mystical significance.",
"type": "quote"
},
{
"ref": "2018 April, Helena Melero, “From Pain to Pleasure: A Neuroscientific Approach to Pain-color and Orgasm-color Synesthesias”, in M[ari]a José de Córdoba Serrano, Julia López de la Torre Lucha, Timothy B. Leiden, editors, Actas del ‘VI Congreso Internacional de Sinestesia, Ciencia y Arte + Actividades Paralelas 2018’: Alcalá la Real, Jaén (España), Granada, Spain: Fundació Internacional Artecittà, →ISBN, page 4, column 1:",
"text": "[S]ynesthetes themselves can provide the indispensable cues to design a structured qualitative questionnaire: color synesthesias and their variations during sexual arousal, direct physical stimulation, and orgasm […] can help scientists differentiate the specific triggers and their characteristics.",
"type": "quote"
}
],
"glosses": [
"A neurological or psychological phenomenon whereby a particular sensory stimulus triggers a second kind of sensation."
],
"links": [
[
"neurology",
"neurology"
],
[
"psychology",
"psychology"
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[
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"neurological"
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"psychological"
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[
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"phenomenon"
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[
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"sensory"
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[
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"stimulus"
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[
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"trigger#Verb"
],
[
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"sensation"
]
],
"raw_glosses": [
"(neurology, psychology) A neurological or psychological phenomenon whereby a particular sensory stimulus triggers a second kind of sensation."
],
"tags": [
"countable",
"uncountable"
],
"topics": [
"human-sciences",
"medicine",
"neurology",
"neuroscience",
"psychology",
"sciences"
]
},
{
"categories": [
"English terms with quotations"
],
"examples": [
{
"ref": "1963, Claude Lévi–Strauss, “Postscript to Chapters III and IV”, in Claire Jacobson, Brooke Grundfest Schoepf, transl., Structural Anthropology: Translated from the French (Harper Torchbooks; TB5017), New York, N.Y.: Basic Books, →OCLC, pages 91–92:",
"text": "On a phonemic level, phenomena of synesthesia have often been described and studied. Practically all children and a good many adults—though for the most part adults will deny it—spontaneously associate sounds, whether phonemes or the timbre of musical instruments, with colors and forms.",
"type": "quote"
},
{
"ref": "2007, Boris Wiseman, “Structuralism, Symbolist Poetics and Abstract Art”, in Lévi-Strauss, Anthropology, and Aesthetics (Ideas in Context; 85), Cambridge: Cambridge University Press, →ISBN, page 112:",
"text": "For one of the enigmatic features of synaesthesia is that, within a given cultural group, the kinds of associations made by different subjects occur according to statistically verifiable recurring patterns. As Jakobson explains, ‘when we ask whether /i/ or /u/ is darker, testing such phonic oppositions as grave vs. acute, some of the subjects may respond that this question makes no sense to them, but hardly one will respond that /i/ is the darker of the two’[…].",
"type": "quote"
}
],
"glosses": [
"The association of one sensory perception with, or description of it in terms of, a different perception that is not experienced at the same time."
],
"links": [
[
"association",
"association"
],
[
"perception",
"perception"
],
[
"description",
"description"
],
[
"experienced",
"experience#Verb"
]
],
"raw_glosses": [
"(by extension) The association of one sensory perception with, or description of it in terms of, a different perception that is not experienced at the same time."
],
"tags": [
"broadly",
"countable",
"uncountable"
]
},
{
"categories": [
"English terms with quotations",
"en:Art",
"en:Literature"
],
"examples": [
{
"ref": "2006, Stephen Bowkett, “Descriptive Writing”, in Boys and Writing (Pocket PAL), London: Network Continuum Education, Continuum International Publishing Group, →ISBN, page 38:",
"text": "Linking moods with colours is one example of synaesthesia. […] As a tool for improving writing, the idea of synaesthesia is versatile and innovative. Why use only visual references to describe visual impressions? Why just describe sounds using sound-related words? Play with cross-matching the senses.",
"type": "quote"
},
{
"ref": "2007, Antti-Ville Kärjä, “Visions of a Sound Nation: Finnish Music Videos and Secured Otherness”, in Roger Beebe, Jason Middleton, editors, Medium Cool: Music Videos from Soundies to Cellphones, Durham, N.C., London: Duke University Press, →ISBN, page 181:",
"text": "[I]t may be stated that the concept of synaesthesia is instrumental for understanding music videos, since videos are based on the soundtrack's visual associations. Yet to discuss associations here may cause some problems. […] [Nicholas Cook] seems to be relying on a rather normative conception of synaesthesia, which for its part supports the idea of absolute, nonrepresentational music. The implication of his discussion is that the \"true\" forms of music–image synaesthesia come only in the forms of perception of color or light when hearing a certain musical sound.",
"type": "quote"
}
],
"glosses": [
"A literary or artistic device whereby one kind of sensation is described in the terms of another."
],
"links": [
[
"art",
"art#Noun"
],
[
"literature",
"literature"
],
[
"literary",
"literary"
],
[
"artistic",
"artistic"
],
[
"device",
"device"
]
],
"raw_glosses": [
"(art, literature) A literary or artistic device whereby one kind of sensation is described in the terms of another."
],
"tags": [
"countable",
"uncountable"
],
"topics": [
"art",
"arts",
"literature",
"media",
"publishing"
]
}
],
"sounds": [
{
"ipa": "/ˌsɪn.ɪsˈθiː.ʒə/",
"tags": [
"Received-Pronunciation"
]
},
{
"ipa": "/ˌsɪn.ɪsˈθiː.zɪ.ə/",
"tags": [
"Received-Pronunciation"
]
},
{
"audio": "LL-Q1860 (eng)-Vealhurl-synaesthesia.wav",
"mp3_url": "https://upload.wikimedia.org/wikipedia/commons/transcoded/0/07/LL-Q1860_%28eng%29-Vealhurl-synaesthesia.wav/LL-Q1860_%28eng%29-Vealhurl-synaesthesia.wav.mp3",
"ogg_url": "https://upload.wikimedia.org/wikipedia/commons/transcoded/0/07/LL-Q1860_%28eng%29-Vealhurl-synaesthesia.wav/LL-Q1860_%28eng%29-Vealhurl-synaesthesia.wav.ogg"
},
{
"ipa": "/ˌsɪn.əsˈθi.ʒə/",
"tags": [
"General-American"
]
},
{
"rhymes": "-iːʒə"
}
],
"synonyms": [
{
"tags": [
"UK",
"obsolete"
],
"word": "synæsthesia"
},
{
"tags": [
"US"
],
"word": "synesthesia"
}
],
"translations": [
{
"code": "ca",
"lang": "Catalan",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "sinestèsia"
},
{
"code": "cmn",
"lang": "Chinese Mandarin",
"sense": "neurological or psychological phenomenon",
"word": "聯覺"
},
{
"code": "cmn",
"lang": "Chinese Mandarin",
"roman": "liánjué",
"sense": "neurological or psychological phenomenon",
"word": "联觉"
},
{
"code": "cs",
"lang": "Czech",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "synestezie"
},
{
"code": "fi",
"lang": "Finnish",
"sense": "neurological or psychological phenomenon",
"word": "synestesia"
},
{
"code": "fi",
"lang": "Finnish",
"sense": "neurological or psychological phenomenon",
"word": "aistien sekoittuminen"
},
{
"code": "fr",
"lang": "French",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "synesthésie"
},
{
"code": "gl",
"lang": "Galician",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "sinestesia"
},
{
"code": "de",
"lang": "German",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "Synästhesie"
},
{
"code": "el",
"lang": "Greek",
"roman": "synaisthisía",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "συναισθησία"
},
{
"code": "hu",
"lang": "Hungarian",
"sense": "neurological or psychological phenomenon",
"word": "szinesztézia"
},
{
"code": "hu",
"lang": "Hungarian",
"sense": "neurological or psychological phenomenon",
"word": "összeérzés"
},
{
"code": "is",
"lang": "Icelandic",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "samskynjun"
},
{
"code": "it",
"lang": "Italian",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "sinestesia"
},
{
"alt": "きょうかんかく",
"code": "ja",
"lang": "Japanese",
"roman": "kyōkankaku",
"sense": "neurological or psychological phenomenon",
"word": "共感覚"
},
{
"code": "kk",
"lang": "Kazakh",
"roman": "sinesteziä",
"sense": "neurological or psychological phenomenon",
"word": "синестезия"
},
{
"code": "pl",
"lang": "Polish",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "synestezja"
},
{
"code": "pt",
"lang": "Portuguese",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "sinestesia"
},
{
"code": "ru",
"lang": "Russian",
"roman": "sinestezíja",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "синестези́я"
},
{
"code": "es",
"lang": "Spanish",
"sense": "neurological or psychological phenomenon",
"tags": [
"feminine"
],
"word": "sinestesia"
},
{
"code": "sv",
"lang": "Swedish",
"sense": "neurological or psychological phenomenon",
"tags": [
"common-gender"
],
"word": "synestesi"
},
{
"code": "ca",
"lang": "Catalan",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "sinestèsia"
},
{
"code": "cmn",
"lang": "Chinese Mandarin",
"roman": "tōnggǎn",
"sense": "literary or artistic device",
"word": "通感"
},
{
"code": "cs",
"lang": "Czech",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "synestezie"
},
{
"code": "fi",
"lang": "Finnish",
"sense": "literary or artistic device",
"word": "synestesia"
},
{
"code": "fr",
"lang": "French",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "synesthésie"
},
{
"code": "gl",
"lang": "Galician",
"sense": "literary or artistic device",
"word": "sinestesia"
},
{
"code": "hu",
"lang": "Hungarian",
"sense": "literary or artistic device",
"word": "szinesztézia"
},
{
"code": "hu",
"lang": "Hungarian",
"sense": "literary or artistic device",
"word": "érzetcsere"
},
{
"code": "ga",
"lang": "Irish",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "sinéistéise"
},
{
"code": "it",
"lang": "Italian",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "sinestesia"
},
{
"code": "pl",
"lang": "Polish",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "synestezja"
},
{
"code": "pt",
"lang": "Portuguese",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "sinestesia"
},
{
"code": "es",
"lang": "Spanish",
"sense": "literary or artistic device",
"tags": [
"feminine"
],
"word": "sinestesia"
},
{
"code": "sv",
"lang": "Swedish",
"sense": "literary or artistic device",
"tags": [
"common-gender"
],
"word": "synestesi"
}
],
"word": "synaesthesia"
}
Download raw JSONL data for synaesthesia meaning in English (17.6kB)
This page is a part of the kaikki.org machine-readable English dictionary. This dictionary is based on structured data extracted on 2024-12-21 from the enwiktionary dump dated 2024-12-04 using wiktextract (d8cb2f3 and 4e554ae). The data shown on this site has been post-processed and various details (e.g., extra categories) removed, some information disambiguated, and additional data merged from other sources. See the raw data download page for the unprocessed wiktextract data.
If you use this data in academic research, please cite Tatu Ylonen: Wiktextract: Wiktionary as Machine-Readable Structured Data, Proceedings of the 13th Conference on Language Resources and Evaluation (LREC), pp. 1317-1325, Marseille, 20-25 June 2022. Linking to the relevant page(s) under https://kaikki.org would also be greatly appreciated.