"slapsticky" meaning in English

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "slapstick",
        "3": "y"
      },
      "expansion": "slapstick + -y",
      "name": "suffix"
    }
  ],
  "etymology_text": "slapstick + -y",
  "forms": [
    {
      "form": "slapstickier",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "slapstickiest",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {
        "1": "er"
      },
      "expansion": "slapsticky (comparative slapstickier, superlative slapstickiest)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms suffixed with -y",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "2007 February 20, Dave Kehr, “New DVDs: The Cuban Masterworks Collection”, in New York Times",
          "text": "Mr. Gutiérrez Alea, who died in 1996 after enjoying a comeback with “Strawberries and Chocolate” (1994) and “Guantanamera” (1995), may have been the richest talent in Cuban films, a “serious comedian” who was able to move beyond the slapsticky farce of “The Twelve Chairs” into the far greater introspection and melancholy of “Memories of Underdevelopment.”",
          "type": "quotation"
        },
        {
          "ref": "2009 September 12, Cathleen Falsani, “The spirituality of the Coen brothers”, in Toronto Star",
          "text": "Each of their films is marked by theological, philosophical and mythological touchstones that enrich even the slapstickiest moments.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Characterised by slapstick."
      ],
      "id": "en-slapsticky-en-adj-R4r2DQ76",
      "links": [
        [
          "slapstick",
          "slapstick"
        ]
      ],
      "raw_glosses": [
        "(informal) Characterised by slapstick."
      ],
      "tags": [
        "informal"
      ]
    }
  ],
  "word": "slapsticky"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "slapstick",
        "3": "y"
      },
      "expansion": "slapstick + -y",
      "name": "suffix"
    }
  ],
  "etymology_text": "slapstick + -y",
  "forms": [
    {
      "form": "slapstickier",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "slapstickiest",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {
        "1": "er"
      },
      "expansion": "slapsticky (comparative slapstickier, superlative slapstickiest)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English informal terms",
        "English lemmas",
        "English terms suffixed with -y",
        "English terms with quotations"
      ],
      "examples": [
        {
          "ref": "2007 February 20, Dave Kehr, “New DVDs: The Cuban Masterworks Collection”, in New York Times",
          "text": "Mr. Gutiérrez Alea, who died in 1996 after enjoying a comeback with “Strawberries and Chocolate” (1994) and “Guantanamera” (1995), may have been the richest talent in Cuban films, a “serious comedian” who was able to move beyond the slapsticky farce of “The Twelve Chairs” into the far greater introspection and melancholy of “Memories of Underdevelopment.”",
          "type": "quotation"
        },
        {
          "ref": "2009 September 12, Cathleen Falsani, “The spirituality of the Coen brothers”, in Toronto Star",
          "text": "Each of their films is marked by theological, philosophical and mythological touchstones that enrich even the slapstickiest moments.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Characterised by slapstick."
      ],
      "links": [
        [
          "slapstick",
          "slapstick"
        ]
      ],
      "raw_glosses": [
        "(informal) Characterised by slapstick."
      ],
      "tags": [
        "informal"
      ]
    }
  ],
  "word": "slapsticky"
}