"hautboy" meaning in English

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      "_dis1": "0 0 0",
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      "text": "→ Russian: гобой (goboj)\n→ Armenian: հոբոյ (hoboy)\n→ Azerbaijani: qoboy\n→ Georgian: ჰობოი (hoboi)\n→ Kazakh: гобой (goboi)"
    }
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        "3": "hautbois"
      },
      "expansion": "Doublet of oboe and hautbois",
      "name": "doublet"
    }
  ],
  "etymology_text": "From Middle French hautbois. Doublet of oboe and hautbois.",
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      "form": "hautboys",
      "tags": [
        "plural"
      ]
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  "lang_code": "en",
  "pos": "noun",
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        },
        {
          "_dis": "37 34 28",
          "kind": "lifeform",
          "langcode": "en",
          "name": "Fruits",
          "orig": "en:Fruits",
          "parents": [
            "Foods",
            "Plants",
            "Eating",
            "Food and drink",
            "Lifeforms",
            "Human behaviour",
            "All topics",
            "Life",
            "Human",
            "Fundamental",
            "Nature"
          ],
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        {
          "_dis": "38 31 30",
          "kind": "lifeform",
          "langcode": "en",
          "name": "Rose family plants",
          "orig": "en:Rose family plants",
          "parents": [
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          "ref": "c. 1596–1599 (date written), William Shakespeare, “The Second Part of Henry the Fourth, […]”, in Mr. William Shakespeares Comedies, Histories, & Tragedies […] (First Folio), London: […] Isaac Iaggard, and Ed[ward] Blount, published 1623, →OCLC, [Act III, scene ii]:",
          "text": "I […] told John a Gaunt he beat his own name; for you might have thrust him and all his apparel into an eel-skin; the case of a treble hautboy was a mansion for him, a court […]",
          "type": "quote"
        },
        {
          "ref": "1603, Plutarch, “Why the Prophetesse Pythia Giveth No Answers Now from the Oracle in Verse or Meeter”, in Philemon Holland, transl., The Philosophie, Commonlie Called, The Morals […], London: […] Arnold Hatfield, →OCLC, page 1199:",
          "text": "[W]ee would that the voice and dialect of the propheteſſe Pythia, reſembling the ſpeech of a Chorus in a tragedie from a ſcaffold, ſhould pronounce her anſwers not in ſimple, plaine, and triviall termes, without any grace to ſet them out, but with Poeticall magnificence of high and ſtately verſes, diſguiſed as it were with metaphors and figurative phraſes, yea, and that which more is, with ſound of flute and hautboies: […]",
          "type": "quote"
        },
        {
          "text": "1694, uncredited translator, The Voyage into Spitzbergen and Greenland by Friderich Martens in An Account of Several Late Voyages & Discoveries to the South and North, London: Sam Smith and Benjamin Walford, Chapter 1, p. 12,\nWhen after this manner any have lost their Ships, and cannot be seen, they discharge a Cannon from the Ship, or sound the Trumpets, or Haut-boys, according as they are provided in their Ships, that the men that are lost may find their Ship again."
        },
        {
          "ref": "1788, Charles Dibdin, The Musical Tour of Mr. Dibdin, Sheffield, Letter 48, p. 197:",
          "text": "[…] even in a hautboy song, or any other where a particular instrument may have an obligato accompaniment, the voice ought to be every where assisted, but no where eclipsed.",
          "type": "quote"
        },
        {
          "text": "1816, William Hazlitt, “Theatrical Debuts,” The Examiner, 20 October, 1816, in A. R. Waller and Arnold Glover (eds.), The Collected Works of William Hazlitt, London: J.M. Dent, 1903, p. 341,\nThe notes proceed from her mouth as mechanically, as unmitigated by the sentiment, as if they came from the sharp hautboy or grating bassoon."
        },
        {
          "ref": "1878, Thomas Hardy, chapter 7, in The Return of the Native, volume 3, London: Smith, Elder, page 69:",
          "text": "“Well, this is a bad night altogether for them that have done well in their time; and if I were ever such a dab at the hautboy or tenor-viol, I shouldn’t have the heart to play tunes upon ’em now.”",
          "type": "quote"
        }
      ],
      "glosses": [
        "An oboe or similar treble double reed instrument."
      ],
      "id": "en-hautboy-en-noun-PXg7cu3k",
      "links": [
        [
          "music",
          "music"
        ],
        [
          "oboe",
          "oboe"
        ],
        [
          "double reed",
          "double reed"
        ]
      ],
      "raw_glosses": [
        "(dated, music) An oboe or similar treble double reed instrument."
      ],
      "tags": [
        "dated"
      ],
      "topics": [
        "entertainment",
        "lifestyle",
        "music"
      ]
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          "_dis": "37 34 28",
          "kind": "lifeform",
          "langcode": "en",
          "name": "Fruits",
          "orig": "en:Fruits",
          "parents": [
            "Foods",
            "Plants",
            "Eating",
            "Food and drink",
            "Lifeforms",
            "Human behaviour",
            "All topics",
            "Life",
            "Human",
            "Fundamental",
            "Nature"
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            "Lifeforms",
            "All topics",
            "Life",
            "Fundamental",
            "Nature"
          ],
          "source": "w+disamb"
        }
      ],
      "glosses": [
        "A reed stop on an organ giving a similar sound."
      ],
      "id": "en-hautboy-en-noun-6NAP~AKv",
      "links": [
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          "music",
          "music"
        ],
        [
          "reed stop",
          "reed stop"
        ],
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          "organ",
          "organ"
        ]
      ],
      "raw_glosses": [
        "(music) A reed stop on an organ giving a similar sound."
      ],
      "topics": [
        "entertainment",
        "lifestyle",
        "music"
      ]
    },
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          "ref": "1766, Tobias Smollett, Travels through France and Italy, London: R. Baldwin, Volume 1, Letter 19, pp. 304-305:",
          "text": "In May we have strawberries, which continue in season two or three months. These are of the wood kind; very grateful, and of a good flavour; but the scarlets and hautboys are not known at Nice.",
          "type": "quote"
        },
        {
          "ref": "1815 December (indicated as 1816), [Jane Austen], chapter 6, in Emma: […], volume (please specify |volume=I to III), London: […] [Charles Roworth and James Moyes] for John Murray, →OCLC:",
          "text": "“The best fruit in England—every body’s favourite—always wholesome.—These the finest beds and finest sorts. […] every sort good—hautboy infinitely superior—no comparison—the others hardly eatable—hautboys very scarce […]”",
          "type": "quote"
        }
      ],
      "glosses": [
        "A tall-growing strawberry, Fragaria elatior, having a musky flavour."
      ],
      "id": "en-hautboy-en-noun-ZhL1~Nf-",
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  "sounds": [
    {
      "ipa": "/ˈhəʊˌbɔɪ/",
      "tags": [
        "Received-Pronunciation"
      ]
    },
    {
      "ipa": "/ˈhoʊˌbɔɪ/",
      "tags": [
        "General-American"
      ]
    },
    {
      "rhymes": "-əʊbɔɪ"
    }
  ],
  "synonyms": [
    {
      "_dis1": "0 0 0",
      "tags": [
        "obsolete"
      ],
      "word": "haut-boy"
    }
  ],
  "word": "hautboy"
}

{
  "categories": [
    "English countable nouns",
    "English doublets",
    "English entries with incorrect language header",
    "English lemmas",
    "English nouns",
    "English terms borrowed from Middle French",
    "English terms derived from Middle French",
    "Pages with 1 entry",
    "Pages with entries",
    "Rhymes:English/əʊbɔɪ",
    "Rhymes:English/əʊbɔɪ/2 syllables",
    "en:Fruits",
    "en:Rose family plants"
  ],
  "derived": [
    {
      "word": "hautboyist"
    }
  ],
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            "bor": "1"
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          "expansion": "→ Russian: гобой (goboj)\n→ Armenian: հոբոյ (hoboy)\n→ Azerbaijani: qoboy\n→ Georgian: ჰობოი (hoboi)\n→ Kazakh: гобой (goboi)",
          "name": "desctree"
        }
      ],
      "text": "→ Russian: гобой (goboj)\n→ Armenian: հոբոյ (hoboy)\n→ Azerbaijani: qoboy\n→ Georgian: ჰობოი (hoboi)\n→ Kazakh: гобой (goboi)"
    }
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      "name": "bor"
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        "2": "oboe",
        "3": "hautbois"
      },
      "expansion": "Doublet of oboe and hautbois",
      "name": "doublet"
    }
  ],
  "etymology_text": "From Middle French hautbois. Doublet of oboe and hautbois.",
  "forms": [
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      "form": "hautboys",
      "tags": [
        "plural"
      ]
    }
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          "ref": "c. 1596–1599 (date written), William Shakespeare, “The Second Part of Henry the Fourth, […]”, in Mr. William Shakespeares Comedies, Histories, & Tragedies […] (First Folio), London: […] Isaac Iaggard, and Ed[ward] Blount, published 1623, →OCLC, [Act III, scene ii]:",
          "text": "I […] told John a Gaunt he beat his own name; for you might have thrust him and all his apparel into an eel-skin; the case of a treble hautboy was a mansion for him, a court […]",
          "type": "quote"
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        {
          "ref": "1603, Plutarch, “Why the Prophetesse Pythia Giveth No Answers Now from the Oracle in Verse or Meeter”, in Philemon Holland, transl., The Philosophie, Commonlie Called, The Morals […], London: […] Arnold Hatfield, →OCLC, page 1199:",
          "text": "[W]ee would that the voice and dialect of the propheteſſe Pythia, reſembling the ſpeech of a Chorus in a tragedie from a ſcaffold, ſhould pronounce her anſwers not in ſimple, plaine, and triviall termes, without any grace to ſet them out, but with Poeticall magnificence of high and ſtately verſes, diſguiſed as it were with metaphors and figurative phraſes, yea, and that which more is, with ſound of flute and hautboies: […]",
          "type": "quote"
        },
        {
          "text": "1694, uncredited translator, The Voyage into Spitzbergen and Greenland by Friderich Martens in An Account of Several Late Voyages & Discoveries to the South and North, London: Sam Smith and Benjamin Walford, Chapter 1, p. 12,\nWhen after this manner any have lost their Ships, and cannot be seen, they discharge a Cannon from the Ship, or sound the Trumpets, or Haut-boys, according as they are provided in their Ships, that the men that are lost may find their Ship again."
        },
        {
          "ref": "1788, Charles Dibdin, The Musical Tour of Mr. Dibdin, Sheffield, Letter 48, p. 197:",
          "text": "[…] even in a hautboy song, or any other where a particular instrument may have an obligato accompaniment, the voice ought to be every where assisted, but no where eclipsed.",
          "type": "quote"
        },
        {
          "text": "1816, William Hazlitt, “Theatrical Debuts,” The Examiner, 20 October, 1816, in A. R. Waller and Arnold Glover (eds.), The Collected Works of William Hazlitt, London: J.M. Dent, 1903, p. 341,\nThe notes proceed from her mouth as mechanically, as unmitigated by the sentiment, as if they came from the sharp hautboy or grating bassoon."
        },
        {
          "ref": "1878, Thomas Hardy, chapter 7, in The Return of the Native, volume 3, London: Smith, Elder, page 69:",
          "text": "“Well, this is a bad night altogether for them that have done well in their time; and if I were ever such a dab at the hautboy or tenor-viol, I shouldn’t have the heart to play tunes upon ’em now.”",
          "type": "quote"
        }
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      "glosses": [
        "An oboe or similar treble double reed instrument."
      ],
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        [
          "music",
          "music"
        ],
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          "oboe",
          "oboe"
        ],
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        ]
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        "(dated, music) An oboe or similar treble double reed instrument."
      ],
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        "lifestyle",
        "music"
      ]
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      "glosses": [
        "A reed stop on an organ giving a similar sound."
      ],
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        "(music) A reed stop on an organ giving a similar sound."
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          "ref": "1766, Tobias Smollett, Travels through France and Italy, London: R. Baldwin, Volume 1, Letter 19, pp. 304-305:",
          "text": "In May we have strawberries, which continue in season two or three months. These are of the wood kind; very grateful, and of a good flavour; but the scarlets and hautboys are not known at Nice.",
          "type": "quote"
        },
        {
          "ref": "1815 December (indicated as 1816), [Jane Austen], chapter 6, in Emma: […], volume (please specify |volume=I to III), London: […] [Charles Roworth and James Moyes] for John Murray, →OCLC:",
          "text": "“The best fruit in England—every body’s favourite—always wholesome.—These the finest beds and finest sorts. […] every sort good—hautboy infinitely superior—no comparison—the others hardly eatable—hautboys very scarce […]”",
          "type": "quote"
        }
      ],
      "glosses": [
        "A tall-growing strawberry, Fragaria elatior, having a musky flavour."
      ],
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    {
      "rhymes": "-əʊbɔɪ"
    }
  ],
  "synonyms": [
    {
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      "word": "haut-boy"
    }
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  "word": "hautboy"
}