"crescendi" meaning in English

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  "lang_code": "en",
  "pos": "noun",
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      "examples": [
        {
          "ref": "1964, Nikolay Rimsky-Korsakov et al., Principles of orchestration: with musical examples drawn from his own works, DoverPublications.com, page 112",
          "text": "Short crescendi and diminuendi are generally produced by natural dynamic means; when prolonged, they are obtained by this method combined with other orchestral devices. […] Prolonged orchestral crescendi are obtained by the gradual addition of other instruments in the following order: strings, wood-wind, brass.",
          "type": "quotation"
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        {
          "ref": "1989: Hermann Scherchen, Michel D. Calvocoressi [tr.], and Norman Del Mar [prefacer], Handbook of conducting, page 113 (Oxford University Press; →ISBN, 9780198161820)",
          "text": "Wrong crescendi, which should be avoided, tend to appear at the end of passages ascending to the apex of melodies[.]"
        },
        {
          "ref": "2003, Christopher Anderson, Max Reger and Karl Straube: perspectives on an organ performing tradition, Ashgate Publishing, page 94",
          "text": "Furthermore, organ builders were at liberty to construct their register crescendi so that stops entered either one at a time or in groups of two or more. […] Of course, a sensitive organist would not rely wholly or even predominantly upon a register crescendo to effect stop changes, particularly when those changes had more to do with simple manipulation of tone color than with progressive crescendi.",
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      "form_of": [
        {
          "word": "crescendo"
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      "glosses": [
        "plural of crescendo"
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      "id": "en-crescendi-en-noun-BvNJj0YN",
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  "word": "crescendi"
}

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  "lang_code": "en",
  "pos": "noun",
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        {
          "ref": "1964, Nikolay Rimsky-Korsakov et al., Principles of orchestration: with musical examples drawn from his own works, DoverPublications.com, page 112",
          "text": "Short crescendi and diminuendi are generally produced by natural dynamic means; when prolonged, they are obtained by this method combined with other orchestral devices. […] Prolonged orchestral crescendi are obtained by the gradual addition of other instruments in the following order: strings, wood-wind, brass.",
          "type": "quotation"
        },
        {
          "ref": "1989: Hermann Scherchen, Michel D. Calvocoressi [tr.], and Norman Del Mar [prefacer], Handbook of conducting, page 113 (Oxford University Press; →ISBN, 9780198161820)",
          "text": "Wrong crescendi, which should be avoided, tend to appear at the end of passages ascending to the apex of melodies[.]"
        },
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          "ref": "2003, Christopher Anderson, Max Reger and Karl Straube: perspectives on an organ performing tradition, Ashgate Publishing, page 94",
          "text": "Furthermore, organ builders were at liberty to construct their register crescendi so that stops entered either one at a time or in groups of two or more. […] Of course, a sensitive organist would not rely wholly or even predominantly upon a register crescendo to effect stop changes, particularly when those changes had more to do with simple manipulation of tone color than with progressive crescendi.",
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      "form_of": [
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          "word": "crescendo"
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      "glosses": [
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