See Zelda-like on Wiktionary
Download JSON data for Zelda-like meaning in All languages combined (12.3kB)
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"text": "Anyway, if you’re looking for a Zelda-like adventure for your machine you won’t go far wrong with Golvellius 2.",
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"type": "quotation"
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"text": "A Zelda-like Quest to Fight an Unbeatable Foe",
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"text": "[…] it wasn’t the first game to really combine roguelike elements such as perma-death and random generation with another genre (in this case, a Zelda-like dungeon crawl), but it was by far the one that captured the most attention.",
"type": "quotation"
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"text": "Much like his appearance, sonic cues associated with Xandir [P. Whifflebottom] clearly stem from well-known video games: There are Mario-esque leaping sounds, Sonic [the Hedgehog]-like metallic arpeggios, and in a direct nod to The Legend of Zelda (and tangentially to Super Mario Bros. 3), a recorder that whisks Xandir away from danger. Yet these cues are often used in comedic fashion outside of the contexts with which those sounds would have been associated in the original games. The Zelda-like recorder, for example, creates a tornado that, in carrying Xandir away, also destroys a trailer park.",
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{
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"text": "The three try to pretend that life is intact as an intricate sexual sharing goes on, but Catherine, in a Zelda-like way, becomes increasingly vindictive and hostile, especially toward David and his “work,” and ends up one day burning the stories (about his father) that he has lately been writing and that he considers the best work he has done.",
"type": "quotation"
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"text": "Only in the Zelda-like crazy wife in The Garden of Eden would he [Ernest Hemingway] be able to see himself in such a woman.",
"type": "quotation"
},
{
"ref": "1990, Suzanne Comer, Common Bonds: Stories by and about Modern Texas Women, Southern Methodist University Press, page 110",
"text": "When James Jones finished the long haul of From Here to Eternity, he, Zelda-like, gave himself up to the dance.",
"type": "quotation"
},
{
"ref": "1995, Elizabeth Anne Weston, The International Theme in F. Scott Fitzgerald’s Literature, Peter Lang, page 72",
"text": "Gradually, she replaces her belief in Bill with a Zelda-like devotion to ballet, by which she regains her youthfulness.",
"type": "quotation"
},
{
"ref": "1996, Speaking of History: Dance Scholarship in the '90s, page 102",
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"type": "quotation"
},
{
"ref": "1999, Theatre Record, page 906",
"text": "Helen Catos, the central character of Between Love and Passion, is a Zelda-like scion of New York’s gilded set.",
"type": "quotation"
},
{
"ref": "2002, Book Review Digest, page 98",
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"type": "quotation"
},
{
"ref": "2003, Midwestern Miscellany, page 55",
"text": "However, [Scott] Donaldson sees a complexity in Fitzgerald’s portrayal of this Zelda-like character, for as he continued to write about the South in his Tarleton trilogy, Fitzgerald portrayed her as increasingly self-centered, irresponsible, fickle, and artificial, as exemplified by Nancy Lamar in “The Jelly Bean” and by Ailie Calhoun in “The Last of the Belles,” who reflect [F. Scott] Fitzgerald’s gradual disillusionment with the South and his beautiful Southern wife.",
"type": "quotation"
},
{
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"text": "[F.] Scott [Fitzgerald] sent a chapter about the increasingly Zelda-like heroine to Zelda and it appealed to her sense of great importance. […] The animate object of Dexter [Green]’s desires is Judy Jones (aka Ginevra King with Zelda-like behavior), a child of wealth whose selfishness, manipulations, and infidelities are overlooked by Dexter in favor of her physical beauty and “passionate energy.”",
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"type": "quotation"
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{
"ref": "2003, Pojo’s Unofficial Dragon Ball Z: The Complete Player and Collector’s Guide to Every Card and Character, Triumph Books, page 46",
"text": "At its heart, “Legacy of Goku” combines RPG and action elements to form a very Zelda-like feeling, but with the addition of experience points.",
"type": "quotation"
},
{
"ref": "2010, José P. Zagal, quoting Timothy, Ludoliteracy: Defining, Understanding, and Supporting Games Education, ETC Press, pages 84–85",
"text": "Eventually I ended up finding how to enter a cave and completed a Zelda-like dungeon “level” to rescue the dog.",
"type": "quotation"
},
{
"ref": "2011, Classic Videogame Hardware Genius Guide, Imagine Publishing",
"text": "Anyway, if you’re looking for a Zelda-like adventure for your machine you won’t go far wrong with Golvellius 2.",
"type": "quotation"
},
{
"ref": "2018, The Legend of Zelda: Encyclopedia, Dark Horse Books",
"text": "He [Hidemaro Fujibayashi] steers away from game play that doesn’t feel “Zelda-like,” instead asking how that game play can provide a fresh perspective on the familiar and beloved world of Hyrule.",
"type": "quotation"
},
{
"ref": "2019, Chris Scullion, The NES Encyclopedia: Every Game Released for the Nintendo Entertainment System, Pen and Sword WHITE OWL, page 73",
"text": "Faria[: A World of Mystery and Danger!] borrows elements from numerous games: although the town exploration and random battle encounters are similar to traditional RPGs like Final Fantasy and Dragon Quest, these battles are Zelda-like real-time fights.",
"type": "quotation"
},
{
"ref": "2021, Tim Summers, The Legend of Zelda: Ocarina of Time: A Game Music Companion, Intellect",
"text": "[Koji] Kondo may be making such compositional choices deliberately, or he might simply be writing music that he thinks is ‘Zelda-like’ in style, which manifests as these motivic echoes.",
"type": "quotation"
},
{
"ref": "2021, Mark Leslie, Fear and Longing in Los Angeles: A Canadian Werewolf Novel, Stark Publishing",
"text": "A Zelda-like Quest to Fight an Unbeatable Foe",
"type": "quotation"
},
{
"ref": "2021, Patrick Hickey, Jr., quoting Joe Mirabello, The Minds Behind Shooter Games: Interviews with Cult and Classic Video Game Developers (Studies in Gaming), Jefferson, N.C.: McFarland & Company, Inc., Publishers, page 146",
"text": "[…] it wasn’t the first game to really combine roguelike elements such as perma-death and random generation with another genre (in this case, a Zelda-like dungeon crawl), but it was by far the one that captured the most attention.",
"type": "quotation"
},
{
"ref": "2023, Karen M. Cook, “Xandir P. Whifflebottom, Video Game … Hero?”, in Lisa Scoggin, Dana Plank, editors, The Intersection of Animation, Video Games, and Music: Making Movement Sing (Routledge Research in Music Series), Routledge, page 80",
"text": "Much like his appearance, sonic cues associated with Xandir [P. Whifflebottom] clearly stem from well-known video games: There are Mario-esque leaping sounds, Sonic [the Hedgehog]-like metallic arpeggios, and in a direct nod to The Legend of Zelda (and tangentially to Super Mario Bros. 3), a recorder that whisks Xandir away from danger. Yet these cues are often used in comedic fashion outside of the contexts with which those sounds would have been associated in the original games. The Zelda-like recorder, for example, creates a tornado that, in carrying Xandir away, also destroys a trailer park.",
"type": "quotation"
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This page is a part of the kaikki.org machine-readable All languages combined dictionary. This dictionary is based on structured data extracted on 2024-05-03 from the enwiktionary dump dated 2024-05-02 using wiktextract (f4fd8c9 and c9440ce). The data shown on this site has been post-processed and various details (e.g., extra categories) removed, some information disambiguated, and additional data merged from other sources. See the raw data download page for the unprocessed wiktextract data.
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