See Neo-Renaissance on Wiktionary
Download JSON data for Neo-Renaissance meaning in All languages combined (4.3kB)
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"text": "Coordinate term: Neo-Baroque"
},
{
"ref": "1963, Nikolaus Pevsner, “Victorian Prolegomena”, in Peter Ferriday, editor, Victorian Architecture, London: Jonathan Cape, page 24",
"text": "Neo-Renaissance is at least heralded in Ledoux and others of his generation, i.e. round arches on detached columns and round-arched windows, and complete in Klenze’s Leuchtenberg Palace at Munich in 1816 and Barry’s Travellers’ Club in 1829.",
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"ref": "2013, Stephan Tschudi Madsen, The Art Nouveau Style, Courier Corporation",
"text": "Neo-Baroque developed especially in France and Flanders from the eighteen-seventies and beyond, and in this part it enjoyed a position corresponding to that of the neo-Renaissance in Germany.",
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"ref": "2015, Martin A. Ruehl, The Italian Renaissance in the German Historical Imagination, Cambridge University Press, page 28",
"text": "With its pilastered alcoves and richly decorated plafond, its baldachins, tapestries, brocade upholstery, and massive palm fronds, Makart's studio epitomized the neo-Renaissance style, also known as Renaissance Revival or German Renaissance, which defined the look of countless bourgeois parlours in the Second Empire.",
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"ref": "2018 [1960], Erwin Panofsky, Renaissance And Renascences In Western Art, Routledge",
"text": "To be added, as a characteristic curiosity, K. Scheffler, Der Geist der Gotik, Leipzig 1925, which on strength of “by their fruits shall ye know them”, makes St. Peter's and, in the last analysis, the Pantheon, responsible for the Neo-Renaissance of the Victorian, Edwardian and Wilhelminian eras (without, however, blaming the results of the contemporary Gothic and Romanesque revivals on the Cathedrals of Speyer or Reims).",
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"text": "Neo-Renaissance is at least heralded in Ledoux and others of his generation, i.e. round arches on detached columns and round-arched windows, and complete in Klenze’s Leuchtenberg Palace at Munich in 1816 and Barry’s Travellers’ Club in 1829.",
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},
{
"ref": "2018 [1960], Erwin Panofsky, Renaissance And Renascences In Western Art, Routledge",
"text": "To be added, as a characteristic curiosity, K. Scheffler, Der Geist der Gotik, Leipzig 1925, which on strength of “by their fruits shall ye know them”, makes St. Peter's and, in the last analysis, the Pantheon, responsible for the Neo-Renaissance of the Victorian, Edwardian and Wilhelminian eras (without, however, blaming the results of the contemporary Gothic and Romanesque revivals on the Cathedrals of Speyer or Reims).",
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This page is a part of the kaikki.org machine-readable All languages combined dictionary. This dictionary is based on structured data extracted on 2024-06-23 from the enwiktionary dump dated 2024-06-20 using wiktextract (1b9bfc5 and 0136956). The data shown on this site has been post-processed and various details (e.g., extra categories) removed, some information disambiguated, and additional data merged from other sources. See the raw data download page for the unprocessed wiktextract data.
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