"8-bit" meaning in All languages combined

{
  "categories": [
    {
      "kind": "other",
      "name": "帶數字的英語詞",
      "parents": [],
      "source": "w"
    },
    {
      "kind": "other",
      "name": "英語形容詞",
      "parents": [],
      "source": "w"
    },
    {
      "kind": "other",
      "name": "英語無比較級形容詞",
      "parents": [],
      "source": "w"
    },
    {
      "kind": "other",
      "name": "英語詞元",
      "parents": [],
      "source": "w"
    }
  ],
  "lang": "英語",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "examples": [
        {
          "ref": "2007, Nick Collins, Julio d'Escriván, The Cambridge companion to electronic music (page 189)",
          "text": "I started creating 8-bit music around 2002 when I picked up nanoloop […]"
        }
      ],
      "glosses": [
        "以8位元/比特為單位的"
      ],
      "id": "zh-8-bit-en-adj-tbHmG8V0",
      "topics": [
        "computing"
      ]
    },
    {
      "examples": [
        {
          "ref": "2008 January 1, Karen Collins, Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design, MIT Press, →ISBN:",
          "text": "Typically far more complex than the songs of the 8-bit games, songs in Amiga games had a highly varied structure, but usually followed the same basic principles seen in the 8-bit games (shorter loops with fewer distinct sections for battle music, and longer loops with more distinct sections for in-game music)."
        },
        {
          "ref": "2008 November 12, Brett Camper, “Retro Reflexivity: La-Mulana”, 出自 Bernard Perron, Mark J.P. Wolf 編, The Video Game Theory Reader 2, Routledge, →ISBN:",
          "text": "Much of La-Mulanas 8-bit' aesthetic is tied to its self-imposed graphical limitations. To start, the native resolution of 256 × 192 pixels is (as we would expect) much less than that of contemporary standards[…]"
        }
      ],
      "glosses": [
        "來自或類似8位元電腦時代藝術或音樂的"
      ],
      "id": "zh-8-bit-en-adj-3K19LcWb",
      "topics": [
        "computing",
        "music"
      ]
    }
  ],
  "tags": [
    "not-comparable"
  ],
  "word": "8-bit"
}

{
  "categories": [
    "帶數字的英語詞",
    "英語形容詞",
    "英語無比較級形容詞",
    "英語詞元"
  ],
  "lang": "英語",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "examples": [
        {
          "ref": "2007, Nick Collins, Julio d'Escriván, The Cambridge companion to electronic music (page 189)",
          "text": "I started creating 8-bit music around 2002 when I picked up nanoloop […]"
        }
      ],
      "glosses": [
        "以8位元/比特為單位的"
      ],
      "topics": [
        "computing"
      ]
    },
    {
      "examples": [
        {
          "ref": "2008 January 1, Karen Collins, Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design, MIT Press, →ISBN:",
          "text": "Typically far more complex than the songs of the 8-bit games, songs in Amiga games had a highly varied structure, but usually followed the same basic principles seen in the 8-bit games (shorter loops with fewer distinct sections for battle music, and longer loops with more distinct sections for in-game music)."
        },
        {
          "ref": "2008 November 12, Brett Camper, “Retro Reflexivity: La-Mulana”, 出自 Bernard Perron, Mark J.P. Wolf 編, The Video Game Theory Reader 2, Routledge, →ISBN:",
          "text": "Much of La-Mulanas 8-bit' aesthetic is tied to its self-imposed graphical limitations. To start, the native resolution of 256 × 192 pixels is (as we would expect) much less than that of contemporary standards[…]"
        }
      ],
      "glosses": [
        "來自或類似8位元電腦時代藝術或音樂的"
      ],
      "topics": [
        "computing",
        "music"
      ]
    }
  ],
  "tags": [
    "not-comparable"
  ],
  "word": "8-bit"
}