"लास्य" meaning in Sanskrit

{
  "descendants": [
    {
      "depth": 1,
      "templates": [
        {
          "args": {
            "1": "te",
            "2": "లాస్యము"
          },
          "expansion": "Telugu: లాస్యము (lāsyamu)",
          "name": "desc"
        }
      ],
      "text": "Telugu: లాస్యము (lāsyamu)"
    }
  ],
  "forms": [
    {
      "form": "lāsya",
      "tags": [
        "romanization"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "लास्य • (lāsya) stem, ?",
      "name": "sa-noun"
    }
  ],
  "lang": "Sanskrit",
  "lang_code": "sa",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "Sanskrit entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        }
      ],
      "glosses": [
        "dancing, a dance (esp. accompanied with instrumental music and singing), a dance representing the emotions of love dramatically (this was at one time a principal part of the drama, and as such accord. to भरत and the दश-रूप consisted of 10 divisions or अङ्गs, viz. गेय-पद, स्थित-पाठ्य, आसीन, पुष्प-गण्डिका, प्रच्छेदक, त्रि-गूढ or त्रि-मूढक, सैन्धव, द्विगूढक or विमूढक, उत्तमोत्तमक, and उक्त-प्रत्युक्त ; including also a style of dramatic composition in which there is abrupt transition from Sanskrit to Prakrit and from Prakrit to Sanskrit ; the term लास्य is also applied to the Nach [Nautch] dance of the Indian dancing girls, consisting chiefly of gesticulation with a shuffling movement of the feet forwards and backwards, as invented by पार्वति and opposed to the boisterous masculine dance called ताण्डव practised by शिव and his followers ; cf. IW. 467) MBh. Kāv. &c."
      ],
      "id": "en-लास्य-sa-noun-ue9enAiZ",
      "links": [
        [
          "dancing",
          "dancing"
        ],
        [
          "dance",
          "dance"
        ]
      ]
    }
  ],
  "word": "लास्य"
}

{
  "descendants": [
    {
      "depth": 1,
      "templates": [
        {
          "args": {
            "1": "te",
            "2": "లాస్యము"
          },
          "expansion": "Telugu: లాస్యము (lāsyamu)",
          "name": "desc"
        }
      ],
      "text": "Telugu: లాస్యము (lāsyamu)"
    }
  ],
  "forms": [
    {
      "form": "lāsya",
      "tags": [
        "romanization"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "लास्य • (lāsya) stem, ?",
      "name": "sa-noun"
    }
  ],
  "lang": "Sanskrit",
  "lang_code": "sa",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        "Requests for gender in Sanskrit entries",
        "Sanskrit entries with incorrect language header",
        "Sanskrit lemmas",
        "Sanskrit nouns",
        "Sanskrit nouns in Devanagari script"
      ],
      "glosses": [
        "dancing, a dance (esp. accompanied with instrumental music and singing), a dance representing the emotions of love dramatically (this was at one time a principal part of the drama, and as such accord. to भरत and the दश-रूप consisted of 10 divisions or अङ्गs, viz. गेय-पद, स्थित-पाठ्य, आसीन, पुष्प-गण्डिका, प्रच्छेदक, त्रि-गूढ or त्रि-मूढक, सैन्धव, द्विगूढक or विमूढक, उत्तमोत्तमक, and उक्त-प्रत्युक्त ; including also a style of dramatic composition in which there is abrupt transition from Sanskrit to Prakrit and from Prakrit to Sanskrit ; the term लास्य is also applied to the Nach [Nautch] dance of the Indian dancing girls, consisting chiefly of gesticulation with a shuffling movement of the feet forwards and backwards, as invented by पार्वति and opposed to the boisterous masculine dance called ताण्डव practised by शिव and his followers ; cf. IW. 467) MBh. Kāv. &c."
      ],
      "links": [
        [
          "dancing",
          "dancing"
        ],
        [
          "dance",
          "dance"
        ]
      ]
    }
  ],
  "word": "लास्य"
}