See लास्य in All languages combined, or Wiktionary
{ "descendants": [ { "depth": 1, "templates": [ { "args": { "1": "te", "2": "లాస్యము" }, "expansion": "Telugu: లాస్యము (lāsyamu)", "name": "desc" } ], "text": "Telugu: లాస్యము (lāsyamu)" } ], "forms": [ { "form": "lāsya", "tags": [ "romanization" ] } ], "head_templates": [ { "args": {}, "expansion": "लास्य • (lāsya) stem, ?", "name": "sa-noun" } ], "lang": "Sanskrit", "lang_code": "sa", "pos": "noun", "senses": [ { "categories": [ { "kind": "other", "name": "Pages with 1 entry", "parents": [], "source": "w" }, { "kind": "other", "name": "Pages with entries", "parents": [], "source": "w" }, { "kind": "other", "name": "Sanskrit entries with incorrect language header", "parents": [ "Entries with incorrect language header", "Entry maintenance" ], "source": "w" } ], "glosses": [ "dancing, a dance (esp. accompanied with instrumental music and singing), a dance representing the emotions of love dramatically (this was at one time a principal part of the drama, and as such accord. to भरत and the दश-रूप consisted of 10 divisions or अङ्गs, viz. गेय-पद, स्थित-पाठ्य, आसीन, पुष्प-गण्डिका, प्रच्छेदक, त्रि-गूढ or त्रि-मूढक, सैन्धव, द्विगूढक or विमूढक, उत्तमोत्तमक, and उक्त-प्रत्युक्त ; including also a style of dramatic composition in which there is abrupt transition from Sanskrit to Prakrit and from Prakrit to Sanskrit ; the term लास्य is also applied to the Nach [Nautch] dance of the Indian dancing girls, consisting chiefly of gesticulation with a shuffling movement of the feet forwards and backwards, as invented by पार्वति and opposed to the boisterous masculine dance called ताण्डव practised by शिव and his followers ; cf. IW. 467) MBh. Kāv. &c." ], "id": "en-लास्य-sa-noun-ue9enAiZ", "links": [ [ "dancing", "dancing" ], [ "dance", "dance" ] ] } ], "word": "लास्य" }
{ "descendants": [ { "depth": 1, "templates": [ { "args": { "1": "te", "2": "లాస్యము" }, "expansion": "Telugu: లాస్యము (lāsyamu)", "name": "desc" } ], "text": "Telugu: లాస్యము (lāsyamu)" } ], "forms": [ { "form": "lāsya", "tags": [ "romanization" ] } ], "head_templates": [ { "args": {}, "expansion": "लास्य • (lāsya) stem, ?", "name": "sa-noun" } ], "lang": "Sanskrit", "lang_code": "sa", "pos": "noun", "senses": [ { "categories": [ "Pages with 1 entry", "Pages with entries", "Requests for gender in Sanskrit entries", "Sanskrit entries with incorrect language header", "Sanskrit lemmas", "Sanskrit nouns", "Sanskrit nouns in Devanagari script" ], "glosses": [ "dancing, a dance (esp. accompanied with instrumental music and singing), a dance representing the emotions of love dramatically (this was at one time a principal part of the drama, and as such accord. to भरत and the दश-रूप consisted of 10 divisions or अङ्गs, viz. गेय-पद, स्थित-पाठ्य, आसीन, पुष्प-गण्डिका, प्रच्छेदक, त्रि-गूढ or त्रि-मूढक, सैन्धव, द्विगूढक or विमूढक, उत्तमोत्तमक, and उक्त-प्रत्युक्त ; including also a style of dramatic composition in which there is abrupt transition from Sanskrit to Prakrit and from Prakrit to Sanskrit ; the term लास्य is also applied to the Nach [Nautch] dance of the Indian dancing girls, consisting chiefly of gesticulation with a shuffling movement of the feet forwards and backwards, as invented by पार्वति and opposed to the boisterous masculine dance called ताण्डव practised by शिव and his followers ; cf. IW. 467) MBh. Kāv. &c." ], "links": [ [ "dancing", "dancing" ], [ "dance", "dance" ] ] } ], "word": "लास्य" }
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This page is a part of the kaikki.org machine-readable Sanskrit dictionary. This dictionary is based on structured data extracted on 2025-01-13 from the enwiktionary dump dated 2025-01-01 using wiktextract (4ba5975 and 4ed51a5). The data shown on this site has been post-processed and various details (e.g., extra categories) removed, some information disambiguated, and additional data merged from other sources. See the raw data download page for the unprocessed wiktextract data.
If you use this data in academic research, please cite Tatu Ylonen: Wiktextract: Wiktionary as Machine-Readable Structured Data, Proceedings of the 13th Conference on Language Resources and Evaluation (LREC), pp. 1317-1325, Marseille, 20-25 June 2022. Linking to the relevant page(s) under https://kaikki.org would also be greatly appreciated.