シャッター

ja-noun

シャッター • (shattā)


画角

画(が)角(かく) • (gakaku) ^(←ぐわかく (gwakaku)?)

画角 (canonical)
gakaku (romanization)
gwakaku (romanization)
ぐわかく (hiragana historical)

(photography, cinematography) angle of view


被写界深度

被(ひ)写(しゃ)界(かい)深(しん)度(ど) • (hishakai shindo)

被写界深度 (canonical)
hishakai shindo (romanization)

By surface analysis, 被 (hi, recipient marker, denoting the region's ‘being’ captured) + 写 (sha, “photograph”) + 界 (kai, “region, boundary”) + 深度 (shindo, “depth”). The three components 被写界(ひしゃかい) (hishakai) taken together can be taken to mean “field”, as corresponds to its counterpart component in the English equivalent.


解像度

ja-noun

解(かい)像(ぞう)度(ど) • (kaizōdo) ^(←かいざうど (kaizaudo)?)

解像度 (canonical)
kaizōdo (romanization)
kaizaudo (romanization)
かいざうど (hiragana historical)

(photography, computer graphics) resolution


焚く

ja-verb

焚(た)く • (taku) transitive godan (stem 焚(た)き (taki), past 焚(た)いた (taita))

焚く (canonical)
taku (romanization)
焚き (stem)
焚いた (past)
焚か
たか
taka
焚き
たき
taki
焚く
たく
taku
焚け
たけ
take
焚かれる (passive)
たかれる (passive)
takareru (passive)
焚かせる (causative)
焚かす (causative)
たかせる (causative)
たかす (causative)
takaseru (causative)
takasu (causative)
焚ける (potential)
たける (potential)
takeru (potential)
焚こう (volitional)
たこう (volitional)
takō (volitional)
焚かない (negative)
たかない (negative)
takanai (negative)
焚かず (continuative negative)
たかず (continuative negative)
takazu (continuative negative)
焚きます (formal)
たきます (formal)
takimasu (formal)
焚いた (perfective)
たいた (perfective)
taita (perfective)
焚いて (conjunctive)
たいて (conjunctive)
taite (conjunctive)
焚けば (conditional hypothetical)
たけば (conditional hypothetical)
takeba (conditional hypothetical)

From Old Japanese. First attested in the Nihon Shoki of 720 CE.

フラッシュを焚く


フラッシュ

フラッシュを焚く


手札

Daijirin
Daijisen
Kyōsuke Kindaichi
ja:松村明

Compound of 手 (te, “hand”) + 札 (fuda, “card”).

(photography) short for 手札形 (tefuda gata) or 手札版 (tefuda ban): a specific size of photograph, roughly 8cm × 11cm


陰画

陰画 (canonical)
inga (romanization)
ingwa (romanization)
いんぐわ (hiragana historical)


陽画

陽画 (canonical)
yōga (romanization)
yaugwa (romanization)
やうぐわ (hiragana historical)


全景

[d͡zẽ̞ŋke̞ː]


広角レンズ

広角レンズ (canonical)
kōkaku renzu (romanization)

[ko̞ːka̠kɯ̟ ɾẽ̞nd͡zɨ]

広角 (kōkaku, “wide-angle”) + レンズ (renzu, “lens”), calque of English wide-angle lens


魚眼レンズ

魚眼レンズ (canonical)
gyogan renzu (romanization)

[ɡʲo̞ɡa̠n̺ ɾẽ̞nd͡zɨ]

魚眼 (gyogan, “fish eye”) + レンズ (renzu, “lens”)


ホワイトバランス

[ho̞β̞a̠ito̞ ba̠ɾã̠ɰ̃sɨ]

(photography) white balance (color correction)


暈け

暈け (canonical)
暈け (canonical)
boke (romanization)

→ English: bokeh

The 連用形 (ren'yōkei, “conjunctive form”) of the verb 暈ける (bokeru, “to blur”).


ピンぼけ

ja-adj

ピンぼけ or ピンボケ • (pinboke) -na (adnominal ピンぼけな (pinboke na), adverbial ピンぼけに (pinboke ni))

ピンぼけ (canonical)
ピンボケ (canonical)
pinboke (romanization)
ピンぼけな (adnominal)
ピンぼけに (adverbial)

From ピント (pinto, “focus”), from Dutch brandpunt, plus 暈(ぼ)ける (bokeru, “fade; blur”).

ピンぼけな写真


現像液

ja-noun

現(げん)像(ぞう)液(えき) • (genzōeki) ^(←げんざうえき (genzaueki)?)

現像液 (canonical)
genzōeki (romanization)
genzaueki (romanization)
げんざうえき (hiragana historical)

From 現像(げんぞう) (genzō, “developing”) + 液(えき) (-eki, “fluid”).

ja-compound

(photography) developer (liquid used in chemical film processing)


ポジティブ

ポジを現像に出す


オフショット

[o̞ɸɯ̟ ɕo̞t̚to̞]

Wasei eigo (和製英語; pseudo-anglicism), derived from off + shot.


オフショ

オフショット オフショット#Japanese

(photography, cinematography) Short for オフショット (ofu shotto).


とれだか

toredaka (romanization)
とれだか (hiragana historical)

撮れ高微妙

(photography, cinematography jargon) shot excellence (in reference to composition and visibility of subjects)


べつどり

From 別(べつ) (betsu) + 撮(と)り (tori, “連(れん)用(よう)形(けい) (ren'yōkei, “stem or continuative form”) of the verb 撮(と)る (toru).”).

ja-compound

(cinematography, photography) filmed, photographed, or recorded separately


シャッターチャンス

→ English: shutter chance

[ɕa̠t̚ta̠ː t͡ɕã̠ɰ̃sɨ]

Wasei eigo (和製英語; pseudo-anglicism), derived from shutter + chance.

pseudo-loan

(photography) best moment to take a picture of a moving subject


ヘアヌード

Wasei eigo (和製英語; pseudo-anglicism), derived from hair + nude

(photography) nude that does not censor pubic hair, formerly banned in Japan


リングライト

[ɾʲĩŋɡɯ̟ ɾa̠ito̞]


同ポジ

同ポジ (canonical)
dō-poji (romanization)
daupozi (romanization)
だうポジ (hiragana historical)

From 同(おな)じ (onaji) and ポジション (pojishon).

(photography, cinematography) same position (for photographing/filming)


みきれる

ja-verb

みきれる • (mikireru) ^(←みきれる (mikireru)?)ichidan (stem みきれ (mikire), past みきれた (mikireta))

mikireru (romanization)
みきれ (stem)
みきれた (past)
みきれ
mikire
みきれる
mikireru
みきれれ
mikirere
みきれよ (imperative literary)
みきれろ (colloquial imperative)
mikireyo (imperative literary)
mikirero (colloquial imperative)
みきれられる (passive)
mikirerareru (passive)
みきれさせる (causative)
みきれさす (causative)
mikiresaseru (causative)
mikiresasu (causative)
みきれられる (potential)
みきれれる (colloquial potential)
mikirerareru (potential)
mikirereru (colloquial potential)
みきれよう (volitional)
mikireyō (volitional)
みきれない (negative)
みきれぬ (negative)
みきれん (negative)
mikirenai (negative)
mikirenu (negative)
mikiren (negative)
みきれず (continuative negative)
mikirezu (continuative negative)
みきれます (formal)
mikiremasu (formal)
みきれた (perfective)
mikireta (perfective)
みきれて (conjunctive)
mikirete (conjunctive)
みきれれば (conditional hypothetical)
mikirereba (conditional hypothetical)

[mʲikʲiɾe̞ɾɯ̟]

From 見(み) (mi, “連(れん)用(よう)形(けい) (ren'yōkei, “stem or continuative form”) of the verb 見(み)る (miru).”) + 切(き)れる (kireru).

ja-compound

(intransitive, photography, cinematography) to accidentally enter a shot

○○が見切れた写真

(intransitive, photography, cinematography) to fail to be included in a shot


かおじゃしん

ja-noun

かおじゃしん • (kaojashin) ^(←かほじやしん (kafozyasin)?)

kaojashin (romanization)
kafozyasin (romanization)
かほじやしん (hiragana historical)

[ka̠o̞ʑa̠ɕĩɴ]

From 顔(かお) (kao) + 写真(しゃしん) (shashin). The shashin changes to jashin as an instance of rendaku (連濁).


スナップ写真

スナップ写真 (canonical)
sunappu shashin (romanization)

[sɨna̠p̚pɯ̟ ɕa̠ɕĩɴ]

(photography) candid snapshot of daily life


スナップ撮影

スナップ撮影 (canonical)
sunappu satsuei (romanization)

(photography) candid snapshot photography of daily life


クローズアップ

→ Korean: 클로즈업 (keullojeueop)

[kɯ̟ɾo̞ːzɨ a̠p̚pɯ̟]

Misreading of English close-up as /kloʊz-/ instead of /kloʊs-/.

lang

〔英語読みはクロース-アップ〕

〔英語読みはクロース-アップ〕

(photography, cinematography) zoom-in; close-up


クローズアップ

クローズアップする (canonical)
kurōzu appu suru (romanization)
クローズアップし (stem)
クローズアップした (past)
クローズアップし
kurōzu appu shi
クローズアップする
kurōzu appu suru
クローズアップすれ
kurōzu appu sure
クローズアップせよ (imperative literary)
クローズアップしろ (colloquial imperative)
kurōzu appu seyo (imperative literary)
kurōzu appu shiro (colloquial imperative)
クローズアップされる (passive)
kurōzu appu sareru (passive)
クローズアップさせる (causative)
クローズアップさす (causative)
kurōzu appu saseru (causative)
kurōzu appu sasu (causative)
クローズアップできる (potential)
kurōzu appu dekiru (potential)
クローズアップしよう (volitional)
kurōzu appu shiyō (volitional)
クローズアップしない (negative)
kurōzu appu shinai (negative)
クローズアップせず (continuative negative)
kurōzu appu sezu (continuative negative)
クローズアップします (formal)
kurōzu appu shimasu (formal)
クローズアップした (perfective)
kurōzu appu shita (perfective)
クローズアップして (conjunctive)
kurōzu appu shite (conjunctive)
クローズアップすれば (conditional hypothetical)
kurōzu appu sureba (conditional hypothetical)

[kɯ̟ɾo̞ːzɨ a̠p̚pɯ̟]

〔英語読みはクロース-アップ〕

〔英語読みはクロース-アップ〕

(photography, cinematography) to zoom in; to take a close-up shot


銀塩

銀塩カメラ、銀塩写真

silver salt camera, silver salt photograph

(chiefly photography) silver salt; silver halide


フレームアウト

[ɸɯ̟ɾe̞ːmɯ̟a̠ɯ̟to̞]

Wasei eigo (和製英語; pseudo-anglicism), derived from frame + out.

pseudo-loan

(photography, cinematography) exiting the frame of a shot


近影

ja-noun

近(きん)影(えい) • (kin'ei) ^(←きんえい (kin'ei)?)

近影 (canonical)
kin'ei (romanization)
きんえい (hiragana historical)

著者近影


しろとび

shirotobi (romanization)
sirotobi (romanization)
しろとび (hiragana historical)

(photography, videography) blown highlight; clipping; whitening from overexposure


焦点深度

焦(しょう)点(てん)深(しん)度(ど) • (shōten shindo) ^(←せうてんしんど (seutensindo)?)

焦点深度 (canonical)
shōten shindo (romanization)
seutensindo (romanization)
せうてんしんど (hiragana historical)

[ɕo̞ːtẽ̞ɰ̃ɕĩndo̞]

Compound of 焦点 (shōten, “focus”) + 震度 (depth, “depth”).


焦点合成

焦点合成 (canonical)
shōten gōsei (romanization)

[ɕo̞ːte̞ŋ ɡo̞ːse̞ː]

深度合成

深度合成 しんどごうせい


防湿庫

防湿庫 (canonical)
bōshitsuko (romanization)

(photography) dry cabinet (storage cabinet)


レフレクター

[ɾe̞ɸɯ̟ɾe̞kɯ̟ta̠ː]

Borrowed from English reflector. Attested from the 20th century.

(photography, film) reflector, a board or device used to reflect light onto a subject being photographed


反射板

反射板 (canonical)
hanshaban (romanization)

[hã̠ɰ̃ɕa̠bã̠ɴ]

反射(はんしゃ) (hansha, “reflection”) + 板(ばん) (ban, “board”)

ja-compound

(photography, film) a reflector, a board or device used to reflect light onto a subject being photographed