page

→ Hindi: पेज (pej)

→ Japanese: ページ (pēji)

→ Korean: 페이지 (peiji)

Via Middle French from Latin pāgina, from Proto-Indo-European *peh₂ǵ-. Doublet of pagina.

(typography) The type set up for printing a page.


diaeresis

/daɪˈɛɹɪsɪs/

/daɪˈɪəɹɪsɪs/

/daɪˈɪəɹɪsɪs/

/daɪˈɛɹəsɪs/

/daɪˈɪəɹɪsiːz/

PIE word
 *dwís
Unadapted borrowing from Late Latin diaeresis (“distribution; division of a diphthong into two syllables”), from Ancient Greek δῐαίρεσῐς (dĭaíresĭs, “distribution, division; division of a poetic line when the end of a word and a metrical foot coincide; division of a diphthong into two syllables”), from δῐαιρέω (dĭairéō, “to divide; to distinguish; to resolve a diphthong or contracted form”) + -σῐς (-sĭs, suffix forming abstract nouns or nouns of action, process, or result). Δῐαιρέω (Dĭairéō) is derived from δῐᾰ- (dĭă-, prefix meaning ‘across; through; in different directions’) (ultimately from Proto-Indo-European *dwís (“doubly, twice; in two”)) + αἱρέω (hairéō, “to grasp, seize, take”) (ultimately from Proto-Indo-European *ser- (“to grasp, seize, take”)).
The plural is borrowed from Latin diaeresēs.

diërese

separation of one syllable (especially a vowel which is a diphthong) into two distinct syllables

Diæreſis is vvhen tvvo points ouer a vovvell diuide it from another vovvel, as bouë, queuë, read bou-e, queu-e, not bo-ue, que-ue.

1611, Randle Cotgrave, compiler, “Briefe Directions for Such as Desire to Learne the French Tongue. And First, of the Vowels, and Diphthongs.”, in A Dictionarie of the French and English Tongues, London: […] Adam Islip, →OCLC, signature Nnnn, recto, column 2:

The Diæresis is used to divide a diphthong into two syllables; as, Creätor.

1841, William Corry, “Grammatical Terms, with Their Respective Marks and Explanations”, in An English Spelling Book, with Reading Lessons; for the Use of the Parish and Other Schools of New Brunswick, St. John, N.B.: […] Henry Chubb, […], →OCLC, page 8:

An 85-year injustice has been rectified at Poets' Corner in Westminster Abbey with the corrected spelling of one of the greatest of all literary names. Reader, it is finally Brontë, not Bronte. An amended memorial to Charlotte, Emily and Anne Brontë was unveiled on Thursday with added diaereses (two dots) that ensure people pronounce it with two syllables. As if it rhymed with Monty, not font. The memorial was installed in 1939 and, for whatever reason, came without the diaereses that the Brontës used.

2024 September 26, Mark Brown, “Brontë sisters finally get their dots as names corrected at Westminster Abbey”, in Katharine Viner, editor, The Guardian, London: Guardian News & Media, →ISSN, →OCLC, archived from the original on 2024-10-05:

A separation of one syllable (especially a vowel which is a diphthong, that is, beginning with one sound and ending with another) into two distinct syllables; distraction.

(orthography) The diacritical mark consisting of two dots (¨) placed over a letter (especially the second of two consecutive vowels) to indicate that it is sounded separately, usually as a distinct syllable.

deelteken

diacritical mark consisting of two dots (¨) placed over a letter to indicate that it is sounded separately


Old English

(typography, historical) The form of black letter used by 16th-century English printers.


bulldog

→ French: bouledogue

→ German: Bulldogge

→ Portuguese: buldogue

From bull + dog, in reference to bullbaiting.

The bulldog's just gone to press.


Dracula

Dracula
Order of the Dragon
Vlad II Dracul
Vlad the Impaler

From the name Vlad III Dracula (also known as Vlad Țepeș (“Vlad the Impaler”)), from the name of his father Vlad II Dracul, who was given the name Dracul by the Order of the Dragon. Dracul (literally “the Devil”) comes from the Romanian drac (“devil”), itself deriving from the Latin dracō (“dragon”).

(fiction) The fictional vampire in the novel of the same name by Bram Stoker.


whack

Uncertain. Originally Scottish; probably onomatopoeic, but compare Middle English thakken < Old English þaccian (whence Modern thwack by conflation with whack). Sense 6 of the verb is likely a semantic loan from Malay hentam (“to strike; to do something carelessly”).

sl

del c:\docs\readme.txt
Delete c colon whack docs whack readme dot text.

(slang, computing, typography) The backslash, ⟨ \ ⟩.


block

→ Dutch: block

→ German: Block

→ Irish: bloc

→ Manx: block

→ Maori: poraka

→ Norwegian: blokk

→ Polish: blok

desctree

→ Russian: блок (blok)
→ Armenian: բլոկ (blok)
→ Yakut: блок (blok)

→ Spanish: block

→ Vietnamese: lốc

From Middle English blok (“log, stump, solid piece”), from Old French bloc (“log, block”), from Middle Dutch blok (“treetrunk”), from Old Dutch *blok (“log”), from Proto-West Germanic *blokk, from Proto-Germanic *blukką (“beam, log”), from Proto-Indo-European *bʰelǵ- (“thick plank, beam, pile, prop”). Cognate with Old Frisian blok, Old Saxon blok, Old High German bloh, bloc (“block”), Old English bolca (“gangway of a ship, plank”), Old Norse bǫlkr (“divider, partition”). More at balk. See also bloc, bulk.

طَابُوقَة

substantial often approximately cuboid piece

թաղամաս

group of buildings demarcated by streets

A substantial, often approximately cuboid, piece of any substance.

(printing, dated) A piece of hard wood on which a stereotype or electrotype plate is mounted.

pölkky

printing: piece of hardwood on which a plate is mounted


Romeo

From Italian Romeo, from Ancient Greek Ῥωμαῖος (Rhōmaîos, “Roman”).

der

(fiction) One of the main characters of Romeo and Juliet by William Shakespeare: the ardent lover of Juliet.


blank verse

en-noun

blank verse (countable and uncountable, plural blank verses)

Milton's command of blank verse exceeds even Shakespeare's.

[T]here is an upstart Crow, beautified with our feathers, that with his Tygers hart wrapt in a Players hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and beeing an absolute Iohannes fac totum, is in his owne conceit the onely Shake-scene in a countrey.

1592, Robert Greene, Groats-Worth of Witte, Bought with a Million of Repentance, London: imprinted for William Wright, folio F¹v:

I could have spoken in blank verse of Shakespearean beauty, all sorts of great ideas flashed through my mind; it was as though the bonds of my flesh had been loosened, and left the spirit free to soar to the empyrean of its native power.

1886 October – 1887 January, H[enry] Rider Haggard, “The Spirit of Life”, in She: A History of Adventure, London: Longmans, Green, and Co., published 1887, →OCLC, page 288:

Soon after Surrey's translation of Virgil, blank verse became a persuasive rival to the heroic couplet.

2006, Philip Hobsbaum, “The heroic couplet”, in Metre, Rhythm and Verse Form, Routledge, →ISBN, page 18:

(poetry) A poetic form with regular meter, particularly iambic pentameter, but no fixed rhyme scheme.


oblique

From Middle French oblique, from Latin oblīquus (also spelled oblīcus) (“slanting, sideways, indirect, envious”).

uder

Initial inquiries among professional typists uncover names like slant, slant line, slash, and slash mark. Examination of typing instruction manuals discloses additional names such as diagonal and diagonal mark, and other sources provide the designation oblique.

1965, Dmitri A. Borgmann, Language on Vacation, page 240:

Other Chaucerian manuscripts had the virgule (or virgil or oblique: /) at the middle of lines.

1990, John McDermott, Punctuation for Now, page 20:


septet

A group of seven, particularly
(poetry) A set of seven lines.

A group of seven, particularly
A set of seven lines.


Spenserian sonnet

en-noun

Spenserian sonnet (plural Spenserian sonnets)

Named after English poet Edmund Spenser (1552/1553–1599) and associated with his authorship.

named-after

(poetry) A sonnet comprising three quatrains with the latter rhyme part being carried over from one quatrain to the next, and a concluding couplet, therefore comprising a rhyme scheme of abab bcbc cdcd ee.


skeleton

From New Latin sceleton, from Ancient Greek σκελετόν (skeletón), the neuter of σκελετός (skeletós, “dried up, withered, dried body, parched, mummy”), from σκέλλω (skéllō, “dry, dry up, make dry, parch”), from Proto-Indo-European *(s)kelh₁- (“to parch, wither”); compare Ancient Greek σκληρός (sklērós, “hard”).

der

(printing) A very thin form of light-faced type.


Shakespearean sonnet

en-noun

Shakespearean sonnet (plural Shakespearean sonnets)

Named after English playwright and poet William Shakespeare (1564–1616) and strongly associated with his authorship.

named-after

(poetry) A sonnet comprising three quatrains and a final couplet, in iambic pentameter with the rhyme scheme of abab cdcd efef gg.


Shakespearean

en-adj

Shakespearean (comparative more Shakespearean, superlative most Shakespearean)

more Shakespearean (comparative)
most Shakespearean (superlative)

[…]there were those who had them set far over back—wide-awake men, who wanted a clear prospect; while careless men, who did not know, or care, how their hats sat, had them shaking about in all directions. The various hats, in fact, were quite a Shakespearean study.

1851 June – 1852 April, Harriet Beecher Stowe, chapter XI, in Uncle Tom’s Cabin; or, Life among the Lowly, volume I, Boston, Mass.: John P[unchard] Jewett & Company; Cleveland, Oh.: Jewett, Proctor & Worthington, published 20 March 1852, →OCLC:

The boisterous Bulmer playfully made a pass at him with his drawn sword, going forward with the lunge in the proper fencing fashion, and making a somewhat too familiar Shakespearean quotation about a rodent and a Venetian coin.

1922, G[ilbert] K[eith] Chesterton, “The Hole in the Wall”, in The Man Who Knew Too Much […] , London: Cassell and Company, pages 80–81:

Meanwhile, I presided over the Senate. I also dined quite frequently with the President who continued to delight and fascinate me with his conversation, not to mention his wonderful malice which was positively Shakespearean in its variety.

There was indeed something Shakespearean about both the service in the abbey and the marches that surrounded it. By Shakespearean I mean there was a blend of pageantry, procession, music and mystery.

2023 May 7, Michael Billington, “The Coronation review – immaculately rehearsed, touching and Shakespearean”, in The Guardian, →ISSN:

(literature) Of or pertaining to, characteristic of, associated with, or suggestive of William Shakespeare (an English playwright), his works, or his authorship, or the time in which he lived.


proof

en-noun

proof (countable and uncountable, plural proofs)

→ Russian: пруф (pruf), пру́фы (prúfy)

desc

⇒ Russian: пруфли́нк (pruflínk, literally “proof + link”)

From Middle English proof, from Old French prove, from Late Latin proba (“a proof”), from Latin probō (“to prove”); see prove; compare also the doublet probe.

the proof of the pudding is in the eating

And these men scour the printed proof for error, blunder, and misspelling.

2010, Andrea Levy, The Long Song, Tinder Press (2017), page 382:

(countable, printing) A proof sheet; a trial impression, as from type, taken for correction or examination.


chase

Perhaps from French châsse (“case”, “reliquary”), from Old French chasse, from Latin capsa. Doublet of case, cash, and chasse.

The die-maker should work upon the surface of an imposing table. First, he places on the table the chase in which the die is to be locked up. Second, he fills in the chase with regular printer’s wood furniture, leaving space in the center for the die, and placing locking quoins near the top of the chase and on the right-hand side of the chase. Third, the cutting and creasing rules are set in the open space in the center of the chase, filling in with metal or wood furniture.

1920, Robert F. Salade, chapter IX, in How Paper Boxes are Made:

(printing) A rectangular steel or iron frame into which pages or columns of type are locked for printing or plate-making.


ingenue

Borrowed from French ingénue, the feminine form of ingénu (“guileless”), originally from the Latin ingenuus (“ingenuous”).

The intelligent and talented blonde who was fluent in English, French and Spanish was interested in art and joined a local theater group to work on set designs but wound up on stage playing an ingenue in Liliom and was spotted by director Vincente Minnelli.

2012, Thomas Lisanti, Hollywood Surf and Beach Movies: The First Wave, 1959-1969, McFarland, →ISBN, page 396:

(theater, film) A dramatic role of such a woman; an actress playing such a role.

naiva

a dramatic role of such a woman; an actress playing such a role


Petrarchan sonnet

en-noun

Petrarchan sonnet (plural Petrarchan sonnets)

Named after Italian scholar, poet and humanist Francesco Petrarca (1304–1374), who did not invent but made large use of this form in his authorship.

named-after

(poetry) A sonnet comprising an octave and a closing sestet, following the rhyme scheme of either abba abba cde cde or abba abba cd cd cd or abba abba cce dde or abba abba cdd cee.


clapboard

(film) A clapper board; a device used in film production, having hinged boards that are brought together with a clap, used to synchronize picture and sound at the start of each take of a motion picture or other video production.


pod

Origin uncertain. Perhaps from Middle English *pod ("seed-pod, husk, shell, outer covering"; attested in pod-ware (“legume seed; seed grain”)), itself possibly from Old English pād (“an outer garment, covering, coat, cloak”), from Proto-West Germanic *paidu, from Proto-Germanic *paidō (“coat, smock, shirt”), from Proto-Indo-European *baiteh₂- (“woolen clothes”). If so, then cognate with Old Saxon pēda (“skirt”), German dialectal Pfeid, Pfeit (“shirt”), Gothic 𐍀𐌰𐌹𐌳𐌰 (paida, “mantle, skirt”), and perhaps Albanian petk (“gown, garment, dress, suit”) and Ancient Greek βαίτη (baítē, “goat-skin, fur-coat, tent”).

unc

uncertain

gloss

"seed-pod, husk, shell, outer covering"; attested in <i class="Latn mention" lang="enm">pod-ware</i> (“legume seed; seed grain”)

ncog

These ads are shown during commercial breaks when there is no game action. Usually, multiple spots are grouped into a pod of commercials.

2014, Lisa P. Masteralexis, Carol A. Barr, Mary Hums, Principles and Practice of Sport Management (page 448)

(broadcasting) A set of commercials to be shown together.


brownie

en-noun

brownie (countable and uncountable, plural brownies)

→ Belarusian: бра́ўні (bráŭni)

→ Chinese: 布朗尼 (bùlǎngní)

→ French: brownie

→ German: Brownie

→ Hungarian: brownie

→ Irish: donnóg (calque)

→ Italian: brownie

→ Japanese: ブラウニー (buraunī)

→ Lithuanian: braunis

→ Norwegian Nynorsk: brownie

→ Polish: brownie

→ Portuguese: brownie

→ Russian: бра́уни (bráuni)

→ Kazakh: брауни (brauni)

→ Spanish: brownie

→ Thai: บราวนี (bpraao-níi)

→ Turkish: brownie, browni, brovni

→ Welsh: browni

From brown + -ie (diminutive suffix). In folkloric sense, originally Scots.

Thus, offer Brownie a piece of bread, a cup of drink, or a new coat and hood, and he flouted at it, and perhaps, in his huff, quitted the place for ever ; but leave a nice bowl of cream, and some fresh honeycomb, in a snug private corner, and they soon disappeared, though Brownie, it was to be supposed, never knew any thing of them.

1828, Thomas Keightley, Fairy Mythology, volume II, page 169:

"Oh, auntie, do you know what Stine says?" cried a little brown-eyed beauty; "she says I shall go with her into the hayloft to-night and give the brownie his Christmas porridge."

1886, Peter Christen Asbjørnsen, translated by H.L. Brækstad, Folk and Fairy Tales, page 5:

1908, Dinah Craik, The Adventures of A Brownie:

Stories were told of a brownie riding horseback to fetch the midwife at childbirth or helping his master to win at checkers.

1985, The Encyclopedia Americana, volume 1, page 636:

There are no brownies in my house, though. I know because there's always a pile of dishes in the sink.

2004, Justin Hocking, Jeffrey Knutson, Jared Jacang Maher, editors, Life and Limb: Skateboarders Write from the Deep End, page 37:

(folklore) A mythical creature, a helpful elf who would secretly do people's housework for them.


quiescent

en-adj

quiescent (comparative more quiescent, superlative most quiescent)

more quiescent (comparative)
most quiescent (superlative)

Borrowed from Latin quiēscēns (“resting, reposing, sleeping”), present participle of quiēscere, from quiēs (“rest, repose, quiet”).

bor

The k is quiescent in "knight" and "know".


factual

From fact + -ual, modeled after, and by analogy with, actual.

The BBC is increasing its budget for factual this year.

(broadcasting) Programmes having content based on facts, such as documentaries.


crab

en-verb

crab (third-person singular simple present crabs, present participle crabbing, simple past and past participle crabbed)

crabs (present singular third-person)
crabbing (participle present)
crabbed (participle past)
crabbed (past)

From Middle English crabbe, from Old English crabba (“crab; crayfish; cancer”), from Proto-West Germanic *krabbō, from Proto-Germanic *krabbô, from *krabbōną (“to creep, crawl”), from Proto-Indo-European *grobʰeh₂yéti (“scratch, claw at”), a metathesised o-grade of *gerbʰ-. More at carve.
Cognates
See also Dutch krab, Low German Krabb, Danish krabbe, Swedish krabba.
Further cognates with frequentative-infix are Saterland Frisian krabbelje (“to creep, crawl”), Dutch krabbelen (“to scratch”) and German krabbeln (“to crawl”). Possibly related to English creep and Swedish krypa (“to creep, crawl”) etc.

cog

If panning is not easy to make seem natural, crabbing the camera is even less like any action we perform with our eyes in the real world. There are a few circumstances in which we walk sideways: […]

1997, Paul Kriwaczek, Documentary for the Small Screen, page 109:

(transitive, film, television) To move (a camera) sideways.


foil

en-noun

foil (countable and uncountable, plural foils)

From Middle English foyle, from Middle French fueille, from Old French fueille (“plant leaf”), from Late Latin folia, the plural of folium, mistaken as a singular feminine.
The literary sense is from the practice of backing a gem with metal foil to make it shine more brilliantly.
Doublet of folio and folium, distantly also with phyllo and phyllon.

As Puss comes to realize his legendary status is not a substitute for interpersonal connection, his interactions with Kitty and the therapy dog start to take on a surprising amount of weight, while Goldilocks serves as a well-realized foil who has more in common with Puss that is at first apparent.

2022 December 20, Leigh Monson, “Puss In Boots: The Last Wish review: Antonio Banderas leads the best film yet in the Shrek franchise”, in AV Club:

(authorship, figuratively) In literature, theatre/theater, etc., a character who helps emphasize the traits of the main character and who usually acts as an opponent or antagonist, but can also serve as the sidekick of the protagonist.

contrastfiguur

character who helps emphasise the traits of the main character


slot

From Middle English slot, from Old French esclot, likely from Old Norse slóð (“track”). As a gambling machine, via clipping of slot machine. Compare sleuth. The scheduling (calendar) sense is by a metaphor whereby the time span is equated with the segment of a page or part of a device that represents it.

The slot is not a glamorous job. It hasn't been discovered by Shubert Alley or the fiction magazines. To the cub reporter, eager for by-lines and self-expression, the whole copy desk looks like a backwater.

1940, LIFE, volume 8, number 17, page 111:

(journalism) The inside of the "rim" or semicircular copy desk, occupied by the supervisor of the copy editors.


spaghetti

spaghetti (usually uncountable, plural spaghettis)

The noun is borrowed from Italian spaghetti, the plural of spaghetto (“dish of spaghetti; (rare) strand of spaghetti”), from spago (“cord, string, twine; thread”) + -etto (diminutive suffix). Spago is derived from Latin spagus (“twine”), probably from Ancient Greek σφάκος (sphákos, “apple sage (Salvia pomifera)”), probably from Pre-Greek.
The verb is derived from the noun.

مَعْكَرُونَة

type of pasta made in the shape of long thin strings

spagetti

something physically resembling spaghetti (sense 1) in appearance or consistency, or in being tangled

spaghetti western
spaghetti western#English

(by extension, countable) Denoting Italianness.

(film) Ellipsis of spaghetti western (“a motion picture depicting a story of cowboys and desperadoes set in the American Old West, but produced by an Italian-based company and filmed in Europe, notably in Italy”).


BOM

balm (some speakers with the father-bother merger)

(journalism) Acronym of business-office must. (a story that must be published at the behest of the publication's business office)


anti-gravity

(science fiction) Any concept, system or device that would oppose or cancel out the force of gravity.


rest

en-noun

rest (countable and uncountable, plural rests)

From Middle English rest, reste, from Old English ræst, from Proto-West Germanic *rastu, from Proto-Germanic *rastō, from Proto-Indo-European *ros-, *res-, *erH- (“rest”). Cognate with West Frisian rêst (“rest”), Dutch rust (“rest”), German Rast (“rest”), Swedish rast (“rest”), Norwegian rest (“rest”), Icelandic röst (“rest”), Old Irish árus (“dwelling”), German Ruhe (“calm”), Albanian resht (“to stop, pause”), Welsh araf (“quiet, calm, gentle”), Lithuanian rovà (“calm”), Ancient Greek ἐρωή (erōḗ, “rest, respite”), Avestan 𐬀𐬌𐬭𐬌𐬨𐬈 (aⁱrime, “calm, peaceful”), Sanskrit रमते (rámate, “he stays still, calms down”), Gothic 𐍂𐌹𐌼𐌹𐍃 (rimis, “tranquility”). Related to roo.

rest

stick used to support the cue in snooker

(poetry) A short pause in reading poetry; a caesura.


frame

→ Korean: 프레임 (peureim)

→ Swahili: fremu

From Middle English frame (“profit, benefit, advantage; a structure composed according to a plan”), from the verb (above) and also from Old Norse frami (“advantage, fame, bravery, efficiency, privilege, honor”); and frame (“a framework or structure of any kind”) which is of uncertain origin. The latter is usually regarded as a derivative of former; however, compare the rare Anglo-Norman and Old French frame, fraine (“frame, framework”), itself of uncertain origin, which might be a borrowing from the English, from the Norse, or even possibly ultimately from Frankish *hramu (“frame”) related to Dutch raam (“window frame”).

der

(electronics, film, animation, video games) A division of time on a multimedia timeline, such as 1/30 or 1/60 of a second.


bloom

en-noun

bloom (countable and uncountable, plural blooms)

From Middle English blome, from Old Norse blóm, from Proto-Germanic *blōmô (“flower”). Doublet of bloom (“spongy mass of metal”); see there for more.

(television) An undesirable halo effect that may occur when a very bright region is displayed next to a very dark region of the screen.


blast

en-verb

blast (third-person singular simple present blasts, present participle blasting, simple past and past participle blasted)

blasts (present singular third-person)
blasting (participle present)
blasted (participle past)
blasted (past)

⇒ Italian: blastare

From Middle English blasten, blesten, from Old English blǣstan (“to blow, blast”), from Proto-West Germanic *blēstijan, from Proto-Germanic *blēstijaną. Possibly related to Middle High German blesten (“to stand out, plop, splash”).

noncog

Chewbacca blasted the Stormtroopers with his laser rifle.

(transitive, science fiction) To shoot, especially with an energy weapon (as opposed to one which fires projectiles).


barrel

From Middle English barel, from Anglo-Norman baril, Old French baril, bareil (“barrel”), of uncertain origin. An attempt to link baril to Old French barre (“bar, bolt”) (compare Medieval Latin barra (“bar, rod”)) via assumed Vulgar Latin *barrīculum meets the phonological requirement, but fails to connect the word semantically. The alternate connection to Frankish *baril, *beril or Gothic 𐌱𐌴𐍂𐌹𐌻𐍃 (bērils, “container for transport”), from Proto-Germanic *barilaz, *bērilaz (“barrel, jug, container”), from Proto-Indo-European *bʰer- (“to carry, transport”), is more plausible as it connects not only the form of the word but also the sense; equivalent to bear + -le. Compare also Old High German biril (“jug, large pot”), Luxembourgish Bärel, Bierel (“jug, pot”), Old Norse berill (“barrel for liquids”), Old English byrla (“barrel of a horse, trunk, body”). More at bear.

vat

round vessel made from staves bound with a hoop

Moreover, it adds to difficulties in adjusting/servicing lamps located over high scenery, ceilings etc., where the barrel networks cannot be lowered or reached.

2013, Gerald Millerson, Lighting for TV and Film, page 325:

The barrel, which is usually from 2.0 m to 2.5 m long, and capable of lifting loads up to 120 kg, is suspended from the main housing which contains the motor gearbox unit, etc.

2013, Brian Fitt, Joe Thornley, Lighting Technology, page 118:

(television) A ceiling-mounted tube from which lights are suspended.


fin

French language
fin
fin (disambiguation)

From French fin (“end”). Doublet of fine and finis.


greeking

If text gets smaller than this value, [Adobe] Illustrator shows the text blocks as gray bars, an operation called greeking. Both type size and view size figure into the equation, so that 6-point type greeks at 100-percent view size and 12-point type greeks at 50 percent. Greeking speeds the screen display because gray bars are easier to draw than individual characters.

2002, Deke McClelland, “The Interface”, in Real World Adobe Illustrator 10, Berkeley, Calif.: Peachpit Press, →ISBN, pages 46–47:

Designers have long worked with a concept known as greeking. Greeking is a method of drawing gray bars to represent blocks of text rather than taking the time to image them all on the screen. […] Unless you really want to see every character of every word at every size, there's hardly any reason to turn greeking off.

2007, David Blatner, Gene Gable, Real World QuarkXPress 7, Berkeley, Calif.: Peachpit Press, →ISBN:

The use of greeking (also called dummy text) allows page designers to place text on a page without the actual content acting as a distraction. The history of greeking is unclear, but it was first used in the middle of the 20th century. The text was based on the words of Cicero, a Roman leader whose writings are admired. The language he spoke and wrote was Latin rather than Greek, so the naming of this dummy text is misleading.

2007, Susan E. L. Lake, Karen Bean, “Using Other Design Tools”, in The Business of Technology: Digital Desktop Publishing, Mason, Oh.: Thompson/South-Western, →ISBN, page 109:

(computing, typography) Nonsense text or graphics inserted into a document as a placeholder to create a dummy layout, or to demonstrate a type font; the practice of using such placeholder text or graphics.


editor

LL-Q1860 (eng)-I learned some phrases-editor.wav

From Medieval Latin ēditor, from Late Latin ēditor, from ēditus, perfect passive participle of ēdō (“give out, put forth, publish”).

(television, cinematography) Someone who manipulates video footage and assembles it into the correct order etc for broadcast; a picture editor.

střihač

someone who manipulates video footage and assembles it into the correct order


wrap

en-noun

wrap (countable and uncountable, plural wraps)

From Middle English wrappe, from the verb (see above).

This is a news report from the scene of the event. When a voicer and an actuality are combined into one complete story, it's known as a wrap.

2005, Alan R. Stephenson, David E. Reese, Mary E. Beadle, Broadcast Announcing Worktext, page 164:

Attend a news conference, and prepare a wrap or package.

2005, Ted White, Broadcast News: Writing, Reporting, and Producing, page 245:

(television, radio) A complete news report ready for broadcast, incorporating spoken reporting and other material.


strand

Origin uncertain. Cognate with Scots stran, strawn, strand (“strand”). Perhaps the same as strand ("rivulet, stream, gutter"; see Etymology 1 above); or from Middle English *stran, from Old French estran (“a rope, cord”), from Middle High German stren, strene (“skein, strand”), from Old High German streno, from Proto-West Germanic *strenō, from Proto-Germanic *strinô (“strip, strand”), from Proto-Indo-European *strēy-, *ster- (“strip, line, streak, ray, stripe, row”); related to Dutch streen (“skein, hank of thread, strand, string”), German Strähne (“skein, hank of thread, strand of hair”). Compare also Old High German stranga (“strand of hair”), modern German Strang (“strand, thread, cord”).

cog

By 1985, the children's strand had been renamed Children's BBC (CBBC by the mid-1990s), which continued to show animation among other programming in a dedicated time slot.

2020, Nichola Dobson, Historical Dictionary of Animation and Cartoons, page 45:

(broadcasting) A series of programmes on a particular theme or linked subject.

sarja

broadcasting:series of programmes on a particular theme


stereo

en-noun

stereo (countable and uncountable, plural stereos)

Shortened form of stereotype, stereoscope or stereophonic, all originally derived from Ancient Greek στερεός (stereós, “solid”).


orphan

Late Middle English, from Late Latin orphanus, from Ancient Greek ὀρφανός (orphanós, “without parents, fatherless”), from Proto-Indo-European *h₃órbʰos.
 PIE word
 *h₃órbʰos
Cognate with Sanskrit अर्भ (árbha), Latin orbus (“orphaned”), Old High German erbi, arbi (German Erbe (“heir”)), Old English ierfa (“heir”). More at erf.

weeskind

person whose (parent or) parents have died

anak yatim (who has lost father, literally means orphan child)

(typography) A single line of type, beginning a paragraph, at the bottom of a column or page.

fransk horeunge

single line of type at the bottom of page


ancora

From Latin ancora. Doublet of anchor and anker.

(palaeography) Either of the symbols ⟨⸔⟩, ⟨⸕⟩ found in marginal notes to mark missing text.


blimp

Origin not entirely certain. However, most historians believe that it is onomatopoeia for the sound a blimp makes when thumped. Although there is some disagreement among historians, credit for coining the term is usually given to Lt. A.D. Cunningham of the British Royal Navy in 1915.
There is an often repeated, but false, alternative explanation for the term. The erroneous story is that at some time in the early 20th century, the United States military had two classes for airships: Type A-rigid and Type B-limp, hence “blimp”. In fact, A. D. Topping reports on the “Etymology of ‘Blimp’”, in the AAHS Journal, Winter 1963, that:
: “there was no American ‘A-class’ of airships as such—all military aircraft, heavier or lighter-than-air were designated with ‘A’ until the appearance of B-class airships in May 1917. There was an American B airship—but there seems to be no record of any official designation of non-rigids as ‘limp’. Further, according to the Oxford Dictionary, the first appearance of the word in print was in 1916, in England, a year before the first B-class airship.”
J.R.R. Tolkien speculated that the word was a portmanteau word deriving from 'blister' and 'lump': 'the vowel i not u was chosen because of its diminutive significance -- typical of war humour'

onom

onomatopoeia

You can create your own blimp or barney with anything that will deaden the camera noise, such as a changing bag, foam rubber, […]

2015, Peter W. Rea, David K. Irving, Producing and Directing the Short Film and Video, page 209:

(film, television) A soundproof cover for a video camera.


mist

en-verb

mist (third-person singular simple present mists, present participle misting, simple past and past participle misted)

mists (present singular third-person)
misting (participle present)
misted (participle past)
misted (past)

The noun is from Middle English mist, from Old English mist (“mist; darkness; dimness (of eyesight)”), from Proto-Germanic *mihstaz (“mist, fog”), from Proto-Indo-European *h₃migʰstos, from the root *h₃meygʰ- (“cloud, fog, drizzle”). Cognate with Scots mist (“mist, fog”), West Frisian mist (“mist”), Dutch mist (“mist”), Swedish mist (“mist, fog”), Icelandic mistur (“mist”), West Frisian miegelje (“to drizzle”), Dutch dialectal miggelen, miegelen (“to drizzle”), Lithuanian miglà (“fog”), Sanskrit मेघ (megha, “cloud”), Russian мгла (mgla, “fog, haze”).
The verb is from Middle English misten, from Old English mistian.

inh

(printing, of ink) To disperse into a mist, accompanying operation of equipment at high speeds.


shield

From Middle English scheld, shelde, from Old English scield (“shield”), from Proto-West Germanic *skeldu, from Proto-Germanic *skelduz (“shield”), from Proto-Indo-European *(s)kelH- (“cut, split”). Cognate with West Frisian skyld, Dutch schild (“shield”), German Schild (“shield”), Danish skjold (“shield”), Icelandic skjöldur (“shield”) and Faroese skjøldur (“shield”).
Compare Latin scūtum (“shield”), Irish sciath (“shield”), Latgalian škīda (“shield”), Lithuanian skydas (“shield”), Russian щит (ščit, “shield”), from Proto-Indo-European *(s)kewH- (“to cover, protect”), *skey- (“to cut, split”).

noncog

Kinetic barriers, colloquially called "shields", provide protection against most mass accelerator weapons. Whether on a starship or a soldier's suit of armor, the basic principle remains the same.
Kinetic barriers are repulsive mass effect fields projected from tiny emitters. These shields safely deflect small objects traveling at rapid velocities. This affords protection from bullets and other dangerous projectiles, but still allows the user to sit down without knocking away their chair.

2008, BioWare, Mass Effect, Redwood City: Electronic Arts, →ISBN, →OCLC, PC, scene: Kinetic Barriers ("Shields") Codex entry:

Anything that protects or defends; defense; shelter; protection.

(science fiction) A field of energy that protects or defends.

schild

sci fi: a field of energy that protects or defends


trickster

1991, Alan R. Velie (compiler and editor), American Indian Literature: An Anthology, Revised edition, page 44,
The trickster is one of the oldest and most widespread of mythological and literary figures. […] As the name implies, the trickster is, on one level—probably the most important—an amoral practical joker who wanders about playing pranks on unsuspecting victims […] With all the fluctuations, certain things about the trickster are predictable: he is always a wanderer, always hungry, and usually oversexed.
Tricksters abound in folktales […] .

And let us begin with those sympathetic elements, the tricksters who obtain the lovers and the land, always at the expense of fools and knaves, sometimes at the expense of other tricksters.

2015, J. Douglas Canfield, Tricksters and Estates: On the Ideology of Restoration Comedy, page 31:

(mythology, literature) Any of numerous figures featuring in various mythologies and folk traditions, who use guile and secret knowledge to challenge authority and play tricks and pranks on others with their acts of trickery; any similar figure in literature.


storey

en-noun

storey (plural storeys or (obsolete) stories)

storeys (plural)
stories (obsolete plural)

From Middle English story, via Medieval Latin historia (“narrative, illustraton, frieze”) from Ancient Greek ἱστορίᾱ (historíā, “learning through research”). The current sense arose from narrative friezes on upper levels of medieval buildings, esp. churches. Doublet of story and history.
An alternative etymology derives Middle English story from Old French *estoree (“a thing built, building”), from estoree (“built”), feminine past participle of estorer (“to build”), from Latin instaurare (“to construct, build, erect”), but this seems unlikely since historia already had the meaning "storey of a building" in Anglo-Latin.

der

Storey in the Encyclopædia Britannica (11th edition, 1911)

The IPA symbol for a voiced velar stop is the single-storey , not the double-storey .

(typography) A vertical level in certain letters, such as a and g.


octave

From Latin octavus (“eighth”). Doublet of octavo, ochava, and oitava.

Octave in the Encyclopædia Britannica (11th edition, 1911)

With mournful melody it continued this octave.

a. 1587, Philippe Sidnei [i.e., Philip Sidney], “(please specify the folio)”, in [Fulke Greville; Matthew Gwinne; John Florio], editors, The Countesse of Pembrokes Arcadia [The New Arcadia], London: […] [John Windet] for William Ponsonbie, published 1590, →OCLC:

(poetry) A poetic stanza consisting of eight lines; usually used as one part of a sonnet.


redundant

en-adj

redundant (comparative more redundant, superlative most redundant)

more redundant (comparative)
most redundant (superlative)

From Latin redundāns, present participle of redundō (“to overflow, redound”), from red- (“again, back”) + undō (“to surge, flood”), from unda (“a wave”).

(of words, writing, etc) Repetitive or needlessly wordy.


cyborg

Blend of cybernetic + organism. Coined by Austrian neuroscientist Manfred Clynes in 1960.

coinage

I would not classify the Tin Woodman as magical robot, but more of a magical cyborg, if anything.

1981, Teri (Pettit at PARC-MAXC), fa.sf-lovers newsgroup, "Re: SF-LOVERS Digest V3 #122", May 15

Prof. Clynes is a published poet and author of five books. He coined the word "cyborg". He also coined the word "sentics" to describe a new science entirely of his own devising.

1991, Timothy K. Smith, "Manfred Clynes Sees A Pattern in Love -- He's Got the Printouts", The Wall Street Journal, September 24, front page

... Kevin Warwick, professor of cybernetics at Reading University. Warwick is no stranger to publicity. His autobiography, I, Cyborg, which came out last month (Century, £16.99), meticulously catalogues his very many newspaper, magazine, radio and TV appearances. With commendable honesty, he also acknowledges the amount of (unfair, obviously) criticism he has received for being greedy for media attention. That isn't the main thrust of the book, though, which is rather an account of why he is turning himself into a cyborg.

2002 September 19, “Short Cuts”, in London Review of Books, volume 24, number 18, Thomas Jones:

The cyborg subject, with its pacemakers, drug regimes and artificial limbs, is usually also the first world middle to upper-class economic subject with a conscious incentive to preserve life for as long as possible under the best possible conditions.

2003, David Simpson, "Are we still tragic?", guardian.co.uk (exclusive from London Review of Books Vol. 25 No. 7, April 3), April 1

On the track of John and Kate is the T-X (Kristanna Loken), a blond female cyborg so metallically single-minded, and so impervious to blandishment and punishment alike, that, from where I was sitting, she looked to be our best hope of getting a woman into the Oval Office.

2003 July 14, Anthony Lane, “The Current Cinema -- Metal Guru”, in The New Yorker:

(science fiction) A being which is part machine and part organic.


cyborg

en-verb

cyborg (third-person singular simple present cyborgs, present participle cyborging, simple past and past participle cyborged)

cyborgs (present singular third-person)
cyborging (participle present)
cyborged (participle past)
cyborged (past)

(science fiction) To convert (something) into a cyborg.


Persephone

From Ancient Greek Περσεφόνη (Persephónē).

(science fiction) The tenth planet, orbiting beyond Pluto.


style

en-noun

style (countable and uncountable, plural styles)

→ Finnish: staili

→ Scottish Gaelic: stoidhle

→ Iban: stail

→ Japanese: スタイル (sutairu)

→ Korean: 스타일 (seutail)

→ Malay: stail

→ Portuguese: style

→ Swahili: staili

The noun is derived from Middle English stile, stel, stele, stiel, stiele, stil, still, stille, styele, style, styill, styll, styyl (“writing tool, stylus; piece of written work; characteristic mode of expression, particularly one regarded as high quality; demeanour, manner, way of life; person's designation or title; stem of a plant; period of time”), from Old French style, estile, stil, stile (modern French style), or from Medieval Latin stylus, both from Latin stilus (“pointed instrument, pale, spike, stake; writing tool, stylus; act of setting down in writing, composition; characteristic mode of expression, style; stem of a plant”), from Proto-Indo-European *(s)teyg- (“to be sharp; to pierce, prick, puncture, stab; to goad”). Doublet of stylus.
The English word is cognate with Catalan estil (“engraving tool, stylus; gnomon; manner of doing something, style; fashionable skill, grace”), German Stiel (“handle; stalk”), Italian stilo (“needle, stylus; fountain pen; beam; gnomon; part of pistil, style”), Occitan estil, Portuguese estilo (“writing tool, stylus; manner of doing something, style”), Spanish estilo (“writing tool, stylus; manner of doing something, style; fashionable skill, grace; part of pistil, style”).
The verb is derived from the noun.

styl

manner of expression in writing or speech

styl

the house style of the journal

If you have to settle for an expert typist who has not completed recent dissertations for your school, buy two copies of the style manual, one for you and one for the typist.

1993, Evelyn Hunt Ogden, “Spending Money and Using the 20th Century to Your Advantage”, in Completing Your Doctoral Dissertation or Master’s Thesis in Two Semesters or Less, 2nd edition, Lanham, Md., Toronto, Ont.: ScarecrowEducation, Rowman & Littlefield Publishing Group, published 2003, →ISBN, page 60:

There are many excellent style manuals, and every good writer should have one or more of these at hand, along with the appropriate formatting instructions for the particular standard beng followed. This book is a how-to survival manual for students, researchers, and family members who need to learn and use APA [American Psychological Association] style and who would like to use some of the tools provided by Microsoft Word.

2012, Larry A. Pace, “Preface and Acknowledgments”, in Using Microsoft Word to Write Research Papers in APA Style, Anderson, S.C.: TwoPaces.com, →ISBN, page 5:

A particular manner of creating, doing, or presenting something, especially a work of architecture or art.

(printing, publishing) A set of rules regarding the presentation of text (spelling, typography, the citation of references, etc.) and illustrations that is applied by a publisher to the works it produces.

styl

set of rules applied by a publisher to the works it produces


cenobite

From Old French cenobite or Ecclesiastical Latin coenobīta, from coenobium, from Ancient Greek κοινόβιον (koinóbion, “community life, convent”), from κοινός (koinós, “common”) + βίος (bíos, “life”).

der

(fiction) A torturous demon creature made famous by the Hellraiser series.


tag

From Middle English tagge (“small piece hanging from a garment”), probably of North Germanic origin. Compare Norwegian tagg (“point; prong; barb; tag”), Swedish tagg (“thorn; prickle; tine”), Icelandic tág (“a willow-twig”). Compare also tack.

cog

Often, the tag punctuates the "we're all in this together" theme and is topped with a laugh.

2006, Stephen V. Duncan, A Guide to Screenwriting Success, page 300:

(television) The last scene of a TV program, often focusing on the program's subplot.

Seems here like Russ would be speaking. You could use a tag here.

(Can we date this quote?), michael, alt.fiction.original (Usenet):

If you want to start with talk, stick a tag in right away

(Can we date this quote?), Jane MacDonald, alt.fiction.original (Usenet):

You could combine these two paragraphs, I think, and rewrite to lose the tag portion of the third sentence.

(Can we date this quote?), bart_...@hotmail.com, alt.fiction.original (Usenet):

(informal, authorship) An attribution in narrated dialogue (eg, "he said") or attributed words (e.g. "he thought").


Middle-earth

(fiction) The main setting of J. R. R. Tolkien's Lord of the Rings and other works.

Միջերկիր

fictional place on Earth where most of the stories of J. R. R. Tolkien are set


rishathra

LL-Q1860 (eng)-Flame, not lame-rishathra.wav

Generalized from the term coined by author Larry Niven in his Ringworld novels.

(science fiction) Sex between any two (or more) humanoids of different species.


narrator

Morgan Freeman was the narrator of March of the Penguins.

(film and television) The person providing the voice-over in a documentary.


inferior

en-adj

inferior (comparative more inferior, superlative most inferior)

more inferior (comparative)
most inferior (superlative)

Borrowed from Latin īnferior (“lower in situation or place”), comparative of īnferus (“below, underneath”).

bor

an inferior figure or letter

Located below:
(typography) Printed in subscript.


inferior

(printing) An inferior letter, figure, or symbol.


roger

→ Japanese: ラジャー (rajā)

From Roger, used circa 1940 in UK and US military communication to represent "R" when spelling out a word. "R" is the first letter in received, used to acknowledge understanding a message. "Roger" for "received" was in spoken usage in air traffic radio parlance by 1950.

Pilot: CESSNA TWO THREE FOUR—ROGER—OUT.

(radio telecommunications) Received (used in radio communications to acknowledge that a message has been received and understood)


roger

en-verb

roger (third-person singular simple present rogers, present participle rogering, simple past and past participle rogered)

rogers (present singular third-person)
rogering (participle present)
rogered (participle past)
rogered (past)

The Explorer radio operator rogered receipt of the War Room's signal.

(radio telecommunications, transitive) To acknowledge by saying "roger".


panel

From Middle English panel (“piece of cloth, saddle pad, pane of glass, piece of ice, part, division, jury list, jury members”), from Anglo-Norman panel, panelle (“piece of cloth, saddle cushion”), from Vulgar Latin *pannellus, diminutive of Latin pannus (“cloth, rag, garment”), from Proto-Indo-European *peh₂n- (“fabric”). Cognate with Old English fana (“a piece of cloth, patch, banner, flag, vane”). Doublet of vane.

cog

The last panel of a comic strip usually contains a punchline.

(comics) An individual frame or drawing in a comic.


measure

→ Japanese: メジャー (mejā)

LL-Q1860 (eng)-I learned some phrases-measure.wav

From Middle English mesure, from Old French mesure, from Latin mēnsūra (“a measure”), from mēnsus, past participle of mētīrī (“to measure”). Displaced native Old English metan (“to measure”) and ġemet (“a measure”).

lainsäädäntötoimenpide

piece of legislation as course of action

a poem in iambic measure

(poetry) The manner of ordering and combining the quantities, or long and short syllables; meter; rhythm; hence, a metrical foot.

runomitta

poetry: manner of ordering and combining the quantities


cutaway

fraklip

the interruption of a continuously filmed action by inserting a view of something else

the director struggles to jazz up his stilted blocking with clumsy montage cutaways, which are only effective in the upbeat, darkly funny number “Sincerely, Me,” in which Evan dreams up a dance-filled fantasy of his fake friendship with Connor.

2021 September 22, Caroline Siede, “Dear Evan Hansen is a misfire on just about every level”, in AV Club:

(television) The interruption of a continuously filmed action by inserting a view of something else.

Despite a pre-debate “memorandum of understanding” between the Bush campaign and the Kerry campaign that there would be no televised “cutaways” or reaction shots […]

(television) A cut to a shot of person listening to a speaker so that the audience can see the listener's reaction.

plan de coupe

a cut to a shot of person listening to a speaker


lav

When you’re recording interviews, it’s best to use a lav.

lavalier microphone
lavalier microphone#English

(film, informal) Clipping of lavalier microphone.


pathos

en-noun

pathos (countable and uncountable, plural pathoses)

From Ancient Greek πάθος (páthos, “suffering”).

uder

(literature) An author's attempt to evoke a feeling of pity or sympathetic sorrow for a character.


bloop

en-verb

bloop (third-person singular simple present bloops, present participle blooping, simple past and past participle blooped)

bloops (present singular third-person)
blooping (participle present)
blooped (participle past)
blooped (past)

onom

Imitative

Optical track can be blooped by using blooping tape, which is available from motion picture equipment dealers.

1979, John Mercer, An Introduction to Cinematography, page 96:

(television, transitive) To cover up splices in a soundtrack tape to eliminate the unwanted noise they may produce.


confess

en-verb

confess (third-person singular simple present confesses, present participle confessing, simple past and past participle confessed)

confesses (present singular third-person)
confessing (participle present)
confessed (participle past)
confessed (past)

From Middle English confessen, from Anglo-Norman confesser, from Old French confesser, from Latin confessus (Old French confés), past participle of cōnfiteor (“I confess, I admit”) from con- + fateor (“I admit”). Displaced Middle English andetten (“to confess, admit”) (from Old English andettan). Doublet of confiteor.

cog

(chiefly Japanese media) To profess one's love.


spud

From Middle English spudde (“small knife”). Origin unknown; probably related to Danish spyd, Old Norse spjót (“spear”), German Spieß (“spear; spike; skewer”). Compare English spit (“sharp, pointed rod”). The use of the term for a potato was perhaps first used in New Zealand and Australian dialect and slang.

This spigot (spud) is used to support the lamp, and allows it to be turned from side to side. The spud fits into a socket in a bracket (receptable^([sic])) or a C-clamp. This fixture enables you to suspend the lighting fixture from an overhead bar […]

1991, Gerald Millerson, The Technique of Lighting for Television and Film, page 299:

(film, television) A short central rod in a lighting fixture, for attachment to the light.


conceit

en-noun

conceit (countable and uncountable, plural conceits)

LL-Q1860 (eng)-Mélange a trois-conceit.wav

From Middle English conceyte, formed from conceyven by analogy with pairs such as (Modern English) deceive~deceit, receive~receipt etc. Doublet of concept and concetto. Akin to Portuguese conceito.

The “cyberspace” conceit allows him to dramatize computer hacking in nontechnical language, although I wonder how much his somewhat florid descriptions of the “bodiless exultation of cyberspace” will mean to readers who have not experienced the illusion of power that punching the keyboard of even a dinky little word-processor can give.

1985 November 24, Gerald Jonas, “Science Fiction”, in The New York Times, →ISSN:

In the next and final stanza, Donne expands the conceit of world exploration to present us with a further distinction between the spirituality of the lovers and the “map reader” and “sea-discoverers.”

2009, Harold Bloom, John Donne, Infobase Publishing, →ISBN, page 16:

Jones and Palin wrote and starred in The Complete and Utter History of Britain (1969) for LWT. Its conceit was to relate historical incidents as if TV had existed at the time.

2020 January 22, Stuart Jeffries, “Terry Jones obituary”, in The Guardian:

(countable, rhetoric, literature) An ingenious expression or metaphorical idea, especially in extended form or used as a literary or rhetorical device.

metafora

ingenious expression or metaphorical idea as a literary device


brayer

(printing) A hand printing tool, in the US often a roller, used to spread a thin even layer of ink. Early brayers, consisting of a vertical cylinder with a single handle, were designed to break up thick inks before spreading.


dipole

LL-Q1860 (eng)-Flame, not lame-dipole.wav


cloak

en-verb

cloak (third-person singular simple present cloaks, present participle cloaking, simple past and past participle cloaked)

cloaks (present singular third-person)
cloaking (participle present)
cloaked (participle past)
cloaked (past)

From Middle English cloke, from Old Northern French cloque (“travelling cloak”), from Medieval Latin clocca (“travelers' cape, literally “a bell”, so called from the garment’s bell-like shape”), of Celtic origin, from Proto-Celtic *klokkos, ultimately imitative.
Doublet of cloche and clock.

onomatopoeic

imitative

The ship cloaked before entering the enemy sector of space.

(science fiction, transitive, intransitive) To render or become invisible via futuristic technology.


decant

en-verb

decant (third-person singular simple present decants, present participle decanting, simple past and past participle decanted)

decants (present singular third-person)
decanting (participle present)
decanted (participle past)
decanted (past)

From French décanter, from Medieval Latin dēcanthāre, from dē- + canthus (“beak of a cup or jug”).

“We also predestine and condition. We decant our babies as socialized human beings, as Alphas or Epsilons, as future sewage workers or future …” He was going to say “future World controllers,” but correcting himself, said “future Directors of Hatcheries,” instead.

(science fiction) To remove (a clone or other artificially-gestated baby) from its chamber, vat, or artificial womb.


chuff

en-noun

chuff (countable and uncountable, plural chuffs)

(scriptwriting, uncountable) Superfluous small talk that is free of conflict, offers no character development, description or insight, and does not advance the story or plot.


fill

fill (countable and uncountable, plural fills)

From Middle English fille, vülle, fülle, from Old English fyllu, from Proto-West Germanic *fullī, from Proto-Germanic *fullį̄ (“fullness”). Cognate with German Fülle.

(film, television) Short for fill light.


prime

composite

prime element of a mathematical structure

From Middle English prime, from Old French prime and its etymon, Latin prīmus (“first”), from earlier prīsmos < *prīsemos < Proto-Italic *priisemos, ultimately from Proto-Indo-European *per- (“beyond, before”). Doublet of primo and primus.
The noun sense "apostrophe-like symbol" originates from the fact that the symbol ′ was originally a superscript Roman numeral one.

der

Tomlinson, Shawn M. (2015) Going Pro for $200 & How to Choose a Prime Lens, →ISBN, page 72: “By the time I shifted to my first autofocus film SLR with the Pentax PZ-10, primes were considered things of the past”

(film) Contraction of prime lens, a film lens.


nodder

(television) Synonym of noddy (“cutaway scene of an interviewer nodding”)


ligand

Borrowed from Latin ligandus, gerundive of ligo (“bind”).

ربيطة

something that binds to another chemical entity

Holonym: ligature

(typography) A letter that orthography requires or allows to be ligated with one or more other letters to form a ligature, such as a in æ or o in œ.


gape

en-verb

gape (third-person singular simple present gapes, present participle gaping, simple past and past participle gaped)

gapes (present singular third-person)
gaping (participle present)
gaped (participle past)
gaped (past)

From Middle English gapen, from Old Norse gapa (“to gape”) (compare Swedish gapa, Danish gabe), from Proto-Germanic *gapōną (descendants Middle English geapen, Dutch gapen, German gaffen), perhaps from Proto-Indo-European *ǵʰеh₂b-. Cognates include Russian зяпа (zjapa).

(pornography) To depict a dilated anal or vaginal cavity upon penetrative sexual activity.


platen

From French platine, from plat (“flat”). See plate, and compare platin.

And the form is inked, the paper is applied, the bed is slid, and the platen is levered down and the proof is printed.

2010, Andrea Levy, The Long Song, Tinder Press (2017), page 382:

(printing) The part of a printing press which presses the paper against the type and by which the impression is made.


kern

From French carne (“corner; projecting angle; quill of a pen”), from Latin cardinem (“hinge”) or from Etymology 1. The verb is a back-formation from kerned, which is from the noun. Doublet of cardo.

uder

A few types have a portion of the face letter projecting over the body, as in the letter f ; this projection is called the kern, and in combination with other letters the projecting part generally extends over the next letter, as in fe. In those combinations, wherein the kern would come in contact with another letter, compound types are cast, as in the case of ff, fi, fl, ffi, ffl.

1856, Independent Order of Odd Fellows, Odd Fellows' Literary Casket, volumes 6-7, page 360:

(hot metal printing, typography) Any part of a letter which extends into the space used by another letter.


kern

en-verb

kern (third-person singular simple present kerns, present participle kerning, simple past and past participle kerned)

kerns (present singular third-person)
kerning (participle present)
kerned (participle past)
kerned (past)

If you need to kern anything beyond the most commonly used pairs, you can use applications software such as Adobe PageMaker to customize pairs.

2001, Constance J. Sidles, Graphic Designer's Digital Printing and PrePress Handbook, page 51:

Especially consider kerning if you are printing on a relatively high-resolution printer, such as a 600-dpi (dots per inch) laser printer.

2001, Bill Camarda, Special Edition Using Microsoft Word 2002, page 122:

Remember, the goal of kerning is to make letter pairs look natural, not necessarily to minimize letterspaces.

2006, Tova Rabinowitz, Exploring Typography, page 320:

You should kern letter pairs when spacing between characters is too wide or too narrow.

2008, Terry Rydberg, Exploring Adobe InDesign CS4, page 98:

(typography, chiefly proportional font printing) To adjust the horizontal space between selected pairs of letters (characters or glyphs); to perform such adjustments to a portion of text, according to preset rules.

välistää

to adjust the horizontal space between selected pairs of letters


superior

/sʉːˈpɪə.ɹiː.ə/

From Middle English, borrowed from Old French superiour, from Latin superior (“higher, upper”).

a superior figure or letter


superior

/sʉːˈpɪə.ɹiː.ə/

(printing) A superior letter, figure, or symbol.


leonine

The adjective is derived from Late Middle English leonin, leonine (“of or pertaining to a person named Leo; specifically Pope Leo IV”), from Latin leōnīnus, from Leo (“man’s name”) (from leo (“lion”): see etymology 1) + -īnus (suffix meaning ‘of or pertaining to’).
Sense 2 (“being or relating to a kind of verse with internal rhyme”) is said to refer to a (possibly apocryphal) medieval monk named Leo or Leonius who composed verse with this characteristic; his identity is uncertain, but the composer Léonin (also known as Leo, Leoninus, or Leonius; flourished 1135s–1201) has been suggested. Alternatively, the word may refer to Pope Leo II (c. 611–683): see the c. 1760–1761 quotation.
The noun is derived from the adjective.

leonine rhyme

In the Church of St. Dominick is a ſmall Picture of the Bleſſed Virgin, vvith the Infant JESUS in her Arms, vvell painted, and yet, appears to have been done in the Iron Age of Painting and other Arts, by the follovving verses, vvrit under it. […] Theſe Leonine Verſes, as plainly appears by them, expreſs a Senſe contrary to the Intention of the VVriter.

1712, [Bernard de] Montfaucon, “My Journey to Siena; […]”, in [John Henley?], transl., The Travels of the Learned Father Montfaucon from Paris thro’ Italy. […], London: […] D. L. for E[dmund] Curll […], E[gbert] Sanger […], R[obert] Gosling […], and W. Lewis […], →OCLC, page 403:

Observe, that, if the date of this poem be true, the general opinion, that the Leonine verse owes its name to Leonius, seems to be false; […] It is not therefore very likely, as Leonius flourished in 1154, that he should give name to such Latin verses upwards of thirty years before. Indeed some people have thought that it was called after Leo, probably the Second, who lived in 684, a pope who is said to have reformed the hymns and the music of the church.

c. 1760–1761 (date written; published 1814), Thomas Gray, “[Essays. Metrum.] Observations on the Pseudo-Rhythmus.”, in Edmund Gosse, editor, The Works of Thomas Gray in Prose and Verse. […], volume I (Poems, Journals, and Essays), London: Macmillan and Co., published 1884, →OCLC, pages 374–375:

[T]he Latin poetry, instead of Leonine rhymes, or attempts at regular hexameters almost equally bad, becomes, in the hands of Gunther, Gualterus de Insulis, Gulielmus Brito, and Joseph Iscanus, to whom a considerable number of names might be added, always tolerable, sometimes truly spirited; […]

1837–1839, Henry Hallam, “On the General State of Literature in the Middle Ages to the End of the Fourteenth Century”, in Introduction to the Literature of Europe, in the Fifteenth, Sixteenth and Seventeenth Centuries, volume (please specify |volume=I to IV), London: John Murray, […], →OCLC, paragraph 84, page 100:

(poetry) Being or relating to a kind of medieval Latin verse, generally alternative hexameter and pentameter, with rhyming at the middle and end of a line (that is, internal rhyme); also (by extension), of or relating to modern verse having internal rhyme.

leoniininen

being or relating to a kind of medieval Latin verse; of or relating to modern verse having internal rhyme


leonine

A[llen]. The Clink of Syllables call'd Rymes, / Brought in ith' barb'rous Runick times, / To ſober Criticks ſeems to be / A paultry part of Poetry, / Becoming Monkiſh dull Divines, / VVho traded much in Leonines. / J[ohn]. Altho' to ſpoil I ſhould be ſorry, / An undergraduate Antiquary, / Yet I'll produce a Line or tvvo / Of Leonines in Cicero, / Before the Monks long time ago.

1715, “Canto III”, in The Miller of Trompington: being an Exercise upon Chaucer’s Reeve’s Tale, London: […] Jonas Brown, […]; and sold by J[ames] Roberts […], →OCLC, pages 44–45:

[F]rom the jingling of the Greek couplet juſt before, and ſimilar inſtances of his taſte, I am perſuaded Sir VVilliam intended theſe as Leonines perfect in their kind.

1771 December, “Illustration of the Inscription on Sir W[illiam] Browne’s Monument. […] Continued from Our Last. The Notes.”, in The Town and Country Magazine; or, Universal Repository of Knowledge, Instruction, and Entertainment, volume III, London: […] A[rchibald] Hamilton Junr. […]; [a]nd sold by Robinson and Roberts, […], →OCLC, page 648, column 1:

The manuscript of Trinity College, Cambridge, which we have already mentioned, was written at the beginning of the thirteenth century, and the proverbs which it contains are translations into Latin leonines of some of the more popular English, and, in one or two instances, Norman proverbs of that time.

1835 March, “Art. V.— […] 4. Collection of English Proverbs of the Twelfth Century, Translated into Latin Leonines. MS. Trin. Coll. Camb. O. 2. 45. (Unpublished.) [book review]”, in Cochrane’s Foreign Quarterly Review, volume I, number II, London: Whittaker & Co. […]; Edinburgh: Robert Cadell, […], →OCLC, page 395:

(poetry) Chiefly in the plural: synonym of Leonine verse (“a kind of medieval Latin verse, generally alternative hexameter and pentameter, with rhyming at the middle and end of a line (that is, internal rhyme)”)


tenner

The basic 10K, known as a tenner or studio 10K, has a 20-inch fresnel. The big daddy of the group is the Big Eye tenner, which has a 24-inch lens.

2008, Blain Brown, Motion Picture and Video Lighting, page 11:

(film, slang) A kind of 10-kilowatt lamp.


stasis

en-noun

stasis (usually uncountable, plural stases)

From New Latin stasis, from Ancient Greek στάσις (stásis). See the doublet stead.

(science fiction) A technology allowing something to be artificially frozen in time, so that it does not age or change.

pysäytin

scifi: technology allowing something to be artificially frozen in time


scat

scat (countable and uncountable, plural scats)

Origin uncertain. Both the Oxford English Dictionary and Merriam-Webster suggest derivation from Ancient Greek σκῶρ (skôr, “excrement”), compare English scato-, but Random House Dictionary suggests that the popular character of the word makes this unlikely. Perhaps from English dialectal scat (“to scatter, fling, bespatter”), or an alteration of shit, which is also used for "drugs, heroin".

Enema queens, like scat queens, are really the scum of the earth.

1988, “Pete”, quoted in Seymour Kleinberg, Alienated Affections: Being Gay in America, Macmillan, page 183

“[…] I hear he’s into S&M and scat and all kinds of kinky shit. […]”

1998, Dennis Cooper, Guide, Grove Press, →ISBN, page 170:

In short, when venturing into the realm of extreme fetish, ensure you have an extreme understanding of a partner’s boundaries before laying down a plastic tarp for scat play.

2004, Phineas Mollod, Jason Tesauro, The Modern Lover: A Playbook for Suitors, Spouses & Ringless Carousers, Ten Speed Press, →ISBN, page 72:


ret

(printing, historical) Short for reiteration.


vee

(computing, typography) A unit of vertical spacing, typically corresponding to the height of an ordinary line of text.


berserker

Illustrations of Northern Antiquities
Swedish History Museum
Torslunda plates
Walter Scott

Borrowed from Old Norse berserkr (“Norse warrior who fights with frenzy”), probably from bjǫrn (“bear”) + serkr (“coat; shirt”), referring to the bearskins worn by the warriors. Bjǫrn is possibly ultimately derived from Proto-Indo-European *bʰerH- (“brown”); and serkr from Proto-Indo-European *ser- (“to bind, tie together; thread”). Alternatively, it has been suggested that the first element of the word is from berr (“bare, naked”), suggesting warriors who went into battle without armour, but this is now thought unlikely. Doublet of berserk.
The word was introduced in English by the Scottish author and historian Walter Scott (1771–1832) in Illustrations of Northern Antiquities (1814) (spelled berserkir), and in his novel The Pirate (1822) (spelled berserkar). The sense “type of von Neumann probe whose mission is to exterminate alien lifeforms” was coined by the American author Fred Saberhagen (1930–2007) in 1963 in his Berserker series of novels and short stories.
cognates
* Icelandic berserkur
* Swedish bärsärk

ref

From the collection of the Swedish History Museum in Stockholm, Sweden.

coinage

(science fiction) A type of von Neumann probe whose mission is to exterminate alien lifeforms.


iris

irises (plural)
iris (plural)
irides (plural)

From Middle English [Term?], from Latin īris, from Ancient Greek ἶρις (îris, “rainbow”). Presuming an earlier form *ϝῖρις (*wîris), possibly from a derivative of Proto-Indo-European *w(e)ih₁-ro- (“a twist, thread, cord, wire”), from *weh₁y- (“to turn, twist, weave, plait”). If so, it would be cognate to English wire.

der

(photography, cinematography) A diaphragm used to regulate the size of a hole, especially as a way of controlling the amount of light reaching a lens.


clarification

en-noun

clarification (countable and uncountable, plural clarifications)

/ˌklæɹɪfɪˈkeɪʃən/

/ˌklɛɹɪfɪˈkeɪʃən/

Borrowed from Middle French clarification, from Latin clārificātiō.

избистряне

physical clarification (wine, butter, etc.)

(journalism) A small piece of writing supplemental to a previously published text, intended to disambiguate, explain away obscurities, but not contradict or emend the text (as would a correction).


master

Sranan Tongo: masra

→ Catalan: màster

→ Finnish: master

→ French: master

→ German: Master

→ Polish: master

→ Portuguese: máster

→ Spanish: máster

→ Turkish: master

From Middle English maister, mayster, meister (noun) and maistren (verb), from Old English mǣster, mæġster, mæġester, mæġister, magister (“master”), from Latin magister (“chief, teacher, leader”), from Old Latin magester, from Proto-Indo-European *méǵh₂s, (as in magnus (“great”)) + -ester/-ister (compare minister (“servant”)). Reinforced by Old French maistre, mestre (noun) and maistriier, maister (verb) from the same Latin source. Compare also Saterland Frisian Mäster (“master”), West Frisian master (“master”), Dutch meester (“master”), German Meister (“master”). Doublet of maestro, magister, and meister.

doublet

Southern US, African-American Vernacular, obsolete

use the master's tools to dismantle the master's house

(film) The primary wide shot of a scene, into which the closeups will be edited later.


pica

en-noun

pica (countable and uncountable, plural picas)

From Medieval Latin pica (“pica: a service book”), possibly from Latin pīca (“magpie”) after the piebald appearance of the typeset page (cf. pie (“disordered type”)). The relation to the printer's measure is unclear, as no edition of the text in pica type is known. The French pica derives from English rather than vice versa.

der

I had been at Baldwin's before dinner in consequence of a letter from him which showed me that, by using a pica instead of an English letter in printing my book, I might comprise it within such a number of sheets as a guinea-volume should contain […].

1790, James Boswell, edited by Danziger & Brady, Boswell: The Great Biographer, Yale, published 1989, page 30:

(typography, printing, uncountable) A size of type between small pica and English, now standardized as 12-point.

(typography, uncountable, usually with qualifier) A font of this size.

(typography, countable) A unit of length equivalent to 12 points, officially ³⁵⁄₈₃ cm (0.166 in) after 1886 but now (computing) ¹⁄₆ in.


elimination

en-noun

elimination (countable and uncountable, plural eliminations)

(television) The act of voting off or throwing off a contestant in a reality television competition.


brute

From Middle French brut, from Old French brut, from Latin brūtus (“dull, stupid, insensible”), an Oscan loanword, from Proto-Indo-European *gʷréh₂us (“heavy”). Cognate with Ancient Greek βαρύς (barús), Persian گران (gerân) and Sanskrit गुरु (gurú) (English guru).

der

LL-Q1860 (eng)-I learned some phrases-bruit.wav

For a scene like the Highgate exhumation night sequence suitable equipment would consist of: two brutes on Molevators, three 10 K lights also on Molevators and, for good measure, two 5 Ks, four 2 Ks, two pups (1000 W), two North lights […]

1976, A. Arthur Englander, Paul Petzold, Filming for Television, page 191:

At the other extreme, with limitless budgets all they have to do is dream up amazing lighting rigs to be constructed and operated by the huge team of gaffers and sparks, with their generators, discharge lights, flags, gobos and brutes.

1999, Des Lyver, Graham Swainson, Basics of Video Lighting, page 103:

(film, television) A kind of powerful spotlight.


dolly

Welsh: doli

From doll + -y, from the given name Dorothy, originally applied either to a woman or female pet or to a children's toy, and expanded to refer to various types of contrivances or devices. The Online Etymology Dictionary, while considering the reason for applying it to such devices unobvious, compares how the names jack, jenny and jimmy are also applied to devices.

rattaat

term not specific to bridge construction

(film) A specialized piece of film equipment resembling a little cart on which a camera is mounted.


embed

(journalism) An embedded reporter or journalist, such as a war reporter assigned to and travelling with a military unit, or a political reporter assigned to follow and report on the campaign of a candidate.


volta

(poetry) A turning point or point of change in a poem, most commonly a sonnet.


foliation

en-noun

foliation (countable and uncountable, plural foliations)

/fəʊlɪˈeɪʃn/

From French foliation, from Latin folium (“leaf”).

(publishing) The process of forming into pages; pagination.

(codicology, publishing) The numbering of the folios of a manuscript or a book.


philosophy

philosophy (countable and uncountable, plural philosophies)

From Middle English philosophie, Old French philosophie, and their source, Latin philosophia, from Ancient Greek φιλοσοφία (philosophía), from φίλος (phílos, “loving”) + σοφία (sophía, “wisdom”). By surface analysis, philo- + -sophy. Displaced native Old English ūþwitegung.

Although I prefer small pica. Or as its^([sic]) sometimes known, philosophy.
– Small pica, or philosophy, she said. It sounds like the title of a novel. With a girl heroine.

2010, Thomas Wharton, Salamander, Emblem Editions, →ISBN:

(printing, dated) Synonym of small pica (especially in French printing).


corona

A favorite and most attractive combination is that of the corona or series of sonnets, employed to frame or develop some one theme. A list of these corone is given by Biadene, who selects and publishes from among them a series of three by Petrarch, and the famous corona of the months by Folgore da San Gemignano.

1889 May, F. M. Warren, “The Sonnet. Morfologia del Sonetto nei secoli xiii e xiv. L. Biadene [Studj di Filologia Romanza, Fasc. 10.]”, in A. Marshall Elliott, editor, Modern Language Notes, volume IV, Baltimore, Md.: [Johns Hopkins University Press], →ISSN, →OCLC, column 308:

But the poets of Siena, and particularly the Academy of the Intronati, found the proper way of constructing coronas—since the ones mentioned above should really be called sequences ['catene'] rather than coronas.

1997, Michael R. G. Spiller, The Sonnet Sequence: A Study of Its Strategies (Studies in Literary Themes and Genres; 13), New York, N.Y.: Twayne Publishers, →ISBN, page 144:

[Lady Mary] Wroth alludes to these contexts as the corona of sonnets that crowns the sequence opens: "In this strang labourinth how shall I turne?" (Wroth, Poems 127).

2000, Mary B. Moore, “The Labyrinth of Style: Lady Mary Wroth and the Idea of Petrarchism”, in Desiring Voices: Women Sonneteers and Petrarchism, Carbondale, Edwardsville, Ill.: Southern Illinois University Press, →ISBN, page 125:

Both sets of echoes derive from the poets' first poems, and since first poems in Petrarchan sequences set stylistic, tonal, and thematic expectations, Robert [Sidney]'s double allusion to first poems should color readings of this, the first poem of his corona.

2015, Mary B. Moore, “Robert Sidney’s Poetry”, in Margaret P. Hannay, Mary Ellen Lamb, Michael G. Brennan, editors, The Ashgate Research Companion to The Sidneys, 1500–1700, volume 2 (Literature), Farnham, Surrey, Burlington, Vt.: Ashgate Publishing, →ISBN, part VI (Poetry), page 250:

(poetry) A series of sonnets linked together such that the last word of each is the first word of the next.


vamp

en-verb

vamp (third-person singular simple present vamps, present participle vamping, simple past and past participle vamped)

vamps (present singular third-person)
vamping (participle present)
vamped (participle past)
vamped (past)

A Fool There Was (1915 film)
Derby shoe
Oxford shoe
Theda Bara

Clipping of vampire. From a character type developed first for silent film, notably for Theda Bara's role in the 1915 film A Fool There Was.
The verb is derived from the noun.

If I knew what I know now before I got vamped, I'd do the same thing.

2004, David Sosnowski, Vamped: A Novel, Simon and Schuster, →ISBN, page 277:

Astonishing how few peasants and regular people got vamped back in the olden days, when it wasn't regulated.

2012, Justine Larbalestier, Sarah Rees Brennan, Team Human, Harper Collins, →ISBN:

Nobody ever got the drop on Shades, not even when he was alive, and certainly not in the fifty years since he got vamped.

2017, Keith R. A. DeCandido, Blackout, Simon and Schuster, →ISBN:

(fiction, slang, transitive) To turn (someone) into a vampire.


gritty

en-adj

gritty (comparative grittier, superlative grittiest)

grittier (comparative)
grittiest (superlative)

(film, literature) Intense and starkly realistic; depicting harsh reality, especially violence.

drsný

intense and starkly realistic, especially if violent


soma

Transliteration of Sanskrit सोम (soma). Doublet of haoma.

[…] there is always soma, delicious soma, half a gramme for a half-holiday, a gramme for a week-end, two grammes for a trip to the gorgeous East, three for a dark eternity on the moon […]

1932, Aldous Huxley, Brave New World, London: Chatto & Windus:

(by extension, science fiction) Any kind of intoxicating drug.


corvette

Unadapted borrowing from French corvette.

ubor

(nautical) In a modern navy, a lightly armed and armoured blue water warship, smaller than a frigate, capable of transoceanic duty.

(science fiction, by extension) A starship of comparable role


galley

en-noun

galley (plural galleys or (obsolete) gallies)

galleys (plural)
gallies (obsolete plural)

From Middle English galeie, from Old French galee, from Latin galea, from Byzantine Greek γάλεα (gálea) of unknown origin, probably from Ancient Greek γαλέη (galéē), a kind of a small fish, from γαλεός (galeós, “dog-fish or small shark”). Doublet of galea.

It was very nerve-racking. When I was finally able to write the story, I wrote it at the typewriter and never reread it until I had to edit the typos on the printer's galleys for the publication of the book.

1976 April 26, Jil Clark, Julia Penelope, Susan Wolfe, “The Politics of Language”, in Gay Community News, page 8:

(printing) An oblong tray of wood or brass, with upright sides, for holding type which has been set, or is to be made up, etc.

(printing) A proof sheet taken from type while on a galley; a galley proof.

게라쇄

printing: proof sheet from type on a galley


banner

From Middle English baner, from Old French baniere (Modern bannière), of Germanic origin. More at band.

(journalism) The title of a newspaper as printed on its front page; the nameplate; masthead.

(Internet, television) A type of advertisement on a web page or on television, usually taking the form of a graphic or animation above or alongside the content.


banner

en-verb

banner (third-person singular simple present banners, present participle bannering, simple past and past participle bannered)

banners (present singular third-person)
bannering (participle present)
bannered (participle past)
bannered (past)

At 8:11, bannering the headline “Cheney in Charge?” the Drudge Report runs a story speculating that the president may be incapacitated.

2008, Howard Rosenberg, Charles S. Feldman, No Time To Think:

(transitive, journalism) To display as a banner headline.


elite

From Middle English elit, from Old French elit, eslit (“chosen, elected”) past participle of elire, eslire (“to choose, elect”), from Latin eligere (“to choose, elect”), with past participle electus; see elect.

Coordinate term: pica

(typography) A typeface with 12 characters per inch.


indentation

en-noun

indentation (countable and uncountable, plural indentations)

The resulting document does not contain the indentation and line breaks found in the original document.

2007, Robert Richards, Pro PHP XML and Web Services, Apress, →ISBN, page 502:

(typography) The act of beginning a line or series of lines at a little distance within the flush line of the column or page, as in the common way of beginning the first line of a paragraph.

абзац

act of beginning a line at a distance from the flush line


keep up

en-verb

keep up (third-person singular simple present keeps up, present participle keeping up, simple past and past participle kept up)

keeps up (present singular third-person)
keeping up (participle present)
kept up (participle past)
kept up (past)

From Middle English kepen up (“to perpetuate, maintain, preserve”), equivalent to keep + up.

inh

(obsolete, printing) To use capital letters as much as reasonable.


novelette

Best novella was Nnedi Okorafor’s African-flavoured space opera Binti (Tor), while best novelette was Folding Beijing by Hao Jingfang, translated by Ken Liu.

2016 November 30, Adam Roberts, “The best SF and fantasy books of 2016”, in The Guardian:


indent

en-verb

indent (third-person singular simple present indents, present participle indenting, simple past and past participle indented)

indents (present singular third-person)
indenting (participle present)
indented (participle past)
indented (past)

Partly from Middle English indenten (“to dent in”), equivalent to in- + dent (see dent); partly from Middle English indenten, endenten, from Old French endenter (“to provide with teeth”), from en- (“in-, en-”) + dent (“tooth”), from Latin dēns.

uder

to indent the first line of a paragraph one em

to indent the second paragraph two ems more than the first

(typography) To begin (a line or lines) at a greater or lesser distance from the margin. See indentation, and indention. Normal indent pushes in a line or paragraph. "Hanging indent" pulls the line out into the margin.

правя абзац

typography: to begin a line or lines at a greater or less distance from the margin


deck

From Middle English dekke, borrowed from Middle Dutch dec (“roof, covering”), from Middle Dutch decken, from Old Dutch thecken, from Proto-West Germanic *þakkjan, from Proto-Germanic *þakjaną. Formed the same: German Decke (“covering, blanket”). Doublet of thatch and thack.

rearrange the deck chairs on the Titanic

shuffle the chairs on the deck of the Titanic

Coordinate term: strapline

If there's a strapline or subdeck, write these after the main deck and don't use the same words.

2005, Richard Keeble, Print Journalism: A Critical Introduction, page 114:

(journalism) A headline consisting of one or more full lines of text; especially, a subheadline.


beam

en-verb

beam (third-person singular simple present beams, present participle beaming, simple past and past participle beamed)

beams (present singular third-person)
beaming (participle present)
beamed (participle past)
beamed (past)

→ German: beamen

→ Dutch: beamen

→ Japanese: ビーム

From Middle English beem, from Old English bēam (“tree, cross, gallows, column, pillar, wood, beam, splint, post, stock, rafter, piece of wood”), from Proto-West Germanic *baum, from Proto-Germanic *baumaz (“tree, beam, balk”), from Proto-Indo-European *bʰew- (“to grow, swell”). Cognate with West Frisian beam (“tree”), Saterland Frisian Boom (“tree”), Dutch boom (“tree”), German Low German Boom (“tree”), German Baum (“tree”), Luxembourgish Bam (“tree”), Albanian bimë (“a plant”). Doublet of boom.
The original English meaning of beam ("tree") is preserved in some compound words such as quickbeam.
The verb is from Middle English bemen, from Old English bēamian (“to shine, to cast forth rays or beams of light”), from the noun.

inh

Beam me up, Scotty; there's no intelligent life down here.

The injured crewmembers were immediately beamed to sickbay.

Beam me up (x4) / Beam me up town / Beam me down (x3) / Beam me back downtown

2010, “Beam Me Up”, in Walking the Midnight Streets, performed by Midnight Magic:

(transitive, science fiction) To transmit matter or information via a high-tech wireless mechanism.

säteilyttää

scifi: to transmit over high-tech wireless mechanism


extra

(acting) A supernumerary or walk-on in a film or play.


brace

From Middle English brace, from Old French brace (“arm”), from Latin bracchia, the nominative and accusative plural of bracchium (“arm”).

(typography) A curved, pointed line, also known as "curly bracket": { or } connecting two or more words or lines, which are to be considered together, such as in {role, roll}; in music, used to connect staves.


landscape

en-noun

landscape (countable and uncountable, plural landscapes)

From an alteration (due to Dutch landschap) of earlier landskip, lantschip, from Middle English *landschippe, *landschapp, from Old English landsċipe, landsċeap (“region, district, tract of land”), equivalent to land + -ship; in some senses from Dutch landschap (“region, district, province, landscape”), from Middle Dutch landscap, lantscap (“region”), from Old Dutch *landskepi, *landskapi (“region”). Cognate with Scots landskape, landskep, landskip (“landscape”), West Frisian lânskip (“landscape”), Low German landschop (“landscape, district”), German Landschaft (“landscape, countryside, scenery”), Danish landskab (“landscape, countryside”), Swedish landskap (“landscape, scenery, province”), Icelandic landskapur (“countryside”).

cog

(computing, printing, uncountable) a mode of printing where the horizontal sides are longer than the vertical sides


drift

en-noun

drift (countable and uncountable, plural drifts)

From Middle English drift, dryft (“act of driving, drove, shower of rain or snow, impulse”), from Old English *drift (“drift”), from Proto-Germanic *driftiz (“drift”), from Proto-Indo-European *dʰreybʰ- (“to drive, push”). Equivalent to drive + -t; cognate with North Frisian drift (“drift”), Saterland Frisian Drift (“current, flow, stream, drift”), Dutch drift (“drift, passion, urge”), German Drift (“drift”) and Trift (“drove, pasture”), Danish drift (“impulse, instinct”), Swedish drift (“impulse, instinct”), Icelandic drift (“drift, snow-drift”).

cog

There is another form of drift when playing in a scene with other actors.

1970, Michael Pate, The Film Actor: Acting for Motion Pictures and Television, page 64:

(uncountable, film) The situation where a performer gradually and unintentionally moves from their proper location within the scene.


scabby

en-adj

scabby (comparative scabbier, superlative scabbiest)

scabbier (comparative)
scabbiest (superlative)

From Middle English scabby, scabbie, equivalent to scab + -y. Doublet of shabby.

(printing) Having a blotched, uneven appearance.


premise

From Middle English premise, premisse, from Old French premisse, from Medieval Latin premissa (“set before”) (premissa propositio (“the proposition set before”)), feminine past participle of Latin praemittere (“to send or put before”), from prae- (“before”) + mittere (“to send”).
The sense "a piece of real estate" arose from the misinterpretation of the word by property owners while reading title deeds where the word was used with the legal sense.

der

In 1949, the simple premise of discovering ordinary people who have hidden, extraordinary talents came to prominence in the UK with Opportunity Knocks, which started out as a nationwide touring radio show, before moving onto TV in 1956.

2021 September 15, Laura Martin, “How talent shows became TV's most bizarre programmes”, in BBC:

(authorship) The fundamental concept that drives the plot of a film or other story.


redress

en-verb

redress (third-person singular simple present redresses, present participle redressing, simple past and past participle redressed)

redresses (present singular third-person)
redressing (participle present)
redressed (participle past)
redressed (past)

Meanwhile the actors rearranged themselves into a different blocking, as the prop department redressed the set.

1989, American Cinematographer, volume 70, Hollywood, Calif.: ASC Holding Corp., →ISSN, →OCLC, page 90:

[Val] Lewton would redress standing sets, turning a church into an insane asylum or the staircase for Orson Welles' The Magnificent Ambersons into the staircase for the young girl's apartment in Cat People. […] [Y]ou should be thinking about trying to reuse every location you have as another location, either by using another room or another angle or re-dressing what's already there.

2004, Michael P. DiPaolo, “How to be a Guerrilla Filmmaker”, in The Six Day Horror Movie: A No-Nonsense Guide to No-Budget Filmmaking, Jefferson, N.C.: McFarland & Company, →ISBN, page 120:

(film) To redecorate a previously existing film set so that it can double for another set.


redress

The Honeydukes set in this film is a redress of the set of Flourish and Blotts that was seen in Harry Potter and the Chamber of Secrets, which, in turn, was a redress of the Ollivander's set from the first film.

c.''' 2008, “Harry Potter and the Prisoner of Azkaban”, in Wikipedians, editors, Harry Potter: The Complete Guide, [Mainz, Germany]: PediaPress, page 595:

(film) The redecoration of a previously existing film set so that it can double for another set.


paragon

From Anglo-Norman paragone, peragone, Middle French paragon, from Italian paragone (“comparison”) or Spanish parangón, from Byzantine Greek παρακόνη (parakónē, “whetstone”), from Ancient Greek παρακονάω (parakonáō, “I sharpen, whet”), from παρά (pará) + ἀκόνη (akónē, “whetstone”) (from Proto-Indo-European *h₂eḱ- (“sharp”)).

affix

(typography, printing, dated) The size of type between great primer and double pica, standardized as 20-point.


scan

en-verb

scan (third-person singular simple present scans, present participle scanning, simple past and past participle scanned)

scans (present singular third-person)
scanning (participle present)
scanned (participle past)
scanned (past)

⇒ Lithuanian: skenuoti

From late Middle English scanne (“to mark off verse to show metrical structure”), from earlier scanden, from Late Latin scandere (“to scan verse”), from Classical Latin scandō (“I climb, rise, mount”), from Proto-Indo-European *skend- (“to jump, dart, climb, scale, scan”).

مَحَّصَ

to examine sequentially, carefully, or critically; to scrutinize; to behold closely

In such cases as these, almost any one with a good ear will "scan" the verse correctly enough without instruction. It is not proposed to give here a list of Shakspere's slurred and contracted words; […]

1886, Francis Barton Gummere, A Handbook of Poetics for Students of English Verse, page 218:

(poetry, transitive) To read or mark so as to show a specific metre.

escandir

to read or mark so as to show a specific metre

You're right, sir, it doesn't scan very well in the English, but in the Gaelic it's sheer poetry. Have you the Gaelic?

1998, Milton Acorn, Cedric Smith, edited by James Deahl, The Road to Charlottetown: A Play, UnMon Northland:

(poetry, intransitive) To conform to a metrical structure.


revise

Borrowed from Middle French réviser, from Latin revīsō, from re- + vīsō (“examine”), frequentative of videō (“see”).

The question is, not whether the revises of the Catalogue, which I was obliged to circulate prematurely, were faultless, but whether the alterations which I was desired to make would not render them worse.

1837, Anthony Panizzi, A letter to His Royal Highness the President of the Royal Society, on the New Catalogue of the Library of that Institution Now in the Press, page 30:

1869 August 16, Anthony Trollope, letter to W. H. Bradbury, 1983, N. John Hall (editor), The Letters of Anthony Trollope, Volume 1: 1835-1870, page 479,
Looking back at the revises of Bullhampton it seems to me that the printers have fallen into some error as to the numbering of Chapters XXXIV—XXXV—XXXVI—which should have been XXXV—XXXVI— and XXXVII.

1917, United States Congress: House Committee on Rules, Alleged Divulgence of President′s note to Belligerent Powers, page 1440,
I still held the revises; kept them until the type was made up and went to the press, for final page proof.

[…]until I had corrected the proofs of the novel and seen the revises, so that the text was irrevocably fixed, before beginning the screenplay.

1997, David Lodge, The Practice of Writing, published 2011, page 219:

(printing) A second proof sheet; a proof sheet taken after the first or a subsequent correction.


pearl

en-noun

pearl (countable and uncountable, plural pearls)

Horace
Jean Jannon
New Testament
Vergil
en:pearl
en:pearl (disambiguation)
en:pearl (typography)

From Middle English perle, from Old French perle of uncertain etymology. Probably via unattested Medieval Latin *pernula, from Latin perna (“haunch; a marine bivalve shaped like a leg of lamb”) but also derived from Medieval Latin perla, from Latin perula (“little bag”). Its typographic use follows the name given by Jean Jannon to the type used in his miniature editions of Vergil, Horace, & the New Testament in the 1620s, which were the smallest printed works to his time. Its surfing use derives from the supposed resemblance to pearl diving.

der

(uncountable, typography, printing, dated) The size of type between diamond and agate, standardized as 5-point.


scene

From Middle French scene, from Latin scaena, scēna, from Ancient Greek σκηνή (skēnḗ, “scene, stage”). Doublet of scena and skene.

The play is divided into three acts, and in total twenty-five scenes.

The most moving scene is the final one, where he realizes he has wasted his whole life.

There were some very erotic scenes in the movie, although it was not classified as pornography.

Miss Phyllis Morgan, as the hapless heroine dressed in the shabbiest of clothes, appears in the midst of a gay and giddy throng; she apostrophises all and sundry there, including the villain, and has a magnificent scene which always brings down the house, and nightly adds to her histrionic laurels.

1904–1905, Baroness Orczy [i.e., Emma Orczy], “The Affair at the Novelty Theatre”, in The Case of Miss Elliott, London: T[homas] Fisher Unwin, published 1905, →OCLC; republished as popular edition, London: Greening & Co., 1909, OCLC 11192831, quoted in The Case of Miss Elliott (ebook no. 2000141h.html), Australia: Project Gutenberg of Australia, February 2020:

(theater, film, television, radio) A part of a dramatic work that is set in the same place or time. In the theatre, generally a number of scenes constitute an act.

տեսարան

(theater, film, television, radio) part of a dramatic work that is set in the same place or time


core

en-noun

core (countable and uncountable, plural cores)

desc

Translingual: core eudicots, core Malvales

From Middle English core, kore, coor (“apple-core, pith”), of obscure and uncertain origin. Possibly of native English origin, from Old English *cor, related to Old English *coruc, *corc (diminutive) (> Middle English cork, crok (“core of a apple or other fruit, heart of an onion”)) and Old English corn (“seed", also "grain”); or alternatively perhaps from Old French cuer (“heart”), from Latin cor (“heart”); or from Old French cors (“body”), from Latin corpus (“body”). Compare also Middle English colk, coke, coll (“the heart or centre of an apple or onion, core”), Dutch kern (“core”), German Kern (“core”). See also heart, corpse.

unc

obscure and uncertain

non-rhotic, without the horse–hoarse merger

сърцеви́на

something that produces a hollow space in a casting

particular parts of technical instruments or machines essential in function:

(printing) A hollow cylindrical piece of cardboard around which a web of paper or plastic is wound.


tally

(US)

(Air Traffic Control): Speedbird 123, New York, traffic at two o’clock, seven miles, a Boeing 737, west-bound, at 4000 feet.

(Pilot): New York, Speedbird 123, tally.


slice

From Middle English sclise, sklise, from Old French esclice, esclis (“a piece split off”), deverbal of esclicer, esclicier (“to splinter, split up”), from Frankish *slitjan (“to split up”), from Proto-Germanic *slitjaną, from Proto-Germanic *slītaną (“to split, tear apart”), from Proto-Indo-European *sleyd- (“to rend, injure, crumble”). Akin to Old High German sliz, gisliz (“a tear, rip”), Old High German slīzan (“to tear”), Old English slītan (“to split up”), modern French éclisse. More at slite, slit.

der

(printing) A removable sliding bottom to a galley.


dimeter

en-noun

dimeter (countable and uncountable, plural dimeters)

(poetry) A line in a poem having two metrical feet.

(poetry) A poetic metre in which each line has two feet.


stave

LL-Q1860 (eng)-I learned some phrases-stave.wav

Back-formation from staves, the plural of staff.

Let us chaunt a passing stave / In honour of that hero brave.

1815, William Wordsworth, Rob Roy's Grave:

(poetry) A metrical portion; a stanza; a staff.

Ley, in his work on the Metrical Forms of Hebrew Poetry, 1866, has taken too little notice of these frequently occurring alliteration staves; Lagarde communicated to me (8th Sept. 1846) his view of the stave-rhyme in the Book[…]

1874, Franz Delitzsch, Biblical Commentary on the Proverbs of Solomon, page 73:

[The] stave that binds the two halves of the line together the on-verse must be classified as D in spite of the f-stave . . stave-rhyme (OED s.v. Stave sb.)

1974, John Collins Pope, Old English Studies in Honour of John C. Pope, page 193:

... consisting only of the two staves, folches . . . fehta. […] Line 63 contains the two-stave rhyme, aerist ... asckim; the suggested reduplicative rhyme [...] is technically doubtful according to the standards we have[…]

1975, Studies in Medieval Culture, page 11:

This may seem sparse and incomplete, but is reminiscent of the Old Norse stave rhyme technique in which one avoided two alliterating staves in one dipod – which the poets of that time considered superfluous.

(poetry, rare) The initial consonant, consonant cluster, or vowel of a word which rhymes with another word with the same consonant or vowel in stave-rhyme.


vignette

First attested in 1751. From French vignette, diminutive of vigne (“vine”), from Latin vīnea, from vīnum (“wine”). Replaced earlier Middle English vynet.

The centrality of this particular trope can been seen in the vignette adorning the opening page of Denis Diderot and Jean le Rond d'Alembert's Encyclopédie, ou dictionnaire raisonnée des sciences, des arts et des métiers (1751–1752).

2011, William Burgwinkle, Nicholas Hammond, Emma Wilson, The Cambridge History of French Literature, Cambridge University Press, →ISBN, page 420:

(printing) A decorative design, originally representing vine branches or tendrils, at the head of a chapter, of a manuscript or printed book, or in a similar position.

винетка

decorative design at the head of a chapter, of a manuscript or printed book


tetrameter

tetrameter (countable and uncountable, plural tetrameters)

(poetry) A line in a poem having four metrical feet.

tetrametër

a line in a poem having four metrical feet (poetry)


pentameter

pentameter (countable and uncountable, plural pentameters)

PIE word
 *pénkʷe
From Middle French pentamètre, by surface analysis, penta- + meter.

The best verses, more especially pentameters, are written on the principle of attracting and fixing the attention to their close.

1822, Robert Bland, Elements of Latin Hexameters and Pentameters, third edition, London: John Robinson, page vi:

(poetry, countable) A line in a poem having five metrical feet.

(poetry) Poetic metre in which each line has five feet.


vestige

From French vestige, from Latin vestīgium (“footstep, footprint, track, the sole of the foot, a trace, mark”).

der

[J]ust a trace, or vestige, of the other sideband is included. In the receiver detection circuitry the vestige of the lower sideband is added to the upper sideband.

2003, Tarmo Anttalainen, Introduction to Telecommunications Network Engineering, page 133:

(television, radio) The remaining portion of a partially suppressed sideband.