"voice-under" meaning in English

{
  "forms": [
    {
      "form": "voice-unders",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "voice-under (plural voice-unders)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "alt_of": [
        {
          "word": "voiceunder"
        }
      ],
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1994, David Littlejohn, The Ultimate Art: Essays Around and about Opera, page 218",
          "text": "And the louder-and-louder Act III closing septet (quintet, really, with voice-unders; Otello mutters only ten words) has always struck me, for all Verdi's efforts, as more operatic convention than music-as-drama.",
          "type": "quotation"
        },
        {
          "ref": "2009, Richard Middleton, Musical Belongings: Selected Essays, page 223",
          "text": "But pervading the whole track is an array of individual voices (voice-unders?), filling the sonic space with life, many of them back-of-the-throat squawks and gurgles, others comically ululating melismas (part cartoon, part pseudo-operatic: sirens for the age of the pop diva?), all of them strangely positioned in frame of reference between the simian and the avian.",
          "type": "quotation"
        },
        {
          "ref": "2017, Timothy Bentinck, Being David Archer: And Other Unusual Ways of Earning a Living",
          "text": "Over the last thirty-odd years, I've done thousands of television commercials, radio commercials, corporate voiceovers, stadium announcements, narrations, audiobooks, voice-unders (vocal subtitles), museum audio guides, dubbing, re-voicing, ADRs (additional dialog replacements), loop groups (most movie-screen deaths you hear are me and my voices, cartoon and animation voices, in-store announcements, documentary narrations, medical instructions, film trailers, celebrity voices — and 'Mind the Gap' on the Piccadilly Line.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Alternative form of voiceunder"
      ],
      "id": "en-voice-under-en-noun-EJD-I1wN",
      "links": [
        [
          "voiceunder",
          "voiceunder#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "voice-under"
}

{
  "forms": [
    {
      "form": "voice-unders",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "voice-under (plural voice-unders)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "alt_of": [
        {
          "word": "voiceunder"
        }
      ],
      "categories": [
        "English countable nouns",
        "English entries with incorrect language header",
        "English lemmas",
        "English multiword terms",
        "English nouns",
        "English terms with quotations"
      ],
      "examples": [
        {
          "ref": "1994, David Littlejohn, The Ultimate Art: Essays Around and about Opera, page 218",
          "text": "And the louder-and-louder Act III closing septet (quintet, really, with voice-unders; Otello mutters only ten words) has always struck me, for all Verdi's efforts, as more operatic convention than music-as-drama.",
          "type": "quotation"
        },
        {
          "ref": "2009, Richard Middleton, Musical Belongings: Selected Essays, page 223",
          "text": "But pervading the whole track is an array of individual voices (voice-unders?), filling the sonic space with life, many of them back-of-the-throat squawks and gurgles, others comically ululating melismas (part cartoon, part pseudo-operatic: sirens for the age of the pop diva?), all of them strangely positioned in frame of reference between the simian and the avian.",
          "type": "quotation"
        },
        {
          "ref": "2017, Timothy Bentinck, Being David Archer: And Other Unusual Ways of Earning a Living",
          "text": "Over the last thirty-odd years, I've done thousands of television commercials, radio commercials, corporate voiceovers, stadium announcements, narrations, audiobooks, voice-unders (vocal subtitles), museum audio guides, dubbing, re-voicing, ADRs (additional dialog replacements), loop groups (most movie-screen deaths you hear are me and my voices, cartoon and animation voices, in-store announcements, documentary narrations, medical instructions, film trailers, celebrity voices — and 'Mind the Gap' on the Piccadilly Line.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Alternative form of voiceunder"
      ],
      "links": [
        [
          "voiceunder",
          "voiceunder#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "voice-under"
}