"sonsign" meaning in English

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  "etymology_text": "Blend of sonic + sign",
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    {
      "form": "sonsigns",
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  "lang_code": "en",
  "pos": "noun",
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          "ref": "2009 July, Irini Stamatopoulos, “Time as visualized by the cinematic medium”, in offscreen, volume 13, number 7:",
          "text": "Opsigns and sonsigns are direct presentation of time.",
          "type": "quote"
        },
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          "ref": "2015 November 10, Marcello Garibbo, “Deleuze’s Philosophy of Cinema: Reflections on Subjectivity, Images, and Visual Artworks”, in THE DARK PRECURSOR International Conference on Deleuze and Artistic Research: DARE 2015 / Orpheus Institute / Ghent / Belgium / 9-11 November 2015:",
          "text": "By presenting purely optical and sound situations in which no action is involved, opsigns and sonsigns place time at the centre of the cinematic image.",
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          "ref": "2025 February 9, Wikipedia contributors, “Cinema 2: The Time-Image”, in English Wikipedia, Wikimedia Foundation:",
          "text": "Thus, instead of what Deleuze had described as perception-images, affection-images, action-images, and mental images (all types of movement-image), there are now “opsigns” and “sonsigns” which resist movement-image differentiation.",
          "type": "quote"
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      ],
      "glosses": [
        "Particularly in Gilles Deleuze's cinematic philosophy, a pure sound that exists independently of any immediate action or narrative progression."
      ],
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        "(film theory) Particularly in Gilles Deleuze's cinematic philosophy, a pure sound that exists independently of any immediate action or narrative progression."
      ]
    }
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  "word": "sonsign"
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  "etymology_text": "Blend of sonic + sign",
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          "ref": "2009 July, Irini Stamatopoulos, “Time as visualized by the cinematic medium”, in offscreen, volume 13, number 7:",
          "text": "Opsigns and sonsigns are direct presentation of time.",
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        },
        {
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              94,
              102
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          "text": "By presenting purely optical and sound situations in which no action is involved, opsigns and sonsigns place time at the centre of the cinematic image.",
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      ],
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        "(film theory) Particularly in Gilles Deleuze's cinematic philosophy, a pure sound that exists independently of any immediate action or narrative progression."
      ]
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