"salotto" meaning in English

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      "expansion": "Italian salotto",
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  "etymology_text": "From Italian salotto.",
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      "form": "salottos",
      "tags": [
        "plural"
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  "pos": "noun",
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        {
          "ref": "1976, George L[eonard] Hersey, Pythagorean Palaces: Magic and Architecture in the Italian Renaissance, Cornell University Press, page 160",
          "text": "On the other hand exedras or reception rooms, painting galleries, and salottos other than Corinthian, were half-cubes.",
          "type": "quotation"
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        {
          "ref": "1996, Thomas Tuohy, Herculean Ferrara: Ercole d’Este (1471–1505) and the Invention of a Ducal Capital (Cambridge Studies in Italian History and Culture), Cambridge University Press, published 2002, page 315",
          "text": "These included the decision to dismantle and rebuild the stairs at the head of a salotto which led to the room looking onto the cortile segreto, and to dismantle part of a ceiling to accommodate the new vault in the vaulted salotto.",
          "type": "quotation"
        },
        {
          "ref": "1999, Olga Raggio, The Gubbio Studiolo and Its Conservation, volumes I (Federico da Montefeltro’s Palace at Gubbio and Its Studiolo), New York, N.Y.: The Metropolitan Museum of Art, pages 62 and 79, column 2",
          "text": "Its vigorously carved acanthus frieze (fig. 4-29) and its classical foliated consoles and pilasters recall the chimneypiece in the salotto of the duchess’s apartment at Urbino (fig. 4-30), executed under Francesco di Giorgio, perhaps by Ambrogio Barocci. […] Thus the vestibule, the courtyard, and the staircase and the sala and the salotto on the piano nobile functioned as lochi publici (public areas), accessible to all visitors; […]",
          "type": "quotation"
        },
        {
          "ref": "2002, Paula Weideger, Venetian Dreaming, New York, N.Y.: Washington Square Press, Atria Books, pages 146–147",
          "text": "We saw the salotto on the other side of the portego, with its many historically important papers and maps.",
          "type": "quotation"
        },
        {
          "ref": "2007, Jonathan White, Italian Cultural Lineages, Toronto, Ont.: University of Toronto Press, page 235",
          "text": "All good salottos have need of a hostess, who puts her guests at their ease and encourages them to enter into the spirit of the occasion.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "An Italian drawing room."
      ],
      "id": "en-salotto-en-noun-3TO3S-NU",
      "links": [
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          "Italian",
          "Italian"
        ],
        [
          "drawing room",
          "drawing room"
        ]
      ]
    }
  ],
  "word": "salotto"
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  "etymology_text": "From Italian salotto.",
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      "examples": [
        {
          "ref": "1976, George L[eonard] Hersey, Pythagorean Palaces: Magic and Architecture in the Italian Renaissance, Cornell University Press, page 160",
          "text": "On the other hand exedras or reception rooms, painting galleries, and salottos other than Corinthian, were half-cubes.",
          "type": "quotation"
        },
        {
          "ref": "1996, Thomas Tuohy, Herculean Ferrara: Ercole d’Este (1471–1505) and the Invention of a Ducal Capital (Cambridge Studies in Italian History and Culture), Cambridge University Press, published 2002, page 315",
          "text": "These included the decision to dismantle and rebuild the stairs at the head of a salotto which led to the room looking onto the cortile segreto, and to dismantle part of a ceiling to accommodate the new vault in the vaulted salotto.",
          "type": "quotation"
        },
        {
          "ref": "1999, Olga Raggio, The Gubbio Studiolo and Its Conservation, volumes I (Federico da Montefeltro’s Palace at Gubbio and Its Studiolo), New York, N.Y.: The Metropolitan Museum of Art, pages 62 and 79, column 2",
          "text": "Its vigorously carved acanthus frieze (fig. 4-29) and its classical foliated consoles and pilasters recall the chimneypiece in the salotto of the duchess’s apartment at Urbino (fig. 4-30), executed under Francesco di Giorgio, perhaps by Ambrogio Barocci. […] Thus the vestibule, the courtyard, and the staircase and the sala and the salotto on the piano nobile functioned as lochi publici (public areas), accessible to all visitors; […]",
          "type": "quotation"
        },
        {
          "ref": "2002, Paula Weideger, Venetian Dreaming, New York, N.Y.: Washington Square Press, Atria Books, pages 146–147",
          "text": "We saw the salotto on the other side of the portego, with its many historically important papers and maps.",
          "type": "quotation"
        },
        {
          "ref": "2007, Jonathan White, Italian Cultural Lineages, Toronto, Ont.: University of Toronto Press, page 235",
          "text": "All good salottos have need of a hostess, who puts her guests at their ease and encourages them to enter into the spirit of the occasion.",
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        }
      ],
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        "An Italian drawing room."
      ],
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  "word": "salotto"
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