"re-cite" meaning in English

{
  "forms": [
    {
      "form": "re-cites",
      "tags": [
        "present",
        "singular",
        "third-person"
      ]
    },
    {
      "form": "re-citing",
      "tags": [
        "participle",
        "present"
      ]
    },
    {
      "form": "re-cited",
      "tags": [
        "participle",
        "past"
      ]
    },
    {
      "form": "re-cited",
      "tags": [
        "past"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "re-cite (third-person singular simple present re-cites, present participle re-citing, simple past and past participle re-cited)",
      "name": "en-verb"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "verb",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1974, Journal of Irish Literature, volume 3, page 53:",
          "text": "[…] eleven of them refer to [Daniel] Corkery's book Synge and Anglo-Irish Literature, which is fully re-cited in eleven different sections. It would have been more efficient to have cited Corkery's book fully one time and then re-cite it in abbreviated form in head notes to the other sections.",
          "type": "quote"
        },
        {
          "ref": "2006, Maria Wikse, Materialisations of a Woman Writer: Investigating Janet Frame's Biographical Legend, Peter Lang, →ISBN, page 24:",
          "text": "In order to understand the importance of context and genre for the identification of a re-citation, we may look at an example of a recurring re-citational source, namely, Virginia Woolf's A Room of One's Own. […] In [Janet] Frame's novels and autobiographies there are several references to Woolf's work in general and Room in particular. Indeed Room is re-cited in different ways in the different works studied here. At times, the re-citations further Woolf's ideas and other times they re-cite them against the grain, even if the difference between the two modes is elusive.",
          "type": "quote"
        },
        {
          "ref": "2007, B. Venkat Mani, Cosmopolitical Claims: Turkish-German Literatures from Nadolny to Pamuk, University of Iowa Press, →ISBN, page 88:",
          "text": "Having cited the \"pernicious\" formulation of this interpretation of origin—\"you cannot help acting this way because your origin stages you so\"—Spivak moves to re-cite herself and revise her own previously authored statement: \"history lurks in it [origin] somewhere\" is rewritten as \"history slouches in it, ready to comfort and kill\" (ibid., original emphasis). Through this moment of re-citation and revision, Spivak argues for an understanding of origins through a reexamination of institutions and inscriptions in order to then \"surmise the mechanics by which such institutions and inscriptions can stage such a particular style of performance\" (ibid.).",
          "type": "quote"
        }
      ],
      "glosses": [
        "To cite again, as with a second or subsequent citation."
      ],
      "id": "en-re-cite-en-verb-en:cite_again",
      "links": [
        [
          "cite",
          "cite#Verb"
        ],
        [
          "citation",
          "citation"
        ]
      ],
      "senseid": [
        "en:cite again"
      ],
      "synonyms": [
        {
          "tags": [
            "proscribed"
          ],
          "word": "recite"
        }
      ]
    }
  ],
  "word": "re-cite"
}

{
  "forms": [
    {
      "form": "re-cites",
      "tags": [
        "present",
        "singular",
        "third-person"
      ]
    },
    {
      "form": "re-citing",
      "tags": [
        "participle",
        "present"
      ]
    },
    {
      "form": "re-cited",
      "tags": [
        "participle",
        "past"
      ]
    },
    {
      "form": "re-cited",
      "tags": [
        "past"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "re-cite (third-person singular simple present re-cites, present participle re-citing, simple past and past participle re-cited)",
      "name": "en-verb"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "verb",
  "senses": [
    {
      "categories": [
        "English entries with incorrect language header",
        "English lemmas",
        "English multiword terms",
        "English terms with quotations",
        "English verbs",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "ref": "1974, Journal of Irish Literature, volume 3, page 53:",
          "text": "[…] eleven of them refer to [Daniel] Corkery's book Synge and Anglo-Irish Literature, which is fully re-cited in eleven different sections. It would have been more efficient to have cited Corkery's book fully one time and then re-cite it in abbreviated form in head notes to the other sections.",
          "type": "quote"
        },
        {
          "ref": "2006, Maria Wikse, Materialisations of a Woman Writer: Investigating Janet Frame's Biographical Legend, Peter Lang, →ISBN, page 24:",
          "text": "In order to understand the importance of context and genre for the identification of a re-citation, we may look at an example of a recurring re-citational source, namely, Virginia Woolf's A Room of One's Own. […] In [Janet] Frame's novels and autobiographies there are several references to Woolf's work in general and Room in particular. Indeed Room is re-cited in different ways in the different works studied here. At times, the re-citations further Woolf's ideas and other times they re-cite them against the grain, even if the difference between the two modes is elusive.",
          "type": "quote"
        },
        {
          "ref": "2007, B. Venkat Mani, Cosmopolitical Claims: Turkish-German Literatures from Nadolny to Pamuk, University of Iowa Press, →ISBN, page 88:",
          "text": "Having cited the \"pernicious\" formulation of this interpretation of origin—\"you cannot help acting this way because your origin stages you so\"—Spivak moves to re-cite herself and revise her own previously authored statement: \"history lurks in it [origin] somewhere\" is rewritten as \"history slouches in it, ready to comfort and kill\" (ibid., original emphasis). Through this moment of re-citation and revision, Spivak argues for an understanding of origins through a reexamination of institutions and inscriptions in order to then \"surmise the mechanics by which such institutions and inscriptions can stage such a particular style of performance\" (ibid.).",
          "type": "quote"
        }
      ],
      "glosses": [
        "To cite again, as with a second or subsequent citation."
      ],
      "links": [
        [
          "cite",
          "cite#Verb"
        ],
        [
          "citation",
          "citation"
        ]
      ],
      "senseid": [
        "en:cite again"
      ]
    }
  ],
  "synonyms": [
    {
      "tags": [
        "proscribed"
      ],
      "word": "recite"
    }
  ],
  "word": "re-cite"
}