"phénakistiscope" meaning in English

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    {
      "form": "phénakistiscopes",
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  "head_templates": [
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      "args": {},
      "expansion": "phénakistiscope (plural phénakistiscopes)",
      "name": "en-noun"
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  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "alt_of": [
        {
          "word": "phenakistoscope"
        }
      ],
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          "source": "w"
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          "source": "w"
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      "examples": [
        {
          "ref": "1969, Roy Paul Madsen, Animated Film: Concepts, Methods, Uses, New York, N.Y.: Interland Publishing Inc., →ISBN, page 7:",
          "text": "In 1829 he [Joseph Plateau] constructed a circular device, the phénakistiscope, on which sixteen pictures were mounted (Figure 1.5).",
          "type": "quote"
        },
        {
          "ref": "1981, Lynda Corey Claassen, “National Museum of American History”, in Finders’ Guide to Prints and Drawings in the Smithsonian Institution, Smithsonian Institution, →ISBN, page 90:",
          "text": "Motion picture prehistory is documented by hand-colored phénakistiscope (1832) and Fantascope (1833) discs, by zoetrope strips (c1867), and by woodcuts showing peep shows;",
          "type": "quote"
        },
        {
          "ref": "1996, Fatimah Tobing Rony, “Notes to Chapter Two”, in The Third Eye: Race, Cinema, and Ethnographic Spectacle, Durham, N.C., London: Duke University Press, →ISBN, page 231:",
          "text": "Throughout the early twentieth century, [Félix] Regnault wrote about cinema and its history, a history he saw as an evolution originating from both science and popular entertainment, beginning with the concept of the persistence of the image on the retina, [Joseph] Plateau’s phénakistiscope, and [Émile] Reynaud’s praxinoscope, and reaching its apex with the invention of cinema by [Étienne-Jules] Marey, whom Regnault referred to as le père du du cinéma (Félix Regnault, “L’évolution du cinéma,” La revue scientifique [1922]: 7985).",
          "type": "quote"
        },
        {
          "ref": "1998, Keith J. Laidler, “Daguerre, Talbot, and the legacy of photography: […]”, in To Light Such a Candle: Chapters in the History of Science and Technology, Oxford, Oxfordshire: Oxford University Press, →ISBN, page 101:",
          "text": "[Joseph] Plateau sent one of his phénakistiscopes as a present to Michael Faraday.",
          "type": "quote"
        },
        {
          "ref": "2004, Norman E. Tutorow, “The First Motion Picture”, in The Governor: The Life and Legacy of Leland Stanford, a California Colossus, Spokane, Wash.: The Arthur H. Clark Company, →ISBN, page 474:",
          "text": "For example, in the French original of Machine animale, [Étienne-Jules] Marey writes that Mathias Marie Duval used a phénakistiscope;",
          "type": "quote"
        }
      ],
      "glosses": [
        "Alternative form of phenakistoscope"
      ],
      "id": "en-phénakistiscope-en-noun-l1G7DDWB",
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  "word": "phénakistiscope"
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{
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      "form": "phénakistiscopes",
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  "lang_code": "en",
  "pos": "noun",
  "senses": [
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        {
          "word": "phenakistoscope"
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      ],
      "examples": [
        {
          "ref": "1969, Roy Paul Madsen, Animated Film: Concepts, Methods, Uses, New York, N.Y.: Interland Publishing Inc., →ISBN, page 7:",
          "text": "In 1829 he [Joseph Plateau] constructed a circular device, the phénakistiscope, on which sixteen pictures were mounted (Figure 1.5).",
          "type": "quote"
        },
        {
          "ref": "1981, Lynda Corey Claassen, “National Museum of American History”, in Finders’ Guide to Prints and Drawings in the Smithsonian Institution, Smithsonian Institution, →ISBN, page 90:",
          "text": "Motion picture prehistory is documented by hand-colored phénakistiscope (1832) and Fantascope (1833) discs, by zoetrope strips (c1867), and by woodcuts showing peep shows;",
          "type": "quote"
        },
        {
          "ref": "1996, Fatimah Tobing Rony, “Notes to Chapter Two”, in The Third Eye: Race, Cinema, and Ethnographic Spectacle, Durham, N.C., London: Duke University Press, →ISBN, page 231:",
          "text": "Throughout the early twentieth century, [Félix] Regnault wrote about cinema and its history, a history he saw as an evolution originating from both science and popular entertainment, beginning with the concept of the persistence of the image on the retina, [Joseph] Plateau’s phénakistiscope, and [Émile] Reynaud’s praxinoscope, and reaching its apex with the invention of cinema by [Étienne-Jules] Marey, whom Regnault referred to as le père du du cinéma (Félix Regnault, “L’évolution du cinéma,” La revue scientifique [1922]: 7985).",
          "type": "quote"
        },
        {
          "ref": "1998, Keith J. Laidler, “Daguerre, Talbot, and the legacy of photography: […]”, in To Light Such a Candle: Chapters in the History of Science and Technology, Oxford, Oxfordshire: Oxford University Press, →ISBN, page 101:",
          "text": "[Joseph] Plateau sent one of his phénakistiscopes as a present to Michael Faraday.",
          "type": "quote"
        },
        {
          "ref": "2004, Norman E. Tutorow, “The First Motion Picture”, in The Governor: The Life and Legacy of Leland Stanford, a California Colossus, Spokane, Wash.: The Arthur H. Clark Company, →ISBN, page 474:",
          "text": "For example, in the French original of Machine animale, [Étienne-Jules] Marey writes that Mathias Marie Duval used a phénakistiscope;",
          "type": "quote"
        }
      ],
      "glosses": [
        "Alternative form of phenakistoscope"
      ],
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  "word": "phénakistiscope"
}