"paratextually" meaning in English

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        "2": "paratextual",
        "3": "ly"
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      "expansion": "paratextual + -ly",
      "name": "suffix"
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  ],
  "etymology_text": "paratextual + -ly",
  "head_templates": [
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      "args": {
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      "expansion": "paratextually (not comparable)",
      "name": "en-adv"
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  "lang": "English",
  "lang_code": "en",
  "pos": "adv",
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      "examples": [
        {
          "text": "Some contend that an author revealing a character's sexuality paratextually does not make it canon.",
          "type": "example"
        },
        {
          "ref": "1982, Shari Benstock, “The Masculine World of Jennifer Johnston”, in Thomas F. Staley, editor, Twentieth-Century Women Novelists, London: Palgrave Macmillan, →DOI, page 199",
          "text": "In fact, these two novels reflect each other almost paratextually in important ways: each concerns a young girl with aspirations to become a writer; indeed, each story is compounded of the diary entries written by the protagonist.",
          "type": "quotation"
        },
        {
          "ref": "2012, Cecilia Alvstad, “The strategic moves of paratexts: World literature through Swedish eyes”, in Translation Studies, volume 5, number 1, →DOI, page 78",
          "text": "In the case of translated literature, there may be considerable differences between how a book is paratextually presented in the source and target context, and it is the publisher who is the most important mediating agent of such changes.",
          "type": "quotation"
        },
        {
          "ref": "2017, Dru Jeffries, “Owning Kubrick: The Criterion Collection and the Ghost in the Auteur Machine”, in Cinergie: Il Cinema e le altre Arti, volume 12, →DOI, page 31",
          "text": "This article analyses the discursive choices made in two of Criterion's Kubrick discs (Paths of Glory and Dr. Strangelove) in order to determine how Kubrick's authorship is framed paratextually.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "In a paratextual manner; existing outside or beyond a text or work."
      ],
      "id": "en-paratextually-en-adv-pbhyix-6",
      "links": [
        [
          "paratextual",
          "paratextual"
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      "tags": [
        "not-comparable"
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  "word": "paratextually"
}

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        "2": "paratextual",
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      "expansion": "paratextual + -ly",
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  ],
  "etymology_text": "paratextual + -ly",
  "head_templates": [
    {
      "args": {
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      "expansion": "paratextually (not comparable)",
      "name": "en-adv"
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  "lang": "English",
  "lang_code": "en",
  "pos": "adv",
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      "examples": [
        {
          "text": "Some contend that an author revealing a character's sexuality paratextually does not make it canon.",
          "type": "example"
        },
        {
          "ref": "1982, Shari Benstock, “The Masculine World of Jennifer Johnston”, in Thomas F. Staley, editor, Twentieth-Century Women Novelists, London: Palgrave Macmillan, →DOI, page 199",
          "text": "In fact, these two novels reflect each other almost paratextually in important ways: each concerns a young girl with aspirations to become a writer; indeed, each story is compounded of the diary entries written by the protagonist.",
          "type": "quotation"
        },
        {
          "ref": "2012, Cecilia Alvstad, “The strategic moves of paratexts: World literature through Swedish eyes”, in Translation Studies, volume 5, number 1, →DOI, page 78",
          "text": "In the case of translated literature, there may be considerable differences between how a book is paratextually presented in the source and target context, and it is the publisher who is the most important mediating agent of such changes.",
          "type": "quotation"
        },
        {
          "ref": "2017, Dru Jeffries, “Owning Kubrick: The Criterion Collection and the Ghost in the Auteur Machine”, in Cinergie: Il Cinema e le altre Arti, volume 12, →DOI, page 31",
          "text": "This article analyses the discursive choices made in two of Criterion's Kubrick discs (Paths of Glory and Dr. Strangelove) in order to determine how Kubrick's authorship is framed paratextually.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "In a paratextual manner; existing outside or beyond a text or work."
      ],
      "links": [
        [
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          "paratextual"
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  "word": "paratextually"
}