"landfill indie" meaning in English

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  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
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          "langcode": "en",
          "name": "Musical genres",
          "orig": "en:Musical genres",
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        {
          "ref": "2013 March 11, Rhian E. Jones, Clampdown: Pop-Cultural Wars on Class and Gender, John Hunt Publishing, →ISBN, page 1994:",
          "text": "These have focused variously on the abysmal quality of its 'landfill indie' variant, its alleged takeover by privately-educated nu-folkers, and its almost total failure to respond to an increasingly harsh rightwards turn in British politics",
          "type": "quote"
        },
        {
          "ref": "2013 January 28, Professor Andy Bennett, Professor Jon Stratton, Britpop and the English Music Tradition, Ashgate Publishing, Ltd., →ISBN, page 165:",
          "text": "For example, Robinson writes that the 'Godfathers of landfill Indie', like Razorlight, the Pigeon Detectives and the Wombats, are doing for the new generation of indie-guitar bands what Menswear and Sleeper did for Britpop.",
          "type": "quote"
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        {
          "ref": "2023 February 14, Dan Evans, A Nation of Shopkeepers: The Unstoppable Rise of the Petite Bourgeoisie, Watkins Media Limited, →ISBN:",
          "text": "The View were a Libertines-adjacent landfill indie band from Dundee with a few hit singles. Although music buffs will no doubt recoil in horror here, their hit single, “Superstar Tradesman”, really resonated with me.",
          "type": "quote"
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      "glosses": [
        "A genre of British indie rock music in the late 2000s and early 2010s, typically defined by high-energy guitars, realist lyrics and use of regional accents; indie rock music perceived as unambitious, stale and commercial."
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      "id": "en-landfill_indie-en-noun-MsuGeL~N",
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        "(derogatory) A genre of British indie rock music in the late 2000s and early 2010s, typically defined by high-energy guitars, realist lyrics and use of regional accents; indie rock music perceived as unambitious, stale and commercial."
      ],
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  "word": "landfill indie"
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        "en:Musical genres"
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      "examples": [
        {
          "ref": "2013 March 11, Rhian E. Jones, Clampdown: Pop-Cultural Wars on Class and Gender, John Hunt Publishing, →ISBN, page 1994:",
          "text": "These have focused variously on the abysmal quality of its 'landfill indie' variant, its alleged takeover by privately-educated nu-folkers, and its almost total failure to respond to an increasingly harsh rightwards turn in British politics",
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        },
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          "ref": "2013 January 28, Professor Andy Bennett, Professor Jon Stratton, Britpop and the English Music Tradition, Ashgate Publishing, Ltd., →ISBN, page 165:",
          "text": "For example, Robinson writes that the 'Godfathers of landfill Indie', like Razorlight, the Pigeon Detectives and the Wombats, are doing for the new generation of indie-guitar bands what Menswear and Sleeper did for Britpop.",
          "type": "quote"
        },
        {
          "ref": "2023 February 14, Dan Evans, A Nation of Shopkeepers: The Unstoppable Rise of the Petite Bourgeoisie, Watkins Media Limited, →ISBN:",
          "text": "The View were a Libertines-adjacent landfill indie band from Dundee with a few hit singles. Although music buffs will no doubt recoil in horror here, their hit single, “Superstar Tradesman”, really resonated with me.",
          "type": "quote"
        }
      ],
      "glosses": [
        "A genre of British indie rock music in the late 2000s and early 2010s, typically defined by high-energy guitars, realist lyrics and use of regional accents; indie rock music perceived as unambitious, stale and commercial."
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        "(derogatory) A genre of British indie rock music in the late 2000s and early 2010s, typically defined by high-energy guitars, realist lyrics and use of regional accents; indie rock music perceived as unambitious, stale and commercial."
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  "word": "landfill indie"
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