See faburden in All languages combined, or Wiktionary
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"3": "faux bourdon"
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"etymology_text": "From French faux bourdon. See false, and burden (“a verse”).",
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"glosses": [
"A kind of counterpoint with a drone bass."
],
"id": "en-faburden-en-noun-ZTTEl0aE",
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"(music) A kind of counterpoint with a drone bass."
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{
"_dis": "8 81 11",
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"glosses": [
"A succession of chords of the sixth."
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"(music) A succession of chords of the sixth."
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{
"categories": [],
"examples": [
{
"ref": "1596, Thomas Nashe, “The Letter of Harueys Tutor to his Father, as touching his manners and behauior”, in Have with You to Saffron-Walden:",
"text": "[B]ecause he obseru'd Ergo was the deadly clap of the piece, […] hee accustomed to make it the Faburden to anie thing hee spake; As if anie of his companions complained hee was hungrie, hee would straight conclude Ergo you must goe to dinner; or if the clocke had stroke or bell towld, Ergo you must goe to such a Lecture; […]",
"type": "quote"
},
{
"ref": "1601, C[aius] Plinius Secundus [i.e., Pliny the Elder], “[Book X.] Of Stockedoues.”, in Philemon Holland, transl., The Historie of the World. Commonly Called, The Naturall Historie of C. Plinius Secundus. […], 1st tome, London: […] Adam Islip, →OCLC:",
"text": "They haue all of them one and the same manner of tune in their singing; and commonly they make three rests in their song, besides the fa-burden in the end, which is a kind of grone.",
"type": "quote"
},
{
"ref": "1602, Roger Marbecke, “The sixt reason […] ”, in A defence of tabacco:",
"text": "But yet; like, finding his like: it expelleth that like: say you still: and this is the faburden of your song.",
"type": "quote"
}
],
"glosses": [
"A refrain."
],
"id": "en-faburden-en-noun-mS5lpPCl",
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"refrain",
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"raw_glosses": [
"(obsolete) A refrain."
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"forms": [
{
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"tags": [
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"glosses": [
"A kind of counterpoint with a drone bass."
],
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"(music) A kind of counterpoint with a drone bass."
],
"topics": [
"entertainment",
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"music"
]
},
{
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"en:Music"
],
"glosses": [
"A succession of chords of the sixth."
],
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],
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"(music) A succession of chords of the sixth."
],
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"music"
]
},
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{
"ref": "1596, Thomas Nashe, “The Letter of Harueys Tutor to his Father, as touching his manners and behauior”, in Have with You to Saffron-Walden:",
"text": "[B]ecause he obseru'd Ergo was the deadly clap of the piece, […] hee accustomed to make it the Faburden to anie thing hee spake; As if anie of his companions complained hee was hungrie, hee would straight conclude Ergo you must goe to dinner; or if the clocke had stroke or bell towld, Ergo you must goe to such a Lecture; […]",
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"ref": "1601, C[aius] Plinius Secundus [i.e., Pliny the Elder], “[Book X.] Of Stockedoues.”, in Philemon Holland, transl., The Historie of the World. Commonly Called, The Naturall Historie of C. Plinius Secundus. […], 1st tome, London: […] Adam Islip, →OCLC:",
"text": "They haue all of them one and the same manner of tune in their singing; and commonly they make three rests in their song, besides the fa-burden in the end, which is a kind of grone.",
"type": "quote"
},
{
"ref": "1602, Roger Marbecke, “The sixt reason […] ”, in A defence of tabacco:",
"text": "But yet; like, finding his like: it expelleth that like: say you still: and this is the faburden of your song.",
"type": "quote"
}
],
"glosses": [
"A refrain."
],
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"(obsolete) A refrain."
],
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],
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"word": "faburden"
}
Download raw JSONL data for faburden meaning in English (2.7kB)
This page is a part of the kaikki.org machine-readable English dictionary. This dictionary is based on structured data extracted on 2024-11-01 from the enwiktionary dump dated 2024-10-02 using wiktextract (d49d402 and a5af179). The data shown on this site has been post-processed and various details (e.g., extra categories) removed, some information disambiguated, and additional data merged from other sources. See the raw data download page for the unprocessed wiktextract data.
If you use this data in academic research, please cite Tatu Ylonen: Wiktextract: Wiktionary as Machine-Readable Structured Data, Proceedings of the 13th Conference on Language Resources and Evaluation (LREC), pp. 1317-1325, Marseille, 20-25 June 2022. Linking to the relevant page(s) under https://kaikki.org would also be greatly appreciated.