"boppish" meaning in English

{
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        "2": "bop",
        "3": "ish"
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      "expansion": "bop + -ish",
      "name": "suffix"
    }
  ],
  "etymology_text": "bop + -ish",
  "forms": [
    {
      "form": "more boppish",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most boppish",
      "tags": [
        "superlative"
      ]
    }
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  "head_templates": [
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      "expansion": "boppish (comparative more boppish, superlative most boppish)",
      "name": "en-adj"
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  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
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          "kind": "other",
          "name": "English entries with incorrect language header",
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          "source": "w"
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          "name": "English terms suffixed with -ish",
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          "source": "w"
        },
        {
          "kind": "topical",
          "langcode": "en",
          "name": "Jazz",
          "orig": "en:Jazz",
          "parents": [
            "Musical genres",
            "Genres",
            "Music",
            "Entertainment",
            "Art",
            "Sound",
            "Culture",
            "Energy",
            "Society",
            "Nature",
            "All topics",
            "Fundamental"
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          "source": "w"
        }
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      "derived": [
        {
          "word": "boppishly"
        },
        {
          "word": "boppishness"
        }
      ],
      "examples": [
        {
          "ref": "1990, John Chilton, The Song of the Hawk, page 226",
          "text": "The strategy of using two standard tunes and two boppish originals on the first session (23 February 1945) set the pattern for subsequent dates.",
          "type": "quotation"
        },
        {
          "ref": "2004, Todd S. Jenkins, Free Jazz and Free Improvisation: An Encyclopedia, page 234",
          "text": "With the exception of the leader's boppish title tune, the album is filled with anarchistic jazz reduxes of Nichols, Ellington, Kurt Weill, and Cole Porter.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "In the bop style"
      ],
      "id": "en-boppish-en-adj-v52NpvpJ",
      "links": [
        [
          "jazz",
          "jazz#Noun"
        ],
        [
          "bop",
          "bop"
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      ],
      "qualifier": "jazz",
      "raw_glosses": [
        "(jazz) In the bop style"
      ]
    }
  ],
  "word": "boppish"
}

{
  "derived": [
    {
      "word": "boppishly"
    },
    {
      "word": "boppishness"
    }
  ],
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "bop",
        "3": "ish"
      },
      "expansion": "bop + -ish",
      "name": "suffix"
    }
  ],
  "etymology_text": "bop + -ish",
  "forms": [
    {
      "form": "more boppish",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most boppish",
      "tags": [
        "superlative"
      ]
    }
  ],
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  "lang_code": "en",
  "pos": "adj",
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        "en:Jazz"
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      "examples": [
        {
          "ref": "1990, John Chilton, The Song of the Hawk, page 226",
          "text": "The strategy of using two standard tunes and two boppish originals on the first session (23 February 1945) set the pattern for subsequent dates.",
          "type": "quotation"
        },
        {
          "ref": "2004, Todd S. Jenkins, Free Jazz and Free Improvisation: An Encyclopedia, page 234",
          "text": "With the exception of the leader's boppish title tune, the album is filled with anarchistic jazz reduxes of Nichols, Ellington, Kurt Weill, and Cole Porter.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "In the bop style"
      ],
      "links": [
        [
          "jazz",
          "jazz#Noun"
        ],
        [
          "bop",
          "bop"
        ]
      ],
      "qualifier": "jazz",
      "raw_glosses": [
        "(jazz) In the bop style"
      ]
    }
  ],
  "word": "boppish"
}