"aeolina" meaning in English

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      "expansion": "Piecewise doublet of Aeoline",
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  "etymology_text": "From Aeolus (see Aeolian harp) + -ina. Piecewise doublet of Aeoline. Developed under this name by the English physicist and inventor Charles Wheatstone (1802–1875).",
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          "name": "Woodwind instruments",
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          "ref": "1992, Toni Charuhas Meekins, “The Accordion”, in Ronald Flynn, Edwin Davison, Edward Chavez, editors, The Golden Age of the Accordion, Schertz, Tex.: Flynn Associates Publishing Company, →ISBN, part IV (Golden Age of the Accordion in Other Major Areas of the United States and Canada), page 281, column 2:",
          "text": "When in the 18th century, European organ-builders, acousticians, physicists, etc., heard this remarkable free reed, they obviously were fascinated by it for a wealth of free reed instruments appeared in the early 19th century. These instruments varied in size and type. Some were portable, small and mouth-blown like the “blow accordion,” harmonica, aeolina, and symphonion.",
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          "text": "Organ-builders were early on the scene in the eighteenth century, but soon there were the first mouth-blown instruments such as the aeolian or aeolina, which was a simple set of free reeds mounted side by side.",
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          "text": "Aeolinas and aeolodicons were similar to the more popular physharmonica, a four-octave keyboard instrument with free reeds invented by Anton Haeckl of Vienna.",
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          "ref": "2021, Edward J. Gillin, “The Laboratory of Harmony: The Transformation of Sound within British Science, 1815–46”, in Sound Authorities: Scientific and Musical Knowledge in Nineteenth-Century Britain, Chicago, Ill.: University of Chicago Press, →ISBN, part I (Experiments and Mathematics: The Making of Sound as a Scientific Object), page 50:",
          "text": "The principle applied to the aeolina was of a series of small springs fitted in apertures in a metallic plate, which vibrated when breathed over.",
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        "An early type of harmonica with metal plates enclosing free reeds."
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          "text": "When in the 18th century, European organ-builders, acousticians, physicists, etc., heard this remarkable free reed, they obviously were fascinated by it for a wealth of free reed instruments appeared in the early 19th century. These instruments varied in size and type. Some were portable, small and mouth-blown like the “blow accordion,” harmonica, aeolina, and symphonion.",
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          "text": "Aeolinas and aeolodicons were similar to the more popular physharmonica, a four-octave keyboard instrument with free reeds invented by Anton Haeckl of Vienna.",
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