See Sturm und Drang in All languages combined, or Wiktionary
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"ref": "1985, Larry Vaughan, The Historical Constellation of the Sturm und Drang (American University Studies, Series I (Germanic Languages and Literatures); 38), New York, N.Y.: Peter Lang, →ISBN, page 61:",
"text": "[Georg Wilhelm Friedrich] Hegel's further observation shows the route taken by those who survived their Sturm und Drang and went on to produce more: \"Because the sickness is in the essence itself, its isolated manifestations can be repressed [zurückdrängen] and the superficial symptoms suppressed [dämpfen].\"",
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"ref": "2004, David Hill, “Sturm und Drang”, in Christopher John Murray, editor, Encyclopedia of the Romantic Era, 1760–1850, volumes 2 (L–Z, Index), New York, N.Y., London: Fitzroy Dearborn Publishers, →ISBN, pages 1100–1101:",
"text": "[page 1100, column 1] The Sturm und Drang (storm and stress) was a literary movement that flourished in Germany in the 1770s and 1780s and represented the protest of a group of young university-educated men against the norms of polite society. […] [page 1101, columns 1 and 2] [T]he Sturm und Drang reflected the growth of modern individualism and the challenge that middle-class ideas of selfhood presented to so-called enlightened absolutism, that is to say, to political and cultural structures that sought legitimacy by assimilating elements of bureaucratic rationalism. […] The Sturm und Drang was nevertheless an important forerunner of Romanticism in its formal experimentalism, its enthusiasm for popular culture and the primitive, its acceptance of the power of unconscious, irrational forces, and above all its concern with individual experience.",
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"text": "The complex figure of Clavigo is therefore a variant on the Sturm and Drang theme of the enemy brothers, which forms the framework for a far older theme: that of Shakespeare's Hamlet who kills Ophelia's brother Valentin. Goethe's play is in fact modeled after Shakespeare's tragedy, and the last act is riddled with references to the cemetery scene from Hamlet. A theme dear to Sturm and Drang is also revisited: fratricide. The period during which Goethe wrote Clavigo was that in which the young Sturm and Drang poets all flocked around the figure of Goethe.",
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"text": "After six months of sturm and drang she had to let him go.",
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"ref": "1966, Peter Paret, “The Last Years of the Old Monarchy”, in Yorck and the Era of Prussian Reform, 1807–1815, Princeton, N.J.: Princeton University Press, →OCLC, page 73:",
"text": "For a time, revolutionary armies tend to be lawless: an absence of rules best expresses their spirit and in the period of their Sturm und Drang enables them to function most effectively.",
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"text": "The strongest link to the State, however, occurs with quangos, (quasi-NGOs), and the many umbrella groups that also thrive on State support. Many of the new parties realized after their Sturm und Drang years that they still needed regular contacts with the 'civil' world and that their civilian support base had been seriously eroded."
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"ref": "2007, Arthur Goldwag, “Sturm und Drang”, in -Isms and -Ologies: The 453 Basic Tenets You've Only Pretended to Understand, New York, N.Y.: Madison Park Press, →ISBN:",
"text": "Writing about her famous stepbrother Paul's partnership with John Lennon, Ruth McCartney declared that the two \"were meant to meet, meant to create and one was designed to play sturm and drang to the other's yin and yang.\"",
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"ref": "2009, Henry [Arnold] Waxman, Joshua Green, The Waxman Report: How Congress Really Works, New York, N.Y.: Twelve, →ISBN:",
"text": "House Republicans had an additional worry. For all their Sturm und Drang, few provisions of the \"Contract With America\" had actually made their way into law. And their leadership had committed a serious tactical error when it shut down the federal government during a November 1995 budget dispute with the White House, a maneuver that backfired when the public blamed the Republicans, rather than Bill Clinton, for the fiasco.",
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"ref": "2016 April 26, “Tom Hanks says self-doubt is ‘a high-wire act that we all walk’”, in Fresh Air, NPR, archived from the original on 2016-06-18:",
"text": "My dad was married to the love of his life – finally – it took him three marriages to get there, but when they landed together, they were so busy having fun and dealing with their own Sturm und Drang that I could've been a tenant who lived downstairs.",
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"text": "[Georg Wilhelm Friedrich] Hegel's further observation shows the route taken by those who survived their Sturm und Drang and went on to produce more: \"Because the sickness is in the essence itself, its isolated manifestations can be repressed [zurückdrängen] and the superficial symptoms suppressed [dämpfen].\"",
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"text": "[page 1100, column 1] The Sturm und Drang (storm and stress) was a literary movement that flourished in Germany in the 1770s and 1780s and represented the protest of a group of young university-educated men against the norms of polite society. […] [page 1101, columns 1 and 2] [T]he Sturm und Drang reflected the growth of modern individualism and the challenge that middle-class ideas of selfhood presented to so-called enlightened absolutism, that is to say, to political and cultural structures that sought legitimacy by assimilating elements of bureaucratic rationalism. […] The Sturm und Drang was nevertheless an important forerunner of Romanticism in its formal experimentalism, its enthusiasm for popular culture and the primitive, its acceptance of the power of unconscious, irrational forces, and above all its concern with individual experience.",
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"text": "The complex figure of Clavigo is therefore a variant on the Sturm and Drang theme of the enemy brothers, which forms the framework for a far older theme: that of Shakespeare's Hamlet who kills Ophelia's brother Valentin. Goethe's play is in fact modeled after Shakespeare's tragedy, and the last act is riddled with references to the cemetery scene from Hamlet. A theme dear to Sturm and Drang is also revisited: fratricide. The period during which Goethe wrote Clavigo was that in which the young Sturm and Drang poets all flocked around the figure of Goethe.",
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"text": "After six months of sturm and drang she had to let him go.",
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"text": "For a time, revolutionary armies tend to be lawless: an absence of rules best expresses their spirit and in the period of their Sturm und Drang enables them to function most effectively.",
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"text": "The strongest link to the State, however, occurs with quangos, (quasi-NGOs), and the many umbrella groups that also thrive on State support. Many of the new parties realized after their Sturm und Drang years that they still needed regular contacts with the 'civil' world and that their civilian support base had been seriously eroded."
},
{
"ref": "2007, Arthur Goldwag, “Sturm und Drang”, in -Isms and -Ologies: The 453 Basic Tenets You've Only Pretended to Understand, New York, N.Y.: Madison Park Press, →ISBN:",
"text": "Writing about her famous stepbrother Paul's partnership with John Lennon, Ruth McCartney declared that the two \"were meant to meet, meant to create and one was designed to play sturm and drang to the other's yin and yang.\"",
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"ref": "2009, Henry [Arnold] Waxman, Joshua Green, The Waxman Report: How Congress Really Works, New York, N.Y.: Twelve, →ISBN:",
"text": "House Republicans had an additional worry. For all their Sturm und Drang, few provisions of the \"Contract With America\" had actually made their way into law. And their leadership had committed a serious tactical error when it shut down the federal government during a November 1995 budget dispute with the White House, a maneuver that backfired when the public blamed the Republicans, rather than Bill Clinton, for the fiasco.",
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"lang": "Chinese Mandarin",
"roman": "kuángbiāo tūjìn yùndòng",
"sense": "a proto-Romantic movement from the late 1760s to the early 1780s in German literature and music",
"word": "狂飙突进运动"
},
{
"code": "ja",
"lang": "Japanese",
"roman": "Shuturumu unto Dorangu",
"sense": "a proto-Romantic movement from the late 1760s to the early 1780s in German literature and music",
"word": "シュトゥルム・ウント・ドラング"
},
{
"code": "ja",
"lang": "Japanese",
"roman": "shippū dotō",
"sense": "a proto-Romantic movement from the late 1760s to the early 1780s in German literature and music",
"word": "疾風怒涛"
},
{
"code": "ko",
"lang": "Korean",
"roman": "syutureum unteu deurang",
"sense": "a proto-Romantic movement from the late 1760s to the early 1780s in German literature and music",
"word": "슈투름 운트 드랑"
},
{
"alt": "疾風怒濤",
"code": "ko",
"lang": "Korean",
"roman": "jilpungnodo",
"sense": "a proto-Romantic movement from the late 1760s to the early 1780s in German literature and music",
"word": "질풍노도"
},
{
"code": "pt",
"lang": "Portuguese",
"sense": "a proto-Romantic movement from the late 1760s to the early 1780s in German literature and music",
"tags": [
"masculine"
],
"word": "Sturm und Drang"
},
{
"code": "vi",
"lang": "Vietnamese",
"sense": "a proto-Romantic movement from the late 1760s to the early 1780s in German literature and music",
"word": "bão táp và xung kích"
},
{
"code": "ja",
"lang": "Japanese",
"roman": "shippū dotō",
"sense": "turmoil",
"word": "疾風怒涛"
},
{
"code": "pl",
"lang": "Polish",
"sense": "turmoil",
"tags": [
"masculine"
],
"word": "okres burzy i naporu"
}
],
"wikipedia": [
"Abraham van Beijeren",
"Karl August Senff"
],
"word": "Sturm und Drang"
}
Download raw JSONL data for Sturm und Drang meaning in English (11.1kB)
This page is a part of the kaikki.org machine-readable English dictionary. This dictionary is based on structured data extracted on 2024-09-22 from the enwiktionary dump dated 2024-09-20 using wiktextract (af5c55c and 66545a6). The data shown on this site has been post-processed and various details (e.g., extra categories) removed, some information disambiguated, and additional data merged from other sources. See the raw data download page for the unprocessed wiktextract data.
If you use this data in academic research, please cite Tatu Ylonen: Wiktextract: Wiktionary as Machine-Readable Structured Data, Proceedings of the 13th Conference on Language Resources and Evaluation (LREC), pp. 1317-1325, Marseille, 20-25 June 2022. Linking to the relevant page(s) under https://kaikki.org would also be greatly appreciated.