"Khlebnikovian" meaning in English

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      "expansion": "Khlebnikov + -ian",
      "name": "suffix"
    }
  ],
  "etymology_text": "From Khlebnikov + -ian.",
  "forms": [
    {
      "form": "more Khlebnikovian",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most Khlebnikovian",
      "tags": [
        "superlative"
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      "expansion": "Khlebnikovian (comparative more Khlebnikovian, superlative most Khlebnikovian)",
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  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
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          "kind": "other",
          "name": "English entries with incorrect language header",
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      "examples": [
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          "bold_text_offsets": [
            [
              54,
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          "ref": "1966, I[saak] I[osifovic] Revzin, translated by N. F. C. Owen and A[lan] S[trode] C[ampbell] Ross, “[Syntagmatic models in Grammar] The language with a finite number of states”, in Models of Language, London: Methuen & Co Ltd, page 118:",
          "text": "In fact, the scheme of generation of the two lines of Khlebnikovian poetry was described above.",
          "type": "quote"
        },
        {
          "bold_text_offsets": [
            [
              253,
              266
            ]
          ],
          "ref": "1968, Vladimir Markov, “The Years of Flowering”, in Russian Futurism: A History, Berkeley, Calif., Los Angeles, Calif.: University of California Press, →LCCN, page 166:",
          "text": "At that time the publishers intended to entitle this collection with the neologism “Miristel,” a title that only Khlebnikov could have created. It was changed to The Milk of Mares probably because the latter sounded more Hylaean while still retaining a Khlebnikovian quality.",
          "type": "quote"
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          "ref": "1973, Edward J[ames] Brown, “[Mayakovsky in the Futurist Collections] The Earliest Lyrics”, in Mayakovsky: A Poet in the Revolution, Princeton, N.J.: Princeton University Press, →ISBN, page 73:",
          "text": "Of the four stanzas in “Night,” the last has been pronounced totally unintelligible by one researcher, and indeed certain lines are marked by a kind of Khlebnikovian detachment of words from meaning.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Characteristic of the Russian poet and playwright Velimir Khlebnikov (1885–1922)."
      ],
      "id": "en-Khlebnikovian-en-adj-ZsCVD-y-"
    }
  ],
  "word": "Khlebnikovian"
}

{
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      "expansion": "Khlebnikov + -ian",
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    }
  ],
  "etymology_text": "From Khlebnikov + -ian.",
  "forms": [
    {
      "form": "more Khlebnikovian",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most Khlebnikovian",
      "tags": [
        "superlative"
      ]
    }
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  "lang_code": "en",
  "pos": "adj",
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            [
              54,
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            ]
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          "ref": "1966, I[saak] I[osifovic] Revzin, translated by N. F. C. Owen and A[lan] S[trode] C[ampbell] Ross, “[Syntagmatic models in Grammar] The language with a finite number of states”, in Models of Language, London: Methuen & Co Ltd, page 118:",
          "text": "In fact, the scheme of generation of the two lines of Khlebnikovian poetry was described above.",
          "type": "quote"
        },
        {
          "bold_text_offsets": [
            [
              253,
              266
            ]
          ],
          "ref": "1968, Vladimir Markov, “The Years of Flowering”, in Russian Futurism: A History, Berkeley, Calif., Los Angeles, Calif.: University of California Press, →LCCN, page 166:",
          "text": "At that time the publishers intended to entitle this collection with the neologism “Miristel,” a title that only Khlebnikov could have created. It was changed to The Milk of Mares probably because the latter sounded more Hylaean while still retaining a Khlebnikovian quality.",
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        {
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            [
              152,
              165
            ]
          ],
          "ref": "1973, Edward J[ames] Brown, “[Mayakovsky in the Futurist Collections] The Earliest Lyrics”, in Mayakovsky: A Poet in the Revolution, Princeton, N.J.: Princeton University Press, →ISBN, page 73:",
          "text": "Of the four stanzas in “Night,” the last has been pronounced totally unintelligible by one researcher, and indeed certain lines are marked by a kind of Khlebnikovian detachment of words from meaning.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Characteristic of the Russian poet and playwright Velimir Khlebnikov (1885–1922)."
      ]
    }
  ],
  "word": "Khlebnikovian"
}