"Counter-Mannerism" meaning in English

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  "etymology_text": "From counter- + mannerism.",
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  "lang_code": "en",
  "pos": "noun",
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        {
          "ref": "1975, The Connoisseur: An Illustrated Magazine for Collectors:",
          "text": "The decisive factor in the origins of Colonial painting in Peru came a few years later from late Italian Mannerism and Counter-Mannerism.",
          "type": "quote"
        },
        {
          "ref": "1978, Gary R. Walters, Federico Barocci, anima naturaliter, page 72:",
          "text": "Nevertheless the artists did not create in \"Counter-Mannerism\" a wholly new stvle in the way that Caravaggio and Annibale Carracci were to do in the last decade of the century; it seems that, once trained in Mannerism, they could never entirely lose that touch of elegance and that beguiling preciosity which are still very evident in Barocci 's Deposition.",
          "type": "quote"
        },
        {
          "ref": "2019, Stefano Gattei, On the Life of Galileo:",
          "text": "Domenico Cresti (or Crespi), known as “il Passignano” (from the name of the district of Tavarnelle Val di Pesa, near Florence, where he was born, 1559–1638), was a painter of the late-Renaissance or Counter-Mannerism style; he was educated by the Vallombrosan monks.",
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        "A trend in the late sixteenth century that rejected some of the distortions of Mannerism, returning to a more classicist emphasis on clarity."
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        "(art) A trend in the late sixteenth century that rejected some of the distortions of Mannerism, returning to a more classicist emphasis on clarity."
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      "topics": [
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      "wikipedia": [
        "Counter-Mannerism"
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  "word": "Counter-Mannerism"
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  "lang_code": "en",
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        {
          "ref": "1975, The Connoisseur: An Illustrated Magazine for Collectors:",
          "text": "The decisive factor in the origins of Colonial painting in Peru came a few years later from late Italian Mannerism and Counter-Mannerism.",
          "type": "quote"
        },
        {
          "ref": "1978, Gary R. Walters, Federico Barocci, anima naturaliter, page 72:",
          "text": "Nevertheless the artists did not create in \"Counter-Mannerism\" a wholly new stvle in the way that Caravaggio and Annibale Carracci were to do in the last decade of the century; it seems that, once trained in Mannerism, they could never entirely lose that touch of elegance and that beguiling preciosity which are still very evident in Barocci 's Deposition.",
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