"erflatersserie" meaning in Dutch

See erflatersserie in All languages combined, or Wiktionary

Noun

IPA: /ɛr(ə)flaːtərsˈseːri/ Forms: erflatersseries [plural]
Etymology: Compound of erflater (“someone who leaves behind an inheritance, bequeather, testator”) + -s- + serie (“series”), referring to the book Erflaters van onze beschaving ("Bequeathers of Our Civilisation") by historians Jan Romein and Annie Romein-Verschoor, a collection of biographies of Dutch historical figures, which was used by the Dutch central bank as a shortlist of characters eligible to be portrayed on banknotes. Etymology templates: {{affix|nl|erflater|-s-|serie|t1=someone who leaves behind an inheritance, bequeather, testator|t3=series}} erflater (“someone who leaves behind an inheritance, bequeather, testator”) + -s- + serie (“series”) Head templates: {{nl-noun|f|-s|-}} erflatersserie f (plural erflatersseries)
  1. (Netherlands, historical, numismatics) one of two series of Dutch banknotes issued in the 1950s-70s, designed by Eppo Doeve and Ootje Oxenaar, respectively, featuring portraits of prominent characters from Dutch history Wikipedia link: Annie Romein-Verschoor, De Nederlandsche Bank, Jan Romein, nl:Erflaters van onze beschaving. Nederlandse gestalten uit zes eeuwen Tags: Netherlands, feminine, historical Categories (topical): Currency
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  "etymology_text": "Compound of erflater (“someone who leaves behind an inheritance, bequeather, testator”) + -s- + serie (“series”), referring to the book Erflaters van onze beschaving (\"Bequeathers of Our Civilisation\") by historians Jan Romein and Annie Romein-Verschoor, a collection of biographies of Dutch historical figures, which was used by the Dutch central bank as a shortlist of characters eligible to be portrayed on banknotes.",
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  "hyphenation": [
    "erf‧la‧ters‧se‧rie"
  ],
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  "lang_code": "nl",
  "pos": "noun",
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          "english": "The \"fiver\" was designed by the artist D. Oxenaar from The Hague. The main colour is green. As the note had to fit into the so-called Bequeathers' Series, it features a portrait of Vondel. On the back is an image of the Amsterdam Theatre in Vondel's time.",
          "ref": "1966 December 17, “Vijf guldenbiljet^([sic]) nog vóór Kerstmis [Five guilder note in time for Christmas]”, in Algemeen Dagblad, retrieved 2024-02-21:",
          "text": "Het „vijfje“ is ontworpen door de Haagse kunstenaar D. Oxenaar. De hoofdkleur is groen. Omdat het biljet moest passen in de zogenaamde erflatersserie staat er een portret van Vondel op. Op de achterkant staat een afbeelding van de Amsterdamse schouwburg in Vondels tijd.",
          "type": "quote"
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          "english": "Starting in 1970, Oxenaar built on the Bequeathers' Series with his debut Vondel note (5 guilders), followed by Frans Hals (10), Sweelinck (25), Michiel de Ruyter (100) and Spinoza (1000). Once the wrangling over whether [to depict] a male, female, Catholic, agnostic, or Protestant 'bequeather' was finally settled, [designing] the representation of the chosen historical hero still awaited.",
          "ref": "1999 August 28, Arend Evenhuis, “Nooit meer een zonnebloem, ijsvogel of stekelbaarsje [Never again a sunflower, kingfisher, or stickleback]”, in Trouw, retrieved 2024-02-21:",
          "text": "Oxenaar bouwde vanaf 1970 voort op de erflatersserie met zijn biljetdebuut Vondel (5 gulden), vervolgens Frans Hals (10), Sweelinck (25), Michiel de Ruyter (100) en Spinoza (1000). Was het geharrewar om een al dan niet mannelijke, vrouwelijke, katholieke, agnostische of prostestantse erflater eindelijk afgehandeld, dan wachtte de verbeelding van de verkoren historische held nog.",
          "type": "quote"
        },
        {
          "english": "A time tunnel displays images of all coins and notes minted and printed since the introduction of the decimal system in 1816. (...) Mr Tempel: \"In the tunnel, you can tell what age people are. My grandmother will immediately start looking for 'Lieftinck's tenner', younger people will especially recognise Oxenaar's Bequeathers' Series (the notes with portraits of Joost van den Vondel, Frans Hals and Michiel Adriaanszoon de Ruyter, among others, ed.).\"",
          "ref": "2001 September 17, H. de Boer, “„De euro is een verarming”. Kunsthal Rotterdam brengt vier maanden ”Hulde aan de gulden” [\"The euro represents a debasement\". Kunsthal Rotterdam offers four months of \"Homage to the guilder\"]”, in Reformatorisch Dagblad, retrieved 2024-02-21:",
          "text": "In een tijdstunnel prijken afbeeldingen van alle munten en biljetten die sinds de invoering van het decimale stelsel in 1816 zijn geslagen en gedrukt. (...) Tempel: „In de tunnel kun je zien hoe oud mensen zijn. Mijn oma zal direct op zoek gaan naar het tientje van Lieftinck, jongere mensen zullen vooral de erflatersserie van Oxenaar (de biljetten met portretten van onder anderen Joost van den Vondel, Frans Hals en Michiel Adriaanszoon de Ruyter, red.) herkennen.”",
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        "(Netherlands, historical, numismatics) one of two series of Dutch banknotes issued in the 1950s-70s, designed by Eppo Doeve and Ootje Oxenaar, respectively, featuring portraits of prominent characters from Dutch history"
      ],
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        "Annie Romein-Verschoor",
        "De Nederlandsche Bank",
        "Jan Romein",
        "nl:Erflaters van onze beschaving. Nederlandse gestalten uit zes eeuwen"
      ]
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      "ipa": "/ɛr(ə)flaːtərsˈseːri/"
    }
  ],
  "word": "erflatersserie"
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          "english": "The \"fiver\" was designed by the artist D. Oxenaar from The Hague. The main colour is green. As the note had to fit into the so-called Bequeathers' Series, it features a portrait of Vondel. On the back is an image of the Amsterdam Theatre in Vondel's time.",
          "ref": "1966 December 17, “Vijf guldenbiljet^([sic]) nog vóór Kerstmis [Five guilder note in time for Christmas]”, in Algemeen Dagblad, retrieved 2024-02-21:",
          "text": "Het „vijfje“ is ontworpen door de Haagse kunstenaar D. Oxenaar. De hoofdkleur is groen. Omdat het biljet moest passen in de zogenaamde erflatersserie staat er een portret van Vondel op. Op de achterkant staat een afbeelding van de Amsterdamse schouwburg in Vondels tijd.",
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          "english": "Starting in 1970, Oxenaar built on the Bequeathers' Series with his debut Vondel note (5 guilders), followed by Frans Hals (10), Sweelinck (25), Michiel de Ruyter (100) and Spinoza (1000). Once the wrangling over whether [to depict] a male, female, Catholic, agnostic, or Protestant 'bequeather' was finally settled, [designing] the representation of the chosen historical hero still awaited.",
          "ref": "1999 August 28, Arend Evenhuis, “Nooit meer een zonnebloem, ijsvogel of stekelbaarsje [Never again a sunflower, kingfisher, or stickleback]”, in Trouw, retrieved 2024-02-21:",
          "text": "Oxenaar bouwde vanaf 1970 voort op de erflatersserie met zijn biljetdebuut Vondel (5 gulden), vervolgens Frans Hals (10), Sweelinck (25), Michiel de Ruyter (100) en Spinoza (1000). Was het geharrewar om een al dan niet mannelijke, vrouwelijke, katholieke, agnostische of prostestantse erflater eindelijk afgehandeld, dan wachtte de verbeelding van de verkoren historische held nog.",
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          "english": "A time tunnel displays images of all coins and notes minted and printed since the introduction of the decimal system in 1816. (...) Mr Tempel: \"In the tunnel, you can tell what age people are. My grandmother will immediately start looking for 'Lieftinck's tenner', younger people will especially recognise Oxenaar's Bequeathers' Series (the notes with portraits of Joost van den Vondel, Frans Hals and Michiel Adriaanszoon de Ruyter, among others, ed.).\"",
          "ref": "2001 September 17, H. de Boer, “„De euro is een verarming”. Kunsthal Rotterdam brengt vier maanden ”Hulde aan de gulden” [\"The euro represents a debasement\". Kunsthal Rotterdam offers four months of \"Homage to the guilder\"]”, in Reformatorisch Dagblad, retrieved 2024-02-21:",
          "text": "In een tijdstunnel prijken afbeeldingen van alle munten en biljetten die sinds de invoering van het decimale stelsel in 1816 zijn geslagen en gedrukt. (...) Tempel: „In de tunnel kun je zien hoe oud mensen zijn. Mijn oma zal direct op zoek gaan naar het tientje van Lieftinck, jongere mensen zullen vooral de erflatersserie van Oxenaar (de biljetten met portretten van onder anderen Joost van den Vondel, Frans Hals en Michiel Adriaanszoon de Ruyter, red.) herkennen.”",
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        "one of two series of Dutch banknotes issued in the 1950s-70s, designed by Eppo Doeve and Ootje Oxenaar, respectively, featuring portraits of prominent characters from Dutch history"
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        "(Netherlands, historical, numismatics) one of two series of Dutch banknotes issued in the 1950s-70s, designed by Eppo Doeve and Ootje Oxenaar, respectively, featuring portraits of prominent characters from Dutch history"
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      ]
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This page is a part of the kaikki.org machine-readable Dutch dictionary. This dictionary is based on structured data extracted on 2024-12-21 from the enwiktionary dump dated 2024-12-04 using wiktextract (d8cb2f3 and 4e554ae). The data shown on this site has been post-processed and various details (e.g., extra categories) removed, some information disambiguated, and additional data merged from other sources. See the raw data download page for the unprocessed wiktextract data.

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