士

(music) Cantonese opera gongche notation for the note low la (6̣).


乙

(music) Kunqu gongche notation for the note ti (7).

(music) Cantonese opera gongche notation for the note low ti (7̣).


亿

From 亻 (denoting one octave higher in Kunqu) + 乙 (yǐ).

(music) Kunqu gongche notation for the note high ti (7̇).


亿

From 亻 (denoting one octave lower in Cantonese opera) + 乙 (ji¹, ji⁶).

(music) Cantonese opera gongche notation for the note an octave below low ti (7̣̣).


六

(music) Kunqu gongche notation for the note sol (5).

(music) Cantonese opera gongche notation for the note sol (5).


五

(music) Kunqu gongche notation for the note la (6).

(music) Cantonese opera gongche notation for the note la (6).


四

Numbers in Chinese culture#Four
Qin dynasty
Spring and Autumn period
Western Zhou

CJKV/code

Sino-Xenic (四):
* → Japanese: 四(し) (shi)
* → Korean: 사(四) (sa)
* → Vietnamese: tứ (四)

Wutunhua: se

desctree

→ Proto-Tai: *siːᴮ (“four”)
Northern Tai
Bouyei: sis
Tai Do: xì
Zhuang: seiq
Central Tai
Nong Zhuang: siq
Nùng: slỉ
Tày: slí
Proto-Southwestern Tai: *siːᴮ
Thai: สี่ (sìi)
Northern Thai: ᩈᩦ᩵
Lao: ສີ່ (sī)
Phake: ꩬီ (sī)
Lü: ᦉᦲᧈ (ṡii¹)
Tai Dam: ꪎꪲ꪿
Shan: သီႇ (sìi)
Tai Laing: ꩬီ
Tai Nüa: ᥔᥤᥱ (sǐ)
Khamti: ꩬီ
Ahom: 𑜏𑜣 (sī)
Aiton: ꩬီ (sī)

→ Vietnamese: tư (“four”)

The word "four" was written as 亖 (sì) before Western Zhou and 四 (sì) appeared in late Spring and Autumn period. This alternative form was used to prevent confusion of 亖 (sì) and 二 (“two”) or 三 (“three”) in vertical writing. It was standardized in Qin dynasty.
The bronzeware style of the character featured a repositioning of those four lines inside 口 (kǒu); this later evolved into the combination used today of 口 (kǒu, “mouth”) and 八 (bā, “divide”) which meant a dispersal of breath. It could thus be said that four is a borrowed meaning for this character. The original sense is preserved in 呬 (OC *hrids), by adding an extra 口.
From Proto-Sino-Tibetan *b-ləj.

肆
亖
皿
龱
𠁤
𠃢
𦉭


四

肆
亖
皿
龱
𠁤
𠃢
𦉭

(music) Kunqu gongche notation for the note low la (6̣).


一

(music) Kunqu gongche notation for the note low ti (7̣).


仩

From 亻 (denoting one octave higher in Kunqu) + 上 (shàng).

(music) Kunqu gongche notation for the note high do (1̇).


仩

From 亻 (denoting one octave lower in Cantonese opera) + 上 (saang³).

(music) Cantonese opera gongche notation for the note low do (1̣).


仮

(music) Cantonese opera gongche notation for the note low fa (4̣).


仜

From 亻 (denoting one octave higher in Kunqu) + 工 (gōng).

(music) Kunqu gongche notation for the note high mi (3̇).


仜

From 亻 (denoting one octave lower in Cantonese opera) + 工 (gung¹).

(music) Cantonese opera gongche notation for the note low mi (3̣).


伬

From 亻 (denoting one octave higher in Kunqu) + 尺 (chě).

(music) Kunqu gongche notation for the note high re (2̇).


伬

From 亻 (denoting one octave lower in Cantonese opera) + 尺 (ce², ce¹).

(music) Cantonese opera gongche notation for the note low re (2̣).


仕

From 亻 (denoting one octave lower in Cantonese opera) + 士 (si⁶).

(music) Cantonese opera gongche notation for the note an octave below low la (6̣̣).


伍

From 亻 (denoting one octave higher in Kunqu) + 五 (wǔ).

(music) Kunqu gongche notation for the note high la (6̇).


亂

Phono-semantic compound (形聲／形声, OC *roːns): phonetic 𤔔 (*[r]ˁo[n]-s) + semantic 乚. The left-side component 𤔔 is itself ideogrammatic, depicting the effort to comb a tangle of threads, hence the semantic link to order and disorder.
Area word of Austroasiatic origin. Compare Khmer ប្រួល (pruəl, “changing; unstable”) < Khmer រួល (ruəl, “to cook; to grill”), and also Khmer កំរោល (kɑmraol, “to go berserk; to become excited”) < Khmer រោល (rool, “to burn; to roast”) (Schuessler, 2007). Burmese ရုန်း (run:, “to struggle, to warp, to cause chaos”) and Tibetan ཁྲལ་ཁྲུལ (khral khrul, “fragments; scattered”) are Austroasiatic loans. Compare also Vietnamese lộn (“to turn the inside out, upside down, to reverse, to return, etc.”) and trộn (“to mix; to blend; to turn upside down”).

cog

乱
乨
乿
𠃶
𠃹
𠃿
𢿢
𢿮
𤕅

The Master said, "When the music master Zhi first entered on his office, the finish of the Guan Ju was magnificent — how it filled the ears!"

The Analects of Confucius, c. 475 – 221 BCE, translated based on James Legge's version

Zǐyuē: “Shī Zhì zhī shǐ, “Guānjū” zhī luàn, yángyáng hū yíng ěr zāi!”

子曰：「師摯之始，《關雎》之亂，洋洋乎盈耳哉！」

子曰：「师挚之始，《关雎》之乱，洋洋乎盈耳哉！」

(obsolete, literary, music or poetry) coda; finale; conclusion of a piece


佮

From 亻 (denoting one octave lower in Cantonese opera) + 合 (ho⁴).

(music) Cantonese opera gongche notation for the note an octave below low sol (5̣̣).


升

→ Tocharian B: ṣank


呂

desc

→ English: Lu, Lü, Lui, Lv, Lyu, Loo, Luy, Lou, Lew

Pictogram (象形) of two vertebrae.
From Proto-Sino-Tibetan *g-ra-t (“bone”) (STEDT).


咇

甩beat [Cantonese] ― lat¹ bit¹ [Jyutping] ― to be out of sync with the rhythm

(Hong Kong Cantonese, music) beat; rhythm


凡

(music) Kunqu gongche notation for the note fa (4).


嘂

/t͡ɕi̯ɑʊ̯⁵¹/

/t͡ɕi̯ɑʊ̯⁵¹/

Phono-semantic compound (形聲／形声, OC *kiːws): semantic 㗊 + phonetic 丩 (OC *kɯw, *krɯw).

Han compound

(music) ancient wind instrument similar to an ocarina


反

(music) Cantonese opera gongche notation for the note fa (4).


合

(music) Kunqu gongche notation for the note low sol (5̣).

(music) Cantonese opera gongche notation for the note low sol (5̣).


嚼

𪚅
噍
𡁻
噭
𥬬
焦
啁

(Taiwanese Hokkien, music, dated) paiban (played by hitting it on one's palm or knee)

(Taiwanese Hokkien, music, dated) sound of a paiban

(Taiwanese Hokkien, music, dated) to play the paiban


品

CJKV/code

Sino-Xenic (品):
* → Japanese: 品(ひん) (hin); 品(ほん) (hon)
* → Korean: 품(品) (pum)
* → Vietnamese: phẩm (品)

→ Vietnamese: phím (“fret; key”)

Ideogrammic compound (會意／会意): Triplication of 口, representing various objects. Also occurs in 區.


商

Antares
Cao Wei
Chen dynasty
Du Yu
Eastern Han dynasty
Eastern Wei
Eastern Wu
Eastern Zhou dynasty
Five Dynasties and Ten Kingdoms
Han dynasty
Jin dynasty (1115–1234)
Jin dynasty (265–420)
Liang dynasty
Liao dynasty
Liu Song dynasty
Ming dynasty
Northern Qi
Northern Wei
Northern Zhou
Northern and Southern dynasties
Qin dynasty
Qing dynasty
Shang dynasty
Shu Han
Song dynasty
Southern Qi
Southern and Northern dynasties
Spring and Autumn period
Sui dynasty
Tang dynasty
Three Kingdoms
Warring States period
Western Han dynasty
Western Liao
Western Wei
Western Xia
Western Zhou dynasty
Xia dynasty
Xin dynasty
Yuan dynasty
Zhou dynasty

Unknown. Possibly an ideogrammic compound (會意／会意) depicting placing and burning firewood (辛, here used as an abbreviation of 薪 (“firewood”)) on a pedestal (丙) to worship Antares.
口 was added later when this character started being used for the name of a dynasty.
Traditionally it is considered that 商人 (shāngrén) is so named because this term originally refers to people from Shang dynasty, who tend to do business.
From 賒 (OC *hljaː) plus terminative suffix *-ŋ (Schuessler, 2007). See there for further etymology.

謪
𠘾
𠹧
𠼬
𠾃
𠿧
𡂦
𡃬
𡄚
𡅟
𥫐
𧶜
𧷞
𨝗

Shāng means zhāng 'to expand'; the yin-fluid begins to expand [while] the yang-fuild begins to contract; ….

Ban Gu, The Comprehensive Discussions in the White Tiger Hall, 79 CE, translated based on Tjan Tjoe Som's version

Shāng zhě, zhāng yě, yīnqì kāi zhāng, yángqì shǐ jiàng yě;.......

商者，張也，陰氣開張，陽氣始降也；……。

商者，张也，阴气开张，阳气始降也；……。

(music) the second note in the Chinese pentatonic scale


塤

Phono-semantic compound (形聲／形声, OC *qʰon): semantic 土 + phonetic 員 (OC *ɢon, *ɢun).

Han compound

(music, historical) egg-shaped flute made of clay or ceramic


均

Phono-semantic compound (形聲／形声, OC *kʷin): semantic 土 (“earth”) + phonetic 匀 (OC *ɢʷin).


上

(music) Kunqu gongche notation for the note do (1).

(music) Cantonese opera gongche notation for the note do (1).


和

Sino-Xenic (和):
* → Vietnamese: hoà (和)

→ Thai: ฮั้ว (húua)

→ Vietnamese: hùa

Phono-semantic compound (形聲／形声, OC *ɡoːl, *ɡoːls): phonetic 禾 (OC *ɡoːl) + semantic 口 (“mouth”) – harmony.
; “and; with”
; “Japanese”

Han compound

(music) An ancient mouth organ similar to the sheng, but smaller; no longer used.


宮

Chinese folk religion
Mazu
Qing conquest of Taiwan
Qing dynasty
ancestor worship

Ideogrammic compound (會意／会意): 宀 + 呂: many rooms under a roof — a mansion.
STEDT compares it with Proto-Sino-Tibetan *k-jim ~ k-jum (“house”); see there for hypothesized cognates.

Gōng means róng ‘to contain’; hán ‘to hold’; it contains and holds the four seasons

Gōng zhě, róng yě, hán yě, hánróng sìshí zhě yě.

宮者，容也，含也，含容四時者也。

宫者，容也，含也，含容四时者也。

(music) the first note of the Chinese pentatonic scale


尺

(music) Kunqu gongche notation for the note re (2).

(music) Cantonese opera gongche notation for the note re (2).


弦

Phono-semantic compound (形聲／形声, OC *ɡeːn): semantic 弓 (“bow”) + phonetic 玄 (OC *ɡʷeːn).

Han compound

(music) stringed instruments or music played by stringed instruments


徵

Zhǐ means zhǐ ‘to stop’; the yang-fluid has stopped; ….

徵者，止也，陽氣止；……。

征者，止也，阳气止；……。

(music) the fourth tone in the ancient Chinese pentatonic scale, comparable to sol in the Western solfège system


引

Sino-Xenic (引):
* → Vietnamese: dẫn (引)

Ideogrammic compound (會意／会意): 弓 (“bow”) + 丨 (“line”) – the line radical represents a bow string which is pulled.


彈

Characters in the same phonetic series (單) (Zhengzhang, 2003)
Phono-semantic compound (形聲／形声, OC *daːn, *daːns): semantic 弓 + phonetic 單 (OC *taːn, *djan, *djanʔ, *djans).

Han compound

彈琴

弹琴

(music) to play (a stringed musical instrument)


弄

Ideogrammic compound (會意／会意): 玉 (“jade”) + 廾 (“hands”) – play with a jade artefact using one's hands.
Compared with Khmer លួង (luəng, “to console; to cheer; to coax; to flatter”) < Old Khmer lvaṅ (“to cheer, amuse, entertain, divert”) < Pre-Angkorian Khmer loṅ. The Khmer initial consonant does not agree with Old Chinese; perhaps the Khmer word is a post-Han loan (Schuessler, 2007).

cog

(music) to play (a musical instrument); to perform


工

(music) Kunqu gongche notation for the note mi (3).

(music) Cantonese opera gongche notation for the note mi (3).


撚

(music) to press on or lightly pinch in the strings of the pipa to produce a wave-like effect


拍

/pʰaːk̚³⁻³⁵/

/pʰaːk̚³⁻³⁵/

Phono-semantic compound (形聲／形声, OC *pʰraːɡ): semantic 手 (“hand”) + phonetic 白 (OC *braːɡ).

仙人拍鼓有時錯，跤步踏差啥人無／仙人拍鼓有时错，跤步踏差啥人无

sian-jîn phah kó͘ iú sî chhò, kha-pō͘ ta̍h-chha siáⁿ-lâng bô

拍鼓 [Hokkien] ― phah-kó͘ [Pe̍h-ōe-jī] ― to play the drums

to pat; to slap; to clap; to swat; to hit with a flat surface (palm, swatter, etc.)

(Taiwanese Hokkien, music) to play (a percussion instrument)

(Hokkien, music) bamboo clapper for beating time in nanyin (made of two bamboo blocks)

每小節有四拍。

每小节有四拍。


打

desc

→ Korean: 치다 (chida, “to call (on the telephone)”) (semantic loan)

→ Zhuang: daj

Phono-semantic compound (形聲／形声, OC *rteŋʔ, *teːŋʔ): semantic 扌 (“hand”) + phonetic 丁 (OC *rteːŋ, *teːŋ).
This post-classical word (its earliest extant attestation is in Shuowen) was pronounced *teŋ in Late Old Chinese, as would be expected from a 丁 phonetic. By the early Ming period, the character had been borrowed (訓讀／训读) for another word (撻) with the same meaning ("to flog, to beat") but a different pronunciation (whence Mandarin tà), without the nasal ending. This may be related to the previous reading, as a dialectal variant. In Mandarin and some other varieties, the new reading became standard; however, derivations of the older pronunciation are still used in other varieties such as Wu and Min Nan, as well as Vietnamese (đánh).
It has been compared to Mizo dêng (“to throw; to fling; to hammer”) and proposed to be from Sino-Tibetan (Schuessler, 2007). Also compare Proto-Mon-Khmer *dah ~ daʔ (“to hit, to meet”), whence Mon ဒး (tɛ̀h, “to hit (a mark), meet with, reach [goal], be correct, apposite, to fit”) and Khmer ទះ (tĕəh, “to slap, to strike”).
The pronunciation da is recorded in 六書故 as 都假切.

cog

to hit (a mark), meet with, reach 􂀿goal􂁀, be correct, apposite, to fit

打鼓

(music) to play (a percussion instrument)

to hit; to strike; to slap; to beat
to play (a percussion instrument)


板

Phono-semantic compound (形聲／形声, OC *praːnʔ): semantic 木 (“tree”) + phonetic 反 (OC *panʔ, *pʰan).
Officially adopted as the simplified form of 闆 (etymology 2) in the Chinese Character Simplification Scheme (《漢字簡化方案》) in 1956.
The same word as 版 (OC *praːnʔ, “plank”). Cognate with Tibetan འཕར ('phar, “panel; small plank”) (Schuessler, 2007), Burmese ပြား (pra:, “flat, pya”) (Hill, 2019, p. 224).

cog

行板

散板

(music) beat; meter; rhythm (in music or Chinese opera)


柱

Phono-semantic compound (形聲／形声, OC *toʔ, *doʔ): semantic 木 (“wood”) + phonetic 主 (OC *tjoʔ).
From Proto-Sino-Tibetan *duːŋ (“post; column”) (STEDT). Cognate with 拄 (OC *toʔ, “to support”), as well as Proto-Kuki-Chin *tuŋ-I, *tun-II (“to erect; post; vertical”), Proto-Central Naga *tuŋ (“stem; trunk; post; tree”) (Schuessler, 2007; STEDT).

inh

string instrument
string instrument#English

(music) bridge (on a string instrument, such as a guzheng)


瑟

Phono-semantic compound (形聲／形声, OC *smriɡ, *smriɡ): semantic 珡 (“musical instrument”) + phonetic 必 (OC *pliɡ). 珡 has been simplified into the unrelated 玨.

Han compound

(music) the se, an ancient Chinese bridge zither, usually with 25 strings


子

Characters in the same phonetic series (子) (Zhengzhang, 2003)
Pictogram (象形) – an image of a baby, with a large head and spread arms. The legs are wrapped in a blanket. Compare with 了, where the arms are wrapped.
The big seal script form is much more elaborate, showing a baby with hair on a head (囟) and arms on the two sides of the body, sitting on a stool (几).
;child
:From Proto-Sino-Tibetan *tsa ~ za (“child, offspring, relatives; to come forth (as child at birth); to love; loving”).
:Cognate with 字 (OC *zlɯs, “character; letter”), 慈 (OC *zɯ, “loving; kind”), 滋 (OC *ʔsɯ, “to grow, to breed, to propagate, to bring about, to increase”), 孳 (OC *ʔsɯ, *zɯs, “to breed, to propagate”).
;first earthly branch
:In oracle bone and Western Zhou bronze inscriptions, 子 was the sixth earthly branch; the first earthly branch was denoted differently. One of the forms survived in Shuo Wen (𢀇) (Matsumaru, 2015).
:Smith (2011) proposed this character is 甾. Observing that 甾 is closely linked with 緇 "dark, stained", 淄 "murky (water)", 菑 "field cleared by burning" (all pronounced *tsrə), Smith (2011) proposes that initially the first earthly branch 甾 (OC *ts[r]əʔ) denoted the new moon phase and meant "darkened, voided, the darkened stage". Additionally, Smith (2011) proposes that 子 (OC tsəʔ), which originated from a Sino-Tibetan root meaning "to come forth", denoted the moon's "coming forth" stage (i.e. early waning-gibbous phase).
:Sometime in Warring States period, a change occured that 子 became the first earthly branch and 巳 (OC *s-ləʔ) filled the void of the sixth earthly branch (Matsumaru, 2015), "due to phonological closeness (combined with the semantic opacity of the Branch terms at later eras)" (Smith, 2011).
:Association with the rat was possibly arbitrary, analogous to how 辰, the fifth earthly branch, was arbitrarily associated with the dragon (Ferlus, 2013).

och-l

㜽
𡿹
𡐫
𣕓
𰱤
𢀇
𢀈
𠙭
𢀉


琴

→ Burmese: ခင် (hkang)

→ English: qin

→ Thai: ขิม (kǐm) (via Min Nan)

Phono-semantic compound (形聲／形声, OC *ɡrɯm): semantic 珡 + phonetic 今 (OC *krɯm).

Han compound

珡
𤦡
𤩟
琹
𨨖
𨪖
𩰔
䦦
𤫍
𨫹
䥅
䥆
𤫒

(music) qin (“Chinese zithers”), referring to any of several traditional Chinese musical instruments, most famously the guqin

口琴 ― kǒuqín ― harmonica

風琴／风琴

馬頭琴／马头琴

(music) collective name for certain musical instruments, usually of string or keyboard types, such as piano, organ, violin, cello, huqin, accordion, harmonica, etc.

三角琴

練琴／练琴 [Cantonese] ― lin⁶ kam⁴ [Jyutping] ― to practise playing the piano

I learned to play the piano for two years.

我學過兩年琴。

我学过两年琴。

(music, specifically) piano (Classifier: 部 c)


瓦

→ Proto-Hmong-Mien: *ŋʷæX (“tile”)

→ Vietnamese: ngói (“tile”)

→ Zhuang: vax (“tile”)

Pictogram (象形) – fired earthenware pottery, or a tile.
Possibly derived from 化 (OC *hŋʷraːls, “to transform”) by eliminating causative devoicing and adding an endoactive rising tone (上聲), literally “that which has transformed (through fire)” (Schuessler, 2007).

(music) Alternative name for 土 (tǔ, “earth”).


篞

Phono-semantic compound (形聲／形声, OC *niːɡ): semantic 竹 (“bamboo”) + phonetic 涅 (OC *niːɡ).

Han compound

(music) ancient medium-sized wind instrument


筊

/t͡ɕi̯ɑʊ̯²¹⁴/

/t͡ɕi̯ɑʊ̯³⁵/

/t͡ɕi̯ɑʊ̯²¹⁴/

/t͡ɕi̯ɑʊ̯³⁵/

Phono-semantic compound (形聲／形声, OC *kreːwʔ, *ɡreːw): semantic 竹 (“bamboo”) + phonetic 交 (OC *kreːw).


笙

CJKV/code

Sino-Xenic (笙):
* → Japanese: 笙(しょう) (shō); 笙(そう) (sō)

Phono-semantic compound (形聲／形声, OC *sreŋ): semantic 竹 (“bamboo”) + phonetic 生 (OC *sʰleːŋ, *sreŋs).
From Proto-Sino-Tibetan *mriŋ (“sound; noise; animal cry”); cognate with 鳴 (OC *mreŋ, “to make a sound”), 鈴 (OC *reːŋ, “bell”), Burmese မြည် (mrany, “to make a sound”) (Schuessler, 2007; STEDT).

inh

(music) sheng (a Chinese mouth-blown free reed instrument consisting of vertical pipes)


筑

Ideogrammic compound (會意／会意) and phono-semantic compound (形聲／形声, OC *tuɡ, *duɡ): phonetic 竹 (OC *tuɡ, “bamboo”) + 𢀜 (“to hold”).
Also simplified from 築 (elimination of 木).
; “Guiyang”

Han compound

𥬑
𥬶
𥬾
𥬑
𥬶
𥬾
𣽆
𣵸

The Records of the Grand Historian, by Sima Qian, c. 91 BCE

Zhì Yì Shuǐ zhīshàng, jì zǔ, qǔ dào, Gāo Jiànlí jí zhú, Jīng Kē hè ér gē, wèi biànzhǐ zhī shēng, shì jiē chuílèi tìqì.

至易水之上，既祖，取道，高漸離擊筑，荊軻和而歌，為變徵之聲，士皆垂淚涕泣。

至易水之上，既祖，取道，高渐离击筑，荆轲和而歌，为变徵之声，士皆垂泪涕泣。

(music) an ancient zither-like instrument


竺

Shuowen: Phono-semantic compound (形聲／形声, OC *tuːɡ, *tuːɡ, *tuɡ): phonetic 𥫗 (OC *tuɡ) + semantic 二 ― thick.

Han compound

musical instrument
musical instrument#English

(historical, music) Name of an ancient musical instrument.


簫

Phono-semantic compound (形聲／形声, OC *sɯːw): semantic 竹 (“bamboo”) + phonetic 肅 (OC *sɯwɢ).

Han compound

(music) xiao, a vertical, notched, end-blown bamboo flute used since ancient times in Chinese traditional and classical music


竹

Characters in the same phonetic series (竹) (Zhengzhang, 2003)
Pictogram (象形) – two bamboo stalks, with leaves. Earlier forms resembled 个 + 个, current form resembles rather ケ + ケ, or 亇 + 亇.
Compare Proto-Tai *b.twuːkᴰ (“bamboo strip for tying or weaving”), whence Thai ตอก (dtɔ̀ɔk, “bamboo strip”).

cog

(music) musical instrument made of bamboo


絲

qualifier

see <i class="Latn mention" lang="la">sēricus</i> for descendants of this

→ Ancient Greek: Σήρ (Sḗr, “Chinese; silkworm”)
→ Latin: Sēres
English: Seres
Portuguese: Seres
Spanish: Seres
 (see sēricus for descendants of this)

→ Aramaic:

desc

Classical Syriac: ܫܺܐܪܳܐ (šērā), ܫܺܐܪܳܝܳܐ (šērāyā), ܫܻܝܪܳܝܳܐ (šērāyā, “silk; silk garment”)

Jewish Babylonian Aramaic: שִׁירָאָה (šērāʾā), שִּׁירָא (šērā, “silk; silk garment”)

Mandaic: ࡔࡉ࡚ࡓࡀࡉࡀ (/šērāyā/)

→ Arabic: سِيرَاء (sīrāʔ, “a kind of silk garment”)

ሢራይ, ሥራይ, ሤራይ

→ Ge'ez: ሢራይ, ሥራይ, ሤራይ (śiray, śəray, śeray, “silk; silk garment”)

→? Old Korean: 糸利 (*SIli, “thread”)

Middle Korean: 실〯 (sǐl, “id.”)

Korean: 실 (sil, “id.”)

→ Vietnamese: tơ

Obsolete. 皮 is used for SI prefix pico-.

絲竹

丝竹


管

CJKV/code

Sino-Xenic (管):
* → Japanese: 管(かん) (kan)
* → Korean: 관(管) (gwan)
* → Vietnamese: quản (管)

Phono-semantic compound (形聲／形声, OC *koːnʔ): semantic 竹 (“bamboo”) + phonetic 官 (OC *koːn).

Han compound

(music) a cylindrical double-reed woodwind instrument made of bamboo or wood

(music, by extension) any wind instrument


羽

CJKV/code

Sino-Xenic (羽):
* → Japanese: 羽(う) (u)
* → Korean: 우(羽) (u)
* → Vietnamese: vũ (羽)

Pictogram (象形): wings or feathers.
Either from Proto-Sino-Tibetan *s-grwa (“feather”), whence Tibetan སྒྲོ (sgro, “large feather”) (Coblin, 1986; Gong Hwang-cherng, 2002; STEDT), or *w(a/u) (“bird; egg; wing; fowl”) (Matisoff, 2000; Schuessler, 2007; Sagart, 2021b; STEDT).

Yǔ means yū ‘to twist’; the yin-fluid is above, the yang-fluid is below; […] .

Yǔ zhě, yū yě, yīnqì zàishàng, yángqì zàixià;.......

羽者，紆也，陰氣在上，陽氣在下；……。

羽者，纡也，阴气在上，阳气在下；……。

(music) fifth note in the Chinese pentatonic scale


生

(music) Cantonese opera gongche notation for the note high do (1̇).


號

→ Zhuang: heuh, hauh

Phono-semantic compound (形聲／形声, OC *ɦlaːw, *ɦlaːws): phonetic 号 (OC *ɦlaːws) + 虎 (“tiger”).
Originally an ideogram (指事) of a tiger and a line representing its roar. Later forms added 口 (“mouth”) or 言 (“speech”) to emphasize the act of of crying or calling. 号 derives from 口 and the line 丂.
From Proto-Sino-Tibetan *(g/k)aw (“to call”) (Schuessler, 2007, STEDT). Compare Kinnauri ku, Anong go, and Burmese ခေါ် (hkau). The extension of the meaning ‘shout, call’ to ‘ask, request’ is parallel to 呼 (hū).
Pronunciation 1 is the exopassive derivation of pronunciation 2, literally "what is called".


譜

Phono-semantic compound (形聲／形声, OC *paːʔ): semantic 言 (“sound”) + phonetic 普 (OC *pʰaːʔ).


調

Phono-semantic compound (形聲／形声, OC *dɯːw, *dɯːws, *tɯw): semantic 言 + phonetic 周 (OC *tjɯw).

Han compound

(music) to tune; to play (an instrument)


調

/ti̯aʊ̯ɻʷ⁵¹/

/ti̯aʊ̯ɻʷ⁵¹/

A調

A调

徵調曲

征调曲


解

Ideogrammic compound (會意／会意): 角 (“horn”) + 刀 (“knife”) + 牛 (“cow”) – a knife separates a horn from a cow, i.e. “cut up (an ox)”.
Three pronunciations are cognate. "To loosen; to disengage" > "idle, lazy, remiss". Cognate with 懈 (OC *kreːs, “lazy, remiss”) and possibly 邂逅 (OC *ɡreːs ɡoːs, “carefree and happy”).
? Area stem: *C-re. Compare Burmese ဖြေ (hpre, “to untie; to answer; to ease; to absolve”), အဖြေ (a.hpre, “answer, solution; response; explication”); Khmer រាយ (riəy, “to scatter, to be divided up, to separate”), ស្រាយ (sraay, “to untie, to undo, to explain, to solve”).

cog

With a work such like this, another piece should be played to complete it, so that the music finds its fullest expression.

Taiping Yulan (Readings of the Taiping Era), 977 – 983 CE

Fú qǔ yǒurú cǐ, dāng yǐ tāqǔ xiè zhī, fāngkě jìn qí shēng yǐ.

夫曲有如此，當以他曲解之，方可盡其聲矣。

夫曲有如此，当以他曲解之，方可尽其声矣。

(dated, music) to conclude a piece; to complete


越

Phono-semantic compound (形聲／形声, OC *ɢʷaːd, *ɢʷad): semantic 走 (“to walk or run”) + phonetic 戉 (OC *ɢʷad) — to go over; to cross.
; “to go over; to surpass; to overstep; to turn”
: Related to 𨒋 (“to go over”), 䟠 (“to go beyond; to transgress”) (Wang, 1982) and perhaps 于 (OC *ɢʷa, “to go”) (Schuessler, 2007).
; “modal particle”
; “Yue; Viet; State of Yue”
: This is a general name for numerous indigenous tribes in ancient southern China, which are collectively called Baiyue. The ancient State of Yue during the Zhou dynasty of China was initially written as 戉 (OC *ɢʷad, “large battle-axe”) — alternatively written as 𫑛 — and it is commonly believed the name Yue originates from this instrument, which was widely found in neolithic cultures of southeastern China and served as a symbol of authority and royalty.
: See 戉 (OC *ɢʷad) for more on the etymology.

Han compound

(music) small hole at the bottom of a se, a traditional Chinese musical instrument


角

CJKV/code

Sino-Xenic (角):
* → Japanese: 角(かく) (kaku)
* → Korean: 각(角) (gak)
* → Vietnamese: giác (角)

→ Khmer: កាក់ (kak)
→ English: kak

→ Thai: กั๊ก (gák)

→ Vietnamese: góc

/t͡ɕi̯ɑʊ̯²¹⁴/

/t͡ɕi̯ɑʊ̯²¹⁴/

Characters in the same phonetic series (角) (Zhengzhang, 2003)
Pictogram (象形) – a horn. A conservative version is 𧢲.
From Proto-Sino-Tibetan *krəw (“horn; angle; corner”) (STEDT). Cognate with Tibetan རྭ (rwa, “horn”), Garo grong (“horn”), Jingpho nrung (“horn”), Chepang रोङः (roŋʔ, “horn”), 觡 (OC *kraːɡ, “antler”). The Tibeto-Burman *-ŋ final variant is reflected in 觥 (OC *kʷraːŋ, “drinking vessel made from animal horn”) (Schuessler, 2007). Possibly also related to 鹿 (OC *b·roːɡ, “deer”) (Sagart, 1999).
A derivative is 餃 (“stuffed dumpling”), named for its horn-like shape (Norman, 1988).
It is probably unrelated with Proto-Indo-European *ḱr̥h₂nós (“horn”) ( < *ḱerh₂- (“horn”)) and Proto-Semitic *ḳarn- (“horn”) despite the phonological and semantic resemblance between the three.

och-l

Why is the note called jué? Jué means yuè ‘to leap’' the yang-fluid stirs and leaps; …

Suǒyǐ míng zhī wèi jué zhě? Yuè yě, yángqì dòngyuè;.......

所以名之為角者？躍也，陽氣動躍；……。

所以名之为角者？跃也，阳气动跃；……。

(music) third note in the Chinese pentatonic scale, or mi


鍵

Phono-semantic compound (形聲／形声, OC *ɡran, *ɡranʔ, *ɡanʔ): semantic 金 (“metal”) + phonetic 建 (OC *kans) – a metal key.

Han compound

琴鍵

琴键

(music) key (lever on a musical keyboard)


轉

Phono-semantic compound (形聲／形声, OC *tonʔ, *tons): semantic 車 (“carriage”) + phonetic 專 (OC *tjon).
Possibly related to:
* Old Tibetan འདྲུལ ('drul, “to transmit; to communicate”) (Schuessler, 2007), or
* Tibetan སྲུལ (srul, “to move to and fro; to stir”), Burmese ရွေ့ (rwe., “to move; to be displaced”), ရွှေ့ (hrwe., “to move or shift something”) (Starostin).
An allofam is perhaps *don (“round”). Compare Vietnamese tròn (“round; circle; entire; whole”), trọn (“fully; completely; all”), as well as the following Chinese words:
* 團 (OC *doːn, “ball; circle; lump”),
* 摶 (OC *doːn, *doːn, *donʔ, “to roll up into a ball”).
Derivative: 傳 (OC *tons, *don, *dons, “to relay; to pass on; to transfer; relay station; biography; record”).

och-l

转
返
转
转
转
撙
捘

78轉黑膠

78转黑胶


鐃

Phono-semantic compound (形聲／形声, OC *rŋaːw): semantic 金 (“metal”) + phonetic 堯 (OC *ŋeːw).


階

CJKV/code

Sino-Xenic (階):
* → Japanese: 階(かい) (kai)

Phono-semantic compound (形聲／形声, OC *kriːl): semantic 阝 + phonetic 皆 (OC *kriːl).

Han compound

五聲音階

五声音阶


降

CJKV/code

Sino-Xenic (降):
* → Vietnamese: giáng (降)

* Mandarin
*: (Standard)
*::(Pinyin): jiàng (jiang⁴)
*::(Zhuyin): ㄐㄧㄤˋ
*: (Chengdu, Sichuanese Pinyin): jiang⁴
* Cantonese (Jyutping): gong³
* Gan (Wiktionary): gong⁴
* Hakka
*: (Sixian, PFS): kong / kiung
*: (Meixian, Guangdong): gong⁴
* Northern Min (KCR): go̿ng
* Eastern Min (BUC): gáung
* Southern Min
*: (Hokkien, POJ): kàng
*: (Teochew, Peng'im): gang³
* Wu (Shanghai, Wugniu): ⁵kaon
* Xiang (Changsha, Wiktionary): jian⁴
* Mandarin
** (Standard Chinese)⁺
*** Hanyu Pinyin: jiàng
*** Zhuyin: ㄐㄧㄤˋ
*** Tongyong Pinyin: jiàng
*** Wade–Giles: chiang⁴
*** Yale: jyàng
*** Gwoyeu Romatzyh: jianq
*** Palladius: цзян (czjan)
*** Sinological IPA ⁽ᵏᵉʸ⁾: /t͡ɕi̯ɑŋ⁵¹/
** (Chengdu)
*** Sichuanese Pinyin: jiang⁴
*** Scuanxua Ladinxua Xin Wenz: giang
*** Sinological IPA ⁽ᵏᵉʸ⁾: /t͡ɕiaŋ²¹³/
* Cantonese
** (Standard Cantonese, Guangzhou–Hong Kong)
*** Jyutping: gong³
*** Yale: gong
*** Cantonese Pinyin: gong³
*** Guangdong Romanization: gong³
*** Sinological IPA ⁽ᵏᵉʸ⁾: /kɔːŋ³³/
* Gan
** (Nanchang)
*** Wiktionary: gong⁴
*** Sinological IPA ⁽ᵏᵉʸ⁾: /kɔŋ³⁵/
* Hakka
** (Sixian, incl. Miaoli and Meinong)
*** Pha̍k-fa-sṳ: kong / kiung
*** Hakka Romanization System: gong / giung
*** Hagfa Pinyim: gong⁴ / giung⁴
*** Sinological IPA: /koŋ⁵⁵/, /ki̯uŋ⁵⁵/
** (Meixian)
*** Guangdong: gong⁴
*** Sinological IPA: /kɔŋ⁵³/
Note:
*kiung - only in the sense “to give birth”;
*kong - all other senses.
* Northern Min
** (Jian'ou)
*** Kienning Colloquial Romanized: go̿ng
*** Sinological IPA ⁽ᵏᵉʸ⁾: /kɔŋ³³/
* Eastern Min
** (Fuzhou)
*** Bàng-uâ-cê: gáung
*** Sinological IPA ⁽ᵏᵉʸ⁾: /kɑuŋ²¹³/
* Southern Min
** (Hokkien: Xiamen, Quanzhou, Zhangzhou, Jinjiang, General Taiwanese)
*** Pe̍h-ōe-jī: kàng
*** Tâi-lô: kàng
*** Phofsit Daibuun: kaxng
*** IPA (Xiamen, Zhangzhou, Kaohsiung): /kaŋ²¹/
*** IPA (Quanzhou, Jinjiang): /kaŋ⁴¹/
*** IPA (Taipei): /kaŋ¹¹/
** (Teochew)
*** Peng'im: gang³
*** Pe̍h-ōe-jī-like: kàng
*** Sinological IPA ⁽ᵏᵉʸ⁾: /kaŋ²¹³/
* Wu
** (Northern: Shanghai)
*** Wugniu: ⁵kaon
*** MiniDict: kaon^去
*** Wiktionary Romanisation (Shanghai): ²kaan
*** Sinological IPA (Shanghai): /kɑ̃³⁴/
* Xiang
** (Changsha)
*** Wiktionary: jian⁴
*** Sinological IPA ⁽ᵏᵉʸ⁾: /t͡ɕi̯æn⁴⁵/
* Middle Chinese: kaewngH
* Old Chinese
*: (Baxter–Sagart): /*kˤruŋ-s/
*: (Zhengzhang): /*kruːŋs/

zh-pron

kiung - only in the sense “to give birth”; kong - all other senses

降A大調

降A大调


龣

Phono-semantic compound (形聲／形声, OC *kroːɡ, *roːɡ): semantic 龠 + phonetic 彔 (OC *b·roːɡ).

Han compound

(music) third note in the Chinese pentatonic scale or mi


鼓

CJKV/code

Sino-Xenic (鼓):
* → Japanese: 鼓(こ) (ko)
* → Korean: 고(鼓) (go)
* → Vietnamese: cổ (鼓)

Wutunhua: guu

Ideogrammic compound (會意／会意): 壴 (“drum”) + 支 (“hand holding drumstick”).
Area word; compare Proto-Tai *klɔŋᴬ (“drum”), Saek [script needed] (tlɔɔŋᴬ¹), Proto-Hlai *laŋ¹ (“drum”), Proto-Wa (*kloʔ, "bronze-drum") (Schuessler, 2007).
瞽 (OC *kʷaːʔ, “blind man; musician”) is a derivative.

Han compound

鼔
皷
𡔷
𪔐
𪔨
𪔎
𩉨
𩉲
𩉩
𩊉

鼓手


音

Characters in the same phonetic series (音) (Zhengzhang, 2003)
Ideogram (指事): 言 (“word”) with something in 口 (“mouth”) written like 甘 – sound comes from the mouth. The vertical trait, that used to represent the body of the tongue, then disappeared as in 言.


音階

/in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/jɐm⁵⁵ kaːi̯⁵⁵/

/im⁴⁴⁻²² kai⁴⁴/

/im⁴⁴⁻²² kai⁴⁴/

/im⁴⁴⁻³³ kai⁴⁴/

/im⁴⁴⁻³³ kai⁴⁴/

/in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/jɐm⁵⁵ kaːi̯⁵⁵/

/im⁴⁴⁻²² kai⁴⁴/

/im⁴⁴⁻²² kai⁴⁴/

/im⁴⁴⁻³³ kai⁴⁴/

/im⁴⁴⁻³³ kai⁴⁴/


解決

/t͡ɕi̯ɛ²¹⁴⁻²¹ t͡ɕy̯ɛ³⁵/

/kaːi̯³⁵ kʰyːt̚³/

/t͡ɕi̯ɛ²¹⁴⁻²¹ t͡ɕy̯ɛ³⁵/

/kaːi̯³⁵ kʰyːt̚³/


吉他

→ Zhuang: gizdah

/t͡ɕi³⁵ tʰä⁵⁵/

/t͡ɕi³⁵ tʰä³/

/kɐt̚⁵ tʰaː⁵⁵/

/ɡi¹¹⁻⁵³ ta¹¹/

/ɡi²¹⁻⁴¹ ta²¹/

/ɡi(ʔ)³²⁻⁴¹ taʔ³²/

/ɡi(ʔ)³²⁻⁵³ taʔ³²/

/kik̚²⁻⁴ tʰa³³/

/t͡ɕiɪʔ³³ ta⁴⁴/

/t͡ɕi³⁵ tʰä⁵⁵/

/t͡ɕi³⁵ tʰä³/

/kɐt̚⁵ tʰaː⁵⁵/

/ɡi¹¹⁻⁵³ ta¹¹/

/ɡi²¹⁻⁴¹ ta²¹/

/ɡi(ʔ)³²⁻⁴¹ taʔ³²/

/ɡi(ʔ)³²⁻⁵³ taʔ³²/

/kik̚²⁻⁴ tʰa³³/

/t͡ɕiɪʔ³³ ta⁴⁴/

Etymology tree
Ancient Greek κῐθᾰ́ρᾱ (kithárā)bor.
Aramaic קיתראbor.
Arabic قِيثَارَة (qīṯāra)bor.
Old Spanish guitarra
Spanish guitarrabor.
English guitarbor.
Chinese 吉他 (jítā)
Borrowed from English guitar. For Taiwanese Hakka and Min Nan, via Japanese ギター (gitā).

etymon

彈吉他／弹吉他

吉他獨奏／吉他独奏


一度

/i⁵⁵⁻³⁵ tu⁵¹/

/it̚³²⁻⁵ tɔ²²/

/it̚³²⁻⁴ tɔ²²/

/it̚⁵⁻²⁴ tɔ⁴¹/

/i⁵⁵⁻³⁵ tu⁵¹/

/it̚³²⁻⁵ tɔ²²/

/it̚³²⁻⁴ tɔ²²/

/it̚⁵⁻²⁴ tɔ⁴¹/


管子

desc

→ Mongolian: ᠭᠤᠸᠠᠨᠵᠠ (ɣuwanǰa), гуанз (guanz)

/ku̯än²¹⁴ d͡z̥z̩⁴/

/ku̯än²¹⁴ d͡z̥z̩⁴/

/ku̯än²¹⁴⁻³⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

/ku̯än²¹⁴⁻³⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/


發燒

/fä⁵⁵ ʂɑʊ̯⁵⁵/

/faʔ²⁻⁵⁴ sau¹¹/

/huat̚³²⁻⁴ siɤ⁴⁴/

/ɸa̠²⁴ ʂɒu̯³³/

/ɸa̠²⁴ sɒu̯³³/

/fä⁵⁵ ʂɑʊ̯⁵⁵/

/faʔ²⁻⁵⁴ sau¹¹/

/huat̚³²⁻⁴ siɤ⁴⁴/

/ɸa̠²⁴ ʂɒu̯³³/

/ɸa̠²⁴ sɒu̯³³/

發燒碟

发烧碟

(music) to be of audiophile sound quality


尺八

/ʈ͡ʂʰʐ̩²¹⁴⁻²¹ pä⁵⁵/

/ʈ͡ʂʰʐ̩²¹⁴⁻²¹ pä⁵⁵/


專輯

/ʈ͡ʂu̯än⁵⁵ t͡ɕi³⁵/

/t͡syːn⁵⁵ t͡sʰɐp̚⁵/

/t͡suan⁴⁴⁻²² t͡sʰip̚³²/

/ʈ͡ʂu̯än⁵⁵ t͡ɕi³⁵/

/t͡syːn⁵⁵ t͡sʰɐp̚⁵/

/t͡suan⁴⁴⁻²² t͡sʰip̚³²/

(music) album (on CD, vinyl, etc.) (Classifier: 張／张)


絕對音樂

ㄐㄩㄝˊ ㄉㄨㄟˋ ㄧㄣ ㄩㄝˋ

цзюэдуй иньюэ

/t͡ɕy̯ɛ³⁵ tu̯eɪ̯⁵¹ in⁵⁵ ɥɛ⁵¹/

/t͡syːt̚² tɵy̯³³ jɐm⁵⁵ ŋɔːk̚²/

/t͡ɕy̯ɛ³⁵ tu̯eɪ̯⁵¹ in⁵⁵ ɥɛ⁵¹/

/t͡syːt̚² tɵy̯³³ jɐm⁵⁵ ŋɔːk̚²/


古琴

CJKV/code

Sino-Xenic (古琴):
* → Japanese: 古琴(こきん) (kokin)
* → Korean: 고금(古琴) (gogeum)
* → Vietnamese: cổ cầm (古琴)

/ku²¹⁴⁻²¹ t͡ɕʰin³⁵/

/kuː³⁵ kʰɐm²¹/

/ku²¹⁴⁻²¹ t͡ɕʰin³⁵/

/kuː³⁵ kʰɐm²¹/

彈古琴

弹古琴

(music) guqin; Chinese seven-stringed zither; qin


作曲者

ㄗㄨㄛˋ ㄑㄩˇ ㄓㄜˇ

/t͡su̯ɔ⁵¹ t͡ɕʰy²¹⁴⁻³⁵ ʈ͡ʂɤ²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ kʰʊk̚⁵ t͡sɛː³⁵/

/t͡su̯ɔ⁵¹ t͡ɕʰy²¹⁴⁻³⁵ ʈ͡ʂɤ²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ kʰʊk̚⁵ t͡sɛː³⁵/


作曲

/t͡su̯ɔ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ kʰʊk̚⁵/

/t͡souʔ²⁴⁻⁵⁵ kʰøyʔ²⁴/

/t͡sɔk̚³²⁻⁴ kʰiɔk̚³²/

/t͡sɔk̚³²⁻⁴ kʰiɪk̚³²/

/t͡su̯ɔ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ kʰʊk̚⁵/

/t͡souʔ²⁴⁻⁵⁵ kʰøyʔ²⁴/

/t͡sɔk̚³²⁻⁴ kʰiɔk̚³²/

/t͡sɔk̚³²⁻⁴ kʰiɪk̚³²/


作曲

/t͡su̯ɔ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ kʰʊk̚⁵/

/t͡souʔ²⁴⁻⁵⁵ kʰøyʔ²⁴/

/t͡sɔk̚³²⁻⁴ kʰiɔk̚³²/

/t͡sɔk̚³²⁻⁴ kʰiɪk̚³²/

/t͡su̯ɔ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ kʰʊk̚⁵/

/t͡souʔ²⁴⁻⁵⁵ kʰøyʔ²⁴/

/t͡sɔk̚³²⁻⁴ kʰiɔk̚³²/

/t͡sɔk̚³²⁻⁴ kʰiɪk̚³²/


太鼓

/tʰaɪ̯⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/tʰaːi̯³³ kuː³⁵/

/tʰaɪ̯⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/tʰaːi̯³³ kuː³⁵/

Orthographic borrowing from Japanese 太鼓 (taiko).


作詞家

/t͡su̯ɔ⁵¹ t͡sʰz̩³⁵ t͡ɕi̯ä⁵⁵/

/t͡sɔːk̚³ t͡sʰiː²¹ kaː⁵⁵/

/t͡su̯ɔ⁵¹ t͡sʰz̩³⁵ t͡ɕi̯ä⁵⁵/

/t͡sɔːk̚³ t͡sʰiː²¹ kaː⁵⁵/


作詞者

CJKV/code

Sino-Xenic (作詞者):
* → Japanese: 作詞者(さくししゃ) (sakushisha)
* → Korean: 작사자(作詞者) (jaksaja)

/t͡su̯ɔ⁵¹ t͡sʰz̩³⁵ ʈ͡ʂɤ²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ t͡sʰiː²¹ t͡sɛː³⁵/

/t͡su̯ɔ⁵¹ t͡sʰz̩³⁵ ʈ͡ʂɤ²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ t͡sʰiː²¹ t͡sɛː³⁵/


調音

/tʰi̯ɑʊ̯³⁵ in⁵⁵/

/tʰiːu̯²¹ jɐm⁵⁵/

/tʰi̯ɑʊ̯³⁵ in⁵⁵/

/tʰiːu̯²¹ jɐm⁵⁵/


調音

/tʰi̯ɑʊ̯³⁵ in⁵⁵/

/tʰiːu̯²¹ jɐm⁵⁵/

/tʰi̯ɑʊ̯³⁵ in⁵⁵/

/tʰiːu̯²¹ jɐm⁵⁵/


木琴

/mu⁵¹ t͡ɕʰin³⁵/

/mʊk̚² kʰɐm²¹/

/bɔk̚⁴⁻³² kʰim²⁴/

/bɔk̚²⁴⁻² kʰim²⁴/

/bɔk̚¹²¹⁻²¹ kʰim¹³/

/bɔk̚⁴⁻³² kʰim²⁴/

/bɔk̚⁴⁻³² kʰim²³/

/mu⁵¹ t͡ɕʰin³⁵/

/mʊk̚² kʰɐm²¹/

/bɔk̚⁴⁻³² kʰim²⁴/

/bɔk̚²⁴⁻² kʰim²⁴/

/bɔk̚¹²¹⁻²¹ kʰim¹³/

/bɔk̚⁴⁻³² kʰim²⁴/

/bɔk̚⁴⁻³² kʰim²³/


演奏者

/jɛn²¹⁴⁻²¹ t͡soʊ̯⁵¹ ʈ͡ʂɤ²¹⁴⁻²¹⁽⁴⁾/

/jiːn³⁵ t͡sɐu̯³³ t͡sɛː³⁵/

/jiːn¹³ t͡sɐu̯³³ t͡sɛː³⁵/

/jɛn²¹⁴⁻²¹ t͡soʊ̯⁵¹ ʈ͡ʂɤ²¹⁴⁻²¹⁽⁴⁾/

/jiːn³⁵ t͡sɐu̯³³ t͡sɛː³⁵/

/jiːn¹³ t͡sɐu̯³³ t͡sɛː³⁵/


演奏家

/jɛn²¹⁴⁻²¹ t͡soʊ̯⁵¹ t͡ɕi̯ä⁵⁵/

/jiːn³⁵ t͡sɐu̯³³ kaː⁵⁵/

/jiːn¹³ t͡sɐu̯³³ kaː⁵⁵/

/iɛn⁵³⁻⁴⁴ t͡sau²¹⁻⁵³ ka⁴⁴/

/iɛn⁵⁵⁴⁻²⁴ t͡sau⁴¹⁻⁵⁵⁴ ka³³/

/iɛn⁵³⁻⁴⁴ t͡sau²¹⁻⁵³ ka⁴⁴/

/iɛn⁵³⁻⁴⁴ t͡sau¹¹⁻⁵³ ka⁴⁴/

/iɛn⁴¹⁻⁴⁴ t͡sau²¹⁻⁴¹ ka⁴⁴/

/jɛn²¹⁴⁻²¹ t͡soʊ̯⁵¹ t͡ɕi̯ä⁵⁵/

/jiːn³⁵ t͡sɐu̯³³ kaː⁵⁵/

/jiːn¹³ t͡sɐu̯³³ kaː⁵⁵/

/iɛn⁵³⁻⁴⁴ t͡sau²¹⁻⁵³ ka⁴⁴/

/iɛn⁵⁵⁴⁻²⁴ t͡sau⁴¹⁻⁵⁵⁴ ka³³/

/iɛn⁵³⁻⁴⁴ t͡sau²¹⁻⁵³ ka⁴⁴/

/iɛn⁵³⁻⁴⁴ t͡sau¹¹⁻⁵³ ka⁴⁴/

/iɛn⁴¹⁻⁴⁴ t͡sau²¹⁻⁴¹ ka⁴⁴/


二度

/ˀɤɻ⁵¹⁻⁵³ tu⁵¹/

/ˀɤɻ⁵¹⁻⁵³ tu⁵¹/


動機

/tʊŋ⁵¹ t͡ɕi⁵⁵/

/tʊŋ²² kei̯⁵⁵/

/tʰuŋ⁵⁵ ki²⁴/

/tɔŋ²² ki³³/

/tɔŋ³³⁻²¹ ki⁴⁴/

/tɔŋ²²⁻²¹ ki⁴⁴/

/tɔŋ³³⁻¹¹ ki⁴⁴/

/tʊŋ⁵¹ t͡ɕi⁵⁵/

/tʊŋ²² kei̯⁵⁵/

/tʰuŋ⁵⁵ ki²⁴/

/tɔŋ²² ki³³/

/tɔŋ³³⁻²¹ ki⁴⁴/

/tɔŋ²²⁻²¹ ki⁴⁴/

/tɔŋ³³⁻¹¹ ki⁴⁴/

(music) motive; a short melodic passage that is repeated in several parts of a work.


拍子

/pʰaɪ̯⁵⁵ d͡z̥z̩²/

/pʰaːk̚³⁻³⁵ t͡siː³⁵/

/pʰaːk̚³ t͡siː³⁵/

/pʰai¹¹ t͡səʔ²/

/pʰa(ʔ)³²⁻⁵³ t͡si⁵³/

/pʰa(ʔ)³²⁻⁵³ t͡si⁵³/

/pʰa(ʔ)³²⁻⁵³ t͡si⁵³/

/pʰa(ʔ)³²⁻⁴¹ t͡si⁴¹/

/pʰaɪ̯⁵⁵ d͡z̥z̩²/

/pʰaːk̚³⁻³⁵ t͡siː³⁵/

/pʰaːk̚³ t͡siː³⁵/

/pʰai¹¹ t͡səʔ²/

/pʰa(ʔ)³²⁻⁵³ t͡si⁵³/

/pʰa(ʔ)³²⁻⁵³ t͡si⁵³/

/pʰa(ʔ)³²⁻⁵³ t͡si⁵³/

/pʰa(ʔ)³²⁻⁴¹ t͡si⁴¹/


歌詞

/kɤ⁵⁵ t͡sʰz̩³⁵/

/kɤ⁵⁵ t͡sʰz̩ɻ³⁵/

/kɔː⁵⁵ t͡sʰiː²¹/

/ko²⁴ t͡sʰɨ¹¹/

/kɤ¹¹ t͡sʰz̩¹¹/

/ko⁵⁵ ⁽ˢ⁻⁾ly⁵³/

/kua⁴⁴⁻³³ su²³/

/kua⁴⁴⁻²² su¹³/

/kua⁴⁴⁻²² su²⁴/

/kua⁴⁴⁻³³ su²⁴/

/ko⁴⁴⁻²² su²⁴/

/ko⁴⁴⁻²² su¹³/

/ko³³⁻²³ sɯ⁵⁵/

/kɤ⁵⁵ t͡sʰz̩³⁵/

/kɤ⁵⁵ t͡sʰz̩ɻ³⁵/

/kɔː⁵⁵ t͡sʰiː²¹/

/ko²⁴ t͡sʰɨ¹¹/

/kɤ¹¹ t͡sʰz̩¹¹/

/ko⁵⁵ ⁽ˢ⁻⁾ly⁵³/

/kua⁴⁴⁻³³ su²³/

/kua⁴⁴⁻²² su¹³/

/kua⁴⁴⁻²² su²⁴/

/kua⁴⁴⁻³³ su²⁴/

/ko⁴⁴⁻²² su²⁴/

/ko⁴⁴⁻²² su¹³/

/ko³³⁻²³ sɯ⁵⁵/


鄉村

/ɕi̯ɑŋ⁵⁵ t͡sʰu̯ən⁵⁵/

/ɕiɑŋ²⁴ t͡sʰuŋ⁵¹/

/hœːŋ⁵⁵ t͡sʰyːn⁵⁵/

/hi̯oŋ²⁴⁻¹¹ t͡sʰun²⁴/

/hiũ⁴⁴⁻²² t͡sʰŋ̍⁴⁴/

/hiũ³³ t͡sʰŋ̍³³/

/hiũ⁴⁴⁻²² t͡sʰun⁴⁴/

/hiɔ̃⁴⁴⁻²² t͡sʰuan⁴⁴/

/hiɔŋ⁴⁴⁻³³ t͡sʰun⁴⁴/

/hiɔŋ³³ t͡sʰun³³/

/hiaŋ⁴⁴⁻²² t͡sʰun⁴⁴/

/hiɔŋ⁴⁴⁻³³ t͡sʰuan⁴⁴/

/hiaŋ⁴⁴⁻³³ t͡sʰuan⁴⁴/

/hĩẽ³³⁻²³ t͡sʰɯŋ³³/

/hĩõ³³⁻²³ t͡sʰɯŋ³³/

/ɕiã⁵⁵ t͡sʰən²¹/

/ɕiã⁴⁴ t͡sʰən⁵³/

/ɕi̯ɑŋ⁵⁵ t͡sʰu̯ən⁵⁵/

/ɕiɑŋ²⁴ t͡sʰuŋ⁵¹/

/hœːŋ⁵⁵ t͡sʰyːn⁵⁵/

/hi̯oŋ²⁴⁻¹¹ t͡sʰun²⁴/

/hiũ⁴⁴⁻²² t͡sʰŋ̍⁴⁴/

/hiũ³³ t͡sʰŋ̍³³/

/hiũ⁴⁴⁻²² t͡sʰun⁴⁴/

/hiɔ̃⁴⁴⁻²² t͡sʰuan⁴⁴/

/hiɔŋ⁴⁴⁻³³ t͡sʰun⁴⁴/

/hiɔŋ³³ t͡sʰun³³/

/hiaŋ⁴⁴⁻²² t͡sʰun⁴⁴/

/hiɔŋ⁴⁴⁻³³ t͡sʰuan⁴⁴/

/hiaŋ⁴⁴⁻³³ t͡sʰuan⁴⁴/

/hĩẽ³³⁻²³ t͡sʰɯŋ³³/

/hĩõ³³⁻²³ t͡sʰɯŋ³³/

/ɕiã⁵⁵ t͡sʰən²¹/

/ɕiã⁴⁴ t͡sʰən⁵³/


雅樂

Sino-Xenic (雅樂):
* → Japanese: 雅(が)楽(がく) (gagaku)
* → Korean: 아악(雅樂) (aak)
* → Vietnamese: nhã nhạc (雅樂)

/jä²¹⁴⁻²¹ ɥɛ⁵¹/

/ŋaː¹³ ŋɔːk̚²/

/ŋã⁵³⁻⁴⁴ ɡak̚⁴/

/ŋã⁵⁵⁴⁻²⁴ ɡak̚²⁴/

/ŋã⁵³⁻⁴⁴ ɡak̚¹²¹/

/ŋã⁵³⁻⁴⁴ ɡak̚⁴/

/ŋã⁴¹⁻⁴⁴ ɡak̚⁴/

/jä²¹⁴⁻²¹ ɥɛ⁵¹/

/ŋaː¹³ ŋɔːk̚²/

/ŋã⁵³⁻⁴⁴ ɡak̚⁴/

/ŋã⁵⁵⁴⁻²⁴ ɡak̚²⁴/

/ŋã⁵³⁻⁴⁴ ɡak̚¹²¹/

/ŋã⁵³⁻⁴⁴ ɡak̚⁴/

/ŋã⁴¹⁻⁴⁴ ɡak̚⁴/

(music) yayue (ancient court ritual music of China); or any of its forms transmitted to neighbouring countries (Japanese gagaku, etc.)


指揮

Sino-Xenic (指揮):
* → Japanese: 指揮(しき) (shiki)
* → Korean: 지휘(指揮) (jihwi)
* → Vietnamese: chỉ huy (指揮)

/ʈ͡ʂʐ̩²¹⁴⁻²¹ xu̯eɪ̯⁵⁵/

/t͡siː³⁵ fɐi̯⁵⁵/

/t͡sɨ³¹ fi²⁴/

/t͡si⁵³⁻⁴⁴ hui⁴⁴/

/t͡si⁵⁵⁴⁻²⁴ hui³³/

/t͡si⁵³⁻⁴⁴ hui⁴⁴/

/t͡si⁵³⁻⁴⁴ hui⁴⁴/

/t͡si⁴¹⁻⁴⁴ hui⁴⁴/

/ʈ͡ʂʐ̩²¹⁴⁻²¹ xu̯eɪ̯⁵⁵/

/t͡siː³⁵ fɐi̯⁵⁵/

/t͡sɨ³¹ fi²⁴/

/t͡si⁵³⁻⁴⁴ hui⁴⁴/

/t͡si⁵⁵⁴⁻²⁴ hui³³/

/t͡si⁵³⁻⁴⁴ hui⁴⁴/

/t͡si⁵³⁻⁴⁴ hui⁴⁴/

/t͡si⁴¹⁻⁴⁴ hui⁴⁴/

(music) conductor (person who conducts music ensembles)


爵士

Phono-semantic matching of English jazz via Shanghainese.

/t͡ɕy̯ɛ³⁵ ʂʐ̩⁵¹/

/t͡sœːk̚³ siː²²/

/t͡siɔk̚³²⁻⁴ su²²/

/t͡siɔk̚³²⁻⁴ su³³/

/t͡siɔk̚⁵⁻²⁴ sɯ²²/

/t͡ɕiaʔ³³ zz̩⁴⁴/

/t͡ɕy̯ɛ³⁵ ʂʐ̩⁵¹/

/t͡sœːk̚³ siː²²/

/t͡siɔk̚³²⁻⁴ su²²/

/t͡siɔk̚³²⁻⁴ su³³/

/t͡siɔk̚⁵⁻²⁴ sɯ²²/

/t͡ɕiaʔ³³ zz̩⁴⁴/


山口

/ʂän⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/saːn⁵⁵ hɐu̯³⁵/

/suã³³ kʰau⁵⁵⁴/

/suã⁴⁴⁻²² kʰau⁵³/

/ʂän⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/saːn⁵⁵ hɐu̯³⁵/

/suã³³ kʰau⁵⁵⁴/

/suã⁴⁴⁻²² kʰau⁵³/

(music) nut (small piece at the peghead end of the fingerboard that holds the strings at the proper spacing and, the proper height on traditional Chinese stringed instruments such as pipa and sanxian)

(music) blowing aperture (on the xiao, the Chinese vertical bamboo flute)


八音

/pat̚³²⁻⁴ im⁴⁴/

/pat̚⁵⁻²⁴ im³³/

/pat̚³²⁻⁵ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

/pat̚⁵⁻²⁴ im³³/

/pat̚³²⁻⁵ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

(music) an ancient Chinese system of classifying musical instruments into eight materials

(music) any one of a variety of genres of traditional instrumental ensemble music, mostly originating in southern China and Taiwan


篳篥

desc

→ Korean: 피리 (piri, “reed wind instrument”)

/pi⁵¹⁻⁵³ li⁵¹/

/pɐt̚⁵ lɵt̚²/

/pi⁵¹⁻⁵³ li⁵¹/

/pɐt̚⁵ lɵt̚²/

Borrowed from a language in the Western Regions. Compare Khotanese *pīlī (“pipe?”) (as in pīlīrūvī (“clyster-pipe”)).

筚篥
觱篥
觱栗
𥷑篥
箄篥
悲栗
悲篥
悲慄

(music) bili (a cylindrical double reed wind instrument used in the court and ritual music of China since ancient times)


旋律

/ɕy̯ɛn³⁵ ly⁵¹/

/syːn²¹ lɵt̚²⁻³⁵/

/suan¹³⁻²² lut̚¹²¹/

/suaŋ⁵⁵⁻¹¹ luk̚⁴/

/ɕy̯ɛn³⁵ ly⁵¹/

/syːn²¹ lɵt̚²⁻³⁵/

/suan¹³⁻²² lut̚¹²¹/

/suaŋ⁵⁵⁻¹¹ luk̚⁴/


亂彈

/lu̯än⁵¹ tʰän³⁵/

/lan²²⁻²¹ tʰan²⁴/

/lan⁴¹⁻²² tʰan²⁴/

/lan²²⁻²¹ tʰan¹³/

/lan³³⁻¹¹ tʰan²⁴/

/lan³³⁻²¹ tʰan²³/

/lõ²¹⁻¹¹ tan¹³/

/lu̯än⁵¹ tʰän³⁵/

/lan²²⁻²¹ tʰan²⁴/

/lan⁴¹⁻²² tʰan²⁴/

/lan²²⁻²¹ tʰan¹³/

/lan³³⁻¹¹ tʰan²⁴/

/lan³³⁻²¹ tʰan²³/

/lõ²¹⁻¹¹ tan¹³/

An originally derogatory term referring to the tuning system of seven equal divisions of the octave used by local Chinese opera/theater forms during the Qing Dynasty; this system was regarded by some as inferior to the Pythagorean system of tuning, with its twelve divisions of the octave, which had been used during the Ming Dynasty.

(music) Alternative name for 秦腔 (Qínqiāng, “Qinqiang; Shaanxi opera”).

(Xiang, music) one of the two major types of vocal music in Hunanese opera


口笛

/kʰoʊ̯²¹⁴⁻²¹ ti³⁵/

/kʰoʊ̯²¹⁴⁻²¹ ti³⁵/

(music) a very small Chinese flute made from bamboo


梆子

/pɑŋ⁵⁵ d͡z̥z̩²/

/pɔːŋ⁵⁵ t͡siː³⁵/

/pɑŋ⁵⁵ d͡z̥z̩²/

/pɔːŋ⁵⁵ t͡siː³⁵/

(music) wooden clappers (small, rectangular, high-pitched wood block used in Chinese folk music and opera)


箜篌

/kʰʊŋ⁵⁵ xoʊ̯³⁵/

/hʊŋ⁵⁵ hɐu̯²¹/

/kʰʊŋ⁵⁵ xoʊ̯³⁵/

/hʊŋ⁵⁵ hɐu̯²¹/

In the Records of the Grand Historian 《史記·封禪書》, a fretted zither plucked with a slender stick was attested as the form 空侯 (OC *kʰoːŋ ɡoː) during the reign of the Emperor Wu of Han [111 BCE]. It is uncertain whether the name of the later instruments (angular harp and arched harp) bearing the (orthographically normalised) name 箜篌 (kōnghóu) had inherited from the Han-era one. The name might have originated as transcription of a foreign term from the west.
Compare Sogdian [script needed] (cngryʾ /čangaryā/), [script needed] (cyngryʾ /čingaryā/), both names of this instrument in the Sogdian language, as well as Persian چنگ (čang) and Turkish çeng.

cog

(music, chiefly historical) a term used to refer to one of a number of different plucked string instruments (mostly harps) used in the music of ancient China

Emperor Wu of Han
Records of the Grand Historian


板胡

/pän²¹⁴⁻²¹ xu³⁵/

/paːn³⁵ wuː²¹⁻³⁵/

/pæ̃⁵³ xu¹¹/

/pän²¹⁴⁻²¹ xu³⁵/

/paːn³⁵ wuː²¹⁻³⁵/

/pæ̃⁵³ xu¹¹/

(music) banhu (a bowed string instrument with two strings and a coconut shell body with wooden soundboard)


椰胡

/jɛː²¹ wuː²¹⁻³⁵/

/ia⁵⁵⁻¹¹ hu⁵⁵/

/jɛː²¹ wuː²¹⁻³⁵/

/ia⁵⁵⁻¹¹ hu⁵⁵/

(music) a bowed string instrument with two strings and a coconut shell body; used primarily in the traditional music of southern China and Taiwan


大筒弦

ㄉㄚˋ ㄊㄨㄥˇ ㄒㄧㄢˊ

/tä⁵¹ tʰʊŋ²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/taːi̯²² tʰʊŋ²¹ jiːn²¹/

/taːi̯²² tʰʊŋ²¹ jyːn²¹/

/tä⁵¹ tʰʊŋ²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/taːi̯²² tʰʊŋ²¹ jiːn²¹/

/taːi̯²² tʰʊŋ²¹ jyːn²¹/

(music) a two-stringed vertical fiddle used primarily in Min Nan regions and by the Hakka, in Taiwan and Fujian


喉管

/xoʊ̯³⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/xoʊ̯³⁵ ku̯ɑɻ²¹⁴⁻²¹⁽⁴⁾/

/hɐu̯²¹ kuːn³⁵/

/xoʊ̯³⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/xoʊ̯³⁵ ku̯ɑɻ²¹⁴⁻²¹⁽⁴⁾/

/hɐu̯²¹ kuːn³⁵/

(music) double-reed woodwind instrument made of bamboo, used in Cantonese music


協奏

/ɕi̯ɛ³⁵ t͡soʊ̯⁵¹/

/hiap̚¹²¹⁻²¹ t͡sau²¹/

/ɕi̯ɛ³⁵ t͡soʊ̯⁵¹/

/hiap̚¹²¹⁻²¹ t͡sau²¹/


獨奏

/tu³⁵ t͡soʊ̯⁵¹/

/tʊk̚² t͡sɐu̯³³/

/tɔk̚¹²¹⁻²¹ t͡sau²¹/

/tɔk̚²⁴⁻² t͡sau⁴¹/

/tɔk̚⁴⁻³² t͡sau²¹/

/tɔk̚⁴⁻³² t͡sau¹¹/

/tɔk̚²⁴⁻² t͡so⁴¹/

/tu³⁵ t͡soʊ̯⁵¹/

/tʊk̚² t͡sɐu̯³³/

/tɔk̚¹²¹⁻²¹ t͡sau²¹/

/tɔk̚²⁴⁻² t͡sau⁴¹/

/tɔk̚⁴⁻³² t͡sau²¹/

/tɔk̚⁴⁻³² t͡sau¹¹/

/tɔk̚²⁴⁻² t͡so⁴¹/

吉他獨奏

吉他独奏


三重奏

/sän⁵⁵ ʈ͡ʂʰʊŋ³⁵ t͡soʊ̯⁵¹/

/saːm⁵⁵ t͡sʰʊŋ²¹ t͡sɐu̯³³/

/sän⁵⁵ ʈ͡ʂʰʊŋ³⁵ t͡soʊ̯⁵¹/

/saːm⁵⁵ t͡sʰʊŋ²¹ t͡sɐu̯³³/


喇叭

CJKV/code

Sino-Xenic (喇叭):
* → Japanese: 喇叭(らっぱ) (rappa)
* → Korean: 나발(喇叭) (nabal)

→ Dongxiang: laba

→ Manchu: ᠯᠠᠪᠠ (laba)

/lä²¹⁴ b̥ä⁴/

/lä²¹⁴⁻²¹ pä⁵⁵/

/laː³³ paː⁵⁵/

/l̃a³³⁻⁵⁵ ^((pʰ-))βɑ²¹³/

/la⁴⁴⁻²² pa⁴⁴/

/la⁴⁴⁻³³ pa⁴⁴/

/la⁴¹⁻⁴⁴ paʔ³²/

/la⁵³⁻⁴⁴ paʔ³²/

/la(ʔ)³²⁻⁵³ paʔ³²/

/la²¹⁻⁴¹ pa⁴⁴/

/la¹¹⁻⁵³ pa⁴⁴/

/la⁴⁴⁻³³ paʔ³²/

/lat̚³²⁻⁴ paʔ³²/

/la³³⁻²³ pa⁵⁵/

/laʔ¹¹ paʔ²³/

/lä²¹⁴ b̥ä⁴/

/lä²¹⁴⁻²¹ pä⁵⁵/

/laː³³ paː⁵⁵/

/l̃a³³⁻⁵⁵ ^((pʰ-))βɑ²¹³/

/la⁴⁴⁻²² pa⁴⁴/

/la⁴⁴⁻³³ pa⁴⁴/

/la⁴¹⁻⁴⁴ paʔ³²/

/la⁵³⁻⁴⁴ paʔ³²/

/la(ʔ)³²⁻⁵³ paʔ³²/

/la²¹⁻⁴¹ pa⁴⁴/

/la¹¹⁻⁵³ pa⁴⁴/

/la⁴⁴⁻³³ paʔ³²/

/lat̚³²⁻⁴ paʔ³²/

/la³³⁻²³ pa⁵⁵/

/laʔ¹¹ paʔ²³/

Borrowed from Mongolian ᠯᠠᠪᠠᠢ (labai, “sea shell; conch; conch trumpet”), in turn borrowed from Early Mandarin 螺貝 (MC lwa pajH, “shell; conch; conch trumpet”).


鼓板

/ku²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/ku²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

(music) two instruments played together by a single player: a small drum played with a stick in one hand, and a hardwood or bamboo clapper played by the other hand, used to accompany traditional Chinese music


琶音

/pʰä³⁵ in⁵⁵/

/pʰaː²¹ jɐm⁵⁵/

/pʰä³⁵ in⁵⁵/

/pʰaː²¹ jɐm⁵⁵/


葫蘆絲

(music) hulusi (Chinese free-reed wind instrument with three bamboo pipes that pass through a gourd wind chest; originating in Yunnan province)


小號

/ɕi̯ɑʊ̯²¹⁴⁻²¹ xɑʊ̯⁵¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ xaʊ̯ɻʷ⁵¹/

/ɕiɔ³³ ɦɔ⁴⁴/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ xɑʊ̯⁵¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ xaʊ̯ɻʷ⁵¹/

/ɕiɔ³³ ɦɔ⁴⁴/


重奏

/ʈ͡ʂʰʊŋ³⁵ t͡soʊ̯⁵¹/

/tiɪŋ²⁴⁻²² t͡sau²¹/

/tiɪŋ²⁴⁻²² t͡sau⁴¹/

/tiɪŋ¹³⁻²² t͡sau²¹/

/tiɪŋ²⁴⁻¹¹ t͡sau¹¹/

/tiɪŋ²³⁻³³ t͡sau²¹/

/ʈ͡ʂʰʊŋ³⁵ t͡soʊ̯⁵¹/

/tiɪŋ²⁴⁻²² t͡sau²¹/

/tiɪŋ²⁴⁻²² t͡sau⁴¹/

/tiɪŋ¹³⁻²² t͡sau²¹/

/tiɪŋ²⁴⁻¹¹ t͡sau¹¹/

/tiɪŋ²³⁻³³ t͡sau²¹/

(music) ensemble of two or more musicians, each playing a separate part


吹奏樂器

ㄔㄨㄟ ㄗㄡˋ ㄩㄝˋ ㄑㄧˋ

чуйцзоу юэци

/ʈ͡ʂʰu̯eɪ̯⁵⁵ t͡soʊ̯⁵¹⁻⁵³ ɥɛ⁵¹⁻⁵³ t͡ɕʰi⁵¹/


大提琴

ㄉㄚˋ ㄊㄧˊ ㄑㄧㄣˊ

/tä⁵¹ tʰi³⁵ t͡ɕʰin³⁵/

/taːi̯²² tʰɐi̯²¹ kʰɐm²¹/

/tua²²⁻²¹ tʰe²⁴⁻²² kʰim²⁴/

/tua⁴¹⁻²² tʰe²⁴⁻²² kʰim²⁴/

/tua²²⁻²¹ tʰe¹³⁻²² kʰim¹³/

/tua³³⁻¹¹ tʰe²⁴⁻¹¹ kʰim²⁴/

/tua³³⁻²¹ tʰe²³⁻³³ kʰim²³/

/tä⁵¹ tʰi³⁵ t͡ɕʰin³⁵/

/taːi̯²² tʰɐi̯²¹ kʰɐm²¹/

/tua²²⁻²¹ tʰe²⁴⁻²² kʰim²⁴/

/tua⁴¹⁻²² tʰe²⁴⁻²² kʰim²⁴/

/tua²²⁻²¹ tʰe¹³⁻²² kʰim¹³/

/tua³³⁻¹¹ tʰe²⁴⁻¹¹ kʰim²⁴/

/tua³³⁻²¹ tʰe²³⁻³³ kʰim²³/


協奏曲

ㄒㄧㄝˊ ㄗㄡˋ ㄑㄩˇ

/ɕi̯ɛ³⁵ t͡soʊ̯⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/hiːp̚³ t͡sɐu̯³³ kʰʊk̚⁵/

/hiap̚⁴⁻³² t͡sau²¹⁻⁵³ kʰiɔk̚³²/

/hiap̚⁴⁻³² t͡sau¹¹⁻⁵³ kʰiɪk̚³²/

/hiap̚⁴⁻³² t͡sau²¹⁻⁴¹ kʰiɪk̚³²/

/ɕi̯ɛ³⁵ t͡soʊ̯⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/hiːp̚³ t͡sɐu̯³³ kʰʊk̚⁵/

/hiap̚⁴⁻³² t͡sau²¹⁻⁵³ kʰiɔk̚³²/

/hiap̚⁴⁻³² t͡sau¹¹⁻⁵³ kʰiɪk̚³²/

/hiap̚⁴⁻³² t͡sau²¹⁻⁴¹ kʰiɪk̚³²/


小提琴

ㄒㄧㄠˇ ㄊㄧˊ ㄑㄧㄣˊ

/ɕi̯ɑʊ̯²¹⁴⁻²¹ tʰi³⁵ t͡ɕʰin³⁵/

/siːu̯³⁵ tʰɐi̯²¹ kʰɐm²¹/

/sieu³³⁻³⁵ ^((tʰ-))li⁵³⁻³³ ^((kʰ-))iŋ⁵³/

/sio⁵³⁻⁴⁴ tʰe²⁴⁻²² kʰim²⁴/

/sio⁵⁵⁴⁻²⁴ tʰe²⁴⁻²² kʰim²⁴/

/sio⁵³⁻⁴⁴ tʰe¹³⁻²² kʰim¹³/

/sio⁵³⁻⁴⁴ tʰe²⁴⁻¹¹ kʰim²⁴/

/siɤ⁴¹⁻⁴⁴ tʰe²³⁻³³ kʰim²³/

/ɕiɔ³³ di⁵⁵ d͡ʑin²¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ tʰi³⁵ t͡ɕʰin³⁵/

/siːu̯³⁵ tʰɐi̯²¹ kʰɐm²¹/

/sio⁵³⁻⁴⁴ tʰe²⁴⁻²² kʰim²⁴/

/sio⁵⁵⁴⁻²⁴ tʰe²⁴⁻²² kʰim²⁴/

/sio⁵³⁻⁴⁴ tʰe¹³⁻²² kʰim¹³/

/sio⁵³⁻⁴⁴ tʰe²⁴⁻¹¹ kʰim²⁴/

/siɤ⁴¹⁻⁴⁴ tʰe²³⁻³³ kʰim²³/

/ɕiɔ³³ di⁵⁵ d͡ʑin²¹/

拉小提琴

GT - General Taiwanese (no particular region identified)


嗩吶

/su̯ɔ²¹⁴⁻²¹ nä⁵¹/

/su̯ɔ²¹⁴ nä⁴/

/sɔː³⁵ naːp̚²/

/so⁵³⁻⁴⁴ lap̚⁴/

/so⁵³⁻⁴⁴ lap̚¹²¹/

/so⁵⁵⁴⁻²⁴ lap̚²⁴/

/so⁵²⁻³⁵ nap̚⁴/

/su³³ nəʔ⁴⁴/

/su̯ɔ²¹⁴⁻²¹ nä⁵¹/

/su̯ɔ²¹⁴ nä⁴/

/sɔː³⁵ naːp̚²/

/so⁵³⁻⁴⁴ lap̚⁴/

/so⁵³⁻⁴⁴ lap̚¹²¹/

/so⁵⁵⁴⁻²⁴ lap̚²⁴/

/so⁵²⁻³⁵ nap̚⁴/

/su³³ nəʔ⁴⁴/

(music) suona (traditional Chinese woodwind instrument)

(music) zurna (traditional Anatolian woodwind instrument)


和聲

/xɤ³⁵ ʂɤŋ⁵⁵/

/wɔː²¹ sɪŋ⁵⁵/

/hɤ²³⁻³³ siã⁴⁴/

/ho²⁴⁻¹¹ siã⁴⁴/

/hɤ²³⁻³³ siɪŋ⁴⁴/

/ho²⁴⁻¹¹ siɪŋ⁴⁴/

/xɤ³⁵ ʂɤŋ⁵⁵/

/wɔː²¹ sɪŋ⁵⁵/

/hɤ²³⁻³³ siã⁴⁴/

/ho²⁴⁻¹¹ siã⁴⁴/

/hɤ²³⁻³³ siɪŋ⁴⁴/

/ho²⁴⁻¹¹ siɪŋ⁴⁴/


滑音

/xu̯ä³⁵ in⁵⁵/

/xu̯ä³⁵ in⁵⁵/

(music) glissando; portamento; sliding tone


定音鼓

/tiŋ⁵¹ in⁵⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/tɪŋ²² jɐm⁵⁵ kuː³⁵/

/tiŋ⁵¹ in⁵⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/tɪŋ²² jɐm⁵⁵ kuː³⁵/


康加鼓

/kʰɑŋ⁵⁵ t͡ɕi̯ä⁵⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/kʰɑŋ⁵⁵ t͡ɕi̯ä⁵⁵ ku²¹⁴⁻²¹⁽⁴⁾/


吹打

/ʈ͡ʂʰu̯eɪ̯⁵⁵ tä²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵy̯⁵⁵ taː³⁵/

/ʈ͡ʂʰu̯eɪ̯⁵⁵ tä²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵy̯⁵⁵ taː³⁵/

(dialectal Gan, dialectal Hakka, music) suona


雷琴

/leɪ̯³⁵ t͡ɕʰin³⁵/

/lɵy̯²¹ kʰɐm²¹/

/leɪ̯³⁵ t͡ɕʰin³⁵/

/lɵy̯²¹ kʰɐm²¹/


低音

/tɐi̯⁵⁵ jɐm⁵⁵/

/ai³³ jim³³⁻³³⁵/

/tai̯²⁴⁻¹¹ im²⁴/

/ke²²⁻²¹ im⁴⁴/

/ke⁴¹⁻²² im³³/

/ke²²⁻²¹ im⁴⁴/

/ke³³⁻¹¹ im⁴⁴/

/ke³³⁻²¹ im⁴⁴/

/tɐi̯⁵⁵ jɐm⁵⁵/

/ai³³ jim³³⁻³³⁵/

/tai̯²⁴⁻¹¹ im²⁴/

/ke²²⁻²¹ im⁴⁴/

/ke⁴¹⁻²² im³³/

/ke²²⁻²¹ im⁴⁴/

/ke³³⁻¹¹ im⁴⁴/

/ke³³⁻²¹ im⁴⁴/


骨笛

/ku²¹⁴⁻²¹ ti³⁵/

/ku²¹⁴⁻²¹ ti³⁵/


板鼓

/pän²¹⁴⁻³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/pän²¹⁴⁻³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

(music) small, high-pitched, single-headed drum (used most prominently in Beijing opera)


散調

/sän²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/sän²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

(music) sanjo, a genre of traditional Korean instrumental music


男中音

наньчжунъинь

/nän³⁵ ʈ͡ʂʊŋ⁵⁵ in⁵⁵/

/naːm²¹ t͡sʊŋ⁵⁵ jɐm⁵⁵/

/lam²⁴⁻¹¹ tiɔŋ⁴⁴⁻³³ im⁴⁴/

/lam²³⁻³³ tiɔŋ⁴⁴⁻³³ im⁴⁴/

/nän³⁵ ʈ͡ʂʊŋ⁵⁵ in⁵⁵/

/naːm²¹ t͡sʊŋ⁵⁵ jɐm⁵⁵/

/lam²⁴⁻¹¹ tiɔŋ⁴⁴⁻³³ im⁴⁴/

/lam²³⁻³³ tiɔŋ⁴⁴⁻³³ im⁴⁴/


主奏吉他

ㄓㄨˇ ㄗㄡˋ ㄐㄧˊ ㄊㄚ

чжуцзоу цзита

/ʈ͡ʂu²¹⁴⁻²¹ t͡soʊ̯⁵¹ t͡ɕi³⁵ tʰä⁵⁵/

/ʈ͡ʂu²¹⁴⁻²¹ t͡soʊ̯⁵¹ t͡ɕi³⁵ tʰä⁵⁵/


主音吉他

ㄓㄨˇ ㄧㄣ ㄐㄧˊ ㄊㄚ

чжуинь цзита

/ʈ͡ʂu²¹⁴⁻²¹ in⁵⁵ t͡ɕi³⁵ tʰä⁵⁵/

/ʈ͡ʂu²¹⁴⁻²¹ in⁵⁵ t͡ɕi³⁵ tʰä⁵⁵/


節奏吉他

ㄐㄧㄝˊ ㄗㄡˋ ㄐㄧˊ ㄊㄚ

цзецзоу цзита

/t͡ɕi̯ɛ³⁵ t͡soʊ̯⁵¹ t͡ɕi³⁵ tʰä⁵⁵/

/t͡ɕi̯ɛ³⁵ t͡soʊ̯⁵¹ t͡ɕi³⁵ tʰä⁵⁵/


石琴

/ʂʐ̩³⁵ t͡ɕʰin³⁵/

/sɛːk̚² kʰɐm²¹/

/ʂʐ̩³⁵ t͡ɕʰin³⁵/

/sɛːk̚² kʰɐm²¹/


鐘琴

/ʈ͡ʂʊŋ⁵⁵ t͡ɕʰin³⁵/

/t͡sʊŋ⁵⁵ kʰɐm²¹/

/ʈ͡ʂʊŋ⁵⁵ t͡ɕʰin³⁵/

/t͡sʊŋ⁵⁵ kʰɐm²¹/


震音鐵琴

ㄓㄣˋ ㄧㄣ ㄊㄧㄝˇ ㄑㄧㄣˊ

чжэньинь тецинь

/ʈ͡ʂən⁵¹ in⁵⁵ tʰi̯ɛ²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ʈ͡ʂən⁵¹ in⁵⁵ tʰi̯ɛ²¹⁴⁻²¹ t͡ɕʰin³⁵/


馬林巴琴

ㄇㄚˇ ㄌㄧㄣˊ ㄅㄚ ㄑㄧㄣˊ

малиньбацинь

/mä²¹⁴⁻²¹ lin³⁵ pä⁵⁵ t͡ɕʰin³⁵/

/mä²¹⁴⁻²¹ lin³⁵ pä⁵⁵ t͡ɕʰin³⁵/


顫音琴

/ʈ͡ʂʰän⁵¹ in⁵⁵ t͡ɕʰin³⁵/

чжаньиньцинь

/ʈ͡ʂän⁵¹ in⁵⁵ t͡ɕʰin³⁵/

/ʈ͡ʂʰän⁵¹ in⁵⁵ t͡ɕʰin³⁵/

/ʈ͡ʂän⁵¹ in⁵⁵ t͡ɕʰin³⁵/


三角鐵

ㄙㄢ ㄐㄧㄠˇ ㄊㄧㄝˇ

/sän⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻³⁵ tʰi̯ɛ²¹⁴⁻²¹⁽⁴⁾/

ㄙㄢ ㄐㄧㄠˇㄦ ㄊㄧㄝˇ

/sän⁵⁵ t͡ɕi̯aʊ̯ɻʷ²¹⁴⁻³⁵ tʰi̯ɛ²¹⁴⁻²¹⁽⁴⁾/

/saːm⁵⁵ kɔːk̚³ tʰiːt̚³/

/sã⁴⁴⁻²² kak̚³²⁻⁴ tʰiʔ³²/

/sän⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻³⁵ tʰi̯ɛ²¹⁴⁻²¹⁽⁴⁾/

/sän⁵⁵ t͡ɕi̯aʊ̯ɻʷ²¹⁴⁻³⁵ tʰi̯ɛ²¹⁴⁻²¹⁽⁴⁾/

/saːm⁵⁵ kɔːk̚³ tʰiːt̚³/

/sã⁴⁴⁻²² kak̚³²⁻⁴ tʰiʔ³²/


高音

/kɑʊ̯⁵⁵ in⁵⁵/

/ko²⁴⁻¹¹ im²⁴/

/kɑʊ̯⁵⁵ in⁵⁵/

/ko²⁴⁻¹¹ im²⁴/

飆高音

飙高音

(music) high pitch; high-pitched voice; treble


葫蘆笙

/xu³⁵ lu³⁵ ʂɤŋ⁵⁵/

/xu³⁵ lu³⁵ ʂɤŋ⁵⁵/

(music) hulusheng, a free-reed wind instrument similar to the sheng, consisting of multiple bamboo pipes of various lengths inserted into a wind chest made from a dried gourd; most commonly found in the Yunnan province of southwest China where it is used primarily by members of several ethnic minorities


洞簫

/tʊŋ⁵¹ ɕi̯ɑʊ̯⁵⁵/

/tʊŋ²² siːu̯⁵⁵/

/tɔŋ²²⁻²¹ siau⁴⁴/

/tɔŋ⁴¹⁻²² siau³³/

/tɔŋ²²⁻²¹ siau⁴⁴/

/tɔŋ³³⁻¹¹ siau⁴⁴/

/tɔŋ³³⁻²¹ siau⁴⁴/

/tʊŋ⁵¹ ɕi̯ɑʊ̯⁵⁵/

/tʊŋ²² siːu̯⁵⁵/

/tɔŋ²²⁻²¹ siau⁴⁴/

/tɔŋ⁴¹⁻²² siau³³/

/tɔŋ²²⁻²¹ siau⁴⁴/

/tɔŋ³³⁻¹¹ siau⁴⁴/

/tɔŋ³³⁻²¹ siau⁴⁴/

(music) xiao (a vertical, notched, end-blown bamboo flute used since ancient times in traditional and classical Chinese music)


獨弦琴

ㄉㄨˊ ㄒㄧㄢˊ ㄑㄧㄣˊ

/tu³⁵ ɕi̯ɛn³⁵ t͡ɕʰin³⁵/

/tʊk̚² jiːn²¹ kʰɐm²¹/

/tu³⁵ ɕi̯ɛn³⁵ t͡ɕʰin³⁵/

/tʊk̚² jiːn²¹ kʰɐm²¹/

(music) a plucked zither with usually a single string, used in traditional and classical Chinese music, and originally used in Vietnamese music


管鐘

/ku̯än²¹⁴⁻²¹ ʈ͡ʂʊŋ⁵⁵/

/ku̯än²¹⁴⁻²¹ ʈ͡ʂʊŋ⁵⁵/


管風琴

ㄍㄨㄢˇ ㄈㄥ ㄑㄧㄣˊ

гуаньфэнцинь

/ku̯än²¹⁴⁻²¹ fɤŋ⁵⁵ t͡ɕʰin³⁵/

/kuːn³⁵ fʊŋ⁵⁵ kʰɐm²¹/

/ku̯än²¹⁴⁻²¹ fɤŋ⁵⁵ t͡ɕʰin³⁵/

/kuːn³⁵ fʊŋ⁵⁵ kʰɐm²¹/


風琴

/fɤŋ⁵⁵ t͡ɕʰin³⁵/

/fʊŋ⁵⁵ kʰɐm²¹/

/hɔŋ⁴⁴⁻²² kʰim²⁴/

/hɔŋ⁴⁴⁻³³ kʰim²⁴/

/hɔŋ⁴⁴⁻³³ kʰim²³/

/hɔŋ⁴⁴⁻²² kʰim¹³/

/huaŋ³³⁻²³ kʰim⁵⁵/

/foŋ⁵⁵ d͡ʑin²¹/

/fɤŋ⁵⁵ t͡ɕʰin³⁵/

/fʊŋ⁵⁵ kʰɐm²¹/

/hɔŋ⁴⁴⁻²² kʰim²⁴/

/hɔŋ⁴⁴⁻³³ kʰim²⁴/

/hɔŋ⁴⁴⁻³³ kʰim²³/

/hɔŋ⁴⁴⁻²² kʰim¹³/

/huaŋ³³⁻²³ kʰim⁵⁵/

/foŋ⁵⁵ d͡ʑin²¹/


蘆笙

→ English: lusheng

/lu³⁵ ʂɤŋ⁵⁵/

/lu³⁵ ʂɤŋ⁵⁵/

(music) lusheng (a free-reed mouth organ used primarily by the Miao and Dong ethnic groups of southwest China)


蒂傑利多

ㄉㄧˋ ㄐㄧㄝˊ ㄌㄧˋ ㄉㄨㄛ

/ti⁵¹ t͡ɕi̯ɛ³⁵ li⁵¹ tu̯ɔ⁵⁵/

/ti⁵¹ t͡ɕi̯ɛ³⁵ li⁵¹ tu̯ɔ⁵⁵/


迪吉里杜管

ㄉㄧˊ ㄐㄧˊ ㄌㄧˇ ㄉㄨˋ ㄍㄨㄢˇ

дицзилидугуань

/ti³⁵ t͡ɕi³⁵ li²¹⁴⁻²¹ tu⁵¹ ku̯än²¹⁴⁻²¹⁽⁴⁾/


編鐘

/pi̯ɛn⁵⁵ ʈ͡ʂʊŋ⁵⁵/

/pi̯ɛn⁵⁵ ʈ͡ʂʊŋ⁵⁵/

(music) bianzhong (a set of bronze bells used in the music of ancient China)


評彈

/pʰiŋ³⁵ tʰän³⁵/

/pʰɪŋ²¹ tʰaːn²¹/

/pʰiŋ³⁵ tʰän³⁵/

/pʰɪŋ²¹ tʰaːn²¹/

Short for 評話／评话 (pínghuà) + 彈詞／弹词 (táncí).

zh-etym-short

(music) a Suzhounese variety of Chinese storytelling, usually accompanied by one or more musical instruments


馬骨胡

/mä²¹⁴⁻³⁵ ku²¹⁴⁻²¹ xu³⁵/

/mä²¹⁴⁻³⁵ ku²¹⁴⁻²¹ xu³⁵/

(music) a bowed string instrument with a body made from the femur bone of a horse, cow, or mule; used primarily by the Zhuang and Buyei ethnic groups of Guangxi, China


鋼片琴

ㄍㄤ ㄆㄧㄢˋ ㄑㄧㄣˊ

/kɑŋ⁵⁵ pʰi̯ɛn⁵¹ t͡ɕʰin³⁵/

/kɑŋ⁵⁵ pʰi̯ɛn⁵¹ t͡ɕʰin³⁵/


風鑼

/fɤŋ⁵⁵ lu̯ɔ³⁵/

/fɤŋ⁵⁵ lu̯ɔ³⁵/

(music) wind gong (a variety of large, flat Chinese gong played with a large, soft-headed wooden mallet, producing a sound similar to the wind)


轉盤

/ʈ͡ʂu̯än⁵¹ pʰän³⁵/

/t͡syːn³³ pʰuːn²¹⁻³⁵/

/tŋ̍⁵³⁻⁴⁴ puã²⁴/

/tŋ̍⁵⁵⁴⁻²⁴ puã²⁴/

/tuĩ⁵³⁻⁴⁴ puã¹³/

/t͡suan⁵³⁻⁴⁴ puã²⁴/

/t͡suan⁵⁵⁴⁻²⁴ puã²⁴/

/t͡suan⁵³⁻⁴⁴ puã¹³/

/ʈ͡ʂu̯än⁵¹ pʰän³⁵/

/t͡syːn³³ pʰuːn²¹⁻³⁵/

/tŋ̍⁵³⁻⁴⁴ puã²⁴/

/tŋ̍⁵⁵⁴⁻²⁴ puã²⁴/

/tuĩ⁵³⁻⁴⁴ puã¹³/

/t͡suan⁵³⁻⁴⁴ puã²⁴/

/t͡suan⁵⁵⁴⁻²⁴ puã²⁴/

/t͡suan⁵³⁻⁴⁴ puã¹³/

(music) turntable (rotating platform of a record player or a disk jockey's console)


軋箏

/jä⁵¹ ʈ͡ʂɤŋ⁵⁵/

/jä⁵¹ ʈ͡ʂɤŋ⁵⁵/

(music) yazheng (a bowed long zither used in the traditional and classical music of China)


銅鼓

/tʰʊŋ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/tʰʊŋ²¹ kuː³⁵/

/tʰʊŋ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/tʰʊŋ²¹ kuː³⁵/

(music) bronze drum (type of drum found in Southern China)


鍵盤

/t͡ɕi̯ɛn⁵¹ pʰän³⁵/

/kiːn²² pʰuːn²¹⁻³⁵/

/kiɛn²²⁻²¹ puã¹³/

/kiɛn⁴¹⁻²² puã²⁴/

/kiɛn³³⁻¹¹ puã²⁴/

/kiɛn²²⁻²¹ puã²⁴/

/kiɛn³³⁻²¹ puã²³/

/kiɛn¹¹⁻⁵³ puã²⁴/

/kiɛn²¹⁻⁴¹ puã²³/

/kieŋ³⁵⁻¹¹ pũã⁵⁵/

/kiaŋ³⁵⁻¹¹ pũã⁵⁵/

/t͡ɕi̯ɛn⁵¹ pʰän³⁵/

/kiːn²² pʰuːn²¹⁻³⁵/

/kiɛn²²⁻²¹ puã¹³/

/kiɛn⁴¹⁻²² puã²⁴/

/kiɛn³³⁻¹¹ puã²⁴/

/kiɛn²²⁻²¹ puã²⁴/

/kiɛn³³⁻²¹ puã²³/

/kiɛn¹¹⁻⁵³ puã²⁴/

/kiɛn²¹⁻⁴¹ puã²³/

/kieŋ³⁵⁻¹¹ pũã⁵⁵/

/kiaŋ³⁵⁻¹¹ pũã⁵⁵/


長號

/ʈ͡ʂʰɑŋ³⁵ xɑʊ̯⁵¹/

/t͡sʰœːŋ²¹ hou̯²²/

/t͡sʰoŋ¹¹ ho⁵⁵/

/ʈ͡ʂʰɑŋ³⁵ xɑʊ̯⁵¹/

/t͡sʰœːŋ²¹ hou̯²²/

/t͡sʰoŋ¹¹ ho⁵⁵/

長／长 (cháng, “long”) + 號／号 (hào, “brass wind instrument”)


刮奏

/ku̯ä⁵⁵ t͡soʊ̯⁵¹/

/kʷaːt̚³ t͡sɐu̯³³/

/ku̯ä⁵⁵ t͡soʊ̯⁵¹/

/kʷaːt̚³ t͡sɐu̯³³/


點子

/ti̯ɛn²¹⁴ d͡z̥z̩⁴/

/tiam⁵⁵⁴⁻²⁴ t͡sɯ⁵⁵⁴/

/ti̯ɛn²¹⁴ d͡z̥z̩⁴/

/tiam⁵⁵⁴⁻²⁴ t͡sɯ⁵⁵⁴/


高低

/kɑʊ̯⁵⁵ ti⁵⁵/

/kou̯⁵⁵ tɐi̯⁵⁵/

/ko²⁴⁻¹¹ tai̯²⁴/

/kɤ⁴⁴⁻³³ te⁴⁴/

/ko⁴⁴⁻³³ te⁴⁴/

/ko⁴⁴⁻²² te⁴⁴/

/kɑʊ̯⁵⁵ ti⁵⁵/

/kou̯⁵⁵ tɐi̯⁵⁵/

/ko²⁴⁻¹¹ tai̯²⁴/

/kɤ⁴⁴⁻³³ te⁴⁴/

/ko⁴⁴⁻³³ te⁴⁴/

/ko⁴⁴⁻²² te⁴⁴/


快板

/kʰu̯aɪ̯⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/kʰu̯aɪ̯⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/

/kʰuai⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/kʰuai²¹³⁻⁵⁵ paŋ⁵²⁻²¹/

/kʰu̯aɪ̯⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/kʰu̯aɪ̯⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/

/kʰuai⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/kʰuai²¹³⁻⁵⁵ paŋ⁵²⁻²¹/


BGM

/pi⁵¹⁻⁵³ t͡ɕi⁵¹ ˀaɪ̯m³⁵/

/piː⁵⁵ t͡siː⁵⁵ ɛːm⁵⁵/

/bi³³⁻²³ d͡zi³³⁻²³ em³³/

/pi⁵¹⁻⁵³ t͡ɕi⁵¹ ˀaɪ̯m³⁵/

/piː⁵⁵ t͡siː⁵⁵ ɛːm⁵⁵/

/bi³³⁻²³ d͡zi³³⁻²³ em³³/

From Japanese BGM (BGM), an initialism of English background music.


氛圍

/fən⁵⁵ weɪ̯³⁵/

/fən⁵¹ weɪ̯³⁵/

/fɐn⁵⁵ wɐi̯²¹/

/hun⁴⁴⁻²² ui²⁴/

/hun⁴⁴⁻²² ui¹³/

/huŋ³³⁻²³ ui⁵⁵/

/fən⁵⁵ weɪ̯³⁵/

/fən⁵¹ weɪ̯³⁵/

/fɐn⁵⁵ wɐi̯²¹/

/hun⁴⁴⁻²² ui²⁴/

/hun⁴⁴⁻²² ui¹³/

/huŋ³³⁻²³ ui⁵⁵/


檀板

/tʰän³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tʰän³⁵ pän²¹⁴⁻²¹⁽⁴⁾/


完全五度

ㄨㄢˊ ㄑㄩㄢˊ ㄨˇ ㄉㄨˋ

ваньцюаньуду

/wän³⁵ t͡ɕʰy̯ɛn³⁵ u²¹⁴⁻²¹ tu⁵¹/

/jyːn²¹ t͡sʰyːn²¹ ŋ̍¹³ tou̯²²/

/wän³⁵ t͡ɕʰy̯ɛn³⁵ u²¹⁴⁻²¹ tu⁵¹/

/jyːn²¹ t͡sʰyːn²¹ ŋ̍¹³ tou̯²²/


加花

/t͡ɕi̯ä⁵⁵ xu̯ä⁵⁵/

/kaː⁵⁵ faː⁵⁵/

/t͡ɕi̯ä⁵⁵ xu̯ä⁵⁵/

/kaː⁵⁵ faː⁵⁵/


加花

/t͡ɕi̯ä⁵⁵ xu̯ä⁵⁵/

/kaː⁵⁵ faː⁵⁵/

/t͡ɕi̯ä⁵⁵ xu̯ä⁵⁵/

/kaː⁵⁵ faː⁵⁵/


花盆鼓

/xu̯ä⁵⁵ pʰən³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/faː⁵⁵ pʰuːn²¹ kuː³⁵/

/xu̯ä⁵⁵ pʰən³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/faː⁵⁵ pʰuːn²¹ kuː³⁵/

(music) a large double-headed drum with a wooden body that tapers from top to bottom


越劇

/ɥɛ⁵¹⁻⁵³ t͡ɕy⁵¹/

/jyːt̚² kʰɛːk̚²/

/uat̚⁴⁻³² kiɔk̚⁴/

/ɦyɪʔ¹¹ d͡ʑiɪʔ²³/

/ɦioʔ¹¹ d͡ʑiɪʔ²³/

/ɥɛ⁵¹⁻⁵³ t͡ɕy⁵¹/

/jyːt̚² kʰɛːk̚²/

/uat̚⁴⁻³² kiɔk̚⁴/

/ɦyɪʔ¹¹ d͡ʑiɪʔ²³/

/ɦioʔ¹¹ d͡ʑiɪʔ²³/

(music) Yue opera; Shaoxing opera (a form of Chinese opera particularly popular in Zhejiang, Jiangsu and Shanghai)


嘻哈

Phono-semantic matching of English hip hop. Both 嘻 (xī) and 哈 (hā) are interjections of grief or surprise; compare 嘻嘻哈哈 (xīxīhāhā).

zh-l

嘻嘻哈哈 (xīxīhāhā)

嘻哈音樂

嘻哈音乐

嘻哈歌手


饒舌

/ʐɑʊ̯³⁵ ʂɤ³⁵/

/ʐɑʊ̯³⁵ ʂɤ³⁵/

If Taiwan hip hop has an MVP, I’m the Teresa Teng of rap, motherfucker!

2012 August 15, 打破他 (Break Him), sung by Miss Ko (葛仲珊), written by Ko and E-SO (瘦子E.SO), translation from Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan (2022), Meredith Schweig, pg. 73-74

rúguǒ táiwān xīhā yǒu M V P wǒ jiùshì ráoshé de Dèng Lìjūn motherfucker

如果台灣嘻哈有MVP我就是饒舌的鄧麗君motherfucker

如果台湾嘻哈有MVP我就是饶舌的邓丽君motherfucker


小調

/ɕi̯ɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/siːu̯³⁵ tiːu̯²²/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/siːu̯³⁵ tiːu̯²²/

G小調

G小调


二重唱

/ˀɤɻ⁵¹ ʈ͡ʂʰʊŋ³⁵ ʈ͡ʂʰɑŋ⁵¹/

/jiː²² t͡sʰʊŋ²¹ t͡sʰœːŋ³³/

/ˀɤɻ⁵¹ ʈ͡ʂʰʊŋ³⁵ ʈ͡ʂʰɑŋ⁵¹/

/jiː²² t͡sʰʊŋ²¹ t͡sʰœːŋ³³/


大調

/tä⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/taːi̯²² tiːu̯²²/

/tä⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/taːi̯²² tiːu̯²²/

降B大調

降B大调


號角

CJKV/code

Sino-Xenic (號角):
* → Korean: 호각(號角) (hogak)

/xɑʊ̯⁵¹ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/hou̯²² kɔːk̚³/

/ho⁴¹⁻²² kak̚⁵/

/ho²²⁻²¹ kak̚³²/

/ɦɔ²² koʔ⁴⁴/

/xɑʊ̯⁵¹ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/hou̯²² kɔːk̚³/

/ho⁴¹⁻²² kak̚⁵/

/ho²²⁻²¹ kak̚³²/

/ɦɔ²² koʔ⁴⁴/


組合

/t͡su²¹⁴⁻²¹ xɤ³⁵/

/t͡sɔ⁵³⁻⁴⁴ hap̚⁴/

/t͡sɔ⁵⁵⁴⁻²⁴ hap̚²⁴/

/t͡sɔ⁵³⁻⁴⁴ hap̚¹²¹/

/t͡sɔ⁴⁴⁻³³ hap̚⁴/

/t͡su²¹⁴⁻²¹ xɤ³⁵/

/t͡sɔ⁵³⁻⁴⁴ hap̚⁴/

/t͡sɔ⁵⁵⁴⁻²⁴ hap̚²⁴/

/t͡sɔ⁵³⁻⁴⁴ hap̚¹²¹/

/t͡sɔ⁴⁴⁻³³ hap̚⁴/

Orthographic borrowing from Japanese 組合 (kumiai, “association”) and 組合せ (kumiawase, “combination”).

obor

(music) group (group of people who perform music together); band (group of musicians)


回音

/xu̯eɪ̯³⁵ in⁵⁵/

/wuːi̯²¹ jɐm⁵⁵/

/hue²³⁻³³ im⁴⁴/

/hue¹³⁻²² im⁴⁴/

/hue²⁴⁻²² im³³/

/hue²⁴⁻²² im⁴⁴/

/he²⁴⁻¹¹ im⁴⁴/

/xu̯eɪ̯³⁵ in⁵⁵/

/wuːi̯²¹ jɐm⁵⁵/

/hue²³⁻³³ im⁴⁴/

/hue¹³⁻²² im⁴⁴/

/hue²⁴⁻²² im³³/

/hue²⁴⁻²² im⁴⁴/

/he²⁴⁻¹¹ im⁴⁴/


爵士樂

/t͡ɕy̯ɛ³⁵ ʂʐ̩⁵¹⁻⁵³ ɥɛ⁵¹/

/t͡sœːk̚³ siː²² ŋɔːk̚²/

/t͡siɔk̚³²⁻⁴ su²²⁻²¹ ɡak̚⁴/

/t͡siɔk̚⁵⁻²⁴ su⁴¹⁻²² ɡak̚²⁴/

/t͡siɔk̚³²⁻⁵ su²²⁻²¹ ɡak̚¹²¹/

/t͡siɔk̚³²⁻⁴ su³³⁻¹¹ ɡak̚⁴/

/t͡siɔk̚³²⁻⁴ su³³⁻²¹ ɡak̚⁴/

/t͡ɕiaʔ³³ zz̩⁵⁵ ɦiaʔ²¹/

/t͡ɕy̯ɛ³⁵ ʂʐ̩⁵¹⁻⁵³ ɥɛ⁵¹/

/t͡sœːk̚³ siː²² ŋɔːk̚²/

/t͡siɔk̚³²⁻⁴ su²²⁻²¹ ɡak̚⁴/

/t͡siɔk̚⁵⁻²⁴ su⁴¹⁻²² ɡak̚²⁴/

/t͡siɔk̚³²⁻⁵ su²²⁻²¹ ɡak̚¹²¹/

/t͡siɔk̚³²⁻⁴ su³³⁻¹¹ ɡak̚⁴/

/t͡siɔk̚³²⁻⁴ su³³⁻²¹ ɡak̚⁴/

/t͡ɕiaʔ³³ zz̩⁵⁵ ɦiaʔ²¹/


電子琴

ㄉㄧㄢˋ ㄗˇ ㄑㄧㄣˊ

/ti̯ɛn⁵¹ t͡sz̩²¹⁴⁻²¹ t͡ɕʰin³⁵/

/tiːn²² t͡siː³⁵ kʰɐm²¹/

/di²² t͡sz̩⁵⁵ d͡ʑin²¹/

/ti̯ẽ⁴⁵ t͡sz̩⁴¹ t͡ɕin¹³/

/ti̯ɛn⁵¹ t͡sz̩²¹⁴⁻²¹ t͡ɕʰin³⁵/

/tiːn²² t͡siː³⁵ kʰɐm²¹/

/di²² t͡sz̩⁵⁵ d͡ʑin²¹/

/ti̯ẽ⁴⁵ t͡sz̩⁴¹ t͡ɕin¹³/

彈電子琴

弹电子琴


單簧管

ㄉㄢ ㄏㄨㄤˊ ㄍㄨㄢˇ

даньхуангуань

/tän⁵⁵ xu̯ɑŋ³⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/taːn⁵⁵ wɔːŋ²¹ kuːn³⁵/

/te⁵⁵ ɦuɑ̃³³ kuø²¹/

/tän⁵⁵ xu̯ɑŋ³⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/taːn⁵⁵ wɔːŋ²¹ kuːn³⁵/

/te⁵⁵ ɦuɑ̃³³ kuø²¹/

GT - General Taiwanese (no specific region identified)


法國號

ㄈㄚˇ ㄍㄨㄛˊ ㄏㄠˋ

ㄈㄚˋ ㄍㄨㄛˊ ㄏㄠˋ

/fä²¹⁴⁻²¹ ku̯ɔ³⁵ xɑʊ̯⁵¹/

/fä⁵¹ ku̯ɔ³⁵ xɑʊ̯⁵¹/

/faːt̚³ kʷɔːk̚³ hou̯²²/

/faʔ³³ koʔ⁵⁵ ɦɔ²¹/

/fä²¹⁴⁻²¹ ku̯ɔ³⁵ xɑʊ̯⁵¹/

/fä⁵¹ ku̯ɔ³⁵ xɑʊ̯⁵¹/

/faːt̚³ kʷɔːk̚³ hou̯²²/

/faʔ³³ koʔ⁵⁵ ɦɔ²¹/


吊鈸

/ti̯ɑʊ̯⁵¹ pu̯ɔ³⁵/

/ti̯ɑʊ̯⁵¹ pä³⁵/

/ti̯ɑʊ̯⁵¹ pu̯ɔ³⁵/

/ti̯ɑʊ̯⁵¹ pä³⁵/


節奏

/t͡ɕi̯ɛ³⁵ t͡soʊ̯⁵¹/

/t͡siːt̚³ t͡sɐu̯³³/

/t͡siɛt̚³²⁻⁴ t͡so²¹/

/t͡siɛt̚⁵⁻²⁴ t͡so⁴¹/

/t͡siɛt̚³²⁻⁴ t͡sau²¹/

/t͡siɛt̚³²⁻⁴ t͡sau¹¹/

/t͡siɛt̚³²⁻⁵ t͡sau²¹/

/t͡ɕi̯ɛ³⁵ t͡soʊ̯⁵¹/

/t͡siːt̚³ t͡sɐu̯³³/

/t͡siɛt̚³²⁻⁴ t͡so²¹/

/t͡siɛt̚⁵⁻²⁴ t͡so⁴¹/

/t͡siɛt̚³²⁻⁴ t͡sau²¹/

/t͡siɛt̚³²⁻⁴ t͡sau¹¹/

/t͡siɛt̚³²⁻⁵ t͡sau²¹/


泰勒明電子琴

ㄊㄞˋ ㄌㄜˋ ㄇㄧㄥˊ ㄉㄧㄢˋ ㄗˇ ㄑㄧㄣˊ

тайлэмин дяньцзыцинь

/tʰaɪ̯⁵¹⁻⁵³ lɤ⁵¹ miŋ³⁵ ti̯ɛn⁵¹ t͡sz̩²¹⁴⁻²¹ t͡ɕʰin³⁵/

/tʰaːi̯³³ lɐk̚² mɪŋ²¹ tiːn²² t͡siː³⁵ kʰɐm²¹/


特雷門

/tʰɤ⁵¹ leɪ̯³⁵ mən³⁵/

/tʰɤ⁵¹ leɪ̯³⁵ mən³⁵/

Borrowed from French Theremin (Léon Theremin is the French name of the theremin's Russian creator).


合成器

/xɤ³⁵ ʈ͡ʂʰɤŋ³⁵ t͡ɕʰi⁵¹/

/hɐp̚² sɪŋ²¹ hei̯³³/

/xɤ³⁵ ʈ͡ʂʰɤŋ³⁵ t͡ɕʰi⁵¹/

/hɐp̚² sɪŋ²¹ hei̯³³/


背景音樂

ㄅㄟˋ ㄐㄧㄥˇ ㄧㄣ ㄩㄝˋ

бэйцзин иньюэ

/peɪ̯⁵¹ t͡ɕiŋ²¹⁴⁻²¹ in⁵⁵ ɥɛ⁵¹/

/puːi̯³³ kɪŋ³⁵ jɐm⁵⁵ ŋɔːk̚²/

/peɪ̯⁵¹ t͡ɕiŋ²¹⁴⁻²¹ in⁵⁵ ɥɛ⁵¹/

/puːi̯³³ kɪŋ³⁵ jɐm⁵⁵ ŋɔːk̚²/


風格

/fɤŋ⁵⁵ kɤ³⁵/

/fʊŋ⁵⁵ kaːk̚³/

/hɔŋ⁴⁴⁻²² keʔ³²/

/hɔŋ⁴⁴⁻³³ keʔ³²/

/hɔŋ³³ keʔ⁵/

/hɔŋ⁴⁴⁻²² kɛʔ³²/

/huaŋ³³⁻²³ keʔ²/

/fɤŋ⁵⁵ kɤ³⁵/

/fʊŋ⁵⁵ kaːk̚³/

/hɔŋ⁴⁴⁻²² keʔ³²/

/hɔŋ⁴⁴⁻³³ keʔ³²/

/hɔŋ³³ keʔ⁵/

/hɔŋ⁴⁴⁻²² kɛʔ³²/

/huaŋ³³⁻²³ keʔ²/


音色

/jɐm⁵⁵ sɪk̚⁵/

/im⁴⁴⁻³³ siɪk̚³²/

/im⁴⁴⁻²² siɪk̚³²/

/jɐm⁵⁵ sɪk̚⁵/

/im⁴⁴⁻³³ siɪk̚³²/

/im⁴⁴⁻²² siɪk̚³²/


C調

/seɪ̯⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/siː⁵⁵ tiːu̯²²/

/seɪ̯⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/siː⁵⁵ tiːu̯²²/


金屬

/t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/kɐm⁵⁵ sʊk̚²/

/kiŋ⁵⁵ ⁽ˢ⁻⁾nyʔ⁵/

/kim⁴⁴⁻²² siɔk̚⁴/

/kim⁴⁴⁻²² siɔk̚¹²¹/

/kim⁴⁴⁻³³ siɔk̚⁴/

/kim⁴⁴⁻³³ siɔk̚⁴/

/t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/kɐm⁵⁵ sʊk̚²/

/kiŋ⁵⁵ ⁽ˢ⁻⁾nyʔ⁵/

/kim⁴⁴⁻²² siɔk̚⁴/

/kim⁴⁴⁻²² siɔk̚¹²¹/

/kim⁴⁴⁻³³ siɔk̚⁴/

/kim⁴⁴⁻³³ siɔk̚⁴/

重金屬

重金属


交響詩

/t͡ɕi̯ɑʊ̯⁵⁵ ɕi̯ɑŋ²¹⁴⁻²¹ ʂʐ̩⁵⁵/

/t͡ɕi̯ɑʊ̯⁵⁵ ɕi̯ɑŋ²¹⁴⁻²¹ ʂʐ̩⁵⁵/


序曲

CJKV/code

Sino-Xenic (序曲):
* → Japanese: 序(じょ)曲(きょく) (jokyoku)
* → Korean: 서곡(序曲) (seogok)

/ɕy⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sɵy̯²² kʰʊk̚⁵/

/su²²⁻²¹ kʰiɔk̚³²/

/sɯ²² kʰiɔk̚⁵/

/si²²⁻²¹ kʰiɔk̚³²/

/si³³⁻¹¹ kʰiɪk̚³²/

/si³³⁻²¹ kʰiɪk̚³²/

/ɕy⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sɵy̯²² kʰʊk̚⁵/

/su²²⁻²¹ kʰiɔk̚³²/

/sɯ²² kʰiɔk̚⁵/

/si²²⁻²¹ kʰiɔk̚³²/

/si³³⁻¹¹ kʰiɪk̚³²/

/si³³⁻²¹ kʰiɪk̚³²/


伴奏

/pän⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/puːn²² t͡sɐu̯³³/

/pʰuã³³⁻¹¹ t͡sau¹¹/

/pʰuã³³⁻²¹ t͡sau²¹/

/pʰuã²²⁻²¹ t͡sau²¹/

/puã²²⁻²¹ t͡sau²¹/

/pän⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/puːn²² t͡sɐu̯³³/

/pʰuã³³⁻¹¹ t͡sau¹¹/

/pʰuã³³⁻²¹ t͡sau²¹/

/pʰuã²²⁻²¹ t͡sau²¹/

/puã²²⁻²¹ t͡sau²¹/

(music) to accompany; to play an accompaniment


伴奏

Sino-Xenic (伴奏):
* → Japanese: 伴奏(ばんそう) (bansō)
* → Korean: 반주(伴奏) (banju)
* → Vietnamese: bạn tấu (伴奏)

/pän⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/puːn²² t͡sɐu̯³³/

/pʰuã³³⁻¹¹ t͡sau¹¹/

/pʰuã³³⁻²¹ t͡sau²¹/

/pʰuã²²⁻²¹ t͡sau²¹/

/puã²²⁻²¹ t͡sau²¹/

/pän⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/puːn²² t͡sɐu̯³³/

/pʰuã³³⁻¹¹ t͡sau¹¹/

/pʰuã³³⁻²¹ t͡sau²¹/

/pʰuã²²⁻²¹ t͡sau²¹/

/puã²²⁻²¹ t͡sau²¹/


木頭

→ Korean: 무투 (mutu, “log, timber”)

/mu⁵¹ tʰoʊ̯¹/

/mʊk̚² tʰɐu̯²¹/

/məʔ² tʰəu⁴⁵/

/bɔk̚¹²¹⁻²¹ tʰau¹³/

/bɔk̚⁴⁻³² tʰau²⁴/

/moʔ¹¹ dɤ²³/

/mu⁵¹ tʰoʊ̯¹/

/mʊk̚² tʰɐu̯²¹/

/məʔ² tʰəu⁴⁵/

/bɔk̚¹²¹⁻²¹ tʰau¹³/

/bɔk̚⁴⁻³² tʰau²⁴/

/moʔ¹¹ dɤ²³/

(Jin, opera, music) wooden clappers (small, rectangular, high-pitched wood block used in Jin opera)


夜曲

/jɛ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/jɛː²² kʰʊk̚⁵/

/jɛ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/jɛː²² kʰʊk̚⁵/


圓號

/ɥɛn³⁵ xɑʊ̯⁵¹/

/ɦyø²² ɦɔ⁴⁴/

/ɥɛn³⁵ xɑʊ̯⁵¹/

/ɦyø²² ɦɔ⁴⁴/


音程

Sino-Xenic (音程):
* → Japanese: 音程(おんてい) (ontei)
* → Korean: 음정(音程) (eumjeong)

/in⁵⁵ ʈ͡ʂʰɤŋ³⁵/

/jɐm⁵⁵ t͡sʰɪŋ²¹/

/in⁵⁵ ʈ͡ʂʰɤŋ³⁵/

/jɐm⁵⁵ t͡sʰɪŋ²¹/


音符

Sino-Xenic (音符):
* → Japanese: 音符(おんぷ) (onpu)
* → Korean: 음부(音符) (eumbu)
* → Vietnamese: âm phù (音符)

/in⁵⁵ fuɻʷ³⁵/

/jɐm⁵⁵ fuː²¹/

/im⁴⁴⁻²² hu²⁴/

/im⁴⁴⁻²² hu¹³/

/im⁴⁴⁻³³ hu²⁴/

/im⁴⁴⁻³³ hu²³/

/in⁵⁵ fuɻʷ³⁵/

/jɐm⁵⁵ fuː²¹/

/im⁴⁴⁻²² hu²⁴/

/im⁴⁴⁻²² hu¹³/

/im⁴⁴⁻³³ hu²⁴/

/im⁴⁴⁻³³ hu²³/

I lift my voice in praise, I will love You with my life, for Your beauty and Your goodness never end. [Official English translation]
In my singing voice, I praise You with musical notes. Your goodness is what I extol in this life. [Literal English translation]

2003, 讚美之泉 [Stream of Praise], lyrics by 李信儀 [Jessica Lee], music by 游智婷 [Sandy Yu], 這一生最美的祝福 [The Gift of Knowing You]

Zài wǒ de gēshēng lǐ, wǒ yòng yīnfú zànměi mí, mí de měihǎo shì wǒ jīnshēng sòngyáng de.

在我的歌聲裡，我用音符讚美祢，祢的美好是我今生頌揚的。

在我的歌声里，我用音符赞美祢，祢的美好是我今生颂扬的。


五聲音階

ㄨˇ ㄕㄥ ㄧㄣ ㄐㄧㄝ

/u²¹⁴⁻²¹ ʂɤŋ⁵⁵ in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/ŋ̍¹³ sɪŋ⁵⁵ jɐm⁵⁵ kaːi̯⁵⁵/

/u²¹⁴⁻²¹ ʂɤŋ⁵⁵ in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/ŋ̍¹³ sɪŋ⁵⁵ jɐm⁵⁵ kaːi̯⁵⁵/


美聲唱法

ㄇㄟˇ ㄕㄥ ㄔㄤˋ ㄈㄚˇ

мэйшэн чанфа

/meɪ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵ ʈ͡ʂʰɑŋ⁵¹ fä²¹⁴⁻²¹⁽⁴⁾/

/mei̯¹³ sɪŋ⁵⁵ t͡sʰœːŋ³³ faːt̚³/

/meɪ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵ ʈ͡ʂʰɑŋ⁵¹ fä²¹⁴⁻²¹⁽⁴⁾/

/mei̯¹³ sɪŋ⁵⁵ t͡sʰœːŋ³³ faːt̚³/


工尺譜

/kʊŋ⁵⁵ ʈ͡ʂʰɤ²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/kʊŋ⁵⁵ t͡sʰɛː³⁵ pʰou̯³⁵/

/kʊŋ⁵⁵ t͡sʰɛː⁵⁵ pʰou̯³⁵/

/køyŋ⁵⁵⁻²¹ ^((t͡sʰ-))ʒie⁵⁵⁻⁵³ ^((pʰ-))βuo³³/

/kuŋ⁵⁵⁻²¹ ^((t͡sʰ-))ʒie⁵⁵⁻⁵³ ^((pʰ-))βuo³³/

/koŋ³³⁻²³ t͡sʰe⁵⁵⁻¹¹ pʰou⁵²/

/kʊŋ⁵⁵ ʈ͡ʂʰɤ²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/kʊŋ⁵⁵ t͡sʰɛː³⁵ pʰou̯³⁵/

/kʊŋ⁵⁵ t͡sʰɛː⁵⁵ pʰou̯³⁵/

/koŋ³³⁻²³ t͡sʰe⁵⁵⁻¹¹ pʰou⁵²/

(music) gongche notation (a system of musical notation using Chinese characters, used in traditional Chinese music)


長調

/ʈ͡ʂʰɑŋ³⁵ ti̯ɑʊ̯⁵¹/

/ʈ͡ʂʰɑŋ³⁵ ti̯aʊ̯ɻʷ⁵¹/

/t͡sʰœːŋ²¹ tiːu̯²²/

/ʈ͡ʂʰɑŋ³⁵ ti̯ɑʊ̯⁵¹/

/ʈ͡ʂʰɑŋ³⁵ ti̯aʊ̯ɻʷ⁵¹/

/t͡sʰœːŋ²¹ tiːu̯²²/

(music) long song (a kind of traditional Mongolian music)


架子鼓

/t͡ɕi̯ä⁵¹ d͡z̥z̩¹ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ä⁵¹ d͡z̥z̩¹ ku²¹⁴⁻²¹⁽⁴⁾/


手板

/ʂoʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/sɐu̯³⁵ paːn³⁵/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁵⁵⁴⁻²⁴ pan⁵⁵⁴/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁴¹⁻⁴⁴ pan⁴¹/

/ʂəu̯⁴¹ pan⁴¹/

/ʂoʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/sɐu̯³⁵ paːn³⁵/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁵⁵⁴⁻²⁴ pan⁵⁵⁴/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁴¹⁻⁴⁴ pan⁴¹/

/ʂəu̯⁴¹ pan⁴¹/

(music) handheld clapper used in traditional Chinese music


同調

/tʰʊŋ³⁵ ti̯ɑʊ̯⁵¹/

/tʰʊŋ³⁵ ti̯aʊ̯ɻʷ⁵¹/

/tʰʊŋ²¹ tiːu̯²²/

/tʰʊŋ³⁵ ti̯ɑʊ̯⁵¹/

/tʰʊŋ³⁵ ti̯aʊ̯ɻʷ⁵¹/

/tʰʊŋ²¹ tiːu̯²²/


結尾

/t͡ɕi̯ɛ³⁵ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

/kiɛt̚³²⁻⁴ bue⁵³/

/kiɛt̚³²⁻⁴ be⁵³/

/kiɛt̚⁵⁻²⁴ bue⁵⁵⁴/

/kiɛt̚⁵⁻²⁴ be⁵⁵⁴/

/kiɛt̚³²⁻⁵ bue⁵³/

/kiɛt̚³²⁻⁵ be⁵³/

/kiɛt̚³²⁻⁴ bue⁵³/

/kiɛt̚³²⁻⁴ be⁵³/

/kiɛt̚³²⁻⁴ bue⁴¹/

/kiɛt̚³²⁻⁴ be⁴¹/

/kak̚²⁻⁴ bue⁵²⁻²¹/

/t͡ɕi̯ɛ³⁵ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

/kiɛt̚³²⁻⁴ bue⁵³/

/kiɛt̚³²⁻⁴ be⁵³/

/kiɛt̚⁵⁻²⁴ bue⁵⁵⁴/

/kiɛt̚⁵⁻²⁴ be⁵⁵⁴/

/kiɛt̚³²⁻⁵ bue⁵³/

/kiɛt̚³²⁻⁵ be⁵³/

/kiɛt̚³²⁻⁴ bue⁵³/

/kiɛt̚³²⁻⁴ be⁵³/

/kiɛt̚³²⁻⁴ bue⁴¹/

/kiɛt̚³²⁻⁴ be⁴¹/

/kak̚²⁻⁴ bue⁵²⁻²¹/


樂章

/ɥɛ⁵¹ ʈ͡ʂɑŋ⁵⁵/

/ŋɔːk̚² t͡sœːŋ⁵⁵/

/ŋok̚⁵ t͡soŋ²⁴/

/ɡak̚⁴⁻³² t͡siɔŋ⁴⁴/

/ɡak̚²⁴⁻² t͡siɔŋ³³/

/ɡak̚¹²¹⁻²¹ t͡siɔ̃⁴⁴/

/ɡak̚⁴⁻³² t͡siũ⁴⁴/

/ɥɛ⁵¹ ʈ͡ʂɑŋ⁵⁵/

/ŋɔːk̚² t͡sœːŋ⁵⁵/

/ŋok̚⁵ t͡soŋ²⁴/

/ɡak̚⁴⁻³² t͡siɔŋ⁴⁴/

/ɡak̚²⁴⁻² t͡siɔŋ³³/

/ɡak̚¹²¹⁻²¹ t͡siɔ̃⁴⁴/

/ɡak̚⁴⁻³² t͡siũ⁴⁴/

(music) movement (of a symphony or similar composition)


和音

/wɔː²¹ jɐm⁵⁵/

/ho²⁴⁻²² im⁴⁴/

/ho²⁴⁻²² im³³/

/ho¹³⁻²² im⁴⁴/

/ho²⁴⁻¹¹ im⁴⁴/

/hɤ²³⁻³³ im⁴⁴/

/wɔː²¹ jɐm⁵⁵/

/ho²⁴⁻²² im⁴⁴/

/ho²⁴⁻²² im³³/

/ho¹³⁻²² im⁴⁴/

/ho²⁴⁻¹¹ im⁴⁴/

/hɤ²³⁻³³ im⁴⁴/


合唱

/xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹/

/hɐp̚² t͡sʰœːŋ³³/

/hap̚⁴⁻³² t͡sʰiũ¹¹/

/hap̚⁴⁻³² t͡sʰiũ²¹/

/hap̚²⁴⁻² t͡sʰiũ⁴¹/

/hap̚¹²¹⁻²¹ t͡sʰiɔ̃²¹/

/ɦəʔ¹¹ t͡sʰɑ̃²³/

/xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹/

/hɐp̚² t͡sʰœːŋ³³/

/hap̚⁴⁻³² t͡sʰiũ¹¹/

/hap̚⁴⁻³² t͡sʰiũ²¹/

/hap̚²⁴⁻² t͡sʰiũ⁴¹/

/hap̚¹²¹⁻²¹ t͡sʰiɔ̃²¹/

/ɦəʔ¹¹ t͡sʰɑ̃²³/


副歌

/fu⁵¹ kɤɻ⁵⁵/

/fuː³³ kɔː⁵⁵/

/fu⁵¹ kɤɻ⁵⁵/

/fuː³³ kɔː⁵⁵/

(music) refrain; chorus (in a song or piece of music)


金石

/t͡ɕin⁵⁵ ʂʐ̩³⁵/

/kɐm⁵⁵ sɛːk̚²/

/kim⁴⁴⁻²² t͡sioʔ¹²¹/

/kim⁴⁴⁻³³ t͡siɤʔ⁴/

/t͡ɕin⁵⁵ ʂʐ̩³⁵/

/kɐm⁵⁵ sɛːk̚²/

/kim⁴⁴⁻²² t͡sioʔ¹²¹/

/kim⁴⁴⁻³³ t͡siɤʔ⁴/

(music) bells and chime stones used in ancient Chinese music


尾聲

/weɪ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/mei̯¹³ sɪŋ⁵⁵/

/mei̯¹³ sɛːŋ⁵⁵/

/bə⁵⁵⁴⁻²⁴ siã³³/

/be⁵³⁻⁴⁴ siã⁴⁴/

/bue⁵³⁻⁴⁴ siã⁴⁴/

/bue⁴¹⁻⁴⁴ siã⁴⁴/

/bue⁵²⁻³⁵ sĩã³³/

/weɪ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/mei̯¹³ sɪŋ⁵⁵/

/mei̯¹³ sɛːŋ⁵⁵/

/bə⁵⁵⁴⁻²⁴ siã³³/

/be⁵³⁻⁴⁴ siã⁴⁴/

/bue⁵³⁻⁴⁴ siã⁴⁴/

/bue⁴¹⁻⁴⁴ siã⁴⁴/

/bue⁵²⁻³⁵ sĩã³³/


音律

/jɐm⁵⁵ lɵt̚²/

/im⁴⁴⁻²² lut̚⁴/

/im⁴⁴⁻²² lut̚¹²¹/

/im⁴⁴⁻³³ lut̚⁴/

/im⁴⁴⁻³³ lut̚⁴/

/jɐm⁵⁵ lɵt̚²/

/im⁴⁴⁻²² lut̚⁴/

/im⁴⁴⁻²² lut̚¹²¹/

/im⁴⁴⁻³³ lut̚⁴/

/im⁴⁴⁻³³ lut̚⁴/


基調

/t͡ɕi⁵⁵ ti̯ɑʊ̯⁵¹/

/t͡ɕi⁵⁵ ti̯ɑʊ̯⁵¹/


小快板

ㄒㄧㄠˇ ㄎㄨㄞˋ ㄅㄢˇ

/ɕi̯ɑʊ̯²¹⁴⁻²¹ kʰu̯aɪ̯⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/siːu̯³⁵ faːi̯³³ paːn³⁵/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ kʰu̯aɪ̯⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/siːu̯³⁵ faːi̯³³ paːn³⁵/


樂隊

Sino-Xenic (樂隊):
* → Japanese: 楽隊(がくたい) (gakutai)
* → Korean: 악대(樂隊) (akdae)

/ɥɛ⁵¹⁻⁵³ tu̯eɪ̯⁵¹/

/ŋɔːk̚² tɵy̯²²⁻³⁵/

/ŋok̚⁵ t͡sʰu̯i⁵⁵/

/ɡak̚⁴⁻³² tui²²/

/ɡak̚²⁴⁻² tui⁴¹/

/ɡak̚¹²¹⁻²¹ tui²²/

/ɡak̚⁴⁻³² tui³³/

/ɡak̚⁴⁻³² tui³³/

/ɥɛ⁵¹⁻⁵³ tu̯eɪ̯⁵¹/

/ŋɔːk̚² tɵy̯²²⁻³⁵/

/ŋok̚⁵ t͡sʰu̯i⁵⁵/

/ɡak̚⁴⁻³² tui²²/

/ɡak̚²⁴⁻² tui⁴¹/

/ɡak̚¹²¹⁻²¹ tui²²/

/ɡak̚⁴⁻³² tui³³/

/ɡak̚⁴⁻³² tui³³/


𠆩

From 亻 (denoting one octave higher in Kunqu) + 凡 (fán).

(music) Kunqu gongche notation for the note high fa (4̇).


班卓琴

ㄅㄢ ㄓㄨㄛˊ ㄑㄧㄣˊ

/pän⁵⁵ ʈ͡ʂu̯ɔ³⁵ t͡ɕʰin³⁵/

/pän⁵⁵ ʈ͡ʂu̯ɔ³⁵ t͡ɕʰin³⁵/


變奏曲

ㄅㄧㄢˋ ㄗㄡˋ ㄑㄩˇ

/pi̯ɛn⁵¹⁻⁵³ t͡soʊ̯⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pi̯ɛn⁵¹⁻⁵³ t͡soʊ̯⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

(music) variation (a musical technique based on an altered repetition of a theme)


變奏

/pi̯ɛn⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/piːn³³ t͡sɐu̯³³/

/pi̯ɛn⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/piːn³³ t͡sɐu̯³³/


變奏

/pi̯ɛn⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/piːn³³ t͡sɐu̯³³/

/pi̯ɛn⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/piːn³³ t͡sɐu̯³³/


譜表

/pʰu²¹⁴⁻³⁵ pi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/pʰu²¹⁴⁻³⁵ pi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/


連線

/li̯ɛn³⁵ ɕi̯ɛn⁵¹/

/li̯ɛn³⁵ ɕi̯ɛn⁵¹/


唱段

/ʈ͡ʂʰɑŋ⁵¹⁻⁵³ tu̯än⁵¹/

/ʈ͡ʂʰɑŋ⁵¹⁻⁵³ tu̯än⁵¹/


聲樂

/ʂɤŋ⁵⁵ ɥɛ⁵¹/

/sɪŋ⁵⁵ ŋɔːk̚²/

/siã⁴⁴⁻²² ɡak̚⁴/

/siã³³ ɡak̚²⁴/

/siã⁴⁴⁻²² ɡak̚¹²¹/

/siã⁴⁴⁻³³ ɡak̚⁴/

/siã⁴⁴⁻³³ ɡak̚⁴/

/ʂɤŋ⁵⁵ ɥɛ⁵¹/

/sɪŋ⁵⁵ ŋɔːk̚²/

/siã⁴⁴⁻²² ɡak̚⁴/

/siã³³ ɡak̚²⁴/

/siã⁴⁴⁻²² ɡak̚¹²¹/

/siã⁴⁴⁻³³ ɡak̚⁴/

/siã⁴⁴⁻³³ ɡak̚⁴/


豎笛

/syː²² tɛːk̚²/

/syː²² tɛːk̚²/

(chiefly Mainland China, music) recorder (musical instrument)


力度

/li⁵¹⁻⁵³ tu⁵¹/

/li⁵¹⁻⁵³ tu⁵¹/


波浪鼓

/pu̯ɔ⁵⁵ lɑŋ⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/pu̯ɔ⁵⁵ lɑŋ⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

(music) Alternative form of 撥浪鼓／拨浪鼓 (“pellet drum”)


套數

/tʰɑʊ̯⁵¹⁻⁵³ ʂu⁵¹/

/tʰo²¹⁻⁵³ sɔ²¹/

/tʰo⁴¹⁻⁵⁵⁴ sɔ⁴¹/

/tʰɑʊ̯⁵¹⁻⁵³ ʂu⁵¹/

/tʰo²¹⁻⁵³ sɔ²¹/

/tʰo⁴¹⁻⁵⁵⁴ sɔ⁴¹/

(music) sequence of songs, dramatic or non-dramatic, with one rhyme and a common set of melodies


調式

/ti̯ɑʊ̯⁵¹⁻⁵³ ʂʐ̩⁵¹/

/ti̯ɑʊ̯⁵¹⁻⁵³ ʂʐ̩⁵¹/


合唱團

ㄏㄜˊ ㄔㄤˋ ㄊㄨㄢˊ

/xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹ tʰu̯än³⁵/

ㄏㄜˊ ㄔㄤˋ ㄊㄨㄢˊㄦ

/xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹ tʰu̯ɑɻ³⁵/

/hɐp̚² t͡sʰœːŋ³³ tʰyːn²¹/

/hap̚⁴⁻³² t͡sʰiũ¹¹⁻⁵³ tʰuan²⁴/

/hap̚⁴⁻³² t͡sʰiũ²¹⁻⁴¹ tʰuan²³/

/hap̚⁴⁻³² t͡sʰiũ²¹⁻⁵³ tʰuan²⁴/

/hap̚²⁴⁻² t͡sʰiũ⁴¹⁻⁵⁵⁴ tʰuan²⁴/

/hap̚¹²¹⁻²¹ t͡sʰiɔ̃²¹⁻⁵³ tʰuan¹³/

/haʔ⁴⁻² t͡sʰiaŋ²¹³⁻⁵⁵ tʰuaŋ⁵⁵/

/xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹ tʰu̯än³⁵/

/xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹ tʰu̯ɑɻ³⁵/

/hɐp̚² t͡sʰœːŋ³³ tʰyːn²¹/

/hap̚⁴⁻³² t͡sʰiũ¹¹⁻⁵³ tʰuan²⁴/

/hap̚⁴⁻³² t͡sʰiũ²¹⁻⁴¹ tʰuan²³/

/hap̚⁴⁻³² t͡sʰiũ²¹⁻⁵³ tʰuan²⁴/

/hap̚²⁴⁻² t͡sʰiũ⁴¹⁻⁵⁵⁴ tʰuan²⁴/

/hap̚¹²¹⁻²¹ t͡sʰiɔ̃²¹⁻⁵³ tʰuan¹³/

/haʔ⁴⁻² t͡sʰiaŋ²¹³⁻⁵⁵ tʰuaŋ⁵⁵/


合唱曲

/xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/


滑奏部

ㄏㄨㄚˊ ㄗㄡˋ ㄅㄨˋ

/xu̯ä³⁵ t͡soʊ̯⁵¹⁻⁵³ pu⁵¹/

/xu̯ä³⁵ t͡soʊ̯⁵¹⁻⁵³ pu⁵¹/


合尾

/xɤ³⁵ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

/xɤ³⁵ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

(music) the practice of using similar or the same tunes in the last one or two lines of the several pieces played consecutively


滑奏法

ㄏㄨㄚˊ ㄗㄡˋ ㄈㄚˇ

/xu̯ä³⁵ t͡soʊ̯⁵¹ fä²¹⁴⁻²¹⁽⁴⁾/

/xu̯ä³⁵ t͡soʊ̯⁵¹ fä²¹⁴⁻²¹⁽⁴⁾/


合頭

/xɤ³⁵ tʰoʊ̯³⁵/

/xɤ³⁵ tʰoʊ̯³⁵/

(music) the practice of using similar or the same tunes in the first one or two lines of the several pieces played consecutively


律制

/ly⁵¹⁻⁵³ ʈ͡ʂʐ̩⁵¹/

/ly⁵¹⁻⁵³ ʈ͡ʂʐ̩⁵¹/


殼仔弦

壳仔弦
殼仔絃
殼子弦/殼子絃/壳子弦

ㄎㄜˊ ㄗㄞˇ ㄒㄧㄢˊ

/kʰɤ³⁵ t͡saɪ̯²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/kʰɤ³⁵ t͡sz̩²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/kʰak̚³²⁻⁴ a⁵³⁻⁴⁴ hiɛn²⁴/

/kʰak̚⁵⁻²⁴ a⁵⁵⁴⁻²⁴ hiɛn²⁴/

/kʰak̚³²⁻⁵ a⁵³⁻⁴⁴ hiɛn¹³/

/kʰak̚³²⁻⁴ a⁵³⁻⁴⁴ hiɛn²⁴/

/kʰak̚³²⁻⁴ a⁴¹⁻⁴⁴ hiɛn²³/

/kʰɤ³⁵ t͡saɪ̯²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/kʰɤ³⁵ t͡sz̩²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/kʰak̚³²⁻⁴ a⁵³⁻⁴⁴ hiɛn²⁴/

/kʰak̚⁵⁻²⁴ a⁵⁵⁴⁻²⁴ hiɛn²⁴/

/kʰak̚³²⁻⁵ a⁵³⁻⁴⁴ hiɛn¹³/

/kʰak̚³²⁻⁴ a⁵³⁻⁴⁴ hiɛn²⁴/

/kʰak̚³²⁻⁴ a⁴¹⁻⁴⁴ hiɛn²³/

(music) kezaixian, a high-pitched huqin with soundbox made from a small coconut shell and wooden soundboard, used in the traditional music of Taiwan and southern Fujian province


牧歌

/mʊk̚² kɔː⁵⁵/

/bɔk̚²⁴⁻² kɔ³³/

/bɔk̚⁴⁻³² ko⁴⁴/

/bɔk̚¹²¹⁻²¹ ko⁴⁴/

/mʊk̚² kɔː⁵⁵/

/bɔk̚²⁴⁻² kɔ³³/

/bɔk̚⁴⁻³² ko⁴⁴/

/bɔk̚¹²¹⁻²¹ ko⁴⁴/


方響

ja-r

方響(ほうきょう) (hōkyō)

CJKV/code

Sino-Xenic (方響):
* → Japanese: 方響(ほうきょう) (hōkyō)
* → Korean: 방향(方響) (banghyang)

/fɑŋ⁵⁵ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/

/fɔːŋ⁵⁵ hœːŋ³⁵/

/fɑŋ⁵⁵ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/

/fɔːŋ⁵⁵ hœːŋ³⁵/

(music) fangxiang, a metallophone formerly used in Chinese palace entertainment music


牧童笛

ㄇㄨˋ ㄊㄨㄥˊ ㄉㄧˊ

/mu⁵¹ tʰʊŋ³⁵ ti³⁵/

/mʊk̚² tʰʊŋ²¹ tɛːk̚²⁻³⁵/

/mu⁵¹ tʰʊŋ³⁵ ti³⁵/

/mʊk̚² tʰʊŋ²¹ tɛːk̚²⁻³⁵/


拷拍

/kʰɑʊ̯²¹⁴⁻²¹ pʰaɪ̯⁵⁵/

/kʰɑʊ̯²¹⁴⁻²¹ pʰaɪ̯⁵⁵/

(music) a kind of rhythmic pattern in Chaozhou music


俗字譜

/su³⁵ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/su³⁵ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

(music) the "popular notation", a form of gongche notation first appearing in the Song Dynasty


十二律

/ʂʐ̩³⁵ ˀɤɻ⁵¹⁻⁵³ ly⁵¹/

/ʂʐ̩³⁵ ˀɤɻ⁵¹⁻⁵³ ly⁵¹/

(music) Shi'erlü, a standardized gamut of twelve chromatic pitches used in Chinese court ritual music since ancient times


頑固音型

ㄨㄢˊ ㄍㄨˋ ㄧㄣ ㄒㄧㄥˊ

ваньгуиньсин

/wän³⁵ ku⁵¹ in⁵⁵ ɕiŋ³⁵/

/wän³⁵ ku⁵¹ in⁵⁵ ɕiŋ³⁵/


同鼓

/tʰʊŋ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/tʰʊŋ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

(music) a kind of tanggu, popular in the south Jiangsu area


雙管

/ʂu̯ɑŋ⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/ʂu̯ɑŋ⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

(music) an instrument composed of two guans side-by-side.


新笛

/sɐn⁵⁵ tɛːk̚²/

/sɐn⁵⁵ tɛːk̚²⁻³⁵/

/sɐn⁵⁵ tɛːk̚²/

/sɐn⁵⁵ tɛːk̚²⁻³⁵/

(music) xindi, a Chinese transverse bamboo flute with extra holes to facilitate the playing of chromatic pitches, invented in the 20th century


主音

/ʈ͡ʂu²¹⁴⁻²¹ in⁵⁵/

/t͡syː³⁵ jɐm⁵⁵/

/ʈ͡ʂu²¹⁴⁻²¹ in⁵⁵/

/t͡syː³⁵ jɐm⁵⁵/


嶽山

/ɥɛ⁵¹ ʂän⁵⁵/

/ɥɛ⁵¹ ʂän⁵⁵/

(music) the "great mountain" (either of the two bridges that run across the head and tail of the soundboards of Chinese zithers)


領奏

/liŋ²¹⁴⁻²¹ t͡soʊ̯⁵¹/

/lɪŋ¹³ t͡sɐu̯³³/

/liŋ²¹⁴⁻²¹ t͡soʊ̯⁵¹/

/lɪŋ¹³ t͡sɐu̯³³/


轉調

/ʈ͡ʂu̯än²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/ʈ͡ʂu̯än²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/


咔戲

/kʰä²¹⁴⁻²¹ ɕi⁵¹/

/kʰä²¹⁴⁻²¹ ɕi⁵¹/

(music) a type of traditional Chinese music, which uses instrument sounds to imitate human singing voices or animal sounds


雙簧

/ʂu̯ɑŋ⁵⁵ xu̯ɑŋ³⁵/

/ʂu̯ɑŋ⁵⁵ xu̯ɑ̃ɻ³⁵/

/sœːŋ⁵⁵ wɔːŋ²¹/

/sɔŋ³³ hɔŋ²⁴/

/siaŋ⁴⁴⁻²² hɔŋ²⁴/

/siaŋ⁴⁴⁻²² hɔŋ¹³/

/ʂu̯ɑŋ⁵⁵ xu̯ɑŋ³⁵/

/ʂu̯ɑŋ⁵⁵ xu̯ɑ̃ɻ³⁵/

/sœːŋ⁵⁵ wɔːŋ²¹/

/sɔŋ³³ hɔŋ²⁴/

/siaŋ⁴⁴⁻²² hɔŋ²⁴/

/siaŋ⁴⁴⁻²² hɔŋ¹³/


宴樂

/jɛn⁵¹⁻⁵³ ɥɛ⁵¹/

/jɛn⁵¹⁻⁵³ ɥɛ⁵¹/

(music, historical) music played at court feasts in ancient times


火不思

/xu̯ɔ²¹⁴⁻²¹ pu⁵¹ sz̩⁵⁵/

/fɔː³⁵ pɐt̚⁵ siː⁵⁵/

/xu̯ɔ²¹⁴⁻²¹ pu⁵¹ sz̩⁵⁵/

/fɔː³⁵ pɐt̚⁵ siː⁵⁵/

Ultimately from Proto-Turkic *kopuŕ; compare Kazakh қобыз (qobyz), Turkish kopuz.

胡撥
琥珀
胡撥四
胡撥思
火布思

(music) komuz, a string instrument used in Central Asian music


三角鋼琴

ㄙㄢ ㄐㄧㄠˇ ㄍㄤ ㄑㄧㄣˊ

саньцзяо ганцинь

/sän⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹ kɑŋ⁵⁵ t͡ɕʰin³⁵/

/saːm⁵⁵ kɔːk̚³ kɔːŋ³³ kʰɐm²¹/

/sän⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹ kɑŋ⁵⁵ t͡ɕʰin³⁵/

/saːm⁵⁵ kɔːk̚³ kɔːŋ³³ kʰɐm²¹/


巴拉萊卡琴

ㄅㄚ ㄌㄚ ㄌㄞˊ ㄎㄚˇ ㄑㄧㄣˊ

балалайкацинь

/pä⁵⁵ lä⁵⁵ laɪ̯³⁵ kʰä²¹⁴⁻²¹ t͡ɕʰin³⁵/

/pä⁵⁵ lä⁵⁵ laɪ̯³⁵ kʰä²¹⁴⁻²¹ t͡ɕʰin³⁵/

Borrowed from Russian балала́йка (balalájka) + 琴 (qín).


顫音

/ʈ͡ʂʰän⁵¹ in⁵⁵/

/ʈ͡ʂän⁵¹ in⁵⁵/

/ʈ͡ʂʰän⁵¹ in⁵⁵/

/ʈ͡ʂän⁵¹ in⁵⁵/


琴筒

/t͡ɕʰin³⁵ tʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/kʰɐm²¹ tʰʊŋ²¹⁻³⁵/

/t͡ɕʰin³⁵ tʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/kʰɐm²¹ tʰʊŋ²¹⁻³⁵/


吉孜哈克

ㄐㄧˊ ㄗ ㄏㄚ ㄎㄜˋ

/t͡ɕi³⁵ t͡sz̩⁵⁵ xä⁵⁵ kʰɤ⁵¹/

/t͡ɕi³⁵ t͡sz̩⁵⁵ xä⁵⁵ kʰɤ⁵¹/

(music) ghijek (Central Asian musical instrument)


秦漢子

/t͡ɕʰin³⁵ xän⁵¹ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰin³⁵ xän⁵¹ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

(music) a lute with round (moon-shaped) body, equivalent to the qin pipa, believed to date to the Qin and Han dynasties of China


艾捷克

/ˀaɪ̯⁵¹ t͡ɕi̯ɛ³⁵ kʰɤ⁵¹/

/ˀaɪ̯⁵¹ t͡ɕi̯ɛ³⁵ kʰɤ⁵¹/

(music) ghaychak (Central Asian musical instrument)


重金屬

ㄓㄨㄥˋ ㄐㄧㄣ ㄕㄨˇ

/ʈ͡ʂʊŋ⁵¹ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰʊŋ¹³ kɐm⁵⁵ sʊk̚²/

/ʈ͡ʂʊŋ⁵¹ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰʊŋ¹³ kɐm⁵⁵ sʊk̚²/


五線譜

/u²¹⁴⁻²¹ ɕi̯ɛn⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

ㄨˇ ㄒㄧㄢˋ ㄆㄨˇㄦ

/u²¹⁴⁻²¹ ɕi̯ɛn⁵¹ pʰuɻʷ²¹⁴⁻²¹⁽⁴⁾/

/ŋ̍¹³ siːn³³ pʰou̯³⁵/

/ŋ̍³¹ si̯en⁵⁵ pʰu³¹/

/ɡɔ³³⁻¹¹ suã¹¹⁻⁵³ pʰɔ⁵³/

/ɡɔ²²⁻²¹ suã²¹⁻⁵³ pʰɔ⁵³/

/ɡɔ³³⁻²¹ suã²¹⁻⁴¹ pʰɔ⁴¹/

/u²¹⁴⁻²¹ ɕi̯ɛn⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/u²¹⁴⁻²¹ ɕi̯ɛn⁵¹ pʰuɻʷ²¹⁴⁻²¹⁽⁴⁾/

/ŋ̍¹³ siːn³³ pʰou̯³⁵/

/ŋ̍³¹ si̯en⁵⁵ pʰu³¹/

/ɡɔ³³⁻¹¹ suã¹¹⁻⁵³ pʰɔ⁵³/

/ɡɔ²²⁻²¹ suã²¹⁻⁵³ pʰɔ⁵³/

/ɡɔ³³⁻²¹ suã²¹⁻⁴¹ pʰɔ⁴¹/

(music) score in staff notation; (in general) staff notation


休止符

Sino-Xenic (休止符):
* → Japanese: 休(きゅう)止(し)符(ふ) (kyūshifu)
* → Korean: 휴지부(休止符) (hyujibu)

/ɕi̯oʊ̯⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹ fu³⁵/

/jɐu̯⁵⁵ t͡siː³⁵ fuː²¹/

/hiu⁴⁴⁻²² t͡si⁵³⁻⁴⁴ hu²⁴/

/hiu³³ t͡si⁵⁵⁴⁻²⁴ hu²⁴/

/hiu⁴⁴⁻²² t͡si⁵³⁻⁴⁴ hu¹³/

/hiu⁴⁴⁻³³ t͡si⁵³⁻⁴⁴ hu²⁴/

/hiu⁴⁴⁻³³ t͡si⁴¹⁻⁴⁴ hu²³/

/ɕi̯oʊ̯⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹ fu³⁵/

/jɐu̯⁵⁵ t͡siː³⁵ fuː²¹/

/hiu⁴⁴⁻²² t͡si⁵³⁻⁴⁴ hu²⁴/

/hiu³³ t͡si⁵⁵⁴⁻²⁴ hu²⁴/

/hiu⁴⁴⁻²² t͡si⁵³⁻⁴⁴ hu¹³/

/hiu⁴⁴⁻³³ t͡si⁵³⁻⁴⁴ hu²⁴/

/hiu⁴⁴⁻³³ t͡si⁴¹⁻⁴⁴ hu²³/


視唱

/ʂʐ̩⁵¹⁻⁵³ ʈ͡ʂʰɑŋ⁵¹/

/siː²² t͡sʰœːŋ³³/

/ʂʐ̩⁵¹⁻⁵³ ʈ͡ʂʰɑŋ⁵¹/

/siː²² t͡sʰœːŋ³³/


視唱

/ʂʐ̩⁵¹⁻⁵³ ʈ͡ʂʰɑŋ⁵¹/

/siː²² t͡sʰœːŋ³³/

/ʂʐ̩⁵¹⁻⁵³ ʈ͡ʂʰɑŋ⁵¹/

/siː²² t͡sʰœːŋ³³/


牛筋琴

ㄋㄧㄡˊ ㄐㄧㄣ ㄑㄧㄣˊ

/ni̯oʊ̯³⁵ t͡ɕin⁵⁵ t͡ɕʰin³⁵/

/ŋɐu̯²¹ kɐn⁵⁵ kʰɐm²¹/

/ni̯oʊ̯³⁵ t͡ɕin⁵⁵ t͡ɕʰin³⁵/

/ŋɐu̯²¹ kɐn⁵⁵ kʰɐm²¹/

(music) niujinqin, a struck zither used to accompany traditional narrative singing in Wenzhou, Zhejiang province, China


牛腿琴

ㄋㄧㄡˊ ㄊㄨㄟˇ ㄑㄧㄣˊ

/ni̯oʊ̯³⁵ tʰu̯eɪ̯²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ŋɐu̯²¹ tʰɵy̯³⁵ kʰɐm²¹/

/ni̯oʊ̯³⁵ tʰu̯eɪ̯²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ŋɐu̯²¹ tʰɵy̯³⁵ kʰɐm²¹/

(music) niutuiqin, a bowed or plucked lute used by the Dong people of China


灘簧

/tʰän⁵⁵ xu̯ɑŋ³⁵/

/tʰe⁵⁵ ɦuɑ̃²¹/

/tʰe⁴⁴ ɦuɑ̃/

/tʰän⁵⁵ xu̯ɑŋ³⁵/

/tʰe⁵⁵ ɦuɑ̃²¹/

/tʰe⁴⁴ ɦuɑ̃/

(music) tanhuang, a style of regional opera native to the Yangtze River region, popular during the Qing Dynasty


晦澀

/xu̯eɪ̯⁵¹⁻⁵³ sɤ⁵¹/

/fuːi̯³³ sɐp̚⁵/

/xu̯eɪ̯⁵¹⁻⁵³ sɤ⁵¹/

/fuːi̯³³ sɐp̚⁵/

(of literary writing, music, etc.) hard to understand; obscure; pedantic; inkhorn; abstruse


中音

/ʈ͡ʂʊŋ⁵⁵ in⁵⁵/

/t͡sʊŋ⁵⁵ jɐm⁵⁵/

/ʈ͡ʂʊŋ⁵⁵ in⁵⁵/

/t͡sʊŋ⁵⁵ jɐm⁵⁵/

(music) mediant, the third note of a major scale


二人臺

/ˀɤɻ⁵¹ ʐən³⁵ tʰaɪ̯³⁵/

/ˀɤɻ⁵¹ ʐən³⁵ tʰaɪ̯³⁵/

(music) er ren tai or errentai, a genre of traditional singing performed by two singers, from Inner Mongolia, Shanxi, Shaanxi, and northern Hebei, China


儺戲

/nu̯ɔ³⁵ ɕi⁵¹/

/nɔː²¹ hei̯³³/

/nu̯ɔ³⁵ ɕi⁵¹/

/nɔː²¹ hei̯³³/

(music) nuo opera or nuo drama, a form of ancient Chinese masked dance drama


墜胡

/ʈ͡ʂu̯eɪ̯⁵¹ xu³⁵/

/ʈ͡ʂu̯eɪ̯⁵¹ xu³⁵/

(music) a Chinese bowed string instrument in the huqin family, with a fretless fingerboard


半音階

/pän⁵¹ in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/puːn³³ jɐm⁵⁵ kaːi̯⁵⁵/

/pän⁵¹ in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/puːn³³ jɐm⁵⁵ kaːi̯⁵⁵/


大廣弦

ㄉㄚˋ ㄍㄨㄤˇ ㄒㄧㄢˊ

/tä⁵¹ ku̯ɑŋ²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/taːi̯²² kʷɔːŋ³⁵ jiːn²¹/

/taːi̯²² kʷɔːŋ³⁵ jyːn²¹/

/tua²²⁻²¹ kɔŋ⁵³⁻⁴⁴ hiɛn²⁴/

/tua⁴¹⁻²² kɔŋ⁵⁵⁴⁻²⁴ hiɛn²⁴/

/tua²²⁻²¹ kɔŋ⁵³⁻⁴⁴ hiɛn¹³/

/tua³³⁻¹¹ kɔŋ⁵³⁻⁴⁴ hiɛn²⁴/

/tua³³⁻²¹ kɔŋ⁴¹⁻⁴⁴ hiɛn²³/

/tä⁵¹ ku̯ɑŋ²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/taːi̯²² kʷɔːŋ³⁵ jiːn²¹/

/taːi̯²² kʷɔːŋ³⁵ jyːn²¹/

/tua²²⁻²¹ kɔŋ⁵³⁻⁴⁴ hiɛn²⁴/

/tua⁴¹⁻²² kɔŋ⁵⁵⁴⁻²⁴ hiɛn²⁴/

/tua²²⁻²¹ kɔŋ⁵³⁻⁴⁴ hiɛn¹³/

/tua³³⁻¹¹ kɔŋ⁵³⁻⁴⁴ hiɛn²⁴/

/tua³³⁻²¹ kɔŋ⁴¹⁻⁴⁴ hiɛn²³/

(music) a two-stringed vertical fiddle used primarily in Min Nan regions and by the Hakka, in Taiwan and Fujian


朝爾

/ʈ͡ʂʰɑʊ̯³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰɑʊ̯³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

Borrowed from Mongolian ᠴᠤᠭᠤᠷ (čuɣur) / цуур (cuur, “fife”).

(music) a type of Mongolian string instrument


大號

/tä⁵¹⁻⁵³ xɑʊ̯⁵¹/

/tä⁵¹⁻⁵³ xaʊ̯ɻʷ⁵¹/

/tä⁵¹⁻⁵³ xɑʊ̯⁵¹/

/tä⁵¹⁻⁵³ xaʊ̯ɻʷ⁵¹/


末尾

/mu̯ɔ⁵¹ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

/buat̚²⁴⁻² bə⁵⁵⁴/

/buat̚¹²¹⁻²¹ bue⁵³/

/mu̯ɔ⁵¹ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

/buat̚²⁴⁻² bə⁵⁵⁴/

/buat̚¹²¹⁻²¹ bue⁵³/


群星

/t͡ɕʰyn³⁵ ɕiŋ⁵⁵/

/kʷʰɐn²¹ sɪŋ⁵⁵/

/t͡ɕʰyn³⁵ ɕiŋ⁵⁵/

/kʷʰɐn²¹ sɪŋ⁵⁵/


二重奏

/ˀɤɻ⁵¹ ʈ͡ʂʰʊŋ³⁵ t͡soʊ̯⁵¹/

/jiː²² t͡sʰʊŋ²¹ t͡sɐu̯³³/

/ˀɤɻ⁵¹ ʈ͡ʂʰʊŋ³⁵ t͡soʊ̯⁵¹/

/jiː²² t͡sʰʊŋ²¹ t͡sɐu̯³³/


銅板

/tʰʊŋ³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tʰʊŋ²¹ paːn³⁵/

/tʰũŋ¹¹ pæ̃⁵³/

/tɔŋ¹³⁻²² pan⁵³/

/tɔŋ²⁴⁻²² pan⁵³/

/taŋ²⁴⁻²² pan⁵⁵⁴/

/tʰʊŋ³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tʰʊŋ²¹ paːn³⁵/

/tʰũŋ¹¹ pæ̃⁵³/

/tɔŋ¹³⁻²² pan⁵³/

/tɔŋ²⁴⁻²² pan⁵³/

/taŋ²⁴⁻²² pan⁵⁵⁴/

(music) pair of semicircular copperplates used to beat time in dagu, kuaiban, etc.


奏鳴曲

ㄗㄡˋ ㄇㄧㄥˊ ㄑㄩˇ

/t͡soʊ̯⁵¹ miŋ³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sɐu̯³³ mɪŋ²¹ kʰʊk̚⁵/

/t͡sau²¹⁻⁵³ biɪŋ¹³⁻²² kʰiɔk̚³²/

/t͡sau²¹⁻⁵³ biɪŋ²⁴⁻²² kʰiɔk̚³²/

/t͡sau⁴¹⁻⁵⁵⁴ biɪŋ²⁴⁻²² kʰiɔk̚⁵/

/t͡sau²¹⁻⁴¹ biɪŋ²³⁻³³ kʰiɪk̚³²/

/t͡sau¹¹⁻⁵³ biɪŋ²⁴⁻¹¹ kʰiɪk̚³²/

/t͡soʊ̯⁵¹ miŋ³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sɐu̯³³ mɪŋ²¹ kʰʊk̚⁵/

/t͡sau²¹⁻⁵³ biɪŋ¹³⁻²² kʰiɔk̚³²/

/t͡sau²¹⁻⁵³ biɪŋ²⁴⁻²² kʰiɔk̚³²/

/t͡sau⁴¹⁻⁵⁵⁴ biɪŋ²⁴⁻²² kʰiɔk̚⁵/

/t͡sau²¹⁻⁴¹ biɪŋ²³⁻³³ kʰiɪk̚³²/

/t͡sau¹¹⁻⁵³ biɪŋ²⁴⁻¹¹ kʰiɪk̚³²/

(music) sonata (a musical composition for one or a few instruments)


指板

/ʈ͡ʂʐ̩²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʐ̩²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/


重金屬音樂

ㄓㄨㄥˋ ㄐㄧㄣ ㄕㄨˇ ㄧㄣ ㄩㄝˋ

чжунцзиньшу иньюэ

/ʈ͡ʂʊŋ⁵¹ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹ in⁵⁵ ɥɛ⁵¹/

/t͡sʰʊŋ¹³ kɐm⁵⁵ sʊk̚² jɐm⁵⁵ ŋɔːk̚²/

/ʈ͡ʂʊŋ⁵¹ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹ in⁵⁵ ɥɛ⁵¹/

/t͡sʰʊŋ¹³ kɐm⁵⁵ sʊk̚² jɐm⁵⁵ ŋɔːk̚²/


八度

高八度記號

高八度记号


連奏

/li̯ɛn³⁵ t͡soʊ̯⁵¹/

/li̯ɛn³⁵ t͡soʊ̯⁵¹/


冬不拉

/tʊŋ⁵⁵ pu⁵¹ lä⁵⁵/

/tʊŋ⁵⁵ pɐt̚⁵ laːi̯⁵⁵/

/tʊŋ⁵⁵ pu⁵¹ lä⁵⁵/

/tʊŋ⁵⁵ pɐt̚⁵ laːi̯⁵⁵/

(music) dombra; dombura (a Kazakh stringed instrument)


組曲

/t͡su²¹⁴⁻²¹ t͡ɕʰy⁵⁵/

/t͡sou̯³⁵ kʰʊk̚⁵/

/t͡sɔ⁵⁵⁴⁻²⁴ kʰiɔk̚⁵/

/t͡sɔ⁵³⁻⁴⁴ kʰiɔk̚³²/

/t͡sɔ⁴⁴⁻³³ kʰiɪk̚³²/

/t͡su²¹⁴⁻²¹ t͡ɕʰy⁵⁵/

/t͡sou̯³⁵ kʰʊk̚⁵/

/t͡sɔ⁵⁵⁴⁻²⁴ kʰiɔk̚⁵/

/t͡sɔ⁵³⁻⁴⁴ kʰiɔk̚³²/

/t͡sɔ⁴⁴⁻³³ kʰiɪk̚³²/


橫笛

/xɤŋ³⁵ ti³⁵/

/waːŋ²¹ tɛːk̚²⁻³⁵/

/xɤŋ³⁵ ti³⁵/

/waːŋ²¹ tɛːk̚²⁻³⁵/


轉音

/ʈ͡ʂu̯än²¹⁴⁻²¹ in⁵⁵/

/ʈ͡ʂu̯än²¹⁴⁻²¹ in⁵⁵/


移調

/i³⁵ ti̯ɑʊ̯⁵¹/

/jiː²¹ tiːu̯²²/

/i³⁵ ti̯ɑʊ̯⁵¹/

/jiː²¹ tiːu̯²²/


彈撥爾

/tʰän³⁵ pu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/tʰän³⁵ pu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

Phono-semantic matching of Uyghur تەمبۈر (tembür).

psm

(music) tembor (a plucked stringed instrument of the Uyghur people of Xinjiang)


都塔爾

/tu⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/tu⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

Borrowed from Uyghur دۇتار (dutar) or دۇتتار (duttar).

(music) dutar (a long-necked plucked lute with two strings, used in Uyghur music of Xinjiang)


薩塔爾

/sä⁵¹ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sä⁵¹ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

(music) satar (a bowed long-necked lute used as a traditional instrument by the Uyghur people of Xinjiang)


樂句

/ɥɛ⁵¹⁻⁵³ t͡ɕy⁵¹/

/ŋɔːk̚² kɵy̯³³/

/ɥɛ⁵¹⁻⁵³ t͡ɕy⁵¹/

/ŋɔːk̚² kɵy̯³³/


𢓉

For pronunciation and definitions of 𢓉 – see 返 (“to return; to come or go back; to return; to give back; etc.”).
(This character is an ancient form of 返).

zh-see

(music) Cantonese opera gongche notation of high fa (4̇).


𠆾

From 亻 (denoting one octave higher in Kunqu) + 六 (liù).

(music) Kunqu gongche notation for the note high sol (5̇).


𢒼

From 彳 (denoting two octaves higher in Kunqu) + 乙 (yǐ).

(music) Kunqu gongche notation for the note an octave above high ti (7̇̇).


𢒼

From 彳 (denoting one octave higher in Cantonese opera) + 乙 (ji¹, ji⁶).

(music) Cantonese opera gongche notation for the note ti (7).


鿈

From 彳 (denoting two octaves higher in Kunqu) + 尺 (chǐ).

(music) Kunqu gongche notation for the note an octave above high re (2̇̇).


鿈

From 彳 (denoting one octave higher in Cantonese opera) + 尺 (ce², ce¹).

(music) Cantonese opera gongche notation for the note high re (2̇).


𢓁

From 彳 (denoting two octaves higher in Kunqu) + 工 (gōng).

(music) Kunqu gongche notation for the note an octave above high mi (3̇̇).


𢓁

From 彳 (denoting one octave higher in Cantonese opera) + 工 (gung¹).

(music) Cantonese opera gongche notation for the note high mi (3̇).


音高

/in⁵⁵ kɑʊ̯⁵⁵/

/in⁵⁵ kɑʊ̯⁵⁵/


夷則

/i³⁵ t͡sɤ³⁵/

/i³⁵ t͡sɤ³⁵/


韻味

/yn⁵¹⁻⁵³ weɪ̯⁵¹/

/un²²⁻²¹ bi²²/

/un⁴¹⁻²² bi⁴¹/

/un²²⁻²¹ bi²²/

/un³³⁻¹¹ bi³³/

/un³³⁻²¹ bi³³/

/yn⁵¹⁻⁵³ weɪ̯⁵¹/

/un²²⁻²¹ bi²²/

/un⁴¹⁻²² bi⁴¹/

/un²²⁻²¹ bi²²/

/un³³⁻¹¹ bi³³/

/un³³⁻²¹ bi³³/

(music) pleasing quality (of musical tone)


和弦

/xɤ³⁵ ɕi̯ɛn³⁵/

/wɔː²¹ jiːn²¹/

/wɔː²¹ jyːn²¹/

/hua⁵⁵⁻¹¹ hĩ⁵⁵/

/xɤ³⁵ ɕi̯ɛn³⁵/

/wɔː²¹ jiːn²¹/

/wɔː²¹ jyːn²¹/

/hua⁵⁵⁻¹¹ hĩ⁵⁵/


唱詞

/ʈ͡ʂʰɑŋ⁵¹ t͡sʰz̩³⁵/

/ʈ͡ʂʰɑŋ⁵¹ t͡sʰz̩³⁵/


琤尼

/ʈ͡ʂʰɤŋ⁵⁵ ni³⁵/

/ʈ͡ʂʰɤŋ⁵⁵ ni³⁵/

(music) A bowed zither used as a traditional instrument by the Zhuang people


板腔

/pän²¹⁴⁻²¹ t͡ɕʰi̯ɑŋ⁵⁵/

/pän²¹⁴⁻²¹ t͡ɕʰi̯ɑŋ⁵⁵/


綽板

/ʈ͡ʂʰu̯ɔ⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

(music) A variety of paiban (Chinese percussion instrument resembling castanets).


聯奏

/li̯ɛn³⁵ t͡soʊ̯⁵¹/

/li̯ɛn³⁵ t͡soʊ̯⁵¹/


根卡

/kən⁵⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/kən⁵⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

(music) A Tibetan bowed string instrument.


點鼓

/ti̯ɛn²¹⁴⁻³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/ti̯ɛn²¹⁴⁻³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

(music) A small, shallow double-headed drum with a high pitch, played with a single stick held by the right hand, usually in conjunction with a paiban held in the left hand; formerly used in traditional musics of the Jiangnan region


鳳首箜篌

ㄈㄥˋ ㄕㄡˇ ㄎㄨㄥ ㄏㄡˊ

фэншоу кунхоу

/fɤŋ⁵¹ ʂoʊ̯²¹⁴⁻²¹ kʰʊŋ⁵⁵ xoʊ̯³⁵/

/fʊŋ²² sɐu̯³⁵ hʊŋ⁵⁵ hɐu̯²¹/

/fɤŋ⁵¹ ʂoʊ̯²¹⁴⁻²¹ kʰʊŋ⁵⁵ xoʊ̯³⁵/

/fʊŋ²² sɐu̯³⁵ hʊŋ⁵⁵ hɐu̯²¹/

(music) phoenix-headed konghou (Burmese harp)


岔曲

/ʈ͡ʂʰä⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰä⁵¹ t͡ɕʰyə̯ɻ²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰä⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰä⁵¹ t͡ɕʰyə̯ɻ²¹⁴⁻²¹⁽⁴⁾/

(music) chaqu (a form of traditional narrative singing from Beijing, now considered a branch of Beijing danxian)


漸慢

/t͡ɕi̯ɛn⁵¹⁻⁵³ män⁵¹/

/t͡ɕi̯ɛn⁵¹⁻⁵³ män⁵¹/


黑嗓

/xeɪ̯⁵⁵ sɑŋ²¹⁴⁻²¹⁽⁴⁾/

/xeɪ̯⁵⁵ sɑŋ²¹⁴⁻²¹⁽⁴⁾/

(music) screaming (vocal technique in black metal music)


虎波

/xu²¹⁴⁻²¹ pu̯ɔ⁵⁵/

/fuː³⁵ pɔː⁵⁵/

/xu²¹⁴⁻²¹ pu̯ɔ⁵⁵/

/fuː³⁵ pɔː⁵⁵/

(music) A kind of Chinese court instrument.


和鼓

/xɤ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/wɔː²¹ kuː³⁵/

/xɤ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/wɔː²¹ kuː³⁵/

(music, historical) A type of drum used in the Yuan Dynasty.


主歌

/ʈ͡ʂu²¹⁴⁻²¹ kɤ⁵⁵/

/t͡syː³⁵ kɔː⁵⁵/

/ʈ͡ʂu²¹⁴⁻²¹ kɤ⁵⁵/

/t͡syː³⁵ kɔː⁵⁵/


正歌

/ʈ͡ʂɤŋ⁵¹ kɤ⁵⁵/

/t͡sɪŋ³³ kɔː⁵⁵/

/ʈ͡ʂɤŋ⁵¹ kɤ⁵⁵/

/t͡sɪŋ³³ kɔː⁵⁵/


搖滾

/jɑʊ̯³⁵ ku̯ən²¹⁴⁻²¹⁽⁴⁾/

/jiːu̯²¹ kʷɐn³⁵/

/io²⁴⁻²² kun⁵³/

/io²⁴⁻²² kun⁵⁵⁴/

/io¹³⁻²² kun⁵³/

/io²⁴⁻¹¹ kun⁵³/

/iɤ²³⁻³³ kun⁴¹/

/jɑʊ̯³⁵ ku̯ən²¹⁴⁻²¹⁽⁴⁾/

/jiːu̯²¹ kʷɐn³⁵/

/io²⁴⁻²² kun⁵³/

/io²⁴⁻²² kun⁵⁵⁴/

/io¹³⁻²² kun⁵³/

/io²⁴⁻¹¹ kun⁵³/

/iɤ²³⁻³³ kun⁴¹/


利拉羅

/li⁵¹ lä⁵⁵ lu̯ɔ³⁵/

/li⁵¹ lä⁵⁵ lu̯ɔ³⁵/

(music) A traditional musical instrument of the Li people of Hainan.


熱瓦普

/ʐɤ⁵¹ wä²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/ʐɤ⁵¹ wä²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

(music) rawap (a fretless plucked long-necked lute used in Uyghur traditional music)


雙清

/ʂu̯ɑŋ⁵⁵ t͡ɕʰiŋ⁵⁵/

/sœːŋ⁵⁵ t͡sʰɪŋ⁵⁵/

/ʂu̯ɑŋ⁵⁵ t͡ɕʰiŋ⁵⁵/

/sœːŋ⁵⁵ t͡sʰɪŋ⁵⁵/

(music) a long-necked fretted plucked lute used during the Qing Dynasty


三分損益

ㄙㄢ ㄈㄣ ㄙㄨㄣˇ ㄧˋ

саньфэнь суньи

/sän⁵⁵ fən⁵⁵ su̯ən²¹⁴⁻²¹ i⁵¹/

/saːm⁵⁵ fɐn⁵⁵ syːn³⁵ jɪk̚⁵/

/sän⁵⁵ fən⁵⁵ su̯ən²¹⁴⁻²¹ i⁵¹/

/saːm⁵⁵ fɐn⁵⁵ syːn³⁵ jɪk̚⁵/

(music) The “Method of Subtracting and Adding Thirds” in ancient Chinese music theory, which involves alternately rising a fifth and descending a fourth through the subtraction or addition of a third of the length of the preceding pitch pipe.


螺螄結頂

ㄌㄨㄛˊ ㄙ ㄐㄧㄝˊ ㄉㄧㄥˇ

/lu̯ɔ³⁵ sz̩⁵⁵ t͡ɕi̯ɛ³⁵ tiŋ²¹⁴⁻²¹⁽⁴⁾/

/lu̯ɔ³⁵ sz̩⁵⁵ t͡ɕi̯ɛ³⁵ tiŋ²¹⁴⁻²¹⁽⁴⁾/

(music) A technique in Chinese musical composition, where each phrase in the lead-up to the climax is progressively shortened.


薌劇

/ɕi̯ɑŋ⁵⁵ t͡ɕy⁵¹/

/hœːŋ⁵⁵ kʰɛːk̚²/

/hiɔŋ⁴⁴⁻²² kiɔk̚⁴/

/hiɔŋ³³ kiɔk̚²⁴/

/hiɔŋ⁴⁴⁻²² kiɔk̚¹²¹/

/hiɔŋ⁴⁴⁻³³ kiɔk̚⁴/

/hiɔŋ⁴⁴⁻³³ kiɔk̚⁴/

/ɕi̯ɑŋ⁵⁵ t͡ɕy⁵¹/

/hœːŋ⁵⁵ kʰɛːk̚²/

/hiɔŋ⁴⁴⁻²² kiɔk̚⁴/

/hiɔŋ³³ kiɔk̚²⁴/

/hiɔŋ⁴⁴⁻²² kiɔk̚¹²¹/

/hiɔŋ⁴⁴⁻³³ kiɔk̚⁴/

/hiɔŋ⁴⁴⁻³³ kiɔk̚⁴/

From 薌／芗 (xiāng), short for 薌江／芗江, an alternative name for Zhangzhou + 劇／剧 (jù, “opera”).

(music) a branch of Taiwanese opera popular in Zhangzhou


琴橋

/t͡ɕʰin³⁵ t͡ɕʰi̯ɑʊ̯³⁵/

/kʰɐm²¹ kʰiːu̯²¹/

/t͡ɕʰin³⁵ t͡ɕʰi̯ɑʊ̯³⁵/

/kʰɐm²¹ kʰiːu̯²¹/


擂琴

/leɪ̯⁵¹ t͡ɕʰin³⁵/

/lɵy̯²¹ kʰɐm²¹/

/leɪ̯⁵¹ t͡ɕʰin³⁵/

/lɵy̯²¹ kʰɐm²¹/

(music) leiqin (a Chinese bowed string instrument)


歷音

/lɪk̚² jɐm⁵⁵/

/lɪk̚² jɐm⁵⁵/

(music) The technique of using quick transitional steps on traditional Chinese wind instruments such as the dizi and sheng


天琴

/tʰi̯ɛn⁵⁵ t͡ɕʰin³⁵/

/tʰiːn⁵⁵ kʰɐm²¹/

/tʰi̯ɛn⁵⁵ t͡ɕʰin³⁵/

/tʰiːn⁵⁵ kʰɐm²¹/

(music) A traditional fretless plucked lute of the Zhuang people; its soundbox is usually made from a gourd.


十番樂

/ʂʐ̩³⁵ fän⁵⁵ ɥɛ⁵¹/

/sɐp̚² faːn⁵⁵ ŋɔːk̚²/

/ʂʐ̩³⁵ fän⁵⁵ ɥɛ⁵¹/

/sɐp̚² faːn⁵⁵ ŋɔːk̚²/

十 (literally "ten," though in this context it means "numerous") + 番 (types, varieties) + 樂 (music, short for 音樂)

(music) A traditional ensemble comprising numerous different kinds of musical instruments.


彎琴

/wän⁵⁵ t͡ɕʰin³⁵/

/waːn⁵⁵ kʰɐm²¹/

/wän⁵⁵ t͡ɕʰin³⁵/

/waːn⁵⁵ kʰɐm²¹/


臥箜篌

/wɔ⁵¹ kʰʊŋ⁵⁵ xoʊ̯³⁵/

/ŋɔː²² hʊŋ⁵⁵ hɐu̯²¹/

/wɔ⁵¹ kʰʊŋ⁵⁵ xoʊ̯³⁵/

/ŋɔː²² hʊŋ⁵⁵ hɐu̯²¹/

(historical, music) Wokonghou ("horizontal konghou", an ancient type of konghou that took the form of a plucked fretted long zither)


清商

/t͡ɕʰiŋ⁵⁵ ʂɑŋ⁵⁵/

/t͡sʰɪŋ⁵⁵ sœːŋ⁵⁵/

/t͡ɕʰiŋ⁵⁵ ʂɑŋ⁵⁵/

/t͡sʰɪŋ⁵⁵ sœːŋ⁵⁵/

So named as music of the shang note (the second pitch of the Chinese pentatonic scale) is usually sorrowful.

(music) The traditional court music of the Han nationality and the dominant form of musical performances of the Imperial Chinese court.


梨園戲

/li³⁵ ɥɛn³⁵ ɕi⁵¹/

/le²⁴⁻²² hŋ̍²⁴⁻²² hi²¹/

/le²⁴⁻²² hŋ̍²⁴⁻²² hi⁴¹/

/le¹³⁻²² hŋ̍¹³⁻²² hi²¹/

/le²⁴⁻¹¹ hŋ̍²⁴⁻¹¹ hi¹¹/

/le²³⁻³³ hŋ̍²³⁻³³ hi²¹/

/li³⁵ ɥɛn³⁵ ɕi⁵¹/

/le²⁴⁻²² hŋ̍²⁴⁻²² hi²¹/

/le²⁴⁻²² hŋ̍²⁴⁻²² hi⁴¹/

/le¹³⁻²² hŋ̍¹³⁻²² hi²¹/

/le²⁴⁻¹¹ hŋ̍²⁴⁻¹¹ hi¹¹/

/le²³⁻³³ hŋ̍²³⁻³³ hi²¹/

(music) A form of Chinese opera originating in Quanzhou, Fujian.


蒲劇

/pʰu³⁵ t͡ɕy⁵¹/

/pʰou̯²¹ kʰɛːk̚²/

/pʰu³⁵ t͡ɕy⁵¹/

/pʰou̯²¹ kʰɛːk̚²/

(music) Pu opera (a variety of Chinese opera from southern Shanxi, China)


七音

/t͡ɕʰi⁵⁵ in⁵⁵/

/t͡sʰɐt̚⁵ jɐm⁵⁵/

/t͡ɕʰi⁵⁵ in⁵⁵/

/t͡sʰɐt̚⁵ jɐm⁵⁵/

seven sounds
(music) heptatonic scale patterns


瓢琴

/pʰi̯ɑʊ̯³⁵ t͡ɕʰin³⁵/

/pʰiːu̯²¹ kʰɐm²¹/

/pʰi̯ɑʊ̯³⁵ t͡ɕʰin³⁵/

/pʰiːu̯²¹ kʰɐm²¹/

(music) A bowed lute of the Miao people.


蘇古篤

/su⁵⁵ ku²¹⁴⁻³⁵ tu²¹⁴⁻²¹⁽⁴⁾/

/sou̯⁵⁵ kuː³⁵ tʊk̚⁵/

/su⁵⁵ ku²¹⁴⁻³⁵ tu²¹⁴⁻²¹⁽⁴⁾/

/sou̯⁵⁵ kuː³⁵ tʊk̚⁵/

(music) A traditional plucked lute of the Naxi people, originating from the huobusi (火不思 (huǒbùsī)).


西納干胡爾

ㄒㄧ ㄋㄚˋ ㄍㄢ ㄏㄨˊ ㄦˇ

синагань хуэр

/ɕi⁵⁵ nä⁵¹ kän⁵⁵ xu³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sɐi̯⁵⁵ naːp̚² kɔːn⁵⁵ wuː²¹ jiː¹³/

/ɕi⁵⁵ nä⁵¹ kän⁵⁵ xu³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sɐi̯⁵⁵ naːp̚² kɔːn⁵⁵ wuː²¹ jiː¹³/

From Mongolian ᠰᠢᠨᠠᠭᠠᠨ
ᠬᠣᠭᠣᠷ (sinaɣan qoɣor) / шанаган хуур (šanagan xuur).

bor

ᠰᠢᠨᠠᠭᠠᠨ ᠬᠣᠭᠣᠷ

(music) Ladle-shaped khuur, a traditional Mongolian bowed lute.


特磬

/tʰɤ⁵¹⁻⁵³ t͡ɕʰiŋ⁵¹/

/tɐk̚² hɪŋ³³/

/tʰɤ⁵¹⁻⁵³ t͡ɕʰiŋ⁵¹/

/tɐk̚² hɪŋ³³/

(music) A type of Chinese sounding stone (qing) used primarily in ritual/ceremonial music. It is a single thin piece of limestone or jade cut in an L-shape, hung from a frame, and struck with a wooden mallet.


特鐘

/tʰɤ⁵¹ ʈ͡ʂʊŋ⁵⁵/

/tɐk̚² t͡sʊŋ⁵⁵/

/tʰɤ⁵¹ ʈ͡ʂʊŋ⁵⁵/

/tɐk̚² t͡sʊŋ⁵⁵/

(music) A single large bronze bell hung in a frame and used primarily in ceremonial/ritual music


五正聲

/u²¹⁴⁻²¹ ʈ͡ʂɤŋ⁵¹ ʂɤŋ⁵⁵/

/ŋ̍¹³ t͡sɪŋ³³ sɪŋ⁵⁵/

/u²¹⁴⁻²¹ ʈ͡ʂɤŋ⁵¹ ʂɤŋ⁵⁵/

/ŋ̍¹³ t͡sɪŋ³³ sɪŋ⁵⁵/

(music) the five principal degrees of the ancient Chinese pentatonic scale


正聲

/ʈ͡ʂɤŋ⁵¹ ʂɤŋ⁵⁵/

/t͡sɪŋ³³ sɪŋ⁵⁵/

/ʈ͡ʂɤŋ⁵¹ ʂɤŋ⁵⁵/

/t͡sɪŋ³³ sɪŋ⁵⁵/

/t͡siã²¹⁻⁵³ siã⁴⁴/

/t͡siã²¹⁻⁵³ siã⁴⁴/

(literary, music) music tuned in the standard temperament system


曼陀林

ㄇㄢˋ ㄊㄨㄛˊ ㄌㄧㄣˊ

/män⁵¹ tʰu̯ɔ³⁵ lin³⁵/

/män⁵¹ tʰu̯ɔ³⁵ lin³⁵/


洋琵琶

/jɑŋ³⁵ pʰi³⁵ pʰä³/

yêng⁴ péi⁴ pa⁴⁻²

/jœːŋ²¹ pʰei̯²¹ pʰaː²¹/

/jœːŋ²¹ pʰei̯²¹ pʰaː²¹⁻³⁵/

/jɑŋ³⁵ pʰi³⁵ pʰä³/

/jœːŋ²¹ pʰei̯²¹ pʰaː²¹/

/jœːŋ²¹ pʰei̯²¹ pʰaː²¹⁻³⁵/


簷鼓

/jɛn³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jɛn³⁵ ku²¹⁴⁻²¹⁽⁴⁾/


忽雷

/xu⁵⁵ leɪ̯³⁵/

/fɐt̚⁵ lɵy̯²¹/

/xu⁵⁵ leɪ̯³⁵/

/fɐt̚⁵ lɵy̯²¹/

(music, historical) A plucked lute of non-Han origin.


中和韶樂

ㄓㄨㄥ ㄏㄜˊ ㄕㄠˊ ㄩㄝˋ

чжунхэ шаоюэ

/ʈ͡ʂʊŋ⁵⁵ xɤ³⁵ ʂɑʊ̯³⁵ ɥɛ⁵¹/

/t͡sʊŋ⁵⁵ wɔː²¹ siːu̯²¹ ŋɔːk̚²/

/ʈ͡ʂʊŋ⁵⁵ xɤ³⁵ ʂɑʊ̯³⁵ ɥɛ⁵¹/

/t͡sʊŋ⁵⁵ wɔː²¹ siːu̯²¹ ŋɔːk̚²/

(music) The court music for sacrificial rites, morning meetings and banquets in the Ming and Qing dynasties.


合樂

/hɐp̚² ŋɔːk̚²/

/hɐp̚² ŋɔːk̚²/

(archaic, music) to play several instruments together


烏德琴

/u⁵⁵ tɤ³⁵ t͡ɕʰin³⁵/

/wuː⁵⁵ tɐk̚⁵ kʰɐm²¹/

/u⁵⁵ tɤ³⁵ t͡ɕʰin³⁵/

/wuː⁵⁵ tɐk̚⁵ kʰɐm²¹/


曲笛

/t͡ɕʰy²¹⁴⁻²¹ ti³⁵/

/kʰʊk̚⁵ tɛːk̚²/

/kʰʊk̚⁵ tɛːk̚²⁻³⁵/

/t͡ɕʰy²¹⁴⁻²¹ ti³⁵/

/kʰʊk̚⁵ tɛːk̚²/

/kʰʊk̚⁵ tɛːk̚²⁻³⁵/

From the abbreviation of 崑曲／昆曲 (kūnqǔ, “Kunqu”) + 笛 (dí, “flute”).


梆笛

/pɑŋ⁵⁵ ti³⁵/

/pɔːŋ⁵⁵ tɛːk̚²/

/pɔːŋ⁵⁵ tɛːk̚²⁻³⁵/

/pɑŋ⁵⁵ ti³⁵/

/pɔːŋ⁵⁵ tɛːk̚²/

/pɔːŋ⁵⁵ tɛːk̚²⁻³⁵/

From 梆子 (bāngzi, “a form of opera popular in northern China”) + 笛 (dí, “flute”).

zh-l

(music) A regional variant of dizi that is smaller and higher in pitch, and used primarily in the music of northern China.


崑笛

/kʰu̯ən⁵⁵ ti³⁵/

/kʷʰɐn⁵⁵ tɛːk̚²/

/kʷʰɐn⁵⁵ tɛːk̚²⁻³⁵/

/kʰu̯ən⁵⁵ ti³⁵/

/kʷʰɐn⁵⁵ tɛːk̚²/

/kʷʰɐn⁵⁵ tɛːk̚²⁻³⁵/

(music) A regional variant of dizi, used as an accompanying instrument in Kunqu.


申胡

/ʂən⁵⁵ xu³⁵/

/sɐn⁵⁵ wuː²¹/

/ʂən⁵⁵ xu³⁵/

/sɐn⁵⁵ wuː²¹/

(music) A huqin used as the leading instrument in Huju, a form of local opera from the Shanghai area.


蘇鑼

/su⁵⁵ lu̯ɔ³⁵/

/sou̯⁵⁵ lɔː²¹/

/su⁵⁵ lu̯ɔ³⁵/

/sou̯⁵⁵ lɔː²¹/

(music) a Chinese gong originating in the area of Suzhou


答臘鼓

/tä³⁵ lä⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/tä³⁵ lä⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

(music) a Chinese drum used in ancient times


馬鑼

/mä²¹⁴⁻²¹ lu̯ɔ³⁵/

/maː¹³ lɔː²¹/

/mä²¹⁴⁻²¹ lu̯ɔ³⁵/

/maː¹³ lɔː²¹/


虎鑼

/xu²¹⁴⁻²¹ lu̯ɔ³⁵/

/fuː³⁵ lɔː²¹/

/xu²¹⁴⁻²¹ lu̯ɔ³⁵/

/fuː³⁵ lɔː²¹/


主奏

/ʈ͡ʂu²¹⁴⁻²¹ t͡soʊ̯⁵¹/

/t͡syː³⁵ t͡sɐu̯³³/

/ʈ͡ʂu²¹⁴⁻²¹ t͡soʊ̯⁵¹/

/t͡syː³⁵ t͡sɐu̯³³/

(music) to preside (at an instrument); to be leading


象鼻四絃

ㄒㄧㄤˋ ㄅㄧˊ ㄙˋ ㄒㄧㄢˊ

сянби сысянь

/ɕi̯ɑŋ⁵¹ pi³⁵ sz̩⁵¹ ɕi̯ɛn³⁵/

/ɕi̯ɑŋ⁵¹ pi³⁵ sz̩⁵¹ ɕi̯ɛn³⁵/

(music) The original main accompanying instrument in yuediao, a variety of Chinese opera: a variety of sihu (huqin with four strings).


蓮花落

ㄌㄧㄢˊ ㄏㄨㄚ ㄌㄠˋ

/li̯ɛn³⁵ xu̯ä⁵⁵ lɑʊ̯⁵¹/

/li̯ɛn³⁵ xu̯ä⁵⁵ lɑʊ̯⁵¹/

So named as each stanza of the ballad ends with the phrase of

Lotus flowers fall, and so fall the lotus flowers.

蓮花落，落蓮花。

莲花落，落莲花。

(music) A form of Chinese narrative singing that originated from begging songs.


老歌

/lɑʊ̯²¹⁴⁻²¹ kɤ⁵⁵/

/lou̯¹³ kɔː⁵⁵/

/lɑʊ̯²¹⁴⁻²¹ kɤ⁵⁵/

/lou̯¹³ kɔː⁵⁵/

經典老歌

经典老歌


桑圖爾

/sɑŋ⁵⁵ tʰu³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sɔːŋ⁵⁵ tʰou̯²¹ jiː¹³/

/sɑŋ⁵⁵ tʰu³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sɔːŋ⁵⁵ tʰou̯²¹ jiː¹³/

(music) santur (hammered dulcimer of Persian origin)


螺貝

desc

→ Mongolian: ᠯᠠᠪᠠᠢ (labai, “sea shell; conch; conch trumpet”)

desctree

→ Chinese: 喇叭 (lǎba, “horn”)
→ Dongxiang: laba
→ Manchu: ᠯᠠᠪᠠ (laba)

/lu̯ɔ³⁵ peɪ̯⁵¹/

/lɔː²¹⁻³⁵ puːi̯³³/

/le²⁴⁻²² pue²¹/

/le²⁴⁻²² pue⁴¹/

/le¹³⁻²² pue²¹/

/le²⁴⁻¹¹ pue¹¹/

/le²³⁻³³ pue²¹/

/lu̯ɔ³⁵ peɪ̯⁵¹/

/lɔː²¹⁻³⁵ puːi̯³³/

/le²⁴⁻²² pue²¹/

/le²⁴⁻²² pue⁴¹/

/le¹³⁻²² pue²¹/

/le²⁴⁻¹¹ pue¹¹/

/le²³⁻³³ pue²¹/


琴頭

/t͡ɕʰin³⁵ tʰoʊ̯³⁵/

/kʰɐm²¹ tʰɐu̯²¹/

/t͡ɕʰin³⁵ tʰoʊ̯³⁵/

/kʰɐm²¹ tʰɐu̯²¹/

(music) headstock (of a lute-type string instrument)


覆手

/fu⁵¹ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/fʊk̚⁵ sɐu̯³⁵/

/fu⁵¹ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/fʊk̚⁵ sɐu̯³⁵/

(music) a part of some lute-type string instruments from China and elsewhere in East and Southeast Asia, which is glued to the soundboard near the tail of the instrument, and to which the strings are tied through holes


曲項琵琶

ㄑㄩ ㄒㄧㄤˋ ㄆㄧˊ ㄆㄚˊ

ㄑㄩ ㄒㄧㄤˋ ㄆㄧˊ ˙ㄆㄚ

/t͡ɕʰy⁵⁵ ɕi̯ɑŋ⁵¹ pʰi³⁵ pʰä³⁵/

/t͡ɕʰy⁵⁵ ɕi̯ɑŋ⁵¹ pʰi³⁵ pʰä³/

/kʰʊk̚⁵ hɔːŋ²² pʰei̯²¹ pʰaː²¹/

/t͡ɕʰy⁵⁵ ɕi̯ɑŋ⁵¹ pʰi³⁵ pʰä³⁵/

/t͡ɕʰy⁵⁵ ɕi̯ɑŋ⁵¹ pʰi³⁵ pʰä³/

/kʰʊk̚⁵ hɔːŋ²² pʰei̯²¹ pʰaː²¹/

(music) an early form of pipa, popular during the Tang Dynasty, whose peg box is bent backwards at an angle


拍節

/pʰaɪ̯⁵⁵ t͡ɕi̯ɛ³⁵/

/pʰaɪ̯⁵⁵ t͡ɕi̯ɛ³⁵/


拍子機

/pʰaɪ̯⁵⁵ d͡z̥z̩² t͡ɕi⁵⁵/

/pʰaːk̚³ t͡siː³⁵ kei̯⁵⁵/

/pʰaɪ̯⁵⁵ d͡z̥z̩² t͡ɕi⁵⁵/

/pʰaːk̚³ t͡siː³⁵ kei̯⁵⁵/


節拍器

/t͡ɕi̯ɛ³⁵ pʰaɪ̯⁵⁵ t͡ɕʰi⁵¹/

/t͡ɕi̯ɛ³⁵ pʰaɪ̯⁵⁵ t͡ɕʰi⁵¹/


節拍

/t͡ɕi̯ɛ³⁵ pʰaɪ̯⁵⁵/

/t͡siɛt̚⁵⁻²⁴ pʰaʔ⁵/

/t͡siɛt̚³²⁻⁵ pʰaʔ³²/

/t͡siɛt̚³²⁻⁴ pʰaʔ³²/

/t͡sak̚²⁻⁴ pʰaʔ²/

/t͡ɕi̯ɛ³⁵ pʰaɪ̯⁵⁵/

/t͡siɛt̚⁵⁻²⁴ pʰaʔ⁵/

/t͡siɛt̚³²⁻⁵ pʰaʔ³²/

/t͡siɛt̚³²⁻⁴ pʰaʔ³²/

/t͡sak̚²⁻⁴ pʰaʔ²/


拍節器

/pʰaɪ̯⁵⁵ t͡ɕi̯ɛ³⁵ t͡ɕʰi⁵¹/

/pʰaɪ̯⁵⁵ t͡ɕi̯ɛ³⁵ t͡ɕʰi⁵¹/


練習曲

ㄌㄧㄢˋ ㄒㄧˊ ㄑㄩˇ

/li̯ɛn⁵¹ ɕi³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/liːn²² t͡saːp̚² kʰʊk̚⁵/

/li̯ɛn⁵¹ ɕi³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/liːn²² t͡saːp̚² kʰʊk̚⁵/


聲道

/ʂɤŋ⁵⁵ tɑʊ̯⁵¹/

/ʂɤŋ⁵⁵ tɑʊ̯⁵¹/


彈琴

/tʰän³⁵ t͡ɕʰin³⁵/

/tʰaːn²¹ kʰɐm²¹/

/han²² kʰim²²⁻²²⁵/

/tuã²⁴⁻²² kʰim²⁴/

/tuã²⁴⁻²² kʰim²⁴/

/tuã¹³⁻²² kʰim¹³/

/tuã²⁴⁻¹¹ kʰim²⁴/

/tuã²³⁻³³ kʰim²³/

/tʰaŋ⁵⁵⁻¹¹ kʰim⁵⁵/

/tʰän³⁵ t͡ɕʰin³⁵/

/tʰaːn²¹ kʰɐm²¹/

/han²² kʰim²²⁻²²⁵/

/tuã²⁴⁻²² kʰim²⁴/

/tuã²⁴⁻²² kʰim²⁴/

/tuã¹³⁻²² kʰim¹³/

/tuã²⁴⁻¹¹ kʰim²⁴/

/tuã²³⁻³³ kʰim²³/

/tʰaŋ⁵⁵⁻¹¹ kʰim⁵⁵/

(music) to play certain musical instruments that can be described as 琴 (qín), such as some stringed instruments (guzheng, guqin, etc.), or a keyboard instrument (piano, electric piano, accordion, pipe organ, etc.)


小節

/ɕi̯ɑʊ̯²¹⁴⁻²¹ t͡ɕi̯ɛ³⁵/

/siɤ⁴¹⁻⁴⁴ t͡siɛt̚³²/

/sio⁵⁵⁴⁻²⁴ t͡siɛt̚⁵/

/sio⁵³⁻⁴⁴ t͡siɛt̚³²/

/sio⁵⁵⁴⁻²⁴ t͡sat̚⁵/

/sio⁵³⁻⁴⁴ t͡sat̚³²/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ t͡ɕi̯ɛ³⁵/

/siɤ⁴¹⁻⁴⁴ t͡siɛt̚³²/

/sio⁵⁵⁴⁻²⁴ t͡siɛt̚⁵/

/sio⁵³⁻⁴⁴ t͡siɛt̚³²/

/sio⁵⁵⁴⁻²⁴ t͡sat̚⁵/

/sio⁵³⁻⁴⁴ t͡sat̚³²/


音域

/jɐm⁵⁵ wɪk̚²/

/jɐm⁵⁵ wɪk̚²/

他的音域很寬。

他的音域很宽。

(music) range (of a voice or other musical instruments)


扎木聶

/ʈ͡ʂä⁵⁵ mu⁵¹⁻⁵³ ni̯ɛ⁵¹/

/ʈ͡ʂä⁵⁵ mu⁵¹⁻⁵³ ni̯ɛ⁵¹/

Borrowed from Tibetan སྒྲ་སྙན (sgra snyan).

(music) dramyin (Tibetan plucked string instrument)


混音版

/xu̯ən⁵¹ in⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/wɐn²² jɐm⁵⁵ paːn³⁵/

/xu̯ən⁵¹ in⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/wɐn²² jɐm⁵⁵ paːn³⁵/


共鳴弦

ㄍㄨㄥˋ ㄇㄧㄥˊ ㄒㄧㄢˊ

/kʊŋ⁵¹ miŋ³⁵ ɕi̯ɛn³⁵/

/kʊŋ²² mɪŋ²¹ jiːn²¹/

/kʊŋ⁵¹ miŋ³⁵ ɕi̯ɛn³⁵/

/kʊŋ²² mɪŋ²¹ jiːn²¹/


悶笛

(music) a double reed instrument used by the Yi ethnic group of China


花雅之爭

ㄏㄨㄚ ㄧㄚˇ ㄓ ㄓㄥ

/xu̯ä⁵⁵ jä²¹⁴⁻²¹ ʈ͡ʂʐ̩⁵⁵ ʈ͡ʂɤŋ⁵⁵/

/faː⁵⁵ ŋaː¹³ t͡siː⁵⁵ t͡sɐŋ⁵⁵/

/xu̯ä⁵⁵ jä²¹⁴⁻²¹ ʈ͡ʂʐ̩⁵⁵ ʈ͡ʂɤŋ⁵⁵/

/faː⁵⁵ ŋaː¹³ t͡siː⁵⁵ t͡sɐŋ⁵⁵/

(historical, music) the struggle for audience between Kunqu (“elegant” classical opera dating from the Ming Dynasty) and luantan (newer, flashier/more raucous forms of “local opera”) during the Qing Dynasty in China


畢旺

/pi⁵¹⁻⁵³ wɑŋ⁵¹/

/pɐt̚⁵ wɔːŋ²²/

/pi⁵¹⁻⁵³ wɑŋ⁵¹/

/pɐt̚⁵ wɔːŋ²²/

(music) a Tibetan bowed string instrument


禁指

/t͡ɕin⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/kɐm³³ t͡siː³⁵/

/t͡ɕin⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/kɐm³³ t͡siː³⁵/

(music) little finger (literally “forbidden finger”, as the little finger should not touch the strings during guqin playing)


上榜

/ʂɑŋ⁵¹ pɑŋ²¹⁴⁻²¹⁽⁴⁾/

/sœːŋ¹³ pɔːŋ³⁵/

/ʂɑŋ⁵¹ pɑŋ²¹⁴⁻²¹⁽⁴⁾/

/sœːŋ¹³ pɔːŋ³⁵/


上低音號

ㄕㄤˋ ㄉㄧ ㄧㄣ ㄏㄠˋ

/ʂɑŋ⁵¹ ti⁵⁵ in⁵⁵ xɑʊ̯⁵¹/

/sœːŋ²² tɐi̯⁵⁵ jɐm⁵⁵ hou̯²²/

/ʂɑŋ⁵¹ ti⁵⁵ in⁵⁵ xɑʊ̯⁵¹/

/sœːŋ²² tɐi̯⁵⁵ jɐm⁵⁵ hou̯²²/


大合唱

/tä⁵¹ xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹/

/taːi̯²² hɐp̚² t͡sʰœːŋ³³/

/tä⁵¹ xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹/

/taːi̯²² hɐp̚² t͡sʰœːŋ³³/


主打歌

/ʈ͡ʂu²¹⁴⁻³⁵ tä²¹⁴⁻²¹ kɤ⁵⁵/

/ʈ͡ʂu²¹⁴⁻³⁵ tä²¹⁴⁻²¹ kɤɻ⁵⁵/

/t͡syː³⁵ taː³⁵ kɔː⁵⁵/

/ʈ͡ʂu²¹⁴⁻³⁵ tä²¹⁴⁻²¹ kɤ⁵⁵/

/ʈ͡ʂu²¹⁴⁻³⁵ tä²¹⁴⁻²¹ kɤɻ⁵⁵/

/t͡syː³⁵ taː³⁵ kɔː⁵⁵/

(music) title track (of an album) (Classifier: 首)


肉聲

/ʐoʊ̯⁵¹ ʂɤŋ⁵⁵/

/jʊk̚² sɛːŋ⁵⁵/

/ba(ʔ)³²⁻⁵³ siã⁴⁴/

/ba(ʔ)³²⁻⁵³ siã⁴⁴/

/ba(ʔ)³²⁻⁵³ siã⁴⁴/

/ba(ʔ)³²⁻⁴¹ siã⁴⁴/

/ʐoʊ̯⁵¹ ʂɤŋ⁵⁵/

/jʊk̚² sɛːŋ⁵⁵/

/ba(ʔ)³²⁻⁵³ siã⁴⁴/

/ba(ʔ)³²⁻⁵³ siã⁴⁴/

/ba(ʔ)³²⁻⁵³ siã⁴⁴/

/ba(ʔ)³²⁻⁴¹ siã⁴⁴/

(music) singing without musical accompaniment


陶真

/tʰɑʊ̯³⁵ ʈ͡ʂən⁵⁵/

/tʰɑʊ̯³⁵ ʈ͡ʂən⁵⁵/

(music) a kind of recital and singing performance to the accompaniment of drums or pipa, popular mainly during the Song Dynasty


西斯鈴

/ɕi⁵⁵ sz̩⁵⁵ liŋ³⁵/

/ɕi⁵⁵ sz̩⁵⁵ liɤ̯̃ɻ³⁵/

/ɕi⁵⁵ sz̩⁵⁵ liŋ³⁵/

/ɕi⁵⁵ sz̩⁵⁵ liɤ̯̃ɻ³⁵/


薩巴依

/sä⁵¹ pä⁵⁵ i⁵⁵/

/sä⁵¹ pä⁵⁵ i⁵⁵/

(music) sapayi, a Uyghur percussion instrument (a type of sistrum) made of metal rings mounted on a wooden stick or animal horn


搖鼓

/jɑʊ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jiːu̯²¹ kuː³⁵/

/io²⁴⁻²² kɔ⁵³/

/io²⁴⁻²² kɔ⁵⁵⁴/

/io¹³⁻²² kɔ⁵³/

/io²⁴⁻¹¹ kɔ⁵³/

/iɤ²³⁻³³ kɔ⁴¹/

/jɑʊ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jiːu̯²¹ kuː³⁵/

/io²⁴⁻²² kɔ⁵³/

/io²⁴⁻²² kɔ⁵⁵⁴/

/io¹³⁻²² kɔ⁵³/

/io²⁴⁻¹¹ kɔ⁵³/

/iɤ²³⁻³³ kɔ⁴¹/


阿烏

Onomatopoeic of the sound produced when the instrument is blown.

(music) an ocarina used by the Yi people of southwest China


叉鈴

/ʈ͡ʂʰä⁵⁵ liŋ³⁵/

/ʈ͡ʂʰä⁵⁵ liɤ̯̃ɻ³⁵/

/ʈ͡ʂʰä⁵⁵ liŋ³⁵/

/ʈ͡ʂʰä⁵⁵ liɤ̯̃ɻ³⁵/


面板

/mi̯ɛn⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/mi̯ɛn⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/

/mi̯ɛn⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/mi̯ɛn⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/


幻想曲

CJKV/code

Sino-Xenic (幻想曲):
* → Japanese: 幻想曲(げんそうきょく) (gensōkyoku)
* → Korean: 환상곡(幻想曲) (hwansanggok)

ㄏㄨㄢˋ ㄒㄧㄤˇ ㄑㄩˇ

/xu̯än⁵¹ ɕi̯ɑŋ²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/waːn²² sœːŋ³⁵ kʰʊk̚⁵/

/huan²¹⁻⁴¹ siɔŋ⁴¹⁻⁴⁴ kʰiɪk̚³²/

/huan¹¹⁻⁵³ siɔŋ⁵³⁻⁴⁴ kʰiɪk̚³²/

/xu̯än⁵¹ ɕi̯ɑŋ²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/waːn²² sœːŋ³⁵ kʰʊk̚⁵/

/huan²¹⁻⁴¹ siɔŋ⁴¹⁻⁴⁴ kʰiɪk̚³²/

/huan¹¹⁻⁵³ siɔŋ⁵³⁻⁴⁴ kʰiɪk̚³²/


藍調

/län³⁵ ti̯ɑʊ̯⁵¹/

/län³⁵ ti̯ɑʊ̯⁵¹/


絲弦

/sz̩⁵⁵ ɕi̯ɛn³⁵/

/si⁴⁴⁻²² hiɛn¹³/

/si⁴⁴⁻²² hiɛn²⁴/

/sz̩⁵⁵ ɕi̯ɛn³⁵/

/si⁴⁴⁻²² hiɛn¹³/

/si⁴⁴⁻²² hiɛn²⁴/


器樂

/t͡ɕʰi⁵¹⁻⁵³ ɥɛ⁵¹/

/hei̯³³ ŋɔːk̚²/

/kʰi⁴¹⁻⁵⁵⁴ ɡak̚²⁴/

/kʰi²¹⁻⁵³ ɡak̚⁴/

/kʰi²¹⁻⁵³ ɡak̚¹²¹/

/t͡ɕʰi⁵¹⁻⁵³ ɥɛ⁵¹/

/hei̯³³ ŋɔːk̚²/

/kʰi⁴¹⁻⁵⁵⁴ ɡak̚²⁴/

/kʰi²¹⁻⁵³ ɡak̚⁴/

/kʰi²¹⁻⁵³ ɡak̚¹²¹/


粵謳

/ɥɛ⁵¹ ˀoʊ̯⁵⁵/

/jyːt̚² ɐu̯⁵⁵/

/ɥɛ⁵¹ ˀoʊ̯⁵⁵/

/jyːt̚² ɐu̯⁵⁵/

(music) A genre of quyi performed in Cantonese.


琴瑟

Sino-Xenic (琴瑟):
* → Japanese: 琴瑟(きんしつ) (kinshitsu)
* → Korean: 금슬(琴瑟) (geumseul)

/t͡ɕʰin³⁵ sɤ⁵¹/

/kʰɐm²¹ sɐt̚⁵/

/kʰim²⁴⁻²² siɪk̚³²/

/kʰim²⁴⁻²² siɪk̚⁵/

/kʰim¹³⁻²² siɪk̚³²/

/kʰim²⁴⁻¹¹ siɪk̚³²/

/kʰim²³⁻³³ siɪk̚³²/

/t͡ɕʰin³⁵ sɤ⁵¹/

/kʰɐm²¹ sɐt̚⁵/

/kʰim²⁴⁻²² siɪk̚³²/

/kʰim²⁴⁻²² siɪk̚⁵/

/kʰim¹³⁻²² siɪk̚³²/

/kʰim²⁴⁻¹¹ siɪk̚³²/

/kʰim²³⁻³³ siɪk̚³²/

The modest, retiring, virtuous, young lady: With lutes, small and large, let us give her friendly welcome.

The Classic of Poetry, c. 11ᵗʰ – 7ᵗʰ centuries BCE, translated based on James Legge's version

窈窕淑女，琴瑟友之。

(music) the qin and the se (traditional Chinese zither-like instruments)


甘美蘭

/kän⁵⁵ meɪ̯²¹⁴⁻²¹ län³⁵/

/kän⁵⁵ meɪ̯²¹⁴⁻²¹ län³⁵/


推手

/tʰu̯eɪ̯⁵⁵ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/tʰu̯eɪ̯⁵⁵ ʂɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/tʰɵy̯⁵⁵ sɐu̯³⁵/

/tʰu̯eɪ̯⁵⁵ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/tʰu̯eɪ̯⁵⁵ ʂɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/tʰɵy̯⁵⁵ sɐu̯³⁵/


純律

/ʈ͡ʂʰu̯ən³⁵ ly⁵¹/

/sɵn²¹ lɵt̚²/

/ʈ͡ʂʰu̯ən³⁵ ly⁵¹/

/sɵn²¹ lɵt̚²/


異域

Sino-Xenic (異域):
* → Japanese: 異(い)域(いき) (iiki)
* → Korean: 이역(異域) (iyeok)

/i⁵¹⁻⁵³ y⁵¹/

/jiː²² wɪk̚²/

/i²²⁻²¹ hiɪk̚⁴/

/i⁴¹⁻²² hiɪk̚²⁴/

/i²²⁻²¹ hiɪk̚¹²¹/

/i³³⁻¹¹ hiɪk̚⁴/

/i³³⁻²¹ hiɪk̚⁴/

/i⁵¹⁻⁵³ y⁵¹/

/jiː²² wɪk̚²/

/i²²⁻²¹ hiɪk̚⁴/

/i⁴¹⁻²² hiɪk̚²⁴/

/i²²⁻²¹ hiɪk̚¹²¹/

/i³³⁻¹¹ hiɪk̚⁴/

/i³³⁻²¹ hiɪk̚⁴/


合拍

/xɤ³⁵ pʰaɪ̯⁵⁵/

/hɐp̚² pʰaːk̚³/

/hap̚⁴⁻³² pʰaʔ³²/

/hap̚²⁴⁻² pʰaʔ⁵/

/hap̚¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)²⁴⁻² pʰaʔ⁵/

/ha(ʔ)¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)⁴⁻²¹ pʰaʔ³²/

/xɤ³⁵ pʰaɪ̯⁵⁵/

/hɐp̚² pʰaːk̚³/

/hap̚⁴⁻³² pʰaʔ³²/

/hap̚²⁴⁻² pʰaʔ⁵/

/hap̚¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)²⁴⁻² pʰaʔ⁵/

/ha(ʔ)¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)⁴⁻²¹ pʰaʔ³²/

(music) to be on beat; to be in time with; to be in rhythm with


琴譜

/t͡ɕʰin³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰin³⁵ pʰuɻʷ²¹⁴⁻²¹⁽⁴⁾/

/kʰɐm²¹ pʰou̯³⁵/

/kʰim²⁴⁻²² pʰɔ⁵³/

/kʰim²⁴⁻²² pʰɔ⁵⁵⁴/

/kʰim¹³⁻²² pʰɔ⁵³/

/kʰim²⁴⁻¹¹ pʰɔ⁵³/

/kʰim²³⁻³³ pʰɔ⁴¹/

/d͡ʑin²² pʰu⁴⁴/

/t͡ɕʰin³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰin³⁵ pʰuɻʷ²¹⁴⁻²¹⁽⁴⁾/

/kʰɐm²¹ pʰou̯³⁵/

/kʰim²⁴⁻²² pʰɔ⁵³/

/kʰim²⁴⁻²² pʰɔ⁵⁵⁴/

/kʰim¹³⁻²² pʰɔ⁵³/

/kʰim²⁴⁻¹¹ pʰɔ⁵³/

/kʰim²³⁻³³ pʰɔ⁴¹/

/d͡ʑin²² pʰu⁴⁴/

Do you have the piano score for “The Moon Represents My Heart”?

Nǐ yǒu “Yuèliàng Dàibiǎo Wǒ de Xīn” de qínpǔ ma?

你有《月亮代表我的心》的琴譜嗎？

你有《月亮代表我的心》的琴谱吗？

(music) score for musical instruments called 琴 (qín), including the guqin, piano and violin


單曲

/tän⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/taːn⁵⁵ kʰʊk̚⁵/

/tän⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/taːn⁵⁵ kʰʊk̚⁵/

最新單曲

最新单曲

(music) single (popular song released on its own)


無伴奏合唱

ㄨˊ ㄅㄢˋ ㄗㄡˋ ㄏㄜˊ ㄔㄤˋ

убаньцзоу хэчан

/u³⁵ pän⁵¹⁻⁵³ t͡soʊ̯⁵¹ xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹/

/mou̯²¹ puːn²² t͡sɐu̯³³ hɐp̚² t͡sʰœːŋ³³/

/u³⁵ pän⁵¹⁻⁵³ t͡soʊ̯⁵¹ xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹/


阿卡貝拉

ㄚ ㄎㄚˇ ㄅㄟˋ ㄌㄚ

/ˀä⁵⁵ kʰä²¹⁴⁻²¹ peɪ̯⁵¹ lä⁵⁵/

/ˀä⁵⁵ kʰä²¹⁴⁻²¹ peɪ̯⁵¹ lä⁵⁵/

Borrowed from English a cappella or Italian a cappella.


輪唱

/lu̯ən³⁵ ʈ͡ʂʰɑŋ⁵¹/

/lɵn²¹ t͡sʰœːŋ³³/

/lun²⁴⁻²² t͡sʰiũ²¹/

/lun²⁴⁻²² t͡sʰiũ⁴¹/

/lun¹³⁻²² t͡sʰiɔ̃²¹/

/lu̯ən³⁵ ʈ͡ʂʰɑŋ⁵¹/

/lɵn²¹ t͡sʰœːŋ³³/

/lun²⁴⁻²² t͡sʰiũ²¹/

/lun²⁴⁻²² t͡sʰiũ⁴¹/

/lun¹³⁻²² t͡sʰiɔ̃²¹/


輪唱

/lu̯ən³⁵ ʈ͡ʂʰɑŋ⁵¹/

/lɵn²¹ t͡sʰœːŋ³³/

/lun²⁴⁻²² t͡sʰiũ²¹/

/lun²⁴⁻²² t͡sʰiũ⁴¹/

/lun¹³⁻²² t͡sʰiɔ̃²¹/

/lu̯ən³⁵ ʈ͡ʂʰɑŋ⁵¹/

/lɵn²¹ t͡sʰœːŋ³³/

/lun²⁴⁻²² t͡sʰiũ²¹/

/lun²⁴⁻²² t͡sʰiũ⁴¹/

/lun¹³⁻²² t͡sʰiɔ̃²¹/


基音

/t͡ɕi⁵⁵ in⁵⁵/

/t͡ɕi⁵⁵ in⁵⁵/

fundamental frequency
fundamental frequency

(music) fundamental tone; fundamental frequency


琴弦

/t͡ɕʰin³⁵ ɕi̯ɛn³⁵/

/kʰɐm²¹ jiːn²¹/

/kʰim²⁴⁻²² hiɛn²⁴/

/kʰim²⁴⁻²² hiɛn²⁴/

/kʰim¹³⁻²² hiɛn¹³/

/kʰim²⁴⁻¹¹ hiɛn²⁴/

/kʰim²³⁻³³ hiɛn²³/

/t͡ɕʰin³⁵ ɕi̯ɛn³⁵/

/kʰɐm²¹ jiːn²¹/

/kʰim²⁴⁻²² hiɛn²⁴/

/kʰim²⁴⁻²² hiɛn²⁴/

/kʰim¹³⁻²² hiɛn¹³/

/kʰim²⁴⁻¹¹ hiɛn²⁴/

/kʰim²³⁻³³ hiɛn²³/


主旋律

ㄓㄨˇ ㄒㄩㄢˊ ㄌㄩˋ

/ʈ͡ʂu²¹⁴⁻²¹ ɕy̯ɛn³⁵ ly⁵¹/

/t͡syː³⁵ syːn²¹ lɵt̚²⁻³⁵/

/ʈ͡ʂu²¹⁴⁻²¹ ɕy̯ɛn³⁵ ly⁵¹/

/t͡syː³⁵ syːn²¹ lɵt̚²⁻³⁵/