take

(Hong Kong Cantonese, film) take; attempts of recording or filming at one time (Classifier: 個／个 c)


cut

(film and television) An instruction to cease recording


八

CJKV/code

Sino-Xenic (八):
* → Japanese: 八(はち) (hachi)
* → Korean: 팔(八) (pal)
* → Vietnamese: bát (八)

desctree

→ Proto-Tai: *peːtᴰ (“eight”)
Proto-Southwestern Tai: *pɛːtᴰ
Thai: แปด (bpɛ̀ɛt)
Northern Thai: ᨸᩯ᩠ᨯ
Lao: ແປດ (pǣt)
Lü: ᦶᦔᧆᧈ (ṗaed¹)
Tai Dam: ꪵꪜꪒ
Shan: ပႅတ်ႇ (pèt)
Tai Laing: ပျꧥတ်
Tai Nüa: ᥙᥦᥖᥱ (pǎet)
Phake: ပိတ် (pit)
Ahom: 𑜆𑜢𑜄𑜫 (pit)
Northern Tai
Bouyei: beedt
Tai Do: pẹt
Zhuang: bet
Central Tai
Nùng: pẻt
Tày: pét

Characters in the same phonetic series (八) (Zhengzhang, 2003)
Ideogrammic compound (會意 /会意): 八 is two bent lines indicating the original meaning of "to divide". This character is later borrowed to mean "eight" because of homonymy, making the original meaning obsolete (now represented by 分 and 別).
Unrelated to the bottom part of 兵, 共, 具, and 兴, in which it represents two hands holding an object. Also unrelated to 只 and 兑 in which it represents air coming out of a mouth. Unrelated to 貝. Eventually, unrelated to the bottom part of 其, 真, and 典, in which it represents the legs of a table.
From Proto-Sino-Tibetan *b-r-gjat (“eight”). Compare Tibetan བརྒྱད (brgyad).

Han etyl

(printing) pearl (the smallest size of usual type, standardized as 5 point)


四

Numbers in Chinese culture#Four
Qin dynasty
Spring and Autumn period
Western Zhou

CJKV/code

Sino-Xenic (四):
* → Japanese: 四(し) (shi)
* → Korean: 사(四) (sa)
* → Vietnamese: tứ (四)

Wutunhua: se

desctree

→ Proto-Tai: *siːᴮ (“four”)
Northern Tai
Bouyei: sis
Tai Do: xì
Zhuang: seiq
Central Tai
Nong Zhuang: siq
Nùng: slỉ
Tày: slí
Proto-Southwestern Tai: *siːᴮ
Thai: สี่ (sìi)
Northern Thai: ᩈᩦ᩵
Lao: ສີ່ (sī)
Phake: ꩬီ (sī)
Lü: ᦉᦲᧈ (ṡii¹)
Tai Dam: ꪎꪲ꪿
Shan: သီႇ (sìi)
Tai Laing: ꩬီ
Tai Nüa: ᥔᥤᥱ (sǐ)
Khamti: ꩬီ
Ahom: 𑜏𑜣 (sī)
Aiton: ꩬီ (sī)

→ Vietnamese: tư (“four”)

The word "four" was written as 亖 (sì) before Western Zhou and 四 (sì) appeared in late Spring and Autumn period. This alternative form was used to prevent confusion of 亖 (sì) and 二 (“two”) or 三 (“three”) in vertical writing. It was standardized in Qin dynasty.
The bronzeware style of the character featured a repositioning of those four lines inside 口 (kǒu); this later evolved into the combination used today of 口 (kǒu, “mouth”) and 八 (bā, “divide”) which meant a dispersal of breath. It could thus be said that four is a borrowed meaning for this character. The original sense is preserved in 呬 (OC *hrids), by adding an extra 口. Compare this character with 只 and 曰.
From Proto-Sino-Tibetan *b-ləj.

肆
亖
皿
龱
𠁤
𠃢
𦉭

(printing) English; The size of type between 小四 (little 4) and 小三 (little 3), standardized as 14 point.


五

CJKV/code

Sino-Xenic (五):
* → Japanese: 五(ご) (go)
* → Korean: 오(五) (o)
* → Vietnamese: ngũ (五)

desctree

→ Proto-Tai: *haːꟲ (“five”)
Northern Tai
Bouyei: hac
Saek: ฮ̂า
Tai Do: ha
Zhuang: haj
Central Tai
Nùng: hà
Tày: hả
Southwestern Tai
Ahom: 𑜑𑜡 (hā)
Lao: ຫ້າ (hā)
Lü: ᦠᦱᧉ (ḣaa²)
Northern Thai: ᩉ᩶ᩣ
Shan: ႁႃႈ (hāa)
Tai Dam: ꪬ꫁ꪱ
Tai Nüa: ᥞᥣᥲ (hàa)
Thai: ห้า (hâa)

Originally written 𠄡, consisting of 㐅 with a bar on the top and bottom. One hypothesis explains that this may have meant five because when counting on a single hand, one first counts to five and then crosses back the other way to ten.
In 韋, the upper component (𫝀) is the stylization of a footprint, hence it is similar but unrelated to 五.
From Proto-Sino-Tibetan *l/b-ŋa (“five”).

(printing) The size of type between 小五 (xiǎowǔ) (little 5) and 小四 (xiǎosì) (little 4), standardized as 10½ point.


六

CJKV/code

Sino-Xenic (六):
* → Japanese: 六(ろく) (roku)
* → Korean: 육/륙(六) (yuk/ryuk)
* → Vietnamese: lục (六)

desctree

→ Proto-Tai: *krokᴰ (“six”)
Northern Tai
Bouyei: rogt
Tai Do: hốc
Zhuang: roek, loeg
Central Tai
Tày: hốc
Nùng: róc
Nong Zhuang: choak
Proto-Southwestern Tai: *xrokᴰ¹ˢ
Thai: หก (hòk)
Northern Thai: ᩉᩫ᩠ᨠ
Lao: ຫົກ (hok)
Lü: ᦷᦠᧅ (ḣok)
Tai Dam: ꪶꪬꪀ
Shan: ႁူၵ်း (húuk)
Tai Nüa: ᥞᥨᥐᥱ (hǒk)
Aiton: ꩭုက် (huk)
Phake: ꩭုက် (huk)
Ahom: 𑜍𑜤𑜀𑜫 (ruk)

Pictogram (象形) – perhaps a shed. Originally using the similar-sounding word 廬 (OC *ra, “shed, cabin”) to represent the concept “six” (Liu Xinglong). Alternatively, it may be an ancient counting symbol.
From Proto-Sino-Tibetan *d-k-ruk (“six”).

(printing) small text; The size of type between 小五 (xiǎowǔ, “little 5”) and 小六 (xiǎoliù, “little 6”), standardized as 7½ point.


七

CJKV/code

Sino-Xenic (七):
* → Japanese: 七(しち) (shichi); 七(しつ) (shitsu)
* → Korean: 칠(七) (chil)
* → Vietnamese: thất (七)

→ Ai-Cham: sit⁷

desctree

→ Proto-Tai: *cetᴰ
Northern Tai
Bouyei: xadt
Tai Do: chết
Zhuang: caet
Central Tai
Nong Zhuang: jiat
Tày: chết
Southwestern Tai
Thai: เจ็ด (jèt)
Lao: ເຈັດ (chet)
Lü: ᦵᦈᧆ (ṫsed)
Tai Dam: ꪹꪊꪸꪒ
Shan: ၸဵတ်း (tsáet)
Tai Nüa: ᥓᥥᥖᥱ (tsět)
Tai Laing: ၸဵတ်
Ahom: 𑜋𑜢𑜄𑜫 (chit)

Characters in the same phonetic series (七) (Zhengzhang, 2003)
Pictogram (象形) – a vertical stroke and a horizontal stroke bisecting each other – original character of 切 (OC *sn̥ʰiːds, *sn̥ʰiːd, “to cut”).
The top-most horizontal stroke is done from left to right. The vertical stroke and bottom-most horizontal stroke are done as one stroke, from top-left to bottom-right.
From Proto-Sino-Tibetan *s-ni-s (“seven”).

Han etyl

(printing) agate: The size of type between 小六 (xiǎoliù, “little 6”) and 八 (bā, “8”), standardized as 5½ point.


亂

Phono-semantic compound (形聲 /形声, OC *roːns): phonetic 𤔔 (*[r]ˁo[n]-s) + semantic 乚. The left-side component 𤔔 is itself ideogrammatic, depicting the effort to comb a tangle of threads, hence the semantic link to order and disorder.
Area word of Austroasiatic origin. Compare Khmer ប្រួល (pruəl, “changing; unstable”) < Khmer រួល (ruəl, “to cook; to grill”), and also Khmer កំរោល (kɑmraol, “to go berserk; to become excited”) < Khmer រោល (rool, “to burn; to roast”) (Schuessler, 2007). Burmese ရုန်း (run:, “to struggle, to warp, to cause chaos”) and Tibetan ཁྲལ་ཁྲུལ (khral khrul, “fragments; scattered”) are Austroasiatic loans. Compare also Vietnamese lộn (“to turn the inside out, upside down, to reverse, to return, etc.”) and trộn (“to mix; to blend; to turn upside down”).

cog

乱
乨
乿
𠃶
𠃹
𠃿
𢿢
𢿮
𤕅

The Master said, "When the music master Zhi first entered on his office, the finish of the Guan Ju was magnificent — how it filled the ears!"

The Analects of Confucius, c. 475 – 221 BCE, translated based on James Legge's version

Zǐyuē: “Shī Zhì zhī shǐ, “Guānjū” zhī luàn, yángyáng hū yíng ěr zāi!”

子曰：「師摯之始，《關雎》之亂，洋洋乎盈耳哉！」

子曰：「师挚之始，《关雎》之乱，洋洋乎盈耳哉！」

(obsolete, literary, music or poetry) coda; finale; conclusion of a piece


令

CJKV/code

Sino-Xenic (令):
* → Japanese: 令(りょう) (ryō); 令(れい) (rei)
* → Vietnamese: lệnh (令), lành (令)

Ideogrammic compound (會意 /会意): 亼 + 卩. The upper part is an open mouth to convey the idea of giving orders, while the bottom part is a kneeling man. Compare 兄, in which an open mouth on top of the character conveys the same idea of giving orders.
Usually thought to be related to 命 (OC *mreŋs, “order”) (Schuessler, 2007). As a surname, 令 has many origins, one of them is 令狐 (Línghú).


傳

Sino-Xenic (傳):
* → Japanese: 伝(でん) (den)
* → Korean: 전(傳) (jeon)
* → Vietnamese: truyện (傳)

→ Vietnamese: chuyện (𡀯)

/t͡syːn²²⁻³⁵/

/t͡syːn²²⁻³⁵/

Phono-semantic compound (形聲 /形声, OC *tons, *don, *dons): semantic 人 (“man”) + phonetic 專 (OC *tjon).
Related to 轉 (OC *tonʔ, *tons, “to turn around; to transfer”); see there for more.

och-l

In the histories (i.e., the Book of Documents) it is written: "I, the One, enjoy felicity; the people will look to me as their sure dependence," which refers to this.

Zhuàn yuē: “Yīrén yǒu qìng, zhào mín lài zhī.” Cǐ zhī wèi yě.

傳曰：「一人有慶，兆民賴之。」此之謂也。

传曰：「一人有庆，兆民赖之。」此之谓也。

(historical, literature) a category of historical literary works

historical narrative; record; chronicle; historical documents

《公羊傳》

《公羊传》

The Grand Commentary to the Yi (i.e., the Xi Ci) has it, that "All under heaven, the one answer is found by myriad contemplations, the one destiny is reached by diverse routes."

The Records of the Grand Historian, by Sima Qian, c. 91 BCE

“Yì” dàzhuàn: “Tiānxià yīzhì ér bǎilǜ, tóngguī ér shūtú.”

《易》大傳：「天下一致而百慮，同歸而殊塗。」

《易》大传：「天下一致而百虑，同归而殊涂。」

a category of historical literary works
commentary; annotation

to be a nobody (literally, "the name does not appear in canons or para-canons")

名不見經傳

名不见经传

Beside the canons (i.e. in Xunzi), the following is written: "How is it that rain comes after a sacrifice of rain-dance? Answer: There is no 'how'. It is the same as any occurrence of rain without the rain-dance."

c. 2nd century BCE, Han Shi Wai Zhuan (《韓詩外傳》)

Zhuàn yuē: “Yú ér yǔ zhě, hé yě? Yuē: wúhé yě, yóu bùyú ér yǔ yě.”

傳曰：「雩而雨者，何也？曰：無何也，猶不雩而雨也。」

传曰：「雩而雨者，何也？曰：无何也，犹不雩而雨也。」

The Annalist wrote: In the para-canons (i.e. the Analects, itself not considered canonical at the time) it is written: "When one's own personal conduct is correct, his government is effective without the issuing of orders. If not correct, he may issue orders, but they will not be followed." Is this not a proper description of General Li?

Tàishǐgōng yuē: zhuàn yuē: “Qí shēn zhèng, bù lìng ér xíng; qí shēn bùzhèng, suī lìng bù cóng,” qí Lǐ jiāngjūn zhī wèi yě?

太史公曰：傳曰：「其身正，不令而行；其身不正，雖令不從，」其李將軍之謂也？

太史公曰：传曰：「其身正，不令而行；其身不正，虽令不从，」其李将军之谓也？

paracanonical work (any work that complements a canon or a canonical body of texts but not considered canonical by itself, often including the above)

自傳

自传

列傳

列传

《水滸傳》

《水浒传》

(historical, literature) novel or story written in the historical style


儷

Phono-semantic compound (形聲 /形声, OC *reːls): semantic 人 (“person”) + phonetic 麗 (OC *reːls, *rel).


吟

Phono-semantic compound (形聲 /形声, OC *ŋɡrɯm, *ŋɡrɯms): semantic 口 + phonetic 今 (OC *krɯm).


字

CJKV/code

Sino-Xenic (字):
* → Japanese: 字(じ) (ji)
* → Korean: 자(字) (ja)
* → Vietnamese: tự (字)

→ Proto-Tai: *ɟɤ:ᴮ (“name”)

Lao: ຊື່ (sư̄, “name”)

Thai: ชื่อ (chʉ̂ʉ, “name”)

Zhuang: coh (“name”)

desc

→ Vietnamese: chữ (“script; letter; writing; word”), chửa (“to be pregnant”)

Characters in the same phonetic series (子) (Zhengzhang, 2003)
Phono-semantic compound (形聲 /形声, OC *zlɯs): semantic 宀 (“roof”) + phonetic 子 (OC *ʔslɯʔ, “child”).
From Proto-Sino-Tibetan *tsa ~ za (“child; to give birth; to take care; to be kind”). Related to:
* 子 (OC *ʔslɯʔ, “child, son”) (also its phonetic component)
* 慈 (OC *zɯ, “to be kind, loving”)
* 滋 (OC *ʔsɯ, “to nourish, to grow”)
* 詞 (OC *ljɯ, “word, term”)
* 辭 (OC *ljɯ, “word, from testimony”)
Original sense (1): “to become pregnant, to give birth to, to nurture, to love” has essentially become obsolete. The sense (2) “letter, character” is either from a different root or a derivation from the sense “to produce, to generate”.
Cognate with Tibetan ཚ་བོ (tsha bo, “nephew”), Tibetan ཚ་རུས (tsha rus, “descendant”), Tibetan བཙའ (btsa', “to give birth to; to guard”), Tibetan མཛའ (mdza', “kind, peaceful, friendly”) (Quan, 1996), Burmese စာ (ca, “writing, letter”).

cog

柳字 ― liǔzì ― style of calligraphy of Liu Gongquan

(calligraphy) style of handwriting; printing type

字畫／字画

(calligraphy) (a calligrapher's) calligraphy work


季

Ideogrammic compound (會意 /会意): 禾 + 子.
Etymology not clear (Schuessler, 2007).


彎

CJKV/code

Sino-Xenic (彎):
* → Japanese: 彎(わん) (wan)
* → Korean: 만(彎) (man)
* → Vietnamese: loan (彎)

Phono-semantic compound (形聲 /形声, OC *qroːn): semantic 弓 (“bow”) + phonetic 䜌 (OC *b·roːn, *b·ron, *b·rons).
May be cognate with 迂 (OC *qʷa, *qʷaʔ, *ɢʷa).
; “homosexual”

Han compound

(Chinese calligraphy) a bend (such as in ㇉, ㇌, ㇟, or ㇠)


折

Characters in the same phonetic series (折) (Zhengzhang, 2003)
Originally 㪿, an ideogrammic compound (會意 /会意): ⿱屮屮 (“a tree 木 cut in half”) + 斤 (“axe”) – an axe cutting a tree in half.
In the current form, the left side has become 扌 (“hand”).
From Proto-Sino-Tibetan *tsjat (“to cut off; to sever; to break”).

inh

(Chinese calligraphy) a change in direction of a stroke (such as in ㇕, ㇉, or ㇜)


捺

扌 (“hand”) + 奈 – to press down with the hand, stamp.

yī zì bù èr nà

one character does not have two falling strokes (rule used in calligraphy)

一字不二捺

(Chinese calligraphy) a stroke that falls downwards towards the right (㇏)


提

Phono-semantic compound (形聲 /形声, OC *deː, *dje): semantic 扌 (“hand”) + phonetic 是 (OC *djeʔ).

Han compound

(Chinese calligraphy) a rising stroke (㇀)


撇

Phono-semantic compound (形聲 /形声, OC *pʰeːd): semantic 手 (“hand”) + phonetic 敝 (OC *beds, *bed).

Han compound

(Chinese calligraphy) stroke that falls downwards towards the left (㇒)


散

The original version visible on oracle bone script is 㪔, hence Ideogrammic compound (會意 /会意): 林 (“trees, forest”) + 攴 (“to knock, to tap”), also written with hemp stalks 𣏟 (> 𢽳) or bamboo 竹 instead of two trees. The original meanings are "to clear a place from vegetation; to kill". The character later started meaning "to dissipate, to disperse" since bamboo in particular breaks easily into pieces; eventually, the meaning shifted to "to walk around, to stroll".
Shuowen: Phono-semantic compound (形聲 /形声, OC *saːnʔ, *saːns): semantic 肉 + phonetic 𢽳 (), written as 𣀙, in which 林 is well visible on top.
From Proto-Sino-Tibetan *sjwar ~ g/b-sjwa-n/t (“flow; pour; scatter; spill; sow; broadcast”). Cognate with 撒 (OC *saːd, “to cast away; to let go”), 宣 (OC *sqʰon, “to spread; to proclaim”), Tibetan འཆོར་བ ('chor ba, “to escape; to flow out”), Burmese သွန် (swan, “to pour out; to spill”), Lahu šē (“to sow; to broadcast”), Lahu šêʔ (“to pour; to spill; to disperse; to sow; to broadcast”).

cog

㪔
𢽳
𢿷
𣀙
𢿱
㪚
撒
嘇
糝
剼


斜

(Chinese calligraphy) a bend to the right (such as in ㇂, ㇃, or ㇠)


校

/t͡ɕi̯ɑʊ̯⁵¹/

/t͡ɕi̯ɑʊ̯⁵¹/

A derivative, with causative suffix -s, of 交 (OC *kreːw). (Schuessler, 2007).


樣

CJKV/code

Sino-Xenic (樣):
* → Japanese: 様(よう) (yō)
* → Korean: 양(樣) (yang)
* → Vietnamese: dạng (樣)

desc

→ Khmer: យ៉ាង (yaang, “kind, type, way, particle for forming adverbial phrases”)

→ Lao: ຢ່າງ (yāng, “kind, type; standard, pattern; way, method”)

→ Lü: ᦊᦱᧂᧈ (ẏaang¹)

→ Lü: ᦊᦱᧂᧈ (ẏaang¹)

→? Malay: yang (“(he, the one) who, (that) which”)

→ Mongolian: зан (zan)

→ Northern Thai: ᩀ᩵ᩣ᩠ᨦ

→ Thai: อย่าง (yàang, “variety; kind; manner; like, as; adverbial particle”), เยี่ยง (yîiang, “like, as if; example, model”)

→ Proto-Turkic: *yaŋ

→ Old Uyghur: yaŋ

→ Karakhanid: يَانگ

→ Vietnamese: dáng (“gait, figure”), dường (“to seem, to be like”)

Phono-semantic compound (形聲 /形声, OC *laŋs): semantic 木 (“wood”) + phonetic 羕 (OC *laŋs).
; “appearance; etc.”
; “(ACG slang) -sama”


橫

Phono-semantic compound (形聲 /形声, OC *ɡʷraːŋ, *ɡʷraːŋs, *kʷaːŋ): semantic 木 (“wood”) + phonetic 黃 (OC *ɡʷaːŋ).
; “crosswise > door rail; side; cross-grained; unrestrained”
* Related to 衡 (OC *ɡraːŋ, “crossbar”), 桁 (OC *ɡaːŋ, *ɡraːŋ, “purlin”), 珩 (OC *ɡraːŋ, “top horizontal gem of a girdle-pendant”) and 璜 (OC *ɡʷaːŋ, “jade pendant”) (Wang, 1982), and possibly 樑 (OC *raŋ, “roof beam”) (Schuessler, 2007).
* Schuessler (2007) connects these with Khmer ខ្វែង (khvaeng, “to cross; to intersect; to crisscross; diagonal; etc.”) < Old Khmer khveṅ (“to go far around; to encircle; to enclose”). Compare Thai ขวาง (kwǎang, “to lie across; to bar; to obstruct; to thwart”) and the Khmer derivatives កំពែង (kɑmpɛɛng, “enclosing wall; rampart”), កំពង់ (kɑmpŭəng, “crossing-place; ford; port; shore”) (cf. Malay kampung).

cog

(Chinese calligraphy) horizontal stroke (㇐)


檔

Phono-semantic compound (形聲 /形声, OC *taːŋ, *taːŋs): semantic 木 (“tree”) + phonetic 當 (OC *taːŋ, *taːŋs).

Han compound

八點檔／八点档


版

Phono-semantic compound (形聲 /形声, OC *praːnʔ): semantic 片 + phonetic 反 (OC *panʔ, *pʰan).
Related to 板 (OC *praːnʔ, “plank, board”); see there for more.

Han compound

銅版

铜版

活字版


直

desc

→ Old Turkic: tik (vertical, straight, straightforward)

Oghuz: دیك

Azerbaijani: dik

Turkish: dik

Turkmen: dik

Turkmen: dikan (honest, straight, direct)

Oracle bone script: Ideogrammic compound (會意 /会意): 目 (“eye”) + 丨 (“vertical stroke”) – vertical stroke above the eye; looking straight ahead. Then, a black dot was drawn inside the vertical stroke and this point later became a horizontal stroke (hence getting a shape similar to 十).
The line on the side appears in bronze script and subsequently stretched under the 目 shape, while the traditional form appears in seal script.
A conservative version is used inside the character 𢛳 (> 德), while the modern version is used inside its variant 惪. Unrelated to 具 and 真.
; "simply; only"
; "straight; right"
; “heterosexual”

Han compound

(Chinese calligraphy) vertical stroke in Chinese characters


真

CJKV/code

Sino-Xenic (真):
* → Japanese: 真(しん) (shin)
* → Korean: 진(眞) (jin)
* → Vietnamese: chân (真)

→ Lao: ຈິງ (ching)

→ Old Turkic: 𐰲𐰃𐰣 (čin)

→ Kazakh: шын (şyn)

→ Uzbek: chin

→ Uyghur: چىن (chin)

→ Karakalpak: шын

→ Nogai: шын (şın)

→ Kyrgyz: чын (cın)

→ Yakut: дьиҥ (jiñ)

→ Tatar: чын (çın)

→ Tuvan: шын (şın)

→ Southern Altai: чын (čïn)

→ Bashkir: ысын (ısın)

→ Turkmen: çyn (чын)

→ Chuvash: чӑн (čăn)

→ Eastern Mari: чын (čyn)

→ Thai: จริง (jing)

/t͡sz̩ʷøŋ⁵²/

/t͡sz̩ʷøŋ⁵²/

Originally phono-semantic compound (形聲 /形声, OC *ʔljin): phonetic 𠂈 (OC *l'ɯːnʔ) + 貝 (“cowry”); 𠂈 (a knife or dagger) was then a phonetic component. Often 丁 (OC *rteːŋ, *teːŋ) (a nail) was added as a second phonetic component at the bottom; originally, it appeared as a black dot. He Linyi posits it to be the original character for 珍 (OC *ʔl'ɯn, “rare; valuable”).
The sound component 𠂈 corrupted into 十 in the modern form, and into 匕 in the orthodox seal script form 眞. The bottom of the character in both forms derives from the components 貝 and 丁 corrupting into 目 and 丌.
From Proto-Sino-Tibetan; cognate with Tibetan བདེན (bden, “true; truth”). Possibly connected with 貞 (OC *teŋ) (Schuessler, 2007).

Han compound

眞
𡙊
𠤛
⿱𥃭大
⿱𥃰大
⿱𥃰六
𰶵
𰶱
⿳上目大
⿳止目六
⿳十且八

(Chinese calligraphy) Short for 真書／真书 (zhēnshū, “regular script”).


磔

(literary, Chinese calligraphy) Synonym of 捺 (nà)


策

CJKV/code

Sino-Xenic (策):
* → Japanese: 策(さく) (saku)

/t͡sʰiɪk̚³²/

/t͡sʰiɪk̚³²/

Phono-semantic compound (形聲 /形声, OC *sʰreːɡ): semantic 竹 (“bamboo”) + phonetic 朿 (OC *sʰeɡs).

Han compound

筞
*筴
箣
𠞁
𠞦
𠷽
𢄆
𥳯

Eight Principles of Yong
w:Eight Principles of Yong

(calligraphy) upward horizontal stroke (the fifth of the Eight Principles of Yong)


絕

Originally ideogrammic compound (會意 /会意): 刀 (“knife”) + 幺 (“silk”) or ideogrammic compound (會意 /会意): 刀 (“knife”) + 𢆶 (“silk”) — to cut silk threads.
Now phono-semantic compound (形聲 /形声): semantic 糹 (“silk”) + semantic 刀 (“knife”) + phonetic 巴 (卪).
Most likely unrelated to 色.

绝
絶
㔃
𢇍
𠤉
撧
𢴭

被難

to be killed in a disaster, political incident

七絕

七绝


興

Characters in the same phonetic series (興) (Zhengzhang, 2003)
Ideogrammic compound (會意 /会意): 舁 (“to raise”) + 同 (“together”) – to hold up together.

Han compound

(poetry) association; speaking first of something else to lead up to the main theme


苑

(of arts, literature, etc.) center; circle; world


草

CJKV/code

Sino-Xenic (草):
* → Japanese: 草(そう) (sō)
* → Korean: 초(草) (cho)
* → Vietnamese: thảo (草)

Vietnamese: tháu (“scrawling”)

/t͡sʰɑʊ̯²¹⁴/

/t͡sʰɑʊ̯²¹⁴/

Phono-semantic compound (形聲 /形声, OC *sʰuːʔ): semantic 艹 (“grass; plant”) + phonetic 早 (OC *ʔsuːʔ). Originally referred to 皂, and later borrowed for the “grass” sense, replacing 艸.
From Proto-Sino-Tibetan *r-tswa-n (“grass”); cognate with Tibetan རྩྭ (rtswa, “grass”) (Schuessler, 2007; STEDT).
Alternatively, it may be related to 芻 (OC *sʰro, “hay”), from Austroasiatic; compare Mon ချဲ (“grass; weeds; hay”) (Schuessler, 2007).

Han compound

屮
艸
𢂉
𦯑
𦯨
𦳕
𦷣
𦳱
騲

狂草

(calligraphy) Short for 草書／草书 (cǎoshū, “cursive script (grass script)”).


號

→ Zhuang: heuh, hauh

Phono-semantic compound (形聲 /形声, OC *ɦlaːw, *ɦlaːws): phonetic 号 (OC *ɦlaːws) + 虎 (“tiger”).
Originally an ideogram (指事) of a tiger and a line representing its roar, hence exhaled air while roaring. Later forms added 口 (“mouth”) or 言 (“speech”) to emphasize the act of crying or calling. The original meaning was "to roar; to shout". 号 derives from 口 and the line 丂.
From Proto-Sino-Tibetan *(g/k)aw (“to call”) (Schuessler, 2007, STEDT). Compare Kinnauri ku, Anong go, and Burmese ခေါ် (hkau). The extension of the meaning ‘shout, call’ to ‘ask, request’ is parallel to 呼 (hū).
Pronunciation 1 is the exopassive derivation of pronunciation 2, literally "what is called".

Han compound

See also: 字號


訊

Characters in the same phonetic series (卂) (Zhengzhang, 2003)
Phono-semantic compound (形聲 /形声, OC *sins): semantic 言 + phonetic 卂 (OC *sins, *tods).


詞

Phono-semantic compound (形聲 /形声, OC *ljɯ): semantic 言 (“speech”) + phonetic 司 (OC *slɯ).

Han compound

(literature) ci; a form of poetry originating in the Tang dynasty and flourishing during the Song dynasty (Classifier: 首 m)


豎

Possibly phono-semantic compound (形聲 /形声, OC *djoʔ): semantic 臤 + phonetic 豆 (OC *doːs).

Han compound

竖
竪
𠐊
㒘
䜿
䝂
𥪛

(Chinese calligraphy) a vertical stroke (㇑)


贊

Originally 賛. Ideogrammic compound (會意 /会意): 㚘 + 貝 (“money”) – to help with money.
Now phono-semantic compound (形聲 /形声, OC *ʔsaːns): phonetic 兟 (OC *srin) + semantic 貝 (“money”).

Han compound

(literature) a form and style of writing that summarizes and concludes a narrative, biography, or portrait, etc.


鉤

(Chinese calligraphy) a stroke with a hook (such as in ㇠, ㇆, ㇚, or ㇟)


體

Phono-semantic compound (形聲 /形声, OC *r̥ʰiːʔ): semantic 骨 (“bone”) + phonetic 豊 (OC *riːʔ).
From Proto-Sino-Tibetan *sri (“to exist”) (Benedict, 1976); cognate with Proto-Tibeto-Burman *s-ri(t), whence Tibetan སྲིད་པ (srid pa) and Burmese ရှိ (hri., “to be, to exist”).
Schuessler (2007) derives Proto-Sino-Tibetan *s-riŋ ~ s-r(j)aŋ (“live, alive, green, raw”) from this root, yet points out that 生 (OC *sʰleːŋ, *sreŋs)'s initial *sr- cluster was retained instead of becoming voiceless /r̥/ as in 體 (OC *r̥ʰiːʔ), possibly owing to re-analysis of *s- as a causative prefix.

cog

文體

文体

(literature) style; form; genre; structure


魂

CJKV/code

Sino-Xenic (魂):
* → Japanese: 魂(こん) (kon)
* → Korean: 혼(魂) (hon)
* → Vietnamese: hồn (魂)

Phono-semantic compound (形聲 /形声, OC *ɢuːn): phonetic 云 (OC *ɢun) + semantic 鬼.
Cognate with 雲 (OC *ɢun, “cloud”) (Carr, 1985).

Han compound

(religion, folklore) the hun, the soul which goes to heaven, as opposed to the 魄 (pò), which goes down to the earth with the body at death.


魄

From Proto-Sino-Tibetan; cognate with Tibetan བླ (bla) and Burmese လိပ်ပြာ (lippra).
Related to 白 (OC *braːɡ, “white”) (Schuessler, 2007).
; "illuminated part of the moon"
; "dark part of the moon"

(religion, folklore) the po, the soul which does not leave the body after death, compared to 魂 (hún) which does.


點

Phono-semantic compound (形聲 /形声, OC *teːmʔ): semantic 黑 (“black”) + phonetic 占 (OC *ʔljem, *tjems) – black dots.


義訓

/i⁵¹⁻⁵³ ɕyn⁵¹/

/jiː²² fɐn³³/

/i⁵¹⁻⁵³ ɕyn⁵¹/

/jiː²² fɐn³³/

(literature) annotation of an ancient word with its meaning


字母

/t͡sz̩⁵¹ mu²¹⁴⁻²¹⁽⁴⁾/

/t͡sz̩⁵¹ muɻʷ²¹⁴⁻²¹⁽⁴⁾/

/t͡si²⁴²⁻⁵³ mo³³/

/li³³⁻¹¹ bu⁵³/

/li⁴¹⁻²² bu⁵⁵⁴/

/li²²⁻²¹ bu⁵³/

/zi³³⁻²¹ bɤ⁴¹/

/d͡zi²²⁻²¹ bo⁵³/

/zi³³⁻²¹ bu⁴¹/

/t͡sz̩⁵¹ mu²¹⁴⁻²¹⁽⁴⁾/

/t͡sz̩⁵¹ muɻʷ²¹⁴⁻²¹⁽⁴⁾/

/t͡si²⁴²⁻⁵³ mo³³/

/li³³⁻¹¹ bu⁵³/

/li⁴¹⁻²² bu⁵⁵⁴/

/li²²⁻²¹ bu⁵³/

/zi³³⁻²¹ bɤ⁴¹/

/d͡zi²²⁻²¹ bo⁵³/

/zi³³⁻²¹ bu⁴¹/


AV

From Japanese AV (AV, “pornographic video”).

/ˀeɪ̯⁵⁵ weɪ̯⁵⁵/

/ei̯⁵⁵ wiː⁵⁵/

/ˀeɪ̯⁵⁵ weɪ̯⁵⁵/

/ei̯⁵⁵ wiː⁵⁵/


半角

/pän⁵¹ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/puːn³³ kɔːk̚³/

/pän⁵¹ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/puːn³³ kɔːk̚³/

(computing, typography, chiefly Mainland China) halfwidth


我們

/wɔ²¹⁴ mən⁴/

/wän²¹⁴ mə⁴/

/ŋo⁵³ mən²¹⁻⁵⁵/

/ŋɔː¹³ muːn²¹/

/ŋo²¹³⁻²¹ mɨn¹/

/ŋo⁴⁴⁻³⁵ mun¹¹/

/ŋo³³⁻²¹ muoŋ⁵³/

/ua⁵²⁻³⁵ muŋ⁵⁵/

/ŋu²² mən⁴⁴/

/ɦu²² mən⁴⁴/

/wɔ²¹⁴ mən⁴/

/wän²¹⁴ mə⁴/

/ŋo⁵³ mən²¹⁻⁵⁵/

/ŋɔː¹³ muːn²¹/

/ŋo²¹³⁻²¹ mɨn¹/

/ŋo⁴⁴⁻³⁵ mun¹¹/

/ŋo³³⁻²¹ muoŋ⁵³/

/ua⁵²⁻³⁵ muŋ⁵⁵/

/ŋu²² mən⁴⁴/

/ɦu²² mən⁴⁴/

2020, 杨琳, “流行的词源误说辨正”, in 励耘语言学刊, number 2:

We believe that the sense of “need” of 消 xiāo is self-extended.

Wǒmen rènwéi “xiāo” de xūyào yì shì zìshēn yǐnshēn chūlái de.

我们认为“消”的需要义是自身引申出来的。

我們認為“消”的需要義是自身引申出來的。

(academic writing) we; us (referring to the author(s) of the paper, even if the paper has only one author)

筆者

used in both academic and general writings


草書

CJKV/code

Sino-Xenic (草書):
* → Japanese: 草書(そうしょ) (sōsho)
* → Korean: 초서(草書) (choseo)
* → Vietnamese: thảo thư (草書)

/t͡sʰɑʊ̯²¹⁴⁻²¹ ʂu⁵⁵/

/t͡sʰou̯³⁵ syː⁵⁵/

/t͡sʰo⁵⁵⁴⁻²⁴ t͡sɯ³³/

/t͡sʰo⁵³⁻⁴⁴ su⁴⁴/

/t͡sʰɤ⁴¹⁻⁴⁴ su⁴⁴/

/t͡sʰo⁵³⁻⁴⁴ si⁴⁴/

/t͡sʰau⁴⁴⁵⁻³³ su³³/

/t͡sʰɔ³³ sz̩⁴⁴/

/t͡sʰɑʊ̯²¹⁴⁻²¹ ʂu⁵⁵/

/t͡sʰou̯³⁵ syː⁵⁵/

/t͡sʰo⁵⁵⁴⁻²⁴ t͡sɯ³³/

/t͡sʰo⁵³⁻⁴⁴ su⁴⁴/

/t͡sʰɤ⁴¹⁻⁴⁴ su⁴⁴/

/t͡sʰo⁵³⁻⁴⁴ si⁴⁴/

/t͡sʰau⁴⁴⁵⁻³³ su³³/

/t͡sʰɔ³³ sz̩⁴⁴/

(calligraphy) a Chinese calligraphic style

cursive script
a Chinese calligraphic style


佈景

/pu⁵¹ t͡ɕiŋ²¹⁴⁻²¹⁽⁴⁾/

/pou̯³³ kɪŋ³⁵/

/pɔ²¹⁻⁵³ kiɪŋ⁵³/

/pɔ⁴¹⁻⁵⁵⁴ kiɪŋ⁵⁵⁴/

/pɔ²¹⁻⁵³ kiɪŋ⁵³/

/pɔ¹¹⁻⁵³ kiɪŋ⁵³/

/pɔ²¹⁻⁴¹ kiɪŋ⁴¹/

/pu⁵¹ t͡ɕiŋ²¹⁴⁻²¹⁽⁴⁾/

/pou̯³³ kɪŋ³⁵/

/pɔ²¹⁻⁵³ kiɪŋ⁵³/

/pɔ⁴¹⁻⁵⁵⁴ kiɪŋ⁵⁵⁴/

/pɔ²¹⁻⁵³ kiɪŋ⁵³/

/pɔ¹¹⁻⁵³ kiɪŋ⁵³/

/pɔ²¹⁻⁴¹ kiɪŋ⁴¹/

This stage drama has a very realistic set.

ne¹ ceot¹ waa⁶⁻² kek⁶ ge³ bou³ ging² hou² zan¹ sat⁶.

呢齣話劇嘅佈景好真實。

呢出话剧嘅布景好真实。

(in drama, theatre, film, etc.) set; setting


古風

/ku²¹⁴⁻²¹ fɤŋ⁵⁵/

/kuː³⁵ fʊŋ⁵⁵/

/kɔ⁵³⁻⁴⁴ hɔŋ⁴⁴/

/kɔ⁵⁵⁴⁻²⁴ hɔŋ³³/

/kɔ⁵³⁻⁴⁴ hɔŋ⁴⁴/

/kɔ⁵³⁻⁴⁴ hɔŋ⁴⁴/

/kɔ⁴¹⁻⁴⁴ hɔŋ⁴⁴/

/kou⁵²⁻³⁵ hoŋ³³/

/ku²¹⁴⁻²¹ fɤŋ⁵⁵/

/kuː³⁵ fʊŋ⁵⁵/

/kɔ⁵³⁻⁴⁴ hɔŋ⁴⁴/

/kɔ⁵⁵⁴⁻²⁴ hɔŋ³³/

/kɔ⁵³⁻⁴⁴ hɔŋ⁴⁴/

/kɔ⁵³⁻⁴⁴ hɔŋ⁴⁴/

/kɔ⁴¹⁻⁴⁴ hɔŋ⁴⁴/

/kou⁵²⁻³⁵ hoŋ³³/

(literature) a form of pre-Tang era poetry


三字經

/sän⁵⁵ t͡sz̩⁵¹ t͡ɕiŋ⁵⁵/

саньцзыцзинр

/sän⁵⁵ t͡sz̩⁵¹ t͡ɕiɤ̯̃ɻ⁵⁵/

/saːm⁵⁵ t͡siː²² kɪŋ⁵⁵/

/sam²⁴⁻¹¹ sɨ⁵⁵ kin²⁴/

/saŋ⁵⁵⁻²¹ ^((t͡s-))ʒi²⁴²⁻⁵⁵ ⁽ᵏ⁻⁾iŋ⁵⁵/

/sam⁴⁴⁻³³ zi³³⁻²¹ kiɪŋ⁴⁴/

/sam⁴⁴⁻²² d͡zi²²⁻²¹ kiɪŋ⁴⁴/

/sam⁴⁴⁻³³ li³³⁻¹¹ kiɪŋ⁴⁴/

/sam³³ li⁴¹⁻²² kiɪŋ³³/

/sam⁴⁴⁻²² li²²⁻²¹ kiɪŋ⁴⁴/

/se⁵⁵ zz̩³³ t͡ɕin²¹/

/sän⁵⁵ t͡sz̩⁵¹ t͡ɕiŋ⁵⁵/

/sän⁵⁵ t͡sz̩⁵¹ t͡ɕiɤ̯̃ɻ⁵⁵/

/saːm⁵⁵ t͡siː²² kɪŋ⁵⁵/

/sam²⁴⁻¹¹ sɨ⁵⁵ kin²⁴/

/saŋ⁵⁵⁻²¹ ^((t͡s-))ʒi²⁴²⁻⁵⁵ ⁽ᵏ⁻⁾iŋ⁵⁵/

/sam⁴⁴⁻³³ zi³³⁻²¹ kiɪŋ⁴⁴/

/sam⁴⁴⁻²² d͡zi²²⁻²¹ kiɪŋ⁴⁴/

/sam⁴⁴⁻³³ li³³⁻¹¹ kiɪŋ⁴⁴/

/sam³³ li⁴¹⁻²² kiɪŋ³³/

/sam⁴⁴⁻²² li²²⁻²¹ kiɪŋ⁴⁴/

/se⁵⁵ zz̩³³ t͡ɕin²¹/

(literature) the Three Character Classic (a classic Chinese text)


高畫質電視

ㄍㄠ ㄏㄨㄚˋ ㄓˋ ㄉㄧㄢˋ ㄕˋ

ㄍㄠ ㄏㄨㄚˋ ㄓˊ ㄉㄧㄢˋ ㄕˋ

гаохуачжи дяньши

/kɑʊ̯⁵⁵ xu̯ä⁵¹⁻⁵³ ʈ͡ʂʐ̩⁵¹⁻⁵³ ti̯ɛn⁵¹⁻⁵³ ʂʐ̩⁵¹/

/kɑʊ̯⁵⁵ xu̯ä⁵¹ ʈ͡ʂʐ̩³⁵ ti̯ɛn⁵¹⁻⁵³ ʂʐ̩⁵¹/

/kou̯⁵⁵ waː²²⁻³⁵ t͡sɐt̚⁵ tiːn²² siː²²/

/kou̯⁵⁵ waː²²⁻³⁵ t͡sɐt̚⁵ tiːn²² siː²²/

high-definition television
high-definition television

(television) high-definition television; HDTV


高清電視

ㄍㄠ ㄑㄧㄥ ㄉㄧㄢˋ ㄕˋ

гаоцин дяньши

/kɑʊ̯⁵⁵ t͡ɕʰiŋ⁵⁵ ti̯ɛn⁵¹⁻⁵³ ʂʐ̩⁵¹/

/kou̯⁵⁵ t͡sʰɪŋ⁵⁵ tiːn²² siː²²/

/kɑʊ̯⁵⁵ t͡ɕʰiŋ⁵⁵ ti̯ɛn⁵¹⁻⁵³ ʂʐ̩⁵¹/

/kou̯⁵⁵ t͡sʰɪŋ⁵⁵ tiːn²² siː²²/


高清晰度電視

ㄍㄠ ㄑㄧㄥ ㄒㄧ ㄉㄨˋ ㄉㄧㄢˋ ㄕˋ

гао цинсиду дяньши

/kɑʊ̯⁵⁵ t͡ɕʰiŋ⁵⁵ ɕi⁵⁵ tu⁵¹⁻⁵³ ti̯ɛn⁵¹⁻⁵³ ʂʐ̩⁵¹/

/kou̯⁵⁵ t͡sʰɪŋ⁵⁵ sɪk̚⁵ tou̯²² tiːn²² siː²²/


火星人

ㄏㄨㄛˇ ㄒㄧㄥ ㄖㄣˊ

/xu̯ɔ²¹⁴⁻²¹ ɕiŋ⁵⁵ ʐən³⁵/

/fɔː³⁵ sɪŋ⁵⁵ jɐn²¹/

/xu̯ɔ²¹⁴⁻²¹ ɕiŋ⁵⁵ ʐən³⁵/

/fɔː³⁵ sɪŋ⁵⁵ jɐn²¹/

Orthographic borrowing from Japanese 火(か)星(せい)人(じん) (kaseijin).

(science fiction) Martian (inhabitant of Mars)


金星人

цзиньсинжэнь

/t͡ɕin⁵⁵ ɕiŋ⁵⁵ ʐən³⁵/

/kɐm⁵⁵ sɪŋ⁵⁵ jɐn²¹/

/t͡ɕin⁵⁵ ɕiŋ⁵⁵ ʐən³⁵/

/kɐm⁵⁵ sɪŋ⁵⁵ jɐn²¹/

(science fiction) Venusian (inhabitant of Venus)


楷書

Sino-Xenic (楷書):
* → Japanese: 楷書(かいしょ) (kaisho)
* → Korean: 해서(楷書) (haeseo)
* → Vietnamese: khải thư (楷書)

/kʰaɪ̯²¹⁴⁻²¹ ʂu⁵⁵/

/kʰaːi̯³⁵ syː⁵⁵/

/kʰai⁵⁵⁴⁻²⁴ t͡sɯ³³/

/kʰai⁴¹⁻⁴⁴ su⁴⁴/

/kʰai⁴⁴⁵⁻³³ su³³/

/kʰai⁵³⁻⁴⁴ su⁴⁴/

/kʰai⁵³⁻⁴⁴ si⁴⁴/

/kʰaɪ̯²¹⁴⁻²¹ ʂu⁵⁵/

/kʰaːi̯³⁵ syː⁵⁵/

/kʰai⁵⁵⁴⁻²⁴ t͡sɯ³³/

/kʰai⁴¹⁻⁴⁴ su⁴⁴/

/kʰai⁴⁴⁵⁻³³ su³³/

/kʰai⁵³⁻⁴⁴ su⁴⁴/

/kʰai⁵³⁻⁴⁴ si⁴⁴/

(Chinese calligraphy) regular script (the newest style of Chinese calligraphy, the most common in modern writings and publications)


全角

/t͡ɕʰy̯ɛn³⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰyːn²¹ kɔːk̚³/

/t͡ɕʰy̯ɛn³⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰyːn²¹ kɔːk̚³/

(computing, typography, chiefly Mainland China) fullwidth


正體字

/ʈ͡ʂɤŋ⁵¹ tʰi²¹⁴⁻²¹ t͡sz̩⁵¹/

/t͡sɪŋ³³ tʰɐi̯³⁵ t͡siː²²/

/t͡siã²¹⁻⁵³ tʰe⁵³⁻⁴⁴ d͡zi²²/

/t͡siã⁴¹⁻⁵⁵⁴ tʰe⁵⁵⁴⁻²⁴ d͡zi⁴¹/

/t͡siã²¹⁻⁵³ tʰe⁵³⁻⁴⁴ d͡zi²²/

/t͡siã¹¹⁻⁵³ tʰe⁵³⁻⁴⁴ d͡zi³³/

/t͡siã²¹⁻⁴¹ tʰe⁴¹⁻⁴⁴ zi³³/

/ʈ͡ʂɤŋ⁵¹ tʰi²¹⁴⁻²¹ t͡sz̩⁵¹/

/t͡sɪŋ³³ tʰɐi̯³⁵ t͡siː²²/

/t͡siã²¹⁻⁵³ tʰe⁵³⁻⁴⁴ d͡zi²²/

/t͡siã⁴¹⁻⁵⁵⁴ tʰe⁵⁵⁴⁻²⁴ d͡zi⁴¹/

/t͡siã²¹⁻⁵³ tʰe⁵³⁻⁴⁴ d͡zi²²/

/t͡siã¹¹⁻⁵³ tʰe⁵³⁻⁴⁴ d͡zi³³/

/t͡siã²¹⁻⁴¹ tʰe⁴¹⁻⁴⁴ zi³³/

規範字

standardized Chinese characters that are used to write Simplified Chinese

(typography) characters typeset in their standard form rather than bolded or italicized


道具

Sino-Xenic (道具):
* → Japanese: 道(どう)具(ぐ) (dōgu)
* → Korean: 도구(道具) (dogu)
* → Vietnamese: đạo cụ (道具)

/tɑʊ̯⁵¹⁻⁵³ t͡ɕy⁵¹/

/tou̯²² kɵy̯²²/

/to²²⁻²¹ ku²²/

/to²²⁻²¹ ki²²/

/tau³⁵⁻¹¹ ku³⁵/

/dɔ²² t͡ɕy⁴⁴/

/tɑʊ̯⁵¹⁻⁵³ t͡ɕy⁵¹/

/tou̯²² kɵy̯²²/

/to²²⁻²¹ ku²²/

/to²²⁻²¹ ki²²/

/tau³⁵⁻¹¹ ku³⁵/

/dɔ²² t͡ɕy⁴⁴/

(theater, film, or generally) prop; theatrical property


波折

/pu̯ɔ⁵⁵ ʈ͡ʂɤ³⁵/

/pɔː⁵⁵ t͡siːt̚³/

/pʰo⁴⁴⁻³³ t͡siɛt̚³²/

/pʰɤ⁴⁴⁻³³ t͡siɛt̚³²/

/pʰo⁴⁴⁻²² t͡siɛt̚³²/

/po⁴⁴⁻²² t͡siɛt̚³²/

/pu̯ɔ⁵⁵ ʈ͡ʂɤ³⁵/

/pɔː⁵⁵ t͡siːt̚³/

/pʰo⁴⁴⁻³³ t͡siɛt̚³²/

/pʰɤ⁴⁴⁻³³ t͡siɛt̚³²/

/pʰo⁴⁴⁻²² t͡siɛt̚³²/

/po⁴⁴⁻²² t͡siɛt̚³²/


天狗

Sino-Xenic (天狗):
* → Japanese: 天狗(てんぐ) (tengu)
* → Korean: 천구(天狗) (cheon'gu)
* → Vietnamese: thiên cẩu (天狗)

/tʰi̯ɛn⁵⁵ koʊ̯²¹⁴⁻²¹⁽⁴⁾/

/tʰiːn⁵⁵ kɐu̯³⁵/

/tʰiɛn⁴⁴⁻²² kau⁵³/

/tʰiɛn⁴⁴⁻²² kau⁵³/

/tʰiɛn⁴⁴⁻³³ kau⁵³/

/tʰiɛn⁴⁴⁻³³ kau⁴¹/

/tʰi̯ɛn⁵⁵ koʊ̯²¹⁴⁻²¹⁽⁴⁾/

/tʰiːn⁵⁵ kɐu̯³⁵/

/tʰiɛn⁴⁴⁻²² kau⁵³/

/tʰiɛn⁴⁴⁻²² kau⁵³/

/tʰiɛn⁴⁴⁻³³ kau⁵³/

/tʰiɛn⁴⁴⁻³³ kau⁴¹/

(Japanese mythology, Shinto, folklore) tengu


打印機

/tä²¹⁴⁻²¹ in⁵¹ t͡ɕi⁵⁵/

/taː³⁵ jɐn³³ kei̯⁵⁵/

/tã³³ in⁵⁵ t͡ɕi²¹/

/tä²¹⁴⁻²¹ in⁵¹ t͡ɕi⁵⁵/

/taː³⁵ jɐn³³ kei̯⁵⁵/

/tã³³ in⁵⁵ t͡ɕi²¹/

點陣式打印機

点阵式打印机

(chiefly Mainland China, Hong Kong, computer hardware, printing) printer (device used to print text or images) (Classifier: 臺／台 m; 部 m c)


NG

/ˀən⁵⁵ t͡ɕi⁵⁵/

/ɛːn⁵⁵ t͡siː⁵⁵/

/ˀən⁵⁵ t͡ɕi⁵⁵/

/ɛːn⁵⁵ t͡siː⁵⁵/

From Japanese NG (NG), from English NG (“no good”).


NG

/ˀən⁵⁵ t͡ɕi⁵⁵/

/ɛːn⁵⁵ t͡siː⁵⁵/

/ˀən⁵⁵ t͡ɕi⁵⁵/

/ɛːn⁵⁵ t͡siː⁵⁵/

(film, television) to have an outtake or a blooper


地球人

Sino-Xenic (地球人):
* → Japanese: 地(ち)球(きゅう)人(じん) (chikyūjin)
* → Korean: 지구인(地球人) (jigu'in)

ㄉㄧˋ ㄑㄧㄡˊ ㄖㄣˊ

/ti⁵¹ t͡ɕʰi̯oʊ̯³⁵ ʐən³⁵/

/tei̯²² kʰɐu̯²¹ jɐn²¹/

/ti⁵¹ t͡ɕʰi̯oʊ̯³⁵ ʐən³⁵/

/tei̯²² kʰɐu̯²¹ jɐn²¹/

(science fiction) Earthling; Terran (inhabitant of Earth)


監製

/t͡ɕi̯ɛn⁵⁵ ʈ͡ʂʐ̩⁵¹/

/kaːm⁵⁵ t͡sɐi̯³³/

/kam²¹⁻⁵³ t͡se²¹/

/kam⁴¹⁻⁵⁵⁴ t͡se⁴¹/

/kam²¹⁻⁵³ t͡se²¹/

/kam¹¹⁻⁵³ t͡se¹¹/

/kam²¹⁻⁴¹ t͡se²¹/

/t͡ɕi̯ɛn⁵⁵ ʈ͡ʂʐ̩⁵¹/

/kaːm⁵⁵ t͡sɐi̯³³/

/kam²¹⁻⁵³ t͡se²¹/

/kam⁴¹⁻⁵⁵⁴ t͡se⁴¹/

/kam²¹⁻⁵³ t͡se²¹/

/kam¹¹⁻⁵³ t͡se¹¹/

/kam²¹⁻⁴¹ t͡se²¹/


詩歌

Sino-Xenic (詩歌):
* → Japanese: 詩(しい)歌(か) (shīka)
* → Korean: 시가(詩歌) (siga)
* → Vietnamese: thi ca (詩歌)

/ʂʐ̩⁵⁵ kɤ⁵⁵/

/siː⁵⁵ kɔː⁵⁵/

/sɨ²⁴⁻¹¹ ko²⁴/

/si⁴⁴⁻³³ kua⁴⁴/

/si⁴⁴⁻²² kua⁴⁴/

/si⁴⁴⁻²² ko⁴⁴/

/si³³⁻²³ ko³³/

/ʂʐ̩⁵⁵ kɤ⁵⁵/

/siː⁵⁵ kɔː⁵⁵/

/sɨ²⁴⁻¹¹ ko²⁴/

/si⁴⁴⁻³³ kua⁴⁴/

/si⁴⁴⁻²² kua⁴⁴/

/si⁴⁴⁻²² ko⁴⁴/

/si³³⁻²³ ko³³/

詩歌朗誦

诗歌朗诵

(literature) poetry; poem (Classifier: 首 m c)


半導體

/pän⁵¹ tɑʊ̯²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/puːn³³ tou̯²² tʰɐi̯³⁵/

/puã¹¹⁻⁵³ to³³⁻¹¹ tʰe⁵³/

/puã²¹⁻⁵³ to²²⁻²¹ tʰe⁵³/

/puã²¹⁻⁴¹ tɤ³³⁻²¹ tʰe⁴¹/

/puã⁴¹⁻⁵⁵⁴ tɔ⁴¹⁻²² tʰe⁵⁵⁴/

/pän⁵¹ tɑʊ̯²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/puːn³³ tou̯²² tʰɐi̯³⁵/

/puã¹¹⁻⁵³ to³³⁻¹¹ tʰe⁵³/

/puã²¹⁻⁵³ to²²⁻²¹ tʰe⁵³/

/puã²¹⁻⁴¹ tɤ³³⁻²¹ tʰe⁴¹/

/puã⁴¹⁻⁵⁵⁴ tɔ⁴¹⁻²² tʰe⁵⁵⁴/


士大夫

/ʂʐ̩⁵¹⁻⁵³ tä⁵¹ fu⁵⁵/

/siː²² taːi̯²² fuː⁵⁵/

/ʂʐ̩⁵¹⁻⁵³ tä⁵¹ fu⁵⁵/

/siː²² taːi̯²² fuː⁵⁵/

* (production team): Phono-semantic matching of Japanese スタッフ, from English staff.

psm

(Mainland China, television, fandom slang) production team (of a Japanese TV show)


版本

/pän²¹⁴⁻³⁵ pən²¹⁴⁻²¹⁽⁴⁾/

/paiŋ²¹ pɔŋ²¹/

/paŋ³³⁻³⁵ ⁽ᵖ⁻⁾muoŋ³³/

/pan⁵⁵⁴⁻²⁴ pun⁵⁵⁴/

/pän²¹⁴⁻³⁵ pən²¹⁴⁻²¹⁽⁴⁾/

/paiŋ²¹ pɔŋ²¹/

/paŋ³³⁻³⁵ ⁽ᵖ⁻⁾muoŋ³³/

/pan⁵⁵⁴⁻²⁴ pun⁵⁵⁴/

(publishing) edition (work published by a certain editor or in a certain manner) (Classifier: 個／个)


石版

/ʂʐ̩³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/ʂʐ̩³⁵ pän²¹⁴⁻²¹⁽⁴⁾/


銀屏

/in³⁵ pʰiŋ³⁵/

/in³⁵ pʰiŋ³⁵/


維安

/weɪ̯³⁵ ˀän⁵⁵/

/weɪ̯³⁵ ˀän⁵⁵/


聽眾

/tʰiŋ⁵⁵ ʈ͡ʂʊŋ⁵¹/

/tʰɪŋ³³ t͡sʊŋ³³/

/tʰɛːŋ⁵⁵ t͡sʊŋ³³/

/tʰɪŋ⁵⁵ t͡sʊŋ³³/

/tʰiã⁴⁴⁻²² t͡siɔŋ²¹/

/tʰiã³³ t͡siɔŋ⁴¹/

/tʰiã⁴⁴⁻²² t͡siɔŋ²¹/

/tʰiã⁴⁴⁻³³ t͡siɔŋ¹¹/

/tʰiã⁴⁴⁻³³ t͡siɔŋ²¹/

/tʰiŋ⁵⁵ ʈ͡ʂʊŋ⁵¹/

/tʰɪŋ³³ t͡sʊŋ³³/

/tʰɛːŋ⁵⁵ t͡sʊŋ³³/

/tʰɪŋ⁵⁵ t͡sʊŋ³³/

/tʰiã⁴⁴⁻²² t͡siɔŋ²¹/

/tʰiã³³ t͡siɔŋ⁴¹/

/tʰiã⁴⁴⁻²² t͡siɔŋ²¹/

/tʰiã⁴⁴⁻³³ t͡siɔŋ¹¹/

/tʰiã⁴⁴⁻³³ t͡siɔŋ²¹/

看官

readers, listeners or members of an audience


A片

/ˀeɪ̯⁵⁵ pʰi̯ɛn⁵¹/

/ˀeɪ̯⁵⁵ pʰi̯ɑɻ⁵¹/

/ei̯⁵⁵ pʰiːn³³⁻³⁵/

/ˀeɪ̯⁵⁵ pʰi̯ɛn⁵¹/

/ˀeɪ̯⁵⁵ pʰi̯ɑɻ⁵¹/

/ei̯⁵⁵ pʰiːn³³⁻³⁵/

From Japanese-English AV (AV, “adult video”, abbreviation) (in turn from English adult) + 片 (“film”).

(pornography, slang) pornographic film, porno


毛片

/mɑʊ̯³⁵ pʰi̯ɛn⁵¹/

/mɑʊ̯³⁵ pʰi̯ɑɻ⁵¹/

/mɑʊ̯³⁵ pʰi̯ɛn⁵⁵/

/mɑʊ̯³⁵ pʰi̯ɑɻ⁵⁵/

/mou̯²¹ pʰiːn³³⁻³⁵/

/mɔ̃²⁴⁻²² pʰĩ⁴¹/

/mɔ̃²⁴⁻²² pʰĩ²¹/

/mɔ̃¹³⁻²² pʰĩ²¹/

/mɑʊ̯³⁵ pʰi̯ɛn⁵¹/

/mɑʊ̯³⁵ pʰi̯ɑɻ⁵¹/

/mɑʊ̯³⁵ pʰi̯ɛn⁵⁵/

/mɑʊ̯³⁵ pʰi̯ɑɻ⁵⁵/

/mou̯²¹ pʰiːn³³⁻³⁵/

/mɔ̃²⁴⁻²² pʰĩ⁴¹/

/mɔ̃²⁴⁻²² pʰĩ²¹/

/mɔ̃¹³⁻²² pʰĩ²¹/


粽子

→ English: zongzi

→ Guiqiong: ʥiɐʂi

→ Korean: 쭝쯔 (jjungjjeu)

→ Russian: цзу́нцзы (czúnczy)

/t͡sʊŋ⁵¹ d͡z̥z̩¹/

/t͡soŋ²¹³ t͡sz̩⁵³/

/t͡sʊŋ³³ t͡siː³⁵/

/t͡ɕyŋ⁴⁵ t͡səʔ⁴/

/t͡søŋ⁵⁵ t͡si³³/

/t͡soŋ³³ t͡sz̩⁴⁴/

/t͡soŋ³⁵ t͡sz̩²¹/

/t͡soŋ⁵³ t͡sz̩³¹/

/t͡soŋ⁵² t͡sz̩³³/

/t͡soŋ³⁴ t͡sz̩⁵³/

/t͡soŋ⁵⁵ t͡sz̩³³/

/t͡sʊŋ⁴⁵ t͡sz̩³/

/t͡sɤŋ³⁵ t͡sz̩³/

/t͡sɤŋ³²⁴⁻³¹ t͡sz̩³/

/t͡sʊŋ⁵¹ d͡z̥z̩¹/

/t͡soŋ²¹³ t͡sz̩⁵³/

/t͡sʊŋ³³ t͡siː³⁵/

/t͡ɕyŋ⁴⁵ t͡səʔ⁴/

/t͡søŋ⁵⁵ t͡si³³/

/t͡soŋ³³ t͡sz̩⁴⁴/

/t͡soŋ³⁵ t͡sz̩²¹/

/t͡soŋ⁵³ t͡sz̩³¹/

/t͡soŋ⁵² t͡sz̩³³/

/t͡soŋ³⁴ t͡sz̩⁵³/

/t͡soŋ⁵⁵ t͡sz̩³³/

/t͡sʊŋ⁴⁵ t͡sz̩³/

/t͡sɤŋ³⁵ t͡sz̩³/

/t͡sɤŋ³²⁴⁻³¹ t͡sz̩³/

Sūsū zài Lín Fēng de shēnshàng chán mǎn le bēngdài, ránhòu xiàoxiào shuō: “Nǐ biànchéng zòngzi le.”

蘇蘇在林楓的身上纏滿了繃帶，然後笑笑說：「你變成粽子了。」

苏苏在林枫的身上缠满了绷带，然后笑笑说：「你变成粽子了。」

yìnggāi bùhuì yǒu shénme jiāngshī zòngzi le

應該不會有什麼僵屍粽子了

应该不会有什么僵尸粽子了

Yī kàn jiù shì méi hùn chūlái de báimáo zòngzi.

一看就是沒混出來的白毛粽子。

一看就是没混出来的白毛粽子。


效果

CJKV/code

Sino-Xenic (效果):
* → Japanese: 效果(こうか) (kōka)
* → Korean: 효과(效果) (hyogwa)
* → Vietnamese: hiệu quả (效果)

/ɕi̯ɑʊ̯⁵¹ ku̯ɔ²¹⁴⁻²¹⁽⁴⁾/

/haːu̯²² kʷɔː³⁵/

/hau³³⁻²¹ kɤ⁴¹/

/hau³³⁻¹¹ ko⁵³/

/hau²²⁻²¹ ko⁵³/

/hau⁴¹⁻²² kɔ⁵⁵⁴/

/ɕi̯ɑʊ̯⁵¹ ku̯ɔ²¹⁴⁻²¹⁽⁴⁾/

/haːu̯²² kʷɔː³⁵/

/hau³³⁻²¹ kɤ⁴¹/

/hau³³⁻¹¹ ko⁵³/

/hau²²⁻²¹ ko⁵³/

/hau⁴¹⁻²² kɔ⁵⁵⁴/

(theater, film, television) sound and lighting effects


傳送

/ʈ͡ʂʰu̯än³⁵ sʊŋ⁵¹/

/t͡sʰyːn²¹ sʊŋ³³/

/tuan²⁴⁻²² saŋ⁴¹/

/tuan²⁴⁻²² saŋ²¹/

/tʰuan²³⁻³³ saŋ²¹/

/tʰuan¹³⁻²² saŋ²¹/

/tʰuan²⁴⁻¹¹ saŋ¹¹/

/tuan²⁴⁻²² sɔŋ⁴¹/

/tuan²⁴⁻²² sɔŋ²¹/

/tʰuan¹³⁻²² sɔŋ²¹/

/ʈ͡ʂʰu̯än³⁵ sʊŋ⁵¹/

/t͡sʰyːn²¹ sʊŋ³³/

/tuan²⁴⁻²² saŋ⁴¹/

/tuan²⁴⁻²² saŋ²¹/

/tʰuan²³⁻³³ saŋ²¹/

/tʰuan¹³⁻²² saŋ²¹/

/tʰuan²⁴⁻¹¹ saŋ¹¹/

/tuan²⁴⁻²² sɔŋ⁴¹/

/tuan²⁴⁻²² sɔŋ²¹/

/tʰuan¹³⁻²² sɔŋ²¹/


收到

/ʂoʊ̯⁵⁵ tɑʊ̯⁵¹/

/sɐu̯⁵⁵ tou̯³³⁻³⁵/

/su²⁴⁻¹¹ to⁵⁵/

/ʂoʊ̯⁵⁵ tɑʊ̯⁵¹/

/sɐu̯⁵⁵ tou̯³³⁻³⁵/

/su²⁴⁻¹¹ to⁵⁵/


行書

Sino-Xenic (行書):
* → Japanese: 行書(ぎょうしょ) (gyōsho)
* → Korean: 행서(行書) (haengseo)
* → Vietnamese: hành thư (行書)

/ɕiŋ³⁵ ʂu⁵⁵/

/hɐŋ²¹ syː⁵⁵/

/hiɪŋ²⁴⁻²² t͡sɯ³³/

/hiɪŋ²⁴⁻¹¹ su⁴⁴/

/hiɪŋ²⁴⁻²² su⁴⁴/

/hiɪŋ²³⁻³³ su⁴⁴/

/hiɪŋ¹³⁻²² si⁴⁴/

/ɦin²² sz̩⁴⁴/

/ɕiŋ³⁵ ʂu⁵⁵/

/hɐŋ²¹ syː⁵⁵/

/hiɪŋ²⁴⁻²² t͡sɯ³³/

/hiɪŋ²⁴⁻¹¹ su⁴⁴/

/hiɪŋ²⁴⁻²² su⁴⁴/

/hiɪŋ²³⁻³³ su⁴⁴/

/hiɪŋ¹³⁻²² si⁴⁴/

/ɦin²² sz̩⁴⁴/

(calligraphy) semi-cursive script; running hand; running script


凹版

/ˀɑʊ̯⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/au⁴⁴⁻²² pan⁵³/

/ˀɑʊ̯⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/au⁴⁴⁻²² pan⁵³/


大字報

Sino-Xenic (大字報):
* → Japanese: 大(だい)字(じ)報(ほう) (daijihō)
* → Korean: 대자보(大字報) (daejabo)
* → Vietnamese: đại tự báo (大字報)

desc

→ Arabic: دَازِيبَاو (dāzībāw)

→ Arabic: دَازِيبَاو (dāzībāw)

English: → dazibao, → big-character poster (calque)

→ French: dazibao

→ Hungarian: tacepao

→ Italian: dazibao

→ Russian: дацзыба́о (daczybáo)

/tä⁵¹⁻⁵³ t͡sz̩⁵¹⁻⁵³ pɑʊ̯⁵¹/

/taːi̯²² t͡siː²² pou̯³³/

/tä⁵¹⁻⁵³ t͡sz̩⁵¹⁻⁵³ pɑʊ̯⁵¹/

/taːi̯²² t͡siː²² pou̯³³/

2016, 傅達仁, 《達仁傳奇：不為人知的新聞與祕聞》, Taipei: 時報文化, →ISBN, page 254:

Before, the "cue cards" for TV anchors were handwritten. The writing was terribly sloppy, causing me to read the Queen of the U"K" as Queen Elizabeth of the U"S", and I almost died from people phoning in to tell me off.

Yǐqián diànshì zhǔbō de “dàzìbào” shì shǒuxiě de, cǎo de lìhài, shǐ wǒ bǎ “yīng” guó nǚwáng, bào chéng “měi” guó nǚwáng Yīlìshābái chādiǎn bèi diànhuà màbì.

以前電視主播的「大字報」是手寫的，草的厲害，使我把「英」國女王，報成「美」國女王伊莉莎白差點被電話罵斃。

以前电视主播的「大字报」是手写的，草的厉害，使我把「英」国女王，报成「美」国女王伊莉莎白差点被电话骂毙。


俳諧

Orthographic borrowing from Japanese 俳(はい)諧(かい) (haikai).

/pʰaɪ̯³⁵ ɕi̯ɛ³⁵/

/pʰaːi̯²¹ haːi̯²¹/

/pʰaɪ̯³⁵ ɕi̯ɛ³⁵/

/pʰaːi̯²¹ haːi̯²¹/

(poetry) haikai (form of Japanese comic verse, featuring satire and puns)


結界

/t͡ɕi̯ɛ³⁵ t͡ɕi̯ɛ⁵¹/

/t͡ɕi̯ɛ³⁵ t͡ɕi̯ɛ⁵¹/

(fiction, chiefly ACG) force field; invisible barrier


NTR

/ˀən⁵⁵ tʰi⁵¹⁻⁵³ ˀɑɻ⁵¹/

/ˀən⁵⁵ tʰi⁵¹⁻⁵³ ˀɑɻ⁵¹/


NTR

/ˀən⁵⁵ tʰi⁵¹⁻⁵³ ˀɑɻ⁵¹/

/ˀən⁵⁵ tʰi⁵¹⁻⁵³ ˀɑɻ⁵¹/

(pornography, slang) to NTR (“to cuckold”)


魔法少女

ㄇㄛˊ ㄈㄚˇ ㄕㄠˋ ㄋㄩˇ

/mu̯ɔ³⁵ fä²¹⁴⁻²¹ ʂɑʊ̯⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

/mɔː⁵⁵ faːt̚³ siːu̯³³ nɵy̯¹³/

/mɔ̃²⁴⁻²² huat̚³²⁻⁴ siau²¹⁻⁵³ lu⁵³/

/mɔ̃²⁴⁻²² huat̚⁵⁻²⁴ siau⁴¹⁻⁵⁵⁴ lu⁵⁵⁴/

/mɔ̃¹³⁻²² huat̚³²⁻⁵ siau²¹⁻⁵³ lu⁵³/

/mɔ̃²⁴⁻¹¹ huat̚³²⁻⁴ siau¹¹⁻⁵³ lu⁵³/

/mɔ̃²³⁻³³ huat̚³²⁻⁴ siau²¹⁻⁴¹ lu⁴¹/

/mu̯ɔ³⁵ fä²¹⁴⁻²¹ ʂɑʊ̯⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

/mɔː⁵⁵ faːt̚³ siːu̯³³ nɵy̯¹³/

/mɔ̃²⁴⁻²² huat̚³²⁻⁴ siau²¹⁻⁵³ lu⁵³/

/mɔ̃²⁴⁻²² huat̚⁵⁻²⁴ siau⁴¹⁻⁵⁵⁴ lu⁵⁵⁴/

/mɔ̃¹³⁻²² huat̚³²⁻⁵ siau²¹⁻⁵³ lu⁵³/

/mɔ̃²⁴⁻¹¹ huat̚³²⁻⁴ siau¹¹⁻⁵³ lu⁵³/

/mɔ̃²³⁻³³ huat̚³²⁻⁴ siau²¹⁻⁴¹ lu⁴¹/

Wasei kango (和製漢語), orthographically borrowed from Japanese 魔(ま)法(ほう)少(しょう)女(じょ) (mahō shōjo, “magical girl”). Doublet of 馬猴燒酒／马猴烧酒 (mǎhóu shāojiǔ).

ja-r

ま%ほう %しょう%じょ

wasei kango

ま%ほう %しょう%じょ

zh-l

馬猴燒酒／马猴烧酒 (mǎhóu shāojiǔ)

《魔法少女小圓》

《魔法少女小圆》

(manga, anime) magical girl (a girl or young woman with magical abilities and engaged in magical adventures)


長調

/ʈ͡ʂʰɑŋ³⁵ ti̯ɑʊ̯⁵¹/

/ʈ͡ʂʰɑŋ³⁵ ti̯aʊ̯ɻʷ⁵¹/

/t͡sʰœːŋ²¹ tiːu̯²²/

/ʈ͡ʂʰɑŋ³⁵ ti̯ɑʊ̯⁵¹/

/ʈ͡ʂʰɑŋ³⁵ ti̯aʊ̯ɻʷ⁵¹/

/t͡sʰœːŋ²¹ tiːu̯²²/


春聯

/ʈ͡ʂʰu̯ən⁵⁵ li̯ɛn³⁵/

/t͡sʰɵn⁵⁵ lyːn²¹/

/t͡sʰun⁴⁴⁻³⁵ liɛn¹¹/

/t͡sʰuŋ⁵⁵ ⁽ˡ⁻⁾nˡieŋ⁵³/

/t͡sʰun⁴⁴⁻²² liɛn²⁴/

/t͡sʰun⁴⁴⁻²² liɛn¹³/

/t͡sʰun⁴⁴⁻³³ liɛn²⁴/

/t͡sʰun⁴⁴⁻³³ liɛn²³/

/t͡sʰuŋ³³⁻²³ liaŋ⁵⁵/

/ʈ͡ʂʰu̯ən⁵⁵ li̯ɛn³⁵/

/t͡sʰɵn⁵⁵ lyːn²¹/

/t͡sʰun⁴⁴⁻³⁵ liɛn¹¹/

/t͡sʰuŋ⁵⁵ ⁽ˡ⁻⁾nˡieŋ⁵³/

/t͡sʰun⁴⁴⁻²² liɛn²⁴/

/t͡sʰun⁴⁴⁻²² liɛn¹³/

/t͡sʰun⁴⁴⁻³³ liɛn²⁴/

/t͡sʰun⁴⁴⁻³³ liɛn²³/

/t͡sʰuŋ³³⁻²³ liaŋ⁵⁵/

貼春聯／贴春联


轉化

/ʈ͡ʂu̯än²¹⁴⁻²¹ xu̯ä⁵¹/

/ʈ͡ʂu̯än²¹⁴⁻²¹ xu̯ä⁵¹/


甲骨文

ㄐㄧㄚˇ ㄍㄨˇ ㄨㄣˊ

/t͡ɕi̯ä²¹⁴⁻³⁵ ku²¹⁴⁻²¹ wən³⁵/

/kaːp̚³ kʷɐt̚⁵ mɐn²¹/

/ka(ʔ)³²⁻⁵³ kut̚³²⁻⁴ bun²⁴/

/kaʔ²⁻⁴ kuk̚²⁻⁴ buŋ⁵⁵/

/t͡ɕi̯ä²¹⁴⁻³⁵ ku²¹⁴⁻²¹ wən³⁵/

/kaːp̚³ kʷɐt̚⁵ mɐn²¹/

/ka(ʔ)³²⁻⁵³ kut̚³²⁻⁴ bun²⁴/

/kaʔ²⁻⁴ kuk̚²⁻⁴ buŋ⁵⁵/

(palaeography, historiography) oracle bone script


流麗

/li̯oʊ̯³⁵ li⁵¹/

/lɐu̯²¹ lɐi̯²²/

/li̯oʊ̯³⁵ li⁵¹/

/lɐu̯²¹ lɐi̯²²/

(of poetry, calligraphy, etc.) smooth and beautiful


熟女

/ʂu³⁵ ny²¹⁴⁻²¹⁽⁴⁾/

/ʂoʊ̯³⁵ ny²¹⁴⁻²¹⁽⁴⁾/

/sʊk̚² nɵy̯¹³⁻³⁵/

/ʂu³⁵ ny²¹⁴⁻²¹⁽⁴⁾/

/ʂoʊ̯³⁵ ny²¹⁴⁻²¹⁽⁴⁾/

/sʊk̚² nɵy̯¹³⁻³⁵/


綿密

(of speech, writing, etc.) meticulous; fine and careful


㗅

(Mainland China Internet slang) to talk nonsense


票房

/pʰi̯ɑʊ̯⁵¹ fɑŋ³⁵/

/pʰiːu̯³³ fɔːŋ²¹/

/pʰio²¹⁻⁵³ paŋ²⁴/

/pʰio⁴¹⁻⁵⁵⁴ paŋ²⁴/

/pʰio²¹⁻⁵³ paŋ¹³/

/pʰio¹¹⁻⁵³ paŋ²⁴/

/pʰiɤ²¹⁻⁴¹ paŋ²³/

/pʰie²¹³⁻⁵⁵ paŋ⁵⁵/

/pʰi̯ɑʊ̯⁵¹ fɑŋ³⁵/

/pʰiːu̯³³ fɔːŋ²¹/

/pʰio²¹⁻⁵³ paŋ²⁴/

/pʰio⁴¹⁻⁵⁵⁴ paŋ²⁴/

/pʰio²¹⁻⁵³ paŋ¹³/

/pʰio¹¹⁻⁵³ paŋ²⁴/

/pʰiɤ²¹⁻⁴¹ paŋ²³/

/pʰie²¹³⁻⁵⁵ paŋ⁵⁵/

(uncountable, film) box office (the total amount of money paid by people worldwide to watch a movie at cinemas/movie theaters)


特技

/tʰɤ⁵¹⁻⁵³ t͡ɕi⁵¹/

/tiɪk̚¹²¹⁻²¹ ki⁴⁴/

/tiɪk̚⁴⁻³² ki⁴⁴/

/tiɪk̚¹²¹⁻²¹ ki²²/

/tiɪk̚⁴⁻³² ki²²/

/tʰɤ⁵¹⁻⁵³ t͡ɕi⁵¹/

/tiɪk̚¹²¹⁻²¹ ki⁴⁴/

/tiɪk̚⁴⁻³² ki⁴⁴/

/tiɪk̚¹²¹⁻²¹ ki²²/

/tiɪk̚⁴⁻³² ki²²/

(film, television, cinematography) special effect


浮雲

CJKV/code

Sino-Xenic (浮雲):
* → Japanese: 浮雲(ふうん) (fuun)
* → Korean: 부운(浮雲) (buun)
* → Vietnamese: phù vân (浮雲)

/fɐu̯²¹ wɐn²¹/

/pʰu²⁴⁻²² hun²⁴/

/pʰu²⁴⁻²² hun²⁴/

/pʰu¹³⁻²² hun¹³/

/pʰu²⁴⁻¹¹ hun²⁴/

/pʰu²³⁻³³ hun²³/

/pʰu⁵⁵⁻¹¹ huŋ⁵⁵/

/fɐu̯²¹ wɐn²¹/

/pʰu²⁴⁻²² hun²⁴/

/pʰu²⁴⁻²² hun²⁴/

/pʰu¹³⁻²² hun¹³/

/pʰu²⁴⁻¹¹ hun²⁴/

/pʰu²³⁻³³ hun²³/

/pʰu⁵⁵⁻¹¹ huŋ⁵⁵/

(literary, figurative, calligraphy) lively, flowing brushwork


直播

/ʈ͡ʂʐ̩³⁵ pu̯ɔ⁵⁵/

/ʈ͡ʂʐ̩³⁵ pu̯ɔ⁵¹/

/t͡sɪk̚² pɔː³³/

/tit̚²⁴⁻² pɔ⁴¹/

/tit̚⁴⁻³² pɔ¹¹/

/tit̚⁴⁻³² pɔ²¹/

/tit̚¹²¹⁻²¹ pɔ²¹/

/tit̚⁴⁻³² po¹¹/

/tit̚⁴⁻³² pɤ²¹/

/tit̚²⁴⁻² pɔ³³/

/zəʔ¹¹ pu²³/

/zəʔ²² pu⁵²³/

/ʈ͡ʂʐ̩³⁵ pu̯ɔ⁵⁵/

/ʈ͡ʂʐ̩³⁵ pu̯ɔ⁵¹/

/t͡sɪk̚² pɔː³³/

/tit̚²⁴⁻² pɔ⁴¹/

/tit̚⁴⁻³² pɔ¹¹/

/tit̚⁴⁻³² pɔ²¹/

/tit̚¹²¹⁻²¹ pɔ²¹/

/tit̚⁴⁻³² po¹¹/

/tit̚⁴⁻³² pɤ²¹/

/tit̚²⁴⁻² pɔ³³/

/zəʔ¹¹ pu²³/

/zəʔ²² pu⁵²³/

電商直播

电商直播

The livestream time has temporarily changed!

臨時變更直播時間！

临时变更直播时间！

(broadcasting, Internet) to broadcast live; to livestream; to stream


誤植

/u⁵¹ ʈ͡ʂʐ̩³⁵/

/ŋ̍²² t͡sɪk̚²/

/u⁵¹ ʈ͡ʂʐ̩³⁵/

/ŋ̍²² t͡sɪk̚²/

(printing) to misprint; to make a typographical error


誤植

Sino-Xenic (誤植):
* → Japanese: 誤(ご)植(しょく) (goshoku)
* → Korean: 오식(誤植) (osik)

/u⁵¹ ʈ͡ʂʐ̩³⁵/

/ŋ̍²² t͡sɪk̚²/

/u⁵¹ ʈ͡ʂʐ̩³⁵/

/ŋ̍²² t͡sɪk̚²/


古文

/ku²¹⁴⁻²¹ wən³⁵/

/kuː³⁵ mɐn²¹/

/kuː³⁵ mɐn²¹⁻³⁵/

/kɔ⁵³⁻⁴⁴ bun¹³/

/kɔ⁵⁵⁴⁻²⁴ bun²⁴/

/kɔ⁴¹⁻⁴⁴ bun²³/

/kɔ⁵³⁻⁴⁴ bun²⁴/

/kɔ⁴⁴⁵⁻³³ bun²³/

/kou⁵²⁻³⁵ buŋ⁵⁵/

/ku²¹⁴⁻²¹ wən³⁵/

/kuː³⁵ mɐn²¹/

/kuː³⁵ mɐn²¹⁻³⁵/

/kɔ⁵³⁻⁴⁴ bun¹³/

/kɔ⁵⁵⁴⁻²⁴ bun²⁴/

/kɔ⁴¹⁻⁴⁴ bun²³/

/kɔ⁵³⁻⁴⁴ bun²⁴/

/kɔ⁴⁴⁵⁻³³ bun²³/

/kou⁵²⁻³⁵ buŋ⁵⁵/


犀利

/sɐi̯⁵⁵ lei̯²²/

/se⁴⁴⁻²² li²²/

/sɐi̯⁵⁵ lei̯²²/

/se⁴⁴⁻²² li²²/

傲人

nowadays especially of breasts, body curve

His wording in the letter is very sharp.

Tā zài xìn zhōng de yòngcí fēicháng xīlì.

他在信中的用詞非常犀利。

他在信中的用词非常犀利。

(figurative, of eyes, opinions, writing) sharp; incisive; trenchant; caustic


底線

/ti²¹⁴⁻²¹ ɕi̯ɛn⁵¹/

/tɐi̯³⁵ siːn³³/

/toi⁵²⁻³⁵ sũã²¹³/

/ti²¹⁴⁻²¹ ɕi̯ɛn⁵¹/

/tɐi̯³⁵ siːn³³/

/toi⁵²⁻³⁵ sũã²¹³/

(Taiwan, typography and computing) underscore


起句

/t͡ɕʰi²¹⁴⁻²¹ t͡ɕy⁵¹/

/hei̯³⁵ kɵy̯³³/

/t͡ɕʰi²¹⁴⁻²¹ t͡ɕy⁵¹/

/hei̯³⁵ kɵy̯³³/


諷刺文

/fɤŋ²¹⁴⁻²¹ t͡sʰz̩⁵¹ wən³⁵/

/fɤŋ⁵¹⁻⁵³ t͡sʰz̩⁵¹ wən³⁵/

/fɤŋ²¹⁴⁻²¹ t͡sʰz̩⁵¹ wən³⁵/

/fɤŋ⁵¹⁻⁵³ t͡sʰz̩⁵¹ wən³⁵/


隸書

/tɐi̯²² syː⁵⁵/

/le²²⁻²¹ su⁴⁴/

/le⁴¹⁻²² su³³/

/le²²⁻²¹ su⁴⁴/

/le³³⁻¹¹ su⁴⁴/

/le³³⁻²¹ su⁴⁴/

/ti³⁵⁻¹¹ t͡sɯ³³/

/di²² sz̩ʷ⁵³/

/di²³ sz̩ʷ¹¹/

/di¹¹ sz̩ʷ²⁴/

/di¹¹ sz̩ʷ⁵³/

/dø²² sz̩ʷ⁵³/

/li²² sz̩ʷ⁵³/

/ɦi²² sz̩ʷ⁵³/

/ɦli³¹ sz̩⁵⁵/

/di²² sz̩ʷ⁵¹/

/tɐi̯²² syː⁵⁵/

/le²²⁻²¹ su⁴⁴/

/le⁴¹⁻²² su³³/

/le²²⁻²¹ su⁴⁴/

/le³³⁻¹¹ su⁴⁴/

/le³³⁻²¹ su⁴⁴/

/ti³⁵⁻¹¹ t͡sɯ³³/

/di²² sz̩ʷ⁵³/

/di²³ sz̩ʷ¹¹/

/di¹¹ sz̩ʷ²⁴/

/di²² sz̩ʷ⁵³/

/di¹¹ sz̩ʷ⁵³/

/dø²² sz̩ʷ⁵³/

/li²² sz̩ʷ⁵³/

/ɦi²² sz̩ʷ⁵³/

/ɦli³¹ sz̩⁵⁵/

/di²² sz̩ʷ⁵¹/

(writing) clerical script (an archaic style of Chinese calligraphy)


小綠人

ㄒㄧㄠˇ ㄌㄩˋ ㄖㄣˊ

/ɕi̯ɑʊ̯²¹⁴⁻²¹ ly⁵¹ ʐən³⁵/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ ly⁵¹ ʐən³⁵/

(science fiction or humorous) little green man (space alien)


排版

/pʰaɪ̯³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/pʰaːi̯²¹ paːn³⁵/

/pai²⁴⁻²² pan⁵⁵⁴/

/pʰaɪ̯³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/pʰaːi̯²¹ paːn³⁵/

/pai²⁴⁻²² pan⁵⁵⁴/


中宮

/ʈ͡ʂʊŋ⁵⁵ kʊŋ⁵⁵/

/t͡sʊŋ⁵⁵ kʊŋ⁵⁵/

/ʈ͡ʂʊŋ⁵⁵ kʊŋ⁵⁵/

/t͡sʊŋ⁵⁵ kʊŋ⁵⁵/

(CJK typography) the internal spaciousness of a character, which affects the spacing between strokes


四聲

/sz̩⁵¹ ʂɤŋ⁵⁵/

/sei̯³³ sɪŋ⁵⁵/

/si⁴¹⁻⁵⁵⁴ siã³³/

/si²¹⁻⁵³ siã⁴⁴/

/sz̩⁵¹ ʂɤŋ⁵⁵/

/sei̯³³ sɪŋ⁵⁵/

/si⁴¹⁻⁵⁵⁴ siã³³/

/si²¹⁻⁵³ siã⁴⁴/

(Chinese phonetics, poetry) the four tones of Middle Chinese (traditional tone classes also used for modern varieties of Chinese)


燕尾

/jɛn⁵¹ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

/jɛn⁵¹ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

Coordinate term: 蠶頭 /蚕头 (cántóu)

(calligraphy) dense flourish on the right side of a major stroke in clerical script


實錄影片

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢˋ

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢ

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɛn⁵¹/

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢˋㄦ

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɑɻ⁵¹/

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɛn⁵⁵/

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢㄦ

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɑɻ⁵⁵/

/sɐt̚² lʊk̚² jɪŋ³⁵ pʰiːn³³⁻³⁵/

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɛn⁵¹/

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɑɻ⁵¹/

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɛn⁵⁵/

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɑɻ⁵⁵/

/sɐt̚² lʊk̚² jɪŋ³⁵ pʰiːn³³⁻³⁵/


送假名

ㄙㄨㄥˋ ㄐㄧㄚˇ ㄇㄧㄥˊ

/sʊŋ⁵¹ t͡ɕi̯ä²¹⁴⁻²¹ miŋ³⁵/

/sʊŋ⁵¹ t͡ɕi̯ä²¹⁴⁻²¹ miŋ³⁵/

Orthographic borrowing from Japanese 送り仮名 (okurigana).

obor

(orthography) okurigana (in the Japanese language, the kana which follow a stem written with kanji, which record how that stem is inflected, and guides recognition of the appropriate kun'yomi reading (word stem associated with the kanji); for example, く (ku) and かべる (kaberu) in 浮(う)く (uk-u, “to float”, intransitive) and 浮(う)かべる (uk-aberu, “to float”, transitive), or む (mu) and きる (kiru) in 生(う)む (umu, “to birth”) and 生(い)きる (ikiru, “to live”))


激光打印機

ㄐㄧ ㄍㄨㄤ ㄉㄚˇ ㄧㄣˋ ㄐㄧ

цзигуан даиньцзи

/t͡ɕi⁵⁵ ku̯ɑŋ⁵⁵ tä²¹⁴⁻²¹ in⁵¹ t͡ɕi⁵⁵/

/kɪk̚⁵ kʷɔːŋ⁵⁵ taː³⁵ jɐn³³ kei̯⁵⁵/

/t͡ɕi⁵⁵ ku̯ɑŋ⁵⁵ tä²¹⁴⁻²¹ in⁵¹ t͡ɕi⁵⁵/

/kɪk̚⁵ kʷɔːŋ⁵⁵ taː³⁵ jɐn³³ kei̯⁵⁵/

(computer hardware, printing) laser printer (Classifier: 臺／台 m)


金文

CJKV/code

Sino-Xenic (金文):
* → Japanese: 金文(きんぶん) (kinbun)
* → Korean: 금문(金文) (geummun)
* → Vietnamese: kim văn (金文)

/t͡ɕin⁵⁵ wən³⁵/

/kɐm⁵⁵ mɐn²¹/

/kim³³⁻²³ buŋ⁵⁵/

/t͡ɕin⁵⁵ wən³⁵/

/kɐm⁵⁵ mɐn²¹/

/kim³³⁻²³ buŋ⁵⁵/

(writing, palaeography) Chinese bronze inscriptions

鐘

Chinese bronze inscriptions; bronze script

Chinese bronze inscriptions, bronze script


收聲

/sɐu̯⁵⁵ sɛːŋ⁵⁵/

/sɐu̯⁵⁵ sɛːŋ⁵⁵/


古文字

/ku²¹⁴⁻²¹ wən³⁵ t͡sz̩⁵¹/

/kuː³⁵ mɐn²¹ t͡siː²²/

/ku²¹⁴⁻²¹ wən³⁵ t͡sz̩⁵¹/

/kuː³⁵ mɐn²¹ t͡siː²²/

(writing, palaeography) pre-Qin script, such as jinwen or jiaguwen


小五

/ɕi̯ɑʊ̯²¹⁴⁻³⁵ u²¹⁴⁻²¹⁽⁴⁾/

/siːu̯³⁵ ŋ̍¹³/

/ɕi̯ɑʊ̯²¹⁴⁻³⁵ u²¹⁴⁻²¹⁽⁴⁾/

/siːu̯³⁵ ŋ̍¹³/

(printing) The size of type between 五 (5) and 六 (6), standardized as 9 point.


小四

/ɕi̯ɑʊ̯²¹⁴⁻²¹ sz̩⁵¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ sz̩⁵¹/

(printing) The size of type between 四 (4) and 五 (5), standardized as 12 point.


小六

/ɕi̯ɑʊ̯²¹⁴⁻²¹ li̯oʊ̯⁵¹/

/siːu̯³⁵ lʊk̚²/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ li̯oʊ̯⁵¹/

/siːu̯³⁵ lʊk̚²/

(printing) size of type between 六 (6) and 七 (7), standardized as 6½ point


劇終

/t͡ɕy⁵¹ ʈ͡ʂʊŋ⁵⁵/

/kʰɛːk̚² t͡sʊŋ⁵⁵/

/t͡ɕy⁵¹ ʈ͡ʂʊŋ⁵⁵/

/kʰɛːk̚² t͡sʊŋ⁵⁵/

I have already seen a tragedy on stage; the end has no happiness

wǒ yǐjīng kànjiàn yī chū bēijù zhèng shàngyǎn, jùzhōng méiyǒu xǐyuè

我已經看見一齣悲劇正上演 劇終沒有喜悅

我已经看见一出悲剧正上演 剧终没有喜悦


造字

/t͡sɑʊ̯⁵¹⁻⁵³ t͡sz̩⁵¹/

/t͡so³³⁻¹¹ li³³/

/t͡sɤ³³⁻²¹ li³³/

/t͡sɑʊ̯⁵¹⁻⁵³ t͡sz̩⁵¹/

/t͡so³³⁻¹¹ li³³/

/t͡sɤ³³⁻²¹ li³³/

猶毋過，伊無造字的經驗。

犹毋过，伊无造字的经验。


小樣

/ɕi̯ɑʊ̯²¹⁴⁻²¹ jɑŋ⁵¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ jɑ̃ɻ⁵¹/

/siːu̯³⁵ jœːŋ²²/

/siɤ⁴¹⁻⁴⁴ iũ³³/

/sio⁵⁵⁴⁻²⁴ iũ⁴¹/

/sio⁵³⁻⁴⁴ iũ²²/

/sio⁵³⁻⁴⁴ iũ³³/

/sio⁵³⁻⁴⁴ iɔ̃²²/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ jɑŋ⁵¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ jɑ̃ɻ⁵¹/

/siːu̯³⁵ jœːŋ²²/

/siɤ⁴¹⁻⁴⁴ iũ³³/

/sio⁵⁵⁴⁻²⁴ iũ⁴¹/

/sio⁵³⁻⁴⁴ iũ²²/

/sio⁵³⁻⁴⁴ iũ³³/

/sio⁵³⁻⁴⁴ iɔ̃²²/


鐘鼎文

ㄓㄨㄥ ㄉㄧㄥˇ ㄨㄣˊ

/ʈ͡ʂʊŋ⁵⁵ tiŋ²¹⁴⁻²¹ wən³⁵/

/t͡sʊŋ⁵⁵ tɪŋ³⁵ mɐn²¹/

/ʈ͡ʂʊŋ⁵⁵ tiŋ²¹⁴⁻²¹ wən³⁵/

/t͡sʊŋ⁵⁵ tɪŋ³⁵ mɐn²¹/


藏頭詩

/t͡sʰɑŋ³⁵ tʰoʊ̯³⁵ ʂʐ̩⁵⁵/

/t͡sʰɔːŋ²¹ tʰɐu̯²¹ siː⁵⁵/

/t͡sʰɑŋ³⁵ tʰoʊ̯³⁵ ʂʐ̩⁵⁵/

/t͡sʰɔːŋ²¹ tʰɐu̯²¹ siː⁵⁵/


3D打印

ㄙㄢ ㄉㄧ ㄉㄚˇ ㄧㄣˋ

саньди даинь

/sän⁵⁵ ti⁵⁵ tä²¹⁴⁻²¹ in⁵¹/

/saːm⁵⁵ tiː⁵⁵ taː³⁵ jɐn³³/

/fiː⁵⁵ tiː⁵⁵ taː³⁵ jɐn³³/

/sän⁵⁵ ti⁵⁵ tä²¹⁴⁻²¹ in⁵¹/

/saːm⁵⁵ tiː⁵⁵ taː³⁵ jɐn³³/

/fiː⁵⁵ tiː⁵⁵ taː³⁵ jɐn³³/


聲道

/ʂɤŋ⁵⁵ tɑʊ̯⁵¹/

/ʂɤŋ⁵⁵ tɑʊ̯⁵¹/


文學史

/wən³⁵ ɕy̯ɛ³⁵ ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/mɐn²¹ hɔːk̚² siː³⁵/

/wən³⁵ ɕy̯ɛ³⁵ ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/mɐn²¹ hɔːk̚² siː³⁵/

(literature) literary history; history of literature


杜詩

/tu⁵¹ ʂʐ̩⁵⁵/

/tu⁵¹ ʂʐ̩⁵⁵/


廢部

/feɪ̯⁵¹⁻⁵³ pu⁵¹/

/fɐi̯³³ pou̯²²/

/feɪ̯⁵¹⁻⁵³ pu⁵¹/

/fɐi̯³³ pou̯²²/

(anime) to abolish or abrogate a department, society, group, etc.


盛唐

/ʂɤŋ⁵¹ tʰɑŋ³⁵/

/sɪŋ²² tʰɔːŋ²¹/

/siɪŋ²²⁻²¹ tɔŋ²⁴/

/siɪŋ⁴¹⁻²² tɔŋ²⁴/

/siɪŋ²²⁻²¹ tɔŋ¹³/

/siɪŋ³³⁻¹¹ tɔŋ²⁴/

/siɪŋ³³⁻²¹ tɔŋ²³/

/ʂɤŋ⁵¹ tʰɑŋ³⁵/

/sɪŋ²² tʰɔːŋ²¹/

/siɪŋ²²⁻²¹ tɔŋ²⁴/

/siɪŋ⁴¹⁻²² tɔŋ²⁴/

/siɪŋ²²⁻²¹ tɔŋ¹³/

/siɪŋ³³⁻¹¹ tɔŋ²⁴/

/siɪŋ³³⁻²¹ tɔŋ²³/

Emperor Xuanzong
w:Emperor Xuanzong of Tang

(poetry, historical) High Tang; Flourishing Tang; Golden Tang (713–755; the golden era in Tang poetry, the period from the Kaiyuan era to the Tianbao era of Emperor Xuanzong)


星號

/ɕiŋ⁵⁵ xɑʊ̯⁵¹/

/sɪŋ⁵⁵ hou̯²²/

/siɪŋ⁴⁴⁻²² ho²²/

/siɪŋ³³ ho⁴¹/

/t͡sʰĩ⁴⁴⁻²² ho²²/

/t͡sʰĩ³³ ho⁴¹/

/ɕiŋ⁵⁵ xɑʊ̯⁵¹/

/sɪŋ⁵⁵ hou̯²²/

/siɪŋ⁴⁴⁻²² ho²²/

/siɪŋ³³ ho⁴¹/

/t͡sʰĩ⁴⁴⁻²² ho²²/

/t͡sʰĩ³³ ho⁴¹/


特效

/tʰɤ⁵¹⁻⁵³ ɕi̯ɑʊ̯⁵¹/

/tɐk̚² haːu̯²²/

/tiɪk̚⁴⁻³² hau³³/

/tiɪk̚¹²¹⁻²¹ hau²²/

/tiɪk̚⁴⁻³² hau²²/

/tʰɤ⁵¹⁻⁵³ ɕi̯ɑʊ̯⁵¹/

/tɐk̚² haːu̯²²/

/tiɪk̚⁴⁻³² hau³³/

/tiɪk̚¹²¹⁻²¹ hau²²/

/tiɪk̚⁴⁻³² hau²²/

(film, television, cinematography) special effect


等寬

/tɤŋ²¹⁴⁻²¹ kʰu̯än⁵⁵/

/tɤŋ²¹⁴⁻²¹ kʰu̯än⁵⁵/

Coordinate term: 比例 (bǐlì)


正片

/ʈ͡ʂɤŋ⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

/ʈ͡ʂɤŋ⁵¹⁻⁵³ pʰi̯ɑɻ⁵¹/

/ʈ͡ʂɤŋ⁵¹ pʰi̯ɛn⁵⁵/

/ʈ͡ʂɤŋ⁵¹ pʰi̯ɑɻ⁵⁵/

/t͡sɪŋ³³ pʰiːn³³⁻³⁵/

/ʈ͡ʂɤŋ⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

/ʈ͡ʂɤŋ⁵¹⁻⁵³ pʰi̯ɑɻ⁵¹/

/ʈ͡ʂɤŋ⁵¹ pʰi̯ɛn⁵⁵/

/ʈ͡ʂɤŋ⁵¹ pʰi̯ɑɻ⁵⁵/

/t͡sɪŋ³³ pʰiːn³³⁻³⁵/


製版

/ʈ͡ʂʐ̩⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/t͡sɐi̯³³ paːn³⁵/

/t͡se²¹⁻⁴¹ pan⁴¹/

/t͡se¹¹⁻⁵³ pan⁵³/

/t͡se²¹⁻⁵³ pan⁵³/

/t͡se⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/t͡si²¹⁻⁵³ pan⁵³/

/ʈ͡ʂʐ̩⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/t͡sɐi̯³³ paːn³⁵/

/t͡se²¹⁻⁴¹ pan⁴¹/

/t͡se¹¹⁻⁵³ pan⁵³/

/t͡se²¹⁻⁵³ pan⁵³/

/t͡se⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/t͡si²¹⁻⁵³ pan⁵³/


比擬

/pi²¹⁴⁻³⁵ ni²¹⁴⁻²¹⁽⁴⁾/

/pi⁵³⁻⁴⁴ ɡi⁵³/

/pi⁵⁵⁴⁻²⁴ ɡi⁵⁵⁴/

/pi²¹⁴⁻³⁵ ni²¹⁴⁻²¹⁽⁴⁾/

/pi⁵³⁻⁴⁴ ɡi⁵³/

/pi⁵⁵⁴⁻²⁴ ɡi⁵⁵⁴/


主筆

/ʈ͡ʂu²¹⁴⁻³⁵ pi²¹⁴⁻²¹⁽⁴⁾/

/t͡syː³⁵ pɐt̚⁵/

/t͡su⁴¹⁻⁴⁴ pit̚³²/

/t͡su⁵⁵⁴⁻²⁴ pit̚⁵/

/t͡su⁵³⁻⁴⁴ pit̚³²/

/ʈ͡ʂu²¹⁴⁻³⁵ pi²¹⁴⁻²¹⁽⁴⁾/

/t͡syː³⁵ pɐt̚⁵/

/t͡su⁴¹⁻⁴⁴ pit̚³²/

/t͡su⁵⁵⁴⁻²⁴ pit̚⁵/

/t͡su⁵³⁻⁴⁴ pit̚³²/

(calligraphy) most important stroke in a Chinese character


律詩

CJKV/code

Sino-Xenic (律詩):
* → Japanese: 律(りっ)詩(し) (risshi)
* → Korean: 률시(律詩) (ryulsi), 율시(律詩) (yulsi)
* → Vietnamese: luật thi (律詩)

/ly⁵¹ ʂʐ̩⁵⁵/

/lɵt̚² siː⁵⁵/

/l̃uʔ⁵⁻⁵⁵ si⁵⁵/

/lut̚⁴⁻³² si⁴⁴/

/lut̚²⁴⁻² si³³/

/lut̚¹²¹⁻²¹ si⁴⁴/

/lut̚⁴⁻³² si⁴⁴/

/lut̚⁴⁻³² si⁴⁴/

/liɪʔ¹¹ sz̩²³/

/ly⁵¹ ʂʐ̩⁵⁵/

/lɵt̚² siː⁵⁵/

/l̃uʔ⁵⁻⁵⁵ si⁵⁵/

/lut̚⁴⁻³² si⁴⁴/

/lut̚²⁴⁻² si³³/

/lut̚¹²¹⁻²¹ si⁴⁴/

/lut̚⁴⁻³² si⁴⁴/

/lut̚⁴⁻³² si⁴⁴/

/liɪʔ¹¹ sz̩²³/


斜鉤

/ɕi̯ɛ³⁵ koʊ̯⁵⁵/

/t͡sʰɛː²¹ ŋɐu̯⁵⁵/

/ʑia²² kɤ⁴⁴/

/ɕi̯ɛ³⁵ koʊ̯⁵⁵/

/t͡sʰɛː²¹ ŋɐu̯⁵⁵/

/ʑia²² kɤ⁴⁴/

(Chinese calligraphy) downwards-right concave hooked stroke


肉彈

/ʐoʊ̯⁵¹⁻⁵³ tän⁵¹/

/ʐoʊ̯⁵¹⁻⁵³ tän⁵¹/


鋅版

/ɕin⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/ɕin⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/


重啟

/ʈ͡ʂʰʊŋ³⁵ t͡ɕʰi²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰʊŋ²¹ kʰɐi̯³⁵/

/ʈ͡ʂʰʊŋ³⁵ t͡ɕʰi²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰʊŋ²¹ kʰɐi̯³⁵/

(fiction, entertainment) to reboot (a series)


特寫

/tʰɤ⁵¹ ɕi̯ɛ²¹⁴⁻²¹⁽⁴⁾/

/tɐk̚² sɛː³⁵/

/tiɪk̚¹²¹⁻²¹ sia⁵³/

/tiɪk̚⁴⁻³² sia⁵³/

/tʰɤ⁵¹ ɕi̯ɛ²¹⁴⁻²¹⁽⁴⁾/

/tɐk̚² sɛː³⁵/

/tiɪk̚¹²¹⁻²¹ sia⁵³/

/tiɪk̚⁴⁻³² sia⁵³/

(media) feature article; feature story; feature

(photography, film, television) close-up


燙金

/tʰɑŋ⁵¹ t͡ɕin⁵⁵/

/tʰɔːŋ³³ kɐm⁵⁵/

/tʰŋ̍⁴¹⁻⁵⁵⁴ kim³³/

/tʰŋ̍²¹⁻⁵³ kim⁴⁴/

/tʰɑŋ⁵¹ t͡ɕin⁵⁵/

/tʰɔːŋ³³ kɐm⁵⁵/

/tʰŋ̍⁴¹⁻⁵⁵⁴ kim³³/

/tʰŋ̍²¹⁻⁵³ kim⁴⁴/


收音

/ʂoʊ̯⁵⁵ in⁵⁵/

/sɐu̯⁵⁵ jɐm⁵⁵/

/su²⁴⁻¹¹ im²⁴/

/siu⁴⁴⁻²² im⁴⁴/

/siu⁴⁴⁻²² im⁴⁴/

/siu⁴⁴⁻³³ im⁴⁴/

/siu⁴⁴⁻³³ im⁴⁴/

/ʂoʊ̯⁵⁵ in⁵⁵/

/sɐu̯⁵⁵ jɐm⁵⁵/

/su²⁴⁻¹¹ im²⁴/

/siu⁴⁴⁻²² im⁴⁴/

/siu⁴⁴⁻²² im⁴⁴/

/siu⁴⁴⁻³³ im⁴⁴/

/siu⁴⁴⁻³³ im⁴⁴/


套色

/tʰɑʊ̯⁵¹ ʂaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/tʰou̯³³ sɪk̚⁵/

/tʰo⁴¹⁻⁵⁵⁴ siak̚⁵/

/tʰo²¹⁻⁵³ siɪk̚³²/

/tʰɑʊ̯⁵¹ ʂaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/tʰou̯³³ sɪk̚⁵/

/tʰo⁴¹⁻⁵⁵⁴ siak̚⁵/

/tʰo²¹⁻⁵³ siɪk̚³²/

(printing) chromatography; color process


特殊效果

ㄊㄜˋ ㄕㄨ ㄒㄧㄠˋ ㄍㄨㄛˇ

/tʰɤ⁵¹ ʂu⁵⁵ ɕi̯ɑʊ̯⁵¹ ku̯ɔ²¹⁴⁻²¹⁽⁴⁾/

/tɐk̚² syː²¹ haːu̯²² kʷɔː³⁵/

/tʰɤ⁵¹ ʂu⁵⁵ ɕi̯ɑʊ̯⁵¹ ku̯ɔ²¹⁴⁻²¹⁽⁴⁾/

/tɐk̚² syː²¹ haːu̯²² kʷɔː³⁵/


清樣

/t͡ɕʰiŋ⁵⁵ jɑŋ⁵¹/

/t͡sʰɪŋ⁵⁵ jœːŋ²²/

/t͡sʰiɪŋ⁴⁴⁻²² iũ²²/

/t͡sʰiɪŋ³³ iũ⁴¹/

/t͡sʰiɪŋ⁴⁴⁻²² iɔ̃²²/

/t͡ɕʰiŋ⁵⁵ jɑŋ⁵¹/

/t͡sʰɪŋ⁵⁵ jœːŋ²²/

/t͡sʰiɪŋ⁴⁴⁻²² iũ²²/

/t͡sʰiɪŋ³³ iũ⁴¹/

/t͡sʰiɪŋ⁴⁴⁻²² iɔ̃²²/


異世界

/i⁵¹⁻⁵³ ʂʐ̩⁵¹⁻⁵³ t͡ɕi̯ɛ⁵¹/

/i⁵¹⁻⁵³ ʂʐ̩⁵¹⁻⁵³ t͡ɕi̯ɛ⁵¹/


花絮

/xu̯ä⁵⁵ ɕy⁵¹/

/faː⁵⁵ sɵy̯¹³/

/hue⁴⁴⁻²² su²²/

/hua⁴⁴⁻²² si²²/

/xu̯ä⁵⁵ ɕy⁵¹/

/faː⁵⁵ sɵy̯¹³/

/hue⁴⁴⁻²² su²²/

/hua⁴⁴⁻²² si²²/


開機

/kʰaɪ̯⁵⁵ t͡ɕi⁵⁵/

/hɔːi̯⁵⁵ kei̯⁵⁵/

/kʰui⁴⁴⁻²² ki⁴⁴/

/kʰui⁴⁴⁻²² ki⁴⁴/

/kʰui⁴⁴⁻³³ ki⁴⁴/

/kʰui⁴⁴⁻³³ ki⁴⁴/

/kʰui³³⁻²³ ki³³/

/kʰaɪ̯⁵⁵ t͡ɕi⁵⁵/

/hɔːi̯⁵⁵ kei̯⁵⁵/

/kʰui⁴⁴⁻²² ki⁴⁴/

/kʰui⁴⁴⁻²² ki⁴⁴/

/kʰui⁴⁴⁻³³ ki⁴⁴/

/kʰui⁴⁴⁻³³ ki⁴⁴/

/kʰui³³⁻²³ ki³³/


佳句

/t͡ɕi̯ä⁵⁵ t͡ɕy⁵¹/

/kaːi̯⁵⁵ kɵy̯³³/

/t͡ɕi̯ä⁵⁵ t͡ɕy⁵¹/

/kaːi̯⁵⁵ kɵy̯³³/


懷古

/xu̯aɪ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/waːi̯²¹ kuː³⁵/

/xu̯aɪ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/waːi̯²¹ kuː³⁵/


拍片

/pʰaɪ̯⁵⁵ pʰi̯ɛn⁵¹/

/pʰaɪ̯⁵⁵ pʰi̯ɑɻ⁵¹/

/pʰaɪ̯⁵⁵ pʰi̯ɛn⁵⁵/

/pʰaɪ̯⁵⁵ pʰi̯ɑɻ⁵⁵/

/pʰaːk̚³ pʰiːn³³⁻³⁵/

/pʰa(ʔ)³²⁻⁴¹ pʰĩ²¹/

/pʰa(ʔ)³²⁻⁵³ pʰĩ¹¹/

/pʰaɪ̯⁵⁵ pʰi̯ɛn⁵¹/

/pʰaɪ̯⁵⁵ pʰi̯ɑɻ⁵¹/

/pʰaɪ̯⁵⁵ pʰi̯ɛn⁵⁵/

/pʰaɪ̯⁵⁵ pʰi̯ɑɻ⁵⁵/

/pʰaːk̚³ pʰiːn³³⁻³⁵/

/pʰa(ʔ)³²⁻⁴¹ pʰĩ²¹/

/pʰa(ʔ)³²⁻⁵³ pʰĩ¹¹/


排印

/pʰaɪ̯³⁵ in⁵¹/

/pʰaːi̯²¹ jɐn³³/

/pai²⁴⁻²² in²¹/

/pai²⁴⁻²² in⁴¹/

/pai¹³⁻²² in²¹/

/pai²⁴⁻¹¹ in¹¹/

/pai²³⁻³³ in²¹/

/pʰaɪ̯³⁵ in⁵¹/

/pʰaːi̯²¹ jɐn³³/

/pai²⁴⁻²² in²¹/

/pai²⁴⁻²² in⁴¹/

/pai¹³⁻²² in²¹/

/pai²⁴⁻¹¹ in¹¹/

/pai²³⁻³³ in²¹/

(printing, typography) to set type and print


拼版

/pʰin⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/pʰɪŋ³³ paːn³⁵/

/pʰiɪŋ⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/pʰiɪŋ²¹⁻⁵³ pan⁵³/

/pʰin⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/pʰɪŋ³³ paːn³⁵/

/pʰiɪŋ⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/pʰiɪŋ²¹⁻⁵³ pan⁵³/


推手

/tʰu̯eɪ̯⁵⁵ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/tʰu̯eɪ̯⁵⁵ ʂɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/tʰɵy̯⁵⁵ sɐu̯³⁵/

/tʰu̯eɪ̯⁵⁵ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/tʰu̯eɪ̯⁵⁵ ʂɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/tʰɵy̯⁵⁵ sɐu̯³⁵/


聲韻

/ʂɤŋ⁵⁵ yn⁵¹/

/sɪŋ⁵⁵ wɐn²²/

/sɪŋ⁵⁵ wɐn¹³/

/saŋ²⁴⁻¹¹ i̯un⁵⁵/

/ʂɤŋ⁵⁵ yn⁵¹/

/sɪŋ⁵⁵ wɐn²²/

/sɪŋ⁵⁵ wɐn¹³/

/saŋ²⁴⁻¹¹ i̯un⁵⁵/


合拍

/xɤ³⁵ pʰaɪ̯⁵⁵/

/hɐp̚² pʰaːk̚³/

/hap̚⁴⁻³² pʰaʔ³²/

/hap̚²⁴⁻² pʰaʔ⁵/

/hap̚¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)²⁴⁻² pʰaʔ⁵/

/ha(ʔ)¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)⁴⁻²¹ pʰaʔ³²/

/xɤ³⁵ pʰaɪ̯⁵⁵/

/hɐp̚² pʰaːk̚³/

/hap̚⁴⁻³² pʰaʔ³²/

/hap̚²⁴⁻² pʰaʔ⁵/

/hap̚¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)²⁴⁻² pʰaʔ⁵/

/ha(ʔ)¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)⁴⁻²¹ pʰaʔ³²/


切口

/t͡ɕʰi̯ɛ⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰi̯ɛ⁵⁵ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰiːt̚³ hɐu̯³⁵/

/t͡ɕʰi̯ɛ⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰi̯ɛ⁵⁵ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰiːt̚³ hɐu̯³⁵/

/t͡ɕʰi̯ɛ⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰi̯ɛ⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰiːt̚³ hɐu̯³⁵/


黃金時段

ㄏㄨㄤˊ ㄐㄧㄣ ㄕˊ ㄉㄨㄢˋ

хуанцзинь шидуань

/xu̯ɑŋ³⁵ t͡ɕin⁵⁵ ʂʐ̩³⁵ tu̯än⁵¹/

/wɔːŋ²¹ kɐm⁵⁵ siː²¹ tyːn²²/

/xu̯ɑŋ³⁵ t͡ɕin⁵⁵ ʂʐ̩³⁵ tu̯än⁵¹/

/wɔːŋ²¹ kɐm⁵⁵ siː²¹ tyːn²²/


長篇

/ʈ͡ʂʰɑŋ³⁵ pʰi̯ɛn⁵⁵/

/t͡sʰœːŋ²¹ pʰiːn⁵⁵/

/t͡sʰoŋ¹¹ pʰi̯en²⁴/

/tiɔŋ²⁴⁻²² pʰiɛn⁴⁴/

/tiɔŋ²⁴⁻²² pʰiɛn³³/

/tiɔŋ¹³⁻²² pʰiɛn⁴⁴/

/tiɔŋ²⁴⁻¹¹ pʰiɛn⁴⁴/

/tiɔŋ²³⁻³³ pʰiɛn⁴⁴/

/ʈ͡ʂʰɑŋ³⁵ pʰi̯ɛn⁵⁵/

/t͡sʰœːŋ²¹ pʰiːn⁵⁵/

/t͡sʰoŋ¹¹ pʰi̯en²⁴/

/tiɔŋ²⁴⁻²² pʰiɛn⁴⁴/

/tiɔŋ²⁴⁻²² pʰiɛn³³/

/tiɔŋ¹³⁻²² pʰiɛn⁴⁴/

/tiɔŋ²⁴⁻¹¹ pʰiɛn⁴⁴/

/tiɔŋ²³⁻³³ pʰiɛn⁴⁴/


骨氣

/ku²¹⁴⁻²¹ t͡ɕʰi⁵¹/

/ku²¹⁴ t͡ɕʰi⁴/

/ku³⁵ t͡ɕʰi⁵¹/

/ku³⁵ t͡ɕʰi³/

/kʷɐt̚⁵ hei̯³³/

/kut̚³²⁻⁴ kʰi²¹/

/kut̚⁵⁻²⁴ kʰi⁴¹/

/kut̚³²⁻⁵ kʰi²¹/

/kut̚³²⁻⁴ kʰi¹¹/

/kut̚³²⁻⁴ kʰi²¹/

/kuk̚²⁻⁴ kʰi²¹³/

/ku²¹⁴⁻²¹ t͡ɕʰi⁵¹/

/ku²¹⁴ t͡ɕʰi⁴/

/ku³⁵ t͡ɕʰi⁵¹/

/ku³⁵ t͡ɕʰi³/

/kʷɐt̚⁵ hei̯³³/

/kut̚³²⁻⁴ kʰi²¹/

/kut̚⁵⁻²⁴ kʰi⁴¹/

/kut̚³²⁻⁵ kʰi²¹/

/kut̚³²⁻⁴ kʰi¹¹/

/kut̚³²⁻⁴ kʰi²¹/

/kuk̚²⁻⁴ kʰi²¹³/

(figurative, calligraphy) vigour of strokes


筆觸

/pi²¹⁴⁻²¹ ʈ͡ʂʰu⁵¹/

/pɐt̚⁵ t͡sʊk̚⁵/

/pi²¹⁴⁻²¹ ʈ͡ʂʰu⁵¹/

/pɐt̚⁵ t͡sʊk̚⁵/

(painting, calligraphy) brush stroke in Chinese painting and calligraphy


版面

/pän²¹⁴⁻²¹ mi̯ɛn⁵¹/

/pan⁵⁵⁴⁻²⁴ bin⁴¹/

/paŋ⁵²⁻³⁵ miŋ¹¹/

/pän²¹⁴⁻²¹ mi̯ɛn⁵¹/

/pan⁵⁵⁴⁻²⁴ bin⁴¹/

/paŋ⁵²⁻³⁵ miŋ¹¹/

(printing) page space; area of a single page


下標

/ɕi̯ä⁵¹ pi̯ɑʊ̯⁵⁵/

/ɕi̯ä⁵¹ pi̯aʊ̯ɻʷ⁵⁵/

/haː²² piːu̯⁵⁵/

/ɕi̯ä⁵¹ pi̯ɑʊ̯⁵⁵/

/ɕi̯ä⁵¹ pi̯aʊ̯ɻʷ⁵⁵/

/haː²² piːu̯⁵⁵/


上標

/ʂɑŋ⁵¹ pi̯ɑʊ̯⁵⁵/

/ʂɑŋ⁵¹ pi̯aʊ̯ɻʷ⁵⁵/

/sœːŋ²² piːu̯⁵⁵/

/ʂɑŋ⁵¹ pi̯ɑʊ̯⁵⁵/

/ʂɑŋ⁵¹ pi̯aʊ̯ɻʷ⁵⁵/

/sœːŋ²² piːu̯⁵⁵/


淋漓

/lim²³⁻³³ li²³/

/lim²⁴⁻²² li²⁴/

/lim¹³⁻²² li¹³/

/lim²⁴⁻¹¹ li²⁴/

/lim²³⁻³³ li²³/

/lim²⁴⁻²² li²⁴/

/lim¹³⁻²² li¹³/

/lim²⁴⁻¹¹ li²⁴/

(of mood, writing, speech, etc.) free from inhibition; unreserved; unrestrained; hearty


長詩

/ʈ͡ʂʰɑŋ³⁵ ʂʐ̩⁵⁵/

/t͡sʰœːŋ²¹ siː⁵⁵/

/t͡sʰoŋ¹¹ sɨ²⁴/

/ʈ͡ʂʰɑŋ³⁵ ʂʐ̩⁵⁵/

/t͡sʰœːŋ²¹ siː⁵⁵/

/t͡sʰoŋ¹¹ sɨ²⁴/


襯字

/ʈ͡ʂʰən⁵¹⁻⁵³ t͡sz̩⁵¹/

/t͡sʰɐn³³ t͡siː²²/

/ʈ͡ʂʰən⁵¹⁻⁵³ t͡sz̩⁵¹/

/t͡sʰɐn³³ t͡siː²²/

(poetry) character inserted into a line of verse (especially in qu) or lyrics for balance


平行宇宙

ㄆㄧㄥˊ ㄒㄧㄥˊ ㄩˇ ㄓㄡˋ

пинсин юйчжоу

/pʰiŋ³⁵ ɕiŋ³⁵ y²¹⁴⁻²¹ ʈ͡ʂoʊ̯⁵¹/

/pʰɪŋ²¹ hɐŋ²¹ jyː¹³ t͡sɐu̯²²/

/pʰiŋ³⁵ ɕiŋ³⁵ y²¹⁴⁻²¹ ʈ͡ʂoʊ̯⁵¹/

/pʰɪŋ²¹ hɐŋ²¹ jyː¹³ t͡sɐu̯²²/

(sciences, science fiction) parallel universe


時光機

/ʂʐ̩³⁵ ku̯ɑŋ⁵⁵ t͡ɕi⁵⁵/

/siː²¹ kʷɔːŋ⁵⁵ kei̯⁵⁵/

/ʂʐ̩³⁵ ku̯ɑŋ⁵⁵ t͡ɕi⁵⁵/

/siː²¹ kʷɔːŋ⁵⁵ kei̯⁵⁵/

(countable, chiefly science fiction) time machine (Classifier: 臺／台 m)


扉頁

/feɪ̯⁵⁵ jɛ⁵¹/

/feɪ̯⁵⁵ jɛɻ⁵¹/

/hui⁴⁴⁻²² iaʔ¹²¹/

/hui⁴⁴⁻²² iaʔ⁴/

/feɪ̯⁵⁵ jɛ⁵¹/

/feɪ̯⁵⁵ jɛɻ⁵¹/

/hui⁴⁴⁻²² iaʔ¹²¹/

/hui⁴⁴⁻²² iaʔ⁴/


詩句

/ʂʐ̩⁵⁵ t͡ɕy⁵¹/

/siː⁵⁵ kɵy̯³³/

/sɨ²⁴⁻¹¹ ki⁵⁵/

/si⁵⁵⁻⁵³ ⁽ᵏ⁻⁾uɔ²¹³/

/si⁴⁴⁻²² ku²¹/

/si⁴⁴⁻²² ku²¹/

/si⁴⁴⁻³³ ku¹¹/

/si⁴⁴⁻³³ ku²¹/

/sz̩⁵⁵ t͡ɕy²¹/

/ʂʐ̩⁵⁵ t͡ɕy⁵¹/

/siː⁵⁵ kɵy̯³³/

/sɨ²⁴⁻¹¹ ki⁵⁵/

/si⁵⁵⁻⁵³ ⁽ᵏ⁻⁾uɔ²¹³/

/si⁴⁴⁻²² ku²¹/

/si⁴⁴⁻²² ku²¹/

/si⁴⁴⁻³³ ku¹¹/

/si⁴⁴⁻³³ ku²¹/

/sz̩⁵⁵ t͡ɕy²¹/


畫外音

/xu̯ä⁵¹⁻⁵³ waɪ̯⁵¹ in⁵⁵/

/xu̯ä⁵¹⁻⁵³ waɪ̯⁵¹ in⁵⁵/

(television, film) off-screen narration; voice-over


敘事詩

/ɕy⁵¹⁻⁵³ ʂʐ̩⁵¹ ʂʐ̩⁵⁵/

/t͡sɵy̯²² siː²² siː⁵⁵/

/ɕy⁵¹⁻⁵³ ʂʐ̩⁵¹ ʂʐ̩⁵⁵/

/t͡sɵy̯²² siː²² siː⁵⁵/


對話框

ㄉㄨㄟˋ ㄏㄨㄚˋ ㄎㄨㄤˋ

ㄉㄨㄟˋ ㄏㄨㄚˋ ㄎㄨㄤ

/tu̯eɪ̯⁵¹⁻⁵³ xu̯ä⁵¹⁻⁵³ kʰu̯ɑŋ⁵¹/

/tu̯eɪ̯⁵¹⁻⁵³ xu̯ä⁵¹ kʰu̯ɑŋ⁵⁵/

ㄉㄨㄟˋ ㄏㄨㄚˋ ㄎㄨㄤㄦ

/tu̯eɪ̯⁵¹⁻⁵³ xu̯ä⁵¹ kʰu̯ɑ̃ɻ⁵⁵/

/tɵy̯³³ waː²² kʷʰaːŋ⁵⁵/

/tu̯eɪ̯⁵¹⁻⁵³ xu̯ä⁵¹⁻⁵³ kʰu̯ɑŋ⁵¹/

/tu̯eɪ̯⁵¹⁻⁵³ xu̯ä⁵¹ kʰu̯ɑŋ⁵⁵/

/tu̯eɪ̯⁵¹⁻⁵³ xu̯ä⁵¹ kʰu̯ɑ̃ɻ⁵⁵/

/tɵy̯³³ waː²² kʷʰaːŋ⁵⁵/


排律

/pʰaɪ̯³⁵ ly⁵¹/

/pʰaːi̯²¹ lɵt̚²/

/pɛ⁵³⁻³³ l̃uʔ⁵/

/ba²² liɪʔ⁴⁴/

/pʰaɪ̯³⁵ ly⁵¹/

/pʰaːi̯²¹ lɵt̚²/

/pɛ⁵³⁻³³ l̃uʔ⁵/

/ba²² liɪʔ⁴⁴/


絕句

/t͡ɕy̯ɛ³⁵ t͡ɕy⁵¹/

/t͡syːt̚² kɵy̯³³/

/t͡suoʔ⁵⁻²¹ kuɔ²¹³/

/t͡suat̚¹²¹⁻²¹ ku²¹/

/ʑiɪʔ¹¹ t͡ɕy²³/

/t͡ɕy̯ɛ³⁵ t͡ɕy⁵¹/

/t͡syːt̚² kɵy̯³³/

/t͡suoʔ⁵⁻²¹ kuɔ²¹³/

/t͡suat̚¹²¹⁻²¹ ku²¹/

/ʑiɪʔ¹¹ t͡ɕy²³/


對仗

/tu̯eɪ̯⁵¹⁻⁵³ ʈ͡ʂɑŋ⁵¹/

/tɵy̯³³ t͡sœːŋ²²/

/tui²¹⁻⁵³ tiɔŋ²²/

/tui⁴¹⁻⁵⁵⁴ tiɔŋ²²/

/tui²¹⁻⁵³ tiaŋ²²/

/tui²¹³⁻⁵⁵ t͡siaŋ³⁵/

/tu̯eɪ̯⁵¹⁻⁵³ ʈ͡ʂɑŋ⁵¹/

/tɵy̯³³ t͡sœːŋ²²/

/tui²¹⁻⁵³ tiɔŋ²²/

/tui⁴¹⁻⁵⁵⁴ tiɔŋ²²/

/tui²¹⁻⁵³ tiaŋ²²/

/tui²¹³⁻⁵⁵ t͡siaŋ³⁵/

(poetry) to use antithesis; to have a matching of both sound and sense in two lines, sentences, etc., usually with the matching words in the same part of speech


試鏡

/ʂʐ̩⁵¹⁻⁵³ t͡ɕiŋ⁵¹/

/siː³³ kɛːŋ³³/

/ʂʐ̩⁵¹⁻⁵³ t͡ɕiŋ⁵¹/

/siː³³ kɛːŋ³³/

(film) to make someone have a screen test


校樣

/t͡ɕi̯ɑʊ̯⁵¹⁻⁵³ jɑŋ⁵¹/

/kaːu̯³³ jœːŋ²²/

/kau²¹⁻⁵³ iũ²²/

/kau⁴¹⁻⁵⁵⁴ iũ⁴¹/

/kau²¹⁻⁵³ iɔ̃²²/

/t͡ɕi̯ɑʊ̯⁵¹⁻⁵³ jɑŋ⁵¹/

/kaːu̯³³ jœːŋ²²/

/kau²¹⁻⁵³ iũ²²/

/kau⁴¹⁻⁵⁵⁴ iũ⁴¹/

/kau²¹⁻⁵³ iɔ̃²²/


重版

/ʈ͡ʂʰʊŋ³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰʊŋ²¹ paːn³⁵/

/ʈ͡ʂʰʊŋ³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰʊŋ²¹ paːn³⁵/


重版

/ʈ͡ʂʰʊŋ³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰʊŋ²¹ paːn³⁵/

/ʈ͡ʂʰʊŋ³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰʊŋ²¹ paːn³⁵/


豎線

/ʂu⁵¹⁻⁵³ ɕi̯ɛn⁵¹/

/ʂu⁵¹⁻⁵³ ɕi̯ɛn⁵¹/


資料片

/t͡sz̩⁵⁵ li̯ɑʊ̯⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

ㄗ ㄌㄧㄠˋ ㄆㄧㄢˋㄦ

/t͡sz̩⁵⁵ li̯ɑʊ̯⁵¹⁻⁵³ pʰi̯ɑɻ⁵¹/

/t͡sz̩⁵⁵ li̯ɑʊ̯⁵¹ pʰi̯ɛn⁵⁵/

/t͡sz̩⁵⁵ li̯ɑʊ̯⁵¹ pʰi̯ɑɻ⁵⁵/

/t͡sz̩⁵⁵ li̯ɑʊ̯⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

/t͡sz̩⁵⁵ li̯ɑʊ̯⁵¹⁻⁵³ pʰi̯ɑɻ⁵¹/

/t͡sz̩⁵⁵ li̯ɑʊ̯⁵¹ pʰi̯ɛn⁵⁵/

/t͡sz̩⁵⁵ li̯ɑʊ̯⁵¹ pʰi̯ɑɻ⁵⁵/


小翻

/ɕi̯ɑʊ̯²¹⁴⁻²¹ fän⁵⁵/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ fän⁵⁵/

(drama, dance, gymnastics) back handspring


美術片

ㄇㄟˇ ㄕㄨˋ ㄆㄧㄢˋ

/meɪ̯²¹⁴⁻²¹ ʂu⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

/meɪ̯²¹⁴⁻²¹ ʂu⁵¹⁻⁵³ pʰi̯ɛn⁵¹/


瑪納斯

/mä²¹⁴⁻²¹ nä⁵¹ sz̩⁵⁵/

/maː¹³ naːp̚² siː⁵⁵/

/mä²¹⁴⁻²¹ nä⁵¹ sz̩⁵⁵/

/maː¹³ naːp̚² siː⁵⁵/


虞美人

/y³⁵ meɪ̯²¹⁴⁻²¹ ʐən³⁵/

/y³⁵ meɪ̯²¹⁴⁻²¹ ʐəɻ³⁵/

/jyː²¹ mei̯¹³ jɐn²¹/

/y³⁵ meɪ̯²¹⁴⁻²¹ ʐən³⁵/

/y³⁵ meɪ̯²¹⁴⁻²¹ ʐəɻ³⁵/

/jyː²¹ mei̯¹³ jɐn²¹/


付排

/fu⁵¹ pʰaɪ̯³⁵/

/fuː²² pʰaːi̯²¹/

/hu⁴¹⁻⁵⁵⁴ pai²⁴/

/hu²¹⁻⁵³ pai¹³/

/hu²¹⁻⁵³ pai²⁴/

/fu⁵¹ pʰaɪ̯³⁵/

/fuː²² pʰaːi̯²¹/

/hu⁴¹⁻⁵⁵⁴ pai²⁴/

/hu²¹⁻⁵³ pai¹³/

/hu²¹⁻⁵³ pai²⁴/


點播

/ti̯ɛn²¹⁴⁻²¹ pu̯ɔ⁵⁵/

/ti̯ɛn²¹⁴⁻²¹ pu̯ɔ⁵¹/

/tiːm³⁵ pɔː³³/

/tiam⁵³⁻⁴⁴ pɔ²¹/

/tiam⁵⁵⁴⁻²⁴ pɔ⁴¹/

/tiam⁵³⁻⁴⁴ pɔ²¹/

/tiam⁵³⁻⁴⁴ pɔ¹¹/

/tiam⁴¹⁻⁴⁴ pɔ²¹/

/ti̯ɛn²¹⁴⁻²¹ pu̯ɔ⁵⁵/

/ti̯ɛn²¹⁴⁻²¹ pu̯ɔ⁵¹/

/tiːm³⁵ pɔː³³/

/tiam⁵³⁻⁴⁴ pɔ²¹/

/tiam⁵⁵⁴⁻²⁴ pɔ⁴¹/

/tiam⁵³⁻⁴⁴ pɔ²¹/

/tiam⁵³⁻⁴⁴ pɔ¹¹/

/tiam⁴¹⁻⁴⁴ pɔ²¹/

(television, radio) to request a program from a radio station or television channel; to listen to or view on demand


調頻

/tʰi̯ɑʊ̯³⁵ pʰin³⁵/

/tʰiːu̯²¹ pʰɐn²¹/

/tʰiou⁵⁵⁻¹¹ pʰiŋ⁵⁵/

/tʰi̯ɑʊ̯³⁵ pʰin³⁵/

/tʰiːu̯²¹ pʰɐn²¹/

/tʰiou⁵⁵⁻¹¹ pʰiŋ⁵⁵/

frequency modulation
frequency modulation

(sound, radio) frequency modulation (FM)


調幅

/tʰi̯ɑʊ̯³⁵ fu³⁵/

/tiau²⁴⁻²² hɔk̚³²/

/tiau²⁴⁻²² hɔk̚⁵/

/tiau¹³⁻²² hɔk̚³²/

/tiau²⁴⁻¹¹ hɔk̚³²/

/tiau²³⁻³³ hɔk̚³²/

/tʰi̯ɑʊ̯³⁵ fu³⁵/

/tiau²⁴⁻²² hɔk̚³²/

/tiau²⁴⁻²² hɔk̚⁵/

/tiau¹³⁻²² hɔk̚³²/

/tiau²⁴⁻¹¹ hɔk̚³²/

/tiau²³⁻³³ hɔk̚³²/

amplitude modulation
amplitude modulation


天仙子

/tʰi̯ɛn⁵⁵ ɕi̯ɛn⁵⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

/tʰi̯ɛn⁵⁵ ɕi̯ɛn⁵⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/


百衲本

/paɪ̯²¹⁴⁻²¹ nä⁵¹ pən²¹⁴⁻²¹⁽⁴⁾/

/paɪ̯²¹⁴⁻²¹ nä⁵¹ pən²¹⁴⁻²¹⁽⁴⁾/

(literature) patchwork compilation of various incomplete versions


楷體

/kʰaɪ̯²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/kʰaɪ̯²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/


十四行詩

/ʂʐ̩³⁵ sz̩⁵¹ xɑŋ³⁵ ʂʐ̩⁵⁵/

/sɐp̚² sei̯³³ hɔːŋ²¹ siː⁵⁵/

/ʂʐ̩³⁵ sz̩⁵¹ xɑŋ³⁵ ʂʐ̩⁵⁵/

/sɐp̚² sei̯³³ hɔːŋ²¹ siː⁵⁵/


場記板

/ʈ͡ʂʰɑŋ²¹⁴⁻²¹ t͡ɕi⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰɑŋ³⁵ t͡ɕi⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰɑŋ²¹⁴⁻²¹ t͡ɕi⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰɑŋ³⁵ t͡ɕi⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/


淮南子

/xu̯aɪ̯³⁵ nän³⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

/waːi̯²¹ naːm²¹ t͡siː³⁵/

/xu̯aɪ̯³⁵ nän³⁵ t͡sz̩²¹⁴⁻²¹⁽⁴⁾/

/waːi̯²¹ naːm²¹ t͡siː³⁵/

From its origin among the scholars (then respectfully titled 子) at the court of Liu An, prince of Huainan, in the 2nd century bc.

(literature) The Huainanzi or Writings of the Masters South of the Huai River.


永字八法

ㄩㄥˇ ㄗˋ ㄅㄚ ㄈㄚˇ

юн цзы ба фа

/jʊŋ²¹⁴⁻²¹ t͡sz̩⁵¹ pä⁵⁵ fä²¹⁴⁻²¹⁽⁴⁾/

/wɪŋ¹³ t͡siː²² paːt̚³ faːt̚³/

/jʊŋ²¹⁴⁻²¹ t͡sz̩⁵¹ pä⁵⁵ fä²¹⁴⁻²¹⁽⁴⁾/

/wɪŋ¹³ t͡siː²² paːt̚³ faːt̚³/

(calligraphy) the Eight Principles of Yǒng


一絕

/i⁵⁵⁻⁵¹ t͡ɕy̯ɛ³⁵/

/i⁵⁵⁻⁵¹ t͡ɕy̯ɛ³⁵/


七言詩

/t͡ɕʰi⁵⁵ jɛn³⁵ ʂʐ̩⁵⁵/

/t͡sʰɐt̚⁵ jiːn²¹ siː⁵⁵/

/t͡ɕʰi⁵⁵ jɛn³⁵ ʂʐ̩⁵⁵/

/t͡sʰɐt̚⁵ jiːn²¹ siː⁵⁵/

(poetry) a type of poem with seven characters in each line


中鋒

/ʈ͡ʂʊŋ⁵⁵ fɤŋ⁵⁵/

/tiɔŋ⁴⁴⁻²² hɔŋ⁴⁴/

/tiɔŋ³³ hɔŋ³³/

/tiɔŋ⁴⁴⁻²² hɔŋ⁴⁴/

/tiɔŋ⁴⁴⁻³³ hɔŋ⁴⁴/

/tiɔŋ⁴⁴⁻³³ hɔŋ⁴⁴/

/ʈ͡ʂʊŋ⁵⁵ fɤŋ⁵⁵/

/tiɔŋ⁴⁴⁻²² hɔŋ⁴⁴/

/tiɔŋ³³ hɔŋ³³/

/tiɔŋ⁴⁴⁻²² hɔŋ⁴⁴/

/tiɔŋ⁴⁴⁻³³ hɔŋ⁴⁴/

/tiɔŋ⁴⁴⁻³³ hɔŋ⁴⁴/


五言詩

/u²¹⁴⁻²¹ jɛn³⁵ ʂʐ̩⁵⁵/

/ŋ̍¹³ jiːn²¹ siː⁵⁵/

/ŋɔ̃⁵³⁻⁴⁴ ɡiɛn²⁴⁻²² si⁴⁴/

/ŋɔ̃⁵⁵⁴⁻²⁴ ɡiɛn²⁴⁻²² si³³/

/ŋɔ̃⁵³⁻⁴⁴ ɡiɛn¹³⁻²² si⁴⁴/

/ŋɔ̃⁵³⁻⁴⁴ ɡiɛn²⁴⁻¹¹ si⁴⁴/

/ŋɔ̃⁴¹⁻⁴⁴ ɡiɛn²³⁻³³ si⁴⁴/

/u²¹⁴⁻²¹ jɛn³⁵ ʂʐ̩⁵⁵/

/ŋ̍¹³ jiːn²¹ siː⁵⁵/

/ŋɔ̃⁵³⁻⁴⁴ ɡiɛn²⁴⁻²² si⁴⁴/

/ŋɔ̃⁵⁵⁴⁻²⁴ ɡiɛn²⁴⁻²² si³³/

/ŋɔ̃⁵³⁻⁴⁴ ɡiɛn¹³⁻²² si⁴⁴/

/ŋɔ̃⁵³⁻⁴⁴ ɡiɛn²⁴⁻¹¹ si⁴⁴/

/ŋɔ̃⁴¹⁻⁴⁴ ɡiɛn²³⁻³³ si⁴⁴/

(poetry) a type of poem with five characters in each line


定格

/tiŋ⁵¹ kɤ³⁵/

/tiŋ⁵¹ kɤɻ³⁵/

/tɪŋ²² kaːk̚³/

/tiŋ⁵¹ kɤ³⁵/

/tiŋ⁵¹ kɤɻ³⁵/

/tɪŋ²² kaːk̚³/


漢化組

ㄏㄢˋ ㄏㄨㄚˋ ㄗㄨˇ

/xän⁵¹⁻⁵³ xu̯ä⁵¹ t͡su²¹⁴⁻²¹⁽⁴⁾/

/hɔːn³³ faː³³ t͡sou̯³⁵/

/xän⁵¹⁻⁵³ xu̯ä⁵¹ t͡su²¹⁴⁻²¹⁽⁴⁾/

/hɔːn³³ faː³³ t͡sou̯³⁵/

(comics，video games) Chinese fan translation team


暗線

/ˀän⁵¹⁻⁵³ ɕi̯ɛn⁵¹/

/ɐm³³ siːn³³/

/ˀän⁵¹⁻⁵³ ɕi̯ɛn⁵¹/

/ɐm³³ siːn³³/


黃金時間

ㄏㄨㄤˊ ㄐㄧㄣ ㄕˊ ㄐㄧㄢ

хуанцзинь шицзянь

/xu̯ɑŋ³⁵ t͡ɕin⁵⁵ ʂʐ̩³⁵ t͡ɕi̯ɛn⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕin⁵⁵ ʂʐ̩³⁵ t͡ɕi̯ɛn⁵⁵/


版式

/pän²¹⁴⁻²¹ ʂʐ̩⁵¹/

/pän²¹⁴⁻²¹ ʂʐ̩⁵¹/


版次

/pän²¹⁴⁻²¹ t͡sʰz̩⁵¹/

/paːn³⁵ t͡sʰiː³³/

/pän²¹⁴⁻²¹ t͡sʰz̩⁵¹/

/paːn³⁵ t͡sʰiː³³/

(publishing) order in which editions are printed; edition number


行雲流水

ㄒㄧㄥˊ ㄩㄣˊ ㄌㄧㄡˊ ㄕㄨㄟˇ

синъюньлюшуй

/ɕiŋ³⁵ yn³⁵ li̯oʊ̯³⁵ ʂu̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

/hɐŋ²¹ wɐn²¹ lɐu̯²¹ sɵy̯³⁵/

/ɕiŋ³⁵ yn³⁵ li̯oʊ̯³⁵ ʂu̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

/hɐŋ²¹ wɐn²¹ lɐu̯²¹ sɵy̯³⁵/

(of calligraphy, writing, etc.) very smooth and natural; natural and unforced style


起承轉合

ㄑㄧˇ ㄔㄥˊ ㄓㄨㄢˇ ㄏㄜˊ

цичэнчжуаньхэ

/t͡ɕʰi²¹⁴⁻²¹ ʈ͡ʂʰɤŋ³⁵ ʈ͡ʂu̯än²¹⁴⁻²¹ xɤ³⁵/

/hei̯³⁵ sɪŋ²¹ t͡syːn³⁵ hɐp̚²/

/hei̯³⁵ sɪŋ²¹ t͡syːn³⁵ hɐp̚²/

(poetry) structure of traditional Chinese poetry: introduction, elucidation, transition and conclusion


乾巴巴

/kän⁵⁵ pä⁵⁵ pä⁵⁵/

/kɔːn⁵⁵ paː⁵⁵ paː⁵⁵/

/kaŋ³³⁻²³ pa³³⁻²³ pa³³/

/kän⁵⁵ pä⁵⁵ pä⁵⁵/

/kɔːn⁵⁵ paː⁵⁵ paː⁵⁵/

/kaŋ³³⁻²³ pa³³⁻²³ pa³³/

(ideophonic, of speech, writing, etc.) dull; boring; insipid


高解像電視

ㄍㄠ ㄐㄧㄝˇ ㄒㄧㄤˋ ㄉㄧㄢˋ ㄕˋ

гаоцзесян дяньши

/kɑʊ̯⁵⁵ t͡ɕi̯ɛ²¹⁴⁻²¹ ɕi̯ɑŋ⁵¹⁻⁵³ ti̯ɛn⁵¹⁻⁵³ ʂʐ̩⁵¹/

/kou̯⁵⁵ kaːi̯³⁵ t͡sœːŋ²² tiːn²² siː²²/

/kou̯⁵⁵ kaːi̯³⁵ t͡sœːŋ²² tiːn²² siː²²/

(television) high-definition television; HDTV


菩薩蠻

/pʰu³⁵ sä⁵¹ män³⁵/

/pʰu³⁵ sä⁵¹ män³⁵/


真書

/ʈ͡ʂən⁵⁵ ʂu⁵⁵/

/t͡sɐn⁵⁵ syː⁵⁵/

/t͡sin⁴⁴⁻²² su⁴⁴/

/t͡sin⁴⁴⁻²² su⁴⁴/

/t͡sin⁴⁴⁻³³ su⁴⁴/

/t͡sin⁴⁴⁻³³ su⁴⁴/

/ʈ͡ʂən⁵⁵ ʂu⁵⁵/

/t͡sɐn⁵⁵ syː⁵⁵/

/t͡sin⁴⁴⁻²² su⁴⁴/

/t͡sin⁴⁴⁻²² su⁴⁴/

/t͡sin⁴⁴⁻³³ su⁴⁴/

/t͡sin⁴⁴⁻³³ su⁴⁴/

(Chinese calligraphy) Alternative name for 楷書／楷书 (kǎishū, “regular script”).


時間旅行

ㄕˊ ㄐㄧㄢ ㄌㄩˇ ㄒㄧㄥˊ

шицзянь люйсин

/ʂʐ̩³⁵ t͡ɕi̯ɛn⁵⁵ ly²¹⁴⁻²¹ ɕiŋ³⁵/

/siː²¹ kaːn³³ lɵy̯¹³ hɐŋ²¹/

/siː²¹ kaːn⁵⁵ lɵy̯¹³ hɐŋ²¹/

/ʂʐ̩³⁵ t͡ɕi̯ɛn⁵⁵ ly²¹⁴⁻²¹ ɕiŋ³⁵/

/siː²¹ kaːn³³ lɵy̯¹³ hɐŋ²¹/

/siː²¹ kaːn⁵⁵ lɵy̯¹³ hɐŋ²¹/


樣片

/jɑŋ⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

/jɑŋ⁵¹⁻⁵³ pʰi̯ɛn⁵¹/


骨力

/ku²¹⁴⁻²¹ li⁵¹/

/kʷɐt̚⁵ lɪk̚²/

/kut̚³²⁻⁴ liɪk̚⁴/

/ku²¹⁴⁻²¹ li⁵¹/

/kʷɐt̚⁵ lɪk̚²/

/kut̚³²⁻⁴ liɪk̚⁴/


粗體

/t͡sʰu⁵⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰou̯⁵⁵ tʰɐi̯³⁵/

/t͡sʰu⁵⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰou̯⁵⁵ tʰɐi̯³⁵/

粗體文本

粗体文本


賦比興

ㄈㄨˋ ㄅㄧˇ ㄒㄧㄥˋ

/fu⁵¹ pi²¹⁴⁻²¹ ɕiŋ⁵¹/

/fu⁵¹ pi²¹⁴⁻²¹ ɕiŋ⁵¹/

First described in The Rites of Zhou (《周禮》):
*

"The Grand Master master teaches six forms of poems: … feng (風), fu (賦 ), bi (比), xing (興), ya (雅), and song (頌); …

dàshī:...... jiào liùshī, yuē fēng, yuē fù, yuē bǐ, yuē xìng, yuē yǎ, yuē sòng;......

大師：……教六詩，曰風，曰賦，曰比，曰興，曰雅，曰頌；……

大师：……教六诗，曰风，曰赋，曰比，曰兴，曰雅，曰颂；……

(poetry) fu bi xing, a Chinese structural concept comprising three literary techniques used to create poetry.


插播

/ʈ͡ʂʰä⁵⁵ pu̯ɔ⁵⁵/

/ʈ͡ʂʰä⁵⁵ pu̯ɔ⁵¹/

/t͡sʰaːp̚³ pɔː³³/

/ʈ͡ʂʰä⁵⁵ pu̯ɔ⁵⁵/

/ʈ͡ʂʰä⁵⁵ pu̯ɔ⁵¹/

/t͡sʰaːp̚³ pɔː³³/


棕仙

/t͡sʊŋ⁵⁵ ɕi̯ɛn⁵⁵/

/t͡sʊŋ⁵⁵ ɕi̯ɛn⁵⁵/


八分

/pä⁵⁵ fən⁵⁵/

/pä⁵⁵ fən⁵⁵/


法書

/fä²¹⁴⁻²¹ ʂu⁵⁵/

/fä²¹⁴⁻²¹ ʂu⁵⁵/


人設

/ʐən³⁵ ʂɤ⁵¹/

/jɐn²¹ t͡sʰiːt̚³/

/naŋ⁵⁵⁻¹¹ siek̚²/

/naŋ⁵⁵⁻¹¹ siak̚²/

/ʐən³⁵ ʂɤ⁵¹/

/jɐn²¹ t͡sʰiːt̚³/

/naŋ⁵⁵⁻¹¹ siek̚²/

/naŋ⁵⁵⁻¹¹ siak̚²/

Short for 人物設定／人物设定 (rénwù shèdìng), from Japanese 人物設定.

(fiction) in-universe profile of a fictional character


威吔

/wɐi̯⁵⁵ jaː³⁵/

/wɐi̯⁵⁵ jaː³⁵/

(Cantonese, theater, film, television) wire (for stunts)


重音符

/ʈ͡ʂʊŋ⁵¹ in⁵⁵ fu³⁵/

/t͡sʰʊŋ¹³ jɐm⁵⁵ fuː²¹/

/ʈ͡ʂʊŋ⁵¹ in⁵⁵ fu³⁵/

/t͡sʰʊŋ¹³ jɐm⁵⁵ fuː²¹/


尖音符

/t͡ɕi̯ɛn⁵⁵ in⁵⁵ fu³⁵/

/t͡siːm⁵⁵ jɐm⁵⁵ fuː²¹/

/t͡ɕi̯ɛn⁵⁵ in⁵⁵ fu³⁵/

/t͡siːm⁵⁵ jɐm⁵⁵ fuː²¹/


方頭括號

ㄈㄤ ㄊㄡˊ ㄎㄨㄛˋ ㄏㄠˋ

ㄈㄤ ㄊㄡˊ ㄍㄨㄚ ㄏㄠˋ

фантоу кохао

/fɑŋ⁵⁵ tʰoʊ̯³⁵ kʰu̯ɔ⁵¹⁻⁵³ xɑʊ̯⁵¹/

фантоу гуахао

/fɑŋ⁵⁵ tʰoʊ̯³⁵ ku̯ä⁵⁵ xɑʊ̯⁵¹/

/fɔːŋ⁵⁵ tʰɐu̯²¹ kʰuːt̚³ hou̯²²/

/fɑŋ⁵⁵ tʰoʊ̯³⁵ kʰu̯ɔ⁵¹⁻⁵³ xɑʊ̯⁵¹/

/fɑŋ⁵⁵ tʰoʊ̯³⁵ ku̯ä⁵⁵ xɑʊ̯⁵¹/

/fɔːŋ⁵⁵ tʰɐu̯²¹ kʰuːt̚³ hou̯²²/

lenticular bracket
lenticular bracket#English:_Q126914343

(typography) lenticular bracket (either of a pair of symbols,【 】, generally used in Chinese and Japanese dictionaries to enclose headwords, and sometimes for other purposes)


打燈

/tä²¹⁴⁻²¹ tɤŋ⁵⁵/

/taː³⁵ tɐŋ⁵⁵/

/tä²¹⁴⁻²¹ tɤŋ⁵⁵/

/taː³⁵ tɐŋ⁵⁵/


解構主義

ㄐㄧㄝˇ ㄍㄡˋ ㄓㄨˇ ㄧˋ

/t͡ɕi̯ɛ²¹⁴⁻²¹ koʊ̯⁵¹ ʈ͡ʂu²¹⁴⁻²¹ i⁵¹/

/kaːi̯³⁵ kʰɐu̯³³ t͡syː³⁵ jiː²²/

/kaːi̯³⁵ kɐu̯³³ t͡syː³⁵ jiː²²/

/t͡ɕi̯ɛ²¹⁴⁻²¹ koʊ̯⁵¹ ʈ͡ʂu²¹⁴⁻²¹ i⁵¹/

/kaːi̯³⁵ kʰɐu̯³³ t͡syː³⁵ jiː²²/

/kaːi̯³⁵ kɐu̯³³ t͡syː³⁵ jiː²²/


大楷

/tä⁵¹ kʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/taːi̯²² kʰaːi̯³⁵/

/taːi̯⁵⁵ kaːi̯⁵⁵/

/ˈtʰai¹¹ kʰai²¹³/

/tua²²⁻²¹ kʰai⁵³/

/tai⁴¹⁻²² kʰai⁵⁵⁴/

/tä⁵¹ kʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/taːi̯²² kʰaːi̯³⁵/

/taːi̯⁵⁵ kaːi̯⁵⁵/

/ˈtʰai¹¹ kʰai²¹³/

/tua²²⁻²¹ kʰai⁵³/

/tai⁴¹⁻²² kʰai⁵⁵⁴/

(Chinese typography) regular script lettering 1.5 to 2 cun in size


小楷

/ɕi̯ɑʊ̯²¹⁴⁻³⁵ kʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/siːu̯³⁵ kʰaːi̯³⁵/

/siau⁵⁵⁴⁻²⁴ kʰai⁵⁵⁴/

/ɕi̯ɑʊ̯²¹⁴⁻³⁵ kʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/siːu̯³⁵ kʰaːi̯³⁵/

/siau⁵⁵⁴⁻²⁴ kʰai⁵⁵⁴/

(Chinese typography) small regular script lettering


蠹孔

/tu⁵¹ kʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/tu⁵¹ kʰʊŋ²¹⁴⁻²¹⁽⁴⁾/


蟲洞

/ʈ͡ʂʰʊŋ³⁵ tʊŋ⁵¹/

/t͡sʰʊŋ²¹ tʊŋ²²/

/ʈ͡ʂʰʊŋ³⁵ tʊŋ⁵¹/

/t͡sʰʊŋ²¹ tʊŋ²²/


字懷

/t͡sz̩⁵¹ xu̯aɪ̯³⁵/

/t͡siː²² waːi̯²¹/

/t͡sz̩⁵¹ xu̯aɪ̯³⁵/

/t͡siː²² waːi̯²¹/


喇叭口

/lä²¹⁴⁻²¹ pä⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/laː³³ paː⁵⁵ hɐu̯³⁵/

/lä²¹⁴⁻²¹ pä⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/laː³³ paː⁵⁵ hɐu̯³⁵/

(CJK typography) subtle flares at the end of sans-serif strokes


圖版

/tʰu³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tʰu³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

(printing) plate (for printing photos, maps, illustrations, etc.)

(printing) print (made with such a plate)


一言詩

/i⁵⁵⁻⁵¹ jɛn³⁵ ʂʐ̩⁵⁵/

/jɐt̚⁵ jiːn²¹ siː⁵⁵/

/i⁵⁵⁻⁵¹ jɛn³⁵ ʂʐ̩⁵⁵/

/jɐt̚⁵ jiːn²¹ siː⁵⁵/

(poetry) a one-character line in a poem; a type of poem with one-character lines


今文

/t͡ɕin⁵⁵ wən³⁵/

/kɐm⁵⁵ mɐn²¹/

/t͡ɕin⁵⁵ wən³⁵/

/kɐm⁵⁵ mɐn²¹/

(writing, palaeography) Alternative name for 隸書／隶书 (lìshū, “clerical script”).


時間機器

ㄕˊ ㄐㄧㄢ ㄐㄧ ㄑㄧˋ

шицзянь цзици

/ʂʐ̩³⁵ t͡ɕi̯ɛn⁵⁵ t͡ɕi⁵⁵ t͡ɕʰi⁵¹/

/ʂʐ̩³⁵ t͡ɕi̯ɛn⁵⁵ t͡ɕi⁵⁵ t͡ɕʰi⁵¹/


打油詩

/tä²¹⁴⁻²¹ joʊ̯³⁵ ʂʐ̩⁵⁵/

/taː³⁵ jɐu̯²¹ siː⁵⁵/

/tä²¹⁴⁻²¹ joʊ̯³⁵ ʂʐ̩⁵⁵/

/taː³⁵ jɐu̯²¹ siː⁵⁵/


熱演

/ʐɤ⁵¹ jɛn²¹⁴⁻²¹⁽⁴⁾/

/ʐɤ⁵¹ jɛn²¹⁴⁻²¹⁽⁴⁾/

(of a play, movie, drama, etc.) to be popularly staged; to be well-received


斜線號

ㄒㄧㄝˊ ㄒㄧㄢˋ ㄏㄠˋ

/ɕi̯ɛ³⁵ ɕi̯ɛn⁵¹⁻⁵³ xɑʊ̯⁵¹/

/t͡sʰɛː²¹ siːn³³ hou̯²²/

/ɕi̯ɛ³⁵ ɕi̯ɛn⁵¹⁻⁵³ xɑʊ̯⁵¹/

/t͡sʰɛː²¹ siːn³³ hou̯²²/


手民

/ʂoʊ̯²¹⁴⁻²¹ min³⁵/

/sɐu̯³⁵ mɐn²¹/

/ʂoʊ̯²¹⁴⁻²¹ min³⁵/

/sɐu̯³⁵ mɐn²¹/

typesetter's mistake; mistake made by the typesetter

手民之誤

手民之误

(printing) carver of printing blocks; typesetter


曲屎

/kʰiɪk̚³²⁻⁵ sai⁵³/

/kʰiɪk̚³²⁻⁴ sai⁵³/

/kʰiak̚⁵⁻²⁴ sai⁵⁵⁴/

/kʰiɪk̚³²⁻⁵ sai⁵³/

/kʰiɪk̚³²⁻⁴ sai⁵³/

/kʰiak̚⁵⁻²⁴ sai⁵⁵⁴/

(Hokkien, poetry) character inserted into a line of verse (especially in qu) or lyrics for balance


正楷

/ʈ͡ʂɤŋ⁵¹ kʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sɪŋ³³ kʰaːi̯³⁵/

/t͡siã²¹⁻⁵³ kʰai⁵³/

/t͡siã⁴¹⁻⁵⁵⁴ kʰai⁵⁵⁴/

/t͡siã²¹⁻⁵³ kʰai⁵³/

/t͡siã¹¹⁻⁵³ kʰai⁵³/

/t͡siã²¹⁻⁴¹ kʰai⁴¹/

/ʈ͡ʂɤŋ⁵¹ kʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sɪŋ³³ kʰaːi̯³⁵/

/t͡siã²¹⁻⁵³ kʰai⁵³/

/t͡siã⁴¹⁻⁵⁵⁴ kʰai⁵⁵⁴/

/t͡siã²¹⁻⁵³ kʰai⁵³/

/t͡siã¹¹⁻⁵³ kʰai⁵³/

/t͡siã²¹⁻⁴¹ kʰai⁴¹/

(Chinese calligraphy) regular script (the newest style of Chinese calligraphy, the most common in modern writings)


三級

/sän⁵⁵ t͡ɕi³⁵/

/saːm⁵⁵ kʰɐp̚⁵/

/sän⁵⁵ t͡ɕi³⁵/

/saːm⁵⁵ kʰɐp̚⁵/

(Hong Kong, film) classified as Category III

(by extension, chiefly Hong Kong) explicit; X-rated

classified as Category III
explicit; X-rated


四級

/sz̩⁵¹ t͡ɕi³⁵/

/sei̯³³ kʰɐp̚⁵/

/sz̩⁵¹ t͡ɕi³⁵/

/sei̯³³ kʰɐp̚⁵/

; (Hong Kong, slang) obscene; uncensored

(Hong Kong, slang, film) obscene; uncensored


體性

/tʰi²¹⁴⁻²¹ ɕiŋ⁵¹/

/tʰɐi̯³⁵ sɪŋ³³/

/tʰi²¹⁴⁻²¹ ɕiŋ⁵¹/

/tʰɐi̯³⁵ sɪŋ³³/

(literary, literature) form and style of writing


小韻

/ɕi̯ɑʊ̯²¹⁴⁻²¹ yn⁵¹/

/siːu̯³⁵ wɐn²²/

/siːu̯³⁵ wɐn¹³/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ yn⁵¹/

/siːu̯³⁵ wɐn²²/

/siːu̯³⁵ wɐn¹³/

(poetry) in a pentasyllabic couplet, having a non-final syllable that shares the main rhyme


大字本

/tä⁵¹⁻⁵³ t͡sz̩⁵¹ pən²¹⁴⁻²¹⁽⁴⁾/

/taːi̯²² t͡siː²² puːn³⁵/

/tä⁵¹⁻⁵³ t͡sz̩⁵¹ pən²¹⁴⁻²¹⁽⁴⁾/

/taːi̯²² t͡siː²² puːn³⁵/

(printing) large-character edition; large-type edition


視覺方言

ㄕˋ ㄐㄩㄝˊ ㄈㄤ ㄧㄢˊ

шицзюэ фанъянь

/ʂʐ̩⁵¹ t͡ɕy̯ɛ³⁵ fɑŋ⁵⁵ jɛn³⁵/

/ʂʐ̩⁵¹ t͡ɕy̯ɛ³⁵ fɑŋ⁵⁵ jɛn³⁵/


熨金

/ut̚³²⁻⁴ kim⁴⁴/

/ut̚³²⁻⁴ kim⁴⁴/

(Xiamen and Taiwanese Hokkien, printing) gild; bronze


片場

/pʰi̯ɛn⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/pʰi̯ɛn⁵¹ ʈ͡ʂʰɑŋ³⁵/

/pʰiːn³³⁻³⁵ t͡sʰœːŋ²¹/

/pʰi̯ɛn⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/pʰi̯ɛn⁵¹ ʈ͡ʂʰɑŋ³⁵/

/pʰiːn³³⁻³⁵ t͡sʰœːŋ²¹/

(photography, film) filming site; set; studio


大樣

/tä⁵¹⁻⁵³ jɑŋ⁵¹/

/taːi̯²² jœːŋ²²/

/tä⁵¹⁻⁵³ jɑŋ⁵¹/

/taːi̯²² jœːŋ²²/


放映機

/fɑŋ⁵¹⁻⁵³ iŋ⁵¹ t͡ɕi⁵⁵/

/fɔːŋ³³ jɪŋ³⁵ kei̯⁵⁵/

/fɑŋ⁵¹⁻⁵³ iŋ⁵¹ t͡ɕi⁵⁵/

/fɔːŋ³³ jɪŋ³⁵ kei̯⁵⁵/


打樣

/tä²¹⁴⁻²¹ jɑŋ⁵¹/

/tä²¹⁴⁻²¹ jɑŋ⁵¹/

打樣機

打样机


省略符號

ㄕㄥˇ ㄌㄩㄝˋ ㄈㄨˊ ㄏㄠˋ

шэнлюэ фухао

/ʂɤŋ²¹⁴⁻²¹ ly̯ɛ⁵¹ fu³⁵ xɑʊ̯⁵¹/

/saːŋ³⁵ lœːk̚² fuː²¹ hou̯²²⁻³⁵/

/saːŋ³⁵ lœːk̚² fuː²¹ hou̯²²/

/ʂɤŋ²¹⁴⁻²¹ ly̯ɛ⁵¹ fu³⁵ xɑʊ̯⁵¹/

/saːŋ³⁵ lœːk̚² fuː²¹ hou̯²²⁻³⁵/

/saːŋ³⁵ lœːk̚² fuː²¹ hou̯²²/


甲骨文字

ㄐㄧㄚˇ ㄍㄨˇ ㄨㄣˊ ㄗˋ

цзягу вэньцзы

/t͡ɕi̯ä²¹⁴⁻³⁵ ku²¹⁴⁻²¹ wən³⁵ t͡sz̩⁵¹/

/t͡ɕi̯ä²¹⁴⁻³⁵ ku²¹⁴⁻²¹ wən³⁵ t͡sz̩⁵¹/

(palaeography, historiography) oracle bone script


鋅板

/ɕin⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/ɕin⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/


體勢

Sino-Xenic (體勢):
* → Korean: 체세(體勢) (chese)

/tʰi²¹⁴⁻²¹ ʂʐ̩⁵¹/

/tʰe⁵⁵⁴⁻²⁴ se⁴¹/

/tʰe⁵³⁻⁴⁴ se²¹/

/tʰi²¹⁴⁻²¹ ʂʐ̩⁵¹/

/tʰe⁵⁵⁴⁻²⁴ se⁴¹/

/tʰe⁵³⁻⁴⁴ se²¹/

(Chinese calligraphy) character structure and momentum


清瘦

/t͡ɕʰiŋ⁵⁵ ʂoʊ̯⁵¹/

/t͡sʰɪŋ⁵⁵ sɐu̯³³/

/t͡sʰiɪŋ⁴⁴⁻²² sɔ²¹/

/t͡ɕʰiŋ⁵⁵ ʂoʊ̯⁵¹/

/t͡sʰɪŋ⁵⁵ sɐu̯³³/

/t͡sʰiɪŋ⁴⁴⁻²² sɔ²¹/

(of calligraphy, poetry, etc.) delicate and vigorous


八開

/pä⁵⁵ kʰaɪ̯⁵⁵/

/paːt̚³ hɔːi̯⁵⁵/

/pä⁵⁵ kʰaɪ̯⁵⁵/

/paːt̚³ hɔːi̯⁵⁵/

/pa̠²⁴ kʰai̯³³/

/pa̠²⁴ kʰai̯³³/


報話機

/pɑʊ̯⁵¹⁻⁵³ xu̯ä⁵¹ t͡ɕi⁵⁵/

/pɑʊ̯⁵¹⁻⁵³ xu̯ä⁵¹ t͡ɕi⁵⁵/


開放獲取

ㄎㄞ ㄈㄤˋ ㄏㄨㄛˋ ㄑㄩˇ

кайфан хоцюй

/kʰaɪ̯⁵⁵ fɑŋ⁵¹⁻⁵³ xu̯ɔ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/


行法

/ɕiŋ³⁵ fä²¹⁴⁻²¹⁽⁴⁾/

/ɕiŋ³⁵ fä²¹⁴⁻²¹⁽⁴⁾/

(literary, calligraphy) semi-cursive script style


系列片

ㄒㄧˋ ㄌㄧㄝˋ ㄆㄧㄢˋ

/ɕi⁵¹⁻⁵³ li̯ɛ⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

/hɐi̯²² liːt̚² pʰiːn³³⁻³⁵/

/ɕi⁵¹⁻⁵³ li̯ɛ⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

/hɐi̯²² liːt̚² pʰiːn³³⁻³⁵/


導播

/tɑʊ̯²¹⁴⁻²¹ pu̯ɔ⁵⁵/

/tɑʊ̯²¹⁴⁻²¹ pu̯ɔ⁵¹/

/tou̯²² pɔː³³/

/tɑʊ̯²¹⁴⁻²¹ pu̯ɔ⁵⁵/

/tɑʊ̯²¹⁴⁻²¹ pu̯ɔ⁵¹/

/tou̯²² pɔː³³/


飛白

/feɪ̯⁵⁵ paɪ̯³⁵/

/feɪ̯⁵⁵ paɪ̯³⁵/


飛白書

/feɪ̯⁵⁵ paɪ̯³⁵ ʂu⁵⁵/

/feɪ̯⁵⁵ paɪ̯³⁵ ʂu⁵⁵/


真楷

/ʈ͡ʂən⁵⁵ kʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂən⁵⁵ kʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

(Chinese calligraphy) regular script (the newest style of Chinese calligraphy, the most common in modern writings and publications)


字態

/t͡sz̩⁵¹⁻⁵³ tʰaɪ̯⁵¹/

/t͡sz̩⁵¹⁻⁵³ tʰaɪ̯⁵¹/

(linguistics, calligraphy) character form


書派

/ʂu⁵⁵ pʰaɪ̯⁵¹/

/ʂu⁵⁵ pʰaɪ̯⁵¹/


露鋒

/lu⁵¹ fɤŋ⁵⁵/

/lu⁵¹ fɤŋ⁵⁵/

(Chinese calligraphy) to expose the tip of the brush when writing a stroke


藏鋒

/t͡sʰɑŋ³⁵ fɤŋ⁵⁵/

/t͡sʰɔːŋ²¹ fʊŋ⁵⁵/

/t͡sʰɑŋ³⁵ fɤŋ⁵⁵/

/t͡sʰɔːŋ²¹ fʊŋ⁵⁵/

(Chinese calligraphy) to hide the tip of the brush when writing a stroke


回鋒

/xu̯eɪ̯³⁵ fɤŋ⁵⁵/

/xu̯eɪ̯³⁵ fɤŋ⁵⁵/

(Chinese calligraphy) to turn the tip of the brush slightly in the opposite direction when writing a stroke


結體

/t͡ɕi̯ɛ³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ɛ³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

(Chinese calligraphy) structure of a Chinese character


自成一家

ㄗˋ ㄔㄥˊ ㄧ ㄐㄧㄚ

/t͡sz̩⁵¹ ʈ͡ʂʰɤŋ³⁵ i⁵⁵⁻⁵¹ t͡ɕi̯ä⁵⁵/

/t͡siː²² sɪŋ²¹ jɐt̚⁵ kaː⁵⁵/

/t͡sz̩⁵¹ ʈ͡ʂʰɤŋ³⁵ i⁵⁵⁻⁵¹ t͡ɕi̯ä⁵⁵/

/t͡siː²² sɪŋ²¹ jɐt̚⁵ kaː⁵⁵/

(academics, art, literature) a unique or original style or perspective


行筆

/ɕiŋ³⁵ pi²¹⁴⁻²¹⁽⁴⁾/

/hɐŋ²¹ pɐt̚⁵/

/ɕiŋ³⁵ pi²¹⁴⁻²¹⁽⁴⁾/

/hɐŋ²¹ pɐt̚⁵/

(Chinese calligraphy) to continue writing the stroke of a Chinese character (after putting pen to paper)


起筆

/t͡ɕʰi²¹⁴⁻³⁵ pi²¹⁴⁻²¹⁽⁴⁾/

/kʰi⁵³⁻⁴⁴ pit̚³²/

/kʰi⁵⁵⁴⁻²⁴ pit̚⁵/

/kʰi⁵³⁻⁴⁴ pit̚³²/

/kʰi⁵³⁻⁴⁴ pit̚³²/

/kʰi⁴¹⁻⁴⁴ pit̚³²/

/t͡ɕʰi²¹⁴⁻³⁵ pi²¹⁴⁻²¹⁽⁴⁾/

/kʰi⁵³⁻⁴⁴ pit̚³²/

/kʰi⁵⁵⁴⁻²⁴ pit̚⁵/

/kʰi⁵³⁻⁴⁴ pit̚³²/

/kʰi⁵³⁻⁴⁴ pit̚³²/

/kʰi⁴¹⁻⁴⁴ pit̚³²/

(Chinese calligraphy) to start writing a stroke of a Chinese character


入筆

/ʐu⁵¹ pi²¹⁴⁻²¹⁽⁴⁾/

/ʐu⁵¹ pi²¹⁴⁻²¹⁽⁴⁾/


法帖

/fä²¹⁴⁻²¹ tʰi̯ɛ⁵¹/

/fä²¹⁴⁻²¹ tʰi̯ɛ⁵¹/


漆書

/t͡ɕʰi⁵⁵ ʂu⁵⁵/

/t͡ɕʰi⁵⁵ ʂu⁵⁵/

From an ancient method of transcribing texts. Despite the name, "lacquer writing" was actually written in black ink; they were only given this name because the radiance of the glossy black characters written in ink is suggestive of lacquer.

(historical, calligraphy) lacquer script


對開

/tu̯eɪ̯⁵¹ kʰaɪ̯⁵⁵/

/tɵy̯³³ hɔːi̯⁵⁵/

/tu̯eɪ̯⁵¹ kʰaɪ̯⁵⁵/

/tɵy̯³³ hɔːi̯⁵⁵/


發筆

/ɸa̠²⁴ pi²⁴/

/ɸa̠²⁴ pi²⁴/

(Xiang, Chinese calligraphy) to start writing a stroke of a Chinese character


傷痕文學

ㄕㄤ ㄏㄣˊ ㄨㄣˊ ㄒㄩㄝˊ

шанхэнь вэньсюэ

/ʂɑŋ⁵⁵ xən³⁵ wən³⁵ ɕy̯ɛ³⁵/

/ʂɑŋ⁵⁵ xən³⁵ wən³⁵ ɕy̯ɛ³⁵/

Cultural Revolution
Cultural Revolution#English

(literature) scar literature; literature of the wounded (a genre of Chinese literature informed by the trauma and calamity of the Cultural Revolution)


詩餘

/siː⁵⁵ jyː²¹/

/siː⁵⁵ jyː²¹/

(literature) Alternative name for 詞／词 (cí, “Ci”).


詞餘

/t͡sʰz̩³⁵ y³⁵/

/t͡sʰz̩³⁵ y³⁵/

(literature) Alternative name for 曲 (qǔ, “Qu”).


3D打印機

ㄙㄢ ㄉㄧ ㄉㄚˇ ㄧㄣˋ ㄐㄧ

саньди даиньцзи

/sän⁵⁵ ti⁵⁵ tä²¹⁴⁻²¹ in⁵¹ t͡ɕi⁵⁵/

/saːm⁵⁵ tiː⁵⁵ taː³⁵ jɐn³³ kei̯⁵⁵/

/fiː⁵⁵ tiː⁵⁵ taː³⁵ jɐn³³ kei̯⁵⁵/

/sän⁵⁵ ti⁵⁵ tä²¹⁴⁻²¹ in⁵¹ t͡ɕi⁵⁵/

/saːm⁵⁵ tiː⁵⁵ taː³⁵ jɐn³³ kei̯⁵⁵/

/fiː⁵⁵ tiː⁵⁵ taː³⁵ jɐn³³ kei̯⁵⁵/

(computer hardware, printing) 3D printer (Classifier: 臺／台 m; 部 m c)


歌詩

/kɤ⁵⁵ ʂʐ̩⁵⁵/

/kua⁴⁴⁻³³ si⁴⁴/

/kɤ⁵⁵ ʂʐ̩⁵⁵/

/kua⁴⁴⁻³³ si⁴⁴/

(literary or Hokkien, literature) poem; poetry


點陣式打印機

ㄉㄧㄢˇ ㄓㄣˋ ㄕˋ ㄉㄚˇ ㄧㄣˋ ㄐㄧ

дяньчжэньши даиньцзи

/ti̯ɛn²¹⁴⁻²¹ ʈ͡ʂən⁵¹⁻⁵³ ʂʐ̩⁵¹ tä²¹⁴⁻²¹ in⁵¹ t͡ɕi⁵⁵/

/tiːm³⁵ t͡sɐn²² sɪk̚⁵ taː³⁵ jɐn³³ kei̯⁵⁵/

(computer hardware, printing) dot matrix printer (Classifier: 臺／台 m)


翻刻

/fän⁵⁵ kʰɤ⁵¹/

/fän⁵⁵ kʰɤ⁵¹/

(printing) to carve a new plate; to reprint


意象主義

ㄧˋ ㄒㄧㄤˋ ㄓㄨˇ ㄧˋ

/i⁵¹⁻⁵³ ɕi̯ɑŋ⁵¹ ʈ͡ʂu²¹⁴⁻²¹ i⁵¹/

/i⁵¹⁻⁵³ ɕi̯ɑŋ⁵¹ ʈ͡ʂu²¹⁴⁻²¹ i⁵¹/


機甲

/t͡ɕi⁵⁵ t͡ɕi̯ä²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi⁵⁵ t͡ɕi̯ä²¹⁴⁻²¹⁽⁴⁾/


混排

/xu̯ən⁵¹ pʰaɪ̯³⁵/

/xu̯ən⁵¹ pʰaɪ̯³⁵/

(typography) to typeset different languages or fonts side-by-side


白月光

q

→ English: white moonlight (calque) (used in English translations of Chinese serial novels)

/paɪ̯³⁵ ɥɛ⁵¹ ku̯ɑŋ⁵⁵/

/paɪ̯³⁵ ɥɛ⁵¹ ku̯ɑŋ⁵⁵/

Eileen Chang
Red Rose, White Rose (Eileen Chang)
Story of Yanxi Palace

Originating from 床前明月光 (“moonlight in front of the bed”) in reference to the character 白玫瑰 (literally “White Rose”) written by 張愛玲 (“Eileen Chang”) in her 1944 novella 紅玫瑰與白玫瑰 (“Red Rose, White Rose”). Popularized by the 2018 TV series 延禧攻略 (“Story of Yanxi Palace”)

He had a love relationship in college, and that girl became the white moonlight he never forgets.

Tā dàxué tán le yīcì liàn'ài, nàge nǚshēng chéngle tā niànniànbùwàng de báiyuèguāng.

他大學談了一次戀愛，那個女生成了他念念不忘的白月光。

他大学谈了一次恋爱，那个女生成了他念念不忘的白月光。

She is the first love he never forgets, is his white moonlight, is his unforgettable faith.

Tā shì tā niànniànbùwàng de chūliàn, shì tā de báiyuèguāng, shì tā yīshēng nánwàng de xìnyǎng.

她是他念念不忘的初戀，是他的白月光，是他一生難忘的信仰。

她是他念念不忘的初恋，是他的白月光，是他一生难忘的信仰。

(Internet fiction) A cherished memory of the first blush of love, pure and unsullied by reality


文學理論

ㄨㄣˊ ㄒㄩㄝˊ ㄌㄧˇ ㄌㄨㄣˋ

вэньсюэ лилунь

/wən³⁵ ɕy̯ɛ³⁵ li²¹⁴⁻²¹ lu̯ən⁵¹/

/wən³⁵ ɕy̯ɛ³⁵ li²¹⁴⁻²¹ lu̯ən⁵¹/


文藝理論

ㄨㄣˊ ㄧˋ ㄌㄧˇ ㄌㄨㄣˋ

вэньи лилунь

/wən³⁵ i⁵¹ li²¹⁴⁻²¹ lu̯ən⁵¹/

/wən³⁵ i⁵¹ li²¹⁴⁻²¹ lu̯ən⁵¹/

(literature) literary theory (chiefly of premodern China)


書論

/ʂu⁵⁵ lu̯ən⁵¹/

/ʂu⁵⁵ lu̯ən⁵¹/

(literature, literary) articles and works; writings

(calligraphy, literary) theory of calligraphy


可變字體

ㄎㄜˇ ㄅㄧㄢˋ ㄗˋ ㄊㄧˇ

кэбянь цзыти

/kʰɤ²¹⁴⁻²¹ pi̯ɛn⁵¹⁻⁵³ t͡sz̩⁵¹ tʰi²¹⁴⁻²¹⁽⁴⁾/


後真相

/xoʊ̯⁵¹ ʈ͡ʂən⁵⁵ ɕi̯ɑŋ⁵¹/

/xoʊ̯⁵¹ ʈ͡ʂən⁵⁵ ɕi̯ɑŋ⁵¹/


終聲

/ʈ͡ʂʊŋ⁵⁵ ʂɤŋ⁵⁵/

/t͡sʊŋ⁵⁵ sɪŋ⁵⁵/

/ʈ͡ʂʊŋ⁵⁵ ʂɤŋ⁵⁵/

/t͡sʊŋ⁵⁵ sɪŋ⁵⁵/

(orthography) batchim (the final consonant (or consonant cluster) at the end of a Korean syllable)


怒張

/nu⁵¹ ʈ͡ʂɑŋ⁵⁵/

/nu⁵¹ ʈ͡ʂɑŋ⁵⁵/

(calligraphy, of strokes) to be vigorous; to be robust


魚尾

/y³⁵ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

/ᵑɡui²²⁻²¹ ᵐbi⁵⁵/

/y³⁵ weɪ̯²¹⁴⁻²¹⁽⁴⁾/

/ᵑɡui²²⁻²¹ ᵐbi⁵⁵/

Holonym: 版心 (bǎnxīn)

(publishing, bibliography) V-shaped decoration that appears in the middle (in a bound book, on the outer edges) of a traditional East Asian-style book leaf


信息繭房

ㄒㄧㄣˋ ㄒㄧ ㄐㄧㄢˇ ㄈㄤˊ

ㄒㄧㄣˋ ㄒㄧˊ ㄐㄧㄢˇ ㄈㄤˊ

синьси цзяньфан

/ɕin⁵¹ ɕi⁵⁵ t͡ɕi̯ɛn²¹⁴⁻²¹ fɑŋ³⁵/

/ɕin⁵¹ ɕi³⁵ t͡ɕi̯ɛn²¹⁴⁻²¹ fɑŋ³⁵/

/ɕin⁵¹ ɕi⁵⁵ t͡ɕi̯ɛn²¹⁴⁻²¹ fɑŋ³⁵/

/ɕin⁵¹ ɕi³⁵ t͡ɕi̯ɛn²¹⁴⁻²¹ fɑŋ³⁵/

(media) information cocoon, echo chamber


入鏡

/ʐu⁵¹⁻⁵³ t͡ɕiŋ⁵¹/

/jɐp̚² kɛːŋ³³/

/ʐu⁵¹⁻⁵³ t͡ɕiŋ⁵¹/

/jɐp̚² kɛːŋ³³/

2015, 閃靈《暮沉武德殿(民謠)》幕後花絮, 17m23s

zài zhège MV lǐmiàn dàjiā dōu huì rùjìng

在這個MV裡面大家都會入鏡

2015, 閃靈《暮沉武德殿(民謠)》幕後花絮, 17m23s

在这个MV里面大家都会入镜

(photography, cinematography) to be in a shot


詩體學

/ʂʐ̩⁵⁵ tʰi²¹⁴⁻²¹ ɕy̯ɛ³⁵/

/ʂʐ̩⁵⁵ tʰi²¹⁴⁻²¹ ɕy̯ɛ³⁵/


韻律學

ㄩㄣˋ ㄌㄩˋ ㄒㄩㄝˊ

/yn⁵¹⁻⁵³ ly⁵¹ ɕy̯ɛ³⁵/

/yn⁵¹⁻⁵³ ly⁵¹ ɕy̯ɛ³⁵/


詩律學

/ʂʐ̩⁵⁵ ly⁵¹ ɕy̯ɛ³⁵/

/ʂʐ̩⁵⁵ ly⁵¹ ɕy̯ɛ³⁵/


跟焦員

гэньцзяоюань

/kən⁵⁵ t͡ɕi̯ɑʊ̯⁵⁵ ɥɛn³⁵/

/kən⁵⁵ t͡ɕi̯ɑʊ̯⁵⁵ ɥɛn³⁵/


助導

/ʈ͡ʂu⁵¹ tɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂu⁵¹ tɑʊ̯²¹⁴⁻²¹⁽⁴⁾/


燈光師

/tɤŋ⁵⁵ ku̯ɑŋ⁵⁵ ʂʐ̩⁵⁵/

/tɤŋ⁵⁵ ku̯ɑŋ⁵⁵ ʂʐ̩⁵⁵/


調色師

/tʰi̯ɑʊ̯³⁵ sɤ⁵¹ ʂʐ̩⁵⁵/

/tʰi̯ɑʊ̯³⁵ sɤ⁵¹ ʂʐ̩⁵⁵/


落句

/lo(ʔ)¹²¹⁻²¹ ku²¹/

/lo(ʔ)¹²¹⁻²¹ ku²¹/

(Southern Min, poetry) to read a poem smoothly with fluid rhymes


詐屍

/ʈ͡ʂä⁵¹ ʂʐ̩⁵⁵/

/ʈ͡ʂä⁵¹ ʂʐ̩⁵⁵/

(chiefly fiction, of a corpse) to become animate; to move spontaneously


謝票

/ɕi̯ɛ⁵¹⁻⁵³ pʰi̯ɑʊ̯⁵¹/

/t͡sɛː²² pʰiːu̯³³/

/ɕi̯ɛ⁵¹⁻⁵³ pʰi̯ɑʊ̯⁵¹/

/t͡sɛː²² pʰiːu̯³³/

(film, of actors and directors, etc.) to appear at screenings to meet with fans


首劃

/ʂoʊ̯²¹⁴⁻²¹ xu̯ä⁵¹/

/ʂoʊ̯²¹⁴⁻²¹ xu̯ä⁵¹/


印數

/in⁵¹⁻⁵³ ʂu⁵¹/

/in⁵¹⁻⁵³ ʂu⁵¹/

(printing) number of books printed in one run


開本

/kʰaɪ̯⁵⁵ pən²¹⁴⁻²¹⁽⁴⁾/

/hɔːi̯⁵⁵ puːn³⁵/

/kʰaɪ̯⁵⁵ pən²¹⁴⁻²¹⁽⁴⁾/

/hɔːi̯⁵⁵ puːn³⁵/


印張

/in⁵¹ ʈ͡ʂɑŋ⁵⁵/

/jɐn³³ t͡sœːŋ⁵⁵/

/in⁵¹ ʈ͡ʂɑŋ⁵⁵/

/jɐn³³ t͡sœːŋ⁵⁵/

印張8½

印张8½

(printing) number of sheets used for a book


膠版紙

/t͡ɕi̯ɑʊ̯⁵⁵ pän²¹⁴⁻³⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/kaːu̯⁵⁵ paːn³⁵ t͡siː³⁵/

/t͡ɕi̯ɑʊ̯⁵⁵ pän²¹⁴⁻³⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/kaːu̯⁵⁵ paːn³⁵ t͡siː³⁵/


凸版紙

/tʰu⁵⁵ pän²¹⁴⁻³⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/tɐt̚² paːn³⁵ t͡siː³⁵/

/tʰu⁵⁵ pän²¹⁴⁻³⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/tɐt̚² paːn³⁵ t͡siː³⁵/


組字

/t͡su²¹⁴⁻²¹ t͡sz̩⁵¹/

/t͡su²¹⁴⁻²¹ t͡sz̩⁵¹/

dynamic character composition (i.e. ad hoc creation of an arbitrary typographic glyph)

動態組字

动态组字

(computing, typography) to assemble a Chinese character from parts


印次

/in⁵¹⁻⁵³ t͡sʰz̩⁵¹/

/jɐn³³ t͡sʰiː³³/

/in⁵¹⁻⁵³ t͡sʰz̩⁵¹/

/jɐn³³ t͡sʰiː³³/


首聯

/ʂoʊ̯²¹⁴⁻²¹ li̯ɛn³⁵/

/sɐu̯³⁵ lyːn²¹/

/ʂoʊ̯²¹⁴⁻²¹ li̯ɛn³⁵/

/sɐu̯³⁵ lyːn²¹/


頷聯

/xän⁵¹ li̯ɛn³⁵/

/xän⁵¹ li̯ɛn³⁵/

(poetry) the third and fourth lines of a lüshi


頸聯

/t͡ɕiŋ²¹⁴⁻²¹ li̯ɛn³⁵/

/kɛːŋ³⁵ lyːn²¹/

/t͡ɕiŋ²¹⁴⁻²¹ li̯ɛn³⁵/

/kɛːŋ³⁵ lyːn²¹/

(poetry) the fifth and sixth lines of a lüshi


字重

/t͡sz̩⁵¹⁻⁵³ ʈ͡ʂʊŋ⁵¹/

/t͡siː²² t͡sʰʊŋ¹³/

/t͡sz̩⁵¹⁻⁵³ ʈ͡ʂʊŋ⁵¹/

/t͡siː²² t͡sʰʊŋ¹³/


八分書

/pä⁵⁵ fən⁵⁵ ʂu⁵⁵/

/paːt̚³ fɐn⁵⁵ syː⁵⁵/

/pä⁵⁵ fən⁵⁵ ʂu⁵⁵/

/paːt̚³ fɐn⁵⁵ syː⁵⁵/


白版

/paɪ̯³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/paɪ̯³⁵ pän²¹⁴⁻²¹⁽⁴⁾/


版口

/pän²¹⁴⁻³⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/pän²¹⁴⁻³⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/


版心

/pän²¹⁴⁻²¹ ɕin⁵⁵/

/pän²¹⁴⁻²¹ ɕin⁵⁵/


書口

/ʂu⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/ʂu⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/


頁心

/jɛ⁵¹ ɕin⁵⁵/

/jɛ⁵¹ ɕin⁵⁵/


伴聲

/pän⁵¹ ʂɤŋ⁵⁵/

/pän⁵¹ ʂɤŋ⁵⁵/


擘窠書

/pu̯ɔ⁵¹ kʰɤ⁵⁵ ʂu⁵⁵/

/pu̯ɔ⁵¹ kʰɤ⁵⁵ ʂu⁵⁵/


榜書

/pɑŋ²¹⁴⁻²¹ ʂu⁵⁵/

/pɑŋ²¹⁴⁻²¹ ʂu⁵⁵/


缺頁

/t͡ɕʰy̯ɛ⁵⁵ jɛ⁵¹/

/t͡ɕʰy̯ɛ⁵⁵ jɛ⁵¹/

(publishing, bibliography) to have a missing page


漏印

/loʊ̯⁵¹⁻⁵³ in⁵¹/

/loʊ̯⁵¹⁻⁵³ in⁵¹/

(printing) to skip (have insufficient ink transfer)


飛墨

/feɪ̯⁵⁵ mu̯ɔ⁵¹/

/feɪ̯⁵⁵ mu̯ɔ⁵¹/


脫頁

/tʰu̯ɔ⁵⁵ jɛ⁵¹/

/tʰu̯ɔ⁵⁵ jɛ⁵¹/


倒頁

/tɑʊ̯²¹⁴⁻²¹ jɛ⁵¹/

/tɑʊ̯²¹⁴⁻²¹ jɛ⁵¹/

(publishing) to have an upside-down page


毛邊

/mɑʊ̯³⁵ pi̯ɛn⁵⁵/

/mɑʊ̯³⁵ pi̯ɛn⁵⁵/

(calligraphy) Short for 毛邊紙／毛边纸 (máobiānzhǐ, “maobian paper”).


毛邊紙

/mɑʊ̯³⁵ pi̯ɛn⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/mɑʊ̯³⁵ pi̯ɛn⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/


縮進

/su̯ɔ⁵⁵ t͡ɕin⁵¹/

/su̯ɔ⁵⁵ t͡ɕin⁵¹/

首行縮進兩個字符

首行缩进两个字符


魔幻現實主義

ㄇㄛˊ ㄏㄨㄢˋ ㄒㄧㄢˋ ㄕˊ ㄓㄨˇ ㄧˋ

мохуань сяньшичжуи

/mu̯ɔ³⁵ xu̯än⁵¹⁻⁵³ ɕi̯ɛn⁵¹ ʂʐ̩³⁵ ʈ͡ʂu²¹⁴⁻²¹ i⁵¹/


小寫字母

ㄒㄧㄠˇ ㄒㄧㄝˇ ㄗˋ ㄇㄨˇ

/ɕi̯ɑʊ̯²¹⁴⁻³⁵ ɕi̯ɛ²¹⁴⁻²¹ t͡sz̩⁵¹ mu²¹⁴⁻²¹⁽⁴⁾/

/siːu̯³⁵ sɛː³⁵ t͡siː²² mou̯¹³/

/siːu̯³⁵ sɛː³⁵ t͡siː²² mou̯¹³/

(orthography, typography) minuscule (lower-case letter)


燈神

/tɤŋ⁵⁵ ʂən³⁵/

/tɐŋ⁵⁵ sɐn²¹/

/tɤŋ⁵⁵ ʂən³⁵/

/tɐŋ⁵⁵ sɐn²¹/


逆反差

/ni⁵¹ fän²¹⁴⁻²¹ ʈ͡ʂʰä⁵⁵/

/ni⁵¹ fän²¹⁴⁻²¹ ʈ͡ʂʰä⁵⁵/


聯句

/li̯ɛn³⁵ t͡ɕy⁵¹/

/liɛn²⁴⁻²² ku²¹/

/liɛn²⁴⁻²² ku⁴¹/

/liɛn¹³⁻²² ku²¹/

/liɛn²⁴⁻¹¹ ku¹¹/

/liɛn²³⁻³³ ku²¹/

/li̯ɛn³⁵ t͡ɕy⁵¹/

/liɛn²⁴⁻²² ku²¹/

/liɛn²⁴⁻²² ku⁴¹/

/liɛn¹³⁻²² ku²¹/

/liɛn²⁴⁻¹¹ ku¹¹/

/liɛn²³⁻³³ ku²¹/


聯句

/li̯ɛn³⁵ t͡ɕy⁵¹/

/liɛn²⁴⁻²² ku²¹/

/liɛn²⁴⁻²² ku⁴¹/

/liɛn¹³⁻²² ku²¹/

/liɛn²⁴⁻¹¹ ku¹¹/

/liɛn²³⁻³³ ku²¹/

/li̯ɛn³⁵ t͡ɕy⁵¹/

/liɛn²⁴⁻²² ku²¹/

/liɛn²⁴⁻²² ku⁴¹/

/liɛn¹³⁻²² ku²¹/

/liɛn²⁴⁻¹¹ ku¹¹/

/liɛn²³⁻³³ ku²¹/


帖學

/tʰi̯ɛ⁵¹ ɕy̯ɛ³⁵/

/tʰi̯ɛ⁵¹ ɕy̯ɛ³⁵/


宮詞

/kʊŋ⁵⁵ t͡sʰz̩³⁵/

/kʊŋ⁵⁵ t͡sʰz̩³⁵/


字體廠

/t͡sz̩⁵¹ tʰi²¹⁴⁻³⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/t͡siː²² tʰɐi̯³⁵ t͡sʰɔːŋ³⁵/

/t͡sz̩⁵¹ tʰi²¹⁴⁻³⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/t͡siː²² tʰɐi̯³⁵ t͡sʰɔːŋ³⁵/


內白

/neɪ̯⁵¹ paɪ̯³⁵/

/nɔːi̯²² paːk̚²/

/neɪ̯⁵¹ paɪ̯³⁵/

/nɔːi̯²² paːk̚²/


襯線

/ʈ͡ʂʰən⁵¹⁻⁵³ ɕi̯ɛn⁵¹/

/t͡sʰɐn³³ siːn³³/

/ʈ͡ʂʰən⁵¹⁻⁵³ ɕi̯ɛn⁵¹/

/t͡sʰɐn³³ siːn³³/


元宇宙

/ɥɛn³⁵ y²¹⁴⁻²¹ ʈ͡ʂoʊ̯⁵¹/

/ɥɛn³⁵ y²¹⁴⁻²¹ ʈ͡ʂoʊ̯⁵¹/


字粒

/t͡sz̩⁵¹⁻⁵³ li⁵¹/

/t͡siː²² nɐp̚⁵/

/t͡sz̩⁵¹⁻⁵³ li⁵¹/

/t͡siː²² nɐp̚⁵/


劍標

/t͡ɕi̯ɛn⁵¹ pi̯ɑʊ̯⁵⁵/

/t͡ɕi̯ɛn⁵¹ pi̯ɑʊ̯⁵⁵/


比興

/pi²¹⁴⁻²¹ ɕiŋ⁵¹/

/pi²¹⁴⁻²¹ ɕiŋ⁵¹/

(poetry) allusion / metaphor, and inspiration arising from it


並序

/piŋ⁵¹⁻⁵³ ɕy⁵¹/

/piŋ⁵¹⁻⁵³ ɕy⁵¹/

《歸去來兮辭（並序）》

《归去来兮辞（并序）》


直音

Orthographic borrowing from Japanese 直音.

/ʈ͡ʂʐ̩³⁵ in⁵⁵/

/t͡sɪk̚² jɐm⁵⁵/

/ʈ͡ʂʐ̩³⁵ in⁵⁵/

/t͡sɪk̚² jɐm⁵⁵/

(Japanese orthography and phonology) a mora that consists of either (1) one vowel or (2) one consonant and one vowel, and is spelt with only one full-sized kana, such as あ (a), き (ki) or ぶ (bu)


一唱三嘆

一唱三叹
一唱三歎
一倡三嘆/一倡三歎/一倡三叹

ㄧ ㄔㄤˋ ㄙㄢ ㄊㄢˋ

ичансаньтань

/i⁵⁵⁻³⁵ ʈ͡ʂʰɑŋ⁵¹ sän⁵⁵ tʰän⁵¹/

/jɐt̚⁵ t͡sʰœːŋ³³ saːm⁵⁵ tʰaːn³³/

/i⁵⁵⁻³⁵ ʈ͡ʂʰɑŋ⁵¹ sän⁵⁵ tʰän⁵¹/

/jɐt̚⁵ t͡sʰœːŋ³³ saːm⁵⁵ tʰaːn³³/

(music, literature) graceful and pleasant to the ear


五毒

/u²¹⁴⁻²¹ tu³⁵/

/u²¹⁴⁻²¹ tu³⁵/

traditional Chinese medicine
traditional Chinese medicine

(folklore, traditional Chinese medicine) five toxic animals (namely centipede, venomous snake, scorpion, gecko and toad)


奸角

/kaːn⁵⁵ kɔːk̚³/

/kaːn⁵⁵ kɔːk̚³/


阿嘿顏

/ˀä⁵⁵ xeɪ̯⁵⁵ jɛn³⁵/

/ˀä⁵⁵ xeɪ̯⁵⁵ jɛn³⁵/

From Japanese アヘ顔(がお) (ahegao), from アヘアヘ (aheahe, “panting”) + 顔(かお) (kao, “face”).

(chiefly Japanese fiction) ahegao (an exaggerated facial expression consisting of flushed cheeks, rolled-back eyes, and the tongue hanging out, intended to depict a person having an orgasm)


巨片

/t͡ɕy⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

/kɵy̯²² pʰiːn³³⁻³⁵/

/t͡ɕy⁵¹⁻⁵³ pʰi̯ɛn⁵¹/

/kɵy̯²² pʰiːn³³⁻³⁵/

動作巨片

动作巨片


中唐

/ʈ͡ʂʊŋ⁵⁵ tʰɑŋ³⁵/

/ʈ͡ʂʊŋ⁵⁵ tʰɑŋ³⁵/

Emperor Daizong
w:Emperor Daizong of Tang

Emperor Wenzong
w:Emperor Wenzong of Tang

(poetry, historical) middle Tang (766-835; the period from the Dali era of Emperor Daizong to the Dahe era of Emperor Wenzong)


初唐

/ʈ͡ʂʰu⁵⁵ tʰɑŋ³⁵/

/t͡sʰɔː⁵⁵ tʰɔːŋ²¹/

/ʈ͡ʂʰu⁵⁵ tʰɑŋ³⁵/

/t͡sʰɔː⁵⁵ tʰɔːŋ²¹/

初唐四傑／初唐四杰

(poetry, historical) early Tang (618–712; the period from the Wude era of Emperor Gaozu to the early Xiantian era of Emperor Xuanzong)


波磔

/pu̯ɔ⁵⁵ ʈ͡ʂɤ³⁵/

/pu̯ɔ⁵⁵ ʈ͡ʂɤ³⁵/


流水行雲

ㄌㄧㄡˊ ㄕㄨㄟˇ ㄒㄧㄥˊ ㄩㄣˊ

люшуйсинъюнь

/li̯oʊ̯³⁵ ʂu̯eɪ̯²¹⁴⁻²¹ ɕiŋ³⁵ yn³⁵/

/lɐu̯²¹ sɵy̯³⁵ hɐŋ²¹ wɐn²¹/

/liu⁵⁵⁻¹¹ t͡sui⁵²⁻³⁵ kĩã⁵⁵⁻¹¹ huŋ⁵⁵/

/li̯oʊ̯³⁵ ʂu̯eɪ̯²¹⁴⁻²¹ ɕiŋ³⁵ yn³⁵/

/lɐu̯²¹ sɵy̯³⁵ hɐŋ²¹ wɐn²¹/

/liu⁵⁵⁻¹¹ t͡sui⁵²⁻³⁵ kĩã⁵⁵⁻¹¹ huŋ⁵⁵/

(of calligraphy, writing, etc.) very smooth and natural; natural and unforced style


任意門

/ʐən⁵¹⁻⁵³ i⁵¹ mən³⁵/

/ʐən⁵¹⁻⁵³ i⁵¹ mən³⁵/

(countable, fiction) anywhere door (door that allows people to go anywhere instantly) (Classifier: 扇 m)


病起

/piŋ⁵¹ t͡ɕʰi²¹⁴⁻²¹⁽⁴⁾/

/piŋ⁵¹ t͡ɕʰi²¹⁴⁻²¹⁽⁴⁾/

(poetry) "rising from sickness", a classical genre of poem


重製

/ʈ͡ʂʰʊŋ³⁵ ʈ͡ʂʐ̩⁵¹/

/t͡sʰʊŋ²¹ t͡sɐi̯³³/

/ʈ͡ʂʰʊŋ³⁵ ʈ͡ʂʐ̩⁵¹/

/t͡sʰʊŋ²¹ t͡sɐi̯³³/

(film, video games) to remake; to remaster


光劍

/ku̯ɑŋ⁵⁵ t͡ɕi̯ɛn⁵¹/

/ku̯ɑŋ⁵⁵ t͡ɕi̯ɛn⁵¹/


字模

/t͡sz̩⁵¹ mu̯ɔ³⁵/

/t͡sz̩⁵¹ mu̯ɔ³⁵/


QSL卡

1940 January, 無線電常識問答, in 《實用無綫電雜誌》, volume 4, issue 7, page 33

QSL kǎ bìng wú yīdìng zhī chǐcùn, dàn wèi biànyú yóujì jí bǎocún qǐjiàn, tōngcháng dàxiǎo cháng xiāngchā wújǐ, yuē yǔ yóujú zhī míngxìnpiàn dàxiǎo xiāngfǎng.

QSL卡並無一定之尺寸，但爲便於郵寄及保存起見，通常大小常相差無幾，約與郵局之明信片大小相倣。

QSL卡并无一定之尺寸，但为便于邮寄及保存起见，通常大小常相差无几，约与邮局之明信片大小相仿。


八木天線

ㄅㄚ ㄇㄨˋ ㄊㄧㄢ ㄒㄧㄢˋ

Баму тяньсянь

/pä⁵⁵ mu⁵¹ tʰi̯ɛn⁵⁵ ɕi̯ɛn⁵¹/

/pä⁵⁵ mu⁵¹ tʰi̯ɛn⁵⁵ ɕi̯ɛn⁵¹/


臺歌

/tʰaɪ̯³⁵ kɤ⁵⁵/

/tʰaɪ̯³⁵ kɤ⁵⁵/


實驗臺

/ʂʐ̩³⁵ jɛn⁵¹ tʰaɪ̯³⁵/

/ʂʐ̩³⁵ jɛn⁵¹ tʰaɪ̯³⁵/

(Mainland China, radio, euphemistic) radio station for jamming enemy radios


吊威吔

/tiːu̯³³ wɐi̯⁵⁵ jaː¹³⁻³⁵/

/tiːu̯³³ wɐi̯⁵⁵ jaː¹³⁻³⁵/

(Cantonese, theater, film, television, of an actor) to hang on wires to simulate flying or falling


執字粒

/t͡sɐp̚⁵ t͡siː²² nɐp̚⁵/

/t͡sɐp̚⁵ t͡siː²² lɐp̚⁵/

/t͡sɐp̚⁵ t͡siː²² nɐp̚⁵/

/t͡sɐp̚⁵ t͡siː²² lɐp̚⁵/

(Cantonese, printing) to typeset in movable type; to assemble pieces of type for printing


樂府詩

/ɥɛ⁵¹ fu²¹⁴⁻²¹ ʂʐ̩⁵⁵/

/ɥɛ⁵¹ fu²¹⁴⁻²¹ ʂʐ̩⁵⁵/


古體詩

/ku²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹ ʂʐ̩⁵⁵/

/ku²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹ ʂʐ̩⁵⁵/

(literature) a form of pre-Tang era poetry


五律

/u²¹⁴⁻²¹ ly⁵¹/

/u²¹⁴⁻²¹ ly⁵¹/

Classical Chinese poetry
w:Classical Chinese poetry forms

(poetry) five-character eight-line regulated verse (a form of Classical Chinese poetry)


字牙

/t͡sz̩⁵¹ jä³⁵/

/t͡sz̩⁵¹ jä³⁵/

(calligraphy) Manchu-script "tooth" stroke


屍變

/ʂʐ̩⁵⁵ pi̯ɛn⁵¹/

/ʂʐ̩⁵⁵ pi̯ɛn⁵¹/

(chiefly fiction, of a corpse) to become animate; to move spontaneously


詩行

/ʂʐ̩⁵⁵ xɑŋ³⁵/

/ʂʐ̩⁵⁵ xɑŋ³⁵/


草體

/t͡sʰɑʊ̯²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰou̯³⁵ tʰɐi̯³⁵/

/t͡sʰɑʊ̯²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰou̯³⁵ tʰɐi̯³⁵/

(calligraphy) cursive hand of a phonetic alphabet


草寫

/t͡sʰɑʊ̯²¹⁴⁻³⁵ ɕi̯ɛ²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɑʊ̯²¹⁴⁻³⁵ ɕi̯ɛ²¹⁴⁻²¹⁽⁴⁾/


草寫體

ㄘㄠˇ ㄒㄧㄝˇ ㄊㄧˇ

/t͡sʰɑʊ̯²¹⁴⁻³⁵ ɕi̯ɛ²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɑʊ̯²¹⁴⁻³⁵ ɕi̯ɛ²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/


草字

/t͡sʰɑʊ̯²¹⁴⁻²¹ t͡sz̩⁵¹/

/t͡sʰou̯³⁵ t͡siː²²/

/ˈt͡sʰau²¹³⁻²⁴ t͡sʰz̩¹¹/

/t͡sʰo³³⁻⁵⁵ t͡sɛi²⁴²/

/t͡sʰɑʊ̯²¹⁴⁻²¹ t͡sz̩⁵¹/

/t͡sʰou̯³⁵ t͡siː²²/

/ˈt͡sʰau²¹³⁻²⁴ t͡sʰz̩¹¹/

/t͡sʰo³³⁻⁵⁵ t͡sɛi²⁴²/


諸宮調

/ʈ͡ʂu⁵⁵ kʊŋ⁵⁵ ti̯ɑʊ̯⁵¹/

/ʈ͡ʂu⁵⁵ kʊŋ⁵⁵ ti̯ɑʊ̯⁵¹/


試播

/ʂʐ̩⁵¹ pu̯ɔ⁵⁵/

/ʂʐ̩⁵¹⁻⁵³ pu̯ɔ⁵¹/

/siː³³ pɔː³³/

/ʂʐ̩⁵¹ pu̯ɔ⁵⁵/

/ʂʐ̩⁵¹⁻⁵³ pu̯ɔ⁵¹/

/siː³³ pɔː³³/


長短句

ㄔㄤˊ ㄉㄨㄢˇ ㄐㄩˋ

чандуаньцзюй

/ʈ͡ʂʰɑŋ³⁵ tu̯än²¹⁴⁻²¹ t͡ɕy⁵¹/

/t͡sʰœːŋ²¹ tyːn³⁵ kɵy̯³³/

/ʈ͡ʂʰɑŋ³⁵ tu̯än²¹⁴⁻²¹ t͡ɕy⁵¹/

/t͡sʰœːŋ²¹ tyːn³⁵ kɵy̯³³/

(literature) a kind of poetry originating in the Tang dynasty and flourishing during the Song dynasty (Classifier: 首 m)


喜喪

/ɕi²¹⁴⁻²¹ sɑŋ⁵⁵/

/ɕi²¹⁴⁻²¹ sɑŋ⁵⁵/

(folklore) death over 80 years old; a funeral for such an old person


時移

/siː²¹ jiː²¹/

/siː²¹ jiː²¹/

2014, 李杨 (Li Yang), 《著作权法个人使用问题研究：以数字环境为中心》, Beijing: Social Sciences Academic Press (China), →ISBN, page 32

Zài Liánbāng Zuìgāo Fǎyuàn kànlái, suīrán bǎnquánfǎ de mùde kě bèi lǐjiě chéng “tōngguò zuòpǐn de zhuǎnhuànxìng shǐyòng lái tuīdòng kēxué hé yìshù de fánróng”, dàn zuòwéi gèrén shǐyòng mùde de “shíyí” què shǐ “gōngzhòng zìyóu jiēchù guǎngbō diànshì xìnxī déyǐ tuòzhǎn”, jùyǒu jījí de shèhuì jiàzhí.

在聯邦最高法院看來，雖然版權法的目的可被理解成「通過作品的轉換性使用來推動科學和藝術的繁榮」，但作為個人使用目的的「時移」卻使「公眾自由接觸廣播電視信息得以拓展」，具有積極的社會價值。

在联邦最高法院看来，虽然版权法的目的可被理解成「通过作品的转换性使用来推动科学和艺术的繁荣」，但作为个人使用目的的「时移」却使「公众自由接触广播电视信息得以拓展」，具有积极的社会价值。

(broadcasting) time shifting (the practice of recording a broadcast with the intention of watching or listening to it later at a more convenient time)


奶酪陷阱體

ㄋㄞˇ ㄌㄠˋ ㄒㄧㄢˋ ㄐㄧㄥˇ ㄊㄧˇ

ㄋㄞˇ ㄌㄨㄛˋ ㄒㄧㄢˋ ㄐㄧㄥˇ ㄊㄧˇ

nǎilào xiànjǐng tǐ [Phonetic:nǎilàoxiànjíngtǐ]

найлао сяньцзин ти

/naɪ̯²¹⁴⁻²¹ lɑʊ̯⁵¹⁻⁵³ ɕi̯ɛn⁵¹ t͡ɕiŋ²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

nǎiluò xiànjǐng tǐ [Phonetic:nǎiluòxiànjíngtǐ]

найло сяньцзин ти

/naɪ̯²¹⁴⁻²¹ lu̯ɔ⁵¹⁻⁵³ ɕi̯ɛn⁵¹ t͡ɕiŋ²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

(calligraphy) A style of handwriting popularized in the early 2020s, characterized by a flow adapted to horizontal writing.


𠹳

For pronunciation and definitions of 𠹳 – see 杰 (“thick; viscous; etc.”).
(This character is a variant form of 杰).

zh-see

git⁶ git⁶, zam⁶ zung⁶ jiu³ zoi³ diu² do¹ sap⁶ go³ gung¹ neoi⁵⁻² aa³!

𠹳𠹳，朕還要再幹多十個宮女呀！

𠹳𠹳，朕还要再干多十个宫女呀！

(Hong Kong comics) Used to represent the sound of evil laughter.


吃書

/ʈ͡ʂʰʐ̩⁵⁵ ʂu⁵⁵/

/ʈ͡ʂʰʐ̩⁵⁵ ʂu⁵⁵/

(fiction, fandom slang) to create a plot hole; to retcon existing canon


衡水體

ㄏㄥˊ ㄕㄨㄟˇ ㄊㄧˇ

/xɤŋ³⁵ ʂu̯eɪ̯²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

/xɤŋ³⁵ ʂu̯eɪ̯²¹⁴⁻³⁵ tʰi²¹⁴⁻²¹⁽⁴⁾/

(Mainland China, calligraphy, school slang) a simple and legible style of print handwriting for English


行間距

ханцзяньцзюй

/xɑŋ³⁵ t͡ɕi̯ɛn⁵⁵ t͡ɕy⁵¹/

/xɑŋ³⁵ t͡ɕi̯ɛn⁵⁵ t͡ɕy⁵¹/


對齊

/tu̯eɪ̯⁵¹ t͡ɕʰi³⁵/

/tɵy̯³³ t͡sʰɐi̯²¹/

/tui²¹⁻⁵³ t͡se²⁴/

/tui⁴¹⁻⁵⁵⁴ t͡se²⁴/

/tui⁴¹⁻⁵⁵⁴ t͡sue²⁴/

/tui²¹⁻⁵³ t͡se¹³/

/tui¹¹⁻⁵³ t͡se²⁴/

/tui²¹⁻⁴¹ t͡se²³/

/tu̯eɪ̯⁵¹ t͡ɕʰi³⁵/

/tɵy̯³³ t͡sʰɐi̯²¹/

/tui²¹⁻⁵³ t͡se²⁴/

/tui⁴¹⁻⁵⁵⁴ t͡se²⁴/

/tui⁴¹⁻⁵⁵⁴ t͡sue²⁴/

/tui²¹⁻⁵³ t͡se¹³/

/tui¹¹⁻⁵³ t͡se²⁴/

/tui²¹⁻⁴¹ t͡se²³/


置中

/ʈ͡ʂʐ̩⁵¹ ʈ͡ʂʊŋ⁵⁵/

/ʈ͡ʂʐ̩⁵¹ ʈ͡ʂʊŋ⁵⁵/


高炒

/kou̯⁵⁵ t͡sʰaːu̯³⁵/

/kou̯⁵⁵ t͡sʰaːu̯³⁵/

(Cantonese, photography, cinematography) to shoot from a high angle


低炒

/tɐi̯⁵⁵ t͡sʰaːu̯³⁵/

/tɐi̯⁵⁵ t͡sʰaːu̯³⁵/

(Cantonese, photography, cinematography) to shoot from a low angle


變音符號

ㄅㄧㄢˋ ㄧㄣ ㄈㄨˊ ㄏㄠˋ

бяньинь фухао

/pi̯ɛn⁵¹ in⁵⁵ fu³⁵ xɑʊ̯⁵¹/

/pi̯ɛn⁵¹ in⁵⁵ fu³⁵ xɑʊ̯⁵¹/

(orthography) diacritical mark (a special mark added to a letter to indicate different a pronunciation, stress, tone or meaning)


蠶頭

/t͡sʰän³⁵ tʰoʊ̯³⁵/

/t͡sʰän³⁵ tʰoʊ̯³⁵/

Coordinate term: 燕尾 (yànwěi)

(calligraphy) dense flourish on the left side of a major stroke in clerical script


爬格子

/pʰä³⁵ kɤ³⁵ d͡z̥z̩³/

/pʰaː²¹ kaːk̚³ t͡siː³⁵/

/pʰä³⁵ kɤ³⁵ d͡z̥z̩³/

/pʰaː²¹ kaːk̚³ t͡siː³⁵/

(literature, of a writer) to work hard on writing articles


字腔

/t͡sz̩⁵¹ t͡ɕʰi̯ɑŋ⁵⁵/

/t͡sz̩⁵¹ t͡ɕʰi̯ɑŋ⁵⁵/


隨意門

/t͡sʰɵy̯²¹ jiː³³ muːn²¹/

/t͡sʰɵy̯²¹ jiː³³ muːn²¹/

(Hong Kong, science fiction) teleportation portal


水星人

ㄕㄨㄟˇ ㄒㄧㄥ ㄖㄣˊ

/ʂu̯eɪ̯²¹⁴⁻²¹ ɕiŋ⁵⁵ ʐən³⁵/

/sɵy̯³⁵ sɪŋ⁵⁵ jɐn²¹/

/ʂu̯eɪ̯²¹⁴⁻²¹ ɕiŋ⁵⁵ ʐən³⁵/

/sɵy̯³⁵ sɪŋ⁵⁵ jɐn²¹/

(science fiction) Mercurian (inhabitant of Mercury)


毛樣

/mɑʊ̯³⁵ jɑŋ⁵¹/

/mɑʊ̯³⁵ jɑŋ⁵¹/


畫中畫

ㄏㄨㄚˋ ㄓㄨㄥ ㄏㄨㄚˋ

/xu̯ä⁵¹ ʈ͡ʂʊŋ⁵⁵ xu̯ä⁵¹/

/waː²²⁻³⁵ t͡sʊŋ⁵⁵ waː²²⁻³⁵/

/xu̯ä⁵¹ ʈ͡ʂʊŋ⁵⁵ xu̯ä⁵¹/

/waː²²⁻³⁵ t͡sʊŋ⁵⁵ waː²²⁻³⁵/

graphical user interface
graphical user interface

(television, graphical user interface) picture-in-picture


凸版

/tʰu⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tʰu³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tʰu⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tʰu³⁵ pän²¹⁴⁻²¹⁽⁴⁾/


字法

/t͡sz̩⁵¹ fä²¹⁴⁻²¹⁽⁴⁾/

/t͡sz̩⁵¹ fä²¹⁴⁻²¹⁽⁴⁾/


甲金文

ㄐㄧㄚˇ ㄐㄧㄣ ㄨㄣˊ

цзяцзиньвэнь

/t͡ɕi̯ä²¹⁴⁻²¹ t͡ɕin⁵⁵ wən³⁵/

/t͡ɕi̯ä²¹⁴⁻²¹ t͡ɕin⁵⁵ wən³⁵/

(palaeography) oracle bone script and bronze script


雪花屏

ㄒㄩㄝˇ ㄏㄨㄚ ㄆㄧㄥˊ

/ɕy̯ɛ²¹⁴⁻²¹ xu̯ä⁵⁵ pʰiŋ³⁵/

/ɕy̯ɛ²¹⁴⁻²¹ xu̯ä⁵⁵ pʰiŋ³⁵/

(television, slang) noise on TV screen; snow (static produced by a TV when no signal is received).


複調

/fu⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/fu⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

(literature) polyphony (quality of a text of being able to be read in more than one way)


成片

/ʈ͡ʂʰɤŋ³⁵ pʰi̯ɛn⁵¹/

/ʈ͡ʂʰɤŋ³⁵ pʰi̯ɛn⁵¹/

(photography, film) processed photos or film


雌小鬼

ㄘˊ ㄒㄧㄠˇ ㄍㄨㄟˇ

/t͡sʰz̩³⁵ ɕi̯ɑʊ̯²¹⁴⁻³⁵ ku̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰz̩³⁵ ɕi̯ɑʊ̯²¹⁴⁻³⁵ ku̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

(ACG, pornography) mesugaki: slutty brat girl


沉雄

/ʈ͡ʂʰən³⁵ ɕi̯ʊŋ³⁵/

/ʈ͡ʂʰən³⁵ ɕi̯ʊŋ³⁵/

(of poetry, calligraphy, etc.) deep and powerful


天王星人

ㄊㄧㄢ ㄨㄤˊ ㄒㄧㄥ ㄖㄣˊ

тяньвансинжэнь

/tʰi̯ɛn⁵⁵ wɑŋ³⁵ ɕiŋ⁵⁵ ʐən³⁵/

/tʰiːn⁵⁵ wɔːŋ²¹ sɪŋ⁵⁵ jɐn²¹/

/tʰi̯ɛn⁵⁵ wɑŋ³⁵ ɕiŋ⁵⁵ ʐən³⁵/

/tʰiːn⁵⁵ wɔːŋ²¹ sɪŋ⁵⁵ jɐn²¹/

(science fiction) Uranian (inhabitant of Uranus)


木星人

/mu⁵¹ ɕiŋ⁵⁵ ʐən³⁵/

/mʊk̚² sɪŋ⁵⁵ jɐn²¹/

/mu⁵¹ ɕiŋ⁵⁵ ʐən³⁵/

/mʊk̚² sɪŋ⁵⁵ jɐn²¹/

(science fiction) Jovian (inhabitant of Jupiter)


土星人

/tʰu²¹⁴⁻²¹ ɕiŋ⁵⁵ ʐən³⁵/

/tʰou̯³⁵ sɪŋ⁵⁵ jɐn²¹/

/tʰu²¹⁴⁻²¹ ɕiŋ⁵⁵ ʐən³⁵/

/tʰou̯³⁵ sɪŋ⁵⁵ jɐn²¹/

(science fiction) Saturnian (inhabitant of Saturn)


海王星人

ㄏㄞˇ ㄨㄤˊ ㄒㄧㄥ ㄖㄣˊ

хайвансинжэнь

/xaɪ̯²¹⁴⁻²¹ wɑŋ³⁵ ɕiŋ⁵⁵ ʐən³⁵/

/hɔːi̯³⁵ wɔːŋ²¹ sɪŋ⁵⁵ jɐn²¹/

/xaɪ̯²¹⁴⁻²¹ wɑŋ³⁵ ɕiŋ⁵⁵ ʐən³⁵/

/hɔːi̯³⁵ wɔːŋ²¹ sɪŋ⁵⁵ jɐn²¹/

(science fiction) Neptunian (inhabitant of Neptune)


冥王星人

ㄇㄧㄥˊ ㄨㄤˊ ㄒㄧㄥ ㄖㄣˊ

минвансинжэнь

/miŋ³⁵ wɑŋ³⁵ ɕiŋ⁵⁵ ʐən³⁵/

/mɪŋ²¹ wɔːŋ²¹ sɪŋ⁵⁵ jɐn²¹/

/mɪŋ¹³ wɔːŋ²¹ sɪŋ⁵⁵ jɐn²¹/

/miŋ³⁵ wɑŋ³⁵ ɕiŋ⁵⁵ ʐən³⁵/

/mɪŋ²¹ wɔːŋ²¹ sɪŋ⁵⁵ jɐn²¹/

/mɪŋ¹³ wɔːŋ²¹ sɪŋ⁵⁵ jɐn²¹/

(science fiction) Plutonian (inhabitant of Pluto)


仙女座人

ㄒㄧㄢ ㄋㄩˇ ㄗㄨㄛˋ ㄖㄣˊ

сяньнюйцзожэнь

/ɕi̯ɛn⁵⁵ ny²¹⁴⁻²¹ t͡su̯ɔ⁵¹ ʐən³⁵/

/siːn⁵⁵ nɵy̯¹³ t͡sɔː²² jɐn²¹/

/ɕi̯ɛn⁵⁵ ny²¹⁴⁻²¹ t͡su̯ɔ⁵¹ ʐən³⁵/

/siːn⁵⁵ nɵy̯¹³ t͡sɔː²² jɐn²¹/

Andromeda Galaxy
Andromeda Galaxy#English

(science fiction) Andromedan (inhabitant of the Andromeda Galaxy)


織女星人

ㄓ ㄋㄩˇ ㄒㄧㄥ ㄖㄣˊ

чжинюйсинжэнь

/ʈ͡ʂʐ̩⁵⁵ ny²¹⁴⁻²¹ ɕiŋ⁵⁵ ʐən³⁵/

/t͡sɪk̚⁵ nɵy̯¹³ sɪŋ⁵⁵ jɐn²¹/

/t͡sɪk̚⁵ nɵy̯¹³⁻³⁵ sɪŋ⁵⁵ jɐn²¹/

/ʈ͡ʂʐ̩⁵⁵ ny²¹⁴⁻²¹ ɕiŋ⁵⁵ ʐən³⁵/

/t͡sɪk̚⁵ nɵy̯¹³ sɪŋ⁵⁵ jɐn²¹/

/t͡sɪk̚⁵ nɵy̯¹³⁻³⁵ sɪŋ⁵⁵ jɐn²¹/

(science fiction) Vegan (someone from the vicinity of the star Vega)


小灰人

ㄒㄧㄠˇ ㄏㄨㄟ ㄖㄣˊ

/ɕi̯ɑʊ̯²¹⁴⁻²¹ xu̯eɪ̯⁵⁵ ʐən³⁵/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ xu̯eɪ̯⁵⁵ ʐən³⁵/

By analogy with 小綠人 /小绿人 (xiǎolǜrén, “little green man”).

(science fiction or ufology) grey alien (archetypical, humanoid alien, usually described as having grey skin, elongated, hairless, sexless features, and large, black eyes)


晚唐

/wän²¹⁴⁻²¹ tʰɑŋ³⁵/

/maːn¹³ tʰɔːŋ²¹/

/wän²¹⁴⁻²¹ tʰɑŋ³⁵/

/maːn¹³ tʰɔːŋ²¹/

(poetry, historical) late Tang (875-907; the period from the Qianfu era of Emperor Xizong to the Tianyou era of Emperor Ai)


四級片

/sei̯³³ kʰɐp̚⁵ pʰiːn³³⁻³⁵/

/sei̯³³ kʰɐp̚⁵ pʰiːn³³⁻³⁵/

(Hong Kong, slang, pornography, slightly dated) uncensored pornographic film


八點檔

/pä⁵⁵ ti̯ɛn²¹⁴⁻²¹ tɑŋ⁵¹/

/pä⁵⁵ ti̯ɛn²¹⁴⁻³⁵ tɑŋ²¹⁴⁻²¹⁽⁴⁾/

/pä⁵⁵ ti̯ɛn²¹⁴⁻²¹ tɑŋ⁵¹/

/pä⁵⁵ ti̯ɛn²¹⁴⁻³⁵ tɑŋ²¹⁴⁻²¹⁽⁴⁾/

(Taiwan, television) 8 o'clock time slot


收信

/ʂoʊ̯⁵⁵ ɕin⁵¹/

/sɐu̯⁵⁵ sɵn³³/

/ʂoʊ̯⁵⁵ ɕin⁵¹/

/sɐu̯⁵⁵ sɵn³³/

收信臺／收信台


罐頭笑聲

ㄍㄨㄢˋ ㄊㄡˊ ㄒㄧㄠˋ ㄕㄥ

гуаньтоу сяошэн

/ku̯än⁵¹ tʰoʊ̯³⁵ ɕi̯ɑʊ̯⁵¹ ʂɤŋ⁵⁵/

/kuːn³³ tʰɐu̯²¹⁻³⁵ siːu̯³³ sɛːŋ⁵⁵/

/ku̯än⁵¹ tʰoʊ̯³⁵ ɕi̯ɑʊ̯⁵¹ ʂɤŋ⁵⁵/

/kuːn³³ tʰɐu̯²¹⁻³⁵ siːu̯³³ sɛːŋ⁵⁵/

(television, comedy) canned laughter; laugh track


樣張

/jɑŋ⁵¹ ʈ͡ʂɑŋ⁵⁵/

/jɑŋ⁵¹ ʈ͡ʂɑŋ⁵⁵/


通感

/tʰʊŋ⁵⁵ kän²¹⁴⁻²¹⁽⁴⁾/

/tʰʊŋ⁵⁵ kän²¹⁴⁻²¹⁽⁴⁾/


煞戲

(Taiwanese Hokkien, of a play, film, etc.) to be over; to end


煞鼓

/sua(ʔ)³²⁻⁴¹ kɔ⁴¹/

/sua(ʔ)³²⁻⁵³ kɔ⁵³/

/sua(ʔ)³²⁻⁴¹ kɔ⁴¹/

/sua(ʔ)³²⁻⁵³ kɔ⁵³/