異域

Sino-Xenic (異域):
* → Japanese: 異(い)域(いき) (iiki)
* → Korean: 이역(異域) (iyeok)

/i⁵¹⁻⁵³ y⁵¹/

/jiː²² wɪk̚²/

/i²²⁻²¹ hiɪk̚⁴/

/i⁴¹⁻²² hiɪk̚²⁴/

/i²²⁻²¹ hiɪk̚¹²¹/

/i³³⁻¹¹ hiɪk̚⁴/

/i³³⁻²¹ hiɪk̚⁴/

/i⁵¹⁻⁵³ y⁵¹/

/jiː²² wɪk̚²/

/i²²⁻²¹ hiɪk̚⁴/

/i⁴¹⁻²² hiɪk̚²⁴/

/i²²⁻²¹ hiɪk̚¹²¹/

/i³³⁻¹¹ hiɪk̚⁴/

/i³³⁻²¹ hiɪk̚⁴/


作響

/t͡su̯ɔ⁵¹ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ hœːŋ³⁵/

/t͡su̯ɔ⁵¹ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/

/t͡sɔːk̚³ hœːŋ³⁵/


合拍

/xɤ³⁵ pʰaɪ̯⁵⁵/

/hɐp̚² pʰaːk̚³/

/hap̚⁴⁻³² pʰaʔ³²/

/hap̚²⁴⁻² pʰaʔ⁵/

/hap̚¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)²⁴⁻² pʰaʔ⁵/

/ha(ʔ)¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)⁴⁻²¹ pʰaʔ³²/

/xɤ³⁵ pʰaɪ̯⁵⁵/

/hɐp̚² pʰaːk̚³/

/hap̚⁴⁻³² pʰaʔ³²/

/hap̚²⁴⁻² pʰaʔ⁵/

/hap̚¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)²⁴⁻² pʰaʔ⁵/

/ha(ʔ)¹²¹⁻²¹ pʰaʔ³²/

/ha(ʔ)⁴⁻²¹ pʰaʔ³²/

(music) to be on beat; to be in time with; to be in rhythm with


琴譜

/t͡ɕʰin³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰin³⁵ pʰuɻʷ²¹⁴⁻²¹⁽⁴⁾/

/kʰɐm²¹ pʰou̯³⁵/

/kʰim²⁴⁻²² pʰɔ⁵³/

/kʰim²⁴⁻²² pʰɔ⁵⁵⁴/

/kʰim¹³⁻²² pʰɔ⁵³/

/kʰim²⁴⁻¹¹ pʰɔ⁵³/

/kʰim²³⁻³³ pʰɔ⁴¹/

/d͡ʑin²² pʰu⁴⁴/

/t͡ɕʰin³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰin³⁵ pʰuɻʷ²¹⁴⁻²¹⁽⁴⁾/

/kʰɐm²¹ pʰou̯³⁵/

/kʰim²⁴⁻²² pʰɔ⁵³/

/kʰim²⁴⁻²² pʰɔ⁵⁵⁴/

/kʰim¹³⁻²² pʰɔ⁵³/

/kʰim²⁴⁻¹¹ pʰɔ⁵³/

/kʰim²³⁻³³ pʰɔ⁴¹/

/d͡ʑin²² pʰu⁴⁴/

Do you have the piano score for “The Moon Represents My Heart”?

Nǐ yǒu “Yuèliàng Dàibiǎo Wǒ de Xīn” de qínpǔ ma?

你有《月亮代表我的心》的琴譜嗎？

你有《月亮代表我的心》的琴谱吗？

(music) score for musical instruments called 琴 (qín), including the guqin, piano and violin


老調

/lɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/lɑʊ̯²¹⁴⁻²¹ ti̯aʊ̯ɻʷ⁵¹/

/lɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/lɑʊ̯²¹⁴⁻²¹ ti̯aʊ̯ɻʷ⁵¹/

(opera) laodiao (local opera of Hebei Province)


單曲

/tän⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/taːn⁵⁵ kʰʊk̚⁵/

/tän⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/taːn⁵⁵ kʰʊk̚⁵/

最新單曲

最新单曲

(music) single (popular song released on its own)


阿卡貝拉

ㄚ ㄎㄚˇ ㄅㄟˋ ㄌㄚ

/ˀä⁵⁵ kʰä²¹⁴⁻²¹ peɪ̯⁵¹ lä⁵⁵/

/ˀä⁵⁵ kʰä²¹⁴⁻²¹ peɪ̯⁵¹ lä⁵⁵/

Borrowed from English a cappella or Italian a cappella.


無伴奏合唱

ㄨˊ ㄅㄢˋ ㄗㄡˋ ㄏㄜˊ ㄔㄤˋ

убаньцзоу хэчан

/u³⁵ pän⁵¹⁻⁵³ t͡soʊ̯⁵¹ xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹/

/mou̯²¹ puːn²² t͡sɐu̯³³ hɐp̚² t͡sʰœːŋ³³/

/u³⁵ pän⁵¹⁻⁵³ t͡soʊ̯⁵¹ xɤ³⁵ ʈ͡ʂʰɑŋ⁵¹/


基音

/t͡ɕi⁵⁵ in⁵⁵/

/t͡ɕi⁵⁵ in⁵⁵/

fundamental frequency
fundamental frequency

(music) fundamental tone; fundamental frequency


輪唱

/lu̯ən³⁵ ʈ͡ʂʰɑŋ⁵¹/

/lɵn²¹ t͡sʰœːŋ³³/

/lun²⁴⁻²² t͡sʰiũ²¹/

/lun²⁴⁻²² t͡sʰiũ⁴¹/

/lun¹³⁻²² t͡sʰiɔ̃²¹/

/lu̯ən³⁵ ʈ͡ʂʰɑŋ⁵¹/

/lɵn²¹ t͡sʰœːŋ³³/

/lun²⁴⁻²² t͡sʰiũ²¹/

/lun²⁴⁻²² t͡sʰiũ⁴¹/

/lun¹³⁻²² t͡sʰiɔ̃²¹/


輪唱

/lu̯ən³⁵ ʈ͡ʂʰɑŋ⁵¹/

/lɵn²¹ t͡sʰœːŋ³³/

/lun²⁴⁻²² t͡sʰiũ²¹/

/lun²⁴⁻²² t͡sʰiũ⁴¹/

/lun¹³⁻²² t͡sʰiɔ̃²¹/

/lu̯ən³⁵ ʈ͡ʂʰɑŋ⁵¹/

/lɵn²¹ t͡sʰœːŋ³³/

/lun²⁴⁻²² t͡sʰiũ²¹/

/lun²⁴⁻²² t͡sʰiũ⁴¹/

/lun¹³⁻²² t͡sʰiɔ̃²¹/


琴弦

/t͡ɕʰin³⁵ ɕi̯ɛn³⁵/

/kʰɐm²¹ jiːn²¹/

/kʰim²⁴⁻²² hiɛn²⁴/

/kʰim²⁴⁻²² hiɛn²⁴/

/kʰim¹³⁻²² hiɛn¹³/

/kʰim²⁴⁻¹¹ hiɛn²⁴/

/kʰim²³⁻³³ hiɛn²³/

/t͡ɕʰin³⁵ ɕi̯ɛn³⁵/

/kʰɐm²¹ jiːn²¹/

/kʰim²⁴⁻²² hiɛn²⁴/

/kʰim²⁴⁻²² hiɛn²⁴/

/kʰim¹³⁻²² hiɛn¹³/

/kʰim²⁴⁻¹¹ hiɛn²⁴/

/kʰim²³⁻³³ hiɛn²³/


主旋律

ㄓㄨˇ ㄒㄩㄢˊ ㄌㄩˋ

/ʈ͡ʂu²¹⁴⁻²¹ ɕy̯ɛn³⁵ ly⁵¹/

/t͡syː³⁵ syːn²¹ lɵt̚²⁻³⁵/

/ʈ͡ʂu²¹⁴⁻²¹ ɕy̯ɛn³⁵ ly⁵¹/

/t͡syː³⁵ syːn²¹ lɵt̚²⁻³⁵/


低音炮

/ti⁵⁵ in⁵⁵ pʰɑʊ̯⁵¹/

/tɐi̯⁵⁵ jɐm⁵⁵ pʰaːu̯³³/

/ti⁵⁵ in⁵⁵ pʰɑʊ̯⁵¹/

/tɐi̯⁵⁵ jɐm⁵⁵ pʰaːu̯³³/

(sound engineering, colloquial) subwoofer


沉默寡言

ㄔㄣˊ ㄇㄛˋ ㄍㄨㄚˇ ㄧㄢˊ

чэньмогуаянь

/ʈ͡ʂʰən³⁵ mu̯ɔ⁵¹ ku̯ä²¹⁴⁻²¹ jɛn³⁵/

/t͡sʰɐm²¹ mɐk̚² kʷaː³⁵ jiːn²¹/

/ʈ͡ʂʰən³⁵ mu̯ɔ⁵¹ ku̯ä²¹⁴⁻²¹ jɛn³⁵/

/t͡sʰɐm²¹ mɐk̚² kʷaː³⁵ jiːn²¹/


潛臺詞

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

ㄑㄧㄢˊ ㄊㄞˊ ㄘˊㄦ

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

ㄑㄧㄢˇ ㄊㄞˊ ㄘˊㄦ

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡sʰiːm²¹ tʰɔːi̯²¹ t͡sʰiː²¹/

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡sʰiːm²¹ tʰɔːi̯²¹ t͡sʰiː²¹/

(opera) unspoken lines in a play (left for the audience to understand)


大管

/tä⁵¹ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/tä⁵¹ ku̯än²¹⁴⁻²¹⁽⁴⁾/


巴松管

/pä⁵⁵ sʊŋ⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/paː⁵⁵ t͡sʰʊŋ²¹ kuːn³⁵/

/pa⁵⁵ soŋ³³ kuø²¹/

/pä⁵⁵ sʊŋ⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/paː⁵⁵ t͡sʰʊŋ²¹ kuːn³⁵/

/pa⁵⁵ soŋ³³ kuø²¹/

From French basson (“bassoon”) + 管 (guǎn, “tube-shaped object; pipe”).


皮鼓

/pʰi³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/pʰei̯²¹ kuː³⁵/

/pʰi³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/pʰei̯²¹ kuː³⁵/


小鍵琴

ㄒㄧㄠˇ ㄐㄧㄢˋ ㄑㄧㄣˊ

сяоцзяньцинь

/ɕi̯ɑʊ̯²¹⁴⁻²¹ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/siːu̯³⁵ kiːn²² kʰɐm²¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/siːu̯³⁵ kiːn²² kʰɐm²¹/


大鍵琴

ㄉㄚˋ ㄐㄧㄢˋ ㄑㄧㄣˊ

/tä⁵¹⁻⁵³ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/taːi̯²² kiːn²² kʰɐm²¹/

/tua²²⁻²¹ kiɛn²²⁻²¹ kʰim²⁴/

/tua⁴¹⁻²² kiɛn⁴¹⁻²² kʰim²⁴/

/tua²²⁻²¹ kiɛn²²⁻²¹ kʰim¹³/

/tua³³⁻¹¹ kiɛn³³⁻¹¹ kʰim²⁴/

/tua³³⁻²¹ kiɛn³³⁻²¹ kʰim²³/

/tä⁵¹⁻⁵³ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/taːi̯²² kiːn²² kʰɐm²¹/

/tua²²⁻²¹ kiɛn²²⁻²¹ kʰim²⁴/

/tua⁴¹⁻²² kiɛn⁴¹⁻²² kʰim²⁴/

/tua²²⁻²¹ kiɛn²²⁻²¹ kʰim¹³/

/tua³³⁻¹¹ kiɛn³³⁻¹¹ kʰim²⁴/

/tua³³⁻²¹ kiɛn³³⁻²¹ kʰim²³/


嘹亮

/li̯ɑʊ̯³⁵ li̯ɑŋ⁵¹/

/liːu̯²¹ lœːŋ²²/

/liau²⁴⁻²² liɔŋ⁴¹/

/liau²⁴⁻²² liɔŋ²²/

/li̯ɑʊ̯³⁵ li̯ɑŋ⁵¹/

/liːu̯²¹ lœːŋ²²/

/liau²⁴⁻²² liɔŋ⁴¹/

/liau²⁴⁻²² liɔŋ²²/


廣弦

/ku̯ɑŋ²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/kʷɔːŋ³⁵ jiːn²¹/

/ku̯ɑŋ²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/kʷɔːŋ³⁵ jiːn²¹/

(music) a two-stringed vertical fiddle used primarily in Min Nan regions and by the Hakka, in Taiwan and Fujian


花鼓大筒

ㄏㄨㄚ ㄍㄨˇ ㄉㄚˋ ㄊㄨㄥˇ

/xu̯ä⁵⁵ ku²¹⁴⁻²¹ tä⁵¹ tʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/xu̯ä⁵⁵ ku²¹⁴⁻²¹ tä⁵¹ tʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

a vertical bowed string instrument with two strings in the huqin family, used primarily in the traditional music of Hunan


大管弦

ㄉㄚˋ ㄍㄨㄢˇ ㄒㄧㄢˊ

/tä⁵¹ ku̯än²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/tä⁵¹ ku̯än²¹⁴⁻²¹ ɕi̯ɛn³⁵/


恰朗哥

/t͡ɕʰi̯ä⁵¹ lɑŋ²¹⁴⁻²¹ kɤ⁵⁵/

/t͡ɕʰi̯ä⁵¹ lɑŋ²¹⁴⁻²¹ kɤ⁵⁵/


俗樂

/t͡sʊk̚² ŋɔːk̚²/

/t͡sʊk̚² ŋɔːk̚²/


轟鳴

/xʊŋ⁵⁵ miŋ³⁵/

/kʷɐŋ⁵⁵ mɪŋ²¹/

/hɔŋ³³ biɪŋ²⁴/

/hɔŋ⁴⁴⁻²² biɪŋ²⁴/

/hɔŋ⁴⁴⁻²² biɪŋ¹³/

/hoŋ³³⁻²³ meŋ⁵⁵/

/xʊŋ⁵⁵ miŋ³⁵/

/kʷɐŋ⁵⁵ mɪŋ²¹/

/hɔŋ³³ biɪŋ²⁴/

/hɔŋ⁴⁴⁻²² biɪŋ²⁴/

/hɔŋ⁴⁴⁻²² biɪŋ¹³/

/hoŋ³³⁻²³ meŋ⁵⁵/

炮火轟鳴

炮火轰鸣


調號

/ti̯ɑʊ̯⁵¹⁻⁵³ xɑʊ̯⁵¹/

/ti̯ɑʊ̯⁵¹⁻⁵³ xaʊ̯ɻʷ⁵¹/

/ti̯ɑʊ̯⁵¹⁻⁵³ xɑʊ̯⁵¹/

/ti̯ɑʊ̯⁵¹⁻⁵³ xaʊ̯ɻʷ⁵¹/


全音

/t͡ɕʰy̯ɛn³⁵ in⁵⁵/

/t͡sʰyːn²¹ jɐm⁵⁵/

/t͡ɕʰy̯ɛn³⁵ in⁵⁵/

/t͡sʰyːn²¹ jɐm⁵⁵/


浩室音樂

ㄏㄠˋ ㄕˋ ㄧㄣ ㄩㄝˋ

ㄏㄠˋ ㄕˇ ㄧㄣ ㄩㄝˋ

/xɑʊ̯⁵¹⁻⁵³ ʂʐ̩⁵¹ in⁵⁵ ɥɛ⁵¹/

/xɑʊ̯⁵¹ ʂʐ̩²¹⁴⁻²¹ in⁵⁵ ɥɛ⁵¹/

/xɑʊ̯⁵¹⁻⁵³ ʂʐ̩⁵¹ in⁵⁵ ɥɛ⁵¹/

/xɑʊ̯⁵¹ ʂʐ̩²¹⁴⁻²¹ in⁵⁵ ɥɛ⁵¹/

Phono-semantic matching of English house (in house music) + 音樂／音乐 (yīnyuè, “music”).


齊奏

/t͡ɕʰi³⁵ t͡soʊ̯⁵¹/

/t͡sʰɐi̯²¹ t͡sɐu̯³³/

/t͡ɕʰi³⁵ t͡soʊ̯⁵¹/

/t͡sʰɐi̯²¹ t͡sɐu̯³³/


圓舞曲

/ɥɛn³⁵ u²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/jyːn²¹ mou̯¹³ kʰʊk̚⁵/

/ɥɛn³⁵ u²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/jyːn²¹ mou̯¹³ kʰʊk̚⁵/


軍樂

/t͡ɕyn⁵⁵ ɥɛ⁵¹/

/kʷɐn⁵⁵ ŋɔːk̚²/

/kun⁴⁴⁻²² ɡak̚⁴/

/kun⁴⁴⁻²² ɡak̚¹²¹/

/kun⁴⁴⁻³³ ɡak̚⁴/

/kun⁴⁴⁻³³ ɡak̚⁴/

/t͡ɕyn⁵⁵ ɥɛ⁵¹/

/kʷɐn⁵⁵ ŋɔːk̚²/

/kun⁴⁴⁻²² ɡak̚⁴/

/kun⁴⁴⁻²² ɡak̚¹²¹/

/kun⁴⁴⁻³³ ɡak̚⁴/

/kun⁴⁴⁻³³ ɡak̚⁴/


泰勒明

ㄊㄞˋ ㄌㄜˋ ㄇㄧㄥˊ

/tʰaɪ̯⁵¹⁻⁵³ lɤ⁵¹ miŋ³⁵/

/tʰaːi̯³³ lɐk̚² mɪŋ²¹/

/tʰaɪ̯⁵¹⁻⁵³ lɤ⁵¹ miŋ³⁵/

/tʰaːi̯³³ lɐk̚² mɪŋ²¹/

From the French name of the Russian creator, Léon Theremin.


狂想曲

ja-r

狂想曲(きょうそうきょく) (kyōsōkyoku)

CJKV/code

Sino-Xenic (狂想曲):
* → Japanese: 狂想曲(きょうそうきょく) (kyōsōkyoku)
* → Korean: 광상곡(狂想曲) (gwangsanggok)

ㄎㄨㄤˊ ㄒㄧㄤˇ ㄑㄩˇ

/kʰu̯ɑŋ³⁵ ɕi̯ɑŋ²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/kʷʰɔːŋ²¹ sœːŋ³⁵ kʰʊk̚⁵/

/kʰu̯ɑŋ³⁵ ɕi̯ɑŋ²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/kʷʰɔːŋ²¹ sœːŋ³⁵ kʰʊk̚⁵/


西塔爾琴

ㄒㄧ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

ㄒㄧ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

/ɕi⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ɕi⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/


錫塔爾琴

ㄒㄧ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

ㄒㄧˊ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

ㄒㄧ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

/ɕi⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ɕi³⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ɕi⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ɕi³⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/


潘笛

/pʰän⁵⁵ ti³⁵/

/pʰän⁵⁵ ti³⁵/


排笛

/pʰaɪ̯³⁵ ti³⁵/

/pʰaːi̯²¹ tɛːk̚²/

/pʰaɪ̯³⁵ ti³⁵/

/pʰaːi̯²¹ tɛːk̚²/


香頌

/ɕi̯ɑŋ⁵⁵ sʊŋ⁵¹/

/ɕi̯ɑŋ⁵⁵ sʊŋ⁵¹/

Phono-semantic matching of French chanson.

psm

(music) chanson (lyric-driven French song)


丑角

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛ³⁵/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛɻ³⁵/

/t͡sʰɐu̯³⁵ kɔːk̚³/

/tʰiu⁵²⁻³⁵ kak̚²/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛ³⁵/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛɻ³⁵/

/t͡sʰɐu̯³⁵ kɔːk̚³/

/tʰiu⁵²⁻³⁵ kak̚²/

(opera) clown role; comic character; harlequin


人聲

/ʐən³⁵ ʂɤŋ⁵⁵/

/jɐn²¹ sɛːŋ⁵⁵/

/ŋin¹¹ saŋ²⁴/

/ʐən³⁵ ʂɤŋ⁵⁵/

/jɐn²¹ sɛːŋ⁵⁵/

/ŋin¹¹ saŋ²⁴/


吼叫

/xoʊ̯²¹⁴⁻²¹ t͡ɕi̯ɑʊ̯⁵¹/

/hɐu̯³³ kiːu̯³³/

/hau⁴¹⁻⁴⁴ kiɤ²¹/

/hau⁵⁵⁴⁻²⁴ kio⁴¹/

/hɔ⁵³⁻⁴⁴ kiau²¹/

/xoʊ̯²¹⁴⁻²¹ t͡ɕi̯ɑʊ̯⁵¹/

/hɐu̯³³ kiːu̯³³/

/hau⁴¹⁻⁴⁴ kiɤ²¹/

/hau⁵⁵⁴⁻²⁴ kio⁴¹/

/hɔ⁵³⁻⁴⁴ kiau²¹/


曼波

/män⁵¹ pu̯ɔ⁵⁵/

/män⁵¹ pu̯ɔ⁵⁵/


減二度

/t͡ɕi̯ɛn²¹⁴⁻²¹ ˀɤɻ⁵¹⁻⁵³ tu⁵¹/

/t͡ɕi̯ɛn²¹⁴⁻²¹ ˀɤɻ⁵¹⁻⁵³ tu⁵¹/


小三度

/ɕi̯ɑʊ̯²¹⁴⁻²¹ sän⁵⁵ tu⁵¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ sän⁵⁵ tu⁵¹/


大二度

/tä⁵¹⁻⁵³ ˀɤɻ⁵¹⁻⁵³ tu⁵¹/

/taːi̯²² jiː²² tou̯²²/

/tä⁵¹⁻⁵³ ˀɤɻ⁵¹⁻⁵³ tu⁵¹/

/taːi̯²² jiː²² tou̯²²/


增二度

/t͡sɤŋ⁵⁵ ˀɤɻ⁵¹⁻⁵³ tu⁵¹/

/t͡sɐŋ⁵⁵ jiː²² tou̯²²/

/t͡sɤŋ⁵⁵ ˀɤɻ⁵¹⁻⁵³ tu⁵¹/

/t͡sɐŋ⁵⁵ jiː²² tou̯²²/


增一度

/t͡sɤŋ⁵⁵ i⁵⁵ tu⁵¹/

/t͡sɐŋ⁵⁵ jɐt̚⁵ tou̯²²/

/t͡sɤŋ⁵⁵ i⁵⁵ tu⁵¹/

/t͡sɐŋ⁵⁵ jɐt̚⁵ tou̯²²/


純一度

/ʈ͡ʂʰu̯ən³⁵ i⁵⁵ tu⁵¹/

/sɵn²¹ jɐt̚⁵ tou̯²²/

/ʈ͡ʂʰu̯ən³⁵ i⁵⁵ tu⁵¹/

/sɵn²¹ jɐt̚⁵ tou̯²²/


小二度

/ɕi̯ɑʊ̯²¹⁴⁻²¹ ˀɤɻ⁵¹⁻⁵³ tu⁵¹/

/siːu̯³⁵ jiː²² tou̯²²/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ ˀɤɻ⁵¹⁻⁵³ tu⁵¹/

/siːu̯³⁵ jiː²² tou̯²²/


大鋼琴

/tä⁵¹ kɑŋ⁵⁵ t͡ɕʰin³⁵/

/tä⁵¹ kɑŋ⁵⁵ t͡ɕʰin³⁵/


聲部

/ʂɤŋ⁵⁵ pu⁵¹/

/sɪŋ⁵⁵ pou̯²²/

/siã⁴⁴⁻²² pɔ²²/

/siã³³ pɔ²²/

/ʂɤŋ⁵⁵ pu⁵¹/

/sɪŋ⁵⁵ pou̯²²/

/siã⁴⁴⁻²² pɔ²²/

/siã³³ pɔ²²/


伴唱

/pän⁵¹⁻⁵³ ʈ͡ʂʰɑŋ⁵¹/

/puːn²² t͡sʰœːŋ³³/

/pʰuã³³⁻²¹ t͡sʰiũ²¹/

/pʰuã³³⁻¹¹ t͡sʰiũ¹¹/

/pän⁵¹⁻⁵³ ʈ͡ʂʰɑŋ⁵¹/

/puːn²² t͡sʰœːŋ³³/

/pʰuã³³⁻²¹ t͡sʰiũ²¹/

/pʰuã³³⁻¹¹ t͡sʰiũ¹¹/


鍵盤樂器

ㄐㄧㄢˋ ㄆㄢˊ ㄩㄝˋ ㄑㄧˋ

цзяньпань юэци

/t͡ɕi̯ɛn⁵¹ pʰän³⁵ ɥɛ⁵¹⁻⁵³ t͡ɕʰi⁵¹/

/kiːn²² pʰuːn²¹⁻³⁵ ŋɔːk̚² hei̯³³/

/kiɛn²²⁻²¹ puã²⁴⁻²² ɡak̚⁴⁻³² kʰi²¹/

/kiɛn⁴¹⁻²² puã²⁴⁻²² ɡak̚²⁴⁻² kʰi⁴¹/

/kiɛn²²⁻²¹ puã¹³⁻²² ɡak̚¹²¹⁻²¹ kʰi²¹/

/kiɛn³³⁻¹¹ puã²⁴⁻¹¹ ɡak̚⁴⁻³² kʰi¹¹/

/kiɛn³³⁻²¹ puã²³⁻³³ ɡak̚⁴⁻³² kʰi²¹/

/t͡ɕi̯ɛn⁵¹ pʰän³⁵ ɥɛ⁵¹⁻⁵³ t͡ɕʰi⁵¹/

/kiːn²² pʰuːn²¹⁻³⁵ ŋɔːk̚² hei̯³³/

/kiɛn²²⁻²¹ puã²⁴⁻²² ɡak̚⁴⁻³² kʰi²¹/

/kiɛn⁴¹⁻²² puã²⁴⁻²² ɡak̚²⁴⁻² kʰi⁴¹/

/kiɛn²²⁻²¹ puã¹³⁻²² ɡak̚¹²¹⁻²¹ kʰi²¹/

/kiɛn³³⁻¹¹ puã²⁴⁻¹¹ ɡak̚⁴⁻³² kʰi¹¹/

/kiɛn³³⁻²¹ puã²³⁻³³ ɡak̚⁴⁻³² kʰi²¹/


花旦

/xu̯ä⁵⁵ tän⁵¹/

/faː⁵⁵ taːn³³⁻³⁵/

/fa²⁴⁻¹¹ tan⁵⁵/

/fa⁴⁴⁻³⁵ tan⁵³/

/xua¹¹ tæ̃⁴⁵/

/hua⁵⁵⁻⁵³ ⁽ᵗ⁻⁾lɑŋ²¹³/

/hue⁴⁴⁻²² tuã²¹/

/hue⁴⁴⁻³³ tuã¹¹/

/hue⁴⁴⁻³³ tuã²¹/

/hua⁴⁴⁻²² tuã²¹/

/hua³³⁻²¹ tuã²¹/

/hue³³⁻²³ tũã²¹³/

/ɸa̠³³ tan⁴⁵/

/xu̯ä⁵⁵ tän⁵¹/

/faː⁵⁵ taːn³³⁻³⁵/

/fa²⁴⁻¹¹ tan⁵⁵/

/fa⁴⁴⁻³⁵ tan⁵³/

/xua¹¹ tæ̃⁴⁵/

/hua⁵⁵⁻⁵³ ⁽ᵗ⁻⁾lɑŋ²¹³/

/hue⁴⁴⁻²² tuã²¹/

/hue⁴⁴⁻³³ tuã¹¹/

/hue⁴⁴⁻³³ tuã²¹/

/hua⁴⁴⁻²² tuã²¹/

/hua³³⁻²¹ tuã²¹/

/hue³³⁻²³ tũã²¹³/

/ɸa̠³³ tan⁴⁵/

(opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman of questionable morals, notably a coquettish maidservant or an amorous young woman, bold, seductive, and charming; great emphasis being placed on acting)


歌子

/kɤ⁵⁵ d͡z̥z̩²/

/kɤ⁵⁵ d͡z̥z̩²/


國樂

CJKV/code

Sino-Xenic (國樂):
* → Korean: 국악(國樂) (gugak)

/ku̯ɔ³⁵ ɥɛ⁵¹/

/kʷɔːk̚³ ŋɔːk̚²/

/kɔk̚³²⁻⁴ ɡak̚⁴/

/kɔk̚⁵⁻²⁴ ɡak̚²⁴/

/kɔk̚³²⁻⁵ ɡak̚¹²¹/

/kɔk̚³²⁻⁴ ɡak̚⁴/

/kɔk̚³²⁻⁴ ɡak̚⁴/

/ku̯ɔ³⁵ ɥɛ⁵¹/

/kʷɔːk̚³ ŋɔːk̚²/

/kɔk̚³²⁻⁴ ɡak̚⁴/

/kɔk̚⁵⁻²⁴ ɡak̚²⁴/

/kɔk̚³²⁻⁵ ɡak̚¹²¹/

/kɔk̚³²⁻⁴ ɡak̚⁴/

/kɔk̚³²⁻⁴ ɡak̚⁴/

(chiefly Taiwan) traditional Chinese orchestral music


洪亮

/xʊŋ³⁵ li̯ɑŋ⁵¹/

/hʊŋ²¹ lœːŋ²²/

/hɔŋ²⁴⁻²² liaŋ⁴¹/

/hɔŋ¹³⁻²² liaŋ²²/

/hɔŋ²⁴⁻²² liaŋ²²/

/hɔŋ²⁴⁻²² liɔŋ²²/

/hɔŋ²⁴⁻²² liɔŋ⁴¹/

/xʊŋ³⁵ li̯ɑŋ⁵¹/

/hʊŋ²¹ lœːŋ²²/

/hɔŋ²⁴⁻²² liaŋ⁴¹/

/hɔŋ¹³⁻²² liaŋ²²/

/hɔŋ²⁴⁻²² liaŋ²²/

/hɔŋ²⁴⁻²² liɔŋ²²/

/hɔŋ²⁴⁻²² liɔŋ⁴¹/


行當

/xɑŋ³⁵ tɑŋ⁵¹/

/xɑŋ³⁵ d̥ɑŋ³/

/hɔːŋ²¹ tɔːŋ³³/

/haŋ²⁴⁻²² tɔŋ⁴¹/

/haŋ²⁴⁻²² tɔŋ²¹/

/haŋ¹³⁻²² tɔŋ²¹/

/haŋ²⁴⁻²² taŋ⁴¹/

/ɦɑ̃²² tɑ̃⁴⁴/

/xɑŋ³⁵ tɑŋ⁵¹/

/xɑŋ³⁵ d̥ɑŋ³/

/hɔːŋ²¹ tɔːŋ³³/

/haŋ²⁴⁻²² tɔŋ⁴¹/

/haŋ²⁴⁻²² tɔŋ²¹/

/haŋ¹³⁻²² tɔŋ²¹/

/haŋ²⁴⁻²² taŋ⁴¹/

/ɦɑ̃²² tɑ̃⁴⁴/

(informal) trade; profession; line of business


樂律

/ɥɛ⁵¹⁻⁵³ ly⁵¹/

/ɥɛ⁵¹⁻⁵³ ly⁵¹/


噯仔

/ai⁴¹⁻⁵⁵⁴ a⁵⁵⁴/

/ai²¹⁻⁵³ a⁵³/

/ai¹¹⁻⁴⁴ a⁵³/

/ai²¹⁻⁴⁴ a⁴¹/

/ai⁴¹⁻⁵⁵⁴ a⁵⁵⁴/

/ai²¹⁻⁵³ a⁵³/

/ai¹¹⁻⁴⁴ a⁵³/

/ai²¹⁻⁴⁴ a⁴¹/

(Southern Min, music) suona (a type of woodwind instrument)


貝多芬

/peɪ̯⁵¹ tu̯ɔ⁵⁵ fən⁵⁵/

/puːi̯³³ tɔː⁵⁵ fɐn⁵⁵/

/pue¹¹⁻⁵³ to⁴⁴⁻³³ hun⁴⁴/

/pue²¹⁻⁴¹ tɤ⁴⁴⁻³³ hun⁴⁴/

/peɪ̯⁵¹ tu̯ɔ⁵⁵ fən⁵⁵/

/puːi̯³³ tɔː⁵⁵ fɐn⁵⁵/

/pue¹¹⁻⁵³ to⁴⁴⁻³³ hun⁴⁴/

/pue²¹⁻⁴¹ tɤ⁴⁴⁻³³ hun⁴⁴/

(music) the German composer and pianist Ludwig van Beethoven


色士風

/sɪk̚⁵ siː²² fʊŋ⁵⁵/

/sɛːk̚⁵ siː²² fʊŋ⁵⁵/

/sɪk̚⁵ siː²² fʊŋ⁵⁵/

/sɛːk̚⁵ siː²² fʊŋ⁵⁵/


薩克斯風

ㄙㄚˋ ㄎㄜˋ ㄙ ㄈㄥ

/sä⁵¹⁻⁵³ kʰɤ⁵¹ sz̩⁵⁵ fɤŋ⁵⁵/

/saːt̚³ hɐk̚⁵ siː⁵⁵ fʊŋ⁵⁵/

/sak̚⁵ sɨ¹¹ foŋ³¹/

/sak̚² kʰə³¹ sɨ⁵⁵ foŋ⁵⁵/

/sat̚³²⁻⁴ kʰiɪk̚³²⁻⁴ su⁴⁴⁻³³ hɔŋ⁴⁴/

/saʔ³³ kʰəʔ⁵⁵ sz̩³³ foŋ²¹/

/sä⁵¹⁻⁵³ kʰɤ⁵¹ sz̩⁵⁵ fɤŋ⁵⁵/

/saːt̚³ hɐk̚⁵ siː⁵⁵ fʊŋ⁵⁵/

/sak̚⁵ sɨ¹¹ foŋ³¹/

/sak̚² kʰə³¹ sɨ⁵⁵ foŋ⁵⁵/

/sat̚³²⁻⁴ kʰiɪk̚³²⁻⁴ su⁴⁴⁻³³ hɔŋ⁴⁴/

/saʔ³³ kʰəʔ⁵⁵ sz̩³³ foŋ²¹/

Borrowed from English saxophone, via Shanghainese.


芭樂

Phono-semantic matching of English ballad


巴拉曼

/pä⁵⁵ lä⁵⁵ män⁵¹/

/pä⁵⁵ lä⁵⁵ män⁵¹/

balaman (a double reed instrument of cylindrical bore used by the Uyghur people of Xinjiang)


庫布孜

/kʰu⁵¹⁻⁵³ pu⁵¹ t͡sz̩⁵⁵/

/kʰu⁵¹⁻⁵³ pu⁵¹ t͡sz̩⁵⁵/

kobyz (a traditional Kazakh string instrument)


勒尤

/lɤ⁵¹ joʊ̯³⁵/

/lɤ⁵¹ joʊ̯³⁵/

(music) leyou (a wind instrument of the Buyei people)


西玎

/ɕi⁵⁵ tiŋ⁵⁵/

/ɕi⁵⁵ tiŋ⁵⁵/

From Tai Nüa [Term?] (“to play (a string instrument)”) + ᥖᥤᥒᥱ (tǐng, “string instrument”).


綽爾

/ʈ͡ʂʰu̯ɔ⁵¹ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵¹ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

(music) Alternative name for 馬頭琴／马头琴 (mǎtóuqín).


那卡西

/nä⁵¹ kʰä²¹⁴⁻²¹ ɕi⁵⁵/

/nã⁴⁴⁻³³ ɡa⁵³⁻⁴⁴ siʔ³²/

/nã⁴⁴⁻³³ ɡa⁴¹⁻⁴⁴ siʔ³²/

/nä⁵¹ kʰä²¹⁴⁻²¹ ɕi⁵⁵/

/nã⁴⁴⁻³³ ɡa⁵³⁻⁴⁴ siʔ³²/

/nã⁴⁴⁻³³ ɡa⁴¹⁻⁴⁴ siʔ³²/

Borrowed from Japanese 流(なが)し (nagashi, “cruising”).

The nakasi music keeps on playing, piercing into my heart

na-gá-sih ê im-ga̍k it-ti̍t tôaⁿ, lâi chha̍k-tio̍h gún ê sim-koaⁿ

那卡西的音樂一直彈 來刺著阮的心肝

那卡西的音乐一直弹 来刺著阮的心肝

(Taiwan) nakasi (essential traditional popular music form in Japan and Taiwan)


李斯特

/li²¹⁴⁻²¹ sz̩⁵⁵ tʰɤ⁵¹/

/li²¹⁴⁻²¹ sz̩⁵⁵ tʰɤ⁵¹/

(music) Franz Liszt (a Hungarian composer, pianist and teacher)


延長號

/jɛn³⁵ ʈ͡ʂʰɑŋ³⁵ xɑʊ̯⁵¹/

/jiːn²¹ t͡sʰœːŋ²¹ hou̯²²/

/jɛn³⁵ ʈ͡ʂʰɑŋ³⁵ xɑʊ̯⁵¹/

/jiːn²¹ t͡sʰœːŋ²¹ hou̯²²/


薩克斯

/sä⁵¹⁻⁵³ kʰɤ⁵¹ sz̩⁵⁵/

/saːt̚³ hɐk̚⁵ siː⁵⁵/

/sä⁵¹⁻⁵³ kʰɤ⁵¹ sz̩⁵⁵/

/saːt̚³ hɐk̚⁵ siː⁵⁵/


鼓打貝斯

ㄍㄨˇ ㄉㄚˇ ㄅㄟˋ ㄙ

/ku²¹⁴⁻³⁵ tä²¹⁴⁻²¹ peɪ̯⁵¹ sz̩⁵⁵/

/ku²¹⁴⁻³⁵ tä²¹⁴⁻²¹ peɪ̯⁵¹ sz̩⁵⁵/


凡響

/fän³⁵ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/

/faːn²¹ hœːŋ³⁵/

/huan²⁴⁻²² hiɔŋ⁵³/

/huan²⁴⁻²² hiɔŋ⁵⁵⁴/

/fän³⁵ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/

/faːn²¹ hœːŋ³⁵/

/huan²⁴⁻²² hiɔŋ⁵³/

/huan²⁴⁻²² hiɔŋ⁵⁵⁴/

(literally, figuratively) common music; ordinary music


呼麥

/xu⁵⁵ maɪ̯⁵¹/

/xu⁵⁵ maɪ̯⁵¹/

Borrowed from Tuvan хөөмей (xöömey) or Mongolian ᠬᠥᠭᠡᠮᠡᠢ (kögemei, “fauces; throat singing”); cf. Khalkha Mongolian хөөмий (xöömii).


調頻

/tʰi̯ɑʊ̯³⁵ pʰin³⁵/

/tʰiːu̯²¹ pʰɐn²¹/

/tʰiou⁵⁵⁻¹¹ pʰiŋ⁵⁵/

/tʰi̯ɑʊ̯³⁵ pʰin³⁵/

/tʰiːu̯²¹ pʰɐn²¹/

/tʰiou⁵⁵⁻¹¹ pʰiŋ⁵⁵/

frequency modulation
frequency modulation

(sound, radio) frequency modulation (FM)


古典樂

ㄍㄨˇ ㄉㄧㄢˇ ㄩㄝˋ

/ku²¹⁴⁻³⁵ ti̯ɛn²¹⁴⁻²¹ ɥɛ⁵¹/

/ku²¹⁴⁻³⁵ ti̯ɛn²¹⁴⁻²¹ ɥɛ⁵¹/


對口

/tu̯eɪ̯⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/tu̯eɪ̯⁵¹ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/tɵy̯³³ hɐu̯³⁵/

/tui⁴¹⁻⁵⁵⁴ kʰau⁵⁵⁴/

/tui²¹⁻⁵³ kʰau⁵³/

/tui⁴¹⁻⁵⁵⁴ kʰio⁵⁵⁴/

/tui²¹³⁻⁵⁵ kʰau⁵²⁻²¹/

/tu̯eɪ̯⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/tu̯eɪ̯⁵¹ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/tɵy̯³³ hɐu̯³⁵/

/tui⁴¹⁻⁵⁵⁴ kʰau⁵⁵⁴/

/tui²¹⁻⁵³ kʰau⁵³/

/tui⁴¹⁻⁵⁵⁴ kʰio⁵⁵⁴/

/tui²¹³⁻⁵⁵ kʰau⁵²⁻²¹/

(attributive, music) counterpart; alternate


調門

/ti̯ɑʊ̯⁵¹ mən³⁵/

/ti̯ɑʊ̯⁵¹ məɻ³⁵/

/tiau⁴¹⁻²² mŋ̍²⁴/

/tiau²²⁻²¹ mŋ̍²⁴/

/tiau²²⁻²¹ muĩ¹³/

/ti̯ɑʊ̯⁵¹ mən³⁵/

/ti̯ɑʊ̯⁵¹ məɻ³⁵/

/tiau⁴¹⁻²² mŋ̍²⁴/

/tiau²²⁻²¹ mŋ̍²⁴/

/tiau²²⁻²¹ muĩ¹³/


大曲

/tä⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/tä⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

(historical, music) a kind of ancient music


放克

/fɑŋ⁵¹⁻⁵³ kʰɤ⁵¹/

/fɑŋ⁵¹⁻⁵³ kʰɤ⁵¹/


魂克

/xu̯ən³⁵ kʰɤ⁵¹/

/xu̯ən³⁵ kʰɤ⁵¹/


曲風

/t͡ɕʰy²¹⁴⁻²¹ fɤŋ⁵⁵/

/t͡ɕʰy²¹⁴⁻²¹ fɤ̃ɻ⁵⁵/

/kʰʊk̚⁵ fʊŋ⁵⁵/

/t͡ɕʰy²¹⁴⁻²¹ fɤŋ⁵⁵/

/t͡ɕʰy²¹⁴⁻²¹ fɤ̃ɻ⁵⁵/

/kʰʊk̚⁵ fʊŋ⁵⁵/


調性

/ti̯ɑʊ̯⁵¹⁻⁵³ ɕiŋ⁵¹/

/tiːu̯²² sɪŋ³³/

/ti̯ɑʊ̯⁵¹⁻⁵³ ɕiŋ⁵¹/

/tiːu̯²² sɪŋ³³/


引子

/in²¹⁴ d͡z̥z̩⁴/

/jɐn¹³ t͡siː³⁵/

/in²¹⁴ d͡z̥z̩⁴/

/jɐn¹³ t͡siː³⁵/


唱詩班

/ʈ͡ʂʰɑŋ⁵¹ ʂʐ̩⁵⁵ pän⁵⁵/

/t͡sʰœːŋ³³ siː⁵⁵ paːn⁵⁵/

/ʈ͡ʂʰɑŋ⁵¹ ʂʐ̩⁵⁵ pän⁵⁵/

/t͡sʰœːŋ³³ siː⁵⁵ paːn⁵⁵/


傳聲

/ʈ͡ʂʰu̯än³⁵ ʂɤŋ⁵⁵/

/ʈ͡ʂʰu̯än³⁵ ʂɤŋ⁵⁵/


黑管

/xeɪ̯⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/xeɪ̯⁵⁵ ku̯ɑɻ²¹⁴⁻²¹⁽⁴⁾/

/xeɪ̯⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/xeɪ̯⁵⁵ ku̯ɑɻ²¹⁴⁻²¹⁽⁴⁾/

GT - General Taiwanese (no specific region identified)


尤克里里

ㄧㄡˊ ㄎㄜˋ ㄌㄧˇ ㄌㄧˇ

/joʊ̯³⁵ kʰɤ⁵¹ li²¹⁴⁻³⁵ li²¹⁴⁻²¹⁽⁴⁾/

/joʊ̯³⁵ kʰɤ⁵¹ li²¹⁴⁻³⁵ li²¹⁴⁻²¹⁽⁴⁾/


悲歌

/peɪ̯⁵⁵ kɤ⁵⁵/

/pei̯⁵⁵ kɔː⁵⁵/

/pi⁴⁴⁻³³ kua⁴⁴/

/pi⁴⁴⁻²² ko⁴⁴/

/peɪ̯⁵⁵ kɤ⁵⁵/

/pei̯⁵⁵ kɔː⁵⁵/

/pi⁴⁴⁻³³ kua⁴⁴/

/pi⁴⁴⁻²² ko⁴⁴/

sad melody; stirring strains; elegy; dirge


玉簫

/y⁵¹ ɕi̯ɑʊ̯⁵⁵/

/y⁵¹ ɕi̯ɑʊ̯⁵⁵/

(literary) jaden xiao (often used as a laudatory name for any xiao)


樂舞

/ɥɛ⁵¹ u²¹⁴⁻²¹⁽⁴⁾/

/ɥɛ⁵¹ u²¹⁴⁻²¹⁽⁴⁾/


鿉

From 彳 (denoting two octaves higher in Kunqu) + 五 (wǔ).

(music) Kunqu gongche notation for the note an octave above high la (6̇̇).


鿉

From 彳 (denoting one octave higher in Cantonese opera) + 五 (wu¹).

(music) Cantonese opera gongche notation for the note high la (6̇).


喙琴

/t͡sʰui²¹⁻⁵³ kʰim²⁴/

/t͡sʰui⁴¹⁻⁵⁵⁴ kʰim²⁴/

/t͡sʰui²¹⁻⁵³ kʰim¹³/

/t͡sʰui¹¹⁻⁵³ kʰim²⁴/

/t͡sʰui²¹⁻⁴¹ kʰim²³/

/t͡sʰui²¹⁻⁵³ kʰim²⁴/

/t͡sʰui⁴¹⁻⁵⁵⁴ kʰim²⁴/

/t͡sʰui²¹⁻⁵³ kʰim¹³/

/t͡sʰui¹¹⁻⁵³ kʰim²⁴/

/t͡sʰui²¹⁻⁴¹ kʰim²³/


蘭花指

/län³⁵ xu̯ä⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/län³⁵ xu̯ä⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

(originally opera) A hand gesture, where the tip of the thumb gently touches the distal part of the middle finger and the remaining fingers are slightly flexed, making the hand resembling the petals of an orchid flower. It is considered a sign of grace and femininity.


蝴蝶琴

ㄏㄨˊ ㄉㄧㄝˊ ㄑㄧㄣˊ

/xu³⁵ ti̯ɛ³⁵ t͡ɕʰin³⁵/

/wuː²¹ tiːp̚² kʰɐm²¹/

/xu³⁵ ti̯ɛ³⁵ t͡ɕʰin³⁵/

/wuː²¹ tiːp̚² kʰɐm²¹/


啲咑

/tiː⁵⁵ taː³⁵/

/ti³³⁻²³ ta⁵⁵/

/ti³³⁻²³ tã⁵⁵/

/tiː⁵⁵ taː³⁵/

/ti³³⁻²³ ta⁵⁵/

/ti³³⁻²³ tã⁵⁵/

(Cantonese, dialectal Hakka, Teochew, music) suona (a type of woodwind instrument)


五架頭

/u²¹⁴⁻²¹ t͡ɕi̯ä⁵¹ tʰoʊ̯³⁵/

/ŋ̍¹³ kaː³³ tʰɐu̯²¹⁻³⁵/

/u²¹⁴⁻²¹ t͡ɕi̯ä⁵¹ tʰoʊ̯³⁵/

/ŋ̍¹³ kaː³³ tʰɐu̯²¹⁻³⁵/

(music, opera) the wujiatou (a traditional five-piece ensemble formation in Cantonese music, comprising two bowed string instruments (originally erxian and zhutiqin), two plucked string instruments (originally sanxian and yueqin), and one flute (xiao or hengxiao [dizi]), often used to accompany Cantonese opera of the older style)


𢩳

減字譜 w:zh:減字譜

(music) Short for 推出 (tuīchū)., used in 減字譜 (jiǎnzìpǔ).


丑仔

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁵⁵⁴⁻²⁴ a⁵⁵⁴/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁴¹⁻⁴⁴ a⁴¹/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁵⁵⁴⁻²⁴ a⁵⁵⁴/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁴¹⁻⁴⁴ a⁴¹/

(Southern Min, opera) clown role; comic character


信天游

ㄒㄧㄣˋ ㄊㄧㄢ ㄧㄡˊ

/ɕin⁵¹ tʰi̯ɛn⁵⁵ joʊ̯³⁵/

/ɕin⁵¹ tʰi̯ɛn⁵⁵ joʊ̯³⁵/

(music) xintianyou (a folk music style from Shaanxi, China)


烏克麗麗

ㄨ ㄎㄜˋ ㄌㄧˋ ㄌㄧˋ

/u⁵⁵ kʰɤ⁵¹⁻⁵³ li⁵¹⁻⁵³ li⁵¹/

/wuː⁵⁵ hɐk̚⁵ lɐi̯²² lɐi̯²²/

/u⁵⁵ kʰɤ⁵¹⁻⁵³ li⁵¹⁻⁵³ li⁵¹/

/wuː⁵⁵ hɐk̚⁵ lɐi̯²² lɐi̯²²/


劍指

/t͡ɕi̯ɛn⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ɛn⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

2010, 林厚省, 《新版·太極氣功十八式》, page 353

Zuǒjiǎo xiàng yòujiǎo hòufāng chārù jiǎojiān diǎn dì de tóngshí, liǎng shǒuzhǎng biàn jiànzhǐ xiàng yòushàngfāng shuǎi yòushǒu shēnzhí zài shàng zài hòu, zuǒshǒu wānqū zài xià zài qián

左腳向右腳後方插入腳尖點地的同時，兩手掌變劍指向右上方甩右手伸直在上在後，左手彎曲在下在前

2010, 林厚省, 《新版·太極氣功十八式》, page 353

左脚向右脚后方插入脚尖点地的同时，两手掌变剑指向右上方甩右手伸直在上在后，左手弯曲在下在前

2010, 周顯, 《碳六十之劍 三之二 下》 [The Buckyball Swordsmen], page 51

Shuō shí chí, nàshí kuài, Zhuó Mièchóu de jiànzhǐ zài jìn, yǐ dào le Huò Tiāncán de liǎnmén, rú fēi Huò Tiāncán de yǎnkuàng zhǐ yúxià dòngkǒng, dāndān zhè jiànzhǐ fāchū de qìjìn, yǐ zúyǐ zhènxiā yǎnzhū. Qiānjūnyīfà zhī jì, Huò Tiāncán lián rén dài yǐ tǎng le xiàlái, shǎnkāi le yǎnqián de jiànzhǐ.

說時遲，那時快，卓滅仇的劍指再進，已到了霍天殘的臉門，如非霍天殘的眼眶只餘下洞孔，單單這劍指發出的氣勁，已足以震瞎眼珠。千鈞一髮之際，霍天殘連人帶椅躺了下來，閃開了眼前的劍指。

说时迟，那时快，卓灭仇的剑指再进，已到了霍天残的脸门，如非霍天残的眼眶只余下洞孔，单单这剑指发出的气劲，已足以震瞎眼珠。千钧一发之际，霍天残连人带椅躺了下来，闪开了眼前的剑指。

Hǔchán fāng xià làshǒu, quèshì dàjīng, lǎorén zuǒshǒu shí zhōng èrzhǐ bìng chéng jiànzhǐ, méi dài Hǔchán de dāo zāchū, fǎn shàngqián bàn bù, zǎo zài Hǔchán pūchū de fāngwèi děngzhe, zā xiàng Hǔchán yǎnjing.

虎禪方下辣手，卻是大驚，老人左手食中二指並成劍指，沒待虎禪的刀紮出，反上前半步，早在虎禪撲出的方位等著，紮向虎禪眼睛。

虎禅方下辣手，却是大惊，老人左手食中二指并成剑指，没待虎禅的刀扎出，反上前半步，早在虎禅扑出的方位等着，扎向虎禅眼睛。

(martial arts, dance, opera) a hand gesture in which the index and middle fingers are pointed together, while the thumbs are pressed to the ring and little fingers


粗管上低音號

ㄘㄨ ㄍㄨㄢˇ ㄕㄤˋ ㄉㄧ ㄧㄣ ㄏㄠˋ

цугуань шандииньхао

/t͡sʰu⁵⁵ ku̯än²¹⁴⁻²¹ ʂɑŋ⁵¹ ti⁵⁵ in⁵⁵ xɑʊ̯⁵¹/


鋼管樂隊

ㄍㄤ ㄍㄨㄢˇ ㄩㄝˋ ㄉㄨㄟˋ

гангуань юэдуй

/kɑŋ⁵⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ tu̯eɪ̯⁵¹/

/kɑŋ⁵⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ tu̯eɪ̯⁵¹/

銅管樂隊 銅管樂隊#Chinese

铜管乐队 铜管乐队#Chinese


銅管樂隊

ㄊㄨㄥˊ ㄍㄨㄢˇ ㄩㄝˋ ㄉㄨㄟˋ

тунгуань юэдуй

/tʰʊŋ³⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ tu̯eɪ̯⁵¹/

/tʰʊŋ³⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ tu̯eɪ̯⁵¹/


暗潮

/ˀän⁵¹ ʈ͡ʂʰɑʊ̯³⁵/

/ɐm³³ t͡sʰiːu̯²¹/

/ˀän⁵¹ ʈ͡ʂʰɑʊ̯³⁵/

/ɐm³³ t͡sʰiːu̯²¹/


創作歌手

ㄔㄨㄤˋ ㄗㄨㄛˋ ㄍㄜ ㄕㄡˇ

чуанцзо гэшоу

/ʈ͡ʂʰu̯ɑŋ⁵¹⁻⁵³ t͡su̯ɔ⁵¹ kɤ⁵⁵ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/


間奏

/t͡ɕi̯ɛn⁵⁵ t͡soʊ̯⁵¹/

/t͡ɕi̯ɛn⁵⁵ t͡soʊ̯⁵¹/


鞀鼓

/tʰɑʊ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/tʰɑʊ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/


羌笛

/t͡ɕʰi̯ɑŋ⁵⁵ ti³⁵/

/kœːŋ⁵⁵ tɛːk̚²/

/t͡ɕʰi̯ɑŋ⁵⁵ ti³⁵/

/kœːŋ⁵⁵ tɛːk̚²/

(music) a single reed wind instrument with two conjoined pipes of equal length and pitch, used by the Qiang people of northwestern Sichuan


木卡姆

/mu⁵¹ kʰä²¹⁴⁻³⁵ mu²¹⁴⁻²¹⁽⁴⁾/

/mu⁵¹ kʰä²¹⁴⁻³⁵ mu²¹⁴⁻²¹⁽⁴⁾/


二分音符

ㄦˋ ㄈㄣ ㄧㄣ ㄈㄨˊ

эрфэнь иньфу

/ˀɤɻ⁵¹ fən⁵⁵ in⁵⁵ fu³⁵/

/jiː²² fɐn⁵⁵ jɐm⁵⁵ fuː²¹/

/ˀɤɻ⁵¹ fən⁵⁵ in⁵⁵ fu³⁵/

/jiː²² fɐn⁵⁵ jɐm⁵⁵ fuː²¹/


八分音符

ㄅㄚ ㄈㄣ ㄧㄣ ㄈㄨˊ

бафэнь иньфу

/pä⁵⁵ fən⁵⁵ in⁵⁵ fu³⁵/

/paːt̚³ fɐn⁵⁵ jɐm⁵⁵ fuː²¹/

/pä⁵⁵ fən⁵⁵ in⁵⁵ fu³⁵/

/paːt̚³ fɐn⁵⁵ jɐm⁵⁵ fuː²¹/


全音符

CJKV/code

Sino-Xenic (全音符):
* → Japanese: 全音符(ぜんおんぷ) (zen'onpu)
* → Korean: 전음부(全音符) (jeoneumbu)

/t͡ɕʰy̯ɛn³⁵ in⁵⁵ fu³⁵/

/t͡sʰyːn²¹ jɐm⁵⁵ fuː²¹/

/t͡ɕʰy̯ɛn³⁵ in⁵⁵ fu³⁵/

/t͡sʰyːn²¹ jɐm⁵⁵ fuː²¹/


三度

三度空間立體順形放射治療

sāndù kōngjiān lìtǐ shùnxíng fàngshè zhìliáo


四分音符

ㄙˋ ㄈㄣ ㄧㄣ ㄈㄨˊ

сыфэнь иньфу

/sz̩⁵¹ fən⁵⁵ in⁵⁵ fu³⁵/

/sei̯³³ fɐn⁵⁵ jɐm⁵⁵ fuː²¹/

/sz̩⁵¹ fən⁵⁵ in⁵⁵ fu³⁵/

/sei̯³³ fɐn⁵⁵ jɐm⁵⁵ fuː²¹/


大三度

/tä⁵¹ sän⁵⁵ tu⁵¹/

/tä⁵¹ sän⁵⁵ tu⁵¹/


音樂茶座

ㄧㄣ ㄩㄝˋ ㄔㄚˊ ㄗㄨㄛˋ

/in⁵⁵ ɥɛ⁵¹ ʈ͡ʂʰä³⁵ t͡su̯ɔ⁵¹/

/in⁵⁵ ɥɛ⁵¹ ʈ͡ʂʰä³⁵ t͡su̯ɔ⁵¹/


音樂錄影帶

ㄧㄣ ㄩㄝˋ ㄌㄨˋ ㄧㄥˇ ㄉㄞˋ

иньюэ луиндай

/in⁵⁵ ɥɛ⁵¹⁻⁵³ lu⁵¹ iŋ²¹⁴⁻²¹ taɪ̯⁵¹/

/in⁵⁵ ɥɛ⁵¹⁻⁵³ lu⁵¹ iŋ²¹⁴⁻²¹ taɪ̯⁵¹/


音樂視頻

ㄧㄣ ㄩㄝˋ ㄕˋ ㄆㄧㄣˊ

иньюэ шипинь

/in⁵⁵ ɥɛ⁵¹⁻⁵³ ʂʐ̩⁵¹ pʰin³⁵/

/jɐm⁵⁵ ŋɔːk̚² siː²² pʰɐn²¹/

/in⁵⁵ ɥɛ⁵¹⁻⁵³ ʂʐ̩⁵¹ pʰin³⁵/

/jɐm⁵⁵ ŋɔːk̚² siː²² pʰɐn²¹/


嗚嗚祖拉

/u⁵⁵ u⁵⁵ t͡su²¹⁴⁻²¹ lä⁵⁵/

/wuː⁵⁵ wuː⁵⁵ t͡sou̯³⁵ laːi̯⁵⁵/

/u⁵⁵ u⁵⁵ t͡su²¹⁴⁻²¹ lä⁵⁵/

/wuː⁵⁵ wuː⁵⁵ t͡sou̯³⁵ laːi̯⁵⁵/


波爾卡

/pu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻³⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/pɔː⁵⁵ jiː¹³ kʰaː⁵⁵/

/pu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻³⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/pɔː⁵⁵ jiː¹³ kʰaː⁵⁵/


瑪祖卡

/mä²¹⁴⁻³⁵ t͡su²¹⁴⁻³⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/maː¹³ t͡sou̯³⁵ kʰaː⁵⁵/

/mä²¹⁴⁻³⁵ t͡su²¹⁴⁻³⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/maː¹³ t͡sou̯³⁵ kʰaː⁵⁵/


托卡塔

/tʰu̯ɔ⁵⁵ kʰä²¹⁴⁻³⁵ tʰä²¹⁴⁻²¹⁽⁴⁾/

/tʰu̯ɔ⁵⁵ kʰä²¹⁴⁻³⁵ tʰä²¹⁴⁻²¹⁽⁴⁾/


康塔塔

/kʰɑŋ⁵⁵ tʰä²¹⁴⁻³⁵ tʰä²¹⁴⁻²¹⁽⁴⁾/

/kʰɑŋ⁵⁵ tʰä²¹⁴⁻³⁵ tʰä²¹⁴⁻²¹⁽⁴⁾/


新謠

/ɕin⁵⁵ jɑʊ̯³⁵/

/ɕin⁵⁵ jɑʊ̯³⁵/

Xinyao (a genre of songs that is unique to Singapore)


調琴

/tʰi̯ɑʊ̯³⁵ t͡ɕʰin³⁵/

/tʰi̯ɑʊ̯³⁵ t͡ɕʰin³⁵/

to tune a stringed instrument (piano, guitar, etc.)


琴師

/t͡ɕʰin³⁵ ʂʐ̩⁵⁵/

/kʰɐm²¹ siː⁵⁵/

/kʰim¹¹ sɨ²⁴/

/t͡ɕʰin³⁵ ʂʐ̩⁵⁵/

/kʰɐm²¹ siː⁵⁵/

/kʰim¹¹ sɨ²⁴/

player of a stringed instrument: pianist, etc.


靈魂樂

ㄌㄧㄥˊ ㄏㄨㄣˊ ㄩㄝˋ

/liŋ³⁵ xu̯ən³⁵ ɥɛ⁵¹/

/liŋ³⁵ xu̯ən³⁵ ɥɛ⁵¹/


白人靈魂樂

ㄅㄞˊ ㄖㄣˊ ㄌㄧㄥˊ ㄏㄨㄣˊ ㄩㄝˋ

байжэнь линхуньюэ

/paɪ̯³⁵ ʐən³⁵ liŋ³⁵ xu̯ən³⁵ ɥɛ⁵¹/

/paɪ̯³⁵ ʐən³⁵ liŋ³⁵ xu̯ən³⁵ ɥɛ⁵¹/


弦鞀

/ɕi̯ɛn³⁵ tʰɑʊ̯³⁵/

/ɕi̯ɛn³⁵ tʰɑʊ̯³⁵/

(music) a stringed instrument used in the Qin dynasty, similar to the sanxian


卡龍

/kʰä²¹⁴⁻²¹ lʊŋ³⁵/

/kʰä²¹⁴⁻²¹ lʊŋ³⁵/


譜子

/pʰu²¹⁴ d͡z̥z̩⁴/

/pʰou̯³⁵ t͡siː³⁵/

/pʰu²¹⁴ d͡z̥z̩⁴/

/pʰou̯³⁵ t͡siː³⁵/


識譜

/ʂʐ̩³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/ʂʐ̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/ʂʐ̩³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/ʂʐ̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/


固定旋律

ㄍㄨˋ ㄉㄧㄥˋ ㄒㄩㄢˊ ㄌㄩˋ

гудин сюаньлюй

/ku⁵¹⁻⁵³ tiŋ⁵¹ ɕy̯ɛn³⁵ ly⁵¹/

/ku⁵¹⁻⁵³ tiŋ⁵¹ ɕy̯ɛn³⁵ ly⁵¹/


定旋律

ㄉㄧㄥˋ ㄒㄩㄢˊ ㄌㄩˋ

/tiŋ⁵¹ ɕy̯ɛn³⁵ ly⁵¹/

/tiŋ⁵¹ ɕy̯ɛn³⁵ ly⁵¹/


抖音

/toʊ̯²¹⁴⁻²¹ in⁵⁵/

/toʊ̯²¹⁴⁻²¹ in⁵⁵/


鄉村音樂

ㄒㄧㄤ ㄘㄨㄣ ㄧㄣ ㄩㄝˋ

сянцунь иньюэ

/ɕi̯ɑŋ⁵⁵ t͡sʰu̯ən⁵⁵ in⁵⁵ ɥɛ⁵¹/

/hœːŋ⁵⁵ t͡sʰyːn⁵⁵ jɐm⁵⁵ ŋɔːk̚²/

/ɕi̯ɑŋ⁵⁵ t͡sʰu̯ən⁵⁵ in⁵⁵ ɥɛ⁵¹/

/hœːŋ⁵⁵ t͡sʰyːn⁵⁵ jɐm⁵⁵ ŋɔːk̚²/

Country music has always been about the relationship between rural and urban, home and moving, as well as the past and the present.

Xiāngcūnyīnyuè zǒngshì guānyú nóngcūn yǔ chéngshì ﹑ jiā yǔ qiānxǐ jí guòqù yǔ xiànzài jiān de guānxì.

鄉村音樂總是關於農村與城市﹑家與遷徙及過去與現在間的關係。

乡村音乐总是关于农村与城市﹑家与迁徙及过去与现在间的关系。


雅托噶

/jä²¹⁴⁻²¹ tʰu̯ɔ⁵⁵ kä³⁵/

/jä²¹⁴⁻²¹ tʰu̯ɔ⁵⁵ kä³⁵/


雅托嘎

/jä²¹⁴⁻²¹ tʰu̯ɔ⁵⁵ kä³⁵/

/jä²¹⁴⁻²¹ tʰu̯ɔ⁵⁵ kä³⁵/


隨想曲

ㄙㄨㄟˊ ㄒㄧㄤˇ ㄑㄩˇ

/su̯eɪ̯³⁵ ɕi̯ɑŋ²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵy̯²¹ sœːŋ³⁵ kʰʊk̚⁵/

/su̯eɪ̯³⁵ ɕi̯ɑŋ²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵy̯²¹ sœːŋ³⁵ kʰʊk̚⁵/


雅托葛

/jä²¹⁴⁻²¹ tʰu̯ɔ⁵⁵ kɤ³⁵/

/jä²¹⁴⁻²¹ tʰu̯ɔ⁵⁵ kɤ³⁵/


暢想曲

ㄔㄤˋ ㄒㄧㄤˇ ㄑㄩˇ

/ʈ͡ʂʰɑŋ⁵¹ ɕi̯ɑŋ²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰœːŋ³³ sœːŋ³⁵ kʰʊk̚⁵/

/ʈ͡ʂʰɑŋ⁵¹ ɕi̯ɑŋ²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰœːŋ³³ sœːŋ³⁵ kʰʊk̚⁵/

(music) Alternative name for 隨想曲／随想曲 (suíxiǎngqǔ, “capriccio; caprice”).

(music) Alternative name for 幻想曲 (huànxiǎngqǔ, “fantasia”).


鷹笛

(music) eagle flute (an end-blown flute played by the Tajik people, made of bone from an eagle's wings)


嗒知嘟

/ta²²⁻²¹ ti⁴⁴⁻²² tu⁴⁴/

/ta²²⁻²¹ ti⁴⁴⁻²² tu⁴⁴/

(Zhangzhou Hokkien, music) suona (a type of woodwind instrument)


哨角

/ʂɑʊ̯⁵¹ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/sau²¹⁻⁵³ kak̚³²/

/sau⁴¹⁻⁵⁵⁴ kak̚⁵/

/sau²¹⁻⁵³ kak̚³²/

/sau¹¹⁻⁵³ kak̚³²/

/sau²¹⁻⁴¹ kak̚³²/

/ʂɑʊ̯⁵¹ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/sau²¹⁻⁵³ kak̚³²/

/sau⁴¹⁻⁵⁵⁴ kak̚⁵/

/sau²¹⁻⁵³ kak̚³²/

/sau¹¹⁻⁵³ kak̚³²/

/sau²¹⁻⁴¹ kak̚³²/

a kind of long brass horn, often used in religious ceremonies


達甫

/tä³⁵ fu²¹⁴⁻²¹⁽⁴⁾/

/tä³⁵ fu²¹⁴⁻²¹⁽⁴⁾/

dap (frame drum used in traditional Uyghur music)


達普

/tä³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/tä³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/


達卜

/tä³⁵ pu²¹⁴⁻²¹⁽⁴⁾/

/tä³⁵ pu²¹⁴⁻²¹⁽⁴⁾/


納格拉

/nä⁵¹ kɤ³⁵ lä⁵⁵/

/nä⁵¹ kɤ³⁵ lä⁵⁵/

(～鼓) naghra (kettledrums, usually played in pairs, used in the traditional music of the Uyghur people of Xinjiang)


禮畢

/li²¹⁴⁻²¹ pi⁵¹/

/lɐi̯¹³ pɐt̚⁵/

/li²¹⁴⁻²¹ pi⁵¹/

/lɐi̯¹³ pɐt̚⁵/

Referring to the fact that this form of accompanied masked dance was used to conclude yanyue (banquet music) performances in the Sui court.

a form of accompanied masked dance performed as a form of court yanyue (banquet music) in China during the Sui Dynasty


歌女

/kɤ⁵⁵ ny²¹⁴⁻²¹⁽⁴⁾/

/kɔː⁵⁵ nɵy̯¹³/

/kɤ⁵⁵ ny²¹⁴⁻²¹⁽⁴⁾/

/kɔː⁵⁵ nɵy̯¹³/


蹦迪

/pɤŋ⁵¹ ti³⁵/

/pɐŋ⁵⁵ tɪk̚²/

/pɤŋ⁵¹ ti³⁵/

/pɐŋ⁵⁵ tɪk̚²/


應鼓

/iŋ⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/jɪŋ³³ kuː³⁵/

/iŋ⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/jɪŋ³³ kuː³⁵/

(music) yinggu (barrel drum mounted on a pole, smaller than a jiangu, used in yayue (Chinese court ritual music))


建鼓

/t͡ɕi̯ɛn⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ɛn⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

jiangu (large barrel drum mounted on a pole, used in yayue [Chinese court ritual music])


竹提琴

ㄓㄨˊ ㄊㄧˊ ㄑㄧㄣˊ

/ʈ͡ʂu³⁵ tʰi³⁵ t͡ɕʰin³⁵/

/t͡sʊk̚⁵ tʰɐi̯²¹ kʰɐm²¹/

/ʈ͡ʂu³⁵ tʰi³⁵ t͡ɕʰin³⁵/

/t͡sʊk̚⁵ tʰɐi̯²¹ kʰɐm²¹/

(music) zhutiqin (a variety of huqin with a soundbox made from a wide bamboo tube and wooden soundboard, used primarily as a supporting instrument in old-style Cantonese opera)


把子

/pä²¹⁴ d͡z̥z̩⁴/

/paː³⁵ t͡siː³⁵/

/pä²¹⁴ d͡z̥z̩⁴/

/paː³⁵ t͡siː³⁵/

/pä⁵¹ d͡z̥z̩¹/

/pä⁵¹ d͡z̥z̩¹/

/paː³⁵ t͡siː³⁵/

(opera) stage weapons and props used in traditional Chinese opera (as a whole)

(opera) mock fighting in traditional Chinese opera


定音

/tɪŋ²² jɐm⁵⁵/

/tɪŋ²² jɐm⁵⁵/

(music) to set the tune; to determine the pitch; to tune


歌詞MV

ㄍㄜ ㄘˊ ㄞˊ ˙ㄇㄨ ㄨㄟ

гэцы аймувэй

/kɤ⁵⁵ t͡sʰz̩³⁵ ˀaɪ̯³⁵ mu³ weɪ̯⁵⁵/

/kɔː⁵⁵ t͡sʰiː²¹ ɛːm⁵⁵ wiː⁵⁵/

/kɤ⁵⁵ t͡sʰz̩³⁵ ˀaɪ̯³⁵ mu³ weɪ̯⁵⁵/

/kɔː⁵⁵ t͡sʰiː²¹ ɛːm⁵⁵ wiː⁵⁵/


音柱

/in⁵⁵ ʈ͡ʂu⁵¹/

/jɐm⁵⁵ t͡sʰyː¹³/

/in⁵⁵ ʈ͡ʂu⁵¹/

/jɐm⁵⁵ t͡sʰyː¹³/


品柱

/pʰin²¹⁴⁻²¹ ʈ͡ʂu⁵¹/

/pɐn³⁵ t͡sʰyː¹³/

/pʰin²¹⁴⁻²¹ ʈ͡ʂu⁵¹/

/pɐn³⁵ t͡sʰyː¹³/


抗議歌曲

ㄎㄤˋ ㄧˋ ㄍㄜ ㄑㄩˇ

/kʰɑŋ⁵¹⁻⁵³ i⁵¹ kɤ⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/kʰɑŋ⁵¹⁻⁵³ i⁵¹ kɤ⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/


烏管仔

/ɔ⁴⁴⁻²² kuan⁵³⁻⁴⁴ a⁵³/

/ɔ⁴⁴⁻²² kuan⁵³⁻⁴⁴ a⁵³/


烏笛仔

/ɔ⁴⁴⁻²² tat̚¹²¹⁻²¹ a⁵³/

/ɔ⁴⁴⁻³³ tat̚⁴⁻³² a⁴¹/

/ɔ⁴⁴⁻³³ tat̚⁴⁻³² a⁵³/

/ɔ⁴⁴⁻²² tat̚⁴⁻³² a⁵³/

/ɔ⁴⁴⁻²² tat̚¹²¹⁻²¹ a⁵³/

/ɔ⁴⁴⁻³³ tat̚⁴⁻³² a⁴¹/

/ɔ⁴⁴⁻³³ tat̚⁴⁻³² a⁵³/

/ɔ⁴⁴⁻²² tat̚⁴⁻³² a⁵³/


烏管

/ɔ⁴⁴⁻²² kŋ̍⁵³/

/ɔ³³ kŋ̍⁵⁵⁴/

/ɔ⁴⁴⁻²² kuan⁵³/

/ɔ⁴⁴⁻²² kŋ̍⁵³/

/ɔ³³ kŋ̍⁵⁵⁴/

/ɔ⁴⁴⁻²² kuan⁵³/


伎女

/t͡ɕi⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

(historical, obsolete) female performing artist trained in music and/or dance (particularly in the court entertainments of China's dynastic period)


降調

/t͡ɕi̯ɑŋ⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/kɔːŋ³³ tiːu̯²²/

/t͡ɕi̯ɑŋ⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/kɔːŋ³³ tiːu̯²²/


內場

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ³⁵/

/nɔːi̯²² t͡sʰœːŋ²¹/

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ³⁵/

/nɔːi̯²² t͡sʰœːŋ²¹/

(opera) area behind the table on the stage


街頭藝人

ㄐㄧㄝ ㄊㄡˊ ㄧˋ ㄖㄣˊ

цзетоу ижэнь

/t͡ɕi̯ɛ⁵⁵ tʰoʊ̯³⁵ i⁵¹ ʐən³⁵/

/kaːi̯⁵⁵ tʰɐu̯²¹ ŋɐi̯²² jɐn²¹/

/t͡ɕi̯ɛ⁵⁵ tʰoʊ̯³⁵ i⁵¹ ʐən³⁵/

/kaːi̯⁵⁵ tʰɐu̯²¹ ŋɐi̯²² jɐn²¹/


聖誕頌歌

ㄕㄥˋ ㄉㄢˋ ㄙㄨㄥˋ ㄍㄜ

шэндань сунгэ

/ʂɤŋ⁵¹⁻⁵³ tän⁵¹⁻⁵³ sʊŋ⁵¹ kɤ⁵⁵/

/ʂɤŋ⁵¹⁻⁵³ tän⁵¹⁻⁵³ sʊŋ⁵¹ kɤ⁵⁵/


噴麥

/pʰən⁵⁵ maɪ̯⁵¹/

/pʰən⁵⁵ maɪ̯⁵¹/


正印花旦

ㄓㄥˋ ㄧㄣˋ ㄏㄨㄚ ㄉㄢˋ

чжэнъиньхуадань

/ʈ͡ʂɤŋ⁵¹⁻⁵³ in⁵¹ xu̯ä⁵⁵ tän⁵¹/

/ʈ͡ʂɤŋ⁵¹⁻⁵³ in⁵¹ xu̯ä⁵⁵ tän⁵¹/

(opera) zhengyinhuadan (female character)


二幫花旦

ㄦˋ ㄅㄤ ㄏㄨㄚ ㄉㄢˋ

эрбанхуадань

/ˀɤɻ⁵¹ pɑŋ⁵⁵ xu̯ä⁵⁵ tän⁵¹/

/ˀɤɻ⁵¹ pɑŋ⁵⁵ xu̯ä⁵⁵ tän⁵¹/

(opera) erbanghuadan (young female character)


文武生

/wən³⁵ u²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/mɐn²¹ mou̯¹³ sɐŋ⁵⁵/

/wən³⁵ u²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/mɐn²¹ mou̯¹³ sɐŋ⁵⁵/

(opera) wenwusheng (combined civil and martial character)


丑生

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/t͡sʰɐu̯³⁵ sɐŋ⁵⁵/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/t͡sʰɐu̯³⁵ sɐŋ⁵⁵/


合音

/hɐp̚² jɐm⁵⁵/

/hɐp̚² jɐm⁵⁵/


對打

/tu̯eɪ̯⁵¹ tä²¹⁴⁻²¹⁽⁴⁾/

/tɵy̯³³ taː³⁵/

/tui²¹⁻⁵³ tã⁵³/

/tui⁴¹⁻⁵⁵⁴ tã⁵⁵⁴/

/tui²¹⁻⁵³ tã⁵³/

/tui¹¹⁻⁵³ tã⁵³/

/tui²¹⁻⁴¹ tã⁴¹/

/tu̯eɪ̯⁵¹ tä²¹⁴⁻²¹⁽⁴⁾/

/tɵy̯³³ taː³⁵/

/tui²¹⁻⁵³ tã⁵³/

/tui⁴¹⁻⁵⁵⁴ tã⁵⁵⁴/

/tui²¹⁻⁵³ tã⁵³/

/tui¹¹⁻⁵³ tã⁵³/

/tui²¹⁻⁴¹ tã⁴¹/

(chiefly martial arts, sports, opera) to duel


夯曲

/xɑŋ⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/xɑŋ⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/


南音

/lam²⁴⁻²² im⁴⁴/

/lam²⁴⁻²² im³³/

/lam¹³⁻²² im⁴⁴/

/lam²⁴⁻¹¹ im⁴⁴/

/lam²³⁻³³ im⁴⁴/

/lam²⁴⁻²² im⁴⁴/

/lam²⁴⁻²² im³³/

/lam¹³⁻²² im⁴⁴/

/lam²⁴⁻¹¹ im⁴⁴/

/lam²³⁻³³ im⁴⁴/

nanyin (a genre of Chinese classical music, originating in southern Fujian)


說唱家

/ʂu̯ɔ⁵⁵ ʈ͡ʂʰɑŋ⁵¹ t͡ɕi̯ä⁵⁵/

/ʂu̯ɔ⁵⁵ ʈ͡ʂʰɑŋ⁵¹ t͡ɕi̯ä⁵⁵/


琅琅

/lɑŋ³⁵ lɑŋ³⁵/

/lɑŋ³⁵ lɑŋ³⁵/

(onomatopoetic, of sound) clear and sonorous


重音符

/ʈ͡ʂʊŋ⁵¹ in⁵⁵ fu³⁵/

/t͡sʰʊŋ¹³ jɐm⁵⁵ fuː²¹/

/ʈ͡ʂʊŋ⁵¹ in⁵⁵ fu³⁵/

/t͡sʰʊŋ¹³ jɐm⁵⁵ fuː²¹/


簧樂器

ㄏㄨㄤˊ ㄩㄝˋ ㄑㄧˋ

/xu̯ɑŋ³⁵ ɥɛ⁵¹⁻⁵³ t͡ɕʰi⁵¹/

/xu̯ɑŋ³⁵ ɥɛ⁵¹⁻⁵³ t͡ɕʰi⁵¹/


男子組合

ㄋㄢˊ ㄗˇ ㄗㄨˇ ㄏㄜˊ

наньцзы цзухэ

/nän³⁵ t͡sz̩²¹⁴⁻³⁵ t͡su²¹⁴⁻²¹ xɤ³⁵/

/naːm²¹ t͡siː³⁵ t͡sou̯³⁵ hɐp̚²/

/nän³⁵ t͡sz̩²¹⁴⁻³⁵ t͡su²¹⁴⁻²¹ xɤ³⁵/

/naːm²¹ t͡siː³⁵ t͡sou̯³⁵ hɐp̚²/


女子組合

ㄋㄩˇ ㄗˇ ㄗㄨˇ ㄏㄜˊ

нюйцзы цзухэ

/ny²¹⁴⁻³⁵ t͡sz̩²¹⁴⁻³⁵ t͡su²¹⁴⁻²¹ xɤ³⁵/

/nɵy̯¹³ t͡siː³⁵ t͡sou̯³⁵ hɐp̚²/

/ny²¹⁴⁻³⁵ t͡sz̩²¹⁴⁻³⁵ t͡su²¹⁴⁻²¹ xɤ³⁵/

/nɵy̯¹³ t͡siː³⁵ t͡sou̯³⁵ hɐp̚²/


主打曲

/ʈ͡ʂu²¹⁴⁻³⁵ tä²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡syː³⁵ taː³⁵ kʰʊk̚⁵/

/ʈ͡ʂu²¹⁴⁻³⁵ tä²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡syː³⁵ taː³⁵ kʰʊk̚⁵/

(music) title track (of an album) (Classifier: 首)


姑冼

/ku⁵⁵ ɕi̯ɛn²¹⁴⁻²¹⁽⁴⁾/

/ku⁵⁵ ɕi̯ɛn²¹⁴⁻²¹⁽⁴⁾/


琴子

/kʰim¹³⁻²² t͡si⁵³/

/kʰim²⁴⁻²² t͡si⁵³/

/kʰim²⁴⁻²² li⁵³/

/kʰim²⁴⁻¹¹ li⁵³/

/kʰim¹³⁻²² d͡zi⁵³/

/kʰim²³⁻³³ zi⁴¹/

/kʰim¹³⁻²² t͡si⁵³/

/kʰim²⁴⁻²² t͡si⁵³/

/kʰim²⁴⁻²² li⁵³/

/kʰim²⁴⁻¹¹ li⁵³/

/kʰim¹³⁻²² d͡zi⁵³/

/kʰim²³⁻³³ zi⁴¹/

(Xiamen, Zhangzhou and Taiwanese Hokkien, music) key (on a musical instrument)


琴鍵

/t͡ɕʰin³⁵ t͡ɕi̯ɛn⁵¹/

/kʰɐm²¹ kiːn²²/

/kʰim²⁴⁻²² kiɛn²²/

/t͡ɕʰin³⁵ t͡ɕi̯ɛn⁵¹/

/kʰɐm²¹ kiːn²²/

/kʰim²⁴⁻²² kiɛn²²/


南曲

/nän³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/naːm²¹ kʰʊk̚⁵/

/lam²⁴⁻²² kʰiɪk̚³²/

/lam¹³⁻²² kʰiɪk̚³²/

/nän³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/naːm²¹ kʰʊk̚⁵/

/lam²⁴⁻²² kʰiɪk̚³²/

/lam¹³⁻²² kʰiɪk̚³²/

Nanguan (an ancient musical genre originating in Fujian, China, and also performed in Taiwan and Singapore)


南樂

/nän³⁵ ɥɛ⁵¹/

/naːm²¹ ŋɔːk̚²/

/lam²⁴⁻²² ɡak̚⁴/

/lam²⁴⁻²² ɡak̚²⁴/

/lam¹³⁻²² ɡak̚¹²¹/

/lam²⁴⁻¹¹ ɡak̚⁴/

/lam²³⁻³³ ɡak̚⁴/

/nän³⁵ ɥɛ⁵¹/

/naːm²¹ ŋɔːk̚²/

/lam²⁴⁻²² ɡak̚⁴/

/lam²⁴⁻²² ɡak̚²⁴/

/lam¹³⁻²² ɡak̚¹²¹/

/lam²⁴⁻¹¹ ɡak̚⁴/

/lam²³⁻³³ ɡak̚⁴/


口水歌

/kʰoʊ̯²¹⁴⁻³⁵ ʂu̯eɪ̯²¹⁴⁻²¹ kɤ⁵⁵/

/hɐu̯³⁵ sɵy̯³⁵ kɔː⁵⁵/

/kʰoʊ̯²¹⁴⁻³⁵ ʂu̯eɪ̯²¹⁴⁻²¹ kɤ⁵⁵/

/hɐu̯³⁵ sɵy̯³⁵ kɔː⁵⁵/


天團

/tʰi̯ɛn⁵⁵ tʰu̯än³⁵/

/tʰi̯ɛn⁵⁵ tʰu̯än³⁵/

(neologism, slang) distinguished group or band


白字仔

/pɛ(ʔ)¹²¹⁻²¹ d͡zi²² a⁵³/

/pɛ(ʔ)¹²¹⁻²¹ d͡zi²² a⁵³/


嘓仔

/kʰɔk̚²⁴⁻² a⁵⁵⁴/

/kʰɔk̚¹²¹⁻²¹ a⁵³/

/kʰɔk̚⁴⁻³² a⁵³/

/kʰɔk̚³²⁻⁴ a⁵³/

/kʰɔk̚²⁴⁻² a⁵⁵⁴/

/kʰɔk̚¹²¹⁻²¹ a⁵³/

/kʰɔk̚⁴⁻³² a⁵³/

/kʰɔk̚³²⁻⁴ a⁵³/

(Hokkien) wooden fish (Buddhist wooden percussion instrument)


嘓魚

/kʰɔk̚⁵⁻² hi²⁴/

/kʰɔk̚⁵⁴⁻³² hɯ²⁴/

/kʰɔk̚³⁵⁻² hɨ²⁴/

/ɡɔk̚⁴⁻³² hi²³/

/ɡɔk̚⁴⁻³² hu²⁴/

/kʰɔk̚⁵⁻² hi²⁴/

/kʰɔk̚⁵⁴⁻³² hɯ²⁴/

/kʰɔk̚³⁵⁻² hɨ²⁴/

/ɡɔk̚⁴⁻³² hi²³/

/ɡɔk̚⁴⁻³² hu²⁴/

(Taiwanese Hokkien) wooden fish (Buddhist wooden percussion instrument)


文曲

/wən³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/wən³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/


琴行

/t͡ɕʰin³⁵ xɑŋ³⁵/

/kʰɐm²¹ hɔːŋ²¹⁻³⁵/

/t͡ɕʰin³⁵ xɑŋ³⁵/

/kʰɐm²¹ hɔːŋ²¹⁻³⁵/


四弦琴

ㄙˋ ㄒㄧㄢˊ ㄑㄧㄣˊ

/sz̩⁵¹ ɕi̯ɛn³⁵ t͡ɕʰin³⁵/

/sz̩⁵¹ ɕi̯ɛn³⁵ t͡ɕʰin³⁵/


流行組

ㄌㄧㄡˊ ㄒㄧㄥˊ ㄗㄨˇ

/li̯oʊ̯³⁵ ɕiŋ³⁵ t͡su²¹⁴⁻²¹⁽⁴⁾/

/lɐu̯²¹ hɐŋ²¹ t͡sou̯³⁵/

/li̯oʊ̯³⁵ ɕiŋ³⁵ t͡su²¹⁴⁻²¹⁽⁴⁾/

/lɐu̯²¹ hɐŋ²¹ t͡sou̯³⁵/


流行組合

ㄌㄧㄡˊ ㄒㄧㄥˊ ㄗㄨˇ ㄏㄜˊ

/li̯oʊ̯³⁵ ɕiŋ³⁵ t͡su²¹⁴⁻²¹ xɤ³⁵/

/lɐu̯²¹ hɐŋ²¹ t͡sou̯³⁵ jɐp̚²/

/li̯oʊ̯³⁵ ɕiŋ³⁵ t͡su²¹⁴⁻²¹ xɤ³⁵/

/lɐu̯²¹ hɐŋ²¹ t͡sou̯³⁵ jɐp̚²/


古鍵琴

ㄍㄨˇ ㄐㄧㄢˋ ㄑㄧㄣˊ

/ku²¹⁴⁻²¹ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/kuː³⁵ kiːn²² kʰɐm²¹/

/ku²¹⁴⁻²¹ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/kuː³⁵ kiːn²² kʰɐm²¹/


片尾曲

ㄆㄧㄢˋ ㄨㄟˇ ㄑㄩˇ

/pʰi̯ɛn⁵¹ weɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pʰi̯ɛn⁵⁵ weɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pʰiːn³³⁻³⁵ mei̯¹³ kʰʊk̚⁵/

/pʰĩ²¹⁻⁴¹ bue⁴¹⁻⁴⁴ kʰiɪk̚³²/

/pʰi̯ɛn⁵¹ weɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pʰi̯ɛn⁵⁵ weɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pʰiːn³³⁻³⁵ mei̯¹³ kʰʊk̚⁵/

/pʰĩ²¹⁻⁴¹ bue⁴¹⁻⁴⁴ kʰiɪk̚³²/

song at the end of a play, drama, film, etc.; closing theme song


片頭曲

ㄆㄧㄢˋ ㄊㄡˊ ㄑㄩˇ

/pʰi̯ɛn⁵¹ tʰoʊ̯³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pʰi̯ɛn⁵⁵ tʰoʊ̯³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pʰiːn³³⁻³⁵ tʰɐu̯²¹ kʰʊk̚⁵/

/pʰi̯ɛn⁵¹ tʰoʊ̯³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pʰi̯ɛn⁵⁵ tʰoʊ̯³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pʰiːn³³⁻³⁵ tʰɐu̯²¹ kʰʊk̚⁵/

song at the start of a play, drama, film, etc.; opening theme song


降號

/t͡ɕi̯ɑŋ⁵¹⁻⁵³ xɑʊ̯⁵¹/

/kɔːŋ³³ hou̯²²/

/t͡ɕi̯ɑŋ⁵¹⁻⁵³ xɑʊ̯⁵¹/

/kɔːŋ³³ hou̯²²/


升號

/ʂɤŋ⁵⁵ xɑʊ̯⁵¹/

/sɪŋ⁵⁵ hou̯²²/

/ʂɤŋ⁵⁵ xɑʊ̯⁵¹/

/sɪŋ⁵⁵ hou̯²²/


黃腔

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑ̃ɻ⁵⁵/

/wɔːŋ²¹ hɔːŋ⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑ̃ɻ⁵⁵/

/wɔːŋ²¹ hɔːŋ⁵⁵/


廬劇

/lu³⁵ t͡ɕy⁵¹/

/lou̯²¹ kʰɛːk̚²/

/lu³⁵ t͡ɕy⁵¹/

/lou̯²¹ kʰɛːk̚²/

Luju (a variety of Chinese opera from Anhui)


中樂

/ʈ͡ʂʊŋ⁵⁵ ɥɛ⁵¹/

/t͡sʊŋ⁵⁵ ŋɔːk̚²/

/ʈ͡ʂʊŋ⁵⁵ ɥɛ⁵¹/

/t͡sʊŋ⁵⁵ ŋɔːk̚²/

(chiefly Hong Kong, Macau) traditional Chinese orchestral music


拋弓

/pʰɑʊ̯⁵⁵ kʊŋ⁵⁵/

/pʰaːu̯⁵⁵ kʊŋ⁵⁵/

/pʰɑʊ̯⁵⁵ kʊŋ⁵⁵/

/pʰaːu̯⁵⁵ kʊŋ⁵⁵/

(music) ricochet bowing (a technique used in string instruments, such as the erhu and the violin)


本地戲仔

/pun⁵³⁻⁴⁴ te²²⁻²¹ hi²¹⁻⁵³ a⁵³/

/pun⁵³⁻⁴⁴ te²²⁻²¹ hi²¹⁻⁵³ a⁵³/

(Zhangzhou Hokkien, music) A branch of Taiwanese opera popular in Zhangzhou.


巴松

/pä⁵⁵ sʊŋ⁵⁵/

/paː⁵⁵ t͡sʰʊŋ²¹/

/pä⁵⁵ sʊŋ⁵⁵/

/paː⁵⁵ t͡sʰʊŋ²¹/


薩克管

ㄙㄚˋ ㄎㄜˋ ㄍㄨㄢˇ

/sä⁵¹⁻⁵³ kʰɤ⁵¹ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/sä⁵¹⁻⁵³ kʰɤ⁵¹ ku̯än²¹⁴⁻²¹⁽⁴⁾/


撥浪鼓

拨浪鼓
波浪鼓
博浪鼓
潑浪鼓

/pu̯ɔ⁵⁵ lɑŋ² ku²¹⁴⁻²¹⁽⁴⁾/

/pu̯ɔ⁵⁵ lɑŋ² kuɻʷ²¹⁴⁻²¹⁽⁴⁾/

/pu̯ɔ⁵⁵ lɑŋ⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/puːt̚² lɔːŋ²² kuː³⁵/

/pu̯ɔ⁵⁵ lɑŋ² ku²¹⁴⁻²¹⁽⁴⁾/

/pu̯ɔ⁵⁵ lɑŋ² kuɻʷ²¹⁴⁻²¹⁽⁴⁾/

/pu̯ɔ⁵⁵ lɑŋ⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/puːt̚² lɔːŋ²² kuː³⁵/


讚美詩

/t͡sän⁵¹ meɪ̯²¹⁴⁻²¹ ʂʐ̩⁵⁵/

/t͡saŋ²¹³⁻²¹ mi³³⁻²¹ ⁽ˢ⁻⁾li⁵⁵/

/t͡sän⁵¹ meɪ̯²¹⁴⁻²¹ ʂʐ̩⁵⁵/

/t͡saŋ²¹³⁻²¹ mi³³⁻²¹ ⁽ˢ⁻⁾li⁵⁵/


讚美歌

/t͡sän⁵¹ meɪ̯²¹⁴⁻²¹ kɤ⁵⁵/

/t͡saːn³³ mei̯¹³ kɔː⁵⁵/

/t͡saŋ²¹³⁻⁵⁵ mui⁵²⁻³⁵ ko³³/

/t͡sän⁵¹ meɪ̯²¹⁴⁻²¹ kɤ⁵⁵/

/t͡saːn³³ mei̯¹³ kɔː⁵⁵/

/t͡saŋ²¹³⁻⁵⁵ mui⁵²⁻³⁵ ko³³/


大喇叭

/tä⁵¹ lä²¹⁴ b̥ä⁴/

/taːi̯²² laː³³ paː⁵⁵/

/tä⁵¹ lä²¹⁴ b̥ä⁴/

/taːi̯²² laː³³ paː⁵⁵/

(music) Alternative name for 大號／大号 (dàhào, “tuba”).


鈴仔

/liɪŋ³³ a⁵⁵⁴/

/liɪŋ²³⁻³³ a⁴¹/

/liɪŋ²⁴⁻³³ a⁵³/

/liaŋ⁴⁴⁻²² a⁵³/

/liɪŋ³³ a⁵⁵⁴/

/liɪŋ²³⁻³³ a⁴¹/

/liɪŋ²⁴⁻³³ a⁵³/

/liaŋ⁴⁴⁻²² a⁵³/


吊鬼仔

/tiau²¹⁻⁴¹ kui⁴¹⁻⁴⁴ a⁴¹/

/tiau¹¹⁻⁵³ kui⁵³⁻⁴⁴ a⁵³/

/tiau²¹⁻⁴¹ kui⁴¹⁻⁴⁴ a⁴¹/

/tiau¹¹⁻⁵³ kui⁵³⁻⁴⁴ a⁵³/

(Taiwanese Hokkien) jinghu (bowed Chinese string instrument with two strings and with a bamboo body and neck used primarily in Beijing opera)


弦仔

/hiɛn¹³⁻²² a⁵³/

/hiɛn²³⁻³³ a⁴¹/

/hiɛn²⁴⁻²² a⁵³/

/hiɛn²⁴⁻³³ a⁵³/

/hiɛn¹³⁻²² a⁵³/

/hiɛn²³⁻³³ a⁴¹/

/hiɛn²⁴⁻²² a⁵³/

/hiɛn²⁴⁻³³ a⁵³/

(Hakka, Southern Min) huqin (any of a family of vertical bowed lutes used in Chinese music), especially the erhu


變徵之音

ㄅㄧㄢˋ ㄓˇ ㄓ ㄧㄣ

бяньчжичжиинь

/pi̯ɛn⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹ ʈ͡ʂʐ̩⁵⁵ in⁵⁵/

/piːn³³ t͡siː³⁵ t͡siː⁵⁵ jɐm⁵⁵/

/pi̯ɛn⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹ ʈ͡ʂʐ̩⁵⁵ in⁵⁵/

/piːn³³ t͡siː³⁵ t͡siː⁵⁵ jɐm⁵⁵/

(music) a sound that is high in tone yet solemn and somber


亡國之音

ㄨㄤˊ ㄍㄨㄛˊ ㄓ ㄧㄣ

ванго чжи инь

/wɑŋ³⁵ ku̯ɔ³⁵ ʈ͡ʂʐ̩⁵⁵ in⁵⁵/

/mɔːŋ²¹ kʷɔːk̚³ t͡siː⁵⁵ jɐm⁵⁵/

/wɑŋ³⁵ ku̯ɔ³⁵ ʈ͡ʂʐ̩⁵⁵ in⁵⁵/

/mɔːŋ²¹ kʷɔːk̚³ t͡siː⁵⁵ jɐm⁵⁵/

From the Book of Rites, Book 19 (《禮記·樂記》)

Hence, the airs of an age of good order indicate composure and enjoyment. The airs of an age of disorder indicate dissatisfaction and anger, and its government is perversely bad. The airs of a state going to ruin are expressive of sorrow and (troubled) thought.

The Book of Rites, c. 4ᵗʰ – 2ⁿᵈ century BCE, translated based on James Legge's version

Shìgù zhìshì zhī yīn ān yǐ lè, qí zhèng hé. Luànshì zhī yīn yuàn yǐ nù, qí zhèng guāi. Wángguó zhī yīn āi yǐ sī, qí mín kùn.

是故治世之音安以樂，其政和。亂世之音怨以怒，其政乖。亡國之音哀以思，其民困。

是故治世之音安以乐，其政和。乱世之音怨以怒，其政乖。亡国之音哀以思，其民困。


和鳴

/xɤ⁵¹ miŋ³⁵/

/xɤ³⁵ miŋ³⁵/

/wɔː²² mɪŋ²¹/

/wɔː²¹ mɪŋ²¹/

/xɤ⁵¹ miŋ³⁵/

/xɤ³⁵ miŋ³⁵/

/wɔː²² mɪŋ²¹/

/wɔː²¹ mɪŋ²¹/

(literary, figurative, of music) to sing or play in harmony


搖鼓啷

/io²⁴⁻²² kɔ⁵³⁻⁴⁴ lɔŋ⁴⁴/

/io²⁴⁻²² kɔ⁵³⁻⁴⁴ lɔŋ⁴⁴/


吹口

/ʈ͡ʂʰu̯eɪ̯⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵy̯⁵⁵ hɐu̯³⁵/

/ʈ͡ʂʰu̯eɪ̯⁵⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵy̯⁵⁵ hɐu̯³⁵/

(music) mouthpiece (of a wind instrument)


玲啷鼓

/lin²⁴⁻²² lɔŋ²⁴⁻²² kɔ⁵³/

/lin²⁴⁻²² lɔŋ²⁴⁻²² kɔ⁵⁵⁴/

/lin¹³⁻²² lɔŋ¹³⁻²² kɔ⁵³/

/lin⁴⁴⁻³³ lɔŋ⁴⁴⁻³³ kɔ⁵³/

/lin⁴⁴⁻³³ lɔŋ⁴⁴⁻³³ kɔ⁴¹/

/liɪŋ²³⁻³³ lɔŋ⁴⁴⁻³³ kɔ⁴¹/

/liɪŋ²⁴⁻¹¹ lɔŋ⁴⁴⁻³³ kɔ⁵³/

/lin²⁴⁻²² lɔŋ²⁴⁻²² kɔ⁵³/

/lin²⁴⁻²² lɔŋ²⁴⁻²² kɔ⁵⁵⁴/

/lin¹³⁻²² lɔŋ¹³⁻²² kɔ⁵³/

/lin⁴⁴⁻³³ lɔŋ⁴⁴⁻³³ kɔ⁵³/

/lin⁴⁴⁻³³ lɔŋ⁴⁴⁻³³ kɔ⁴¹/

/liɪŋ²³⁻³³ lɔŋ⁴⁴⁻³³ kɔ⁴¹/

/liɪŋ²⁴⁻¹¹ lɔŋ⁴⁴⁻³³ kɔ⁵³/


玲啷鼓仔

/lin¹³⁻²² lɔŋ¹³⁻²² kɔ⁵³⁻⁴⁴ a⁵³/

/lin²⁴⁻²² lɔŋ²⁴⁻²² kɔ⁵³⁻⁴⁴ a⁵³/

/lin¹³⁻²² lɔŋ¹³⁻²² kɔ⁵³⁻⁴⁴ a⁵³/

/lin²⁴⁻²² lɔŋ²⁴⁻²² kɔ⁵³⁻⁴⁴ a⁵³/

(Xiamen and Zhangzhou Hokkien, music) pellet drum


秦箏

/t͡ɕʰin³⁵ ʈ͡ʂɤŋ⁵⁵/

/t͡sʰɵn²¹ t͡sɐŋ⁵⁵/

/t͡ɕʰin³⁵ ʈ͡ʂɤŋ⁵⁵/

/t͡sʰɵn²¹ t͡sɐŋ⁵⁵/

Named for the alleged inventor of the instrument, General Meng Tian of Qin.


毛員鼓

/mɑʊ̯³⁵ ɥɛn³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/mɑʊ̯³⁵ ɥɛn³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

(music, historical) maoyuan waist drum (a kind of drum introduced to China from Funan and India)


慢搖

/män⁵¹ jɑʊ̯³⁵/

/män⁵¹ jɑʊ̯³⁵/


的禾

/ti³³⁻²³ ta⁵⁵/

/ti³³⁻²³ ta⁵⁵/


徛琴

/kʰia³³⁻¹¹ kʰim²⁴/

/kʰia³³⁻²¹ kʰim²³/

/kʰia³³⁻¹¹ kʰim²⁴/

/kʰia³³⁻²¹ kʰim²³/


跑調

/pʰɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/pʰɑʊ̯²¹⁴⁻²¹ ti̯aʊ̯ɻʷ⁵¹/

/pʰaːu̯³⁵ tiːu̯²²/

/pʰɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/pʰɑʊ̯²¹⁴⁻²¹ ti̯aʊ̯ɻʷ⁵¹/

/pʰaːu̯³⁵ tiːu̯²²/


丑腳

/tʰiu⁵⁵⁴⁻²⁴ kioʔ⁵/

/tʰiu⁵³⁻⁴⁴ kioʔ³²/

/tʰiũ⁵³⁻⁴⁴ kioʔ³²/

/tʰiu⁵⁵⁴⁻²⁴ kioʔ⁵/

/tʰiu⁵³⁻⁴⁴ kioʔ³²/

/tʰiũ⁵³⁻⁴⁴ kioʔ³²/

(Hokkien, opera) clown role; comic character


噪聲

/t͡sɑʊ̯⁵¹ ʂɤŋ⁵⁵/

/t͡sʰou̯³³ sɛːŋ⁵⁵/

/t͡sɑʊ̯⁵¹ ʂɤŋ⁵⁵/

/t͡sʰou̯³³ sɛːŋ⁵⁵/


嘈雜聲

/t͡sʰɑʊ̯³⁵ t͡sä³⁵ ʂɤŋ⁵⁵/

/t͡sʰou̯²¹ t͡saːp̚² sɛːŋ⁵⁵/

/t͡sʰɑʊ̯³⁵ t͡sä³⁵ ʂɤŋ⁵⁵/

/t͡sʰou̯²¹ t͡saːp̚² sɛːŋ⁵⁵/


花腔

/xu̯ä⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/faː⁵⁵ hɔːŋ⁵⁵/

/xu̯ä⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/faː⁵⁵ hɔːŋ⁵⁵/


大吹

/tua⁴¹⁻²² t͡sʰə³³/

/tua²²⁻²¹ t͡sʰe⁴⁴/

/tua²²⁻²¹ t͡sʰue⁴⁴/

/tua⁴¹⁻²² t͡sʰə³³/

/tua²²⁻²¹ t͡sʰe⁴⁴/

/tua²²⁻²¹ t͡sʰue⁴⁴/


大殼弦

/tua²²⁻²¹ kʰak̚³²⁻⁵ hiɛn¹³/

/tua²²⁻²¹ kʰak̚³²⁻⁵ hiɛn¹³/

(Zhangzhou Hokkien, music) a two-stringed vertical fiddle used primarily in Min Nan regions and by the Hakka, in Taiwan and Fujian


淨角

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛ³⁵/

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛɻ³⁵/

/t͡sɪŋ²² kɔːk̚³/

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛ³⁵/

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛɻ³⁵/

/t͡sɪŋ²² kɔːk̚³/

(opera) painted-face role (in Chinese opera)


魚鼓

/y³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jyː²¹ kuː³⁵/

/y³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jyː²¹ kuː³⁵/


高唱

/kɑʊ̯⁵⁵ ʈ͡ʂʰɑŋ⁵¹/

/kou̯⁵⁵ t͡sʰœːŋ³³/

/kɤ⁴⁴⁻³³ t͡sʰiũ²¹/

/ko⁴⁴⁻³³ t͡sʰiũ¹¹/

/ko³³ t͡sʰiũ⁴¹/

/ko⁴⁴⁻²² t͡sʰiũ²¹/

/ko⁴⁴⁻²² t͡sʰiɔ̃²¹/

/kɑʊ̯⁵⁵ ʈ͡ʂʰɑŋ⁵¹/

/kou̯⁵⁵ t͡sʰœːŋ³³/

/kɤ⁴⁴⁻³³ t͡sʰiũ²¹/

/ko⁴⁴⁻³³ t͡sʰiũ¹¹/

/ko³³ t͡sʰiũ⁴¹/

/ko⁴⁴⁻²² t͡sʰiũ²¹/

/ko⁴⁴⁻²² t͡sʰiɔ̃²¹/

Did not some members of the Chinese bourgeoisie clamour for Kemalism after the First Great Revolution failed in 1927?

1940, 毛澤東 (Mao Zedong), 《新民主主義論》 (On New Democracy), 《毛澤東選集》. English translation based on the Foreign Languages Press edition

Yījiǔ'èrqī nián Zhōngguó Dì-yī Cì Dàgémìng shībài zhīhòu, Zhōngguó de zīchǎnjiējí fènzǐ bùshì céngjīng gāochàng guò shénme Jīmǎ'ěrzhǔyì ma?

一九二七年中國第一次大革命失敗之後，中國的資產階級分子不是曾經高唱過什麼基馬爾主義嗎？

一九二七年中国第一次大革命失败之后，中国的资产阶级分子不是曾经高唱过什么基马尔主义吗？

(figurative) to glibly talk about; to call loudly for


板嘹

(Xiamen Hokkien, music) beat; meter; rhythm


柴嘓

/t͡sʰa¹³⁻²² kʰɔk̚¹²¹/

/t͡sʰa²⁴⁻²² kʰɔk̚²⁴/

/t͡sʰa²⁴⁻²² kʰɔk̚⁴/

/t͡sʰa¹³⁻²² kʰɔk̚¹²¹/

/t͡sʰa²⁴⁻²² kʰɔk̚²⁴/

/t͡sʰa²⁴⁻²² kʰɔk̚⁴/

(Southern Min) wooden fish (Buddhist wooden percussion instrument)


扇面琴

ㄕㄢ ㄇㄧㄢˋ ㄑㄧㄣˊ

шаньмяньцинь

/ʂän⁵⁵ mi̯ɛn⁵¹ t͡ɕʰin³⁵/

/siːn³³ miːn²² kʰɐm²¹/

/ʂän⁵⁵ mi̯ɛn⁵¹ t͡ɕʰin³⁵/

/siːn³³ miːn²² kʰɐm²¹/


半度音

/pän⁵¹⁻⁵³ tu⁵¹ in⁵⁵/

/pän⁵¹⁻⁵³ tu⁵¹ in⁵⁵/

(music) Alternative name for 半音 (bànyīn, “semitone”).


長嘯

/ʈ͡ʂʰɑŋ³⁵ ɕi̯ɑʊ̯⁵¹/

/t͡sʰœːŋ²¹ siːu̯³³/

/ʈ͡ʂʰɑŋ³⁵ ɕi̯ɑʊ̯⁵¹/

/t͡sʰœːŋ²¹ siːu̯³³/


增八度

/t͡sɤŋ⁵⁵ pä⁵⁵ tu⁵¹/

/t͡sɐŋ⁵⁵ paːt̚³ tou̯²²/

/t͡sɤŋ⁵⁵ pä⁵⁵ tu⁵¹/

/t͡sɐŋ⁵⁵ paːt̚³ tou̯²²/


小七度

/ɕi̯ɑʊ̯²¹⁴⁻²¹ t͡ɕʰi⁵⁵ tu⁵¹/

/siːu̯³⁵ t͡sʰɐt̚⁵ tou̯²²/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ t͡ɕʰi⁵⁵ tu⁵¹/

/siːu̯³⁵ t͡sʰɐt̚⁵ tou̯²²/


增六度

/t͡sɤŋ⁵⁵ li̯oʊ̯⁵¹⁻⁵³ tu⁵¹/

/t͡sɐŋ⁵⁵ lʊk̚² tou̯²²/

/t͡sɤŋ⁵⁵ li̯oʊ̯⁵¹⁻⁵³ tu⁵¹/

/t͡sɐŋ⁵⁵ lʊk̚² tou̯²²/


大六度

ㄉㄚˋ ㄌㄧㄡˋ ㄉㄨˋ

/tä⁵¹⁻⁵³ li̯oʊ̯⁵¹⁻⁵³ tu⁵¹/

/taːi̯²² lʊk̚² tou̯²²/

/tä⁵¹⁻⁵³ li̯oʊ̯⁵¹⁻⁵³ tu⁵¹/

/taːi̯²² lʊk̚² tou̯²²/


減三度

/t͡ɕi̯ɛn²¹⁴⁻²¹ sän⁵⁵ tu⁵¹/

/t͡ɕi̯ɛn²¹⁴⁻²¹ sän⁵⁵ tu⁵¹/


增四度

/t͡sɤŋ⁵⁵ sz̩⁵¹⁻⁵³ tu⁵¹/

/t͡sɐŋ⁵⁵ sei̯³³ tou̯²²/

/t͡sɤŋ⁵⁵ sz̩⁵¹⁻⁵³ tu⁵¹/

/t͡sɐŋ⁵⁵ sei̯³³ tou̯²²/


增五度

/t͡sɤŋ⁵⁵ u²¹⁴⁻²¹ tu⁵¹/

/t͡sɐŋ⁵⁵ ŋ̍¹³ tou̯²²/

/t͡sɤŋ⁵⁵ u²¹⁴⁻²¹ tu⁵¹/

/t͡sɐŋ⁵⁵ ŋ̍¹³ tou̯²²/


減四度

/t͡ɕi̯ɛn²¹⁴⁻²¹ sz̩⁵¹⁻⁵³ tu⁵¹/

/t͡ɕi̯ɛn²¹⁴⁻²¹ sz̩⁵¹⁻⁵³ tu⁵¹/


純五度

/ʈ͡ʂʰu̯ən³⁵ u²¹⁴⁻²¹ tu⁵¹/

/sɵn²¹ ŋ̍¹³ tou̯²²/

/ʈ͡ʂʰu̯ən³⁵ u²¹⁴⁻²¹ tu⁵¹/

/sɵn²¹ ŋ̍¹³ tou̯²²/

(Mainland China, Hong Kong, music) perfect fifth


減五度

/t͡ɕi̯ɛn²¹⁴⁻³⁵ u²¹⁴⁻²¹ tu⁵¹/

/kaːm³⁵ ŋ̍¹³ tou̯²²/

/t͡ɕi̯ɛn²¹⁴⁻³⁵ u²¹⁴⁻²¹ tu⁵¹/

/kaːm³⁵ ŋ̍¹³ tou̯²²/


純四度

/ʈ͡ʂʰu̯ən³⁵ sz̩⁵¹⁻⁵³ tu⁵¹/

/ʈ͡ʂʰu̯ən³⁵ sz̩⁵¹⁻⁵³ tu⁵¹/

(Mainland China, Hong Kong, music) perfect fourth


減八度

/t͡ɕi̯ɛn²¹⁴⁻²¹ pä⁵⁵ tu⁵¹/

/t͡ɕi̯ɛn²¹⁴⁻²¹ pä⁵⁵ tu⁵¹/


小六度

ㄒㄧㄠˇ ㄌㄧㄡˋ ㄉㄨˋ

/ɕi̯ɑʊ̯²¹⁴⁻²¹ li̯oʊ̯⁵¹⁻⁵³ tu⁵¹/

/siːu̯³⁵ lʊk̚² tou̯²²/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ li̯oʊ̯⁵¹⁻⁵³ tu⁵¹/

/siːu̯³⁵ lʊk̚² tou̯²²/


增三度

/t͡sɤŋ⁵⁵ sän⁵⁵ tu⁵¹/

/t͡sɐŋ⁵⁵ saːm⁵⁵ tou̯²²/

/t͡sɤŋ⁵⁵ sän⁵⁵ tu⁵¹/

/t͡sɐŋ⁵⁵ saːm⁵⁵ tou̯²²/


三全音

саньцюаньинь

/sän⁵⁵ t͡ɕʰy̯ɛn³⁵ in⁵⁵/

/saːm⁵⁵ t͡sʰyːn²¹ jɐm⁵⁵/

/sän⁵⁵ t͡ɕʰy̯ɛn³⁵ in⁵⁵/

/saːm⁵⁵ t͡sʰyːn²¹ jɐm⁵⁵/


純八度

/ʈ͡ʂʰu̯ən³⁵ pä⁵⁵ tu⁵¹/

/ʈ͡ʂʰu̯ən³⁵ pä⁵⁵ tu⁵¹/

(Mainland China, Hong Kong, music) perfect octave


增七度

/t͡sɤŋ⁵⁵ t͡ɕʰi⁵⁵ tu⁵¹/

/t͡sɐŋ⁵⁵ t͡sʰɐt̚⁵ tou̯²²/

/t͡sɤŋ⁵⁵ t͡ɕʰi⁵⁵ tu⁵¹/

/t͡sɐŋ⁵⁵ t͡sʰɐt̚⁵ tou̯²²/


減七度

/t͡ɕi̯ɛn²¹⁴⁻²¹ t͡ɕʰi⁵⁵ tu⁵¹/

/kaːm³⁵ t͡sʰɐt̚⁵ tou̯²²/

/t͡ɕi̯ɛn²¹⁴⁻²¹ t͡ɕʰi⁵⁵ tu⁵¹/

/kaːm³⁵ t͡sʰɐt̚⁵ tou̯²²/


減六度

ㄐㄧㄢˇ ㄌㄧㄡˋ ㄉㄨˋ

/t͡ɕi̯ɛn²¹⁴⁻²¹ li̯oʊ̯⁵¹⁻⁵³ tu⁵¹/

/t͡ɕi̯ɛn²¹⁴⁻²¹ li̯oʊ̯⁵¹⁻⁵³ tu⁵¹/


大七度

/tä⁵¹ t͡ɕʰi⁵⁵ tu⁵¹/

/taːi̯²² t͡sʰɐt̚⁵ tou̯²²/

/tä⁵¹ t͡ɕʰi⁵⁵ tu⁵¹/

/taːi̯²² t͡sʰɐt̚⁵ tou̯²²/


小音階

/ɕi̯ɑʊ̯²¹⁴⁻²¹ in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/siːu̯³⁵ jɐm⁵⁵ kaːi̯⁵⁵/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/siːu̯³⁵ jɐm⁵⁵ kaːi̯⁵⁵/


大音階

/tä⁵¹ in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/taːi̯²² jɐm⁵⁵ kaːi̯⁵⁵/

/tä⁵¹ in⁵⁵ t͡ɕi̯ɛ⁵⁵/

/taːi̯²² jɐm⁵⁵ kaːi̯⁵⁵/


敲鼓

/kʰa²¹⁻⁵³ kɔ⁵³/

/kʰa⁴¹⁻⁵⁵⁴ kɔ⁵⁵⁴/

/kʰa²¹⁻⁵³ kɔ⁵³/

/kʰa¹¹⁻⁵³ kɔ⁵³/

/kʰa²¹⁻⁴¹ kɔ⁴¹/

/kʰa²¹³⁻⁵⁵ kou⁵²⁻²¹/

/kʰa²¹⁻⁵³ kɔ⁵³/

/kʰa⁴¹⁻⁵⁵⁴ kɔ⁵⁵⁴/

/kʰa²¹⁻⁵³ kɔ⁵³/

/kʰa¹¹⁻⁵³ kɔ⁵³/

/kʰa²¹⁻⁴¹ kɔ⁴¹/

/kʰa²¹³⁻⁵⁵ kou⁵²⁻²¹/


世界音樂

ㄕˋ ㄐㄧㄝˋ ㄧㄣ ㄩㄝˋ

/ʂʐ̩⁵¹⁻⁵³ t͡ɕi̯ɛ⁵¹ in⁵⁵ ɥɛ⁵¹/

/ʂʐ̩⁵¹⁻⁵³ t͡ɕi̯ɛ⁵¹ in⁵⁵ ɥɛ⁵¹/


鳥筅仔

/niãu⁵³⁻⁴⁴ t͡sʰiɪŋ⁵³⁻⁴⁴ a⁵³/

/niãu⁵³⁻⁴⁴ t͡sʰiɪŋ⁵³⁻⁴⁴ a⁵³/

(Zhangzhou Hokkien, opera) clown role; comic character


蘇爾奈

/su⁵⁵ ˀɤɻ²¹⁴⁻²¹ naɪ̯⁵¹/

/su⁵⁵ ˀɤɻ²¹⁴⁻²¹ naɪ̯⁵¹/

From Classical Persian سورنای (sūrnāy) or Uyghur سۇناي (sunay).

shawm; surnay (a musical instrument used in Xinjiang)


𥰔仔

/pʰin⁵³⁻⁴⁴ a⁵³/

/pʰin⁴¹⁻⁴⁴ a⁴¹/

/pʰin⁵⁵⁴⁻²⁴ a⁵⁵⁴/

/pʰin⁵³⁻⁴⁴ a⁵³/

/pʰin⁴¹⁻⁴⁴ a⁴¹/

/pʰin⁵⁵⁴⁻²⁴ a⁵⁵⁴/


吟唱

/in³⁵ ʈ͡ʂʰɑŋ⁵¹/

/jɐm²¹ t͡sʰœːŋ³³/

/ŋim¹¹ t͡sʰoŋ⁵⁵/

/ɡim²³⁻³³ t͡sʰiũ²¹/

/ɡim²⁴⁻²² t͡sʰiũ⁴¹/

/ɡim²⁴⁻²² t͡sʰiũ²¹/

/ɡim²⁴⁻¹¹ t͡sʰiũ¹¹/

/ɡim¹³⁻²² t͡sʰiɔ̃²¹/

/in³⁵ ʈ͡ʂʰɑŋ⁵¹/

/jɐm²¹ t͡sʰœːŋ³³/

/ŋim¹¹ t͡sʰoŋ⁵⁵/

/ɡim²³⁻³³ t͡sʰiũ²¹/

/ɡim²⁴⁻²² t͡sʰiũ⁴¹/

/ɡim²⁴⁻²² t͡sʰiũ²¹/

/ɡim²⁴⁻¹¹ t͡sʰiũ¹¹/

/ɡim¹³⁻²² t͡sʰiɔ̃²¹/


嘹拍

/liau²⁴⁻²² pʰaʔ³²/

/liau²⁴⁻²² pʰaʔ⁵/

/liau²⁴⁻²² pʰaʔ³²/

/liau²⁴⁻²² pʰaʔ⁵/

(Quanzhou and Xiamen Hokkien, music) beat; meter; rhythm


宏亮

/xʊŋ³⁵ li̯ɑŋ⁵¹/

/wɐŋ²¹ lœːŋ²²/

/xʊŋ³⁵ li̯ɑŋ⁵¹/

/wɐŋ²¹ lœːŋ²²/


旦角

/tän⁵¹ t͡ɕy̯ɛ³⁵/

/tän⁵¹ t͡ɕy̯ɛɻ³⁵/

/taːn³⁵ kɔːk̚³/

/tän⁵¹ t͡ɕy̯ɛ³⁵/

/tän⁵¹ t͡ɕy̯ɛɻ³⁵/

/taːn³⁵ kɔːk̚³/


聲空

/siã⁴⁴⁻²² kʰaŋ⁴⁴/

/siã⁴⁴⁻²² kʰaŋ⁴⁴/


聲頭

/siã⁴⁴⁻²² tʰau¹³/

/siã⁴⁴⁻²² tʰau¹³/


鼓仔

/ku³¹ e³¹⁻¹¹/

/ku³¹ e³¹⁻¹¹/


曲式

/t͡ɕʰy²¹⁴⁻²¹ ʂʐ̩⁵¹/

/kʰʊk̚⁵ sɪk̚⁵/

/t͡ɕʰy²¹⁴⁻²¹ ʂʐ̩⁵¹/

/kʰʊk̚⁵ sɪk̚⁵/


五音

/u²¹⁴⁻²¹ in⁵⁵/

/ŋ̍¹³ jɐm⁵⁵/

/u²¹⁴⁻²¹ in⁵⁵/

/ŋ̍¹³ jɐm⁵⁵/

(music) the five notes of the Chinese pentatonic scale (宮, 商, 角, 徵, 羽, also called 合, 四, 乙, 尺, 工 after the Tang dynasty, equivalent to do, re, mi, sol, la in the Western solfège system or 1, 2, 3, 5, 6 in the Chinese numbered musical notation system)


䤝仔

/ɡiaŋ³³ a⁵⁵⁴/

/ɡiaŋ⁴⁴⁻²² a⁵³/

/ɡiaŋ³³ a⁵⁵⁴/

/ɡiaŋ⁴⁴⁻²² a⁵³/


愛國歌

/ˀaɪ̯⁵¹ ku̯ɔ³⁵ kɤ⁵⁵/

/ˀaɪ̯⁵¹ ku̯ɔ³⁵ kɤɻ⁵⁵/

/ɔːi̯³³ kʷɔːk̚³ kɔː⁵⁵/

/ai²¹⁻⁵³ kɔk̚³²⁻⁴ kua⁴⁴/

/ai⁴¹⁻⁵⁵⁴ kɔk̚⁵⁻²⁴ kua³³/

/ai²¹⁻⁵³ kɔk̚³²⁻⁵ kua⁴⁴/

/ai¹¹⁻⁵³ kɔk̚³²⁻⁴ kua⁴⁴/

/ai²¹⁻⁴¹ kɔk̚³²⁻⁴ kua⁴⁴/

/ˀaɪ̯⁵¹ ku̯ɔ³⁵ kɤ⁵⁵/

/ˀaɪ̯⁵¹ ku̯ɔ³⁵ kɤɻ⁵⁵/

/ɔːi̯³³ kʷɔːk̚³ kɔː⁵⁵/

/ai²¹⁻⁵³ kɔk̚³²⁻⁴ kua⁴⁴/

/ai⁴¹⁻⁵⁵⁴ kɔk̚⁵⁻²⁴ kua³³/

/ai²¹⁻⁵³ kɔk̚³²⁻⁵ kua⁴⁴/

/ai¹¹⁻⁵³ kɔk̚³²⁻⁴ kua⁴⁴/

/ai²¹⁻⁴¹ kɔk̚³²⁻⁴ kua⁴⁴/

Aegukka, the North Korean national anthem.


咂嘴

/t͡sä⁵⁵ t͡su̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡saːp̚³ t͡sɵy̯³⁵/

/t͡sä⁵⁵ t͡su̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡saːp̚³ t͡sɵy̯³⁵/

to click one's tongue (in admiration, praise, surprise, regret, etc.)


掄脆仔

/lem²⁴⁻¹¹ t͡sʰe²⁴ e³¹/

/lem²⁴⁻¹¹ t͡sʰe²⁴ e³¹/


梵啞鈴

ㄈㄢˋ ㄧㄚˇ ㄌㄧㄥˊ

ㄈㄢˊ ㄧㄚˇ ㄌㄧㄥˊ

/fän⁵¹ jä²¹⁴⁻²¹ liŋ³⁵/

/fän³⁵ jä²¹⁴⁻²¹ liŋ³⁵/

/faːn²² aː³⁵ lɪŋ²¹/

/fän⁵¹ jä²¹⁴⁻²¹ liŋ³⁵/

/fän³⁵ jä²¹⁴⁻²¹ liŋ³⁵/

/faːn²² aː³⁵ lɪŋ²¹/

GT - General Taiwanese (no particular region identified)


幫腔

/pɑŋ⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/pɔːŋ⁵⁵ hɔːŋ⁵⁵/

/pɑŋ⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/pɔːŋ⁵⁵ hɔːŋ⁵⁵/

(literally, in some Chinese operas) to sing an accompaniment


出彩

/ʈ͡ʂʰu⁵⁵ t͡sʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵt̚⁵ t͡sʰɔːi̯³⁵/

/ʈ͡ʂʰu⁵⁵ t͡sʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵt̚⁵ t͡sʰɔːi̯³⁵/

(opera, dated) to apply red to someone to indicate bleeding; (metonymically) to bleed


節奏布魯斯

ㄐㄧㄝˊ ㄗㄡˋ ㄅㄨˋ ㄌㄨˇ ㄙ

цзецзоу булусы

/t͡ɕi̯ɛ³⁵ t͡soʊ̯⁵¹⁻⁵³ pu⁵¹ lu²¹⁴⁻²¹ sz̩⁵⁵/


花花

/xu̯ä⁵⁵ xu̯ä⁵⁵/

/faː⁵⁵ faː⁵⁵/

/fa²⁴⁻¹¹ fa²⁴/

/xu̯ä⁵⁵ xu̯ä⁵⁵/

/faː⁵⁵ faː⁵⁵/

/fa²⁴⁻¹¹ fa²⁴/

(literary) sing-song girl; woman whose profession involves singing and dancing


紅歌

/xʊŋ³⁵ kɤ⁵⁵/

/hʊŋ²¹ kɔː⁵⁵/

/xʊŋ³⁵ kɤ⁵⁵/

/hʊŋ²¹ kɔː⁵⁵/

Short for 紅色歌曲／红色歌曲 (hóngsè gēqǔ, “red songs”).

zh-etym-short

patriotic Chinese Communist song; revolutionary song


軍樂隊

ㄐㄩㄣ ㄩㄝˋ ㄉㄨㄟˋ

/t͡ɕyn⁵⁵ ɥɛ⁵¹⁻⁵³ tu̯eɪ̯⁵¹/

/kʷɐn⁵⁵ ŋɔːk̚² tɵy̯²²⁻³⁵/

/t͡ɕyn⁵⁵ ɥɛ⁵¹⁻⁵³ tu̯eɪ̯⁵¹/

/kʷɐn⁵⁵ ŋɔːk̚² tɵy̯²²⁻³⁵/


打鈴

/tä²¹⁴⁻²¹ liŋ³⁵/

/tä²¹⁴⁻²¹ liŋ³⁵/

Taryong, a genre of traditional Korean music.


朗朗

/lɑŋ²¹⁴⁻³⁵ lɑŋ²¹⁴⁻²¹⁽⁴⁾/

/lɑŋ²¹⁴⁻³⁵ lɑŋ²¹⁴⁻²¹⁽⁴⁾/


六國大封相

/lʊk̚² kʷɔːk̚³ taːi̯²² fʊŋ⁵⁵ sœːŋ³³/

/lʊk̚² kʷɔːk̚³ taːi̯²² fʊŋ⁵⁵ sœːŋ³³/

Six States Installation of Minister murder

Originally the name of a Cantonese opera set in a fictionalised Warring States period. The figurative meaning of "chaotic situation; etc." entered vernacular parlance after the infamous Chu Shing-choi murders (1951, Hong Kong).

(Cantonese, opera) Six States Installation of Minister


手搖風琴

ㄕㄡˇ ㄧㄠˊ ㄈㄥ ㄑㄧㄣˊ

шоуяо фэнцинь

/ʂoʊ̯²¹⁴⁻²¹ jɑʊ̯³⁵ fɤŋ⁵⁵ t͡ɕʰin³⁵/

/sɐu̯³⁵ jiːu̯²¹ fʊŋ⁵⁵ kʰɐm²¹/

/ʂoʊ̯²¹⁴⁻²¹ jɑʊ̯³⁵ fɤŋ⁵⁵ t͡ɕʰin³⁵/

/sɐu̯³⁵ jiːu̯²¹ fʊŋ⁵⁵ kʰɐm²¹/


碰鐘

/pʰɤŋ⁵¹ ʈ͡ʂʊŋ⁵⁵/

/pʰʊŋ³³ t͡sʊŋ⁵⁵/

/pʰɤŋ⁵¹ ʈ͡ʂʊŋ⁵⁵/

/pʰʊŋ³³ t͡sʊŋ⁵⁵/


指法

/ʈ͡ʂʐ̩²¹⁴⁻³⁵ fä²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʐ̩²¹⁴⁻³⁵ fä²¹⁴⁻²¹⁽⁴⁾/

(music) fingering (act of using one's fingers in the playing of a musical instrument, or specific method of using the fingers to play an instrument)


卡祖笛

/kʰä²¹⁴⁻³⁵ t͡su²¹⁴⁻²¹ ti³⁵/

/kʰaː⁵⁵ t͡sou̯³⁵ tɛːk̚²/

/kʰä²¹⁴⁻³⁵ t͡su²¹⁴⁻²¹ ti³⁵/

/kʰaː⁵⁵ t͡sou̯³⁵ tɛːk̚²/


唱誦

/ʈ͡ʂʰɑŋ⁵¹⁻⁵³ sʊŋ⁵¹/

/ʈ͡ʂʰɑŋ⁵¹⁻⁵³ sʊŋ⁵¹/


傳訊鼓

ㄔㄨㄢˊ ㄒㄩㄣˋ ㄍㄨˇ

/ʈ͡ʂʰu̯än³⁵ ɕyn⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰyːn²¹ sɵn³³ kuː³⁵/

/ʈ͡ʂʰu̯än³⁵ ɕyn⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰyːn²¹ sɵn³³ kuː³⁵/


巫毒鼓

/u⁵⁵ tu³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/u⁵⁵ tu³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

From Igbo ùdù (“vessel”) + 鼓 (gǔ, “drum”).

percussion instrument
percussion instrument#English

udu drum (percussion instrument made from clay)


鋩鑼

/mɑŋ³⁵ lu̯ɔ³⁵/

/mɔːŋ²¹ lɔː²¹/

/mɑŋ³⁵ lu̯ɔ³⁵/

/mɔːŋ²¹ lɔː²¹/

(music) type of bronze gong with a knobbed center that is originally from Yunnan province


英國管

ㄧㄥ ㄍㄨㄛˊ ㄍㄨㄢˇ

/iŋ⁵⁵ ku̯ɔ³⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/jɪŋ⁵⁵ kʷɔːk̚³ kuːn³⁵/

/iŋ⁵⁵ ku̯ɔ³⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/jɪŋ⁵⁵ kʷɔːk̚³ kuːn³⁵/


鋼協

/kɑŋ⁵⁵ ɕi̯ɛ³⁵/

/kɔːŋ³³ hiːp̚³/

/kɑŋ⁵⁵ ɕi̯ɛ³⁵/

/kɔːŋ³³ hiːp̚³/

Short for 鋼琴協奏曲／钢琴协奏曲 (gāngqín xiézòuqǔ).


降噪

/t͡ɕi̯ɑŋ⁵¹⁻⁵³ t͡sɑʊ̯⁵¹/

/kɔːŋ³³ t͡sʰou̯³³/

/t͡ɕi̯ɑŋ⁵¹⁻⁵³ t͡sɑʊ̯⁵¹/

/kɔːŋ³³ t͡sʰou̯³³/

降噪功能


木管樂器

CJKV/code

Sino-Xenic (木管樂器):
* → Korean: 목관악기(木管樂器) (mokgwanakgi)

ㄇㄨˋ ㄍㄨㄢˇ ㄩㄝˋ ㄑㄧˋ

мугуань юэци

/mu⁵¹ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ t͡ɕʰi⁵¹/

/mʊk̚² kuːn³⁵ ŋɔːk̚² hei̯³³/

/mu⁵¹ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ t͡ɕʰi⁵¹/

/mʊk̚² kuːn³⁵ ŋɔːk̚² hei̯³³/


不插電

/pu⁵¹ ʈ͡ʂʰä⁵⁵ ti̯ɛn⁵¹/

/pɐt̚⁵ t͡sʰaːp̚³ tiːn²²/

/pu⁵¹ ʈ͡ʂʰä⁵⁵ ti̯ɛn⁵¹/

/pɐt̚⁵ t͡sʰaːp̚³ tiːn²²/

(music) unplugged (using acoustic instruments)


四重奏

/sz̩⁵¹ ʈ͡ʂʰʊŋ³⁵ t͡soʊ̯⁵¹/

/sei̯³³ t͡sʰʊŋ²¹ t͡sɐu̯³³/

/sz̩⁵¹ ʈ͡ʂʰʊŋ³⁵ t͡soʊ̯⁵¹/

/sei̯³³ t͡sʰʊŋ²¹ t͡sɐu̯³³/


狼音

/lɑŋ³⁵ in⁵⁵/

/lɔːŋ²¹ jɐm⁵⁵/

/lɑŋ³⁵ in⁵⁵/

/lɔːŋ²¹ jɐm⁵⁵/


樂感

/ɥɛ⁵¹ kän²¹⁴⁻²¹⁽⁴⁾/

/ɥɛ⁵¹ kän²¹⁴⁻²¹⁽⁴⁾/


樂譜庫

/ɥɛ⁵¹ pʰu²¹⁴⁻²¹ kʰu⁵¹/

/ɥɛ⁵¹ pʰu²¹⁴⁻²¹ kʰu⁵¹/


琴童

/t͡ɕʰin³⁵ tʰʊŋ³⁵/

/t͡ɕʰin³⁵ tʰʊŋ³⁵/

young student of a string or keyboard instrument (e.g. a guqin, violin, piano, etc.)


三連音

/sän⁵⁵ li̯ɛn³⁵ in⁵⁵/

/sän⁵⁵ li̯ɛn³⁵ in⁵⁵/


鬚生

/ɕy⁵⁵ ʂɤŋ⁵⁵/

/sou̯⁵⁵ sɐŋ⁵⁵/

/ɕy⁵⁵ ʂɤŋ⁵⁵/

/sou̯⁵⁵ sɐŋ⁵⁵/

(opera) laosheng (older male role in Chinese opera)


老生

/lɑʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/lou̯¹³ sɐŋ⁵⁵/

/lau³³⁻¹¹ siɪŋ⁴⁴/

/lau³³⁻²¹ siɪŋ⁴⁴/

/lɑʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/lou̯¹³ sɐŋ⁵⁵/

/lau³³⁻¹¹ siɪŋ⁴⁴/

/lau³³⁻²¹ siɪŋ⁴⁴/


北調

(Zhangzhou Hokkien) Beiguan (a type of traditional Chinese music that was widespread in southern Fujian and Taiwan)


北曲

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/pak̚³²⁻⁵ kʰiɪk̚³²/

/pak̚³²⁻⁵ kʰiɪk̚³²/

northern tunes (a type of music popular in northern China since the Song dynasty)

northern operas (popular in northern China in the Yuan dynasty)


北曲

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/pak̚³²⁻⁵ kʰiɪk̚³²/

/pak̚³²⁻⁵ kʰiɪk̚³²/


胡琴子

/ɸu¹³ t͡ɕʰin¹³ t͡sz̩³/

/ɸu¹³ t͡ɕʰin¹³ t͡sz̩³/

(Xiang) huqin (any of a family of vertical bowed lutes used in Chinese music)


安魂曲

/ˀän⁵⁵ xu̯ən³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/ɔːn⁵⁵ wɐn²¹ kʰʊk̚⁵/

/ˀän⁵⁵ xu̯ən³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/ɔːn⁵⁵ wɐn²¹ kʰʊk̚⁵/


眼子

(Jin) accented and unaccented beats in traditional Chinese music; measure, time


班主

/pän⁵⁵ ʈ͡ʂu²¹⁴⁻²¹⁽⁴⁾/

/pæ̃¹¹ t͡su¹¹/

/pän⁵⁵ ʈ͡ʂu²¹⁴⁻²¹⁽⁴⁾/

/pæ̃¹¹ t͡su¹¹/

owner of a sports club, especially a soccer club


𥱧

Phono-semantic compound (形聲／形声): semantic 竹 (“bamboo”) + phonetic 秦 (OC *zin).

Han compound

Synonym of 軋箏／轧筝 (yàzhēng), used during the Qing Dynasty


𫪦咑

(Eastern Min, music) suona (traditional Chinese woodwind instrument)


戲旦

/hi⁴¹⁻⁵⁵⁴ tuã⁴¹/

/hi²¹⁻⁵³ tuã²²/

/hi⁴¹⁻⁵⁵⁴ tuã⁴¹/

/hi²¹⁻⁵³ tuã²²/

(Quanzhou and Xiamen Hokkien, opera) female role (in Chinese opera, usually young and pretty)


戲籠

/hi²¹⁻⁴¹ laŋ⁴¹/

/hi¹¹⁻⁵³ laŋ⁵³/

/hi²¹⁻⁴¹ laŋ⁴¹/

/hi¹¹⁻⁵³ laŋ⁵³/

(Southern Min) costume trunk (storage of props and costumes for opera troupes)


戲箱

/ɕi⁵¹ ɕi̯ɑŋ⁵⁵/

/hei̯³³ sœːŋ⁵⁵/

/hi²¹⁻⁵³ siũ⁴⁴/

/hi⁴¹⁻⁵⁵⁴ siũ³³/

/hi²¹⁻⁵³ siɔ̃⁴⁴/

/ɕi⁵¹ ɕi̯ɑŋ⁵⁵/

/hei̯³³ sœːŋ⁵⁵/

/hi²¹⁻⁵³ siũ⁴⁴/

/hi⁴¹⁻⁵⁵⁴ siũ³³/

/hi²¹⁻⁵³ siɔ̃⁴⁴/


拍拍

/pʰa(ʔ)³²⁻⁵³ pʰiɪk̚³²/

/pʰa(ʔ)³²⁻⁴¹ pʰiɪk̚³²/

/pʰa(ʔ)³²⁻⁵³ pʰiɪk̚³²/

/pʰa(ʔ)³²⁻⁴¹ pʰiɪk̚³²/

(Southern Min) to beat time (with clappers, especially used in Nanguan)


啲嗒仔

(Northern Min, music) (soprano) suona (traditional Chinese woodwind instrument)


夯歌

/xɑŋ⁵⁵ kɤ⁵⁵/

/haːŋ⁵⁵ kɔː⁵⁵/

/xɑŋ⁵⁵ kɤ⁵⁵/

/haːŋ⁵⁵ kɔː⁵⁵/


歌喉

/kɤ⁵⁵ xoʊ̯³⁵/

/kɔː⁵⁵ hɐu̯²¹/

/kua⁴⁴⁻²² au²⁴/

/kua⁴⁴⁻²² au¹³/

/kua⁴⁴⁻³³ au²⁴/

/kua⁴⁴⁻³³ au²³/

/kɤ⁵⁵ xoʊ̯³⁵/

/kɔː⁵⁵ hɐu̯²¹/

/kua⁴⁴⁻²² au²⁴/

/kua⁴⁴⁻²² au¹³/

/kua⁴⁴⁻³³ au²⁴/

/kua⁴⁴⁻³³ au²³/


紹興戲

/ʂɑʊ̯⁵¹ ɕiŋ⁵⁵ ɕi⁵¹/

/zɔ²² ɕin⁵⁵ ɕi²¹/

/ʂɑʊ̯⁵¹ ɕiŋ⁵⁵ ɕi⁵¹/

/zɔ²² ɕin⁵⁵ ɕi²¹/


冇弦

/pʰã²¹³⁻⁵⁵ hĩ⁵⁵/

/pʰã²¹³⁻⁵⁵ hĩ⁵⁵/

(Teochew, music) yehu; a Chinese bowed string instrument with two strings and a coconut shell body


弦樂四重奏

ㄒㄧㄢˊ ㄩㄝˋ ㄙˋ ㄓㄨㄥˋ ㄗㄡˋ

сяньюэсычжунцзоу

/ɕi̯ɛn³⁵ ɥɛ⁵¹⁻⁵³ sz̩⁵¹⁻⁵³ ʈ͡ʂʊŋ⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/jiːn²¹ ŋɔːk̚² sei̯³³ t͡sʰʊŋ²¹ t͡sɐu̯³³/


十六分音符

ㄕˊ ㄌㄧㄡˋ ㄈㄣ ㄧㄣ ㄈㄨˊ

шилюфэньиньфу

/ʂʐ̩³⁵ li̯oʊ̯⁵¹ fən⁵⁵ in⁵⁵ fu³⁵/

/sɐp̚² lʊk̚² fɐn⁵⁵ jɐm⁵⁵ fuː²¹/

/ʂʐ̩³⁵ li̯oʊ̯⁵¹ fən⁵⁵ in⁵⁵ fu³⁵/

/sɐp̚² lʊk̚² fɐn⁵⁵ jɐm⁵⁵ fuː²¹/


玉環

/y⁵¹ xu̯än³⁵/

/ɡiɪk̚⁴⁻³² kʰuan²⁴/

/ɡiɪk̚²⁴⁻² kʰuan²⁴/

/ɡiɪk̚¹²¹⁻²¹ kʰuan¹³/

/ɡiɪk̚⁴⁻³² kʰuan²⁴/

/ɡiɪk̚⁴⁻³² kʰuan²³/

/y⁵¹ xu̯än³⁵/

/ɡiɪk̚⁴⁻³² kʰuan²⁴/

/ɡiɪk̚²⁴⁻² kʰuan²⁴/

/ɡiɪk̚¹²¹⁻²¹ kʰuan¹³/

/ɡiɪk̚⁴⁻³² kʰuan²⁴/

/ɡiɪk̚⁴⁻³² kʰuan²³/


廣板

/ku̯ɑŋ²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/kʷɔːŋ³⁵ paːn³⁵/

/ku̯ɑŋ²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/kʷɔːŋ³⁵ paːn³⁵/


六連音

ㄌㄧㄡˋ ㄌㄧㄢˊ ㄧㄣ

/li̯oʊ̯⁵¹ li̯ɛn³⁵ in⁵⁵/

/lʊk̚² liːn²¹ jɐm⁵⁵/

/li̯oʊ̯⁵¹ li̯ɛn³⁵ in⁵⁵/

/lʊk̚² liːn²¹ jɐm⁵⁵/


七連音

/t͡ɕʰi⁵⁵ li̯ɛn³⁵ in⁵⁵/

/t͡sʰɐt̚⁵ liːn²¹ jɐm⁵⁵/

/t͡ɕʰi⁵⁵ li̯ɛn³⁵ in⁵⁵/

/t͡sʰɐt̚⁵ liːn²¹ jɐm⁵⁵/


五連音

/u²¹⁴⁻²¹ li̯ɛn³⁵ in⁵⁵/

/ŋ̍¹³ liːn²¹ jɐm⁵⁵/

/u²¹⁴⁻²¹ li̯ɛn³⁵ in⁵⁵/

/ŋ̍¹³ liːn²¹ jɐm⁵⁵/


屬音

/ʂu²¹⁴⁻²¹ in⁵⁵/

/sʊk̚² jɐm⁵⁵/

/ʂu²¹⁴⁻²¹ in⁵⁵/

/sʊk̚² jɐm⁵⁵/


上主音

/ʂɑŋ⁵¹ ʈ͡ʂu²¹⁴⁻²¹ in⁵⁵/

/sœːŋ²² t͡syː³⁵ jɐm⁵⁵/

/ʂɑŋ⁵¹ ʈ͡ʂu²¹⁴⁻²¹ in⁵⁵/

/sœːŋ²² t͡syː³⁵ jɐm⁵⁵/


導音

/tɑʊ̯²¹⁴⁻²¹ in⁵⁵/

/tɑʊ̯²¹⁴⁻²¹ in⁵⁵/


下中音

/ɕi̯ä⁵¹ ʈ͡ʂʊŋ⁵⁵ in⁵⁵/

/haː²² t͡sʊŋ⁵⁵ jɐm⁵⁵/

/ɕi̯ä⁵¹ ʈ͡ʂʊŋ⁵⁵ in⁵⁵/

/haː²² t͡sʊŋ⁵⁵ jɐm⁵⁵/


下屬音

/ɕi̯ä⁵¹ ʂu²¹⁴⁻²¹ in⁵⁵/

/haː²² sʊk̚² jɐm⁵⁵/

/ɕi̯ä⁵¹ ʂu²¹⁴⁻²¹ in⁵⁵/

/haː²² sʊk̚² jɐm⁵⁵/


中央C

/ʈ͡ʂʊŋ⁵⁵ jɑŋ⁵⁵ seɪ̯⁵⁵/

/ʈ͡ʂʊŋ⁵⁵ jɑŋ⁵⁵ ɕi⁵⁵/

/t͡sʊŋ⁵⁵ jœːŋ⁵⁵ siː⁵⁵/

/ʈ͡ʂʊŋ⁵⁵ jɑŋ⁵⁵ seɪ̯⁵⁵/

/ʈ͡ʂʊŋ⁵⁵ jɑŋ⁵⁵ ɕi⁵⁵/

/t͡sʊŋ⁵⁵ jœːŋ⁵⁵ siː⁵⁵/


三和弦

/sän⁵⁵ xɤ³⁵ ɕi̯ɛn³⁵/

/saːm⁵⁵ wɔː²¹ jiːn²¹/

/sän⁵⁵ xɤ³⁵ ɕi̯ɛn³⁵/

/saːm⁵⁵ wɔː²¹ jiːn²¹/


下主音

/ɕi̯ä⁵¹ ʈ͡ʂu²¹⁴⁻²¹ in⁵⁵/

/haː²² t͡syː³⁵ jɐm⁵⁵/

/ɕi̯ä⁵¹ ʈ͡ʂu²¹⁴⁻²¹ in⁵⁵/

/haː²² t͡syː³⁵ jɐm⁵⁵/


總譜

/t͡sʊŋ²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/t͡sʊŋ³⁵ pʰou̯³⁵/

/t͡sʊŋ²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/t͡sʊŋ³⁵ pʰou̯³⁵/


泛音列

/fän⁵¹ in⁵⁵ li̯ɛ⁵¹/

/fän⁵¹ in⁵⁵ li̯ɛ⁵¹/


低音大提琴

ㄉㄧ ㄧㄣ ㄉㄚˋ ㄊㄧˊ ㄑㄧㄣˊ

диинь датицинь

/ti⁵⁵ in⁵⁵ tä⁵¹ tʰi³⁵ t͡ɕʰin³⁵/

/tɐi̯⁵⁵ jɐm⁵⁵ taːi̯²² tʰɐi̯²¹ kʰɐm²¹/

/ti⁵⁵ in⁵⁵ tä⁵¹ tʰi³⁵ t͡ɕʰin³⁵/

/tɐi̯⁵⁵ jɐm⁵⁵ taːi̯²² tʰɐi̯²¹ kʰɐm²¹/


七和弦

/t͡ɕʰi⁵⁵ xɤ³⁵ ɕi̯ɛn³⁵/

/t͡sʰɐt̚⁵ wɔː²¹ jiːn²¹/

/t͡ɕʰi⁵⁵ xɤ³⁵ ɕi̯ɛn³⁵/

/t͡sʰɐt̚⁵ wɔː²¹ jiːn²¹/


十二平均律

ㄕˊ ㄦˋ ㄆㄧㄥˊ ㄐㄩㄣ ㄌㄩˋ

шиэр пинцзюньлюй

/ʂʐ̩³⁵ ˀɤɻ⁵¹ pʰiŋ³⁵ t͡ɕyn⁵⁵ ly⁵¹/

/sɐp̚² jiː²² pʰɪŋ²¹ kʷɐn⁵⁵ lɵt̚²/

/ʂʐ̩³⁵ ˀɤɻ⁵¹ pʰiŋ³⁵ t͡ɕyn⁵⁵ ly⁵¹/

/sɐp̚² jiː²² pʰɪŋ²¹ kʷɐn⁵⁵ lɵt̚²/


電音

Short for 電子音樂／电子音乐 (diànzǐ yīnyuè, “electronic music”)..


行板

/ɕiŋ³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/hɐŋ²¹ paːn³⁵/

/ɕiŋ³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/hɐŋ²¹ paːn³⁵/


急板

/t͡ɕi³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi³⁵ pän²¹⁴⁻²¹⁽⁴⁾/


空弦

/kʰʊŋ⁵⁵ ɕi̯ɛn³⁵/

/hʊŋ⁵⁵ jiːn²¹/

/kʰʊŋ⁵⁵ ɕi̯ɛn³⁵/

/hʊŋ⁵⁵ jiːn²¹/


視奏

/ʂʐ̩⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/siː²² t͡sɐu̯³³/

/ʂʐ̩⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/siː²² t͡sɐu̯³³/

(music) to sight-read; to play a musical piece while reading it for the first time, without preparation


視譜

/ʂʐ̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/siː²² pʰou̯³⁵/

/ʂʐ̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/siː²² pʰou̯³⁵/


中板

/ʈ͡ʂʊŋ⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/t͡sʊŋ⁵⁵ paːn³⁵/

/ʈ͡ʂʊŋ⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/t͡sʊŋ⁵⁵ paːn³⁵/


彌撒曲

/mi³⁵ sä⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/nei̯²¹ saːt̚³ kʰʊk̚⁵/

/mei̯²¹ saːt̚³ kʰʊk̚⁵/

/mi³⁵ sä⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/nei̯²¹ saːt̚³ kʰʊk̚⁵/

/mei̯²¹ saːt̚³ kʰʊk̚⁵/

(music) mass (a musical setting of parts of the mass)


粵曲

/ɥɛ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/jyːt̚² kʰʊk̚⁵/

/ɥɛ⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/jyːt̚² kʰʊk̚⁵/

Cantonese operatic song (Classifier: 首 c; 支 c)


次中音譜號

ㄘˋ ㄓㄨㄥ ㄧㄣ ㄆㄨˇ ㄏㄠˋ

цычжунъиньпухао

/t͡sʰz̩⁵¹ ʈ͡ʂʊŋ⁵⁵ in⁵⁵ pʰu²¹⁴⁻²¹ xɑʊ̯⁵¹/

/t͡sʰiː³³ t͡sʊŋ⁵⁵ jɐm⁵⁵ pʰou̯³⁵ hou̯²²/

/t͡sʰiː³³ t͡sʊŋ⁵⁵ jɐm⁵⁵ pʰou̯³⁵ hou̯²²/


高音譜號

ㄍㄠ ㄧㄣ ㄆㄨˇ ㄏㄠˋ

/kɑʊ̯⁵⁵ in⁵⁵ pʰu²¹⁴⁻²¹ xɑʊ̯⁵¹/

/kou̯⁵⁵ jɐm⁵⁵ pʰou̯³⁵ hou̯²²/

/kɑʊ̯⁵⁵ in⁵⁵ pʰu²¹⁴⁻²¹ xɑʊ̯⁵¹/

/kou̯⁵⁵ jɐm⁵⁵ pʰou̯³⁵ hou̯²²/


低音譜號

ㄉㄧ ㄧㄣ ㄆㄨˇ ㄏㄠˋ

/ti⁵⁵ in⁵⁵ pʰu²¹⁴⁻²¹ xɑʊ̯⁵¹/

/tɐi̯⁵⁵ jɐm⁵⁵ pʰou̯³⁵ hou̯²²/

/ti⁵⁵ in⁵⁵ pʰu²¹⁴⁻²¹ xɑʊ̯⁵¹/

/tɐi̯⁵⁵ jɐm⁵⁵ pʰou̯³⁵ hou̯²²/


譜號

/pʰu²¹⁴⁻²¹ xɑʊ̯⁵¹/

/pʰu²¹⁴⁻²¹ xɑʊ̯⁵¹/


中音譜號

ㄓㄨㄥ ㄧㄣ ㄆㄨˇ ㄏㄠˋ

чжунъиньпухао

/ʈ͡ʂʊŋ⁵⁵ in⁵⁵ pʰu²¹⁴⁻²¹ xɑʊ̯⁵¹/

/t͡sʊŋ⁵⁵ jɐm⁵⁵ pʰou̯³⁵ hou̯²²/

/ʈ͡ʂʊŋ⁵⁵ in⁵⁵ pʰu²¹⁴⁻²¹ xɑʊ̯⁵¹/

/t͡sʊŋ⁵⁵ jɐm⁵⁵ pʰou̯³⁵ hou̯²²/


小三和弦

ㄒㄧㄠˇ ㄙㄢ ㄏㄜˊ ㄒㄧㄢˊ

сяосаньхэсянь

/ɕi̯ɑʊ̯²¹⁴⁻²¹ sän⁵⁵ xɤ³⁵ ɕi̯ɛn³⁵/

/siːu̯³⁵ saːm⁵⁵ wɔː²¹ jiːn²¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ sän⁵⁵ xɤ³⁵ ɕi̯ɛn³⁵/

/siːu̯³⁵ saːm⁵⁵ wɔː²¹ jiːn²¹/


大三和弦

ㄉㄚˋ ㄙㄢ ㄏㄜˊ ㄒㄧㄢˊ

дасаньхэсянь

/tä⁵¹ sän⁵⁵ xɤ³⁵ ɕi̯ɛn³⁵/

/taːi̯²² saːm⁵⁵ wɔː²¹ jiːn²¹/

/tä⁵¹ sän⁵⁵ xɤ³⁵ ɕi̯ɛn³⁵/

/taːi̯²² saːm⁵⁵ wɔː²¹ jiːn²¹/


五度圈

/u²¹⁴⁻²¹ tu⁵¹ t͡ɕʰy̯ɛn⁵⁵/

/ŋ̍¹³ tou̯²² hyːn⁵⁵/

/u²¹⁴⁻²¹ tu⁵¹ t͡ɕʰy̯ɛn⁵⁵/

/ŋ̍¹³ tou̯²² hyːn⁵⁵/


和弦進行

ㄏㄜˊ ㄒㄧㄢˊ ㄐㄧㄣˋ ㄒㄧㄥˊ

хэсяньцзиньсин

/xɤ³⁵ ɕi̯ɛn³⁵ t͡ɕin⁵¹ ɕiŋ³⁵/

/wɔː²¹ jiːn²¹ t͡sɵn³³ hɐŋ²¹/

/xɤ³⁵ ɕi̯ɛn³⁵ t͡ɕin⁵¹ ɕiŋ³⁵/

/wɔː²¹ jiːn²¹ t͡sɵn³³ hɐŋ²¹/


三十二分音符

ㄙㄢ ㄕˊ ㄦˋ ㄈㄣ ㄧㄣ ㄈㄨˊ

саньшиэрфэньиньфу

/sän⁵⁵ ʂʐ̩³⁵ ˀɤɻ⁵¹ fən⁵⁵ in⁵⁵ fu³⁵/

/saːm⁵⁵ sɐp̚² jiː²² fɐn⁵⁵ jɐm⁵⁵ fuː²¹/

/sän⁵⁵ ʂʐ̩³⁵ ˀɤɻ⁵¹ fən⁵⁵ in⁵⁵ fu³⁵/

/saːm⁵⁵ sɐp̚² jiː²² fɐn⁵⁵ jɐm⁵⁵ fuː²¹/

(music) demisemiquaver; thirty-second note


附點音符

ㄈㄨˋ ㄉㄧㄢˇ ㄧㄣ ㄈㄨˊ

/fu⁵¹ ti̯ɛn²¹⁴⁻²¹ in⁵⁵ fu³⁵/

/fuː²² tiːm³⁵ jɐm⁵⁵ fuː²¹/

/fu⁵¹ ti̯ɛn²¹⁴⁻²¹ in⁵⁵ fu³⁵/

/fuː²² tiːm³⁵ jɐm⁵⁵ fuː²¹/


持續音

/ʈ͡ʂʰʐ̩³⁵ ɕy⁵¹ in⁵⁵/

/t͡sʰiː²¹ t͡sʊk̚² jɐm⁵⁵/

/ʈ͡ʂʰʐ̩³⁵ ɕy⁵¹ in⁵⁵/

/t͡sʰiː²¹ t͡sʊk̚² jɐm⁵⁵/


十五度

/ʂʐ̩³⁵ u²¹⁴⁻²¹ tu⁵¹/

/sɐp̚² ŋ̍¹³ tou̯²²/

/ʂʐ̩³⁵ u²¹⁴⁻²¹ tu⁵¹/

/sɐp̚² ŋ̍¹³ tou̯²²/


裝飾音

/ʈ͡ʂu̯ɑŋ⁵⁵ ʂʐ̩⁵¹ in⁵⁵/

/t͡sɔːŋ⁵⁵ sɪk̚⁵ jɐm⁵⁵/

/ʈ͡ʂu̯ɑŋ⁵⁵ ʂʐ̩⁵¹ in⁵⁵/

/t͡sɔːŋ⁵⁵ sɪk̚⁵ jɐm⁵⁵/


碎音

/su̯eɪ̯⁵¹ in⁵⁵/

/sɵy̯³³ jɐm⁵⁵/

/su̯eɪ̯⁵¹ in⁵⁵/

/sɵy̯³³ jɐm⁵⁵/


倚音

/i²¹⁴⁻²¹ in⁵⁵/

/jiː³⁵ jɐm⁵⁵/

/i²¹⁴⁻²¹ in⁵⁵/

/jiː³⁵ jɐm⁵⁵/


肩托

/t͡ɕi̯ɛn⁵⁵ tʰu̯ɔ⁵⁵/

/kiːn⁵⁵ tʰɔːk̚³/

/t͡ɕi̯ɛn⁵⁵ tʰu̯ɔ⁵⁵/

/kiːn⁵⁵ tʰɔːk̚³/


裝飾奏

/ʈ͡ʂu̯ɑŋ⁵⁵ ʂʐ̩⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/t͡sɔːŋ⁵⁵ sɪk̚⁵ t͡sɐu̯³³/

/ʈ͡ʂu̯ɑŋ⁵⁵ ʂʐ̩⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/t͡sɔːŋ⁵⁵ sɪk̚⁵ t͡sɐu̯³³/


華彩樂段

ㄏㄨㄚˊ ㄘㄞˇ ㄩㄝˋ ㄉㄨㄢˋ

хуацай юэдуань

/xu̯ä³⁵ t͡sʰaɪ̯²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ tu̯än⁵¹/

/waː²¹ t͡sʰɔːi̯³⁵ ŋɔːk̚² tyːn²²/

/xu̯ä³⁵ t͡sʰaɪ̯²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ tu̯än⁵¹/

/waː²¹ t͡sʰɔːi̯³⁵ ŋɔːk̚² tyːn²²/


奏鳴曲式

ㄗㄡˋ ㄇㄧㄥˊ ㄑㄩˇ ㄕˋ

цзоуминцюйши

/t͡soʊ̯⁵¹ miŋ³⁵ t͡ɕʰy²¹⁴⁻²¹ ʂʐ̩⁵¹/

/t͡sɐu̯³³ mɪŋ²¹ kʰʊk̚⁵ sɪk̚⁵/

/t͡soʊ̯⁵¹ miŋ³⁵ t͡ɕʰy²¹⁴⁻²¹ ʂʐ̩⁵¹/

/t͡sɐu̯³³ mɪŋ²¹ kʰʊk̚⁵ sɪk̚⁵/


把位

/pä²¹⁴⁻²¹ weɪ̯⁵¹/

/paː³⁵ wɐi̯²²⁻³⁵/

/pä²¹⁴⁻²¹ weɪ̯⁵¹/

/paː³⁵ wɐi̯²²⁻³⁵/

(music) position (on a string instrument)


換把

/xu̯än⁵¹ pä²¹⁴⁻²¹⁽⁴⁾/

/xu̯än⁵¹ pä²¹⁴⁻²¹⁽⁴⁾/

(music) to shift; to change positions (on a string instrument)


上弓

/ʂɑŋ⁵¹ kʊŋ⁵⁵/

/ʂɑŋ⁵¹ kʊŋ⁵⁵/


下弓

/ɕi̯ä⁵¹ kʊŋ⁵⁵/

/ɕi̯ä⁵¹ kʊŋ⁵⁵/


哬哚

/hœː²¹ tœː⁵⁵/

/hœː²¹ tœː⁵⁵/

(Guangzhou Cantonese, music) suona (a type of woodwind instrument)


雙音

/ʂu̯ɑŋ⁵⁵ in⁵⁵/

/sœːŋ⁵⁵ jɐm⁵⁵/

/ʂu̯ɑŋ⁵⁵ in⁵⁵/

/sœːŋ⁵⁵ jɐm⁵⁵/


戲班子

/ɕi⁵¹ pän⁵⁵ d͡z̥z̩²/

/ɕi⁵¹ pän⁵⁵ d͡z̥z̩²/


班社

/pän⁵⁵ ʂɤ⁵¹/

/pän⁵⁵ ʂɤ⁵¹/


駁魚

/ˈpɔʔ⁵ n̠ʲie³⁵/

/ˈpɔʔ⁵ n̠ʲie³⁵/

(Gan) wooden fish (Buddhist wooden percussion instrument)


駁魚子

/ˈpɔʔ⁵ n̠ʲie³⁵ t͡sz̩²/

/ˈpɔʔ⁵ n̠ʲie³⁵ t͡sz̩²/


轉位

/ʈ͡ʂu̯än²¹⁴⁻²¹ weɪ̯⁵¹/

/t͡syːn³³ wɐi̯²²⁻³⁵/

/ʈ͡ʂu̯än²¹⁴⁻²¹ weɪ̯⁵¹/

/t͡syːn³³ wɐi̯²²⁻³⁵/

(music, e.g. of chord, interval) to become inverted


福州戲

/fu³⁵ ʈ͡ʂoʊ̯⁵⁵ ɕi⁵¹/

/huʔ²⁴⁻²¹ t͡sieu⁵⁵⁻⁵³ hiɛ²¹³/

/fu³⁵ ʈ͡ʂoʊ̯⁵⁵ ɕi⁵¹/

/huʔ²⁴⁻²¹ t͡sieu⁵⁵⁻⁵³ hiɛ²¹³/


五重奏

/u²¹⁴⁻²¹ ʈ͡ʂʊŋ⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/ŋ̍¹³ t͡sʰʊŋ²¹ t͡sɐu̯³³/

/u²¹⁴⁻²¹ ʈ͡ʂʊŋ⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/ŋ̍¹³ t͡sʰʊŋ²¹ t͡sɐu̯³³/


指譜

/t͡si⁵³⁻⁴⁴ pʰɔ⁵³/

/t͡suĩ⁵⁵⁴⁻²⁴ pʰɔ⁵⁵⁴/

/t͡si⁵³⁻⁴⁴ pʰɔ⁵³/

/t͡suĩ⁵⁵⁴⁻²⁴ pʰɔ⁵⁵⁴/

(Southern Min) nanyin music score (in the Min Nan region)


美麗的磨坊少女

ㄇㄟˇ ㄌㄧˋ ˙ㄉㄜ ㄇㄛˋ ㄈㄤˊ ㄕㄠˋ ㄋㄩˇ

ㄇㄟˇ ㄌㄧˋ ˙ㄉㄜ ㄇㄛˋ ㄈㄤ ㄕㄠˋ ㄋㄩˇ

Мэйли Дэ Мофан Шаонюй

/meɪ̯²¹⁴⁻²¹ li⁵¹ d̥ə¹ mu̯ɔ⁵¹ fɑŋ³⁵ ʂɑʊ̯⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

/meɪ̯²¹⁴⁻²¹ li⁵¹ d̥ə¹ mu̯ɔ⁵¹ fɑŋ⁵⁵ ʂɑʊ̯⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

Die schöne Müllerin, a song cycle by Franz Schubert


四句

/si²¹⁻⁵³ ku²¹/

/si⁴¹⁻⁵⁵⁴ ku⁴¹/

/si²¹⁻⁵³ ku²¹/

/si⁴¹⁻⁵⁵⁴ ku⁴¹/

(Quanzhou and Xiamen Hokkien, opera) rhyming set of sentences read by a character in Hokkien opera (often comes in sets of four)


四句仔

/si²¹⁻⁵³ ku²¹⁻⁵³ a⁵³/

/si²¹⁻⁵³ ku²¹⁻⁵³ a⁵³/

(Xiamen Hokkien, opera) rhyming set of sentences read by a character in Hokkien opera (often comes in sets of four)


四句聯仔

/si²¹⁻⁵³ ku²¹⁻⁵³ liɛn²⁴⁻²² a⁵³/

/si²¹⁻⁵³ ku²¹⁻⁵³ liɛn²⁴⁻²² a⁵³/


念四句

/liam⁴¹⁻²² si⁴¹⁻⁵⁵⁴ ku⁴¹/

/liam⁴¹⁻²² si⁴¹⁻⁵⁵⁴ ku⁴¹/

(Quanzhou Hokkien, opera) rhyming set of sentences read by a character in Hokkien opera (often comes in sets of four)


四句念

/si²¹⁻⁵³ ku²¹⁻⁵³ liam²²/

/si²¹⁻⁵³ ku²¹⁻⁵³ liam²²/


四念白

/si²¹⁻⁵³ liam²²⁻²¹ peʔ⁴/

/si²¹⁻⁵³ liam²²⁻²¹ peʔ⁴/


迪科

/diɪʔ¹¹ ku²³/

/diɪʔ¹¹ ku²³/


飲場

/in⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/in⁵¹ ʈ͡ʂʰɑŋ³⁵/

/in⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/in⁵¹ ʈ͡ʂʰɑŋ³⁵/

(dated, of a traditional Chinese opera singer) to have a drink of water on stage before performance commences


死亡金屬

ㄙˇ ㄨㄤˊ ㄐㄧㄣ ㄕㄨˇ

сыван цзиньшу

/sz̩²¹⁴⁻²¹ wɑŋ³⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/sz̩²¹⁴⁻²¹ wɑŋ³⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/


𪛙

From 一 (yī) + 丿 (denoting one octave lower in Kunqu).

(music) Kunqu gongche notation for the note an octave below low ti (7̣̣).


唱碟

/ʈ͡ʂʰɑŋ⁵¹ ti̯ɛ³⁵/

/t͡sʰœːŋ³³ tiːp̚²⁻³⁵/

/ʈ͡ʂʰɑŋ⁵¹ ti̯ɛ³⁵/

/t͡sʰœːŋ³³ tiːp̚²⁻³⁵/

(Cantonese) phonograph record; vinyl disc


瓊劇

/t͡ɕʰi̯ʊŋ³⁵ t͡ɕy⁵¹/

/kʰɪŋ²¹ kʰɛːk̚²/

/t͡ɕʰi̯ʊŋ³⁵ t͡ɕy⁵¹/

/kʰɪŋ²¹ kʰɛːk̚²/


彈唱

/tʰän³⁵ ʈ͡ʂʰɑŋ⁵¹/

/tʰaːn²¹ t͡sʰœːŋ³³/

/tuã²³⁻³³ t͡sʰiũ²¹/

/tuã²⁴⁻¹¹ t͡sʰiũ¹¹/

/tʰän³⁵ ʈ͡ʂʰɑŋ⁵¹/

/tʰaːn²¹ t͡sʰœːŋ³³/

/tuã²³⁻³³ t͡sʰiũ²¹/

/tuã²⁴⁻¹¹ t͡sʰiũ¹¹/

to sing with the accompaniment of one or more plucked string instruments; to sing and play a plucked string instrument at the same time


撥子

/pu̯ɔ⁵⁵ d͡z̥z̩²/

/pu̯ɔ⁵⁵ d͡z̥z̩²/


樂工

CJKV/code

Sino-Xenic (樂工):
* → Korean: 악공(樂工) (akgong)

/ɥɛ⁵¹ kʊŋ⁵⁵/

/ŋɔːk̚² kʊŋ⁵⁵/

/ɥɛ⁵¹ kʊŋ⁵⁵/

/ŋɔːk̚² kʊŋ⁵⁵/

(archaic) musician (often an official in charge of music)


花舌

/xu̯ä⁵⁵ ʂɤ³⁵/

/xu̯ä⁵⁵ ʂɤ³⁵/


浪漫史

/lɑŋ⁵¹⁻⁵³ män⁵¹ ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/lɑŋ⁵¹⁻⁵³ män⁵¹ ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

Possibly borrowed from Russian рома́нс (románs), derived from French romance.

romance, love song (of a sentimental nature)


巫巫茲拉

/u⁵⁵ u⁵⁵ t͡sz̩⁵⁵ lä⁵⁵/

/u⁵⁵ u⁵⁵ t͡sz̩⁵⁵ lä⁵⁵/


腔頭

/kʰi̯oŋ²⁴ tʰeu̯¹¹/

/kʰi̯oŋ²⁴ tʰeu̯¹¹/

(Hakka) tone of voice; tone; intonation; accent


死腔

/sz̩²¹⁴⁻²¹ t͡ɕʰi̯ɑŋ⁵⁵/

/sz̩²¹⁴⁻²¹ t͡ɕʰi̯ɑŋ⁵⁵/

See also: 黑死腔


音樂治療

ㄧㄣ ㄩㄝˋ ㄓˋ ㄌㄧㄠˊ

иньюэ чжиляо

/in⁵⁵ ɥɛ⁵¹⁻⁵³ ʈ͡ʂʐ̩⁵¹ li̯ɑʊ̯³⁵/

/in⁵⁵ ɥɛ⁵¹⁻⁵³ ʈ͡ʂʐ̩⁵¹ li̯ɑʊ̯³⁵/


歌譜

/kɤ⁵⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/kɔː⁵⁵ pʰou̯³⁵/

/kua⁴⁴⁻²² pʰɔ⁵³/

/kua³³ pʰɔ⁵⁵⁴/

/kua⁴⁴⁻²² pʰɔ⁵³/

/kua⁴⁴⁻³³ pʰɔ⁵³/

/kua⁴⁴⁻³³ pʰɔ⁴¹/

/kɤ⁵⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/kɔː⁵⁵ pʰou̯³⁵/

/kua⁴⁴⁻²² pʰɔ⁵³/

/kua³³ pʰɔ⁵⁵⁴/

/kua⁴⁴⁻²² pʰɔ⁵³/

/kua⁴⁴⁻³³ pʰɔ⁵³/

/kua⁴⁴⁻³³ pʰɔ⁴¹/

1988, “情字這條路”, 慎芝 (lyrics)performed by 潘越雲:

Singing from the score of love every night

暝暝唸著愛的歌譜

暝暝念着爱的歌谱


吊櫃仔

/tiau²¹⁻⁵³ kui²²⁻²¹ a⁵³/

/tiau²¹⁻⁵³ kui²²⁻²¹ a⁵³/

(Zhangzhou Hokkien, music) jinghu (bowed Chinese string instrument with two strings and with a bamboo body and neck used primarily in Beijing opera)


吊鬼子

ㄉㄧㄠˋ ㄍㄨㄟˇ ˙ㄗ

/ti̯ɑʊ̯⁵¹ ku̯eɪ̯²¹⁴ d͡z̥z̩⁴/

/ti̯ɑʊ̯⁵¹ ku̯eɪ̯²¹⁴ d͡z̥z̩⁴/


藏戲

/t͡sɑŋ⁵¹⁻⁵³ ɕi⁵¹/

/t͡sɑŋ⁵¹⁻⁵³ ɕi⁵¹/


藏劇

/t͡sɑŋ⁵¹⁻⁵³ t͡ɕy⁵¹/

/t͡sɑŋ⁵¹⁻⁵³ t͡ɕy⁵¹/


日搖

/ʐ̩⁵¹ jɑʊ̯³⁵/

/ʐ̩⁵¹ jɑʊ̯³⁵/

Short for 日本搖滾／日本摇滚 (Rìběn yáogǔn, “(music) Japanese rock”).


獨奏曲

/tu³⁵ t͡soʊ̯⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/tʊk̚² t͡sɐu̯³³ kʰʊk̚⁵/

/tu³⁵ t͡soʊ̯⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/tʊk̚² t͡sɐu̯³³ kʰʊk̚⁵/

(music) solo (piece of music for one performer)


海菜腔

/xaɪ̯²¹⁴⁻²¹ t͡sʰaɪ̯⁵¹ t͡ɕʰi̯ɑŋ⁵⁵/

/xaɪ̯²¹⁴⁻²¹ t͡sʰaɪ̯⁵¹ t͡ɕʰi̯ɑŋ⁵⁵/

(music) haicaiqiang (traditional song and dance of the Yi minority)


混音師

/xu̯ən⁵¹ in⁵⁵ ʂʐ̩⁵⁵/

/xu̯ən⁵¹ in⁵⁵ ʂʐ̩⁵⁵/


瞪鞋

/tɤŋ⁵¹ ɕi̯ɛ³⁵/

/tɤŋ⁵¹ ɕi̯ɛ³⁵/


音場

/in⁵⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/in⁵⁵ ʈ͡ʂʰɑŋ³⁵/

/jɐm⁵⁵ t͡sʰœːŋ²¹/

/in⁵⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/in⁵⁵ ʈ͡ʂʰɑŋ³⁵/

/jɐm⁵⁵ t͡sʰœːŋ²¹/


聲場

/ʂɤŋ⁵⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/ʂɤŋ⁵⁵ ʈ͡ʂʰɑŋ³⁵/

/sɪŋ⁵⁵ t͡sʰœːŋ²¹/

/ʂɤŋ⁵⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/ʂɤŋ⁵⁵ ʈ͡ʂʰɑŋ³⁵/

/sɪŋ⁵⁵ t͡sʰœːŋ²¹/


音牆

/in⁵⁵ t͡ɕʰi̯ɑŋ³⁵/

/in⁵⁵ t͡ɕʰi̯ɑŋ³⁵/

吉他音牆

吉他音墙


阮咸琵琶

ㄖㄨㄢˇ ㄒㄧㄢˊ ㄆㄧˊ ㄆㄚˊ

жуаньсянь пипа

/ʐu̯än²¹⁴⁻²¹ ɕi̯ɛn³⁵ pʰi³⁵ pʰä³⁵/

/ʐu̯än²¹⁴⁻²¹ ɕi̯ɛn³⁵ pʰi³⁵ pʰä³⁵/

Named after Chinese scholar 阮咸 (Ruǎn Xián) of the Six Dynasties period, who played a round-bodied, long-necked fretted plucked lute that was called Qin pipa (秦琵琶) in his time.


母帶

/mu²¹⁴⁻²¹ taɪ̯⁵¹/

/mou̯¹³ taːi̯³³⁻³⁵/

/mu²¹⁴⁻²¹ taɪ̯⁵¹/

/mou̯¹³ taːi̯³³⁻³⁵/


錄音師

/lu⁵¹ in⁵⁵ ʂʐ̩⁵⁵/

/lu⁵¹ in⁵⁵ ʂʐ̩⁵⁵/


漁鼓

/y³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jyː²¹ kuː³⁵/

/y³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jyː²¹ kuː³⁵/

yugu (a single-headed hand drum with body made from a bamboo tube, used as an accompanying instrument in Daoqing narrative singing)


楹鼓

/iŋ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jɪŋ²¹ kuː³⁵/

/iŋ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jɪŋ²¹ kuː³⁵/

yinggu (a large double-headed barrel drum mounted horizontally on a pole which pierces the drum shell, supported by a four-legged stand, used in Chinese court ritual music since ancient times)


齊鼓

/t͡ɕʰi³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɐi̯²¹ kuː³⁵/

/t͡ɕʰi³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɐi̯²¹ kuː³⁵/

This drum's name was formerly spelled 脐鼓, with 脐 (qí, literally “navel”) referring to the thin circular film or paste that was affixed to the center of the drum head to facilitate tuning and improve the instrument's tone

qigu (a single-headed drum of Central Asian origin, shaped like a lacquer bucket, with a thin circular film or paste that was affixed to the center of the drum head to facilitate tuning and improve the instrument's tone; used in Chinese court banquet ensembles during the Sui and Tang dynasties)


雞婁鼓

/t͡ɕi⁵⁵ loʊ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/kɐi̯⁵⁵ lɐu̯²¹ kuː³⁵/

/t͡ɕi⁵⁵ loʊ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/kɐi̯⁵⁵ lɐu̯²¹ kuː³⁵/

jilougu (a single-headed urn-shaped hand drum, used in Chinese court banquet ensembles of Kuchean, Shule [Kashgar], and Gaochang [Kara-Khoja] origin during the Sui and Tang dynasties)


杖鼓

/ʈ͡ʂɑŋ⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡sœːŋ²² kuː³⁵/

/ʈ͡ʂɑŋ⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡sœːŋ²² kuː³⁵/

janggu (a double-headed hourglass drum played with two sticks, used in traditional Korean music)

zhanggu (a double-headed hourglass drum used in traditional Chinese music, primarily in Fujian province)


咚鏘

/tʊŋ⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/tʊŋ⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

the sound of beating drums and clashing cymbals in the music that accompanies traditional Chinese performances such as the lion dance


㞎㞎腔

/pa̠⁴¹ pa̠³ t͡ɕʰi̯æn³³/

/pa̠⁴¹ pa̠³ t͡ɕʰi̯æn³³/

(Xiang, opera) bad pronunciation or singing in Hunanese opera


簡字譜

/t͡ɕi̯ɛn²¹⁴⁻²¹ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ɛn²¹⁴⁻²¹ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

Literally, “simplified character notation/score”, so called because the notational symbols used in this form of tablature are written in clusters that combine simplified elements of various Chinese characters

lit

(music) a form of shorthand tablature used to record guqin music


律呂

/ly⁵¹ ly²¹⁴⁻²¹⁽⁴⁾/

/ly⁵¹ ly²¹⁴⁻²¹⁽⁴⁾/

twelve pitch pipes (formerly used to determine and regulate the twelve chromatic pitches of the gamut used to perform Chinese court ritual music since ancient times, the odd six pipes which are known as 律 (lǜ), and the even six pipes which are known as 呂／吕 (lǚ))


律呂譜

lü⁴-lü³-pʻu³

/ly⁵¹ ly²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/ly⁵¹ ly²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

a form of musical notation primarily used to record Chinese court ritual music, which uses Chinese characters to designate the names of the twelve chromatic pitches of the Shí'èr lǜ (十二律) gamut


減字譜

/t͡ɕi̯ɛn²¹⁴⁻²¹ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ɛn²¹⁴⁻²¹ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

Literally, “reduced character notation/score”, so called because the notational symbols used in this form of tablature are written in clusters that combine simplified elements of various Chinese characters


文字譜

/wən³⁵ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/wən³⁵ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

Literally, “Chinese character notation/score”, so called because this form of tablature is written out in longhand, using special terms to instruct the player how to play a piece

a form of longhand tablature formerly used to record guqin music


二四譜

/ˀɤɻ⁵¹⁻⁵³ sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/ˀɤɻ⁵¹⁻⁵³ sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

a form of notation used to record Teochew traditional music, as well as some traditional musical genres in Zhangzhou, in the Southern Min region of southern Fujian


律呂字譜

ㄌㄩˋ ㄌㄩˇ ㄗˋ ㄆㄨˇ

/ly⁵¹ ly²¹⁴⁻²¹ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/

/ly⁵¹ ly²¹⁴⁻²¹ t͡sz̩⁵¹ pʰu²¹⁴⁻²¹⁽⁴⁾/


對歌

/tu̯eɪ̯⁵¹ kɤ⁵⁵/

/tu̯eɪ̯⁵¹ kɤ⁵⁵/


揉弦

/ʐoʊ̯³⁵ ɕi̯ɛn³⁵/

/jɐu̯²¹ jiːn²¹/

/ʐoʊ̯³⁵ ɕi̯ɛn³⁵/

/jɐu̯²¹ jiːn²¹/

(music) to do vibrato on a string instrument


柴賽

/ʈ͡ʂʰaɪ̯³⁵ saɪ̯⁵¹/

/ʈ͡ʂʰaɪ̯³⁵ saɪ̯⁵¹/

Short for 柴可夫斯基國際音樂比賽／柴可夫斯基国际音乐比赛 (Cháikěfūsījī guójì yīnyuè bǐsài).

zh-etym-short

(music, colloquial) International Tchaikovsky Competition


𪛗

From 合 (hé) + 丿 (denoting one octave lower in Kunqu).

(music) Kunqu gongche notation for the note an octave below low sol (5̣̣).


迴旋曲

ㄏㄨㄟˊ ㄒㄩㄢˊ ㄑㄩˇ

хуэйсюаньцюй

/xu̯eɪ̯³⁵ ɕy̯ɛn³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/wuːi̯²¹ syːn²¹ kʰʊk̚⁵/

/xu̯eɪ̯³⁵ ɕy̯ɛn³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/wuːi̯²¹ syːn²¹ kʰʊk̚⁵/


𪛘

From 四 (sì) + 丿 (denoting one octave lower in Kunqu).

(music) Kunqu gongche notation for the note an octave below low la (6̣̣).


𪛚

From 上 (shàng) + 丿 (denoting one octave lower in Kunqu).

(music) (music) Kunqu gongche notation for the note low do (1̣).


水袖

/ʂu̯eɪ̯²¹⁴⁻²¹ ɕi̯oʊ̯⁵¹/

/sɵy̯³⁵ t͡sɐu̯²²/

/ʂu̯eɪ̯²¹⁴⁻²¹ ɕi̯oʊ̯⁵¹/

/sɵy̯³⁵ t͡sɐu̯²²/

(opera) water sleeves (white silk extensions to the cuff of sleeves in costumes)


連弓

/li̯ɛn³⁵ kʊŋ⁵⁵/

/liːn²¹ kʊŋ⁵⁵/

/li̯ɛn³⁵ kʊŋ⁵⁵/

/liːn²¹ kʊŋ⁵⁵/

(music) legato (on a bowed string instrument)


歌單

/kɤ⁵⁵ tän⁵⁵/

/kɤ⁵⁵ tän⁵⁵/


花旦兒

/xua⁵⁵ tɚ²¹³/

/xua⁵⁵ tɚ²¹³/

(Sichuanese, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman of questionable morals, notably a coquettish maidservant or an amorous young woman, bold, seductive, and charming; great emphasis being placed on acting)


烏衫旦

/ou³³⁻²³ sã³³⁻²³ tũã²¹³/

/ou³³⁻²³ sã³³⁻²³ tũã²¹³/

(Teochew, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


苦旦

/kʰɔ⁴¹⁻⁴⁴ tuã²¹/

/kʰɔ⁵³⁻⁴⁴ tuã¹¹/

/kʰɔ⁴¹⁻⁴⁴ tuã²¹/

/kʰɔ⁵³⁻⁴⁴ tuã¹¹/

(Taiwanese Hokkien, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


青衣旦

/t͡ɕʰiŋ⁵⁵ i⁵⁵ tän⁵¹/

/t͡ɕʰiŋ⁵⁵ i⁵⁵ tän⁵¹/

(opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


武旦

/u²¹⁴⁻²¹ tän⁵¹/

/mou̯¹³ taːn³³⁻³⁵/

/vu⁵³ tæ̃⁴⁵/

/u³³⁻⁵⁵ ⁽ᵗ⁻⁾lɑŋ²¹³/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵⁵⁴⁻²⁴ tuã⁴¹/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵³⁻⁴⁴ tuã¹¹/

/bu⁴¹⁻⁴⁴ tuã²¹/

/bu⁵²⁻³⁵ tũã²¹³/

/u²¹⁴⁻²¹ tän⁵¹/

/mou̯¹³ taːn³³⁻³⁵/

/vu⁵³ tæ̃⁴⁵/

/u³³⁻⁵⁵ ⁽ᵗ⁻⁾lɑŋ²¹³/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵⁵⁴⁻²⁴ tuã⁴¹/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵³⁻⁴⁴ tuã¹¹/

/bu⁴¹⁻⁴⁴ tuã²¹/

/bu⁵²⁻³⁵ tũã²¹³/

(opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a female warrior or martial artist)


低音單簧管

ㄉㄧ ㄧㄣ ㄉㄢ ㄏㄨㄤˊ ㄍㄨㄢˇ

диинь даньхуангуань

/ti⁵⁵ in⁵⁵ tän⁵⁵ xu̯ɑŋ³⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/


刀馬旦兒

/tau⁵⁵ ma⁵³ tɚ²¹³/

/tau⁵⁵ ma⁵³ tɚ²¹³/

(Sichuanese, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a female warrior or martial artist)


刀馬旦

/tɑʊ̯⁵⁵ mä²¹⁴⁻²¹ tän⁵¹/

/tou̯⁵⁵ maː¹³ taːn³³⁻³⁵/

/tɔ⁵⁵ mo³³ te²¹/

/tɒu̯³³ ma̠⁴¹ tan⁴⁵/

/tɑʊ̯⁵⁵ mä²¹⁴⁻²¹ tän⁵¹/

/tou̯⁵⁵ maː¹³ taːn³³⁻³⁵/

/tɔ⁵⁵ mo³³ te²¹/

/tɒu̯³³ ma̠⁴¹ tan⁴⁵/


歌兒劇

/kə²⁴ t͡ɕy⁴⁴/

/kə²⁴ t͡ɕy⁴⁴/


雷劇

/leɪ̯³⁵ t͡ɕy⁵¹/

/lɵy̯²¹ kʰɛːk̚²/

/leɪ̯³⁵ t͡ɕy⁵¹/

/lɵy̯²¹ kʰɛːk̚²/


廣東漢劇

ㄍㄨㄤˇ ㄉㄨㄥ ㄏㄢˋ ㄐㄩˋ

Гуандун ханьцзюй

/ku̯ɑŋ²¹⁴⁻²¹ tʊŋ⁵⁵ xän⁵¹⁻⁵³ t͡ɕy⁵¹/

/kuɔŋ³¹ tʊŋ⁴⁴⁻³⁵ hɔn⁵³⁻⁵⁵ kʰiak̚¹/

/ku̯ɑŋ²¹⁴⁻²¹ tʊŋ⁵⁵ xän⁵¹⁻⁵³ t͡ɕy⁵¹/

/kuɔŋ³¹ tʊŋ⁴⁴⁻³⁵ hɔn⁵³⁻⁵⁵ kʰiak̚¹/


流行歌曲

ㄌㄧㄡˊ ㄒㄧㄥˊ ㄍㄜ ㄑㄩˇ

/li̯oʊ̯³⁵ ɕiŋ³⁵ kɤ⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/lɐu̯²¹ hɐŋ²¹ kɔː⁵⁵ kʰʊk̚⁵/

/li̯oʊ̯³⁵ ɕiŋ³⁵ kɤ⁵⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/lɐu̯²¹ hɐŋ²¹ kɔː⁵⁵ kʰʊk̚⁵/


通俗歌曲

ㄊㄨㄥ ㄙㄨˊ ㄍㄜ ㄑㄩ

/tʰʊŋ⁵⁵ su³⁵ kɤ⁵⁵ t͡ɕʰy⁵⁵/

/tʰʊŋ⁵⁵ su³⁵ kɤ⁵⁵ t͡ɕʰy⁵⁵/


男團

/nän³⁵ tʰu̯än³⁵/

/nän³⁵ tʰu̯än³⁵/


𪛛

From 尺 (chě) + 丿 (denoting one octave lower in Kunqu).

(music) Kunqu gongche notation for the note low re (2̣).


標題音樂

ㄅㄧㄠ ㄊㄧˊ ㄧㄣ ㄩㄝˋ

/pi̯ɑʊ̯⁵⁵ tʰi³⁵ in⁵⁵ ɥɛ⁵¹/

/pi̯ɑʊ̯⁵⁵ tʰi³⁵ in⁵⁵ ɥɛ⁵¹/


筒鼓

/tʰʊŋ²¹⁴⁻³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/tʰʊŋ²¹⁴⁻³⁵ ku²¹⁴⁻²¹⁽⁴⁾/


路鞀

CJKV/code

Sino-Xenic (路鞀):
* → Korean: 노도(路鞀) (nodo)

/lu⁵¹ tʰɑʊ̯³⁵/

/lu⁵¹ tʰɑʊ̯³⁵/

a set of two double-headed pellet drums pierced by a pole, which is twisted to play; used in Chinese ritual ensembles since the Zhou Dynasty


六莖

/li̯oʊ̯⁵¹ t͡ɕiŋ⁵⁵/

/li̯oʊ̯⁵¹ t͡ɕiŋ⁵⁵/

"Six Stems", a musical composition attributed to the mythological Emperor Zhuanxu


白劇

/paɪ̯³⁵ t͡ɕy⁵¹/

/paɪ̯³⁵ t͡ɕy⁵¹/


白口

/paɪ̯³⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/paɪ̯³⁵ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/pe(ʔ)²⁴⁻² kʰau⁵⁵⁴/

/pe(ʔ)¹²¹⁻²¹ kʰau⁵³/

/paɪ̯³⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/paɪ̯³⁵ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/pe(ʔ)²⁴⁻² kʰau⁵⁵⁴/

/pe(ʔ)¹²¹⁻²¹ kʰau⁵³/


班鼓

/pän⁵⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/pän⁵⁵ ku²¹⁴⁻²¹⁽⁴⁾/

(music) small, high-pitched, single-headed drum (used most prominently in Beijing opera)


單皮

/tän⁵⁵ pʰi³⁵/

/tän⁵⁵ pʰi³⁵/


招式

/ʈ͡ʂɑʊ̯⁵⁵ ʂʐ̩⁵¹/

/t͡siːu̯⁵⁵ sɪk̚⁵/

/ʈ͡ʂɑʊ̯⁵⁵ ʂʐ̩⁵¹/

/t͡siːu̯⁵⁵ sɪk̚⁵/

(martial arts, traditional Chinese opera) movement; posture


暴雷

/pɑʊ̯⁵¹ leɪ̯³⁵/

/pɑʊ̯⁵¹ leɪ̯³⁵/


悲聲

/peɪ̯⁵⁵ ʂɤŋ⁵⁵/

/peɪ̯⁵⁵ ʂɤŋ⁵⁵/


壓跤鼓

/ap̚³²⁻⁴ kʰa⁴⁴⁻²² kɔ⁵³/

/ap̚⁵⁻²⁴ kʰa³³ kɔ⁵⁵⁴/

/ap̚³²⁻⁵ kʰa⁴⁴⁻²² kɔ⁵³/

/ap̚³²⁻⁴ kʰa⁴⁴⁻³³ kɔ⁵³/

/ap̚³²⁻⁴ kʰa⁴⁴⁻³³ kɔ⁴¹/

/ap̚³²⁻⁴ kʰa⁴⁴⁻²² kɔ⁵³/

/ap̚⁵⁻²⁴ kʰa³³ kɔ⁵⁵⁴/

/ap̚³²⁻⁵ kʰa⁴⁴⁻²² kɔ⁵³/

/ap̚³²⁻⁴ kʰa⁴⁴⁻³³ kɔ⁵³/

/ap̚³²⁻⁴ kʰa⁴⁴⁻³³ kɔ⁴¹/

(Hokkien, music) "foot-pressure drum," a drum played by sliding and pressing the heel of one foot on the drum head; used primarily in traditional music of Quanzhou, southern Fujian province, China


哀絲

/ˀaɪ̯⁵⁵ sz̩⁵⁵/

/ˀaɪ̯⁵⁵ sz̩⁵⁵/

Literally "sorrowful silk"; the strings of most Chinese musical instruments were traditionally made from twisted silk dating back to ancient times

(literary) melancholy sounds of a string instrument


齋戲

/ʈ͡ʂaɪ̯⁵⁵ ɕi⁵¹/

/ʈ͡ʂaɪ̯⁵⁵ ɕi⁵¹/

Zhai opera, a genre of traditional Chinese opera originating in Hainan, China


阿希克

/ˀä⁵⁵ ɕi⁵⁵ kʰɤ⁵¹/

/ˀä⁵⁵ ɕi⁵⁵ kʰɤ⁵¹/


碗鑼

/wän²¹⁴⁻²¹ lu̯ɔ³⁵/

/wän²¹⁴⁻²¹ lu̯ɔ³⁵/


灼吧

/ʈ͡ʂu̯ɔ³⁵ pä⁵⁵/

/ʈ͡ʂu̯ɔ³⁵ pä⁵⁵/

(music) A woodwind of the Li people of Hainan, China, with a mouthpiece that extends horizontally from the body.


壓腳鼓

/jä⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jä⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

(music) "foot-pressure drum," a drum played by sliding and pressing the heel of one foot on the drum head; used primarily in traditional music of Quanzhou, southern Fujian province, China


進鼓

/t͡ɕin⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕin⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

The drum-hitting official accidentally struck the procession drum, causing the army to attack it and become routed.

太平御覽 (Tàipíng Yùlǎn) https://ctext.org/text.pl?node=378672

Ér gǔlì wù míng jìngǔ, yúshì gōng zhī, shìzhòng dà kuì.

而鼓吏誤鳴進鼓，於是攻之，勢眾大潰。

而鼓吏误鸣进鼓，于是攻之，势众大溃。

(historical, music, military) procession drum


靈鞀

/liŋ³⁵ tʰɑʊ̯³⁵/

/liŋ³⁵ tʰɑʊ̯³⁵/

:s:zh:Page:Gujin Tushu Jicheng, Volume 735 (1700-1725).djvu/64

右則擊靈鼓一人左執靈鞀

右则击灵鼓一人左执灵鼗

:s:zh:Page:Gujin Tushu Jicheng, Volume 733 (1700-1725).djvu/86

fán yǒushì yú tiānshén yòng léigǔ léitáo yǒushì yú dìqí yòng línggǔ língtáo yǒushì yú zōngmiào yòng lùgǔ lùtáo

凡有事於天神用雷鼓雷鞀有事於地祇用靈鼓靈鞀有事於宗廟用路鼓路鞀

凡有事于天神用雷鼓雷鼗有事于地祇用灵鼓灵鼗有事于宗庙用路鼓路鼗

(historical, music) A pellet drum used in worship of the earth gods.


本戲

/pən²¹⁴⁻²¹ ɕi⁵¹/

/pən²¹⁴⁻²¹ ɕi⁵¹/


蹦蹦兒戲

ㄅㄥˋ ㄅㄥˋㄦ ㄒㄧˋ

/pɤŋ⁵¹⁻⁵³ pɤ̃ɻ⁵¹⁻⁵³ ɕi⁵¹/

/pɤŋ⁵¹⁻⁵³ pɤ̃ɻ⁵¹⁻⁵³ ɕi⁵¹/


馬林巴

/mä²¹⁴⁻²¹ lin³⁵ pä⁵⁵/

/mä²¹⁴⁻²¹ lin³⁵ pä⁵⁵/


刮瓜

/ku̯ä⁵⁵ ku̯ä⁵⁵/

/ku̯ä⁵⁵ ku̯ä⁵⁵/


阿哥哥鈴

ㄚ ㄍㄜ ㄍㄜ ㄌㄧㄥˊ

/ˀä⁵⁵ kɤ⁵⁵ kɤ⁵⁵ liŋ³⁵/

/ˀä⁵⁵ kɤ⁵⁵ kɤ⁵⁵ liŋ³⁵/


食不言，寢不語

/ʂʐ̩³⁵ pu⁵¹ jɛn³⁵ t͡ɕʰin²¹⁴⁻²¹ pu⁵¹ y²¹⁴⁻²¹⁽⁴⁾/

/sɪk̚² pɐt̚⁵ jiːn²¹ t͡sʰɐm³⁵ pɐt̚⁵ jyː¹³/

The flesh of his family sacrifice he did not keep over three days. If kept over three days, people could not eat it. When eating, he did not converse. When in bed, he did not speak.

祭肉不出三日。出三日，不食之矣。食不語，寢不言。[[#Chinese|]]


低音大管

ㄉㄧ ㄧㄣ ㄉㄚˋ ㄍㄨㄢˇ

дииньдагуань

/ti⁵⁵ in⁵⁵ tä⁵¹ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/ti⁵⁵ in⁵⁵ tä⁵¹ ku̯än²¹⁴⁻²¹⁽⁴⁾/


低音巴松管

ㄉㄧ ㄧㄣ ㄅㄚ ㄙㄨㄥ ㄍㄨㄢˇ

дииньбасунгуань

/ti⁵⁵ in⁵⁵ pä⁵⁵ sʊŋ⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/ti⁵⁵ in⁵⁵ pä⁵⁵ sʊŋ⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/


band仔

/pɛːn⁵⁵ t͡sɐi̯³⁵/

/pɛːn⁵⁵ t͡sɐi̯³⁵/


band女

/pɛːn⁵⁵ nɵy̯¹³/

/pɛːn⁵⁵ nɵy̯¹³/

(Cantonese) young woman who is in a band


昔士風

/sɪk̚⁵ siː²² fʊŋ⁵⁵/

/sɪk̚⁵ siː²² fʊŋ⁵⁵/


夾歌

/kaːp̚³ kɔː⁵⁵/

/kaːp̚³ kɔː⁵⁵/


jam歌

/t͡sɛːm⁵⁵ kɔː⁵⁵/

/t͡sɛːm⁵⁵ kɔː⁵⁵/


老倌

/lɑʊ̯²¹⁴⁻²¹ ku̯än⁵⁵/

/lɑʊ̯²¹⁴⁻²¹ ku̯än⁵⁵/

(Cantonese or in the context of Cantonese opera) famous Cantonese opera performer


金嗓子

/t͡ɕin⁵⁵ sɑŋ²¹⁴ d͡z̥z̩⁴/

/t͡ɕin⁵⁵ sɑŋ²¹⁴ d͡z̥z̩⁴/


變口

/pi̯ɛn⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/pi̯ɛn⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

to use various dialects in 曲藝／曲艺 (qǔyì) (a form of folk art)


音名

/jɐm⁵⁵ mɛːŋ²¹⁻³⁵/

/jɐm⁵⁵ mɛːŋ²¹⁻³⁵/


吼腔

/xoʊ̯²¹⁴⁻²¹ t͡ɕʰi̯ɑŋ⁵⁵/

/xoʊ̯²¹⁴⁻²¹ t͡ɕʰi̯ɑŋ⁵⁵/


卡農

/kʰä²¹⁴⁻²¹ nʊŋ³⁵/

/kʰaː⁵⁵ nʊŋ²¹/

/kʰä²¹⁴⁻²¹ nʊŋ³⁵/

/kʰaː⁵⁵ nʊŋ²¹/

Borrowed from French canon or English canon.


歌姬

/kɤ⁵⁵ t͡ɕi⁵⁵/

/kɔː⁵⁵ kei̯⁵⁵/

/kɤ⁵⁵ t͡ɕi⁵⁵/

/kɔː⁵⁵ kei̯⁵⁵/

Orthographic borrowing from Japanese 歌姫 (utahime)


讀譜

/tu³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/tʊk̚² pʰou̯³⁵/

/tu³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/tʊk̚² pʰou̯³⁵/


雷鬼樂

ㄌㄟˊ ㄍㄨㄟˇ ㄩㄝˋ

/leɪ̯³⁵ ku̯eɪ̯²¹⁴⁻²¹ ɥɛ⁵¹/

/leɪ̯³⁵ ku̯eɪ̯²¹⁴⁻²¹ ɥɛ⁵¹/


騷莎

/sɑʊ̯⁵⁵ ʂä⁵⁵/

/sɑʊ̯⁵⁵ ʂä⁵⁵/

Ultimately from Spanish salsa, perhaps via English salsa.


古樂

/ku²¹⁴⁻²¹ ɥɛ⁵¹/

/ku²¹⁴⁻²¹ ɥɛ⁵¹/

華夏古樂

华夏古乐


小喇叭

/ɕi̯ɑʊ̯²¹⁴⁻³⁵ lä²¹⁴⁻²¹ pä⁵⁵/

/siːu̯³⁵ laː³³ paː⁵⁵/

/ɕi̯ɑʊ̯²¹⁴⁻³⁵ lä²¹⁴⁻²¹ pä⁵⁵/

/siːu̯³⁵ laː³³ paː⁵⁵/


試奏

/ʂʐ̩⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/ʂʐ̩⁵¹⁻⁵³ t͡soʊ̯⁵¹/


斯卡

/sz̩⁵⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/sz̩⁵⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/


大鑼鼓

ㄉㄚˋ ㄌㄨㄛˊ ㄍㄨˇ

/tä⁵¹ lu̯ɔ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/taːi̯²² lɔː²¹ kuː³⁵/

/tä⁵¹ lu̯ɔ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/taːi̯²² lɔː²¹ kuː³⁵/

(music) da luogu (subgenre of traditional Teochew music)


貼唱

/tʰi̯ɛ⁵⁵ ʈ͡ʂʰɑŋ⁵¹/

/tʰi̯ɛ⁵⁵ ʈ͡ʂʰɑŋ⁵¹/

(music production) mixing of a vocal track into existing instrumentals


納格納

/nä⁵¹ kɤ³⁵ nä⁵¹/

/nä⁵¹ kɤ³⁵ nä⁵¹/


卡奈依

/kʰä²¹⁴⁻²¹ naɪ̯⁵¹ i⁵⁵/

/kʰä²¹⁴⁻²¹ naɪ̯⁵¹ i⁵⁵/


葉克勒

/jɛ⁵¹⁻⁵³ kʰɤ⁵¹⁻⁵³ lɤ⁵¹/

/jɛ⁵¹⁻⁵³ kʰɤ⁵¹⁻⁵³ lɤ⁵¹/

(music) a type of Mongolian string instrument, igil


板頭

/pän²¹⁴⁻²¹ tʰoʊ̯³⁵/

/pän²¹⁴⁻²¹ tʰoʊ̯³⁵/

(music) instrumental piece in traditional Henanese music played before the performance of a dadiaoqu 大調曲／大调曲 narrative song


托布秀爾

ㄊㄨㄛ ㄅㄨˋ ㄒㄧㄡˋ ㄦˇ

/tʰu̯ɔ⁵⁵ pu⁵¹⁻⁵³ ɕi̯oʊ̯⁵¹ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/tʰu̯ɔ⁵⁵ pu⁵¹⁻⁵³ ɕi̯oʊ̯⁵¹ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

Borrowed from Mongolian товшуур (tovšuur).

bor+

(music) tovshuur, a plucked lute used in Oirat Mongol music


板頭曲

/pän²¹⁴⁻²¹ tʰoʊ̯³⁵ t͡ɕʰy⁵⁵/

/pän²¹⁴⁻²¹ tʰoʊ̯³⁵ t͡ɕʰy⁵⁵/


道樂

/tɑʊ̯⁵¹⁻⁵³ ɥɛ⁵¹/

/tɑʊ̯⁵¹⁻⁵³ ɥɛ⁵¹/


大晟府

/tä⁵¹⁻⁵³ ʂɤŋ⁵¹ fu²¹⁴⁻²¹⁽⁴⁾/

/tä⁵¹⁻⁵³ ʂɤŋ⁵¹ fu²¹⁴⁻²¹⁽⁴⁾/

(music, historical) a musical institution established by Emperor Huizong in the late Northern Song Dynasty


尼龍弦

ㄋㄧˊ ㄌㄨㄥˊ ㄒㄧㄢˊ

/ni³⁵ lʊŋ³⁵ ɕi̯ɛn³⁵/

/ni³⁵ lʊŋ³⁵ ɕi̯ɛn³⁵/


十番鑼鼓

ㄕˊ ㄈㄢ ㄌㄨㄛˊ ㄍㄨˇ

/ʂʐ̩³⁵ fän⁵⁵ lu̯ɔ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/ʂʐ̩³⁵ fän⁵⁵ lu̯ɔ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

a genre of traditional Chinese music featuring a silk and bamboo ensemble augmented by prominent percussion


編配

/pi̯ɛn⁵⁵ pʰeɪ̯⁵¹/

/pʰiːn⁵⁵ pʰuːi̯³³/

/pi̯ɛn⁵⁵ pʰeɪ̯⁵¹/

/pʰiːn⁵⁵ pʰuːi̯³³/


冰弦

/piŋ⁵⁵ ɕi̯ɛn³⁵/

/piŋ⁵⁵ ɕi̯ɛn³⁵/

zh-m

冰蠶／冰蚕 (bīngcán)


大晟

/tä⁵¹⁻⁵³ ʂɤŋ⁵¹/

/tä⁵¹⁻⁵³ ʂɤŋ⁵¹/

(music, historical) music produced by the 大晟府 (Dàshèngfǔ)


笙管樂

/ʂɤŋ⁵⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹/

/ʂɤŋ⁵⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹/

a form of traditional Chinese instrumental ensemble music usually played by an ensemble of guanzi, sheng, dizi, yunluo, and percussion, and used primarily for ceremonial purposes


乾聲

/kän⁵⁵ ʂɤŋ⁵⁵/

/kän⁵⁵ ʂɤŋ⁵⁵/


五樂

/u²¹⁴⁻²¹ ɥɛ⁵¹/

/u²¹⁴⁻²¹ ɥɛ⁵¹/

(music) five types of musical instruments in ancient China


乃依

/naɪ̯²¹⁴⁻²¹ i⁵⁵/

/naɪ̯²¹⁴⁻²¹ i⁵⁵/

(music) a type of Uyghur transverse flute


鋼弦

/kɑŋ⁵⁵ ɕi̯ɛn³⁵/

/kɑŋ⁵⁵ ɕi̯ɛn³⁵/


骨鹿子

/kuəʔ²⁻⁵⁴ luəʔ² t͡səʔ³/

/kuəʔ²⁻⁵⁴ luəʔ² t͡səʔ³/

(Jin, opera, music) wooden clappers (small, rectangular, high-pitched wood block used in Jin opera)


山西梆子

шаньси банцзы

/ʂän⁵⁵ ɕi⁵⁵ pɑŋ⁵⁵ d͡z̥z̩²/

/saːn⁵⁵ sɐi̯⁵⁵ pɔːŋ⁵⁵ t͡siː³⁵/

/sæ̃¹¹ ɕi¹¹ pɒ̃¹¹ t͡səʔ²/

/ʂän⁵⁵ ɕi⁵⁵ pɑŋ⁵⁵ d͡z̥z̩²/

/saːn⁵⁵ sɐi̯⁵⁵ pɔːŋ⁵⁵ t͡siː³⁵/

/sæ̃¹¹ ɕi¹¹ pɒ̃¹¹ t͡səʔ²/

(opera) Jin opera (a style of Chinese opera originating in Shanxi)


中路梆子

ㄓㄨㄥ ㄌㄨˋ ㄅㄤ ˙ㄗ

чжунлу банцзы

/ʈ͡ʂʊŋ⁵⁵ lu⁵¹ pɑŋ⁵⁵ d͡z̥z̩²/

/t͡sʊŋ⁵⁵ lou̯²² pɔːŋ⁵⁵ t͡siː³⁵/

/t͡sũŋ¹¹ ləu⁴⁵ pɒ̃¹¹ t͡səʔ²/

/ʈ͡ʂʊŋ⁵⁵ lu⁵¹ pɑŋ⁵⁵ d͡z̥z̩²/

/t͡sʊŋ⁵⁵ lou̯²² pɔːŋ⁵⁵ t͡siː³⁵/

/t͡sũŋ¹¹ ləu⁴⁵ pɒ̃¹¹ t͡səʔ²/


站播

/ʈ͡ʂän⁵¹ pu̯ɔ⁵⁵/

/ʈ͡ʂän⁵¹⁻⁵³ pu̯ɔ⁵¹/

/ʈ͡ʂän⁵¹ pu̯ɔ⁵⁵/

/ʈ͡ʂän⁵¹⁻⁵³ pu̯ɔ⁵¹/

(music) live version of a song as broadcast on TV or radio


一唱三嘆

一唱三叹
一唱三歎
一倡三嘆/一倡三歎/一倡三叹

ㄧ ㄔㄤˋ ㄙㄢ ㄊㄢˋ

ичансаньтань

/i⁵⁵⁻³⁵ ʈ͡ʂʰɑŋ⁵¹ sän⁵⁵ tʰän⁵¹/

/jɐt̚⁵ t͡sʰœːŋ³³ saːm⁵⁵ tʰaːn³³/

/i⁵⁵⁻³⁵ ʈ͡ʂʰɑŋ⁵¹ sän⁵⁵ tʰän⁵¹/

/jɐt̚⁵ t͡sʰœːŋ³³ saːm⁵⁵ tʰaːn³³/

(music, literature) graceful and pleasant to the ear


V家

/weɪ̯⁵⁵ t͡ɕi̯ä⁵⁵/

/weɪ̯⁵⁵ t͡ɕi̯ä⁵⁵/

(ACG, endearing) Short for VOCALOID家族 (“VOCALOID character family”); 'loids


雄辯是銀，沉默是金

ㄒㄩㄥˊ ㄅㄧㄢˋ ㄕˋ ㄧㄣˊ

ㄔㄣˊ ㄇㄛˋ ㄕˋ ㄐㄧㄣ

hung⁴ bin⁶ si⁶ ngan⁴, cam⁴ mak⁶ si⁶ gam¹

сюнбянь ши инь

чэньмо ши цзинь

/ɕi̯ʊŋ³⁵ pi̯ɛn⁵¹⁻⁵³ ʂʐ̩⁵¹ in³⁵ ʈ͡ʂʰən³⁵ mu̯ɔ⁵¹⁻⁵³ ʂʐ̩⁵¹ t͡ɕin⁵⁵/

hùhng bihn sih ngàhn, chàhm mahk sih gām

hung⁴ bin⁶ si⁶ ngan⁴, tsam⁴ mak⁹ si⁶ gam¹

hung⁴ bin⁶ xi⁶ ngen⁴, cem⁴ meg⁶ xi⁶ gem¹

/hʊŋ²¹ piːn²² siː²² ŋɐn²¹ t͡sʰɐm²¹ mɐk̚² siː²² kɐm⁵⁵/

Calque of English speech is silver, silence is golden.

cal

speech is silver, silence is golden
speech is silver, silence is golden


大鐘

/tä⁵¹ ʈ͡ʂʊŋ⁵⁵/

/tä⁵¹ ʈ͡ʂʊŋ⁵⁵/


炸麥

/ʈ͡ʂä⁵¹⁻⁵³ maɪ̯⁵¹/

/ʈ͡ʂä⁵¹⁻⁵³ maɪ̯⁵¹/


噴麥罩

/pʰən⁵⁵ maɪ̯⁵¹⁻⁵³ ʈ͡ʂɑʊ̯⁵¹/

/pʰən⁵⁵ maɪ̯⁵¹⁻⁵³ ʈ͡ʂɑʊ̯⁵¹/


藏歌

/t͡sɑŋ⁵¹ kɤ⁵⁵/

/t͡sɑŋ⁵¹ kɤ⁵⁵/


合聲

/xɤ³⁵ ʂɤŋ⁵⁵/

/xɤ³⁵ ʂɤŋ⁵⁵/


民族音樂學

ㄇㄧㄣˊ ㄗㄨˊ ㄧㄣ ㄩㄝˋ ㄒㄩㄝˊ

миньцзуиньюэ сюэ

/min³⁵ t͡su³⁵ in⁵⁵ ɥɛ⁵¹ ɕy̯ɛ³⁵/

/min³⁵ t͡su³⁵ in⁵⁵ ɥɛ⁵¹ ɕy̯ɛ³⁵/


唱詩

/ʈ͡ʂʰɑŋ⁵¹ ʂʐ̩⁵⁵/

/t͡sʰoŋ⁵⁵ sɨ²⁴/

/ʈ͡ʂʰɑŋ⁵¹ ʂʐ̩⁵⁵/

/t͡sʰoŋ⁵⁵ sɨ²⁴/


唐樂

/tʰɑŋ³⁵ ɥɛ⁵¹/

/tʰɑŋ³⁵ ɥɛ⁵¹/


怯口

/t͡ɕʰy̯ɛ⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰy̯ɛ⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/


古譜

/ku²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/ku²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

敦煌古譜

敦煌古谱


大吹打

/tä⁵¹ ʈ͡ʂʰu̯eɪ̯⁵⁵ tä²¹⁴⁻²¹⁽⁴⁾/

/tä⁵¹ ʈ͡ʂʰu̯eɪ̯⁵⁵ tä²¹⁴⁻²¹⁽⁴⁾/

Orthographic borrowing from Korean 대취타(大吹打) (daechwita).

obor

daechwita (traditional Korean military music)


哱羅

/pu̯ɔ⁵⁵ lu̯ɔ³⁵/

/pu̯ɔ⁵⁵ lu̯ɔ³⁵/

(music, military, literary, archaic) conch horn (used in premodern armies)


高撥子

/kɑʊ̯⁵⁵ pu̯ɔ⁵⁵ d͡z̥z̩²/

/kɑʊ̯⁵⁵ pu̯ɔ⁵⁵ d͡z̥z̩²/

(music) gaobozi (aria in Anhui Opera and others)


休團

/ɕi̯oʊ̯⁵⁵ tʰu̯än³⁵/

/ɕi̯oʊ̯⁵⁵ tʰu̯än³⁵/


完全四度

ㄨㄢˊ ㄑㄩㄢˊ ㄙˋ ㄉㄨˋ

ваньцюаньсыду

/wän³⁵ t͡ɕʰy̯ɛn³⁵ sz̩⁵¹⁻⁵³ tu⁵¹/

/wän³⁵ t͡ɕʰy̯ɛn³⁵ sz̩⁵¹⁻⁵³ tu⁵¹/


術力口

/ʂu⁵¹⁻⁵³ li⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/ʂu⁵¹⁻⁵³ li⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

Orthographic borrowing from Japanese ボカロ (bokaro) into Simplified Chinese.
"ボカロ" is the short form of "ボーカロイド" which is the Japanese transcription of the English term "VOCALOID", a singing voice synthesizer software.

(Mainland China, ACG, slang) VOCALOID (singing voice synthesizer software, or a work featuring it)


新世紀音樂

ㄒㄧㄣ ㄕˋ ㄐㄧˋ ㄧㄣ ㄩㄝˋ

синь шицзи иньюэ

/ɕin⁵⁵ ʂʐ̩⁵¹⁻⁵³ t͡ɕi⁵¹ in⁵⁵ ɥɛ⁵¹/

/ɕin⁵⁵ ʂʐ̩⁵¹⁻⁵³ t͡ɕi⁵¹ in⁵⁵ ɥɛ⁵¹/


潮曲

/ʈ͡ʂʰɑʊ̯³⁵ t͡ɕʰy⁵⁵/

/ʈ͡ʂʰɑʊ̯³⁵ t͡ɕʰy⁵⁵/


尾場

/mei̯¹³ t͡sʰœːŋ²¹/

/mei̯¹³ t͡sʰœːŋ²¹/

取消尾場

取消尾场

(Cantonese, music industry) shows at the end of a tour


船歌

/ʈ͡ʂʰu̯än³⁵ kɤ⁵⁵/

/ʈ͡ʂʰu̯än³⁵ kɤ⁵⁵/


邕劇

/jʊŋ⁵⁵ t͡ɕy⁵¹/

/jʊŋ⁵⁵ kʰɛːk̚²/

/jʊŋ⁵⁵ t͡ɕy⁵¹/

/jʊŋ⁵⁵ kʰɛːk̚²/

Yong opera (a form of opera from Guangxi)


工尺

/kʊŋ⁵⁵ ʈ͡ʂʰɤ²¹⁴⁻²¹⁽⁴⁾/

/kʊŋ⁵⁵ t͡sʰɛː³⁵/

/kʊŋ⁵⁵ t͡sʰɛː⁵⁵/

/kɔŋ⁴⁴⁻²² t͡sʰe⁴⁴/

/kɔŋ³³ t͡sʰe³³/

/kɔŋ⁴⁴⁻²² t͡sʰe⁴⁴/

/kɔŋ⁴⁴⁻³³ t͡sʰe⁴⁴/

/kɔŋ⁴⁴⁻³³ t͡sʰe⁴⁴/

/koŋ³³⁻²³ t͡sʰe⁵⁵/

/kʊŋ⁵⁵ ʈ͡ʂʰɤ²¹⁴⁻²¹⁽⁴⁾/

/kʊŋ⁵⁵ t͡sʰɛː³⁵/

/kʊŋ⁵⁵ t͡sʰɛː⁵⁵/

/kɔŋ⁴⁴⁻²² t͡sʰe⁴⁴/

/kɔŋ³³ t͡sʰe³³/

/kɔŋ⁴⁴⁻²² t͡sʰe⁴⁴/

/kɔŋ⁴⁴⁻³³ t͡sʰe⁴⁴/

/kɔŋ⁴⁴⁻³³ t͡sʰe⁴⁴/

/koŋ³³⁻²³ t͡sʰe⁵⁵/

From 工 (gōng, “mi”) + 尺 (chě, “re”), two note names used in gongche notation. Compare English sol-fa.

(music) symbols used in gongche notation


𪛜

From 工 (gōng) + 丿 (denoting one octave lower in Kunqu).

(music) Kunqu gongche notation for the note low mi (3̣).


𪛝

From 凡 (fán) + 丿 (denoting one octave lower in Kunqu).

(music) Kunqu gongche notation for the note low fa (4̣).


吹響

/ʈ͡ʂʰu̯eɪ̯⁵⁵ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯eɪ̯⁵⁵ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/

號角吹響

号角吹响


掇爾多密

ㄓㄨㄛ ㄦˇ ㄉㄨㄛ ㄇㄧˋ

/ʈ͡ʂu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻²¹ tu̯ɔ⁵⁵ mi⁵¹/

/ʈ͡ʂu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻²¹ tu̯ɔ⁵⁵ mi⁵¹/

Borrowed from Manchu [script needed] (cordombi).

bor+

(～樂) (historical) cordombi, genre of Manchu music


滾舌

/ku̯ən²¹⁴⁻²¹ ʂɤ³⁵/

/ku̯ən²¹⁴⁻²¹ ʂɤ³⁵/


嘎老

/kä⁵⁵ lɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/kä⁵⁵ lɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

"big song"; "grand choir": traditional Kam choral genre


侗歌

/tʊŋ⁵¹ kɤ⁵⁵/

/tʊŋ⁵¹ kɤ⁵⁵/


盤索里

ㄆㄢˊ ㄙㄨㄛˇ ㄌㄧˇ

/pʰän³⁵ su̯ɔ²¹⁴⁻³⁵ li²¹⁴⁻²¹⁽⁴⁾/

/pʰän³⁵ su̯ɔ²¹⁴⁻³⁵ li²¹⁴⁻²¹⁽⁴⁾/

pansori (a Korean genre of musical storytelling performed by a singer and a drummer)


大歌

→ English: big song (calque)

→ English: grand choir (calque)


橫吹

/xɤŋ³⁵ ʈ͡ʂʰu̯eɪ̯⁵⁵/

/xɤŋ³⁵ ʈ͡ʂʰu̯eɪ̯⁵⁵/

Coordinate term: 鼓吹

橫吹曲辭

横吹曲辞


歌圩

(music) Zhuang gathering to sing folk songs


吹歌

→ English: blowing song (calque)

/ʈ͡ʂʰu̯eɪ̯⁵⁵ kɤ⁵⁵/

/ʈ͡ʂʰu̯eɪ̯⁵⁵ kɤ⁵⁵/

(music) blowing song (traditional Hebei wind and percussion music)


晨歌

/ʈ͡ʂʰən³⁵ kɤ⁵⁵/

/sɐn²¹ kɔː⁵⁵/

/ʈ͡ʂʰən³⁵ kɤ⁵⁵/

/sɐn²¹ kɔː⁵⁵/

alt. forms: 神歌

(music) traditional Sichuan mountain song


潮音

/ʈ͡ʂʰɑʊ̯³⁵ in⁵⁵/

/ʈ͡ʂʰɑʊ̯³⁵ in⁵⁵/

2020 January 6, 汕頭市文化館, 汕頭市人民政府門戶網站 文化館網站館務公開:

Cháorén zòu cháoyīn, zhè chǎng yǎnchū hěn “cháo”!

潮人奏潮音，這場演出很「潮」！

潮人奏潮音，这场演出很「潮」！

2021 June 1, 張偉煒, “半百追夢 潮音裊裊”, in 南方日報:

“cháozhōu yīnyuè shì cháoshàn rénwénjīngshén de tǐxiàn, shù bǎinián lái zài cháoshàn mínjiān yánmiánbùshuāi, yǒu cháoshuǐ zhī chù jiù yǒu cháoyīn niǎoniǎo. …”

「潮州音樂是潮汕人文精神的體現，數百年來在潮汕民間延綿不衰，有潮水之處就有潮音裊裊。[…[[]#Chinese|]]]」

2021 June 1, 張偉煒, “半百追夢 潮音裊裊”, in 南方日報:

「潮州音乐是潮汕人文精神的体现，数百年来在潮汕民间延绵不衰，有潮水之处就有潮音袅袅。[…[[]#Chinese|]]]」

(poetic, music) traditional Teochew music


九成

/t͡ɕi̯oʊ̯²¹⁴⁻²¹ ʈ͡ʂʰɤŋ³⁵/

/kɐu̯³⁵ sɪŋ²¹/

/t͡ɕi̯oʊ̯²¹⁴⁻²¹ ʈ͡ʂʰɤŋ³⁵/

/kɐu̯³⁵ sɪŋ²¹/


細碟

/sɐi̯³³ tiːp̚²⁻³⁵/

/sɐi̯³³ tiːp̚²⁻³⁵/


派臺

/pʰaɪ̯⁵¹ tʰaɪ̯³⁵/

/pʰaɪ̯⁵¹ tʰaɪ̯³⁵/

(music industry) to issue a demo to a broadcasting station


瞽師

/ku²¹⁴⁻²¹ ʂʐ̩⁵⁵/

/ku²¹⁴⁻²¹ ʂʐ̩⁵⁵/


漸快

/t͡ɕi̯ɛn⁵¹⁻⁵³ kʰu̯aɪ̯⁵¹/

/t͡ɕi̯ɛn⁵¹⁻⁵³ kʰu̯aɪ̯⁵¹/


匪幫說唱

ㄈㄟˇ ㄅㄤ ㄕㄨㄛ ㄔㄤˋ

фэйбан шочан

/feɪ̯²¹⁴⁻²¹ pɑŋ⁵⁵ ʂu̯ɔ⁵⁵ ʈ͡ʂʰɑŋ⁵¹/

/feɪ̯²¹⁴⁻²¹ pɑŋ⁵⁵ ʂu̯ɔ⁵⁵ ʈ͡ʂʰɑŋ⁵¹/


採譜

/t͡sʰaɪ̯²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰaɪ̯²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/


多姆拉

/tu̯ɔ⁵⁵ mu²¹⁴⁻²¹ lä⁵⁵/

/tu̯ɔ⁵⁵ mu²¹⁴⁻²¹ lä⁵⁵/

(music) domra (round-bodied lute of East Slavic origin with either three or four strings)


曲繪

/t͡ɕʰy⁵⁵ xu̯eɪ̯⁵¹/

/t͡ɕʰy⁵⁵ xu̯eɪ̯⁵¹/

(especially ACG) illustration for a song


轟響

/xʊŋ⁵⁵ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/

/xʊŋ⁵⁵ ɕi̯ɑŋ²¹⁴⁻²¹⁽⁴⁾/


彩調

/t͡sʰaɪ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/t͡sʰaɪ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

Guangxi Zhuang Autonomous Region
w:Guangxi Zhuang Autonomous Region

caidiao (local opera of the Guangxi Zhuang Autonomous Region)


彩聲

/t͡sʰaɪ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/t͡sʰaɪ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/


蛇號

/ʂɤ³⁵ xɑʊ̯⁵¹/

/ʂɤ³⁵ xɑʊ̯⁵¹/


複拍子

/fu⁵¹ pʰaɪ̯⁵⁵ d͡z̥z̩²/

/fʊk̚⁵ pʰaːk̚³ t͡siː³⁵/

/fu⁵¹ pʰaɪ̯⁵⁵ d͡z̥z̩²/

/fʊk̚⁵ pʰaːk̚³ t͡siː³⁵/


漸強

/t͡ɕi̯ɛn⁵¹ t͡ɕʰi̯ɑŋ³⁵/

/t͡siːm²² kʰœːŋ²¹/

/t͡ɕi̯ɛn⁵¹ t͡ɕʰi̯ɑŋ³⁵/

/t͡siːm²² kʰœːŋ²¹/


漸弱

/t͡ɕi̯ɛn⁵¹⁻⁵³ ʐu̯ɔ⁵¹/

/t͡siːm²² jœːk̚²/

/t͡ɕi̯ɛn⁵¹⁻⁵³ ʐu̯ɔ⁵¹/

/t͡siːm²² jœːk̚²/


操琴

/t͡sʰɑʊ̯⁵⁵ t͡ɕʰin³⁵/

/t͡sʰo²¹⁻⁵³ kʰim²⁴/

/t͡sʰo⁴¹⁻⁵⁵⁴ kʰim²⁴/

/t͡sʰo²¹⁻⁵³ kʰim¹³/

/t͡sʰo¹¹⁻⁵³ kʰim²⁴/

/t͡sʰɤ²¹⁻⁴¹ kʰim²³/

/t͡sʰɑʊ̯⁵⁵ t͡ɕʰin³⁵/

/t͡sʰo²¹⁻⁵³ kʰim²⁴/

/t͡sʰo⁴¹⁻⁵⁵⁴ kʰim²⁴/

/t͡sʰo²¹⁻⁵³ kʰim¹³/

/t͡sʰo¹¹⁻⁵³ kʰim²⁴/

/t͡sʰɤ²¹⁻⁴¹ kʰim²³/

(music) to play certain musical instruments that can be described as 琴 (qín), such as some stringed instruments (guzheng, guqin, etc.), or a keyboard instrument (piano, electric piano, accordion, pipe organ, etc.)


𱝫

From 彳 (denoting two octaves higher in Kunqu) + 上 (shàng).

(music) Kunqu gongche notation for the note an octave above high do (1̇̇).


𢓌

From 彳 (denoting two octaves higher in Kunqu) + 六 (liù).

(music) Kunqu gongche notation for the note an octave above high sol (5̇̇).


𢓌

From 彳 (denoting one octave higher in Cantonese opera) + 六 (liu¹).

(music) Cantonese opera gongche notation for the note high sol (5̇).


𱝬

From 彳 (denoting two octaves higher in Kunqu) + 凡 (fán).

(music) Kunqu gongche notation for the note an octave above high fa (4̇̇).


間奏曲

цзяньцзоуцюй

/t͡ɕi̯ɛn⁵⁵ t͡soʊ̯⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ɛn⁵⁵ t͡soʊ̯⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/


中氣

/ʈ͡ʂʊŋ⁵⁵ t͡ɕʰi⁵¹/

/t͡sʊŋ⁵⁵ hei̯³³/

/tiɔŋ⁴⁴⁻²² kʰui²¹/

/tiɔŋ³³ kʰui⁴¹/

/tiɔŋ⁴⁴⁻²² kʰui²¹/

/tiɔŋ⁴⁴⁻³³ kʰui¹¹/

/tiɔŋ⁴⁴⁻³³ kʰui²¹/

/ʈ͡ʂʊŋ⁵⁵ t͡ɕʰi⁵¹/

/t͡sʊŋ⁵⁵ hei̯³³/

/tiɔŋ⁴⁴⁻²² kʰui²¹/

/tiɔŋ³³ kʰui⁴¹/

/tiɔŋ⁴⁴⁻²² kʰui²¹/

/tiɔŋ⁴⁴⁻³³ kʰui¹¹/

/tiɔŋ⁴⁴⁻³³ kʰui²¹/


八重奏

/pä⁵⁵ ʈ͡ʂʊŋ⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/paːt̚³ t͡sʰʊŋ²¹ t͡sɐu̯³³/

/pä⁵⁵ ʈ͡ʂʊŋ⁵¹⁻⁵³ t͡soʊ̯⁵¹/

/paːt̚³ t͡sʰʊŋ²¹ t͡sɐu̯³³/


捽碟

/t͡sɵt̚⁵ tiːp̚²⁻³⁵/

/t͡sɵt̚⁵ tiːp̚²⁻³⁵/

(Hong Kong, music) to scratch; to turntable


跳唱

/tʰi̯ɑʊ̯⁵¹⁻⁵³ ʈ͡ʂʰɑŋ⁵¹/

/tʰiːu̯³³ t͡sʰœːŋ³³/

/tʰi̯ɑʊ̯⁵¹⁻⁵³ ʈ͡ʂʰɑŋ⁵¹/

/tʰiːu̯³³ t͡sʰœːŋ³³/


爬格子

/pʰä³⁵ kɤ³⁵ d͡z̥z̩³/

/pʰaː²¹ kaːk̚³ t͡siː³⁵/

/pʰä³⁵ kɤ³⁵ d͡z̥z̩³/

/pʰaː²¹ kaːk̚³ t͡siː³⁵/

(music, guitar) to practice movement of fingers on the fingerboard


後搖

/xoʊ̯⁵¹ jɑʊ̯³⁵/

/hɐu̯²² jiːu̯²¹/

/xoʊ̯⁵¹ jɑʊ̯³⁵/

/hɐu̯²² jiːu̯²¹/


後搖滾

ㄏㄡˋ ㄧㄠˊ ㄍㄨㄣˇ

/xoʊ̯⁵¹ jɑʊ̯³⁵ ku̯ən²¹⁴⁻²¹⁽⁴⁾/

/hɐu̯²² jiːu̯²¹ kʷɐn³⁵/

/xoʊ̯⁵¹ jɑʊ̯³⁵ ku̯ən²¹⁴⁻²¹⁽⁴⁾/

/hɐu̯²² jiːu̯²¹ kʷɐn³⁵/


長鼓

/ʈ͡ʂʰɑŋ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰɑŋ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/


觸鍵

/ʈ͡ʂʰu⁵¹⁻⁵³ t͡ɕi̯ɛn⁵¹/

/ʈ͡ʂʰu⁵¹⁻⁵³ t͡ɕi̯ɛn⁵¹/


賣雞調

/maɪ̯⁵¹ t͡ɕi⁵⁵ ti̯ɑʊ̯⁵¹/

/maːi̯²² kɐi̯⁵⁵ tiːu̯²²/

/maɪ̯⁵¹ t͡ɕi⁵⁵ ti̯ɑʊ̯⁵¹/

/maːi̯²² kɐi̯⁵⁵ tiːu̯²²/

(music) traditional genre of song from Kaiping, Guangdong


錦依衛

/t͡ɕin²¹⁴⁻²¹ i⁵⁵ weɪ̯⁵¹/

/kɐm³⁵ jiː⁵⁵ wɐi̯²²/

/t͡ɕin²¹⁴⁻²¹ i⁵⁵ weɪ̯⁵¹/

/kɐm³⁵ jiː⁵⁵ wɐi̯²²/

Originates from 錦衣衛／锦衣卫 (Jǐnyīwèi, “Embroidered Uniform Guard”), with one character changed to the homophonic one of the characters of 洛天依 (“Luo Tianyi”), a Chinese virtual singer, regarding of the same role, guarding, that Luo Tianyi's fans and Embroidered Uniform Guard both play in.


鐵板大鼓

ㄊㄧㄝˇ ㄅㄢˇ ㄉㄚˋ ㄍㄨˇ

/tʰi̯ɛ²¹⁴⁻³⁵ pän²¹⁴⁻²¹ tä⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/


大鼓陣

/tä⁵¹ ku²¹⁴⁻²¹ ʈ͡ʂən⁵¹/

/tä⁵¹ ku²¹⁴⁻²¹ ʈ͡ʂən⁵¹/

(music) formation of large drums (a type of Chinese folk art)


桂劇

/ku̯eɪ̯⁵¹⁻⁵³ t͡ɕy⁵¹/

/kʷɐi̯³³ kʰɛːk̚²/

/ku̯eɪ̯⁵¹⁻⁵³ t͡ɕy⁵¹/

/kʷɐi̯³³ kʰɛːk̚²/

Guilin opera (a form of opera popular in Guangxi, especially in Guilin and Liuzhou)


嘈到拆天

/t͡sʰou̯²¹ tou̯³³ t͡sʰaːk̚³ tʰiːn⁵⁵/

/t͡sʰou̯²¹ tou̯³³ t͡sʰaːk̚³ tʰiːn⁵⁵/


慢板

/män⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/män⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

(music) slow tempo; (specifically) adagio


揚劇

/jɑŋ³⁵ t͡ɕy⁵¹/

/jɑŋ³⁵ t͡ɕy⁵¹/


蘇劇

/su⁵⁵ t͡ɕy⁵¹/

/su⁵⁵ t͡ɕy⁵¹/


淮劇

/xu̯aɪ̯³⁵ t͡ɕy⁵¹/

/xu̯aɪ̯³⁵ t͡ɕy⁵¹/


紹劇

/ʂɑʊ̯⁵¹⁻⁵³ t͡ɕy⁵¹/

/ʂɑʊ̯⁵¹⁻⁵³ t͡ɕy⁵¹/


調校

/tʰi̯ɑʊ̯³⁵ t͡ɕi̯ɑʊ̯⁵¹/

/tʰiːu̯²¹ kaːu̯³³/

/tʰi̯ɑʊ̯³⁵ t͡ɕi̯ɑʊ̯⁵¹/

/tʰiːu̯²¹ kaːu̯³³/

(fandom slang) to adjust the parameters of singing voice synthesis software such as VOCALOID (in order to achieve certain singing techniques, increase the human quality of the voice, etc.); to tune


啤酒燒烤

ㄆㄧˊ ㄐㄧㄡˇ ㄕㄠ ㄎㄠˇ

/pʰi³⁵ t͡ɕi̯oʊ̯²¹⁴⁻²¹ ʂɑʊ̯⁵⁵ kʰɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

The pinyin initials of the four characters are "PJSK", which is the abbreviation of "Project Sekai", an alternative name of the Japanese rhythm game Hatsune Miku: Colorful Stage!.

(informal) Project Sekai; Hatsune Miku: Colorful Stage! (a Japanese rhythm game)

Hatsune Miku: Colorful Stage!
Project Sekai


手提琴

/t͡sʰiu⁵³⁻⁴⁴ tʰe²⁴⁻¹¹ kʰim²⁴/

/t͡sʰiu⁴¹⁻⁴⁴ tʰe²³⁻³³ kʰim²³/

/t͡sʰiu⁵³⁻⁴⁴ tʰe²⁴⁻¹¹ kʰim²⁴/

/t͡sʰiu⁴¹⁻⁴⁴ tʰe²³⁻³³ kʰim²³/


鑱仔

/t͡sʰim²³⁻³³ a⁴¹/

/t͡sʰim²⁴⁻³³ a⁵³/

/t͡sʰim²³⁻³³ a⁴¹/

/t͡sʰim²⁴⁻³³ a⁵³/

(Taiwanese Hokkien) small cymbal (Classifier: 對／对 mn; 副 mn)


神劇

/ʂən³⁵ t͡ɕy⁵¹/

/sɐn²¹ kʰɛːk̚²/

/ʂən³⁵ t͡ɕy⁵¹/

/sɐn²¹ kʰɛːk̚²/

(chiefly Taiwan, Hong Kong, music) oratorio


清唱劇

/t͡ɕʰiŋ⁵⁵ ʈ͡ʂʰɑŋ⁵¹⁻⁵³ t͡ɕy⁵¹/

/t͡sʰɪŋ⁵⁵ t͡sʰœːŋ³³ kʰɛːk̚²/

/t͡ɕʰiŋ⁵⁵ ʈ͡ʂʰɑŋ⁵¹⁻⁵³ t͡ɕy⁵¹/

/t͡sʰɪŋ⁵⁵ t͡sʰœːŋ³³ kʰɛːk̚²/


喝吆號

/hua(ʔ)³²⁻⁵³ iu⁵³⁻⁴⁴ ho²²/

/hua(ʔ)³²⁻⁵³ iu⁵³⁻⁴⁴ ho²²/

(Hokkien, theater) to sing an accompaniment (in some Chinese operas)


挵鼓

/lɔŋ¹¹⁻⁵³ kɔ⁵³/

/lɔŋ²¹⁻⁴¹ kɔ⁴¹/

/lɔŋ¹¹⁻⁵³ kɔ⁵³/

/lɔŋ²¹⁻⁴¹ kɔ⁴¹/


拍鼓

/pʰa(ʔ)³²⁻⁴¹ kɔ⁴¹/

/pʰa(ʔ)³²⁻⁵³ kɔ⁵³/

/pʰa(ʔ)³²⁻⁴¹ kɔ⁴¹/

/pʰa(ʔ)³²⁻⁵³ kɔ⁵³/


唱名

/ʈ͡ʂʰɑŋ⁵¹ miŋ³⁵/

/t͡sʰœːŋ³³ mɪŋ²¹/

/t͡sʰiaŋ²¹⁻⁵³ miã²⁴/

/t͡sʰiaŋ⁴¹⁻⁵⁵⁴ miã²⁴/

/t͡sʰiaŋ²¹⁻⁵³ miã¹³/

/t͡sʰiaŋ¹¹⁻⁵³ miã²⁴/

/t͡sʰiaŋ²¹⁻⁴¹ miã²³/

/ʈ͡ʂʰɑŋ⁵¹ miŋ³⁵/

/t͡sʰœːŋ³³ mɪŋ²¹/

/t͡sʰiaŋ²¹⁻⁵³ miã²⁴/

/t͡sʰiaŋ⁴¹⁻⁵⁵⁴ miã²⁴/

/t͡sʰiaŋ²¹⁻⁵³ miã¹³/

/t͡sʰiaŋ¹¹⁻⁵³ miã²⁴/

/t͡sʰiaŋ²¹⁻⁴¹ miã²³/


唱戲

/ʈ͡ʂʰɑŋ⁵¹⁻⁵³ ɕi⁵¹/

/t͡sʰœːŋ³³ hei̯³³/

/ʈ͡ʂʰɑŋ⁵¹⁻⁵³ ɕi⁵¹/

/t͡sʰœːŋ³³ hei̯³³/


複音

(music) polyphony (musical texture consisting of several independent melodic voices)


超聲速

/ʈ͡ʂʰɑʊ̯⁵⁵ ʂɤŋ⁵⁵ su⁵¹/

/ʈ͡ʂʰɑʊ̯⁵⁵ ʂɤŋ⁵⁵ su⁵¹/


殼弦

/kʰak̚⁵⁻²⁴ hiɛn²⁴/

/kʰak̚³²⁻⁵ hiɛn¹³/

/kʰak̚³²⁻⁴ hiɛn²⁴/

/kʰak̚⁵⁻²⁴ hiɛn²⁴/

/kʰak̚³²⁻⁵ hiɛn¹³/

/kʰak̚³²⁻⁴ hiɛn²⁴/

(Hokkien, music) kezaixian, a high-pitched huqin with soundbox made from a small coconut shell and wooden soundboard, used in the traditional music of Taiwan and southern Fujian province


生角

/ʂɤŋ⁵⁵ t͡ɕy̯ɛ³⁵/

/ʂɤŋ⁵⁵ t͡ɕy̯ɛɻ³⁵/

/ʂɤŋ⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/ʂɤŋ⁵⁵ t͡ɕy̯ɛ³⁵/

/ʂɤŋ⁵⁵ t͡ɕy̯ɛɻ³⁵/

/ʂɤŋ⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

(opera) sheng (a male role in Chinese opera), especially laosheng


弓法

/kʊŋ⁵⁵ fä²¹⁴⁻²¹⁽⁴⁾/

/kʊŋ⁵⁵ fä²¹⁴⁻²¹⁽⁴⁾/


戀曲

/li̯ɛn⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/lyːn³⁵ kʰʊk̚⁵/

/li̯ɛn⁵¹ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/lyːn³⁵ kʰʊk̚⁵/


後核

/xoʊ̯⁵¹ xɤ³⁵/

/xoʊ̯⁵¹ xɤ³⁵/


後硬核

/xoʊ̯⁵¹⁻⁵³ iŋ⁵¹ xɤ³⁵/

/xoʊ̯⁵¹⁻⁵³ iŋ⁵¹ xɤ³⁵/


𩒺

Bianzhong of Marquis Yi of Zeng
w:Bianzhong of Marquis Yi of Zeng

曾侯乙編鐘 w:zh:曾侯乙編鐘

(music, obsolete) justly intoned major third above; used in 4 pitch names of the Bianzhong of Marquis Yi of Zeng (曾侯乙編鐘)


扒譜

/pʰä³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/pʰä³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/


死核

/sz̩²¹⁴⁻²¹ xɤ³⁵/

/sz̩²¹⁴⁻²¹ xɤ³⁵/


錦歌

/t͡ɕin²¹⁴⁻²¹ kɤ⁵⁵/

/kim⁵⁵⁴⁻²⁴ kua³³/

/ɡim⁵³⁻⁴⁴ kua⁴⁴/

/t͡ɕin²¹⁴⁻²¹ kɤ⁵⁵/

/kim⁵⁵⁴⁻²⁴ kua³³/

/ɡim⁵³⁻⁴⁴ kua⁴⁴/

a form of quyi (曲藝／曲艺 (qǔyì)) originating in Fujian, China


伎樂

/t͡ɕi⁵¹⁻⁵³ ɥɛ⁵¹/

/t͡ɕi⁵¹⁻⁵³ ɥɛ⁵¹/

(historical) performer of dance set to music


耳油

/ˀɤɻ²¹⁴⁻²¹ joʊ̯³⁵/

/ˀɤɻ²¹⁴⁻²¹ joʊ̯³⁵/

(music) something enjoyable to listen to.


乞食琴

/kʰit̚³²⁻⁴ t͡sia(ʔ)⁴⁻¹¹ kʰim²⁴/

/kʰit̚³²⁻⁴ t͡sia(ʔ)⁴⁻²¹ kʰim²³/

/kʰit̚³²⁻⁴ t͡sia(ʔ)⁴⁻¹¹ kʰim²⁴/

/kʰit̚³²⁻⁴ t͡sia(ʔ)⁴⁻²¹ kʰim²³/

(Taiwanese Hokkien) a long-necked fretted plucked lute with a round wooden body and two strings, used in the traditional music of Taiwan


話片子

/xu̯ä⁵¹ pʰi̯ɛn⁵⁵ d͡z̥z̩²/

/xu̯ä⁵¹ pʰi̯ɛn⁵⁵ d͡z̥z̩²/

(Beijing Mandarin) phonograph record; vinyl disc


新專

/ɕin⁵⁵ ʈ͡ʂu̯än⁵⁵/

/ɕin⁵⁵ ʈ͡ʂu̯än⁵⁵/

Short for 新專輯／新专辑 (xīn zhuānjí, “new album”).


什不閒

/ʂʐ̩³⁵ pu⁵¹ ɕi̯ɛn³⁵/

ㄕˊ ㄅㄨˋ ㄒㄧㄢˊㄦ

/ʂʐ̩³⁵ pu⁵¹ ɕi̯ɑɻ³⁵/

/ʂʐ̩³⁵ pu⁵¹ ɕi̯ɛn³⁵/

/ʂʐ̩³⁵ pu⁵¹ ɕi̯ɑɻ³⁵/

(music, historical) A form of Chinese narrative singing popular during the Qing dynasty.


島歌

/tɑʊ̯²¹⁴⁻²¹ kɤ⁵⁵/

/tɑʊ̯²¹⁴⁻²¹ kɤ⁵⁵/

2015 December 26, 艾雯, 李岩, “霍尊：卿本伊人，歌声如梦”, in 人民网:

Xìruǎn wēnróu de shēngxiàn, yōuyuàn mílí de yìjìng, zài dāpèi shàng zhēnjiǎyīn kuàisù zhuǎnhuàn de dǎogē chàngqiāng, fàngyǎn Zhōngguó gētán, hěn kuài jiù néng jīngzhǔn-de dìngwèi cǐ rén jiù shì Huò Zūn.

细软温柔的声线，幽怨迷离的意境，再搭配上真假音快速转换的岛歌唱腔，放眼中国歌坛，很快就能精准地定位此人就是霍尊。

細軟溫柔的聲線，幽怨迷離的意境，再搭配上真假音快速轉換的島歌唱腔，放眼中國歌壇，很快就能精準地定位此人就是霍尊。

2022, “想听你的声音”, 市川喜康, 中孝介, CHOco (lyrics)performed by 中孝介 [Atari Kōsuke]:

我们的心紧紧相系我的岛歌

我們的心緊緊相繫我的島歌

(music) traditional folk song of Amami, Japan


雷鬼

/leɪ̯³⁵ ku̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

/lɵy̯²¹ kʷɐi̯³⁵/

/leɪ̯³⁵ ku̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

/lɵy̯²¹ kʷɐi̯³⁵/


四物遊戲

ㄙˋ ㄨˋ ㄧㄡˊ ㄒㄧˋ

/sz̩⁵¹⁻⁵³ u⁵¹ joʊ̯³⁵ ɕi⁵¹/

/sz̩⁵¹⁻⁵³ u⁵¹ joʊ̯³⁵ ɕi⁵¹/

(music) samullori (Korean traditional genre)


黑泡泡

heh^入 phau^去 phau^去; hah^入 phau^去 phau^去

/həʔ³³ pʰɔ⁵⁵ pʰɔ²¹/

/haʔ³³ pʰɔ⁵⁵ pʰɔ²¹/

/həʔ³³ pʰɔ⁵⁵ pʰɔ²¹/

/haʔ³³ pʰɔ⁵⁵ pʰɔ²¹/

Phono-semantic matching of English hip hop.

psm

Give my greatest respect to Shanghainese hip-hop

⁸peq-tsaq₇ ⁵tsoe ⁶du-gheq₈ respect to ⁶zaon-he₅ ⁷haq-phau₅-phau₅

畀隻最大个respect to上海黑泡泡

畀只最大个respect to上海黑泡泡


黑泡

/xeɪ̯⁵⁵ pʰɑʊ̯⁵¹/

/həʔ³³ pʰɔ⁴⁴/

/haʔ³³ pʰɔ⁴⁴/

/xeɪ̯⁵⁵ pʰɑʊ̯⁵¹/

/həʔ³³ pʰɔ⁴⁴/

/haʔ³³ pʰɔ⁴⁴/


石人金屬

ㄕˊ ㄖㄣˊ ㄐㄧㄣ ㄕㄨˇ

шижэнь цзиньшу

/ʂʐ̩³⁵ ʐən³⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/ʂʐ̩³⁵ ʐən³⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

Literal mistranslation of English stoner metal.


泥漿金屬

ㄋㄧˊ ㄐㄧㄤ ㄐㄧㄣ ㄕㄨˇ

ницзян цзиньшу

/ni³⁵ t͡ɕi̯ɑŋ⁵⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/ni³⁵ t͡ɕi̯ɑŋ⁵⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/


厄運金屬

ㄜˋ ㄩㄣˋ ㄐㄧㄣ ㄕㄨˇ

эюнь цзиньшу

/ˀɤ⁵¹⁻⁵³ yn⁵¹ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/ˀɤ⁵¹⁻⁵³ yn⁵¹ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/


數學核

ㄕㄨˋ ㄒㄩㄝˊ ㄏㄜˊ

/ʂu⁵¹ ɕy̯ɛ³⁵ xɤ³⁵/

/ʂu⁵¹ ɕy̯ɛ³⁵ xɤ³⁵/


碾核

/ni̯ɛn²¹⁴⁻²¹ xɤ³⁵/

/ni̯ɛn²¹⁴⁻²¹ xɤ³⁵/


膜孔

/mu̯ɔ³⁵ kʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/mu̯ɔ⁵¹ kʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/mɔːk̚² hʊŋ³⁵/

/mu̯ɔ³⁵ kʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/mu̯ɔ⁵¹ kʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/mɔːk̚² hʊŋ³⁵/


笛膜

/ti³⁵ mu̯ɔ³⁵/

/ti³⁵ mu̯ɔɻ³⁵/

/ti³⁵ mu̯ɔ⁵¹/

/tɛːk̚² mɔːk̚²⁻³⁵/

/ti³⁵ mu̯ɔ³⁵/

/ti³⁵ mu̯ɔɻ³⁵/

/ti³⁵ mu̯ɔ⁵¹/

/tɛːk̚² mɔːk̚²⁻³⁵/

(music) dizi membrane (membrane that covers a hole on a dizi for a buzzing tone)


迪吧

/tɪk̚² paː⁵⁵/

/tɪk̚² paː⁵⁵/


迪斯可

/ti³⁵ sz̩⁵⁵ kʰɤ²¹⁴⁻²¹⁽⁴⁾/

/tɪk̚² siː⁵⁵ hɔː³⁵/

/tiɪk̚³²⁻⁴ su⁴⁴⁻²² kʰo⁵³/

/tiɪk̚⁵⁻²⁴ su³³ kʰo⁵⁵⁴/

/tiɪk̚³²⁻⁵ su⁴⁴⁻²² kʰo⁵³/

/tiɪk̚³²⁻⁴ su⁴⁴⁻³³ kʰo⁵³/

/tiɪk̚³²⁻⁴ su⁴⁴⁻³³ kʰɤ⁴¹/

/ti³⁵ sz̩⁵⁵ kʰɤ²¹⁴⁻²¹⁽⁴⁾/

/tɪk̚² siː⁵⁵ hɔː³⁵/

/tiɪk̚³²⁻⁴ su⁴⁴⁻²² kʰo⁵³/

/tiɪk̚⁵⁻²⁴ su³³ kʰo⁵⁵⁴/

/tiɪk̚³²⁻⁵ su⁴⁴⁻²² kʰo⁵³/

/tiɪk̚³²⁻⁴ su⁴⁴⁻³³ kʰo⁵³/

/tiɪk̚³²⁻⁴ su⁴⁴⁻³³ kʰɤ⁴¹/