ეფექტი

ka-noun

ეფექტი • (epekṭi) (plural ეფექტები)

epekṭi (romanization)
ეფექტები (plural)
ეფექტი (nominative singular)
ეფექტები (nominative plural)
ეფექტნი (archaic nominative plural)
ეფექტმა (ergative singular)
ეფექტებმა (ergative plural)
ეფექტთ (archaic ergative plural)
ეფექტთ (archaic ergative plural)
ეფექტთაt) (archaic ergative plural)
ეფექტთაta) (archaic ergative plural)
ეფექტს (dative singular)
ეფექტს (dative singular)
ეფექტსაs) (dative singular)
ეფექტსაsa) (dative singular)
ეფექტებს (dative plural)
ეფექტებს (dative plural)
ეფექტებსაs) (dative plural)
ეფექტებსაsa) (dative plural)
ეფექტთ (archaic dative plural)
ეფექტთ (archaic dative plural)
ეფექტთაt) (archaic dative plural)
ეფექტთაta) (archaic dative plural)
ეფექტის (genitive singular)
ეფექტის (genitive singular)
ეფექტისაs) (genitive singular)
ეფექტისაsa) (genitive singular)
ეფექტების (genitive plural)
ეფექტების (genitive plural)
ეფექტებისაs) (genitive plural)
ეფექტებისაsa) (genitive plural)
ეფექტთ (archaic genitive plural)
ეფექტთ (archaic genitive plural)
ეფექტთაt) (archaic genitive plural)
ეფექტთაta) (archaic genitive plural)
ეფექტით (instrumental singular)
ეფექტით (instrumental singular)
ეფექტითაt) (instrumental singular)
ეფექტითაta) (instrumental singular)
ეფექტებით (instrumental plural)
ეფექტებით (instrumental plural)
ეფექტებითაt) (instrumental plural)
ეფექტებითაta) (instrumental plural)
ეფექტად (adverbial singular)
ეფექტად (adverbial singular)
ეფექტადაd) (adverbial singular)
ეფექტადაda) (adverbial singular)
ეფექტებად (adverbial plural)
ეფექტებად (adverbial plural)
ეფექტებადაd) (adverbial plural)
ეფექტებადაda) (adverbial plural)
ეფექტო (singular vocative)
ეფექტებო (plural vocative)
ეფექტნო (archaic plural vocative)
ეფექტზე (singular)
ეფექტებზე (plural)
ეფექტთან (singular)
ეფექტებთან (plural)
ეფექტში (singular)
ეფექტებში (plural)
ეფექტივით (singular)
ეფექტებივით (plural)
ეფექტისთვის (singular)
ეფექტებისთვის (plural)
ეფექტისებრ (singular)
ეფექტებისებრ (plural)
ეფექტისკენ (singular)
ეფექტებისკენ (plural)
ეფექტისგან (singular)
ეფექტებისგან (plural)
ეფექტისადმი (singular)
ეფექტებისადმი (plural)
ეფექტიდან (singular)
ეფექტებიდან (plural)
ეფექტითურთ (singular)
ეფექტებითურთ (plural)
ეფექტამდე (singular)
ეფექტებამდე (plural)


вестерн

Borrowed from Russian ве́стерн (vɛ́stɛrn), from English western.

bor+

Kazakh alphabets#Arabic script
Kazakh alphabets#Cyrillic script
Kazakh alphabets#Latin script


вестерн

ru-noun+

ве́стерн//vɛ́stɛrn

ве́стерн//véstɛrn

ве́стерн • (vɛ́stɛrn, véstɛrn) m inan (genitive ве́стерна, nominative plural ве́стерны, genitive plural ве́стернов)

ве́стерн (canonical)
vɛ́stɛrn (romanization)
véstɛrn (romanization)
ве́стерна (genitive)
ве́стерны (nominative plural)
ве́стернов (genitive plural)
ве́стерн (nominative singular)
vɛ́stɛrn (nominative singular)
véstɛrn (nominative singular)
ве́стерны (nominative plural)
vɛ́stɛrny (nominative plural)
véstɛrny (nominative plural)
ве́стерна (genitive singular)
vɛ́stɛrna (genitive singular)
véstɛrna (genitive singular)
ве́стернов (genitive plural)
vɛ́stɛrnov (genitive plural)
véstɛrnov (genitive plural)
ве́стерну (dative singular)
vɛ́stɛrnu (dative singular)
véstɛrnu (dative singular)
ве́стернам (dative plural)
vɛ́stɛrnam (dative plural)
véstɛrnam (dative plural)
ве́стерн (accusative singular)
vɛ́stɛrn (accusative singular)
véstɛrn (accusative singular)
ве́стерны (accusative plural)
vɛ́stɛrny (accusative plural)
véstɛrny (accusative plural)
ве́стерном (instrumental singular)
vɛ́stɛrnom (instrumental singular)
véstɛrnom (instrumental singular)
ве́стернами (instrumental plural)
vɛ́stɛrnami (instrumental plural)
véstɛrnami (instrumental plural)
ве́стерне (prepositional singular)
vɛ́stɛrne (prepositional singular)
véstɛrne (prepositional singular)
ве́стернах (plural prepositional)
vɛ́stɛrnax (plural prepositional)
véstɛrnax (plural prepositional)

→ Kazakh: вестерн (vestern)


вестерн

вѐстерн (canonical masculine)
vèstern (romanization)
вестерн (nominative singular)
вестерни (nominative plural)
вестерна (genitive singular)
вестерна (genitive plural)
вестерну (dative singular)
вестернима (dative plural)
вестерн (accusative singular)
вестерне (accusative plural)
вестерне (singular vocative)
вестерни (plural vocative)
вестерну (locative singular)
вестернима (locative plural)
вестерном (instrumental singular)
вестернима (instrumental plural)


вестерн

uk-noun

ве́стерн<pr>

ве́стерн • (véstern) m pers (genitive ве́стерна, nominative plural ве́стерни, genitive plural ве́стернів)

ве́стерн (canonical)
véstern (romanization)
ве́стерна (genitive)
ве́стерни (nominative plural)
ве́стернів (genitive plural)
ве́стерн (nominative singular)
ве́стерни (nominative plural)
ве́стерна (genitive singular)
ве́стернів (genitive plural)
ве́стернові (dative singular)
ве́стерну (dative singular)
ве́стернам (dative plural)
ве́стерна (accusative singular)
ве́стернів (accusative plural)
ве́стерном (instrumental singular)
ве́стернами (instrumental plural)
ве́стернові (locative singular)
ве́стерні (locative singular)
ве́стернах (locative plural)
ве́стерне (singular vocative)
ве́стерни (plural vocative)

uk-ndecl

ве́стерн<pr>

Borrowed from English western.
Sense 2 was popularised from the Russian invasion of Ukraine in 2022.

ве́стсплейнер

a; , someone who disregards legitimate Ukrainian concerns


προβολέας

head

προβολέας • (provoléas) m (plural προβολείς)

provoléas (romanization)
προβολείς (plural)
προβολέας (nominative singular)
προβολείς (nominative plural)
προβολέα (genitive singular)
προβολέων (genitive plural)
προβολέα (accusative singular)
προβολείς (accusative plural)
προβολέα (singular vocative)
προβολείς (plural vocative)

el-decl-noun

προβολέως is also accepted for a singular genitive form

προβάλλω (provállo, “to project”) + -έας (-éas)

suffix

προβολέα διαφανειών (slide projector)


特殊撮影

ja-noun

特(とく)殊(しゅ)撮(さつ)影(えい) • (tokushu satsuei)

特殊撮影 (canonical)
tokushu satsuei (romanization)

(cinematography) special effects (abbr. 特撮 (とくさつ, tokusatsu))


特技

/tʰɤ⁵¹⁻⁵³ t͡ɕi⁵¹/

/tiɪk̚¹²¹⁻²¹ ki⁴⁴/

/tiɪk̚⁴⁻³² ki⁴⁴/

/tiɪk̚¹²¹⁻²¹ ki²²/

/tiɪk̚⁴⁻³² ki²²/

/tʰɤ⁵¹⁻⁵³ t͡ɕi⁵¹/

/tiɪk̚¹²¹⁻²¹ ki⁴⁴/

/tiɪk̚⁴⁻³² ki⁴⁴/

/tiɪk̚¹²¹⁻²¹ ki²²/

/tiɪk̚⁴⁻³² ki²²/

(film, television, cinematography) special effect


προβολή

head

προβολή • (provolí) f (plural προβολές)

el-noun

προβολή • (provolí) f (plural προβολές)

provolí (romanization)
προβολές (plural)
προβολή (nominative singular)
προβολές (nominative plural)
προβολής (genitive singular)
προβολών (genitive plural)
προβολή (accusative singular)
προβολές (accusative plural)
προβολή (singular vocative)
προβολές (plural vocative)

Learned borrowing from Ancient Greek προβολή (probolḗ) with semantic loan from French and English projection.


ハイビジョン

high-definition television
high-definition television

(television) high-definition television; HDTV


कृति

कृ ति (canonical)
kṛ́ti (romanization)
कृ (root)
कृतिः (nominative singular)
कृती (dual nominative)
कृतयः (nominative plural)
कृतिम् (accusative singular)
कृती (accusative dual)
कृतीः (accusative plural)
कृत्या (instrumental singular)
कृती1 (instrumental singular)
कृतिभ्याम् (dual instrumental)
कृतिभिः (instrumental plural)
कृतये (dative singular)
कृत्यै2 (dative singular)
कृती1 (dative singular)
कृतिभ्याम् (dative dual)
कृतिभ्यः (dative plural)
कृतेः (ablative singular)
कृत्याः2 (ablative singular)
कृत्यै3 (ablative singular)
कृतिभ्याम् (ablative dual)
कृतिभ्यः (ablative plural)
कृतेः (genitive singular)
कृत्याः2 (genitive singular)
कृत्यै3 (genitive singular)
कृत्योः (dual genitive)
कृतीनाम् (genitive plural)
कृतौ (locative singular)
कृत्याम्2 (locative singular)
कृता1 (locative singular)
कृत्योः (dual locative)
कृतिषु (locative plural)
कृते (singular vocative)
कृती (dual vocative)
कृतयः (plural vocative)

→ Hindi: कृति (kŕti)

→ Indonesian: karti

desctree

→ Old Javanese: kṛti
> Javanese: ꦏꦂꦠꦶ (karti), ꦏꦼꦂꦠꦶ (kerti) (inherited)

desc

Punjabi: ਕਿਰਤ (kirat, “work, labor, creation”)

From Proto-Indo-Aryan *kr̥tiṣ, from Proto-Indo-Iranian *kr̥tiš, from Proto-Indo-European *kʷr̥-tí-s, from *kʷer- (“to do, make”). Equivalent to the root कृ (kṛ) + -ति (-ti).


camp it up

en-verb

camp it up (third-person singular simple present camps it up, present participle camping it up, simple past and past participle camped it up)

camps it up (present singular third-person)
camping it up (participle present)
camped it up (participle past)
camped it up (past)

Near-synonym: chew the scenery

Don't camp it up. Just follow the stage directions.

(informal, acting) To act a part in an exaggerated or affected manner.


dolly zoom

(film) A camera effect that appears to undermine normal visual perception, achieved by using the setting of a zoom lens to adjust the field of view while the camera dollies towards or away from the subject in such a way as to keep the subject the same size in the frame throughout.


utilería

(theater, film) props (items placed on a stage)


buntéip

buntéipe (genitive singular)
buntéip (indefinite nominative singular)
a bhuntéip (indefinite singular vocative)
buntéipe (genitive indefinite singular)
buntéip (dative indefinite singular)
an bhuntéip (definite nominative singular)
na buntéipe (definite genitive singular)
leis an mbuntéip (dative definite singular)
don bhuntéip (dative definite singular)
buntéip
bhuntéip
mbuntéip

(cinematography) rushes (unedited footage)


antiheld

head

antiheld (plural antihelde, feminine antiheldin)

antihelde (plural)
antiheldin (feminine)


príomh-am

príomh-am m (genitive singular príomh-ama, nominative plural príomh-amanna)

príomh-ama (genitive singular)
príomh-amanna (nominative plural)
príomh-am (indefinite nominative singular)
príomh-amanna (indefinite nominative plural)
a phríomh-am (indefinite singular vocative)
a phríomh-amanna (indefinite plural vocative)
príomh-ama (genitive indefinite singular)
príomh-amanna (genitive indefinite plural)
príomh-am (dative indefinite singular)
príomh-amanna (dative indefinite plural)
an príomh-am (definite nominative singular)
na príomh-amanna (definite nominative plural)
an phríomh-ama (definite genitive singular)
na bpríomh-amanna (definite genitive plural)
leis an bpríomh-am (dative definite singular)
don phríomh-am (dative definite singular)
leis na príomh-amanna (dative definite plural)
príomh-am
phríomh-am
bpríomh-am


telewizyjny

pl-adj

telewizyjny (not comparable, derived adverb telewizyjnie)

telewizyjny (masculine nominative singular)
telewizyjna (feminine nominative singular)
telewizyjne (neuter nominative singular)
telewizyjni (nominative plural virile)
telewizyjne (nominative plural)
telewizyjnego (genitive masculine singular)
telewizyjnej (feminine genitive singular)
telewizyjnego (genitive neuter singular)
telewizyjnych (genitive plural)
telewizyjnych (genitive plural virile)
telewizyjnemu (dative masculine singular)
telewizyjnej (dative feminine singular)
telewizyjnemu (dative neuter singular)
telewizyjnym (dative plural)
telewizyjnym (dative plural virile)
telewizyjnego (accusative animate masculine singular)
telewizyjny (accusative inanimate masculine singular)
telewizyjną (accusative feminine singular)
telewizyjne (accusative neuter singular)
telewizyjnych (accusative plural virile)
telewizyjne (accusative plural)
telewizyjnym (instrumental masculine singular)
telewizyjną (feminine instrumental singular)
telewizyjnym (instrumental neuter singular)
telewizyjnymi (instrumental plural)
telewizyjnymi (instrumental plural virile)
telewizyjnym (locative masculine singular)
telewizyjnej (feminine locative singular)
telewizyjnym (locative neuter singular)
telewizyjnych (locative plural)
telewizyjnych (locative plural virile)

(relational, television) televisual (of or pertaining to television)


splatstick

(film, comedy, horror, gore) A genre of film which blends slapstick style comedy with splatfest blood and gore splatter filled horror.


frumframførsla

fo-noun

frumframførsla f (genitive singular frumframførslu, plural frumframførslur)

frumframførslu (genitive singular)
frumframførslur (plural)
frumframførsla (indefinite nominative singular)
frumframførslan (definite nominative singular)
frumframførslur (indefinite nominative plural)
frumframførslurnar (definite nominative plural)
frumframførslu (accusative indefinite singular)
frumframførsluna (accusative definite singular)
frumframførslur (accusative indefinite plural)
frumframførslurnar (accusative definite plural)
frumframførslu (dative indefinite singular)
frumframførsluni (dative definite singular)
frumframførslum (dative indefinite plural)
frumframførslunum (dative definite plural)
frumframførslu (genitive indefinite singular)
frumframførslunnar (definite genitive singular)
frumframførsla (genitive indefinite plural)
frumframførslanna (definite genitive plural)

From frum- + framførsla (“performance”).

(theater, film, concert, etc) premiere, opening night (the first showing of a film, play, piece of music or other form of entertainment)


sjónleikari

sjónleikari m (genitive singular sjónleikara, plural sjónleikarar)

sjónleikara (genitive singular)
sjónleikarar (plural)
sjónleikari (indefinite nominative singular)
sjónleikarin (definite nominative singular)
sjónleikarar (indefinite nominative plural)
sjónleikararnir (definite nominative plural)
sjónleikara (accusative indefinite singular)
sjónleikaran (accusative definite singular)
sjónleikarar (accusative indefinite plural)
sjónleikararnar (accusative definite plural)
sjónleikara (dative indefinite singular)
sjónleikaranum (dative definite singular)
sjónleikarum (dative indefinite plural)
sjónleikarunum (dative definite plural)
sjónleikara (genitive indefinite singular)
sjónleikarans (definite genitive singular)
sjónleikara (genitive indefinite plural)
sjónleikaranna (definite genitive plural)

From sjónleikur (“theatre play”) + -ari.


filmsjónleikari

filmsjónleikari m (genitive singular filmsjónleikara, plural filmsjónleikarar)

filmsjónleikara (genitive singular)
filmsjónleikarar (plural)
filmsjónleikari (indefinite nominative singular)
filmsjónleikarin (definite nominative singular)
filmsjónleikarar (indefinite nominative plural)
filmsjónleikararnir (definite nominative plural)
filmsjónleikara (accusative indefinite singular)
filmsjónleikaran (accusative definite singular)
filmsjónleikarar (accusative indefinite plural)
filmsjónleikararnar (accusative definite plural)
filmsjónleikara (dative indefinite singular)
filmsjónleikaranum (dative definite singular)
filmsjónleikarum (dative indefinite plural)
filmsjónleikarunum (dative definite plural)
filmsjónleikara (genitive indefinite singular)
filmsjónleikarans (definite genitive singular)
filmsjónleikara (genitive indefinite plural)
filmsjónleikaranna (definite genitive plural)

Compound of filmur (“film, movie”) + sjónleikari (“actor”).


sjónleikur

fo-noun

sjónleikur m (genitive singular sjónleiks, plural sjónleikir)

sjónleiks (genitive singular)
sjónleikir (plural)
sjónleikur (indefinite nominative singular)
sjónleikurin (definite nominative singular)
sjónleikir (indefinite nominative plural)
sjónleikirnir (definite nominative plural)
sjónleik (accusative indefinite singular)
sjónleikin (accusative definite singular)
sjónleikir (accusative indefinite plural)
sjónleikirnar (accusative definite plural)
sjónleiki (dative indefinite singular)
sjónleikinum (dative definite singular)
sjónleikum (dative indefinite plural)
sjónleikunum (dative definite plural)
sjónleiks (genitive indefinite singular)
sjónleiksins (definite genitive singular)
sjónleika (genitive indefinite plural)
sjónleikanna (definite genitive plural)

From sjón (“sight, view”) + leikur (“play, game”). Compare Danish skuespil.

compound

(theater, film) show, spectacle, play, theater play(a theatrical performance featuring actors)


filmsýning

fo-noun

filmsýning f (genitive singular filmsýningar, plural filmsýningar)

filmsýningar (genitive singular)
filmsýningar (plural)
filmsýning (indefinite nominative singular)
filmsýningin (definite nominative singular)
filmsýningar (indefinite nominative plural)
filmsýningarnar (definite nominative plural)
filmsýning (accusative indefinite singular)
filmsýningina (accusative definite singular)
filmsýningar (accusative indefinite plural)
filmsýningarnar (accusative definite plural)
filmsýning (dative indefinite singular)
filmsýningini (dative definite singular)
filmsýningum (dative indefinite plural)
filmsýningunum (dative definite plural)
filmsýningar (genitive indefinite singular)
filmsýningarinnar (definite genitive singular)
filmsýninga (genitive indefinite plural)
filmsýninganna (definite genitive plural)


eykasýning

eykasýning f (genitive singular eykasýningar, plural eykasýningar)

eykasýningar (genitive singular)
eykasýningar (plural)
eykasýning (indefinite nominative singular)
eykasýningin (definite nominative singular)
eykasýningar (indefinite nominative plural)
eykasýningarnar (definite nominative plural)
eykasýning (accusative indefinite singular)
eykasýningina (accusative definite singular)
eykasýningar (accusative indefinite plural)
eykasýningarnar (accusative definite plural)
eykasýning (dative indefinite singular)
eykasýningini (dative definite singular)
eykasýningum (dative indefinite plural)
eykasýningunum (dative definite plural)
eykasýningar (genitive indefinite singular)
eykasýningarinnar (definite genitive singular)
eykasýninga (genitive indefinite plural)
eykasýninganna (definite genitive plural)

From eyka- (“additional, extra”) + sýning (“show”).

prefix

(art, theater, film, etc) additional performance


Trauerspiel

de-noun

Trauerspiel n (strong, genitive Trauerspieles or Trauerspiels, plural Trauerspiele)

Trauerspieles (genitive)
Trauerspiels (genitive)
Trauerspiele (plural)
Trauerspiel (nominative singular)
Trauerspiele (definite nominative plural)
Trauerspieles (genitive singular)
Trauerspiels (genitive singular)
Trauerspiele (definite genitive plural)
Trauerspiel (dative singular)
Trauerspiele (dative singular)
Trauerspielen (dative definite plural)
Trauerspiel (accusative singular)
Trauerspiele (accusative definite plural)

[ˈtʁaʊ̯.ɐˌʃpiːl]

From Trauer + Spiel. Attested 1630, hence possibly after Dutch treurspel (1584).


phim

cuốn (classifier)
bộ (classifier)
thước (classifier)

phim truyện

cinematic live action TV series or TV movie

(film, television, pornography) any type of video involving cinematic elements, such as movies, TV series, commercials, documentaries, etc., except music videos; or pornographic videos or sex tapes that may or may not involve cinematic elements


dump months

From the sense that movie studios are "dumping" poor-quality and limited-appeal films during those months.

(film) The two periods of the year, often described as January and February and mid-August through September, when new movie releases are either poor-quality, cheaply made, or intended for niche audiences, since low movie attendance limits the potential box office return.


supercut

supercuts (plural)
super cut (alternative)

LL-Q1860 (eng)-Flame, not lame-supercut.wav

Take a few minutes and watch this very well-done supercut of (nearly) every movie that came out in 2010.

2010, All The Movies Of 2010 In One Epic Supercut (VIDEO), The Huffington Post

A supercut of all of the pie and coffee in Twin Peaks, most of it ingested by Agent Dale Cooper, obviously.

2013, Populist: Items of interest this week, The Guardian

Now, Vimeo user Alejandro Prullansky has compiled a super cut of Anderson's slo-mo shots from across the director's filmography, charmingly – and maybe a tad cheekily – set to The Shins' "New Slang."

2014, Jon Blistein, Watch a Supercut of Wes Anderson's Slow-Motion Scenes, Rolling Stone

(film) A montage of short video clips, usually from a film or TV series, illustrating a particular repeated element such as a word or phrase.


Ausstattung

Ausstattung f (genitive Ausstattung, plural Ausstattungen)

Ausstattung (genitive)
Ausstattungen (plural)
Ausstattung (nominative singular)
Ausstattungen (definite nominative plural)
Ausstattung (genitive singular)
Ausstattungen (definite genitive plural)
Ausstattung (dative singular)
Ausstattungen (dative definite plural)
Ausstattung (accusative singular)
Ausstattungen (accusative definite plural)

/ˈaʊ̯sˌʃtatʊŋ/

(film, theater) scenography, scenery and costumes, decor


円盤

円盤を買うアニオタ

(music, film, slang) disc such as CD, DVD, or Blu-ray Disc


flow motion

(film) A combination of a timelapse, hyperlapse, and regular cinematographic shots.


收視率

/ʂoʊ̯⁵⁵ ʂʐ̩⁵¹⁻⁵³ ly⁵¹/

/sɐu̯⁵⁵ siː²² lɵt̚²⁻³⁵/

/ʂoʊ̯⁵⁵ ʂʐ̩⁵¹⁻⁵³ ly⁵¹/

/sɐu̯⁵⁵ siː²² lɵt̚²⁻³⁵/


chapter book

Such books are typically divided into short chapters, to suit limited attention spans.

(authorship) An illustrated storybook intended for intermediate readers, generally aged from 7 to 10.


magical Negro

magical Negros (plural)
magical negro (alternative)

(film, literature) A black supporting stock character in media, especially American cinema, who is portrayed as coming to the aid of a white protagonist.


dublê

Borrowed from French doublé. Doublet of duplo.

(film, television) stuntman (person who replaces an actor or actress in risky scenes)


angertainment

Here in the media, meanwhile, much of what used to be called journalism has morphed into "angertainment," which is to say a bunch of shouting over who's to blame for this future of less.

2009 December 23, John McCarron, “Solutions for a nation stuck in low gear”, in Chicago Tribune:

The resulting anger makes for yell radio and TV angertainment.

2012, Wayne Roberts, “Thank you, Rob Ford”, in Now, Toronto, 5 January - 12 January 2012, Volume 31, Number 19:

“We’re doing a lot better on this planet than the angertainment industry would have us believe. But Rush Limbaugh and Bill Maher don’t want you to think that way. And they are very good at it. It’s very profitable for them. […]

2013 February 18, Tim Krohn, “Big Ideas speaker says change doesn’t require new laws”, in Mankato Free Press:

(radio, television, derogatory) A type of programming, especially talk shows and talk radio, which is characterized by anger or which provokes anger in its audience.


DTTV

digital terrestrial television
digital terrestrial television#English

(television) Initialism of digital terrestrial television.


claquete

(film) clapperboard (device used in film)


copião

pt-noun

copião m (plural copiões, feminine copiona, feminine plural copionas)

copiões (plural)
copiona (feminine)
copionas (feminine plural)

(cinematography) rushes; dailies (raw, unedited or lightly edited footage)


teleturniej

teleturniej (nominative singular)
teleturnieje (nominative plural)
teleturnieju (genitive singular)
teleturniejów (genitive plural)
teleturniei (genitive plural)
teleturniejowi (dative singular)
teleturniejom (dative plural)
teleturniej (accusative singular)
teleturnieje (accusative plural)
teleturniejem (instrumental singular)
teleturniejami (instrumental plural)
teleturnieju (locative singular)
teleturniejach (locative plural)
teleturnieju (singular vocative)
teleturnieje (plural vocative)


tear a cat

en-verb

tear a cat (third-person singular simple present tears a cat, present participle tearing a cat, simple past tore a cat, past participle torn a cat)

tears a cat (present singular third-person)
tearing a cat (participle present)
tore a cat (past)
torn a cat (participle past)

Yet my chief humour is for a tyrant. I could play / Ercles rarely, or a part to tear a cat in, to make all split.

c. 1595–1596, William Shakespeare, A Midsummer Night's Dream, act 1, scene 2:

Sirha is this you would rend and teare the Cat / Upon a Stage, and now march like drown'd rat?

c. 1599, John Marston, Histriomastix, act 5, scene 1, page [53]:

Till, in his periwig combustion / Will. Shakespeare sounds like Irish fustian, / In which Macready tears a cat, / And Shiel, the patriot, writes so pat;

1835, George Daniel, “The Conversazione”, in The Modern Dunciad, William Pickering, page 224:

From this performance there is no doubt in anyone's mind that Hamlet is an amateur actor having a fling at histrionics, or as Guthrie might say, "tearing a cat."

1970, Alfred Rossi, Minneapolis Rehearsals: Tyrone Guthrie Directs Hamlet, University of California Press, →ISBN, page 21:

(obsolete, idiomatic, acting) To overact; to violently rant and rave on stage.


produser

produsêr (canonical)
produser-produser (plural)

From Dutch producer, from English producer.

(art, drama) one who produces an artistic production like a CD, a theater production, a film, a TV program and so on


L cut

From the L shape of a piece of physical film when cut for this purpose.

Without L cuts, a conversation between two people can feel like a tennis match.

(film) An edit transition from one shot to another, where the picture and sound are synchronized but the transitions in each are not coincident.


postvisualization

(film) Manipulation of recorded footage in order to change the way a scene is presented.


horário nobre

pt-noun

horário nobre m (plural horários nobres)

(television, radio) prime time (block of programming in the middle of the evening)


zwiastun

pl-noun

zwiastun m inan (related adjective zwiastunowy)

zwiastunowy (adjective)
zwiastun (nominative singular)
zwiastuny (nominative plural)
zwiastuna (genitive singular)
zwiastunów (genitive plural)
zwiastunowi (dative singular)
zwiastunom (dative plural)
zwiastun (accusative singular)
zwiastuny (accusative plural)
zwiastunem (instrumental singular)
zwiastunami (instrumental plural)
zwiastunie (locative singular)
zwiastunach (locative plural)
zwiastunie (singular vocative)
zwiastuny (plural vocative)

(film, marketing) trailer (preview of a film)


kultfilm

kultfilmek (plural)
kultfilm (nominative singular)
kultfilmek (nominative plural)
kultfilmet (accusative singular)
kultfilmeket (accusative plural)
kultfilmnek (dative singular)
kultfilmeknek (dative plural)
kultfilmmel (instrumental singular)
kultfilmekkel (instrumental plural)
kultfilmért (causal-final singular)
kultfilmekért (causal-final plural)
kultfilmmé (singular translative)
kultfilmekké (plural translative)
kultfilmig (singular terminative)
kultfilmekig (plural terminative)
kultfilmként (essive-formal singular)
kultfilmekként (essive-formal plural)
kultfilmben (inessive singular)
kultfilmekben (inessive plural)
kultfilmen (singular superessive)
kultfilmeken (plural superessive)
kultfilmnél (adessive singular)
kultfilmeknél (adessive plural)
kultfilmbe (illative singular)
kultfilmekbe (illative plural)
kultfilmre (singular sublative)
kultfilmekre (plural sublative)
kultfilmhez (allative singular)
kultfilmekhez (allative plural)
kultfilmből (elative singular)
kultfilmekből (elative plural)
kultfilmről (delative singular)
kultfilmekről (delative plural)
kultfilmtől (ablative singular)
kultfilmektől (ablative plural)
kultfilmé (singular)
kultfilmeké (plural)
kultfilméi (singular)
kultfilmekéi (plural)
kultfilmem (first-person possessed-single possessive singular)
kultfilmjeim (first-person possessed-many possessive singular)
kultfilmed (possessed-single possessive second-person singular)
kultfilmjeid (possessed-many possessive second-person singular)
kultfilmje (possessed-single possessive singular third-person)
kultfilmjei (possessed-many possessive singular third-person)
kultfilmünk (first-person plural possessed-single possessive)
kultfilmjeink (first-person plural possessed-many possessive)
kultfilmetek (plural possessed-single possessive second-person)
kultfilmjeitek (plural possessed-many possessive second-person)
kultfilmjük (plural possessed-single possessive third-person)
kultfilmjeik (plural possessed-many possessive third-person)

(film) cult film (film that has acquired a cult following)


efeito especial

pt-noun

efeito especial m (plural efeitos especiais)

(film, television) special effect (effect that cannot be reasonably achieved by normal means)


UHD

The company made headlines with its 85-inch TV with built-in stand, which retailed for $45,000 (it has since come down to $40,000). Smaller UHD TVs started at $5,500.

2014 October 8, Molly Wood, “Sharper Image From 4K TVs Is a Gimmick Worth Having”, in The New York Times, →ISSN:

Sharp also announced a full complement of 4K UHD TVs, with prices starting at just over $700.

2015 January 5, Molly Wood, “CES: A Push for Higher Resolution and Better-Looking TVs”, in New York Times Bits Blog:

(television) Initialism of ultra-high definition (“3840×2160 (4K), 7680×4320 (8K), 15360 × 8640 (16K)”).


picture-in-picture

(television) A feature of some television receivers and similar devices, where one program or channel is displayed on the full TV screen while another is displayed in an inset window.

畫中畫 /画中画

simultaneous display of full TV screen and inset window


μεταγλωττίστρια

head

μεταγλωττίστριες

μεταγλωττιστής

μεταγλωττίστρια • (metaglottístria) f (plural μεταγλωττίστριες, masculine μεταγλωττιστής)

el-noun

μεταγλωττίστριες

μεταγλωττιστής

metaglottístria (romanization)
μεταγλωττίστριες (plural)
μεταγλωττιστής (masculine)
μεταγλωττίστρια (nominative singular)
μεταγλωττίστριες (nominative plural)
μεταγλωττίστριας (genitive singular)
μεταγλωττιστριών (genitive plural)
μεταγλωττίστρια (accusative singular)
μεταγλωττίστριες (accusative plural)
μεταγλωττίστρια (singular vocative)
μεταγλωττίστριες (plural vocative)

el-decl-noun

μεταγλωττίστρια

μεταγλωττίστριες

μεταγλωττίστριας

μεταγλωττιστριών

μεταγλωττίστρια

μεταγλωττίστριες

μεταγλωττίστρια

μεταγλωττίστριες


superproducción

es-noun

superproducción f (plural superproducciones)

(film) blockbuster (specifically a big-budget film)


manic pixie dream girl

en-noun

manic pixie dream girl (plural manic pixie dream girls)

manic pixie dream girls (plural)
manic pixie dreamgirl (alternative)
MPDG (alternative)

LL-Q1860 (eng)-Vealhurl-manic pixie dream girl.wav

Coined by the American film and music critic Nathan Rabin (born 1976) in a 2007 review of Elizabethtown (2005) to describe the character Claire Colburn played by Kirsten Dunst: see the quotation.

coinage

Then again, [Susan] Sarandon's character is the very embodiment of gritty neo-realism compared to Kirsten Dunst's stewardess/love interest. Dunst embodies a character type I like to call The Manic Pixie Dream Girl (see Natalie Portman in Garden State for another prime example). The Manic Pixie Dream Girl exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.

2007 January 25, Nathan Rabin, “My Year Of Flops, Case File 1: Elizabethtown: The Bataan Death March of Whimsy”, in The A.V. Club Blog, archived from the original on 2007-02-05:

[page 218] For me, the Manic Pixie Dream Girl was the story that fit. Of course, I didn't think of it in those terms; all I saw was that in the books and series I loved – mainly science fiction, comics and offbeat literature, not the mainstream films that would later make the MPDG trope famous – [...] [page 219] Most of the classic Manic Pixie Dream Girls claim to be ironic re-imaginings of a character trope that they fail to actually interrogate in any way.

2014, Laurie Penny, “Love and Lies”, in Unspeakable Things: Sex, Lies and Revolution, New York, N.Y., London: Bloomsbury, →ISBN, pages 218–219:

Looking for a new apartment, he cute-meets Sofia (Dolores Fonzi), a young woman with a pink bicycle helmet, yellow tights, a vaguely exotic background and all the other signs of manic-pixie-dream-girl status.

2015 May 14, A[nthony] O[liver] Scott, “Review: In ‘The Film Critic,’ a snob is tripped up by his heartstrings”, in The New York Times, New York, N.Y.: The New York Times Company, →ISSN, →OCLC, archived from the original on 2015-05-17:

A guy who understands women based on movies or television will never have a chance at understanding a real woman, because we aren't like that. We aren't the "career-focused ice queen" or the "sweet helpless damsel in distress" or the "manic pixie dream girl" [...]. But at times, we might be some of them. Or all of them. And then we'll change again, into something much more complex. You can't pin us down.

2016 April, Bethenny Frankel, Eve Adamson, “Woman, Know Thyself”, in I Suck at Relationships So You Don’t Have To: 10 Rules for Not Screwing Up Your Happily Ever After, 1st Touchstone paperback edition, New York, N.Y.: Touchstone, Simon & Schuster, →ISBN, page 34:

Your love for her is getting embarrassing. [...] She's gorgeous, she has buckets of charisma she couldn't hide if she tried, and she makes all the boys fall in love with her. That sounds like Manic Pixie Dreamgirl territory, my friend—which, news flash again, is a cliché.

2017 October, James Patterson, Emily Raymond, chapter 30, in Expelled, New York, N.Y.: Jimmy Patterson Books/Little, Brown and Company, →ISBN; republished as The Injustice, New York, N.Y.: Jimmy Patterson Books/Little, Brown and Company, 2018, →ISBN:

But even as Gina's behavior dips past manic pixie dream girl to merely manic, the director never deviates from the detached tone of his prologue.

2017 September 17, Teo Bugbee, “Review: ‘Thirst Street’ hollows out Hollywood obsession”, in The New York Times, New York, N.Y.: The New York Times Company, →ISSN, →OCLC, archived from the original on 2020-03-12:

A precursor to the “manic pixie dreamgirl” trope of today, the femme-enfant’s youth was to be mooned over, her naïveté aspired to, her pure countenance captured in poetry and paint.

2019 June, Pam Grossman, “The Dark Arts: Magic Makers and Craft Women”, in Waking the Witch: Reflections on Women, Magic, and Power, New York, N.Y.: Gallery Books, →ISBN, page 179:

(film, sometimes derogatory) A stock female character, typically characterized as a bubbly, quirky free spirit, whose main purpose within a narrative is to teach a young male protagonist to embrace the mysteries and adventures of life.

Audrey Hepburn
Elizabethtown (film)
Kirsten Dunst
Roman Holiday


youthsploitation

From youth + -sploitation (from exploitation film).

(film) A genre of exploitation films starring young actors.


luzes, câmera, ação

lights, camera, action
lights, camera, action

(cinematography) lights, camera, action (traditional cue at a beginning of a film take)


piece to camera

en-noun

piece to camera (plural pieces to camera)

(film, television) A speech given by a presenter or character directly to the viewing audience through the camera.


academy leader

(film) A style of leader (blank introductory portion of film) with numbers marked every foot, counting down from 11 to 3.


peripécia

(drama) peripeteia (sudden reversal of fortune as a plot point)


σκηνοθέτρια

head

σκηνοθέτριες

σκηνοθέτρια • (skinothétria) f (plural σκηνοθέτριες, masculine σκηνοθέτης)

el-noun

σκηνοθέτριες

skinothétria (romanization)
σκηνοθέτριες (plural)
σκηνοθέτης (masculine)
σκηνοθέτρια (nominative singular)
σκηνοθέτριες (nominative plural)
σκηνοθέτριας (genitive singular)
σκηνοθετριών (genitive plural)
σκηνοθέτρια (accusative singular)
σκηνοθέτριες (accusative plural)
σκηνοθέτρια (singular vocative)
σκηνοθέτριες (plural vocative)

el-decl-noun

σκηνοθέτριες

σκηνοθέτριας

σκηνοθετριών

σκηνοθέτριες

σκηνοθέτριες


phim ảnh

[fim˧˧ ʔajŋ̟˧˩]

[fim˧˧ ʔɛɲ˧˨]

LL-Q9199 (vie)-Penn Zero MSSJ-phim ảnh.wav

phim (“film; video”) + ảnh (“image; photograph”)

com

(film, television) cinema and fiction television


cinéphagie

(film) movie addiction; quality of being a film junkie


kết giới

[ket̚˧˦ zəːj˧˦]

[ket̚˦˧˥ jəːj˨˩˦]

[kəːt̚˦˥ jəːj˦˥]

LL-Q9199 (vie)-Penn Zero MSSJ-kết giới.wav

Sino-Vietnamese word from 結界, from Japanese 結界, introduced in Japanese manga

(fiction, fantasy, manga, anime, video games) energy barrier/shield, forcefield


kết giới sư

[ket̚˧˦ zəːj˧˦ sɨ˧˧]

[ket̚˦˧˥ jəːj˨˩˦ ʂɨ˧˧]

[ket̚˦˧˥ jəːj˨˩˦ sɨ˧˧]

[kəːt̚˦˥ jəːj˦˥ ʂɨ˧˧]

[kəːt̚˦˥ jəːj˦˥ sɨ˧˧]

LL-Q9199 (vie)-Penn Zero MSSJ-kết giới sư.wav

Sino-Vietnamese word from 結界師, from Japanese 結界師, introduced in the Japanese manga Kekkaishi

(fiction, fantasy, manga, anime) barrier master, kekkaishi


Kinofassung

de-noun

Kinofassung f (genitive Kinofassung, plural Kinofassungen)

Kinofassung (genitive)
Kinofassungen (plural)
Kinofassung (nominative singular)
Kinofassungen (definite nominative plural)
Kinofassung (genitive singular)
Kinofassungen (definite genitive plural)
Kinofassung (dative singular)
Kinofassungen (dative definite plural)
Kinofassung (accusative singular)
Kinofassungen (accusative definite plural)

From Kino (“theater”) + Fassung (“version”).


дубль

ru-noun+

дубль • (dublʹ) m inan (genitive ду́бля, nominative plural ду́бли, genitive plural ду́блей)

dublʹ (romanization)
ду́бля (genitive)
ду́бли (nominative plural)
ду́блей (genitive plural)
ду́бль (nominative singular)
ду́бли (nominative plural)
ду́бля (genitive singular)
ду́блей (genitive plural)
ду́блю (dative singular)
ду́блям (dative plural)
ду́бль (accusative singular)
ду́бли (accusative plural)
ду́блем (instrumental singular)
ду́блями (instrumental plural)
ду́бле (prepositional singular)
ду́блях (plural prepositional)


массовка

массо́вка • (massóvka) f inan (genitive массо́вки, nominative plural массо́вки, genitive plural массо́вок)

массо́вка (canonical)
massóvka (romanization)
массо́вки (genitive)
массо́вки (nominative plural)
массо́вок (genitive plural)
массо́вка (nominative singular)
массо́вки (nominative plural)
массо́вки (genitive singular)
массо́вок (genitive plural)
массо́вке (dative singular)
массо́вкам (dative plural)
массо́вку (accusative singular)
массо́вки (accusative plural)
массо́вкой (instrumental singular)
массо́вкою (instrumental singular)
массо́вками (instrumental plural)
массо́вке (prepositional singular)
массо́вках (plural prepositional)


наезд

нае́зд • (najézd) m inan (genitive нае́зда, nominative plural нае́зды, genitive plural нае́здов)

нае́зд (canonical)
najézd (romanization)
нае́зда (genitive)
нае́зды (nominative plural)
нае́здов (genitive plural)
нае́зд (nominative singular)
нае́зды (nominative plural)
нае́зда (genitive singular)
нае́здов (genitive plural)
нае́зду (dative singular)
нае́здам (dative plural)
нае́зд (accusative singular)
нае́зды (accusative plural)
нае́здом (instrumental singular)
нае́здами (instrumental plural)
нае́зде (prepositional singular)
нае́здах (plural prepositional)


наложение

наложе́ние • (naložénije) n inan (genitive наложе́ния, nominative plural наложе́ния, genitive plural наложе́ний)

наложе́ние (canonical)
naložénije (romanization)
наложе́ния (genitive)
наложе́ния (nominative plural)
наложе́ний (genitive plural)
наложе́ние (nominative singular)
наложе́ния (nominative plural)
наложе́ния (genitive singular)
наложе́ний (genitive plural)
наложе́нию (dative singular)
наложе́ниям (dative plural)
наложе́ние (accusative singular)
наложе́ния (accusative plural)
наложе́нием (instrumental singular)
наложе́ниями (instrumental plural)
наложе́нии (prepositional singular)
наложе́ниях (plural prepositional)

[nəɫɐˈʐɛnʲɪje]

Ru-наложение.ogg

наложи́ть (naložítʹ) + -е́ние (-énije)

af

наложи́ть (naložítʹ) + -е́ние (-énije)

(mathematics, cinematography, informatics) superposition, superimposition


продюсер

kk-noun

продюсер • (prodüser)

prodüser (romanization)
продюсер (nominative singular)
продюсерлер (nominative plural)
продюсердің (genitive singular)
продюсерлердің (genitive plural)
продюсерге (dative singular)
продюсерлерге (dative plural)
продюсерді (accusative singular)
продюсерлерді (accusative plural)
продюсерде (locative singular)
продюсерлерде (locative plural)
продюсерден (ablative singular)
продюсерлерден (ablative plural)
продюсермен (instrumental singular)
продюсерлермен (instrumental plural)

kk-decl-noun

продюсерлердің

продюсерлерге

продюсерлерді

продюсерлерде

продюсерлерден

продюсерлермен

Borrowed from Russian продю́сер (prodjúser), from English producer.

Kazakh alphabets#Arabic script
Kazakh alphabets#Cyrillic script
Kazakh alphabets#Latin script
kk:продюсер


продюсер

ru-noun+

продю́сер//prodjúsɛr

продю́сер • (prodjúsɛr) m anim (genitive продю́сера, nominative plural продю́серы, genitive plural продю́серов)

продю́сер (canonical)
prodjúsɛr (romanization)
продю́сера (genitive)
продю́серы (nominative plural)
продю́серов (genitive plural)
продю́сер (nominative singular)
продю́серы (nominative plural)
продю́сера (genitive singular)
продю́серов (genitive plural)
продю́серу (dative singular)
продю́серам (dative plural)
продю́сера (accusative singular)
продю́серов (accusative plural)
продю́сером (instrumental singular)
продю́серами (instrumental plural)
продю́сере (prepositional singular)
продю́серах (plural prepositional)

→ Kazakh: продюсер (prodüser)

Ru-продюсер.ogg


профилактика

профила́ктика

профила́ктика • (profiláktika) f inan (genitive профила́ктики, uncountable)

профила́ктика (canonical)
profiláktika (romanization)
профила́ктики (genitive)
профила́ктика (nominative singular)
профила́ктики (genitive singular)
профила́ктике (dative singular)
профила́ктику (accusative singular)
профила́ктикой (instrumental singular)
профила́ктикою (instrumental singular)
профила́ктике (prepositional singular)

Ru-профилактика.ogg

Ultimately from Ancient Greek φῠ́λᾰξ (phŭ́lăx).

профилактические работы
профилактические работы

(technical, usually television and radio) short form of профилактические работы; maintenance, technical difficulties


ракурс

ра́курс • (rákurs) m inan (genitive ра́курса, nominative plural ра́курсы, genitive plural ра́курсов)

ра́курс (canonical)
rákurs (romanization)
ра́курса (genitive)
ра́курсы (nominative plural)
ра́курсов (genitive plural)
ра́курс (nominative singular)
ра́курсы (nominative plural)
ра́курса (genitive singular)
ра́курсов (genitive plural)
ра́курсу (dative singular)
ра́курсам (dative plural)
ра́курс (accusative singular)
ра́курсы (accusative plural)
ра́курсом (instrumental singular)
ра́курсами (instrumental plural)
ра́курсе (prepositional singular)
ра́курсах (plural prepositional)

From French raccourci (“shortcut; foreshortening”).

der

в ра́курсе

(painting, cinematography, photography) angle, foreshortening


титр

ru-noun+

титр • (titr) m inan (genitive ти́тра, nominative plural ти́тры, genitive plural ти́тров)

titr (romanization)
ти́тра (genitive)
ти́тры (nominative plural)
ти́тров (genitive plural)
ти́тр (nominative singular)
ти́тры (nominative plural)
ти́тра (genitive singular)
ти́тров (genitive plural)
ти́тру (dative singular)
ти́трам (dative plural)
ти́тр (accusative singular)
ти́тры (accusative plural)
ти́тром (instrumental singular)
ти́трами (instrumental plural)
ти́тре (prepositional singular)
ти́трах (plural prepositional)

(cinematography) caption, title, subtitle, (plural) credits


making-of

making-ofs (plural)
making of (alternative)

/ˈmeɪkɪŋ ˌɒv/

/ˈmeɪkɪŋ ˌʌv/

(television, film) A documentary about how a film or television show was made, with behind-the-scenes footage.

com-s'ha-fet

a video featuring behind-the-scenes footage


Geräuschemacher

de-noun

Geräuschemacher m (strong, genitive Geräuschemachers, plural Geräuschemacher, feminine Geräuschemacherin)

Geräuschemachers (genitive)
Geräuschemacher (plural)
Geräuschemacherin (feminine)
Geräuschemacher (nominative singular)
Geräuschemacher (definite nominative plural)
Geräuschemachers (genitive singular)
Geräuschemacher (definite genitive plural)
Geräuschemacher (dative singular)
Geräuschemachern (dative definite plural)
Geräuschemacher (accusative singular)
Geräuschemacher (accusative definite plural)

From Geräusch (“noise, sound”) (plural) + Macher (“maker, producer”).

affix

(film) foley artist, sound effects technician (male or of unspecified gender)


voicer

This is a news report from the scene of the event. When a voicer and an actuality are combined into one complete story, it's known as a wrap.

2005, Alan R. Stephenson, David E. Reese, Mary E. Beadle, Broadcast Announcing Worktext, page 164:

These reports usually come in the form of voice reports, or voicers, and voice-actuality reports.

2015, Carl Hausman, Frank Messere, Philip Benoit, Modern Radio and Audio Production: Programming and Performance:

(television, radio) A spoken report to be broadcast.


fabuła

fabułka (diminutive)
fabuła (nominative singular)
fabuły (nominative plural)
fabuły (genitive singular)
fabuł (genitive plural)
fabule (dative singular)
fabułom (dative plural)
fabułę (accusative singular)
fabuły (accusative plural)
fabułą (instrumental singular)
fabułami (instrumental plural)
fabule (locative singular)
fabułach (locative plural)
fabuło (singular vocative)
fabuły (plural vocative)

(film, literature) plot (course of a story)


filmhood

Soon the Germans would see me on their screens and hear me barking. There was also plenty of work for me in Hollywood. The Food of the Gods was never to achieve filmhood, nor was the projected musical on Shakespeare's life called Will!

By stripping down film to the minimal conditions for filmhood, the filmmaker highlighted those conditions in ways that can lead viewers to comprehend Serene Velocity's philosophical point.

(film) The quality, state, or condition of a film, especially in reference to its cinematic completion, achievement, accomplishment, or success.


movielore

movie-lore (alternative)
movie lore (alternative)

Whether you intend to captivate your friends with your cinematic erudition or baffle your acquaintances by displaying your PhD. in movielore, this is the book to buy for hours of enchanting entertainment.

Or, as the movielore surrounding a manly male like John Wayne commands, "A man's gotta do (pause) what a man's gotta do."

1994, Wayne Wilson, Sexuality in the Land of Oz:

(film) The knowledge, study, history, or culture relating to movies and filmmaking; filmlore.


kunan

tl-verb

kunan (complete kinunan, progressive kinukunan, contemplative kukunan, 1st benefactive trigger, Baybayin spelling ᜃᜓᜈᜈ᜔)

kinunan (completive)
kinukunan (progressive)
kukunan (contemplative)
ᜃᜓᜈᜈ᜔ (Baybayin)
kuha
kunan (benefactive infinitive)
kinunan (benefactive)
kinukunan (benefactive progressive)
inakunan (benefactive dialectal progressive)
kukunan (benefactive)
akunan (benefactive dialectal)
kuni (benefactive dialectal imperative)
kuhaan (alternative)
kuhanan (alternative)

tl-infl-in-an

kunan

kunan

From a syncopic form of kuhanan, from kuha + -nan.


nani

Nani the hell?


מערבון

he-noun

מַעֲרְבּוֹנִים

מַעֲרָבוֹן • (ma'aravón) m (plural indefinite מַעֲרְבּוֹנִים)

מַעֲרָבוֹן (canonical)
ma'aravón (romanization)
מַעֲרְבּוֹנִים (indefinite plural)

From מַעֲרָב (ma'aráv, “west”) + ־וֹן (-on, “suffix forming nouns”).

af

(film) western (film or other dramatic work)


acronológico

pt-adj

acronológico (feminine acronológica, masculine plural acronológicos, feminine plural acronológicas)

acronológica (feminine)
acronológicos (masculine plural)
acronológicas (feminine plural)

(chiefly literature, film) achronological (not chronological)


Führerstandsmitfahrt

de-noun

Führerstandsmitfahrt f (genitive Führerstandsmitfahrt, plural Führerstandsmitfahrten)

Führerstandsmitfahrt (genitive)
Führerstandsmitfahrten (plural)
Führerstandsmitfahrt (nominative singular)
Führerstandsmitfahrten (definite nominative plural)
Führerstandsmitfahrt (genitive singular)
Führerstandsmitfahrten (definite genitive plural)
Führerstandsmitfahrt (dative singular)
Führerstandsmitfahrten (dative definite plural)
Führerstandsmitfahrt (accusative singular)
Führerstandsmitfahrten (accusative definite plural)

Führerstand (“driver's cabin, cockpit”) + mit (“with”) + Fahrt (“journey, ride”), from Führer (“driver”) + Stand (“cabin”).

compound

(cinematography) a film created by placing a camera in the locomotive of a train in order to film from the train conductor's perspective, a type of locomotive phantom ride


吹き替え

→ Chinese:

Mandarin: 吹替 (chuītì)

Compound of 吹き (fuki, “voice”) + 替え (kae, “replacement”).


crise dramática

pt-noun

crise dramática f (plural crises dramáticas)

(drama) crisis (point in a drama at which a conflict reaches a peak)


solilóquio

(drama) soliloquy (act of a character speaking to himself)


הילוך איטי

he-noun

הִלּוּךְ אִטִּי

הילוכים איטיים

הילוך איטי / הִלּוּךְ אִטִּי • (hilúkh ití) m (plural indefinite [הילוך]]_איטי " lang="he">הילוכים איטיים)

הִלּוּךְ אִטִּי (canonical)
hilúkh ití (romanization)
הילוכים איטיים (indefinite plural)

slow motion
slow motion#English:_Q1899749


krimi

nl-noun

krimi m (plural krimi's, diminutive krimitje n)

krimi's (plural)
krimitje (diminutive neuter)

(film, television, literature) a crime fiction or a crime series, specifically a German-language one


تمثيل

ar-noun

تَمْثِيل • (tamṯīl) m

تَمْثِيل (canonical)
tamṯīl (romanization)
تَمْثِيل (indefinite informal singular triptote)
التَّمْثِيل (definite informal singular triptote)
تَمْثِيل (construct informal singular triptote)
تَمْثِيلٌ (indefinite nominative singular triptote)
التَّمْثِيلُ (definite nominative singular triptote)
تَمْثِيلُ (construct nominative singular triptote)
تَمْثِيلًا (accusative indefinite singular triptote)
التَّمْثِيلَ (accusative definite singular triptote)
تَمْثِيلَ (accusative construct singular triptote)
تَمْثِيلٍ (genitive indefinite singular triptote)
التَّمْثِيلِ (definite genitive singular triptote)
تَمْثِيلِ (construct genitive singular triptote)

→ Azerbaijani: təmsil

→ Ottoman Turkish: تمثیل (temsîl)

Turkish: temsil

→ Crimean Tatar: temsil

desctree

→ Persian: تمثیل (tamsil)
→ Dhivehi: ތަމްސީލު (tam̊sīlu)
→ Kazakh: тәмсіл (tämsıl)
→ Uyghur: تەمسىل (temsil)


субтитр

subtitr (romanization)
субтитр (nominative singular)
субтитрлер (nominative plural)
субтитрдің (genitive singular)
субтитрлердің (genitive plural)
субтитрге (dative singular)
субтитрлерге (dative plural)
субтитрді (accusative singular)
субтитрлерді (accusative plural)
субтитрде (locative singular)
субтитрлерде (locative plural)
субтитрден (ablative singular)
субтитрлерден (ablative plural)
субтитрмен (instrumental singular)
субтитрлермен (instrumental plural)

kk-decl-noun

субтитрлердің

субтитрлерге

субтитрлерді

субтитрлерде

субтитрлерден

субтитрлермен

Borrowed from Russian субти́тр (subtítr), from French sous-titre.

Kazakh alphabets#Arabic script
Kazakh alphabets#Cyrillic script
Kazakh alphabets#Latin script
kk:субтитр


субтитр

ru-noun+

субти́тр • (subtítr) m inan (genitive субти́тра, nominative plural субти́тры, genitive plural субти́тров)

субти́тр (canonical)
subtítr (romanization)
субти́тра (genitive)
субти́тры (nominative plural)
субти́тров (genitive plural)
субти́тр (nominative singular)
субти́тры (nominative plural)
субти́тра (genitive singular)
субти́тров (genitive plural)
субти́тру (dative singular)
субти́трам (dative plural)
субти́тр (accusative singular)
субти́тры (accusative plural)
субти́тром (instrumental singular)
субти́трами (instrumental plural)
субти́тре (prepositional singular)
субти́трах (plural prepositional)

суб- (sub-) + титр (titr). From French sous-titre.


субтитр

uk-noun

субти́тр<genu>

субти́тр • (subtýtr) m inan (genitive субти́тру, nominative plural субти́три, genitive plural субти́трів)

субти́тр (canonical)
subtýtr (romanization)
субти́тру (genitive)
субти́три (nominative plural)
субти́трів (genitive plural)
субти́тр (nominative singular)
субти́три (nominative plural)
субти́тру (genitive singular)
субти́трів (genitive plural)
субти́трові (dative singular)
субти́тру (dative singular)
субти́трам (dative plural)
субти́тр (accusative singular)
субти́три (accusative plural)
субти́тром (instrumental singular)
субти́трами (instrumental plural)
субти́трі (locative singular)
субти́трах (locative plural)
субти́тре (singular vocative)
субти́три (plural vocative)

uk-ndecl

субти́тр<genu>


final girl

Coined by film theorist Carol J. Clover in her 1992 book Men, Women, and Chainsaws: Gender in the Modern Horror Film.

(film) A female character in a horror or thriller film who is the last person alive to confront the killer/monster, and often the sole survivor.

Carol J. Clover
Men, Women, and Chainsaws
final girl


hixploitation

The apotheosis of the hixploitation movement was Smokey and the Bandit (1977), the directorial debut of Tennessee-born veteran stuntman Hal Needham, who actually cast Mel Tillis, Foster Brooks, and Ruth Buzzi for unironic effect.

2006, David Kamp, Lawrence Levi, The Film Snob*s Dictionary: An Essential Lexicon of Filmological Knowledge, Broadway Books, →ISBN, page 48:

While Black Snake Moan seems to unfold in a realm of synthetic fantasy—a hybrid of hip-hop's Dirty South, a bluesman's back roads, and the Dixie of '70s hixploitation flicks—it's actually set in a corner of Tennessee where a white girl named Rae (Ricci) holds the title of town slut.

2007 February, Troy Patterson, “Chick Flicked”, in Spin, page 92:

Historians of what Scott Von Doviak dubbed "Hick Flicks" in his 2005 book by that name, point out that a "Southern" genre of film never emerged to compete with the western as such for a national audience, though there was a rise of hixploitation films in the 1970s whose success hinged on and ultimately died with the demise of the drive-in regional theater (French, Von Doviak).

2011, Tara Powell, “'You Taste of America': Talladega Nights, Deliverance, and Southern Studies”, in Andrew B. Leiter, editor, Southerners on Film: Essays on Hollywood Portrayals Since the 1970s, McFarland & Company, →ISBN, page 220:

(film) A genre of exploitation film that relies on the stereotypical (and often negative) depiction of rural whites of the American South and Appalachia.


komisk

komisk (positive)
komiske (plural positive)
komiske (positive)

Borrowed via German komisch and Latin cōmicus from Ancient Greek κωμικός (kōmikós, “concerning comedy”), a derivation from κῶμος (kômos, “revel”).

bor

(drama) comical, concerning comedy as a dramatic or literary genre


實錄影片

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢˋ

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢ

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢˋ

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɛn⁵¹/

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢˋㄦ

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɑɻ⁵¹/

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢ

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɛn⁵⁵/

ㄕˊ ㄌㄨˋ ㄧㄥˇ ㄆㄧㄢㄦ

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɑɻ⁵⁵/

/sɐt̚² lʊk̚² jɪŋ³⁵ pʰiːn³³⁻³⁵/

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɛn⁵¹/

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɑɻ⁵¹/

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɛn⁵⁵/

/ʂʐ̩³⁵ lu⁵¹ iŋ²¹⁴⁻²¹ pʰi̯ɑɻ⁵⁵/

/sɐt̚² lʊk̚² jɪŋ³⁵ pʰiːn³³⁻³⁵/


colleuse

(cinematography) film splicer (a device for joining two pieces of film)


írisz

íriszek (plural)
írisz (nominative singular)
íriszek (nominative plural)
íriszt (accusative singular)
íriszeket (accusative plural)
írisznek (dative singular)
íriszeknek (dative plural)
írisszel (instrumental singular)
íriszekkel (instrumental plural)
íriszért (causal-final singular)
íriszekért (causal-final plural)
írisszé (singular translative)
íriszekké (plural translative)
íriszig (singular terminative)
íriszekig (plural terminative)
íriszként (essive-formal singular)
íriszekként (essive-formal plural)
íriszben (inessive singular)
íriszekben (inessive plural)
íriszen (singular superessive)
íriszeken (plural superessive)
írisznél (adessive singular)
íriszeknél (adessive plural)
íriszbe (illative singular)
íriszekbe (illative plural)
íriszre (singular sublative)
íriszekre (plural sublative)
íriszhez (allative singular)
íriszekhez (allative plural)
íriszből (elative singular)
íriszekből (elative plural)
íriszről (delative singular)
íriszekről (delative plural)
írisztől (ablative singular)
íriszektől (ablative plural)
íriszé (singular)
íriszeké (plural)
íriszéi (singular)
íriszekéi (plural)
íriszem (first-person possessed-single possessive singular)
íriszeim (first-person possessed-many possessive singular)
íriszed (possessed-single possessive second-person singular)
íriszeid (possessed-many possessive second-person singular)
írisze (possessed-single possessive singular third-person)
íriszei (possessed-many possessive singular third-person)
íriszünk (first-person plural possessed-single possessive)
íriszeink (first-person plural possessed-many possessive)
íriszetek (plural possessed-single possessive second-person)
íriszeitek (plural possessed-many possessive second-person)
íriszük (plural possessed-single possessive third-person)
íriszeik (plural possessed-many possessive third-person)

From Latin īris, from Ancient Greek ἶρις (îris, “rainbow”).

(photography, cinematography) iris (diaphragm used to regulate the size of a hole)


entremez

Borrowed from Spanish entremés, from French entremets.


παρουσιαστής

head

παρουσιαστές

παρουσιάστρια

παρουσιαστής • (parousiastís) m (plural παρουσιαστές, feminine παρουσιάστρια)

el-noun

παρουσιαστές

παρουσιάστρια

parousiastís (romanization)
παρουσιαστές (plural)
παρουσιάστρια (feminine)
παρουσιαστής (nominative singular)
παρουσιαστές (nominative plural)
παρουσιαστή (genitive singular)
παρουσιαστών (genitive plural)
παρουσιαστή (accusative singular)
παρουσιαστές (accusative plural)
παρουσιαστή (singular vocative)
παρουσιαστές (plural vocative)

el-decl-noun

παρουσιαστής

παρουσιαστές

παρουσιαστών

παρουσιαστές

παρουσιαστές

Learnedly, from the past stem παρουσιασ- (parousias-) of παρουσιάζω (parousiázo, “to present, introduce”) + -τής (-tís), formed as a calque of French présentateur.

af

(theater, television, radio) presenter, compere, newsreader


παρουσιάστρια

head

παρουσιάστριες

παρουσιαστής

παρουσιάστρια • (parousiástria) f (plural παρουσιάστριες, masculine παρουσιαστής)

el-noun

παρουσιάστριες

παρουσιαστής

parousiástria (romanization)
παρουσιάστριες (plural)
παρουσιαστής (masculine)
παρουσιάστρια (nominative singular)
παρουσιάστριες (nominative plural)
παρουσιάστριας (genitive singular)
παρουσιαστριών (genitive plural)
παρουσιάστρια (accusative singular)
παρουσιάστριες (accusative plural)
παρουσιάστρια (singular vocative)
παρουσιάστριες (plural vocative)

el-decl-noun

παρουσιάστρια

παρουσιάστριες

παρουσιάστριας

παρουσιαστριών

παρουσιάστρια

παρουσιάστριες

παρουσιάστρια

παρουσιάστριες


κομπέρ

(theater, television, radio) presenter, compere


plan rapproché

fr-noun

plan rapproché m (plural plans rapprochés)


nunsploitation

Making nunsploitation films also appealed to producers because, as with peplums and westerns, it was possible to recycle sets and costumes and therefore lower production costs.

2004, Tamao Nakahara, “Barred Nuns: Italian Nunsploitation Films”, in Ernest Mathijs, editor, Alternative Europe: Eurotrash and Exploitation Cinema Since 1945, Wallflower Press, →ISBN, page 126:

Perhaps the world's first nunsploitation film, it centres on a morphine-addicted nun recovering from neurosurgery, who is accused of a series of horrific murders.

2008 July 4, “Random top tens: The least convincing nuns ever”, in The Scotsman:

In the early 1970s, the nunsploitation film emerged as a widely popular genre, energized by several key cinematic, literary, and historical catalysts: […]

2013, Ian Olney, Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Indiana University Press, →ISBN, page 175:

(film) A genre of exploitation film focusing on Christian nuns.


Nazisploitation

You should see “Ilsa, She Wolf of the SS,” the notorious sleazefest now considered a touchstone of the Nazisploitation craze of the 1970s.

2008 August 14, Nathan Lee, “Nazisploitation Making a Comeback”, in The New York Times:

As a result, Nazisploitation has ensured that Nazi evil has had an impressive staying power.

2010, Claire M. Hall, “Where Does Evil Sit in the Classroom?: Problematizing Teaching about Hitler, Nasty Nazis, and the Holocaust”, in Sara Buttsworth, Maartje M. Abbenhuis, editors, Monsters in the Mirror: Representations of Nazism in Post-war Popular Culture, Praeger, →ISBN, page 227:

In general, Nazisploitation movies encompass those that use the fascination of Nazi imagery, ideology, symbols and artifacts to increase its commercial appeal.

2012, Benedikt Eppenberger, “Eine Armee Gretchen: Nazisploitation Made in Switzerland”, in Daniel H. Magilow, Elizabeth Bridges, Kristin T. Vander Lugt, editors, Nazisploitation!: The Nazi Image in Low-Brow Cinema and Culture, A&C Black, →ISBN, page 155:

(film) A subgenre of exploitation film that involves villainous Nazis committing criminal acts of a sexual nature, typically against people held in their concentration camps and prisons during World War II.


Canuxploitation

Canuxploitation films form a constant undercurrent in both English Canada and Quebec, swelling at certain points to near-tidal proportions.

2002, “Introduction: What Is Canadian Cinema?”, in Eugene P. Walz, editor, Canada's Best Features: Critical Essays on 15 Canadian Films, Rodopi, →ISBN, page xvii:

As a classic example of 1970s B-grade “Canuxploitation,” Death Weekend has retrospectively developed a cult audience beyond the lackluster response it garnered upon its initial release.

2011, Alexandra Heller-Nicholas, Rape-Revenge Films: A Critical Study, McFarland & Company (201), page 113

How can we account for the career of quintessentially Canadian directors such as William Fruet and Paul Lynch, whose extensive filmographies include both realist classics such as Fruet's gruelling depiction of Albertan patriarchy, Wedding in White (1972), and Lynch's loser drama of an aging country-music singer on the road in small-town Ontario, The Hard Part Begins (1973), and Canuxploitation horror such as Fruet's Death Weekend (1976), Spasms (1983), Killer Party (1986), and Blue Monkey (1987), […]

2012, David Lawrence Pike, Canadian Cinema Since the 1980s: At the Heart of the World, University of Toronto Press, →ISBN, page 185:

(film) A genre of low-budget films produced in Canada, chiefly during the 1970s and 1980s.


whitesploitation

While the Pam Grier Collection has "Foxy Brown," "Coffy," and "Friday Foster," The Elvis Gift Set (Paramount, $59.80) offers five classic whitesploitation flicks: "Fun in Acapulco," "G. I. Blues," "Paradise, Hawaiian Style," "Blue Hawaii" and "King Creole."

You had whitesploitation films, too: Chained Heat, The Texas Chain Saw Massacre, and all that junk.

2003, Joe Bobb Briggs, Profoundly Disturbing: Shocking Movies that Changed History!, Universe, →ISBN, page 125:

What Ken never understood was that the only thing Harold and I really excelled at was fucking around—coming up with idiotic ideas and filthy daydreams, projects like the pornographic version of The Cat in the Hat, the whitesploitation film Kung-Fu Honky, […]

2012, Tim Kreider, We Learn Nothing: Essays and Cartoons, Simon & Schuster, →ISBN, page 107:

(film) A type of film that portrays white people in a stereotypical manner, intended to appeal to lurid or lowbrow tastes.


Mexploitation

Remember that crazy-funny fake trailer for the nonexistent ’70s Mexploitation flick Machete that preceded the “Planet Terror” segment of Grindhouse a few years back?

2010 September 2, MaryAnn Johanson, “Class Warrior: Machete provides a slice of surprisingly effective entertainment – and political commentary”, in Monterey County Now:

The Mexploitation fall-out runs to explosives, rape, death by flame-thrower and a cavalcade of unconvincing plot turns.

2012 September 21, Tara Brady, “Savages”, in The Irish Times:

Robert Rodriguez, 45, creator of the "Mexico" trilogy and "Spy Kids" films, arguably sired the Mexploitation genre in 1992 with the campy vengeance film "El Mariachi."

2013 October 10, Ray Monell, “Robert Rodriguez corners Mexploitation film market with ‘Machete Kills’”, in New York Daily News:

(film) A genre of exploitation films produced in and/or set in Mexico, and often featuring plots dealing with crime, drugs, and sex.


Ozploitation

While a number of Ozploitation films conformed to the 'trashy' aesthetics and marginal audience reception that historically characterizes exploitation cinema, a notable handful display production values considerably higher than those connoted by the term itself, and also experienced significant box office success, both in Australia and, at times, internationally.

2010, Ben Goldsmith, Geoffrey Lealand, editors, Australia and New Zealand, Intellect Books, →ISBN, page 239:

While the film is rich with moments of explicit sexual threat — most notably the naked photographs and Sparks' attempted rape — the image of Jessica tied to the front of the ute remains one of the most excessive and horrific images of violence against women not only in Australian “Ozploitation” film, but in rape-revenge as a whole.

2011, Alexandra Heller-Nicholas, Rape-Revenge Films: A Critical Study, McFarland & Company (201), page 111

The name was originally explained on the event's website as being inspired by 1974 Ozploitation film, Stone, about motor bike gangs.

2014, Hilary Du Cros, Lee Jolliffe, The Arts and Events, Routledge, →ISBN, page 74:

(film) A genre of low-budget films produced in Australia, chiefly during the 1970s and 1980s.


förðun

is-noun

förðun f (genitive singular förðunar, no plural)

förðunar (genitive singular)
förðun (indefinite nominative singular)
förðunin (definite nominative singular)
förðun (accusative indefinite singular)
förðunina (accusative definite singular)
förðun (dative indefinite singular)
förðuninni (dative definite singular)
förðunar (genitive indefinite singular)
förðunarinnar (definite genitive singular)

(film, theater, television) makeup (the act of applying cosmetics)


carsploitation

Death Race is a rehash of the 1975 carsploitation flick Death Race 2000 that predicted a new millennium in which David Carradine and Sylvester Stallone mow down old people for points.

2008 August 27, Emiliano Garcia-Sarnoff, “Total Drag (Race)”, in Santa Fe Reporter:

Cage redefines "up for anything" in this goofy carsploitation movie as a vengeful grandpa on the trail of devil-worshippers who have slaughtered his daughter and kidnapped his granddaughter for sacrificial purposes.

2011 June 2, Randall King, chapter DVD, in Winnipeg Free Press:

The film hurtles toward tragic inevitability like Vanishing Point, the classic carsploitation film that Death Proof revises with the triumph of the collective.

2014, Claire Henry, Revisionist Rape-Revenge: Redefining a Film Genre, Palgrave Macmillan, →ISBN, pages 164–165:

(film) A genre of exploitation films focused on cars, typified by scenes of racing and crashing.


Britsploitation

Wright, whose mock Britsploitation trailer Don't is currently playing during the intermission between Robert Rodriguez and Quentin Tarantino's Grindhouse double-bill, manages to integrate these disparate parts into a cohesive, intelligent whole.

2007 April 18, Neil Morris, “Hot Fuzz and Fracture”, in Indy Week:

Cult Britsploitation flicks Terror and Prey were released at the fag-end of the 70s and have all the elements you’d expect for that period: lesbian butchery, sinister parties, deranged parrots, heartless aliens, curb-crawlers and lovingly inventive, drawn-out death sequences.

2009, "Tony Molester," album review, Vice, Volume 7, Number 8, August 2009, page 161

Yet, surely the audience for a Cardiff documentary would be just as interested in his Britsploitation thrillers like “Dark of the Sun” and “The Liquidator.”

2011, Joe Bendel, "Love for the cameraman, the greatest ever colour cinematographer", The Epoch Times, 19 May 2011 - 25 May 2011, P9

(film) A genre of low-budget films produced and/or set in the United Kingdom.


Jewsploitation

The Hebrew Hammer may very well be the first "Jewsploitation" comedy, but star Adam Goldberg promises the film avoids the truly offensive.

2002 July, Diane Vadino, “Movie News”, in Spin, page 47:

Saturday night I went to the Gershman Y to see the new "Jewsploitation" film The Hebrew Hammer, which I'm guessing is going to raise some hackles in the same way my headline did.

2003 December 10, Liz Spikol, “Hammer Time”, in Philadelphia Weekly:

The film, one of the first to emerge from the burgeoning "Jewsploitation" genre, is ripped from true-crime headlines and follows an impressionable youth (Eisenberg) from an Orthodox Brooklyn community.

2007 November 15, Gregg Goldstein, “Eisenberg, Bartha in the 'Holy' land”, in The Hollywood Reporter:

(film) A genre of exploitation films focusing on Jews and Jewish experiences.


sharksploitation

Hunky James Caan look-alike Andrés Garcia – the nominal hero who is apparently sponsored by Adidas – became a pin-up of these adventures, appearing in the sharksploitation movie Tintorera! (1977), Tonino Ricci's Cave of the Sharks and in The Bermuda Triangle (1978), with John Huston and Claudine Auger.

2011, Howard Hughes, Cinema Italiano: The Complete Guide from Classics to Cult, I. B. Tauris & Co Ltd, →ISBN, page 282:

After their yacht runs aground in Australian waters, four of them decide to swim for land but are soon stalked by a huge great white shark. While the story stutters and starts, sharksploitation fans will lap it up.

2011 January 21, David Edwards, “New Releases; DVDs”, in The Mirror, UK:

Spoofing the sharksploitation genre is Ghost Shark 2: Urban Jaws (“And for God's sake, stay out of the water!”).

2014, Gene Helfman, George H. Burgess, Sharks: The Animal Answer Guide, Johns Hopkins University Press, →ISBN, page 210:

(film) A genre of exploitation films focusing on sharks and shark attacks.


összevág

hu-conj

Forms in parentheses are somewhat archaic or literary.

The prefix can split from the verb stem, e.g. nem vág össze or  össze is vág.

The prefix can split from the verb stem, e.g. nem vághat össze or  össze is vághat.

This verb has no prefix that could split, despite its first few letters.

összevágok (indefinite informal second-person singular)
összevágsz (formal indefinite second-person-semantically singular third-person)
összevágsz (indefinite singular third-person)
összevág (first-person indefinite plural)
összevágunk (indefinite informal plural second-person)
összevágtok (formal indefinite plural second-person-semantically third-person)
összevágtok (indefinite plural third-person)
összevágnak (indefinite)
összevágom (definite informal second-person singular)
összevágod (definite formal second-person-semantically singular third-person)
összevágod (definite singular third-person)
összevágja (definite first-person plural)
összevágjuk (definite informal plural second-person)
összevágjátok (definite formal plural second-person-semantically third-person)
összevágjátok (definite plural third-person)
összevágják (definite)
összeváglak (informal second-person singular)
összevágtam (indefinite informal past second-person singular)
összevágtál (formal indefinite past second-person-semantically singular third-person)
összevágtál (indefinite past singular third-person)
összevágott (first-person indefinite past plural)
összevágtunk (indefinite informal past plural second-person)
összevágtatok (formal indefinite past plural second-person-semantically third-person)
összevágtatok (indefinite past plural third-person)
összevágtak (indefinite past)
összevágtam (definite informal past second-person singular)
összevágtad (definite formal past second-person-semantically singular third-person)
összevágtad (definite past singular third-person)
összevágta (definite first-person past plural)
összevágtuk (definite informal past plural second-person)
összevágtátok (definite formal past plural second-person-semantically third-person)
összevágtátok (definite past plural third-person)
összevágták (definite past)
összevágtalak (informal past second-person singular)
or a time adverb (first-person future plural)
or a time adverb (formal future second-person-semantically third-person)
or a time adverb (future informal second-person)
or a time adverb (future third-person)
e.g. össze fog vágni. (first-person future plural)
e.g. össze fog vágni. (formal future second-person-semantically third-person)
e.g. össze fog vágni. (future informal second-person)
e.g. össze fog vágni. (future third-person)
összevágék (future indefinite)
összevágál (indefinite informal second-person singular)
összevága (formal indefinite second-person-semantically singular third-person)
összevága (indefinite singular third-person)
összevágánk (first-person indefinite plural)
összevágátok (indefinite informal plural second-person)
összevágának (formal indefinite plural second-person-semantically third-person)
összevágának (indefinite plural third-person)
összevágám (definite future)
összevágád (definite informal second-person singular)
összevágá (definite formal second-person-semantically singular third-person)
összevágá (definite singular third-person)
összevágánk (definite first-person plural)
összevágátok (definite informal plural second-person)
összevágák (definite formal plural second-person-semantically third-person)
összevágák (definite plural third-person)
összevágálak (future)
e.g. összevág vala (future)
összevágott vala (future)
volt. (future)
összevágandok (future indefinite)
összevágandasz (indefinite informal second-person singular)
összevágand (formal indefinite second-person-semantically singular third-person)
összevágand (indefinite singular third-person)
összevágandunk (first-person indefinite plural)
összevágandotok (indefinite informal plural second-person)
összevágandanak (formal indefinite plural second-person-semantically third-person)
összevágandanak (indefinite plural third-person)
összevágandom (definite future)
összevágandod (definite informal second-person singular)
összevágandja (definite formal second-person-semantically singular third-person)
összevágandja (definite singular third-person)
összevágandjuk (definite first-person plural)
összevágandjátok (definite informal plural second-person)
összevágandják (definite formal plural second-person-semantically third-person)
összevágandják (definite plural third-person)
összevágandalak (future)
összevágnék (indefinite informal second-person singular)
összevágnál (formal indefinite second-person-semantically singular third-person)
összevágnál (indefinite singular third-person)
összevágna (first-person indefinite plural)
összevágnánk (indefinite informal plural second-person)
összevágnátok (formal indefinite plural second-person-semantically third-person)
összevágnátok (indefinite plural third-person)
összevágnának (indefinite)
összevágnám (definite future indefinite)
összevágnád (definite informal second-person singular)
összevágná (definite formal second-person-semantically singular third-person)
összevágná (definite singular third-person)
összevágnánk (definite first-person plural)
or összevágnók (definite first-person plural)
összevágnátok (definite informal plural second-person)
összevágnák (definite formal plural second-person-semantically third-person)
összevágnák (definite plural third-person)
összevágnálak (future indefinite)
Indicative past forms followed by volna (indefinite past)
e.g. összevágott volna (indefinite past)
összevágjak (indefinite informal second-person singular)
összevágj or (formal indefinite second-person-semantically singular third-person)
összevágj or (indefinite singular third-person)
összevágjál (formal indefinite second-person-semantically singular third-person)
összevágjál (indefinite singular third-person)
összevágjon (first-person indefinite plural)
összevágjunk (indefinite informal plural second-person)
összevágjatok (formal indefinite plural second-person-semantically third-person)
összevágjatok (indefinite plural third-person)
összevágjanak (indefinite)
összevágjam (definite informal second-person singular)
összevágd or (definite formal second-person-semantically singular third-person)
összevágd or (definite singular third-person)
összevágjad (definite formal second-person-semantically singular third-person)
összevágjad (definite singular third-person)
összevágjalak (informal second-person singular)
e.g. összevágott légyen
összevágni (infinitive)
összevágnom (infinitive informal second-person singular)
összevágnod (formal infinitive second-person-semantically singular third-person)
összevágnod (infinitive singular third-person)
összevágnia (first-person infinitive plural)
összevágnunk (infinitive informal plural second-person)
összevágnotok (formal infinitive plural second-person-semantically third-person)
összevágnotok (infinitive plural third-person)
összevágniuk (infinitive)
összevágás (noun-from-verb)
összevágó (future)
összevágott
összevágandó
összevágva (adverbial first-person participle plural)
összevágva (adverbial informal participle plural second-person)
összevágván (adverbial first-person participle plural)
összevágván (adverbial informal participle plural second-person)
összevágat (causative)
-(t)et suffix as the causative
The prefix can split from the verb stem
e.g. nem vág össze
össze is vág.
összevághatok (indefinite informal second-person singular)
összevághatsz (formal indefinite second-person-semantically singular third-person)
összevághatsz (indefinite singular third-person)
összevághat (first-person indefinite plural)
összevághatunk (indefinite informal plural second-person)
összevághattok (formal indefinite plural second-person-semantically third-person)
összevághattok (indefinite plural third-person)
összevághatnak (indefinite)
összevághatom (definite informal second-person singular)
összevághatod (definite formal second-person-semantically singular third-person)
összevághatod (definite singular third-person)
összevághatja (definite first-person plural)
összevághatjuk (definite informal plural second-person)
összevághatjátok (definite formal plural second-person-semantically third-person)
összevághatjátok (definite plural third-person)
összevághatják (definite)
összevághatlak (informal second-person singular)
összevághattam (indefinite informal past second-person singular)
összevághattál (formal indefinite past second-person-semantically singular third-person)
összevághattál (indefinite past singular third-person)
összevághatott (first-person indefinite past plural)
összevághattunk (indefinite informal past plural second-person)
összevághattatok (formal indefinite past plural second-person-semantically third-person)
összevághattatok (indefinite past plural third-person)
összevághattak (indefinite past)
összevághattam (definite informal past second-person singular)
összevághattad (definite formal past second-person-semantically singular third-person)
összevághattad (definite past singular third-person)
összevághatta (definite first-person past plural)
összevághattuk (definite informal past plural second-person)
összevághattátok (definite formal past plural second-person-semantically third-person)
összevághattátok (definite past plural third-person)
összevághatták (definite past)
összevághattalak (informal past second-person singular)
összevághaték (indefinite)
összevághatál (indefinite informal second-person singular)
összevághata (formal indefinite second-person-semantically singular third-person)
összevághata (indefinite singular third-person)
összevághatánk (first-person indefinite plural)
összevághatátok (indefinite informal plural second-person)
összevághatának (formal indefinite plural second-person-semantically third-person)
összevághatának (indefinite plural third-person)
összevághatám (definite)
összevághatád (definite informal second-person singular)
összevághatá (definite formal second-person-semantically singular third-person)
összevághatá (definite singular third-person)
összevághatánk (definite first-person plural)
összevághatátok (definite informal plural second-person)
összevághaták (definite formal plural second-person-semantically third-person)
összevághaták (definite plural third-person)
összevághatálak
e.g. összevághat vala (first-person past plural)
e.g. összevághat vala (first-person past singular third-person)
e.g. összevághat vala (first-person plural)
e.g. összevághat vala (first-person singular third-person)
e.g. összevághat vala (formal past second-person-semantically singular third-person)
e.g. összevághat vala (formal second-person-semantically singular third-person)
e.g. összevághat vala (informal past second-person)
e.g. összevághat vala (informal second-person)
összevághatott vala (first-person past plural)
összevághatott vala (first-person past singular third-person)
összevághatott vala (first-person plural)
összevághatott vala (first-person singular third-person)
összevághatott vala (formal past second-person-semantically singular third-person)
összevághatott vala (formal second-person-semantically singular third-person)
összevághatott vala (informal past second-person)
összevághatott vala (informal second-person)
volt. (first-person past plural)
volt. (first-person past singular third-person)
volt. (first-person plural)
volt. (first-person singular third-person)
volt. (formal past second-person-semantically singular third-person)
volt. (formal second-person-semantically singular third-person)
volt. (informal past second-person)
volt. (informal second-person)
összevághatandok (indefinite)
or összevágandhatok (indefinite)
összevághatandasz (indefinite informal second-person singular)
or összevágandhatsz (indefinite informal second-person singular)
összevághatand (formal indefinite second-person-semantically singular third-person)
összevághatand (indefinite singular third-person)
or összevágandhat (formal indefinite second-person-semantically singular third-person)
or összevágandhat (indefinite singular third-person)
összevághatandunk (first-person indefinite plural)
or összevágandhatunk (first-person indefinite plural)
összevághatandotok (indefinite informal plural second-person)
or összevágandhattok (indefinite informal plural second-person)
összevághatandanak (formal indefinite plural second-person-semantically third-person)
összevághatandanak (indefinite plural third-person)
or összevágandhatnak (formal indefinite plural second-person-semantically third-person)
or összevágandhatnak (indefinite plural third-person)
összevághatandom (definite)
or összevágandhatom (definite)
összevághatandod (definite informal second-person singular)
or összevágandhatod (definite informal second-person singular)
összevághatandja (definite formal second-person-semantically singular third-person)
összevághatandja (definite singular third-person)
or összevágandhatja (definite formal second-person-semantically singular third-person)
or összevágandhatja (definite singular third-person)
összevághatandjuk (definite first-person plural)
or összevágandhatjuk (definite first-person plural)
összevághatandjátok (definite informal plural second-person)
or összevágandhatjátok (definite informal plural second-person)
összevághatandják (definite formal plural second-person-semantically third-person)
összevághatandják (definite plural third-person)
or összevágandhatják (definite formal plural second-person-semantically third-person)
or összevágandhatják (definite plural third-person)
összevághatandalak
or összevágandhatlak
összevághatnék (indefinite informal second-person singular)
összevághatnál (formal indefinite second-person-semantically singular third-person)
összevághatnál (indefinite singular third-person)
összevághatna (first-person indefinite plural)
összevághatnánk (indefinite informal plural second-person)
összevághatnátok (formal indefinite plural second-person-semantically third-person)
összevághatnátok (indefinite plural third-person)
összevághatnának (indefinite)
összevághatnám (definite indefinite)
összevághatnád (definite informal second-person singular)
összevághatná (definite formal second-person-semantically singular third-person)
összevághatná (definite singular third-person)
összevághatnánk (definite first-person plural)
or összevághatnók (definite first-person plural)
összevághatnátok (definite informal plural second-person)
összevághatnák (definite formal plural second-person-semantically third-person)
összevághatnák (definite plural third-person)
összevághatnálak (indefinite)
Indicative past forms followed by volna (first-person indefinite past third-person)
Indicative past forms followed by volna (formal indefinite past second-person-semantically third-person)
Indicative past forms followed by volna (indefinite informal past second-person)
e.g. összevághatott volna (first-person indefinite past third-person)
e.g. összevághatott volna (formal indefinite past second-person-semantically third-person)
e.g. összevághatott volna (indefinite informal past second-person)
összevághassak (indefinite informal second-person singular)
összevághass or (formal indefinite second-person-semantically singular third-person)
összevághass or (indefinite singular third-person)
összevághassál (formal indefinite second-person-semantically singular third-person)
összevághassál (indefinite singular third-person)
összevághasson (first-person indefinite plural)
összevághassunk (indefinite informal plural second-person)
összevághassatok (formal indefinite plural second-person-semantically third-person)
összevághassatok (indefinite plural third-person)
összevághassanak (indefinite)
összevághassam (definite informal second-person singular)
összevághasd or (definite formal second-person-semantically singular third-person)
összevághasd or (definite singular third-person)
összevághassad (definite formal second-person-semantically singular third-person)
összevághassad (definite singular third-person)
összevághassa (definite first-person plural)
összevághassuk (definite informal plural second-person)
összevághassátok (definite formal plural second-person-semantically third-person)
összevághassátok (definite plural third-person)
összevághassák (definite)
összevághassalak (informal second-person singular)
e.g. összevághatott légyen
összevághatni (infinitive)
összevághatnom (infinitive informal second-person singular)
összevághatnod (formal infinitive second-person-semantically singular third-person)
összevághatnod (infinitive singular third-person)
összevághatnia (first-person infinitive plural)
összevághatnunk (infinitive informal plural second-person)
összevághatnotok (formal infinitive plural second-person-semantically third-person)
összevághatnotok (infinitive plural third-person)
összevághatniuk (infinitive)
összevágható
összevághatatlan (formal second-person-semantically singular third-person)
összevághatatlan (informal second-person singular)
összevághatatlan (singular third-person)
összevághatva / összevághatván (adverbial first-person participle plural third-person)
összevághatva / összevághatván (adverbial formal participle plural second-person-semantically third-person)
összevághatva / összevághatván (adverbial informal participle plural second-person)
The prefix can split from the verb stem
e.g. nem vághat össze
össze is vághat.

(transitive, film) to edit, to cut (to slice and rearrange video sequences)


drugsploitation

Meanwhile, newfangled drugsploitation flicks like Maryjane and The Hooked Generation invaded drive-ins, providing cautionary tales while the smell of those funny scented cigarettes filled the night air.

2004, Irv Slifkin, VideoHound's Groovy Movies: Far-out Films of the Psychedelic Era, Visible Ink Press, →ISBN, page 201:

Such shots are to be found throughout the genre from early 'drug hysteria' and 'drugsploitation' movies through to its most recent examples.

2006, David Boothroyd, Culture on Drugs: Narco-cultural Studies of High Modernity, Manchester University Press, →ISBN:

Fonda persuaded director Roger Corman to hire the band for his drugsploitation movie The Trip, a paean to LSD scripted by Jack Nicholson.

2006, Barney Hoskyns, Hotel California: The True-Life Adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Ronstadt, Geffen, the Eagles, and Their Many Friends, Wiley, →ISBN, page 61:

(film) A genre of exploitation films which focus on the use of recreational drugs, typically featuring lurid scenes of drug-induced behaviour framed as a cautionary tale/morality play.


front porch

(television) A brief period inserted between the end of each transmitted line of picture and the leading edge of the next line sync pulse, intended to allow voltage levels to stabilise in older televisions, preventing interference between picture lines.


back porch

back porches (plural)
backporch (alternative)

(television) The portion of each scan line between the end (rising edge) of the horizontal sync pulse and the start of active video, used to restore the black level reference in analog video.


dublagem

pt-noun

dublagem f (countable and uncountable, plural dublagens)

Borrowed from French doublage, equivalent to dublar + -agem. Piecewise doublet of dobragem.

Desde então, a televisão brasileira exibiu muitas produções estrangeiras em português. Esse trabalho de dublagem começou a ser explorado por Herbert Richers, criador do primeiro estúdio de dublagem totalmente nacional e que impulsionou o surgimento de outros no Brasil.

2021, Glaucenira Neves Correia Santana, “Surgimento da dublagem e a expansão no Brasil”, in Que Sotaque Tem a Dublagem Brasileira?, Recife: 44º Congresso Brasileiro de Ciências da Comunicação; republished as chapter 5, in Luiza Lusvarghi, editor, Som, montagem e fotografia: colonialidades e regionalismos (Coleção Temas; 2), São Paulo: Editora Polytheama, 2023, →ISBN, unnumbered page:

Since then, Brazilian television has aired many foreign productions in Portuguese. This dubbing work began to be explored by Herbert Richers, the creator of the first fully national dubbing studio and who has promoted the appearance of others in Brazil.

(uncountable) dubbing (replacement of voice in film, usually into a different language)

Apesar de ter causado um estranhamento inicial, Dan Da Dan não é o primeiro anime a receber duas dublagens diferentes. Algo semelhante aconteceu com outras produções aclamadas, como Cowboy Bebop e Vinland Saga.

2024 December 19, Paloma Pinheiro, “Dan Da Dan: por que o anime tem duas dublagens diferentes?”, in Jovem Nerd, archived from the original on 2024-12-24:

Despite the initial discomfort, Dan Da Dan isn't the first anime to get two different dubbings. Something similar occurred with other acclaimed productions, like Cowboy Bebop and Vinland Saga.

(countable) dubbing; dub (an instance of dubbing)


bom tấn

[ʔɓɔm˧˧ tən˧˦]

[ʔɓɔm˧˧ təŋ˦˧˥]

[ʔɓɔm˧˧ təŋ˦˥]


N-

Abbreviation of nuo (“from”), referencing the minimum age required in order to watch a film.

(film) Used for film rating systems in Lithuania.


TiVo

From TiVo, a specific digital video recorder introduced in 1999.

Lost, season 4, begins in early February, after one of the most thrilling season enders in a decade of television: […] Set your TiVo.

2008 January–February, Matt Bean, “Your cultural calendar: 7 things to look forward to this year”, in Men's Health, volume 23, number 1, →ISSN, page 134:

digital video recorder
digital video recorder

(television) A digital video recorder (of any brand).


收聲

/sɐu̯⁵⁵ sɛːŋ⁵⁵/

/sɐu̯⁵⁵ sɛːŋ⁵⁵/


graveyard slot

From graveyard + slot, from the analogy of death to absence, see also dead air, dead silence/dead silent.

(television, radio) A time period, especially very late at night, during which the audience is very small compared to other times of the day.


daypart

Prime time is the daypart with the most viewers.

(television, radio) A part of the day in which a type of radio or television program apropos for that time period is aired.

műsoridő

part of the day in which a type of radio or television program is aired


daypart

en-verb

daypart (third-person singular simple present dayparts, present participle dayparting, simple past and past participle dayparted)

dayparts (present singular third-person)
dayparting (participle present)
dayparted (participle past)
dayparted (past)

Much like TV and radio, programming on the Station will be dayparted. Mornings will contain more music news, afternoons will have a heavy promotional focus on Streamland's and SonicNet's Addicted to Noise Web sites, and nights will focus on live entertainment.

1998 March 14, Ed Christman, “Trans World Earnings Set Record in '97”, in Billboard, volume 110, number 11, page 111:

A lot of Top 40 stations were heavily dayparted, so softer stuff only got played in the daytime, or harder stuff only got played at night.

2005 June 2, Florence Henderson Had A Mullet [username], “Re: Billboard top 100 of 1983”, in alt.culture.us.1980s (Usenet):

(television, radio, transitive) To divide the broadcasting day of (a station) into periods airing different types of material.

Like most R&B stations, rap is dayparted after 6 p.m. but shunned between the hours of 9 p.m. and midnight, when the station runs its quiet storm show.

1994 June 25, Phyllis Stark, “Community Involvement Sends WCKX To Top”, in Billboard, volume 106, number 26, page 106:

WMGI's new format, of which I heard a mere 20 minutes last night around 8, seemed to be brighter and much more uptempo. I imagine they've got the youngest stuff (i.e., the rap) dayparted into evenings only, and are being much less adventurous mornings.

1995 January 4, Jim Grey, “Terre Haute Radio News 1-1-95”, in rec.radio.broadcasting (Usenet):

(television, radio, transitive) To assign (material) to such a period.


dayparting

(television, radio) The practice of dividing the broadcast day into several dayparts.


cảnh

(cinematography, television, theater) scene (so much of a play as passes without change of locality or time)

(film) shot (single unbroken sequence of photographic film exposures)


quadruccio

(cinematography) gate (over the aperture of a film camera or projector)


warmedy

It preserves the blue-collar setting of The Flintstones, and the family constellations are similar, but the "warmedy" Flintstone world is turned on its ear.

2004, John Alberti, Leaving Springfield: The Simpsons and the Possibility of Oppositional Culture, →ISBN, page 144:

Another popular “warmedy” (warm family comedy) of the late 1980s was Family Ties, which starred Michael J. Fox as the eldest sibling in a close-knit family.

2005, James T. Patterson, Restless Giant: The United States from Watergate to Bush v. Gore, →ISBN, page 220:

The "capitalization, dematerialization, and idealization" of this "warmedy" (an awkward term used by Budd, Steinman, and other critics to denote a "comedy overlaid with empathetic audience identification") extended even to the lives and celebrity status of the actors who played the show's universally loathed or much-loved characters...

2008, David Scott Diffrient, M*A*S*H, →ISBN, page 3:

(television) A warm-hearted comedy targeted at a family audience.


exodos

Borrowed from Ancient Greek ἔξοδος (éxodos, “a departure”). Doublet of exodus.

bor

1994, Carlo Ferdinando Russo (author and translator), Aristophanes: An Author for the Stage, [1962, Aristofane autore di teatro], page 173,
The exodos requires three actors, one for the Athenian (thirty iambic trimeters), one for his companion (five iambic trimeters) and one for the Spartan Singer (three iambic trimeters and around forty lyrical lines).

Then scenes alternate with choral songs, till the final exodos ("going-out") of the actors and chorus.

2003, Francis Blessington, The Bacchae; Euripides: The Frogs; Aristophanes, page xix:

Every Greek drama ends with an exodos. It is obligatory that the stage be left empty. It is left by the actors and the chorus.

2006, Olga Freidenberg, Image and Concept, page 271:

Non-speaking Characters
Hermione in prologue and exodos, Pylades in exodos, Electra in exodos, Helen in exodos

2013, Cecelia Eaton Luschnig, editor, The Orestes Plays, page 140:

In this respect, the parodoi and the exodoi of Old Comedy may operate as typical literary sphragis-like pieces; see details in Hordern (2002) 228-9; Calame (2004a); on the exodoi of Aristophanes as signature pieces see Calame (2004b) 182-3.

2013, Sophia Papaioannou, “Chapter One: The Innovator's Poetic Self-Representation”, in Sophia Papaioannou, editor, Terence and Interpretation, footnote, page 27:

(drama, Ancient Greek drama) A final scene or departure in a play, especially a tragedy.


exodos

exodos (nominative singular)
exodosy (nominative plural)
exodosu (genitive singular)
exodosów (genitive plural)
exodosowi (dative singular)
exodosom (dative plural)
exodos (accusative singular)
exodosy (accusative plural)
exodosem (instrumental singular)
exodosami (instrumental plural)
exodosie (locative singular)
exodosach (locative plural)
exodosie (singular vocative)
exodosy (plural vocative)

Learned borrowing from Ancient Greek ἔξοδος (éxodos). Doublet of exodus.

lbor

(drama, Ancient Greek drama) exodos (final scene or departure in a play, especially a tragedy)


ê-kíp

[ʔe˧˧ kip̚˧˦]

[ʔej˧˧ kip̚˦˧˥]


răufăcător

From rău + făcător. Calque of French malfaiteur, itself from Latin malefactor.

(film, literature) villain (bad person in fiction)


rendezés

rendezések (plural)
rendezés (nominative singular)
rendezések (nominative plural)
rendezést (accusative singular)
rendezéseket (accusative plural)
rendezésnek (dative singular)
rendezéseknek (dative plural)
rendezéssel (instrumental singular)
rendezésekkel (instrumental plural)
rendezésért (causal-final singular)
rendezésekért (causal-final plural)
rendezéssé (singular translative)
rendezésekké (plural translative)
rendezésig (singular terminative)
rendezésekig (plural terminative)
rendezésként (essive-formal singular)
rendezésekként (essive-formal plural)
rendezésben (inessive singular)
rendezésekben (inessive plural)
rendezésen (singular superessive)
rendezéseken (plural superessive)
rendezésnél (adessive singular)
rendezéseknél (adessive plural)
rendezésbe (illative singular)
rendezésekbe (illative plural)
rendezésre (singular sublative)
rendezésekre (plural sublative)
rendezéshez (allative singular)
rendezésekhez (allative plural)
rendezésből (elative singular)
rendezésekből (elative plural)
rendezésről (delative singular)
rendezésekről (delative plural)
rendezéstől (ablative singular)
rendezésektől (ablative plural)
rendezésé (singular)
rendezéseké (plural)
rendezéséi (singular)
rendezésekéi (plural)
rendezésem (first-person possessed-single possessive singular)
rendezéseim (first-person possessed-many possessive singular)
rendezésed (possessed-single possessive second-person singular)
rendezéseid (possessed-many possessive second-person singular)
rendezése (possessed-single possessive singular third-person)
rendezései (possessed-many possessive singular third-person)
rendezésünk (first-person plural possessed-single possessive)
rendezéseink (first-person plural possessed-many possessive)
rendezésetek (plural possessed-single possessive second-person)
rendezéseitek (plural possessed-many possessive second-person)
rendezésük (plural possessed-single possessive third-person)
rendezéseik (plural possessed-many possessive third-person)

(film, theater) directing, mise en scène


recréateur

fr-noun

recréateur m (plural recréateurs, feminine recréatrice)

recréateurs (plural)
recréatrice (feminine)

From Middle French recreateur (“recreator”).


מחזמר

he-noun

מַחֲזוֹת זֶמֶר

מַחֲזֶמֶר • (makhazémer) m (plural indefinite מַחֲזוֹת זֶמֶר)

מַחֲזֶמֶר (canonical)
makhazémer (romanization)
מַחֲזוֹת זֶמֶר (indefinite plural)

Blend of מַחֲזֶה (makhazé, “a play”) + זֶמֶר (zémer, “song, singing”).