pie

pies (plural)
pié (alternative obsolete)

Inherited from Old Spanish pie, from Latin pedem.
Cognate with Asturian pie, Galician and Portuguese pé, and Catalan peu. As an English unit, a calque of English foot.


accent

en-noun

accent (countable and uncountable, plural accents)

From Middle English accent, from Medieval Latin accentus and Old French accent, acent, both from Latin accentus, past participle of accinō (“sing to, sing along”). The word accent had been borrowed into Old English already, but was lost and reborrowed in Middle English.

tongval

distinctive pronunciation associated with a region, social group, etc.

(prosody, poetry) Stress laid on certain syllables of a verse.


ending

nb-noun-c

ending f or m (definite singular endinga or endingen, indefinite plural endinger, definite plural endingene)

endinga (definite singular)
endingen (definite singular)
endinger (indefinite plural)
endingene (definite plural)

ende + -ing, first part from Old Norse endi, endir (“end, conclusion”), from Proto-Germanic *andijaz (“end”), from Proto-Indo-European *h₂entíos (“front, forehead”), from *h₂ent- (“face, forehead, front”), perhaps from *h₂en- (“on, onto”). Last part from Old Norse -ingr m, -ingi m, -ing f, from Proto-Germanic *-ingō, *-ungō.

inh

sensibilitetens øks styrer diktene – med makt tvinger den fram mannlig, trykksterk ending i hver linje

the ax of sensibility controls the poems - with force it forces a masculine, powerful ending in each line

(poetry) the last syllable in a verse line


epigram

epigram (nominative singular)
epigramy (nominative plural)
epigramu (genitive singular)
epigramów (genitive plural)
epigramowi (dative singular)
epigramom (dative plural)
epigram (accusative singular)
epigramy (accusative plural)
epigramem (instrumental singular)
epigramami (instrumental plural)
epigramie (locative singular)
epigramach (locative plural)
epigramie (singular vocative)
epigramy (plural vocative)

(poetry) epigram (short, witty or pithy poem)


machine

→ Ainu: マシン

→ Bengali: মেশিন (meśin)

→ Cowlitz: məšín

→ Irish: meaisín

→ Japanese: マシン (mashin)

→ Korean: 머신 (meosin)

→ Maori: mīhini

→ Punjabi

Gurmukhi script: ਮਸ਼ੀਨ (maśīn)

Shahmukhi script: مشین (maśīn)

→ Swahili: mashine

→ Tok Pisin: masin

Borrowed from Middle French machine, from Latin māchina (“a machine, engine, contrivance, device, stratagem, trick”), from Doric Greek μᾱχᾰνᾱ́ (mākhănā́), cognate with Attic Greek μηχᾰνή (mēkhănḗ, “a machine, engine, contrivance, device”), from which comes mechanical. Displaced native Old English searu.

cog

perpetual motion machine of the first kind

perpetual motion machine of the second kind

Outline of machines on Wikipedia.Wikipedia

I am apt to think, that the changing of the Trojan fleet into water-nymphs, which is the most violent machine in the whole Æneid[…]

1712 May 2 (Gregorian calendar), [Joseph Addison], “MONDAY, April 21, 1712”, in The Spectator, number 351; republished in Alexander Chalmers, editor, The Spectator; a New Edition, […], volume IV, New York, N.Y.: D[aniel] Appleton & Company, 1853, →OCLC:

(poetry) Supernatural agency in a poem, or a superhuman being introduced to perform some exploit.


bridge

bridges (plural)
bridg (alternative obsolete)
brigge (alternative)

From Middle English brigge, from Old English brycġ (“bridge”), from Proto-Germanic *brugjō, *brugjǭ (“bridge”), from Proto-Indo-European *bʰerw-, *bʰrēw- (“wooden flooring, decking, bridge”).
Cognate with Scots brig, brigg, breeg (“bridge”), Saterland Frisian Brääch (“bridge”), West Frisian brêge (“bridge”), Dutch brug (“bridge”), German Brücke (“bridge”), Danish brygge (“wharf”), Icelandic brygga (“pier”), Gaulish briua (“bridge”).
The verb is from Middle English briggen, from Old English brycġian (“to bridge, make a causeway, pave”), derived from the noun. Cognate with Dutch bruggen (“to bridge”), Middle Low German bruggen (“to bridge”), Old High German bruccōn (“to bridge”) (whence Modern German brücken).
The musical connection sense is a semantic loan from German Steg, from Old High German steg.

ацҳа

construction or natural feature that spans a divide

if someone told you to jump off a bridge, would you do it

(poetry) A point in a line where a break in a word unit cannot occur.


round

roundes (plural)
rond (alternative)
rounde (alternative)
roun (alternative)
rount (alternative)
roende (alternative Late-Middle-English)
rown (alternative Late-Middle-English)
rowne (alternative Late-Middle-English)
rownd (alternative Late-Middle-English)
rowndde (alternative Late-Middle-English)
rownde (alternative Late-Middle-English)
rowunde (alternative Late-Middle-English)

English: round

Geordie English: roond

Scots: round, roond

Yola: rent

Borrowed from Old French reont, from Late Latin retundus, from Latin rotundus.


亂

Phono-semantic compound (形聲 /形声, OC *roːns): phonetic 𤔔 (*[r]ˁo[n]-s) + semantic 乚. The left-side component 𤔔 is itself ideogrammatic, depicting the effort to comb a tangle of threads, hence the semantic link to order and disorder.
Area word of Austroasiatic origin. Compare Khmer ប្រួល (pruəl, “changing; unstable”) < Khmer រួល (ruəl, “to cook; to grill”), and also Khmer កំរោល (kɑmraol, “to go berserk; to become excited”) < Khmer រោល (rool, “to burn; to roast”) (Schuessler, 2007). Burmese ရုန်း (run:, “to struggle, to warp, to cause chaos”) and Tibetan ཁྲལ་ཁྲུལ (khral khrul, “fragments; scattered”) are Austroasiatic loans. Compare also Vietnamese lộn (“to turn the inside out, upside down, to reverse, to return, etc.”) and trộn (“to mix; to blend; to turn upside down”).

cog

乱
乨
乿
𠃶
𠃹
𠃿
𢿢
𢿮
𤕅
𤔪

The Master said, "When the music master Zhi first entered on his office, the finish of the Guan Ju was magnificent — how it filled the ears!"

The Analects of Confucius, c. 475 – 221 BCE, translated based on James Legge's version

Zǐyuē: “Shī Zhì zhī shǐ, “Guānjū” zhī luàn, yángyáng hū yíng ěr zāi!”

子曰：「師摯之始，《關雎》之亂，洋洋乎盈耳哉！」

子曰：「师挚之始，《关雎》之乱，洋洋乎盈耳哉！」

(obsolete, literary, music or poetry) coda; finale; conclusion of a piece


仄

(linguistics, poetry, of a tone) being neither the ngang or huyền tone

(poetry, of a rhyme) carrying a trắc tone


令

CJKV/code

Sino-Xenic (令):
* → Japanese: 令(りょう) (ryō); 令(れい) (rei)
* → Vietnamese: lệnh (令), lành (令)

Ideogrammic compound (會意 /会意): 亼 + 卩. The upper part is an open mouth to convey the idea of giving orders, while the bottom part is a kneeling man. Compare 兄, in which an open mouth on top of the character conveys the same idea of giving orders.
Usually thought to be related to 命 (OC *mreŋs, “order”) (Schuessler, 2007). As a surname, 令 has many origins, one of them is 令狐 (Línghú).


儷

Phono-semantic compound (形聲 /形声, OC *reːls): semantic 人 (“person”) + phonetic 麗 (OC *reːls, *rel).


冠

(poetry) first (traditionally, five) morae of a haiku, etc.; specifically, the first verse or line of a poem


acatalectic

From Late Latin acatalēcticus, from Ancient Greek ἀκατάληκτος (akatálēktos, “leaving off”).

der

(poetry, prosody) Designating a line of verse having the required number of syllables in the last foot


acatalectic

(poetry, prosody) A verse which has the complete number of feet and syllables


徒

徒花

blossom that bear no fruit; things which being gorgeous in the pretence but worthless in actuality

蕉風俳諧(しょうふうはいかい) 蕉風俳諧#Japanese

(historical, poetry) the term of the 蕉風俳諧(しょうふうはいかい) (shōfūhaikai, “Bashō style haikai”) to indicate innocent and humorous style


歌

From Old Japanese, from Proto-Japonic *ota.


絕

/d͡zz̩ʷœʔ¹²/

/d͡zz̩ʷœʔ¹²/

Originally ideogrammic compound (會意 /会意): 刀 (“knife”) + 幺 (“silk”) or ideogrammic compound (會意 /会意): 刀 (“knife”) + 𢆶 (“silk”) — to cut silk threads.
Now phono-semantic compound (形聲 /形声): semantic 糹 (“silk”) + semantic 刀 (“knife”) + phonetic 巴 (卪).
Most likely unrelated to 色.
Compare Burmese ဆွတ် (hcwat, “to pluck”) (Hill, 2019).

Han compound

绝
絶
㔃
𢇍
𠤉
撧
𢴭

被難

to be killed in a disaster, political incident

七絕

七绝


継

連(れん)用(よう)形(けい) (ren'yōkei, “stem or continuative form”) of the verb 継(つ)ぐ (tsugu, “to connect, to mend, to succeed”).

ja-etym-renyokei

(poetry) short for 継歌 (tsugi-uta, “sequential poem composition on a theme”)


ABC

en-noun

ABC (countable and uncountable, plural ABCs or ABC's)

ABCs (plural)
ABC's (plural)
absey (alternative)

From Middle English abece, ABC, from the first three letters of the Latin alphabet, standing for the whole alphabet.

(obsolete, poetry) A type of poem in which the lines start with the letters of the alphabet in order.


興

Characters in the same phonetic series (興) (Zhengzhang, 2003)
Ideogrammic compound (會意 /会意): 舁 (“to raise”) + 同 (“together”) – to hold up together.

Han compound

(poetry) association; speaking first of something else to lead up to the main theme


訊

Characters in the same phonetic series (卂) (Zhengzhang, 2003)
Phono-semantic compound (形聲 /形声, OC *sins): semantic 言 + phonetic 卂 (OC *sins, *tods).


metre

en-verb

metre (third-person singular simple present metres, present participle metring, simple past and past participle metred)

metres (present singular third-person)
metring (participle present)
metred (participle past)
metred (past)
meter (alternative)

From Old English, from Latin metrum, from Ancient Greek μέτρον (métron, “measure, rule, length, size, poetic metre”).

der

(poetry, music) To put into metrical form.


metre

(poetry, music) metre/meter (the rhythm of a song or poem)


echo

en-noun

echo (countable and uncountable, plural echoes or echos)

echoes (plural)
echos (plural)
echoe (alternative)
eccho (alternative)

From Middle English eccho, ecco, ekko, from Medieval Latin ecco, from Latin echo, from Ancient Greek ἠχώ (ēkhṓ), from ἠχή (ēkhḗ, “sound”). Possibly from the same Proto-Indo-European root as sough.

(poetry) A device in verse in which a line ends with a word which recalls the sound of the last word of the preceding line.


pied

Haitian Creole: pye

Inherited from Middle French pied, from Old French pié, from Latin pedem. The -d was added to the spelling in Middle French after the Latin form.
Cognate with Italian piede, Catalan peu, Spanish pie, Portuguese pé, and further with English foot, Lithuanian pėda, Persian پا (pâ) etc.


jambe

head

jambe c (singular definite jamben, plural indefinite jamber)

jamben (definite singular)
jamber (indefinite plural)
jambe (indefinite nominative singular)
jamben (definite nominative singular)
jamber (indefinite nominative plural)
jamberne (definite nominative plural)
jambes (genitive indefinite singular)
jambens (definite genitive singular)
jambers (genitive indefinite plural)
jambernes (definite genitive plural)


Saturnian

en-adj

Saturnian (comparative more Saturnian, superlative most Saturnian)

more Saturnian (comparative)
most Saturnian (superlative)

(poetry) Involving a meter consisting of three iambics and an extra syllable followed by three trochees, employed by satirists in Ancient Rome.


virgule

Borrowed from Middle French virgule, from Latin virgula (“twig; scratch comma”), from virga (“rod, branch”) + -ulus (diminutive suffix). Doublet of virgula.

(typography, dated) A pipe, ⟨|⟩.
(poetry) Used to mark metrical feet.

A pipe, ⟨|⟩.
Used to mark metrical feet.


fare

head

fare (imperative far, present tense farer, simple past for, past participle fart, present participle farende)

far (imperative)
farer (present)
for (past)
fart (participle past)
farende (participle present)


afflatus

la-noun

afflātus m (genitive afflātūs); fourth declension

afflātus (canonical masculine)
afflātūs (genitive)
afflātus (nominative singular)
afflātūs (nominative plural)
afflātūs (genitive singular)
afflātuum (genitive plural)
afflātuī (dative singular)
afflātibus (dative plural)
afflātum (accusative singular)
afflātūs (accusative plural)
afflātū (ablative singular)
afflātibus (ablative plural)
afflātus (singular vocative)
afflātūs (plural vocative)

Catalan: aflat

→ English: afflatus

Italian: afflato

Occitan: aflat

Portuguese: aflato

Spanish: aflato

Perfect passive participle of afflō (“I blow, breathe (on or towards)”).

(poetry, religion) afflation (from an inspiring spirit from an unknown source in Cicero; from a divine spirit in a pagan context or from the Holy Spirit in later Christian contexts)


hymn

hymn (nominative singular)
hymny (nominative plural)
hymnu (genitive singular)
hymnów (genitive plural)
hymnowi (dative singular)
hymnom (dative plural)
hymn (accusative singular)
hymny (accusative plural)
hymnem (instrumental singular)
hymnami (instrumental plural)
hymnie (locative singular)
hymnach (locative plural)
hymnie (singular vocative)
hymny (plural vocative)

→? Belarusian: гімн m inan (himn)

desctree

→ Russian: гимн m inan (gimn) (likely)
→ Armenian: հիմն (himn)
→ Bashkir: гимн (gimn)
→ Crimean Tatar: gimn
→ Georgian: ჰიმნი (himni), გიმნი (gimni) — informal, proscribed
→ Kazakh: gïmn
→ Kildin Sami: гӣммн (gīmmn)
→ Urum: гимн
→ Uzbek: gimn

→? Ukrainian: гімн m inan (himn)

Learned borrowing from Latin hymnus, from Ancient Greek ὕμνος (húmnos).


poeta

pl-noun

poeta m pers (female equivalent poetka or poetessa)

poetka (feminine)
poetessa (feminine)
poeta (nominative singular)
poeci (nominative plural)
poety (derogatory nominative plural)
poety (genitive singular)
poetów (genitive plural)
poecie (dative singular)
poetom (dative plural)
poetę (accusative singular)
poetów (accusative plural)
poetą (instrumental singular)
poetami (instrumental plural)
poecie (locative singular)
poetach (locative plural)
poeto (singular vocative)
poeci (plural vocative)


Venus

en-noun

Venus (countable and uncountable, plural Venuses or Veneres)

From Middle English Venus, from Latin Venus.

Immoderate Venus in excess, as it is a cause, or in defect; so, moderately used, to some parties an only help, a present remedy.

(obsolete or poetry) Sexual activity or intercourse, sex; lust, love.


speaker

→ Brunei Malay: speaker

→ Belarusian: спі́кер (spíkjer)

→ Estonian: spiiker

→ French: speaker

→ Georgian: სპიკერი (sṗiḳeri)

→ Italian: speaker

→ Japanese: スピーカー (supīkā)

→ Malayalam: സ്പീക്കർ (spīkkaṟ)

→ Maltese: speaker, spiker

→ Norwegian Bokmål: speaker

→ Polish: spiker

→ Romanian: speaker

desctree

→ Russian: спикер (spiker)
→ Kazakh:
Cyrillic script: спикер (spiker)
Latin script: spiker

→ Serbo-Croatian:

Latin script: spiker

Cyrillic script: спикер

→ Spanish: speaker

→ Swahili: spika

→ Turkish: spiker

→ Ukrainian: спі́кер (spíker)

From Middle English speker, spekere, an alteration (with change of suffix) of Old English speca, spreca (“speaker”), from Proto-Germanic *sprekô (“speaker”), equivalent to speak + -er. Compare Saterland Frisian Spreeker (“speaker”), West Frisian sprekker (“speaker”), Dutch spreker (“speaker”), German Low German Spreker (“speaker”), German Sprecher (“speaker”).

puhuja

linguistics: producer of a given utterance

Popular culture often incorrectly attributes quotes from the speakers of poems or songs to the authors thereof, as when "I took the one less traveled by" is attributed to Robert Frost rather than to the speaker in Frost's "The Road Not Taken".

(especially in linguistics) The producer of a given utterance, whether speech or text.

(poetry) The literary character uttering the lyrics of a poem or song, as opposed to the author writing the words of that character.


quinzaine

(poetry) A piece of verse having fifteen syllables.


fronte

Inherited from Latin frontem (“forehead”). For sense 2 compare the Latin etymon and derivatives in Italian like sfrontato (“shameless”).

inh+

(poetry, prosody) the two initial quatrains of an Italian sonnet


arse

(poetry, music) arsis (the stronger part of a measure or foot)


alba

First attested in 1821; borrowed from Occitan alba, ultimately from Latin albus (“white”); compare Spanish alba (“dawn”).

(poetry) A type of lyrical poetry, traditionally Provençal, about lovers who must part at dawn.


alba

alba (nominative singular)
alby (nominative plural)
alby (genitive singular)
alb (genitive plural)
albie (dative singular)
albom (dative plural)
albę (accusative singular)
alby (accusative plural)
albą (instrumental singular)
albami (instrumental plural)
albie (locative singular)
albach (locative plural)
albo (singular vocative)
alby (plural vocative)

Borrowed from Occitan alba. First attested in the 20th century.

ref

Witold Doroszewski, editor (1958–1969), “alba”, in Słownik języka polskiego (in Polish), Warszawa: PWN

(historical, poetry) alba (genre of Old Occitan lyric poetry)


retrograde

en-adj

retrograde (comparative more retrograde, superlative most retrograde)

more retrograde (comparative)
most retrograde (superlative)

The adjective is derived from Middle English retrograd, retrograde (“of a planet: appearing to move in a direction opposite to the order of the zodiac signs, retrograde; unfortunate”), from Middle French retrograde and Old French retrograde (“of a celestial object: appearing to move backwards; moving backwards; reverse; palindromic; opposed to change”) (modern French rétrograde), and from their etymon Latin retrōgradus (“of a celestial object: appearing to move backwards”) (compare Late Latin retrōgradus (“reverse; palindromic”)), from retrō (“back, backwards; behind; before, formerly”) + gradus (“pace, step”). By surface analysis, retro- + -grade.
The adverb and noun are derived from the adjective.

cog

/ˈɹɛtɹə(ʊ)ɡɹeɪd/

/ˈɹɛtɹəˌɡɹeɪd/

retrògrad

reverting to an inferior or less developed state — see also declining, regressing

(poetry, archaic) Of verse: reading the same forwards or backwards; palindromic.


metro

eo-head

metro (accusative singular metron, plural metroj, accusative plural metrojn)

metron (accusative singular)
metroj (plural)
metrojn (accusative plural)


metro

Borrowed from French mètre, from Ancient Greek μέτρον (métron, “measure”).

der

(poetry, music) metre (the rhythm or measure in verse and musical composition)


metro

→ Tagalog: metro


Sapphic

Sappho (Ancient Greek Σαπφώ (Sapphṓ)) + -ic, whence Latin Sapphicus. Sense related to sexuality alludes to Sappho's poetry discussing love between women (see also lesbian).

(poetry) Of a certain kind of verse reputed to have been invented by Sappho, consisting of five metrical feet, of which the first, fourth, and fifth are trochees, the second is a spondee, and the third a dactyl.


Sapphic

Sapphics (plural)
Sapphick (alternative)

His Sapphics, on the story of Bacchus and Ariadne, are easy, elegant, and poetical.

1824, Vicesimus Knox, The Works of Vicesimus Knox, D.D.: With a Biographical Preface:

The first line (which goes by the name of Aristophanes) is a Sapphic without the initial trochees.

1887, Horace, Horace: The Odes, Carmen Seculare, and Epodes, page 174:

"A real Sapphic," said Crane, dropping into a poetical tone, as an elocutionist does when he is hungry for an opportunity to recite a favorite sketch.

1888, Maurice Thompson, A Fortnight of Folly, page 41:


loa

ᜎᜓᜏ (Baybayin)
lowa (alternative)
luwa (alternative)

poetic panegyric of eulogy (usually in praise of the Virgin Mary and the saints)


tren

trenowy (adjective)
tren (nominative singular)
treny (nominative plural)
trenu (genitive singular)
trenów (genitive plural)
trenowi (dative singular)
trenom (dative plural)
tren (accusative singular)
treny (accusative plural)
trenem (instrumental singular)
trenami (instrumental plural)
trenie (locative singular)
trenach (locative plural)
trenie (singular vocative)
treny (plural vocative)

(poetry) threnody (poem of lamentation or mourning for a dead person; a dirge; an elegy)


Oktave

de-noun

Oktave f (genitive Oktave, plural Oktaven)

Oktave (genitive)
Oktaven (plural)
Oktave (nominative singular)
Oktaven (definite nominative plural)
Oktave (genitive singular)
Oktaven (definite genitive plural)
Oktave (dative singular)
Oktaven (dative definite plural)
Oktave (accusative singular)
Oktaven (accusative definite plural)

From Middle High German octāv, from Medieval Latin octava (“eighth”).


pes

la-noun

pēs m (genitive pedis); third declension

pēs (canonical masculine)
pedis (genitive)
pēs (nominative singular)
pedēs (nominative plural)
pedis (genitive singular)
pedum (genitive plural)
pedī (dative singular)
pedibus (dative plural)
pedem (accusative singular)
pedēs (accusative plural)
pede (ablative singular)
pedibus (ablative plural)
pēs (singular vocative)
pedēs (plural vocative)

Balkan Romance:

⇒ Aromanian: pezã

Romanian: piez ⇒ piază

Dalmatian:

pi

Italo-Romance

Corsican: pede

Gallurese: pedi

Italian: piede

→ Esperanto: piedo

→ Ladino: piede (regional)

Neapolitan: pede

Sassarese: pedi

Sicilian: pedi, peri

Rhaeto-Romance:

Friulian: pît

Romansch: pe

Padanian:

Istriot: peîe, pèie

Gallo-Italic:

Ligurian: pê

Piedmontese: pe

Romagnol: pè, pid (Rimini, San Marino)

Venetan: piè

Northern Gallo-Romance:

Franco-Provençal: pièd

Norman: pid, pyid

desctree

Old French: pié, pé (Anglo-Norman), *pied, *piet
Middle French: pied
French: pied
Walloon: pî

Southern Gallo-Romance:

Catalan: peu

Old Occitan: pe
Occitan: pè

Ibero-Romance:

Asturian: pie

Extremaduran: pie

Leonese: pía

Mirandese: pie

Old Navarro-Aragonese: pie, pied

Aragonese: piet

Old Galician-Portuguese: pee
Galician: pé
Portuguese: pé

Old Spanish: pie
Ladino: pye
Spanish: pie

Sardinian:

Campidanese: pei

Logudorese: pe

Nuorese: pede

Derived forms:

⇒ Vulgar Latin: *pedicāre

Catalan: petjar

Borrowings:

→ English: pes

→ Ido: pedo

→ Interlingua: pede

→⇒ German: stante pede

From Proto-Italic *pets, from Proto-Indo-European *pṓds (compare Sanskrit पद् (pád), Ancient Greek πούς (poús) and Old English fōt, whence English foot).

vāde, liber, verbīsque meīs loca grāta salūtā:

Go, [my] book, and greet with my words [those] beloved places: at least I shall reach [them] with the ‘foot’ that is allowed!
(The exiled poet puns that the metrical “feet” of his poem shall go where his own “feet” cannot.)

(poetry) a metrical foot: the basic unit of metered poetry


rest

en-noun

rest (countable and uncountable, plural rests)

From Middle English rest, reste, from Old English ræst, from Proto-West Germanic *rastu, from Proto-Germanic *rastō, from Proto-Indo-European *ros-, *res-, *erH- (“rest”). Cognate with West Frisian rêst (“rest”), Dutch rust (“rest”), German Rast (“rest”), Swedish rast (“rest”), Norwegian rest (“rest”), Icelandic röst (“rest”), Old Irish árus (“dwelling”), German Ruhe (“calm”), Albanian resht (“to stop, pause”), Welsh araf (“quiet, calm, gentle”), Lithuanian rovà (“calm”), Ancient Greek ἐρωή (erōḗ, “rest, respite”), Avestan 𐬀𐬌𐬭𐬌𐬨𐬈 (aⁱrime, “calm, peaceful”), Sanskrit रमते (rámate, “he stays still, calms down”), Gothic 𐍂𐌹𐌼𐌹𐍃 (rimis, “tranquility”). Related to roo.

rest

stick used to support the cue in snooker

(poetry) A short pause in reading poetry; a caesura.


blank verse

en-noun

blank verse (countable and uncountable, plural blank verses)

Milton's command of blank verse exceeds even Shakespeare's.

[T]here is an upstart Crow, beautified with our feathers, that with his Tygers hart wrapt in a Players hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and beeing an absolute Iohannes fac totum, is in his owne conceit the onely Shake-scene in a countrey.

1592, Robert Greene, Groats-Worth of Witte, Bought with a Million of Repentance, London: imprinted for William Wright, folio F¹v:

I could have spoken in blank verse of Shakespearean beauty, all sorts of great ideas flashed through my mind; it was as though the bonds of my flesh had been loosened, and left the spirit free to soar to the empyrean of its native power.

1886 October – 1887 January, H[enry] Rider Haggard, “The Spirit of Life”, in She: A History of Adventure, London: Longmans, Green, and Co., published 1887, →OCLC, page 288:

Soon after Surrey's translation of Virgil, blank verse became a persuasive rival to the heroic couplet.

2006, Philip Hobsbaum, “The heroic couplet”, in Metre, Rhythm and Verse Form, Routledge, →ISBN, page 18:

(poetry) A poetic form with regular meter, particularly iambic pentameter, but no fixed rhyme scheme.


septet

PIE word
 *septḿ̥
From Latin septem (“seven”).

A group of seven, particularly
(poetry) A set of seven lines.

A group of seven, particularly
A set of seven lines.


Curved single quotation marks and apostrophes

Straight single quotation mark and apostrophe


Shakespearean sonnet

Shakespearean sonnet (plural Shakespearean sonnets)

Named after English playwright and poet William Shakespeare (1564–1616) and strongly associated with his authorship.

named-after

(poetry) A sonnet comprising three quatrains and a final couplet, in iambic pentameter with the rhyme scheme of abab cdcd efef gg.


Spenserian sonnet

en-noun

Spenserian sonnet (plural Spenserian sonnets)

Named after English poet Edmund Spenser (1552/1553–1599) and associated with his authorship.

named-after

(poetry) A sonnet comprising three quatrains with the latter rhyme part being carried over from one quatrain to the next, and a concluding couplet, therefore comprising a rhyme scheme of abab bcbc cdcd ee.


Petrarchan sonnet

en-noun

Petrarchan sonnet (plural Petrarchan sonnets)

Named after Italian scholar, poet and humanist Francesco Petrarca (1304–1374), who did not invent but made large use of this form in his authorship.

named-after

(poetry) A sonnet comprising an octave and a closing sestet, following the rhyme scheme of either abba abba cde cde or abba abba cd cd cd or abba abba cce dde or abba abba cdd cee.


vend

vend f (definite singular venda, indefinite plural vender, definite plural vendene)

venda (definite singular)
vender (indefinite plural)
vendene (definite plural)

(poetry, music) a stanza, or the tune of one


measure

→ Japanese: メジャー (mejā)

LL-Q1860 (eng)-I learned some phrases-measure.wav

From Middle English mesure, from Old French mesure, from Latin mēnsūra (“a measure”), from mēnsus, past participle of mētīrī (“to measure”). Largely displaced native Old English metan ("to measure" whence modern mete) and ġemet (“a measure”).

lainsäädäntötoimenpide

piece of legislation as course of action

a poem in iambic measure

(poetry) The manner of ordering and combining the quantities, or long and short syllables; meter; rhythm; hence, a metrical foot.

размер

poetry: manner of ordering and combining the quantities


octave

From Latin octavus (“eighth”). Doublet of octavo, ochava, and oitava.

Octave in the Encyclopædia Britannica (11th edition, 1911)

With mournful melody it continued this octave.

a. 1587, Philippe Sidnei [i.e., Philip Sidney], “(please specify the folio)”, in [Fulke Greville; Matthew Gwinne; John Florio], editors, The Countesse of Pembrokes Arcadia [The New Arcadia], London: […] [John Windet] for William Ponsonbie, published 1590, →OCLC:

(poetry) A poetic stanza consisting of eight lines; usually used as one part of a sonnet.


leonine

Léonin
Pope Leo II
Pope Leo IV
San Clemente al Laterano

The adjective is derived from Late Middle English leonin, leonine (“of or pertaining to a person named Leo; specifically Pope Leo IV”), from Latin leōnīnus, from Leo (“man’s name”) (from leo (“lion”): see etymology 1) + -īnus (suffix meaning ‘of or pertaining to’).
Sense 2 (“being or relating to a kind of verse with internal rhyme”) is said to refer to a (possibly apocryphal) medieval monk named Leo or Leonius who composed verse with this characteristic; his identity is uncertain, but the composer Léonin (also known as Leo, Leoninus, or Leonius; flourished 1135–1201) has been suggested. Alternatively, the word may refer to Pope Leo II (c. 611–683): see the c. 1760–1761 quotation.
The noun is derived from the adjective.

leonine rhyme

In the Church of St. Dominick is a ſmall Picture of the Bleſſed Virgin, vvith the Infant JESUS in her Arms, vvell painted, and yet, appears to have been done in the Iron Age of Painting and other Arts, by the follovving verses, vvrit under it. […] Theſe Leonine Verſes, as plainly appears by them, expreſs a Senſe contrary to the Intention of the VVriter.

1712, [Bernard de] Montfaucon, “My Journey to Siena; […]”, in [John Henley?], transl., The Travels of the Learned Father Montfaucon from Paris thro’ Italy. […], London: […] D. L. for E[dmund] Curll […], E[gbert] Sanger […], R[obert] Gosling […], and W. Lewis […], →OCLC, page 403:

Observe, that, if the date of this poem be true, the general opinion, that the Leonine verse owes its name to Leonius, seems to be false; […] It is not therefore very likely, as Leonius flourished in 1154, that he should give name to such Latin verses upwards of thirty years before. Indeed some people have thought that it was called after Leo, probably the Second, who lived in 684, a pope who is said to have reformed the hymns and the music of the church.

c. 1760–1761 (date written; published 1814), Thomas Gray, “[Essays. Metrum.] Observations on the Pseudo-Rhythmus.”, in Edmund Gosse, editor, The Works of Thomas Gray in Prose and Verse. […], volume I (Poems, Journals, and Essays), London: Macmillan and Co., published 1884, →OCLC, pages 374–375:

[T]he Latin poetry, instead of Leonine rhymes, or attempts at regular hexameters almost equally bad, becomes, in the hands of Gunther, Gualterus de Insulis, Gulielmus Brito, and Joseph Iscanus, to whom a considerable number of names might be added, always tolerable, sometimes truly spirited; […]

1837–1839, Henry Hallam, “On the General State of Literature in the Middle Ages to the End of the Fourteenth Century”, in Introduction to the Literature of Europe, in the Fifteenth, Sixteenth and Seventeenth Centuries, volume I, London: John Murray, […], →OCLC, paragraph 84, page 100:

(poetry) Being or relating to a kind of medieval Latin verse, generally alternative hexameter and pentameter, with rhyming at the middle and end of a line (that is, internal rhyme); also (by extension), of or relating to modern verse having internal rhyme.

leoniininen

being or relating to a kind of medieval Latin verse; of or relating to modern verse having internal rhyme


leonine

A[llen]. The Clink of Syllables call'd Rymes, / Brought in ith' barb'rous Runick times, / To ſober Criticks ſeems to be / A paultry part of Poetry, / Becoming Monkiſh dull Divines, / VVho traded much in Leonines. / J[ohn]. Altho' to ſpoil I ſhould be ſorry, / An undergraduate Antiquary, / Yet I'll produce a Line or tvvo / Of Leonines in Cicero, / Before the Monks long time ago.

1715, “Canto III”, in The Miller of Trompington: being an Exercise upon Chaucer’s Reeve’s Tale, London: […] Jonas Brown, […]; and sold by J[ames] Roberts […], →OCLC, pages 44–45:

[F]rom the jingling of the Greek couplet juſt before, and ſimilar inſtances of his taſte, I am perſuaded Sir VVilliam intended theſe as Leonines perfect in their kind.

1771 December, “Illustration of the Inscription on Sir W[illiam] Browne’s Monument. […] Continued from Our Last. The Notes.”, in The Town and Country Magazine; or, Universal Repository of Knowledge, Instruction, and Entertainment, volume III, London: […] A[rchibald] Hamilton Junr. […]; [a]nd sold by Robinson and Roberts, […], →OCLC, page 648, column 1:

The manuscript of Trinity College, Cambridge, which we have already mentioned, was written at the beginning of the thirteenth century, and the proverbs which it contains are translations into Latin leonines of some of the more popular English, and, in one or two instances, Norman proverbs of that time.

1835 March, “Art. V.— […] 4. Collection of English Proverbs of the Twelfth Century, Translated into Latin Leonines. MS. Trin. Coll. Camb. O. 2. 45. (Unpublished.) [book review]”, in Cochrane’s Foreign Quarterly Review, volume I, number II, London: Whittaker & Co. […]; Edinburgh: Robert Cadell, […], →OCLC, page 395:

(poetry, chiefly in the plural) Synonym of Leonine verse (“a kind of medieval Latin verse, generally alternative hexameter and pentameter, with rhyming at the middle and end of a line (that is, internal rhyme)”).


-o

اَوُرَكِيْبُوُ جُوَ نِمَاسِ ، كَكُلَ خَسَرَ اُخَسِرِيِ

18th century, Abdallah bin Ali bin Nasir, Al-Inkishafi, stanza 13:

The one who rides it, know you are a rebel; you harm yourself.

Aurakibuo jua ni-mwasi, kwa-kula khasara ukhasiriye.

(archaic, Northern Swahili, poetry) relative marker for any noun class


tempus

la-noun

tempus n (genitive temporis); third declension

temporis (genitive)
tempus (nominative singular)
tempora (nominative plural)
temporis (genitive singular)
temporum (genitive plural)
temporī (dative singular)
temporibus (dative plural)
tempus (accusative singular)
tempora (accusative plural)
tempore (ablative singular)
temporibus (ablative plural)
tempus (singular vocative)
tempora (plural vocative)
temporī (locative singular)
tempore (locative singular)
temporibus (locative plural)

Eastern Romance:

Megleno-Romanian: timp

Romanian: timp

Italo-Dalmatian:

Corsican: tempu

Dalmatian: tiamp

Istriot: tenpo

Italian: tempo (see there for further descendants)

desc

Judeo-Italian: טִִינְפוֹ (ṭinəpo /tinpo/)

Neapolitan: tiempo

Sicilian: tempu

Venetan: tenpo, tempo, tènp

Rhaeto-Romance:

Friulian: timp

Ladin: tëmp

Romansch: temp, taimp, tains

Gallo-Italic:

Emilian: tänp

Ligurian: tempo

Lombard: temp

Piedmontese: temp

Gallo-Romance:

Franco-Provençal: temps

Old French: temps (see there for further descendants)

Occitano-Romance:

Old Catalan: temps

Catalan: temps

desctree

Old Occitan: tems
Occitan: tèms, tems, temps

Ibero-Romance:

Asturian: tiempu

Old Galician-Portuguese: tempo

Galician: tempo

Portuguese: tempo

Spanish: tiempo

Borrowings:

→ Finnish: tempus

→ Middle Welsh: tymhor

Welsh: tymor

→ Norwegian Bokmål: tempus

→ Russian: темп (temp)

→ Sardinian: tempus

→ Swedish: tempus

⇒ Vulgar Latin: *tempula, *templa

Catalan: templa

Italian: tempia

Old French: temple
French: tempe
→ Middle English: temple
English: temple

Romanian: tâmplă

⇒ Asturian: tenllera

⇒ Galician: tempas

→ Basque: denbora

→ Italian: tempora

→ Portuguese: têmpora

→ Sicilian: tèmpura

→ Spanish: témpora

From Proto-Italic *tempos; thence, two ultimate origins have been proposed:
* From Proto-Indo-European *tempos (“stretch”), from the extension *temp- of the root *ten- (“to stretch, string”), with meaning development "what is stretched, stretching" → "stretch (of time)" → "time, occasion".
* From Proto-Indo-European *temh₁- (“to cut”), thus "a section (of time)", this root also giving Latin temnō, tondeō, Ancient Greek τέμνω (témnō). templum is a possible cognate that has also been assigned to both roots.
Sense 2 is a semantic loan from Ancient Greek τὰ καίρῐᾰ (tà kaírĭă, “the vital or fatal place (on the body)”), from καιρός (kairós, “time, opportunity, etc.”), and is less frequent in singular form. Compare Old English þunwang (“temple of the head”), Middle High German tinne, tinge (“forehead, temples”).
As seen from the adverb temperī, the noun would originally have declined like genus.

cog

(poetry, rhetoric) time; measure, quantity


canto

From Old Galician-Portuguese canto, from Latin cantus (“song; singing”), perfect passive participle of canō (“to sing”), from Proto-Indo-European *kan- (“to sing”). Cognate of English chant.


corona

A favorite and most attractive combination is that of the corona or series of sonnets, employed to frame or develop some one theme. A list of these corone is given by Biadene, who selects and publishes from among them a series of three by Petrarch, and the famous corona of the months by Folgore da San Gemignano.

1889 May, F. M. Warren, “The Sonnet. Morfologia del Sonetto nei secoli xiii e xiv. L. Biadene [Studj di Filologia Romanza, Fasc. 10.]”, in A. Marshall Elliott, editor, Modern Language Notes, volume IV, Baltimore, Md.: [Johns Hopkins University Press], →ISSN, →OCLC, column 308:

But the poets of Siena, and particularly the Academy of the Intronati, found the proper way of constructing coronas—since the ones mentioned above should really be called sequences ['catene'] rather than coronas.

1997, Michael R. G. Spiller, The Sonnet Sequence: A Study of Its Strategies (Studies in Literary Themes and Genres; 13), New York, N.Y.: Twayne Publishers, →ISBN, page 144:

[Lady Mary] Wroth alludes to these contexts as the corona of sonnets that crowns the sequence opens: "In this strang labourinth how shall I turne?" (Wroth, Poems 127).

2000, Mary B. Moore, “The Labyrinth of Style: Lady Mary Wroth and the Idea of Petrarchism”, in Desiring Voices: Women Sonneteers and Petrarchism, Carbondale, Edwardsville, Ill.: Southern Illinois University Press, →ISBN, page 125:

Both sets of echoes derive from the poets' first poems, and since first poems in Petrarchan sequences set stylistic, tonal, and thematic expectations, Robert [Sidney]'s double allusion to first poems should color readings of this, the first poem of his corona.

2015, Mary B. Moore, “Robert Sidney’s Poetry”, in Margaret P. Hannay, Mary Ellen Lamb, Michael G. Brennan, editors, The Ashgate Research Companion to The Sidneys, 1500–1700, volume 2 (Literature), Farnham, Surrey, Burlington, Vt.: Ashgate Publishing, →ISBN, part VI (Poetry), page 250:

(poetry) A series of sonnets linked together such that the last word of each is the first word of the next.


haiku

nb-noun

haiku m or n (definite singular haikuen or haikuet, indefinite plural haiku, definite plural haikuene)

haikuen (definite singular)
haikuet (definite singular)
haiku (indefinite plural)
haikuene (definite plural)

Ultimately borrowed from Japanese 俳(はい)句(く) (haiku).

Det opprinnelige haikuet er japansk


haiku

nn-noun-multi

haiku m or n (definite singular haikuen or haikuet, indefinite plural haikuar or haiku, definite plural haikuane or haikua)

haikuen (definite singular)
haikuet (definite singular)
haikuar (indefinite plural)
haiku (indefinite plural)
haikuane (definite plural)
haikua (definite plural)

der finst ikkje så mange ord i eit haiku

Paal-Helge Haugen sette om japanske haikuar til norsk[.]

1998, Hadle Oftedal Andersen, editor, Poesiens pil, [Oslo]: Cappelen, page 170:

Paal-Helge Haugen translated Japanese haikus into Norwegian.


haiku

(poetry) haiku (Japanese poem in three lines, the first and last consisting of five morae, and the second consisting of seven morae, usually with an emphasis on the season or a naturalistic theme)

(poetry) haiku (three-line poem in any language, with five syllables in the first and last lines and seven syllables in the second, usually with an emphasis on the season or a naturalistic theme)


haiku

(poetry) haiku (type of poem used in Japanese poetry)


rondo

rondko (diminutive)
rondo (nominative singular)
ronda (nominative plural)
ronda (genitive singular)
rond (genitive plural)
rondu (dative singular)
rondom (dative plural)
rondo (accusative singular)
ronda (accusative plural)
rondem (instrumental singular)
rondami (instrumental plural)
rondzie (locative singular)
rondach (locative plural)
rondo (singular vocative)
ronda (plural vocative)


volta

[…][Larmona] Ash describes how “conversion arrives like a volta [poetic shift]^([sic]) in a person's life.” The metaphor is apt, imagining one's spiritual life as a poem, an authored thing, and not preserved on vellum either, but open to revision.

2025 May 31, Tanjil Rashid, quoting Lamorna Ash, “Finding their religion”, in FT Weekend, Life & Arts, page 9:

(poetry) A turning point or point of change in a poem, most commonly a sonnet.


scan

en-verb

scan (third-person singular simple present scans, present participle scanning, simple past and past participle scanned)

scans (present singular third-person)
scanning (participle present)
scanned (participle past)
scanned (past)

⇒ Lithuanian: skenuoti

From late Middle English scanne (“to mark off verse to show metrical structure”), from earlier scanden, from Late Latin scandere (“to scan verse”), from Classical Latin scandō (“I climb, rise, mount”), from Proto-Indo-European *skend- (“to jump, dart, climb, scale, scan”).

مَحَّصَ

to examine sequentially, carefully, or critically; to scrutinize; to behold closely

In such cases as these, almost any one with a good ear will "scan" the verse correctly enough without instruction. It is not proposed to give here a list of Shakspere's slurred and contracted words; […]

1886, Francis Barton Gummere, A Handbook of Poetics for Students of English Verse, page 218:

(poetry, transitive) To read or mark so as to show a specific metre.

escandir

to read or mark so as to show a specific metre

You're right, sir, it doesn't scan very well in the English, but in the Gaelic it's sheer poetry. Have you the Gaelic?

1998, Milton Acorn, Cedric Smith, edited by James Deahl, The Road to Charlottetown: A Play, UnMon Northland:

(poetry, intransitive) To conform to a metrical structure.


slam

Pseudo-anglicism, derived from slam poetry.


stave

LL-Q1860 (eng)-I learned some phrases-stave.wav

Back-formation from staves, the plural of staff.

Let us chaunt a passing stave / In honour of that hero brave.

1815, William Wordsworth, Rob Roy's Grave:

(poetry) A metrical portion; a stanza; a staff.

Ley, in his work on the Metrical Forms of Hebrew Poetry, 1866, has taken too little notice of these frequently occurring alliteration staves; Lagarde communicated to me (8th Sept. 1846) his view of the stave-rhyme in the Book[…]

1874, Franz Delitzsch, Biblical Commentary on the Proverbs of Solomon, page 73:

[The] stave that binds the two halves of the line together the on-verse must be classified as D in spite of the f-stave . . stave-rhyme (OED s.v. Stave sb.)

1974, John Collins Pope, Old English Studies in Honour of John C. Pope, page 193:

... consisting only of the two staves, folches . . . fehta. […] Line 63 contains the two-stave rhyme, aerist ... asckim; the suggested reduplicative rhyme [...] is technically doubtful according to the standards we have[…]

1975, Studies in Medieval Culture, page 11:

This may seem sparse and incomplete, but is reminiscent of the Old Norse stave rhyme technique in which one avoided two alliterating staves in one dipod – which the poets of that time considered superfluous.

(poetry, rare) The initial consonant, consonant cluster, or vowel of a word which rhymes with another word with the same consonant or vowel in stave-rhyme.


strain

From Middle English streen, strene, streon, istreon (“race, stock, generation”), from Old English strēon, ġestrēon (“gain, wealth”), from Proto-Germanic *streuną (“heap, treasure, profit, gain”), from Proto-Indo-European *strew- (“to spread, strew”) (cognate with Old Saxon gistriuni, Old High German gistriuni (“gain, property, wealth, business”), Latin strues (“heap”)). Confused in Middle English with the related noun strend, strynd, strund, from Old English strȳnd (“race; stock”), from strēonan, strȳnan (“to beget; acquire”). Related also to Dutch struinen (“to prowl, root about, rout”).

cog

Yet Keats, though for so many years he has given nothing to the world, is understood to have devoted himself to the composition of an epic poem. Some passages of it have been communicated to the inner circle of his admirers, and impressed them as the loftiest strains that have been audible on earth since Milton’s days.

1846, Nathaniel Hawthorne, “P.'s Correspondence”, in Mosses from an Old Manse:

A baby gurgled, a photographer dropped her lens cap, and the strains of the U.S. Army Brass Quintet echoed off the murals depicting seminal moments in American history.

2024, Christa Case Bryant, As US marks 9/11, a divided Congress unites to honor 13 fallen in Afghanistan, in: The Christian Science Monitor, September 11, 2024

(music, poetry) Any sustained note or movement; a song; a distinct portion of an ode or other poem; also, the pervading note, or burden, of a song, poem, etc.

напев

music, poetry: any sustained note or movement; a song; a distinct portion of an ode or other poem; also, the pervading note, or burden, of a song, poem, etc.


lament

lament (nominative singular)
lamenty (nominative plural)
lamentu (genitive singular)
lamentów (genitive plural)
lamentowi (dative singular)
lamentom (dative plural)
lament (accusative singular)
lamenty (accusative plural)
lamentem (instrumental singular)
lamentami (instrumental plural)
lamencie (locative singular)
lamentach (locative plural)
lamencie (singular vocative)
lamenty (plural vocative)

(poetry) threnody (poem of lamentation or mourning for a dead person; a dirge; an elegy)


pentameter

en-noun

pentameter (countable and uncountable, plural pentameters)

pentameters (plural)
pentametre (alternative)

PIE word
 *pénkʷe
From Middle French pentamètre, by surface analysis, penta- + meter.

The best verses, more especially pentameters, are written on the principle of attracting and fixing the attention to their close.

1822, Robert Bland, Elements of Latin Hexameters and Pentameters, third edition, London: John Robinson, page vi:

(poetry, countable) A line in a poem having five metrical feet.

(poetry) Poetic metre in which each line has five feet.


tetrameter

tetrameter (countable and uncountable, plural tetrameters)

tetrameters (plural)
tetrametre (alternative)

(poetry) A line in a poem having four metrical feet.

tetrametër

a line in a poem having four metrical feet (poetry)


dimeter

dimeter (countable and uncountable, plural dimeters)

(poetry) A line in a poem having two metrical feet.

(poetry) A poetic metre in which each line has two feet.


identical

The strictest construction of the rule requires complete and unvarying repetition of end-words, but some license is granted in the use of identicals.

1992, Clarence Hugh Holman, William Harmon, A Handbook to Literature, page 439:

(poetry) A rhyme on the same syllable, such as "leave" and "believe".


waka

Borrowed from Japanese 和歌 (waka), from Middle Chinese 和 (ɣwa), a gloss for 倭 (ʔwa, “Japan”) + 歌 (ka, “song”).

“Hey, look. There's one of those Jap waka poems on the back of this cigarette package.”

1962, Philip K. Dick, “The Man in the High Castle”, in Four Novels of the 1960s, Library of America, published 2007, page 122:

(poetry) A kind of classical Japanese poem.


בית

he-noun

בַּיִת • (báyit) m (plural indefinite בָּתִּים, singular construct בֵּית־, plural construct בָּתֵּי־, Biblical Hebrew pausal form בָּיִת) [pattern: קֶטֶל]

בַּיִת (canonical)
báyit (romanization)
בָּתִּים (indefinite plural)
בֵּית־ (construct singular)
בָּתֵּי־ (construct plural)
form בָּיִת (Biblical-Hebrew pausal)
בַּיִת (indefinite singular)
בֵּיתִי (feminine first-person masculine possessed-form singular)
בֵּיתֵנוּ (feminine first-person masculine plural possessed-form)
הַבַּיִת (definite singular)
בֵּיתְךָ (masculine possessed-form second-person singular)
בֵּיתֵךְ (feminine possessed-form second-person singular)
בֵּיתְכֶם (masculine plural possessed-form second-person)
בֵּיתְכֶן (feminine plural possessed-form second-person)
בֵּית־ (construct singular)
בֵּיתוֹ (masculine possessed-form singular third-person)
בֵּיתָהּ (feminine possessed-form singular third-person)
בֵּיתָם (masculine plural possessed-form third-person)
בֵּיתָן (feminine plural possessed-form third-person)
בָּתִּים (indefinite plural)
בתיי (feminine first-person masculine possessed-form singular)
בָּתַּי (feminine first-person masculine possessed-form singular)
בָּתֵּינוּ (feminine first-person masculine plural possessed-form)
הַבָּתִּים (definite plural)
בָּתֶּיךָ (masculine possessed-form second-person singular)
בתייך (feminine possessed-form second-person singular)
בָּתַּיִךְ (feminine possessed-form second-person singular)
בָּתֵּיכֶם (masculine plural possessed-form second-person)
בָּתֵּיכֶן (feminine plural possessed-form second-person)
בָּתֵּי־ (construct plural)
בָּתָּיו (masculine possessed-form singular third-person)
בָּתֶּיהָ (feminine possessed-form singular third-person)
בָּתֵּיהֶם (masculine plural possessed-form third-person)
בָּתֵּיהֶן (feminine plural possessed-form third-person)

desctree

→ Yiddish: בית (beys)
→ Alemannic German: Beiz
→ German: Beiz

From Proto-Semitic *bayt- (“house”). Cognate with Akkadian 𒂍 (bītum) and Arabic بَيْت (bayt).

(poetry) stanza (a unit of a poem, written or printed as a paragraph; equivalent to a verse)


quaderno

From Latin quaternus (“fourfold”), from quater (“four times”), from quattuor (“four”).


lyric

en-adj

lyric (comparative more lyric, superlative most lyric)

more lyric (comparative)
most lyric (superlative)
lyrick (alternative obsolete)

From French lyrique, or its source, Latin lyricus, from Ancient Greek λυρικός (lurikós), from λύρα (lúra, “lyre”). Its English equivalent would be lyre + -ic.
The original Greek sense of "lyric poetry"—"poetry accompanied by the lyre" i.e. "words set to music"—eventually led to its use as "lyrics", first attested in Stainer and Barrett's 1876 Dictionary of Musical Terms. Stainer and Barrett used the word as a singular substantive: "Lyric, poetry or blank verse intended to be set to music and sung". By the 1930s, the present use of the plurale tantum "lyrics" had begun; it has been standard since the 1950s for many writers. The singular form "lyric" is still used to mean the complete words to a song by authorities such as Alec Wilder, Robert Gottlieb, and Stephen Sondheim. However, the singular form is also commonly used to refer to a specific line (or phrase) within a song's lyrics.

(poetry) Of, or relating to a type of poetry (such as a sonnet or ode) that expresses subjective thoughts and feelings, often in a songlike style.


rhapsody

The noun is derived from Latin rhapsōdia (“part of an epic poem suitable for uninterrupted recitation”), from Koine Greek ῥαψῳδία (rhapsōidía, “part of an epic poem suitable for uninterrupted recitation; rigmarole”), Ancient Greek ῥαψῳδία (rhapsōidía, “composition or recitation of Epic poetry”), from ῥαψῳδός (rhapsōidós, “composer or performer of Epic poetry”) + -ῐ́ᾱ (-ĭ́ā, suffix forming feminine abstract nouns). Ῥαψῳδός (Rhapsōidós) is derived from ῥᾰ́πτω (rhắptō, “to sew”) (possibly from Proto-Indo-European *werb- (“to bend; to turn”)) + ᾠδή (ōidḗ, “ode; song”) (ultimately from Proto-Hellenic *awoidā́ (“song”)) + -ος (-os, suffix forming o-grade action nouns).
Sense 2.2 (“instrumental composition of irregular form”) probably developed from sense 2.1 (“exaggeratedly enthusiastic or exalted expression of feeling in speech or writing”), and both of these senses may have been influenced by rapture (“extreme excitement, happiness, or pleasure”), the latter being a quality associated with the senses. Sense 2.3 (“literary composition consisting of miscellaneous works”) is borrowed from Middle French rhapsodie (modern French rhapsodie), from Latin rhapsōdia: see above.
The verb is derived from the noun.
Cognates
* French rhapsodie (“instrumental composition of irregular form”)
* German Rhapsodie (“instrumental composition of irregular form”)

cog

(Ancient Greece, poetry, historical) An epic poem, or part of one, suitable for uninterrupted recitation.

狂想曲

ancient Greek epic poem, or part of one, suitable for uninterrupted recitation


stichomythia

en-noun

stichomythia (countable and uncountable, plural stichomythias)

/stɪkəˈmɪθɪə/

From Latin, from Ancient Greek στιχομυθία (stikhomuthía), from στίχος (stíkhos, “line of verse”) (see sticho-) + μῦθος (mûthos, “speech”).

The trial in the great hall under its high vaults, dusty sunlight shafting in, full of murmurers and growlers quietened by beadles and bailiffs, with howlers in the street held back with pikes, was by way of being a play without plot or exercise in what the Senecans term stichomythia.

1993, Anthony Burgess, A Dead Man In Deptford:

The stichomythias are just as necessary in Sophocles' tragedies as are his choruses.

2006, Olga Freidenberg, Image and Concept, page 297:

The two modes have different effects: while a rhesis allows the speaker to give an account of himself, attempt to persuade his hearers, or move freely across a range of emotions or types of argument, stichomythia is better suited to swift exchange of information through question and answer, though it can also be used for spicy polemic, aggressive interrogation, or accusation and defence.

2012, R. B. Rutherford, Greek Tragic Style: Form, Language and Interpretation, page 165:

(poetry) A technique in drama or poetry, in which alternating lines, or half-lines, are given to alternating characters, voices, or entities.


ultraism

ultraism (countable and uncountable, plural ultraisms)

The eight young signers of this “Ultra manifesto” could not have known at the time how accurate and prescient their declaration was. Spanish ultraism, born as a movement with that document, would be distinguished, ironically, by its indiscriminate and eclectic borrowings from the other European vanguard tendencies.

1981, Thorpe Running, Borges' Ultraist Movement and its Poets, Lathrup Village, Mich.: International Book Publishers, →ISBN, page 1:

(poetry) A Spanish poetic movement opposed to modernism.


aubade

Princess Christina of the Netherlands
Rosalía de Castro

PIE word
 *albʰós
Borrowed from French aubade, from Old French albade, from Old Spanish albada (“musical or poetic composition to be performed in the morning”), from alba (“dawn”), from Vulgar Latin *alba (“dawn; sunrise”), from Latin albus (“bright, clear; white”), ultimately from Proto-Indo-European *albʰós (“white”).

beuregan

And there he lingered till the crowing cock, / The Alectryon of the farmyard and the flock, / Sang his aubade with lusty voice and clear, / To tell the sleeping world that dawn was near.

1873 August, Henry Wadsworth Longfellow, “[I. Tales of a Wayside Inn.] The Student’s Tale. Emma and Eginhard.”, in Aftermath, Boston, Mass.: James R[ipley] Osgood and Company, late Ticknor & Fields, and Fields, Osgood, & Co., →OCLC, page 27:

Alladad Khan woke to the far crying of kampong cocks in the dark. That noise had been the farmyard aubade in the Punjab in his dream.

1956, Anthony Burgess, chapter 11, in Time for a Tiger (The Malayan Trilogy), London: William Heinemann, published 1968, →ISBN, page 155:

(music, poetry) A poem or song evoking or greeting the dawn or early morning.

(music, specifically) A morning love song, or a song of lovers parting in the morning.

aubade

morning love song; song of lovers parting in the morning


echolalia

echolalia (nominative singular)
echolalii (genitive singular)
echolalii (dative singular)
echolalię (accusative singular)
echolalią (instrumental singular)
echolalii (locative singular)
echolalio (singular vocative)

(rhetoric, poetry) echolalia (stylistic device consisting of the repetition of identical or similar vocal groups solely in order to emphasise the rhythmic or melodic character of the text)


doggerel

Probably from dog + -rel (“pejorative suffix”), akin to Dog Latin, late 14th c.

dogrel (alternative obsolete)
doggrel (alternative archaic)

True Wit has ſeen its best days long ago, / It ne're look'd up, ſince we were dipt in Show: / When Senſe in Dogrel Rimes and Clouds was loſt, / And Dulneſs flouriſh'd at the Actors coſt.

1677 (date written), John Dryden, “Prologue”, in The Kind Keeper; or, Mr. Limberham: A Comedy: […], London: […] R[ichard] Bentley, and M[ary] Magnes, […], published 1680, →OCLC:

(poetry) Of a crude or irregular construction.


doggerel

en-noun

doggerel (countable and uncountable, plural doggerels)

doggerels (plural)
dogrel (alternative obsolete)
doggrel (alternative archaic)

Taffy drew a long breath into his manly bosom, and kept it there as he read this characteristic French doggerel (for so he chose to call this touching little symphony in ère and ra).

1894, George du Maurier, “Part Sixth”, in Trilby: A Novel, New York, N.Y.: Harper & Brothers, →OCLC, page 302:

As he marched he sang a bit of doggerel in a high and quavering voice: / "Sing a song 'a vic'try, / A pocketful 'a bullets, / Five an' twenty dead men / Baked in a—pie."

1895 October, Stephen Crane, chapter VIII, in The Red Badge of Courage: An Episode of the American Civil War, New York, N.Y.: D[aniel] Appleton and Company, →OCLC, page 86:

(poetry) A comic or humorous verse, usually irregular in measure.


stanco

eo-noun

stanco (accusative singular stancon, plural stancoj, accusative plural stancojn)

stancon (accusative singular)
stancoj (plural)
stancojn (accusative plural)


madrigal

/ˈmæd͡ɹɪɡəl/

From Italian madrigale, from Latin mātrīcālis.

(poetry) A short poem, often pastoral, and suitable to be set to music.


Ionic

From Ancient Greek ἰωνικός (iōnikós, “related to Ionians”).

uder

(poetry) A four-syllable metrical unit of light-light-heavy-heavy (‿ ‿ — —) that occurs in Ancient Greek and Latin poetry.


Winter

en-noun

Winter (countable and uncountable, plural Winters)

(poetry) Alternative letter-case form of winter.


volte-face

volte-faces (plural)
volte face (alternative)

LL-Q1860 (eng)-I learned some phrases-volte-face.wav

Shakespeare often used volte-faces in the rhyming couplets at the end of his sonnets.

(literature, chiefly poetry) A dramatic change in mood or tone.


Alcaic verse

(poetry) A Greek meter, supposedly invented by Alcaeus, consisting of combinations of spondee, iambs and dactyls.


verso

Inherited from Old Spanish verso (“verse”).


stanza

From Italian stanza, from Vulgar Latin *stantia (“standing, stopping-place”), from Latin stāns, stantis, from stō, stāre, from Proto-Italic *staēō, from Proto-Indo-European *sth₂éh₁yeti, stative verb from *steh₂- (whence English stand). Doublet of stance.

der

(poetry) A unit of a poem, written or printed as a paragraph; equivalent to a verse.


impressionism

en-noun

impressionism (countable and uncountable, plural impressionisms)

(poetry) A style that used imagery and symbolism to portray the poet's impressions.


anapest

anapest (nominative singular)
anapesty (nominative plural)
anapestu (genitive singular)
anapestů (genitive plural)
anapestu (dative singular)
anapestům (dative plural)
anapest (accusative singular)
anapesty (accusative plural)
anapeste (singular vocative)
anapesty (plural vocative)
anapestu (locative singular)
anapestech (locative plural)
anapestem (instrumental singular)
anapesty (instrumental plural)

K nejfrekventovanějším stopám patří trochej (¯ ˘), jamb (˘ ¯), daktyl (¯ ˘ ˘), anapest (˘ ˘ ¯), amfibrach (˘ ¯ ˘) a spondej (¯ ¯).

1997, Jiří Fukač with Jiří Vysloužil and Petr Macek, Slovník české hudební kultury, Praha: Editio Supraphon, →ISBN, page 742:

Trochee (¯ ˘), iamb (˘ ¯), dactyl (¯ ˘ ˘), anapest (˘ ˘ ¯), amphibrach (˘ ¯ ˘) and spondee (¯ ¯) belong among the most frequented feet.

Jakmile jsem si vytvořil tento vztah ke zvuku, jazyku a námětu, okamžitě jsem viděl – lépe řečeno, okamžitě jsem slyšel –, že anapest nemusí pokaždé skončit jako monotónní, ucouraná, vlezlá odrhovačka na způsob básní Edgara Allana Poea, Roberta Service, Kiplinga a dalších.

2007, James Dickey, “Básník jde do sebe”, in Revolver revue, volumes 67–68, page 125:

I saw at once—or rather I heard at once—when I began to have this kind of relationship to sound, language and subject, that the anapest needn't result in the monotonous, slugging, obtrusive singsong that it has in the poems of Edgar Allan Poe, Robert Service, Kipling, and others.

(poetry) anapest, a metrical foot consisting of three syllables, two short or unstressed and one long or stressed


sestet

From Italian sestetto, from sesto (“sixth”), Latin sextus, from sex (“six”).

(poetry) The last six lines of a sonnet, forming two stanzas of three lines each.


medida

(literary, poetry, music) measure; measurement; number of syllables in a line (in poetry)


spondee

spondees (plural)
spondeus (alternative archaic)

From Latin spondēus (“spondee”), from Ancient Greek σπονδεῖος (spondeîos, “associated with a libation”) from σπονδή (spondḗ, “libation”): spondees were often used in melodies sung at libations.

der

(poetry) A word or metrical foot of two syllables, either both long or both stressed.


mora

From Latin mora (“duration of time, delay”).

In the quantitative meters in Sanskrit a heavy syllable is considered to be equal to two morae and a light syllable equivalent to one mora.

1918, Elcanon Isaacs, “The Metrical Basis of Hebrew Poetry”, in The American Journal of Semitic Languages and Literatures, volume 35, page 22:

(poetry) A unit used to measure lines and stanzas of poetry.


mora

mora (nominative singular)
mory (nominative plural)
mory (genitive singular)
mor (genitive plural)
morze (dative singular)
morom (dative plural)
morę (accusative singular)
mory (accusative plural)
morą (instrumental singular)
morami (instrumental plural)
morze (locative singular)
morach (locative plural)
moro (singular vocative)
mory (plural vocative)

Learned borrowing from Latin mora. First attested in 1677–1690.

ref

Ewa Rodek (20.02.2023) “MORA II”, in Elektroniczny Słownik Języka Polskiego XVII i XVIII Wieku [Electronic Dictionary of the Polish Language of the XVII and XVIII Century]

(poetry) mora (a unit used to measure lines and stanzas of poetry)


háttur

is-noun

háttur m (genitive singular háttar, nominative plural hættir)

háttar (genitive singular)
hættir (nominative plural)
háttur (indefinite nominative singular)
hátturinn (definite nominative singular)
hættir (indefinite nominative plural)
hættirnir (definite nominative plural)
hátt (accusative indefinite singular)
háttinn (accusative definite singular)
hætti (accusative indefinite plural)
háttu (accusative archaic indefinite literary plural)
hættina (accusative definite plural)
hætti (dative indefinite singular)
hættinum (dative definite singular)
háttum (dative indefinite plural)
háttunum (dative definite plural)
háttar (genitive indefinite singular)
háttarins (definite genitive singular)
hátta (genitive indefinite plural)
háttanna (definite genitive plural)

From Old Norse háttr, from Proto-Germanic *hahtuz.


mál

non-decl-blank-full

mál

mál (indefinite nominative singular)
málit (definite nominative singular)
mǫ́l (indefinite nominative plural)
mǫ́lin (definite nominative plural)
mál (accusative indefinite singular)
málit (accusative definite singular)
mǫ́l (accusative indefinite plural)
mǫ́lin (accusative definite plural)
máli (dative indefinite singular)
málinu (dative definite singular)
mǫ́lum (dative indefinite plural)
mǫ́lunum (dative definite plural)
máls (genitive indefinite singular)
málsins (definite genitive singular)
mála (genitive indefinite plural)
málanna (definite genitive plural)

Icelandic: mál

Faroese: mál

Norwegian Bokmål: mål

Old Swedish: māl

Swedish: mål

Danish: mål

desc

→ Old English: māl (“speech, contract, agreement”)

Middle English: mal, male

English: mail

Scots: mail

From Proto-Germanic *maþlą, whence also Old Saxon mahal, Gothic 𐌼𐌰𐌸𐌻 (maþl).

bragarmál

contraction of unstressed words; poetic speech


بحر

ar-noun

بَحْر • (baḥr) m (plural بِحَار (biḥār) or بُحُور (buḥūr) or أَبْحُر (ʔabḥur))

بَحْر (canonical)
baḥr (romanization)
بِحَار (plural)
بُحُور (plural)
أَبْحُر (plural)
بَحْر (indefinite informal singular triptote)
الْبَحْر (definite informal singular triptote)
بَحْر (construct informal singular triptote)
بَحْرٌ (indefinite nominative singular triptote)
الْبَحْرُ (definite nominative singular triptote)
بَحْرُ (construct nominative singular triptote)
بَحْرًا (accusative indefinite singular triptote)
الْبَحْرَ (accusative definite singular triptote)
بَحْرَ (accusative construct singular triptote)
بَحْرٍ (genitive indefinite singular triptote)
الْبَحْرِ (definite genitive singular triptote)
بَحْرِ (construct genitive singular triptote)
بَحْرَيْن (dual indefinite informal singular triptote)
الْبَحْرَيْن (definite dual informal singular triptote)
بَحْرَيْ (construct dual informal singular triptote)
بَحْرَانِ (dual indefinite nominative singular triptote)
الْبَحْرَانِ (definite dual nominative singular triptote)
بَحْرَا (construct dual nominative singular triptote)
بَحْرَيْنِ (accusative dual indefinite singular triptote)
الْبَحْرَيْنِ (accusative definite dual singular triptote)
بَحْرَيْ (accusative construct dual singular triptote)
بَحْرَيْنِ (dual genitive indefinite singular triptote)
الْبَحْرَيْنِ (definite dual genitive singular triptote)
بَحْرَيْ (construct dual genitive singular triptote)
بِحَار (broken-form indefinite informal plural triptote)
بُحُور (broken-form indefinite informal plural triptote)
أَبْحُر (broken-form indefinite informal plural triptote)
الْبِحَار (broken-form definite informal plural triptote)
الْبُحُور (broken-form definite informal plural triptote)
الْأَبْحُر (broken-form definite informal plural triptote)
بِحَار (broken-form construct informal plural triptote)
بُحُور (broken-form construct informal plural triptote)
أَبْحُر (broken-form construct informal plural triptote)
بِحَارٌ (broken-form indefinite nominative plural triptote)
بُحُورٌ (broken-form indefinite nominative plural triptote)
أَبْحُرٌ (broken-form indefinite nominative plural triptote)
الْبِحَارُ (broken-form definite nominative plural triptote)
الْبُحُورُ (broken-form definite nominative plural triptote)
الْأَبْحُرُ (broken-form definite nominative plural triptote)
بِحَارُ (broken-form construct nominative plural triptote)
بُحُورُ (broken-form construct nominative plural triptote)
أَبْحُرُ (broken-form construct nominative plural triptote)
بِحَارًا (accusative broken-form indefinite plural triptote)
بُحُورًا (accusative broken-form indefinite plural triptote)
أَبْحُرًا (accusative broken-form indefinite plural triptote)
الْبِحَارَ (accusative broken-form definite plural triptote)
الْبُحُورَ (accusative broken-form definite plural triptote)
الْأَبْحُرَ (accusative broken-form definite plural triptote)
بِحَارَ (accusative broken-form construct plural triptote)
بُحُورَ (accusative broken-form construct plural triptote)
أَبْحُرَ (accusative broken-form construct plural triptote)
بِحَارٍ (broken-form genitive indefinite plural triptote)
بُحُورٍ (broken-form genitive indefinite plural triptote)
أَبْحُرٍ (broken-form genitive indefinite plural triptote)
الْبِحَارِ (broken-form definite genitive plural triptote)
الْبُحُورِ (broken-form definite genitive plural triptote)
الْأَبْحُرِ (broken-form definite genitive plural triptote)
بِحَارِ (broken-form construct genitive plural triptote)
بُحُورِ (broken-form construct genitive plural triptote)
أَبْحُرِ (broken-form construct genitive plural triptote)

Gulf Arabic: بَحَر (bəḥər)

Maltese: baħar

Moroccan Arabic: بحر (bḥar)

→ Azerbaijani: bəhr

→ Bengali: বহর (bohor)

→ Lishana Deni: בחר (baḥḥaṛ)

desctree

→ Ottoman Turkish: بحر (baḥr)
Turkish: bahir

→ Punjabi:

Gurmukhi script: ਬਹਿਰ (bahir)

Shahmukhi script: بحر (bḥr)

→ Swahili: bahari
→ Malagasy: bahary

→ Uzbek: bahr

→ Zaghawa: bahar


catalectic

From Latin catalecticus, from Ancient Greek καταληκτικός (katalēktikós, “leaving off, incomplete”) from κατάληξις (katálēxis).

der

καταληκτικός

(poetry) A line with incomplete meter, lacking a syllable at the end or ending with an incomplete foot.


introverted

en-adj

introverted (comparative more introverted, superlative most introverted)

more introverted (comparative)
most introverted (superlative)
introvert (alternative)

In the Quatrain Reversed or Introverted, the first line corresponds with the fourth.

1896, Richard Green Moulton, The Literary Study of the Bible, page 50:

(poetry, literature) Arranged so that two similar words, lines, etc. form the middle of the structure.


voet

nl-noun

voet m (plural voeten, diminutive voetje n)

voeten (plural)
voetje (diminutive neuter)

Afrikaans: voet

Jersey Dutch: vût

desc

Negerhollands: voet, voeti, fut, futu, vut

→ Virgin Islands Creole: voet (dated)

Skepi Creole Dutch: fut

→? Sranan Tongo: futu

→? Aukan: futu

→ Saramaccan: fútu

From Middle Dutch voet, from Old Dutch fuot, from Proto-West Germanic *fōt, from Proto-Germanic *fōts, from Proto-Indo-European *pṓds.

Dit gedicht heeft een ritme van vier voeten per vers.

This poem has a rhythm of four feet per line.

Een jambische pentameter heeft vijf voeten per vers.

An iambic pentameter has five feet per line.

(poetry) foot (most basic element of a metre)


englyn

The concluding Englyn has written below it, in a very bad and quite different hand, "Dauid (or Daniel?) Davies," but whether this name is that of the supposed author of the Englynion, or that of one of the owners of the MS., we cannot say.

1892, F[rancis] T[urner] Palgrave, “Henry Vaughan of Scethrog, 1622–1695: Some Notes on His Life and Characteristics as a Poet of Welsh Descent”, in Egerton Phillimore, editor, Y Cymmrodor: The Magazine of the Honourable Society of Cymmrodorion, volume XI, London: Printed for the Society [Honourable Society of Cymmrodorion] by Gilbert & Rivington, Limited, St. John's House, Clerkenwell, London, E.C., page 222:

The metrical system of the canine original, which recalls the intricate alliterative and isosyllabic rules of the Welsh englyn, is infinitely more complicated but we believe our readers will agree that the spirit has been well caught.

1922 February 2, James Joyce, Ulysses: A Novel, Paris: Shakespeare and Company; Sylvia Beach, OCLC 560090630; republished London: Published for the Egoist Press, London by John Rodker, Paris, October 1922, OCLC 2297483, page 299

The englyn as we know it in Canu Llywarch Hen and Elegy on Cynddylan is characterized by three lines with end rhyme.

1993, Sarah Lynn Higley, Between Languages: The Uncooperative Text in Early Welsh and Old English Nature Poetry, University Park, Pa.: Pennsylvania State University Press, →ISBN:

(poetry) A short Welsh or Cornish poem of a variable structure, with each line using quantitative metre and cynghanedd (a repeating pattern of consonants and accent), and different lines being arranged in standardized patterns of rhyme and half rhyme.


μέτρον

grc-noun

μέτρον • (métron) n (genitive μέτρου); second declension

métron (romanization)
μέτρου (genitive)
τὸ μέτρον (nominative singular)
μέτρω (dual nominative)
τᾰ̀ μέτρᾰ (nominative plural)
τοῦ μέτρου (genitive singular)
μέτροιν (dual genitive)
μέτρων (genitive plural)
τῷ μέτρῳ (dative singular)
μέτροιν (dative dual)
τοῖς μέτροις (dative plural)
τὸ μέτρον (accusative singular)
μέτρω (accusative dual)
τᾰ̀ μέτρᾰ (accusative plural)
μέτρον (singular vocative)
μέτρω (dual vocative)
μέτρᾰ (plural vocative)

Greek: μέτρο (métro)

→ English: metron

desctree

→ Latin: metrum
→ Dutch: metrum
→ Indonesian: metrum
→ French: mètre (see there for further descendants)
→ German: Metrum
→ Luxembourgish: Metrum
→ Old Irish: metar
Irish: meadar
→ English: mether, medar, meather, madder
→ Fingallian: meddar
→ Italian: metro
→ Polish: metrum
Spanish: miedro

From Proto-Indo-European *meh₁- (“to measure”) + -τρον (-tron).


ottava

From Italian ottava (“octave”) (also feminine form of ottavo (“eighth”), ordinal form of otto).


runa

pl-noun

runa f (related adjective runiczny or runicki or runowy or runiany)

runiczny (adjective)
runicki (adjective)
runowy (adjective)
runiany (adjective)
runa (nominative singular)
runy (nominative plural)
runy (genitive singular)
run (genitive plural)
runie (dative singular)
runom (dative plural)
runę (accusative singular)
runy (accusative plural)
runą (instrumental singular)
runami (instrumental plural)
runie (locative singular)
runach (locative plural)
runo (singular vocative)
runy (plural vocative)

(chiefly in the plural, poetry) rune (Finnic or Scandinavian epic poem, or a division of one, especially a division of the Kalevala)


punctum

la-noun

pūnctum n (genitive pūnctī); second declension

pūnctum (canonical neuter)
pūnctī (genitive)
pūnctum (nominative singular)
pūncta (nominative plural)
pūnctī (genitive singular)
pūnctōrum (genitive plural)
pūnctō (dative singular)
pūnctīs (dative plural)
pūnctum (accusative singular)
pūncta (accusative plural)
pūnctō (ablative singular)
pūnctīs (ablative plural)
pūnctum (singular vocative)
pūncta (plural vocative)

Asturian: puntu

Catalan: punt

→ Danish: punktum

→ Dutch: punt

→ English: punctum

Friulian: pont

Galician: punto

→ German: Punkt, Punktum

→ Esperanto: punkto

→ Serbo-Croatian: punkt

→ Hungarian: pont

→ Romanian: pont

Irish: ponc

Italian: punto

→ English: punto

→ Ottoman Turkish: پونطو (punto)

Turkish: punto

→ Middle Low German: punct

→ Old Norse: punktr

Danish: punkt

Norwegian Bokmål: punkt

Swedish: punkt

→ Middle Welsh: pwnc

Welsh: pwnc

→ Norwegian Bokmål: punktum

Occitan: ponch

desctree

→ Old Czech: punkt (learned)
Czech: punkt

Old French: point

→ Middle English: point

→ Middle Welsh: pwynt

Welsh: pwynt

English: point, p'int
→ Cantonese: point
→ Indonesian: poin
→ Japanese: ポイント (pointo)
→ Korean: 포인트 (pointeu)
→ Malay: poin

Middle French: poinct

French: point

→ Danish: point

→ Dutch: punt

→ Norwegian Bokmål: poeng

→ Polish: pointa

→ Swedish: poäng

→ Turkish: puan

→ Middle Irish: pointe

Irish: pointe

Norman: point

Portuguese: ponto

→ Polish: punkt (learned)

→ Proto-Brythonic: *puɨθ

Middle Welsh: pwyth

Welsh: pwyth

→ Romanian: punct

→ Russian: пункт (punkt)

Sicilian: puntu

Spanish: punto, puento (dialectal)

→ Tagalog: punto

Venetan: ponto

Neuter form of pūnctus, the perfect passive participle of pungō (“to prick, puncture”).


prosody

en-noun

prosody (countable and uncountable, plural prosodies)

From Middle French prosodie, from Latin prosōdia, from Ancient Greek προσῳδία (prosōidía, “song sung to music; pronunciation of syllable”), from πρός (prós, “to”) + ᾠδή (ōidḗ, “song”).

der

But the system of prosody in Samson plainly forbids extrametrical syllables in the midst of the line, and there is certainly no other example.

1894, Robert Bridges, Milton's Prosody, Oxford University Press, page 30:

(poetry) The study of poetic meter; the patterns of sounds and rhythms in verse.


بيت

ar-noun

بَيْت • (bayt) m (plural أَبْيَات (ʔabyāt))

بَيْت (canonical)
bayt (romanization)
أَبْيَات (plural)
بَيْت (indefinite informal singular triptote)
الْبَيْت (definite informal singular triptote)
بَيْت (construct informal singular triptote)
بَيْتٌ (indefinite nominative singular triptote)
الْبَيْتُ (definite nominative singular triptote)
بَيْتُ (construct nominative singular triptote)
بَيْتًا (accusative indefinite singular triptote)
الْبَيْتَ (accusative definite singular triptote)
بَيْتَ (accusative construct singular triptote)
بَيْتٍ (genitive indefinite singular triptote)
الْبَيْتِ (definite genitive singular triptote)
بَيْتِ (construct genitive singular triptote)
بَيْتَيْن (dual indefinite informal singular triptote)
الْبَيْتَيْن (definite dual informal singular triptote)
بَيْتَيْ (construct dual informal singular triptote)
بَيْتَانِ (dual indefinite nominative singular triptote)
الْبَيْتَانِ (definite dual nominative singular triptote)
بَيْتَا (construct dual nominative singular triptote)
بَيْتَيْنِ (accusative dual indefinite singular triptote)
الْبَيْتَيْنِ (accusative definite dual singular triptote)
بَيْتَيْ (accusative construct dual singular triptote)
بَيْتَيْنِ (dual genitive indefinite singular triptote)
الْبَيْتَيْنِ (definite dual genitive singular triptote)
بَيْتَيْ (construct dual genitive singular triptote)
أَبْيَات (broken-form indefinite informal plural triptote)
الْأَبْيَات (broken-form definite informal plural triptote)
أَبْيَات (broken-form construct informal plural triptote)
أَبْيَاتٌ (broken-form indefinite nominative plural triptote)
الْأَبْيَاتُ (broken-form definite nominative plural triptote)
أَبْيَاتُ (broken-form construct nominative plural triptote)
أَبْيَاتًا (accusative broken-form indefinite plural triptote)
الْأَبْيَاتَ (accusative broken-form definite plural triptote)
أَبْيَاتَ (accusative broken-form construct plural triptote)
أَبْيَاتٍ (broken-form genitive indefinite plural triptote)
الْأَبْيَاتِ (broken-form definite genitive plural triptote)
أَبْيَاتِ (broken-form construct genitive plural triptote)

→ Azerbaijani: beyt

→ Persian: بیت (beyt)

→ Urdu: بیت (bait)

→ Ottoman Turkish: بیت (beyt, beyit)

> Turkish: beyit (inherited)

→ Uyghur: بېيىت (bëyit)

→ Uzbek: bayt


decima

Borrowed from Spanish décima, from Latin decima (“a tenth”). Doublet of decim, decime, and dime.

His album... dealt with the song form of Puerto Rican back-country troubadours, and it had a preoccupation with... the décima, a 10-line stanza with specific rhyme schemes.

(poetry) A 10-line verse or stanza, (chiefly) in the form of a song comprising an introductory verse followed by four such divisions.


jamb

jambi (genitive)
jambi (partitive)
jamb (nominative singular)
jambid (nominative plural)
jamb (accusative nominative singular)
jambid (accusative nominative plural)
jambi (accusative genitive singular)
jambid (accusative genitive plural)
jambi (genitive singular)
jambide (genitive plural)
jambi (partitive singular)
jambe (partitive plural)
jambisid (partitive plural)
jambi (illative singular)
jambisse (illative singular)
jambidesse (illative plural)
jambesse (illative plural)
jambis (inessive singular)
jambides (inessive plural)
jambes (inessive plural)
jambist (elative singular)
jambidest (elative plural)
jambest (elative plural)
jambile (allative singular)
jambidele (allative plural)
jambele (allative plural)
jambil (adessive singular)
jambidel (adessive plural)
jambel (adessive plural)
jambilt (ablative singular)
jambidelt (ablative plural)
jambelt (ablative plural)
jambiks (singular translative)
jambideks (plural translative)
jambeks (plural translative)
jambini (singular terminative)
jambideni (plural terminative)
jambina (essive singular)
jambidena (essive plural)
jambita (abessive singular)
jambideta (abessive plural)
jambiga (comitative singular)
jambidega (comitative plural)

Ultimately from Ancient Greek ἴαμβος (íambos).


jamb

pl-noun

jamb m inan (related adjective jambiczny)

jambiczny (adjective)
jamb (nominative singular)
jamby (nominative plural)
jambu (genitive singular)
jambów (genitive plural)
jambowi (dative singular)
jambom (dative plural)
jamb (accusative singular)
jamby (accusative plural)
jambem (instrumental singular)
jambami (instrumental plural)
jambie (locative singular)
jambach (locative plural)
jambie (singular vocative)
jamby (plural vocative)

(poetry, prosody) iamb (metrical foot in verse consisting of an unstressed syllable followed by a stressed syllable)


envoy

From French envoyé (“envoy, messenger”), from envoyer (“send”).

(poetry) Alternative spelling of envoi (“short stanza at end of poem”).


rann

head

rann m (genitive singular rainn, nominative plural rainn)

rainn (genitive singular)
rainn (nominative plural)
rann (indefinite nominative singular)
rainn (indefinite nominative plural)
a rainn (indefinite singular vocative)
a ranna (indefinite plural vocative)
rainn (genitive indefinite singular)
rann (genitive indefinite plural)
rann (dative indefinite singular)
rainn (dative indefinite plural)
an rann (definite nominative singular)
na rainn (definite nominative plural)
an rainn (definite genitive singular)
na rann (definite genitive plural)
leis an rann (dative definite singular)
don rann (dative definite singular)
leis na rainn (dative definite plural)


rann

rann m (genitive singular rainn, plural rannan)

rainn (genitive singular)
rannan (plural)

às na ceithir ranna ruadha

from all corners of the earth, from all four corners of the world; from the four red parts


spondaic

From Latin spondaicus, spondiacus, from Ancient Greek σπονδειακός (spondeiakós, “(music) used at a libation”).

der

(poetry) Having or relating to spondees.


trochaic

trochaics (plural)
troch. (alternative abbreviation)
trochaick (alternative obsolete)

Either via the French trochaïque or directly from its etymon, the Latin trochaicus, from the Ancient Greek τροχαικός (trokhaikós), from τροχαῖος (trokhaîos), whence trochee.

(poetry) A poetical composition of this kind.


xenia

xenia (nominative singular)
xenie (nominative plural)
xenii (genitive singular)
xenii (genitive plural)
xenij (archaic genitive plural)
xenii (dative singular)
xeniom (dative plural)
xenię (accusative singular)
xenie (accusative plural)
xenią (instrumental singular)
xeniami (instrumental plural)
xenii (locative singular)
xeniach (locative plural)
xenio (singular vocative)
xenie (plural vocative)

Learned borrowing from Ancient Greek ξενίᾱ (xeníā).

lbor

(poetry) Xenien (biting epigram in the form of a two-line poem)


terza rima

en-noun

terza rima (usually uncountable, plural terze rime)

/ˌtɛːtsə ˈɹiːmə/

Borrowed from Italian terza rima (literally “third rhyme”).

bor

In attempting to make the ‘Divina Commedia’ better known to English readers, it might have been held only a fitting mark of deference to my original to reproduce it, if practicable, in the metre of the poet's own choice. But on the appearance of my ‘Inferno,’ its Terza Rima was denounced as the one ‘deleterious ingredient’ which corrupted the version throughout, […]

1865, Dante Alighieri, “preface”, in John Dayman, transl., The Divine Comedy of Dante Alighieri: Translated in Terza Rima by John Dayman, page viii:

(poetry) An arrangement of triplets, generally in iambic pentameter in English, with rhyme scheme aba bcb cdc.

тэрцы́на

arrangement of triplets rhyming aba bcb cdc


terza rima

(poetry) terza rima (arrangement of triplets rhyming aba bcb cdc)


versification

en-noun

versification (countable and uncountable, plural versifications)

(poetry) The act, art, or practice of composing poetic verse; the construction or measure of verse or poetry; metrical composition.


muta

Deverbal from mutare (“to change”) + -a.

(poetry, archaic) each of the two tercets in a Petrarchan sonnet


confessionalism

confessionalism (countable and uncountable, plural confessionalisms)

Confessionalism (poetry)
Confessionalism (religion)

Her rendition of "Dry Land" from her first album, Back to the Night, was a poetic fusion of music and lyrics that achieved an intimate tone too often sacrificed to confessionalism by other singers.

1977 April 23, Steve Blevins, “Armatrading: "Sit Back And See"”, in Gay Community News, page 11:

(poetry) A style of American poetry that draws on the personal history of the poet.


introversion

introversion (usually uncountable, plural introversions)

/ɪntɹəʊˈvɜːʃən/

/ɪntɹəˈvəɹʒən/

/ɪntɹəˈvəɹʃən/

/ɪntɹoʊˈvəɹʃən/

LL-Q1860 (eng)-Flame, not lame-introversion.wav

From New Latin intrōversio, from intrōvertere (“to turn within”), from Classical Latin intro (“within”) and vertere (“to turn”). Equivalent to introvert + -sion.

Such introversion is merely a matter of form.

(poetry and literature) Arrangement of two similar words, lines, etc. to form the middle part of a structure.


Eridanus

la-proper noun

Ēridanus m sg (genitive Ēridanī); second declension

Ēridanus (canonical masculine singular)
Ēridanī (genitive)
Ēridanus (nominative singular)
Ēridanī (genitive singular)
Ēridanō (dative singular)
Ēridanum (accusative singular)
Ēridanō (ablative singular)
Ēridane (singular vocative)
Ēridanī (locative singular)

?Dutch: Eridanus

English: Eridanus

?Finnish: Eridanus

?French: Éridan

?Galician: Eridano

?German: Eridanus

Italian: Eridano

?Japanese: エリダヌス座 (Eridanusu-za)

?Polish: Erydan

?Russian: Эридан (Eridan)

?Spanish: Eridanus

?Turkish: Eridanus

Borrowed from Ancient Greek Ἠρῐδᾰνός (Ērĭdănós).

(Greek mythology and poetry) synonym of Padus (“the River Po”)


poulter's measure

en-noun

poulter's measure (plural poulter's measures)

Coined by George Gascoigne in 1576, because it was said that poulters gave 12 eggs for the first dozen and 14 if you bought a second dozen.

Good ladies, ye that have your pleasure in exile
Step in your foot, come take a place and mourn with me awhile.
And such as by their lords do set but little price,
Let them sit still, it skills them not what chance come on the dice.

1547, Earl Surrey, Complaint on the absence of her lover being at sea.:

(poetry) A metre with alternate lines of 12 and 14 syllables.


kenning

A learned borrowing from Old Norse kenning, from kenna (“to know; to perceive”), from Proto-Germanic *kannijaną (“to make known”); see further at etymology 1. Compare can, keen, ken.

der

[A]s we are all aware, the Skalds used all sorts of kennings from Jewels, Gold, Silver, &c., to betoken Women, &c. Gold is called "The Sea's Blink (Blik)", and so on, and a female is "Gold's Mistress", "The Goddess of the Golden Jewel", and so forth.

1867–1868, George Stephens, “Bracteates”, in The Old-Northern Runic Monuments of Scandinavia and England, Now First Collected and Deciphered, volume II, London: John Russell Smith; Copenhagen: Michaelsen and Tillge; printed by H. H. Thiele, →OCLC, pages 509–510:

I venture to say that a close study of the style of Piers Plowman would thoroughly dispose of alliteration as chief factor in the kenning-process.

1887 January, Francis B. Gummere, “Wilhelm Bode: Die Kenningar in der angelsächsen Dichtung. Mit Ausblicken auf andere Litteraturen. Darmstadt und Leipzig, 1886. [Strasburg Dissertation].”, in A. Marshall Elliott, editor, Modern Language Notes, volume II, number 1, Baltimore, Md.: [Johns Hopkins Press], →ISSN, →OCLC, column 36:

If we now move to the second helmingr, Kock tries to unscramble the two kenningar[…], but this is over-zealous, since there are ample parallels for such braiding of kenning elements. Finnbogi interprets the kenning 'ǫrbeiðanda bǫðvar jǫkla' contextually, to mean 'the one who provoked the warrior into drawing his sword' (Orkneyinga saga, 202).

2006, Viking and Medieval Scandinavia, Turnhout, Antwerp, Belgium: Brepols, →OCLC, page 149:

The original also makes frequent use of the circumlocutory type of poetic expression known as the kenning, which consists (in its simplest form) of a base-word (always a noun, sometimes the second of the two elements in a compound word) accompanied by a determinant (either a noun in the genitive or, in the case of a compound-word kenning, the first of the compound's two elements).

2007, Andrew Wawn with Graham Johnson and John Walter, editors, Constructing Nations, Reconstructing Myth: Essays in Honour of T. A. Shippey (Making in the Middle Ages; 9), Turnhout, Antwerp, Belgium: Brepols, →ISBN, page 172:

(poetry) A metaphorical compound or phrase, used especially in Germanic poetry (Old English or Old Norse) whereby a simple thing is described in an allusive way.

kenning

metaphorical phrase used in Germanic poetry


kenning

kenning (indefinite nominative singular)
kenningen (definite nominative singular)
kenninger (indefinite nominative plural)
kenningerne (definite nominative plural)
kennings (genitive indefinite singular)
kenningens (definite genitive singular)
kenningers (genitive indefinite plural)
kenningernes (definite genitive plural)

Borrowed from Old Norse kenning, from the verb kenna (“to know”).


kenning

is-noun

kenning f (genitive singular kenningar, nominative plural kenningar)

kenningar (genitive singular)
kenningar (nominative plural)
kenning (indefinite nominative singular)
kenningin (definite nominative singular)
kenningar (indefinite nominative plural)
kenningarnar (definite nominative plural)
kenningu (accusative indefinite singular)
kenninguna (accusative definite singular)
kenningar (accusative indefinite plural)
kenningarnar (accusative definite plural)
kenningu (dative indefinite singular)
kenningunni (dative definite singular)
kenningum (dative indefinite plural)
kenningunum (dative definite plural)
kenningar (genitive indefinite singular)
kenningarinnar (definite genitive singular)
kenninga (genitive indefinite plural)
kenninganna (definite genitive plural)

From Old Norse kenning (“feeling, knowledge”). By surface analysis, kenna (“to teach”) + -ing.

surf

(poetry) kenning (circumlocution used instead of an ordinary noun in Old Norse, Old English and later Icelandic poetry)


kenning

kenning (nominative singular)
kenningi (nominative plural)
kenningu (genitive singular)
kenningów (genitive plural)
kenningowi (dative singular)
kenningom (dative plural)
kenning (accusative singular)
kenningi (accusative plural)
kenningiem (instrumental singular)
kenningami (instrumental plural)
kenningu (locative singular)
kenningach (locative plural)
kenningu (singular vocative)
kenningi (plural vocative)

(poetry) kenning (metaphorical compound or phrase, used especially in Germanic poetry (Old English or Old Norse) whereby a simple thing is described in an allusive way)


peon

peon (nominative singular)
peony (nominative plural)
peonu (genitive singular)
peonów (genitive plural)
peonowi (dative singular)
peonom (dative plural)
peon (accusative singular)
peony (accusative plural)
peonem (instrumental singular)
peonami (instrumental plural)
peonie (locative singular)
peonach (locative plural)
peonie (singular vocative)
peony (plural vocative)

Learned borrowing from Ancient Greek παιών (paiṓn).

lbor

(poetry) paeon (foot containing any pattern of three short syllables and one long syllable)


dipody

From di- + -pody, from Ancient Greek δι- (di-, “two”) and πούς, ποδός (poús, podós, “foot”).


hyperbaton

hyperbaton (nominative singular)
hyperbatonit (nominative plural)
hyperbaton (accusative nominative singular)
hyperbatonit (accusative nominative plural)
hyperbatonin (accusative genitive singular)
hyperbatonit (accusative genitive plural)
hyperbatonin (genitive singular)
hyperbatonien (genitive plural)
hyperbatonia (partitive singular)
hyperbatoneja (partitive plural)
hyperbatonissa (inessive singular)
hyperbatoneissa (inessive plural)
hyperbatonista (elative singular)
hyperbatoneista (elative plural)
hyperbatoniin (illative singular)
hyperbatoneihin (illative plural)
hyperbatonilla (adessive singular)
hyperbatoneilla (adessive plural)
hyperbatonilta (ablative singular)
hyperbatoneilta (ablative plural)
hyperbatonille (allative singular)
hyperbatoneille (allative plural)
hyperbatonina (essive singular)
hyperbatoneina (essive plural)
hyperbatoniksi (singular translative)
hyperbatoneiksi (plural translative)
hyperbatonitta (abessive singular)
hyperbatoneitta (abessive plural)
hyperbatonein (instructive plural)
See the possessive forms below. (comitative)
hyperbatonini (nominative singular)
hyperbatonini (nominative plural)
hyperbatonini (accusative nominative singular)
hyperbatonini (accusative nominative plural)
hyperbatonini (accusative genitive singular)
hyperbatonini (accusative genitive plural)
hyperbatonini (genitive singular)
hyperbatonieni (genitive plural)
hyperbatoniani (partitive singular)
hyperbatonejani (partitive plural)
hyperbatonissani (inessive singular)
hyperbatoneissani (inessive plural)
hyperbatonistani (elative singular)
hyperbatoneistani (elative plural)
hyperbatoniini (illative singular)
hyperbatoneihini (illative plural)
hyperbatonillani (adessive singular)
hyperbatoneillani (adessive plural)
hyperbatoniltani (ablative singular)
hyperbatoneiltani (ablative plural)
hyperbatonilleni (allative singular)
hyperbatoneilleni (allative plural)
hyperbatoninani (essive singular)
hyperbatoneinani (essive plural)
hyperbatonikseni (singular translative)
hyperbatoneikseni (plural translative)
hyperbatonittani (abessive singular)
hyperbatoneittani (abessive plural)
hyperbatoneineni (comitative plural)
hyperbatonisi (nominative singular)
hyperbatonisi (nominative plural)
hyperbatonisi (accusative nominative singular)
hyperbatonisi (accusative nominative plural)
hyperbatonisi (accusative genitive singular)
hyperbatonisi (accusative genitive plural)
hyperbatonisi (genitive singular)
hyperbatoniesi (genitive plural)
hyperbatoniasi (partitive singular)
hyperbatonejasi (partitive plural)
hyperbatonissasi (inessive singular)
hyperbatoneissasi (inessive plural)
hyperbatonistasi (elative singular)
hyperbatoneistasi (elative plural)
hyperbatoniisi (illative singular)
hyperbatoneihisi (illative plural)
hyperbatonillasi (adessive singular)
hyperbatoneillasi (adessive plural)
hyperbatoniltasi (ablative singular)
hyperbatoneiltasi (ablative plural)
hyperbatonillesi (allative singular)
hyperbatoneillesi (allative plural)
hyperbatoninasi (essive singular)
hyperbatoneinasi (essive plural)
hyperbatoniksesi (singular translative)
hyperbatoneiksesi (plural translative)
hyperbatonittasi (abessive singular)
hyperbatoneittasi (abessive plural)
hyperbatoneinesi (comitative plural)
hyperbatonimme (nominative singular)
hyperbatonimme (nominative plural)
hyperbatonimme (accusative nominative singular)
hyperbatonimme (accusative nominative plural)
hyperbatonimme (accusative genitive singular)
hyperbatonimme (accusative genitive plural)
hyperbatonimme (genitive singular)
hyperbatoniemme (genitive plural)
hyperbatoniamme (partitive singular)
hyperbatonejamme (partitive plural)
hyperbatonissamme (inessive singular)
hyperbatoneissamme (inessive plural)
hyperbatonistamme (elative singular)
hyperbatoneistamme (elative plural)
hyperbatoniimme (illative singular)
hyperbatoneihimme (illative plural)
hyperbatonillamme (adessive singular)
hyperbatoneillamme (adessive plural)
hyperbatoniltamme (ablative singular)
hyperbatoneiltamme (ablative plural)
hyperbatonillemme (allative singular)
hyperbatoneillemme (allative plural)
hyperbatoninamme (essive singular)
hyperbatoneinamme (essive plural)
hyperbatoniksemme (singular translative)
hyperbatoneiksemme (plural translative)
hyperbatonittamme (abessive singular)
hyperbatoneittamme (abessive plural)
hyperbatoneinemme (comitative plural)
hyperbatoninne (nominative singular)
hyperbatoninne (nominative plural)
hyperbatoninne (accusative nominative singular)
hyperbatoninne (accusative nominative plural)
hyperbatoninne (accusative genitive singular)
hyperbatoninne (accusative genitive plural)
hyperbatoninne (genitive singular)
hyperbatonienne (genitive plural)
hyperbatonianne (partitive singular)
hyperbatonejanne (partitive plural)
hyperbatonissanne (inessive singular)
hyperbatoneissanne (inessive plural)
hyperbatonistanne (elative singular)
hyperbatoneistanne (elative plural)
hyperbatoniinne (illative singular)
hyperbatoneihinne (illative plural)
hyperbatonillanne (adessive singular)
hyperbatoneillanne (adessive plural)
hyperbatoniltanne (ablative singular)
hyperbatoneiltanne (ablative plural)
hyperbatonillenne (allative singular)
hyperbatoneillenne (allative plural)
hyperbatoninanne (essive singular)
hyperbatoneinanne (essive plural)
hyperbatoniksenne (singular translative)
hyperbatoneiksenne (plural translative)
hyperbatonittanne (abessive singular)
hyperbatoneittanne (abessive plural)
hyperbatoneinenne (comitative plural)
hyperbatoninsa (nominative singular)
hyperbatoninsa (nominative plural)
hyperbatoninsa (accusative nominative singular)
hyperbatoninsa (accusative nominative plural)
hyperbatoninsa (accusative genitive singular)
hyperbatoninsa (accusative genitive plural)
hyperbatoninsa (genitive singular)
hyperbatoniensa (genitive plural)
hyperbatoniaan (partitive singular)
hyperbatoniansa (partitive singular)
hyperbatonejaan (partitive plural)
hyperbatonejansa (partitive plural)
hyperbatonissaan (inessive singular)
hyperbatonissansa (inessive singular)
hyperbatoneissaan (inessive plural)
hyperbatoneissansa (inessive plural)
hyperbatonistaan (elative singular)
hyperbatonistansa (elative singular)
hyperbatoneistaan (elative plural)
hyperbatoneistansa (elative plural)
hyperbatoniinsa (illative singular)
hyperbatoneihinsa (illative plural)
hyperbatonillaan (adessive singular)
hyperbatonillansa (adessive singular)
hyperbatoneillaan (adessive plural)
hyperbatoneillansa (adessive plural)
hyperbatoniltaan (ablative singular)
hyperbatoniltansa (ablative singular)
hyperbatoneiltaan (ablative plural)
hyperbatoneiltansa (ablative plural)
hyperbatonilleen (allative singular)
hyperbatonillensa (allative singular)
hyperbatoneilleen (allative plural)
hyperbatoneillensa (allative plural)
hyperbatoninaan (essive singular)
hyperbatoninansa (essive singular)
hyperbatoneinaan (essive plural)
hyperbatoneinansa (essive plural)
hyperbatonikseen (singular translative)
hyperbatoniksensa (singular translative)
hyperbatoneikseen (plural translative)
hyperbatoneiksensa (plural translative)
hyperbatonittaan (abessive singular)
hyperbatonittansa (abessive singular)
hyperbatoneittaan (abessive plural)
hyperbatoneittansa (abessive plural)
hyperbatoneineen (comitative plural)
hyperbatoneinensa (comitative plural)

Internationalism (compare English hyperbaton), ultimately from Ancient Greek ὑπερβατόν (huperbatón).


duple

PIE word
 *dwóh₁
From Latin duplus (“twofold, double”). Attested since the 16th century. Doublet of double and doppio.

McGonagall is earnestly trying to gather the resources of a metrical tradition, not subvert it, but the mismatch of duple and triple measure in the first line alone means that, while it’s made of recognisable metrical feet, the line doesn’t feel like it belongs to any specific metrical pattern (iambic, dactylic, anapestic etc) or mode (pastoral, elegy or ballad).

2015, Ben Lerner, “Diary”, in London Review of Books, volume 38, number 12:


reiður

head

reiður (comparative reiðari, superlative reiðastur)

reiðari (comparative)
reiðastur (superlative)
reiður (masculine nominative singular)
reið (feminine nominative singular)
reitt (neuter nominative singular)
reiðan (accusative masculine singular)
reiða (accusative feminine singular)
reitt (accusative neuter singular)
reiðum (dative masculine singular)
reiðari (dative feminine singular)
reiðum (dative neuter singular)
reiðs (genitive masculine singular)
reiðar (feminine genitive singular)
reiðs (genitive neuter singular)
reiðir (masculine nominative plural)
reiðar (feminine nominative plural)
reið (neuter nominative plural)
reiðar (accusative masculine plural)
reiðar (accusative feminine plural)
reið (accusative neuter plural)
reiðum (dative masculine plural)
reiðum (dative feminine plural)
reiðum (dative neuter plural)
reiða (genitive masculine plural)
reiða (feminine genitive plural)
reiða (genitive neuter plural)
reiði (masculine nominative singular)
reiða (feminine nominative singular)
reiða (neuter nominative singular)
reiða (accusative masculine singular)
reiðu (accusative feminine singular)
reiða (accusative neuter singular)
reiða (dative masculine singular)
reiðu (dative feminine singular)
reiða (dative neuter singular)
reiða (genitive masculine singular)
reiðu (feminine genitive singular)
reiða (genitive neuter singular)
reiðu (plural)

From Old Norse reiðr, from older vreiðr.


kavya

(poetry) A highly artificial Sanskrit literary style used by Indian court poets in the early centuries AD.


improvisatore

en-noun

improvisatore (plural improvisatores or improvisatori)

improvisatores (plural)
improvisatori (plural)
improvvisatore (alternative)

There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine.

1842, Edgar Allan Poe, The Masque of the Red Death:

(poetry) An individual who recites impromptu verse, as from a song or poem.


gruk

→ English: grook

Contraction of grin (“laugh”) and suk (“sigh”) (from sukke, a side form of suge (“to suck”)).