cis

cis (nominative singular)
cisit (nominative plural)
cis (accusative nominative singular)
cisit (accusative nominative plural)
cisin (accusative genitive singular)
cisit (accusative genitive plural)
cisin (genitive singular)
cisien (genitive plural)
cisiä (partitive singular)
cisejä (partitive plural)
cisissä (inessive singular)
ciseissä (inessive plural)
cisistä (elative singular)
ciseistä (elative plural)
cisiin (illative singular)
ciseihin (illative plural)
cisillä (adessive singular)
ciseillä (adessive plural)
cisiltä (ablative singular)
ciseiltä (ablative plural)
cisille (allative singular)
ciseille (allative plural)
cisinä (essive singular)
ciseinä (essive plural)
cisiksi (singular translative)
ciseiksi (plural translative)
cisittä (abessive singular)
ciseittä (abessive plural)
cisein (instructive plural)
See the possessive forms below. (comitative)
cisini (nominative singular)
cisini (nominative plural)
cisini (accusative nominative singular)
cisini (accusative nominative plural)
cisini (accusative genitive singular)
cisini (accusative genitive plural)
cisini (genitive singular)
cisieni (genitive plural)
cisiäni (partitive singular)
cisejäni (partitive plural)
cisissäni (inessive singular)
ciseissäni (inessive plural)
cisistäni (elative singular)
ciseistäni (elative plural)
cisiini (illative singular)
ciseihini (illative plural)
cisilläni (adessive singular)
ciseilläni (adessive plural)
cisiltäni (ablative singular)
ciseiltäni (ablative plural)
cisilleni (allative singular)
ciseilleni (allative plural)
cisinäni (essive singular)
ciseinäni (essive plural)
cisikseni (singular translative)
ciseikseni (plural translative)
cisittäni (abessive singular)
ciseittäni (abessive plural)
ciseineni (comitative plural)
cisisi (nominative singular)
cisisi (nominative plural)
cisisi (accusative nominative singular)
cisisi (accusative nominative plural)
cisisi (accusative genitive singular)
cisisi (accusative genitive plural)
cisisi (genitive singular)
cisiesi (genitive plural)
cisiäsi (partitive singular)
cisejäsi (partitive plural)
cisissäsi (inessive singular)
ciseissäsi (inessive plural)
cisistäsi (elative singular)
ciseistäsi (elative plural)
cisiisi (illative singular)
ciseihisi (illative plural)
cisilläsi (adessive singular)
ciseilläsi (adessive plural)
cisiltäsi (ablative singular)
ciseiltäsi (ablative plural)
cisillesi (allative singular)
ciseillesi (allative plural)
cisinäsi (essive singular)
ciseinäsi (essive plural)
cisiksesi (singular translative)
ciseiksesi (plural translative)
cisittäsi (abessive singular)
ciseittäsi (abessive plural)
ciseinesi (comitative plural)
cisimme (nominative singular)
cisimme (nominative plural)
cisimme (accusative nominative singular)
cisimme (accusative nominative plural)
cisimme (accusative genitive singular)
cisimme (accusative genitive plural)
cisimme (genitive singular)
cisiemme (genitive plural)
cisiämme (partitive singular)
cisejämme (partitive plural)
cisissämme (inessive singular)
ciseissämme (inessive plural)
cisistämme (elative singular)
ciseistämme (elative plural)
cisiimme (illative singular)
ciseihimme (illative plural)
cisillämme (adessive singular)
ciseillämme (adessive plural)
cisiltämme (ablative singular)
ciseiltämme (ablative plural)
cisillemme (allative singular)
ciseillemme (allative plural)
cisinämme (essive singular)
ciseinämme (essive plural)
cisiksemme (singular translative)
ciseiksemme (plural translative)
cisittämme (abessive singular)
ciseittämme (abessive plural)
ciseinemme (comitative plural)
cisinne (nominative singular)
cisinne (nominative plural)
cisinne (accusative nominative singular)
cisinne (accusative nominative plural)
cisinne (accusative genitive singular)
cisinne (accusative genitive plural)
cisinne (genitive singular)
cisienne (genitive plural)
cisiänne (partitive singular)
cisejänne (partitive plural)
cisissänne (inessive singular)
ciseissänne (inessive plural)
cisistänne (elative singular)
ciseistänne (elative plural)
cisiinne (illative singular)
ciseihinne (illative plural)
cisillänne (adessive singular)
ciseillänne (adessive plural)
cisiltänne (ablative singular)
ciseiltänne (ablative plural)
cisillenne (allative singular)
ciseillenne (allative plural)
cisinänne (essive singular)
ciseinänne (essive plural)
cisiksenne (singular translative)
ciseiksenne (plural translative)
cisittänne (abessive singular)
ciseittänne (abessive plural)
ciseinenne (comitative plural)
cisinsä (nominative singular)
cisinsä (nominative plural)
cisinsä (accusative nominative singular)
cisinsä (accusative nominative plural)
cisinsä (accusative genitive singular)
cisinsä (accusative genitive plural)
cisinsä (genitive singular)
cisiensä (genitive plural)
cisiään (partitive singular)
cisiänsä (partitive singular)
cisejään (partitive plural)
cisejänsä (partitive plural)
cisissään (inessive singular)
cisissänsä (inessive singular)
ciseissään (inessive plural)
ciseissänsä (inessive plural)
cisistään (elative singular)
cisistänsä (elative singular)
ciseistään (elative plural)
ciseistänsä (elative plural)
cisiinsä (illative singular)
ciseihinsä (illative plural)
cisillään (adessive singular)
cisillänsä (adessive singular)
ciseillään (adessive plural)
ciseillänsä (adessive plural)
cisiltään (ablative singular)
cisiltänsä (ablative singular)
ciseiltään (ablative plural)
ciseiltänsä (ablative plural)
cisilleen (allative singular)
cisillensä (allative singular)
ciseilleen (allative plural)
ciseillensä (allative plural)
cisinään (essive singular)
cisinänsä (essive singular)
ciseinään (essive plural)
ciseinänsä (essive plural)
cisikseen (singular translative)
cisiksensä (singular translative)
ciseikseen (plural translative)
ciseiksensä (plural translative)
cisittään (abessive singular)
cisittänsä (abessive singular)
ciseittään (abessive plural)
ciseittänsä (abessive plural)
ciseineen (comitative plural)
ciseinensä (comitative plural)


cis

(music) C-sharp (musical note one semitone higher than a C, notated C♯)


fermata

en-noun

fermata (countable and uncountable, plural fermatas or fermate)

/ˌfɜːˈmɑːtə/

/ˌfɜːɹˈmɑtə/

Borrowed from Italian fermata, from fermare (“to stop”).

(music) The holding of a note or rest for longer than its usual duration.

延長號

holding a note beyond its usual duration or the notation representing it

(music, countable) The notation ⟨◌͒⟩ of such a prolongation, usually represented as a dot with a semi-circle above or below it, written above or below the prolonged note or rest.


fermata

→ English: fermata

→ Portuguese: fermata

→ Romanian: fermata


fermata

Borrowed from Italian fermata. Doublet of firmada.

(music) fermata (holding a note beyond its usual duration or the notation representing it)


larghetto

Borrowed from Italian larghetto, diminutive of largo.

Play larghetto here, even though it’s marked largo.

(music) Slower than adagio but not as slow as largo; nearly andantino.


larghetto

Unadapted borrowing from Italian larghetto, diminutive of largo.


larghetto

larghettoen (definite singular)
larghettoer (indefinite plural)
larghettoene (definite plural)


larghetto

larghettoen (definite singular)
larghettoar (indefinite plural)
larghettoane (definite plural)


shell

From Middle English schelle, from Old English sċiell, from Proto-West Germanic *skallju, from Proto-Germanic *skaljō, from Proto-Indo-European *(s)kelH- (“to split, cleave”).
Compare West Frisian skyl (“peel, rind”), Dutch schil (“peel, skin, rink”), Low German Schell (“shell, scale”), Irish scelec (“pebble”), Latin silex (“pebble, flint”), siliqua (“pod”), Old Church Slavonic сколика (skolika, “shell”). More at shale.
Doublet of sheal.
* (computing): From being viewed as an outer layer of interface between the user and the operating-system internals.

cog

The first lyre may have been made by drawing strings over the underside of a tortoise shell.

when Jubal struck the chorded shell

1687, John Dryden, A Song for Cecilia's Day:

(music) A string instrument, as a lyre, whose acoustical chamber is formed like a shell.

lier

music: string instrument, whose acoustical chamber is formed like a shell

(music) The body of a drum; the often wooden, often cylindrical acoustic chamber, with or without rims added for tuning and for attaching the drum head.


rag

en-verb

rag (third-person singular simple present rags, present participle ragging, simple past and past participle ragged)

rags (present singular third-person)
ragging (participle present)
ragged (participle past)
ragged (past)

Perhaps from ragged. Compare later ragtime.

(music, obsolete) To add syncopation (to a tune) and thereby make it appropriate for a ragtime song.


track

→ Kashubian: trak (Canada)

From Middle English trak, tracke, from Old French trac (“track of horses, trail, trace”), of uncertain origin. Likely from a Germanic source, either Old Norse traðk ("a track; path; trodden spot"; > Icelandic traðk (“a track; path; tread”), Faroese traðk (“track; tracks”), Norwegian tråkke (“to trample”)) or from Middle Dutch trec, *trac, treck ("line, row, series"; > Dutch trek (“a draft; feature; trait; groove; expedition”)), German Low German Treck (“a draught; movement; passage; flow”). See tread, trek.

gloss

"line, row, series"; > Dutch <i class="Latn mention" lang="nl">trek</i> (“a draft; feature; trait; groove; expedition”)

cog

My favourite track on the album is "Sunshine".

(music) A song or other relatively short piece of music, on a record, separated from others by a short silence.

nummer

a song or other relatively short piece of music, on a record, separated from others by a short silence


popular music

en-noun

popular music (usually uncountable, plural popular musics)

(music) Any genre of music that has wide appeal amongst the general public of a society, typically distributed widely by the music industry; typically as seen in contrast to classical music and folk music.

مُوسِيقَى الْبُوب

genre that has wide appeal amongst the general public — see also pop music


phat

en-adj

phat (comparative phatter, superlative phattest)

phatter (comparative)
phattest (superlative)

LL-Q1860 (eng)-I learned some phrases-phat.wav

The term derives from African American Vernacular English as a deliberate misspelling of the word fat.

The song has a phat bass line.

(slang, music) Rich in texture; prominent.


crunchy

crunchy (comparative crunchier, superlative crunchiest)

crunchier (comparative)
crunchiest (superlative)

From crunch + -y. The slang sense is derived from the concept of crunchy granola.

(music, informal) Of a chord: containing dissonant intervals.


banger

→ Estonian: bänger

→ Finnish: bängeri

From bang + -er. The sausages were so called because of their excess water content and impervious skin, leading to the risk of explosion if not punctured before cooking.

My frequencies are transient and resonate your eardrums / I make bangers, not anthems

2002, Mike Skinner (lyrics and music), “Let's Push Things Forward”, in Original Pirate Material, performed by The Streets:

Morris' melding of influences ranging from mid-'80s computer technology to Baltimore club bangers to the U.K. rave scene has cemented his reputation as one of London's most formidable DJs.

2008, Billboard, volume 120, number 32, page 44:

'Ice Ice Baby' was an absolute banger, though, wasn't it? And knowing the history of that song, it had proper rap credentials.

2012, Mike Skinner, The Story of The Streets, page 31:

A thing or person which bangs, in any sense.

(music, slang) A powerfully energetic and/or very good song, especially in hip-hop and dance music.


shred

en-verb

shred (third-person singular simple present shreds, present participle shredding, simple past shredded, past participle shredded or shred)

shreds (present singular third-person)
shredding (participle present)
shredded (past)
shredded (participle past)
shred (participle past)
shred (infinitive)

The verb is derived from Middle English shreden, shred (“to chop, cut up; to cut, hack; to wound with a knife; to cut off a part of (something); to prune, trim”) [and other forms], from Old English sċrēadian (“to cut up, shred; to cut off; to prune, trim”), from Proto-West Germanic *skraudōn, related to Proto-West Germanic *skraudan (“to cut up; to shred”), from Proto-Germanic *skraudaną (“to cut up; to shred”), ultimately from Proto-Indo-European *(s)ker- (“to cut off”).
The adjective is derived from the past participle form of the verb.

nb...

schred, schredde, schrede, screde, shreade, shrede, shredde, shrid, (Early Middle English) screda, scradien, (Ormulum) shrædenn

inh

(music) Chiefly in rock and heavy metal: to play (a musical instrument (especially a guitar) or a piece of music) very fast and in a way that requires technical skill.

tiluttaa

to play (a musical instrument or a piece of music) very fast


rackett

(music) An old wind instrument of the double bassoon kind, having ventages but not keys.


fungi

See fungee. Sense 2 (“style of folk and popular music”) is apparently from the fact that the music is a blend of different musical instruments and styles, just as the dish (sense 1) is a blend of different flavours.

percussion instrument
percussion instrument

(by extension, music) A style of folk and popular music from the Virgin Islands, traditionally performed by bands consisting of banjo, guitar, ukulele, and washboard with various percussion instruments on rhythm.


slap

en-noun

slap (countable and uncountable, plural slaps)

From Middle English slappen, of uncertain origin, possibly imitative. Compare Low German Slappe (“slap”), whence also German Schlappe (“defeat”). Compare also Italian sleppa (“slap”).

onomatopoeic

imitative

Havens goes into the terrific Freedom for an encore, which will turn out to be a highlight of the movie; its chopped guitar and conga slaps pre-empt late 90s R&B.

2019 August 15, Bob Stanley, “'Groovy, groovy, groovy': listening to Woodstock 50 years on – all 38 discs”, in The Guardian:

(countable, music) The percussive sound produced in slap bass playing.


tang

Trống thủng còn tang.

The drum was busted, leaving only the shell.


blues

en-noun

blues (countable and uncountable, plural blues)

→ Catalan: blues

→ Danish: blues

→ Finnish: blues

→ French: blues

→ Hungarian: blues

→ Icelandic: blús

→ Italian: blues

→ Portuguese: blues

→ Spanish: blues

→ Swedish: blues

Many great blues musicians came from the Mississippi Delta region.

A large portion of modern popular music is influenced by the blues.

(music) A musical form, African-American in origin, generally featuring an eight-bar or twelve-bar blues structure and using the blues scale.

My next number is a blues in G.

(music, always singular) A musical composition following blues forms.


blues

head

blues c (singular definite bluesen, not used in plural form)


blues

blues (nominative singular)
bluesit (nominative plural)
blues (accusative nominative singular)
bluesit (accusative nominative plural)
bluesin (accusative genitive singular)
bluesit (accusative genitive plural)
bluesin (genitive singular)
bluesien (genitive plural)
bluesia (partitive singular)
blueseja (partitive plural)
bluesissa (inessive singular)
blueseissa (inessive plural)
bluesista (elative singular)
blueseista (elative plural)
bluesiin (illative singular)
blueseihin (illative plural)
bluesilla (adessive singular)
blueseilla (adessive plural)
bluesilta (ablative singular)
blueseilta (ablative plural)
bluesille (allative singular)
blueseille (allative plural)
bluesina (essive singular)
blueseina (essive plural)
bluesiksi (singular translative)
blueseiksi (plural translative)
bluesitta (abessive singular)
blueseitta (abessive plural)
bluesein (instructive plural)
See the possessive forms below. (comitative)
bluesini (nominative singular)
bluesini (nominative plural)
bluesini (accusative nominative singular)
bluesini (accusative nominative plural)
bluesini (accusative genitive singular)
bluesini (accusative genitive plural)
bluesini (genitive singular)
bluesieni (genitive plural)
bluesiani (partitive singular)
bluesejani (partitive plural)
bluesissani (inessive singular)
blueseissani (inessive plural)
bluesistani (elative singular)
blueseistani (elative plural)
bluesiini (illative singular)
blueseihini (illative plural)
bluesillani (adessive singular)
blueseillani (adessive plural)
bluesiltani (ablative singular)
blueseiltani (ablative plural)
bluesilleni (allative singular)
blueseilleni (allative plural)
bluesinani (essive singular)
blueseinani (essive plural)
bluesikseni (singular translative)
blueseikseni (plural translative)
bluesittani (abessive singular)
blueseittani (abessive plural)
blueseineni (comitative plural)
bluesisi (nominative singular)
bluesisi (nominative plural)
bluesisi (accusative nominative singular)
bluesisi (accusative nominative plural)
bluesisi (accusative genitive singular)
bluesisi (accusative genitive plural)
bluesisi (genitive singular)
bluesiesi (genitive plural)
bluesiasi (partitive singular)
bluesejasi (partitive plural)
bluesissasi (inessive singular)
blueseissasi (inessive plural)
bluesistasi (elative singular)
blueseistasi (elative plural)
bluesiisi (illative singular)
blueseihisi (illative plural)
bluesillasi (adessive singular)
blueseillasi (adessive plural)
bluesiltasi (ablative singular)
blueseiltasi (ablative plural)
bluesillesi (allative singular)
blueseillesi (allative plural)
bluesinasi (essive singular)
blueseinasi (essive plural)
bluesiksesi (singular translative)
blueseiksesi (plural translative)
bluesittasi (abessive singular)
blueseittasi (abessive plural)
blueseinesi (comitative plural)
bluesimme (nominative singular)
bluesimme (nominative plural)
bluesimme (accusative nominative singular)
bluesimme (accusative nominative plural)
bluesimme (accusative genitive singular)
bluesimme (accusative genitive plural)
bluesimme (genitive singular)
bluesiemme (genitive plural)
bluesiamme (partitive singular)
bluesejamme (partitive plural)
bluesissamme (inessive singular)
blueseissamme (inessive plural)
bluesistamme (elative singular)
blueseistamme (elative plural)
bluesiimme (illative singular)
blueseihimme (illative plural)
bluesillamme (adessive singular)
blueseillamme (adessive plural)
bluesiltamme (ablative singular)
blueseiltamme (ablative plural)
bluesillemme (allative singular)
blueseillemme (allative plural)
bluesinamme (essive singular)
blueseinamme (essive plural)
bluesiksemme (singular translative)
blueseiksemme (plural translative)
bluesittamme (abessive singular)
blueseittamme (abessive plural)
blueseinemme (comitative plural)
bluesinne (nominative singular)
bluesinne (nominative plural)
bluesinne (accusative nominative singular)
bluesinne (accusative nominative plural)
bluesinne (accusative genitive singular)
bluesinne (accusative genitive plural)
bluesinne (genitive singular)
bluesienne (genitive plural)
bluesianne (partitive singular)
bluesejanne (partitive plural)
bluesissanne (inessive singular)
blueseissanne (inessive plural)
bluesistanne (elative singular)
blueseistanne (elative plural)
bluesiinne (illative singular)
blueseihinne (illative plural)
bluesillanne (adessive singular)
blueseillanne (adessive plural)
bluesiltanne (ablative singular)
blueseiltanne (ablative plural)
bluesillenne (allative singular)
blueseillenne (allative plural)
bluesinanne (essive singular)
blueseinanne (essive plural)
bluesiksenne (singular translative)
blueseiksenne (plural translative)
bluesittanne (abessive singular)
blueseittanne (abessive plural)
blueseinenne (comitative plural)
bluesinsa (nominative singular)
bluesinsa (nominative plural)
bluesinsa (accusative nominative singular)
bluesinsa (accusative nominative plural)
bluesinsa (accusative genitive singular)
bluesinsa (accusative genitive plural)
bluesinsa (genitive singular)
bluesiensa (genitive plural)
bluesiaan (partitive singular)
bluesiansa (partitive singular)
bluesejaan (partitive plural)
bluesejansa (partitive plural)
bluesissaan (inessive singular)
bluesissansa (inessive singular)
blueseissaan (inessive plural)
blueseissansa (inessive plural)
bluesistaan (elative singular)
bluesistansa (elative singular)
blueseistaan (elative plural)
blueseistansa (elative plural)
bluesiinsa (illative singular)
blueseihinsa (illative plural)
bluesillaan (adessive singular)
bluesillansa (adessive singular)
blueseillaan (adessive plural)
blueseillansa (adessive plural)
bluesiltaan (ablative singular)
bluesiltansa (ablative singular)
blueseiltaan (ablative plural)
blueseiltansa (ablative plural)
bluesilleen (allative singular)
bluesillensa (allative singular)
blueseilleen (allative plural)
blueseillensa (allative plural)
bluesinaan (essive singular)
bluesinansa (essive singular)
blueseinaan (essive plural)
blueseinansa (essive plural)
bluesikseen (singular translative)
bluesiksensa (singular translative)
blueseikseen (plural translative)
blueseiksensa (plural translative)
bluesittaan (abessive singular)
bluesittansa (abessive singular)
blueseittaan (abessive plural)
blueseittansa (abessive plural)
blueseineen (comitative plural)
blueseinensa (comitative plural)


blues

bluesok (plural)
blues (nominative singular)
bluesok (nominative plural)
bluest (accusative singular)
bluesokat (accusative plural)
bluesnak (dative singular)
bluesoknak (dative plural)
blueszal (instrumental singular)
bluesokkal (instrumental plural)
bluesért (causal-final singular)
bluesokért (causal-final plural)
blueszá (singular translative)
bluesokká (plural translative)
bluesig (singular terminative)
bluesokig (plural terminative)
bluesként (essive-formal singular)
bluesokként (essive-formal plural)
bluesban (inessive singular)
bluesokban (inessive plural)
blueson (singular superessive)
bluesokon (plural superessive)
bluesnál (adessive singular)
bluesoknál (adessive plural)
bluesba (illative singular)
bluesokba (illative plural)
bluesra (singular sublative)
bluesokra (plural sublative)
blueshoz (allative singular)
bluesokhoz (allative plural)
bluesból (elative singular)
bluesokból (elative plural)
bluesról (delative singular)
bluesokról (delative plural)
bluestól (ablative singular)
bluesoktól (ablative plural)
bluesé (possessed-single possessive predicative singular)
bluesoké (plural possessed-single possessive predicative)
blueséi (possessed-single possessive predicative singular)
bluesokéi (plural possessed-single possessive predicative)
bluesom (first-person possessed-single possessive singular)
bluesaim (first-person possessed-many possessive singular)
bluesod (possessed-single possessive second-person singular)
bluesaid (possessed-many possessive second-person singular)
bluesa (possessed-single possessive singular third-person)
bluesai (possessed-many possessive singular third-person)
bluesunk (first-person plural possessed-single possessive)
bluesaink (first-person plural possessed-many possessive)
bluesotok (plural possessed-single possessive second-person)
bluesaitok (plural possessed-many possessive second-person)
bluesuk (plural possessed-single possessive third-person)
bluesaik (plural possessed-many possessive third-person)


blues

(music) blues (a style guitar music of African American origin)


blues

bluesuri (plural)
blues (accusative indefinite nominative singular)
un blues (accusative indefinite nominative singular)
bluesul (accusative definite nominative singular)
bluesuri (accusative indefinite nominative plural)
niște bluesuri (accusative indefinite nominative plural)
bluesurile (accusative definite nominative plural)
blues (dative genitive indefinite singular)
unui blues (dative genitive indefinite singular)
bluesului (dative definite genitive singular)
bluesuri (dative genitive indefinite plural)
unor bluesuri (dative genitive indefinite plural)
bluesurilor (dative definite genitive plural)
bluesule (singular vocative)
bluesurilor (plural vocative)


blues

blues (canonical masculine plural)
blues (canonical masculine)


piccolo

(music, rare) An organ stop with the tone of a piccolo flute.


piccolo

nl-noun

piccolo m (plural piccolo's, diminutive piccolootje n)

piccolo's (plural)
piccolootje (diminutive neuter)

Borrowed from Italian piccolo (“small”).


piccolo

piccolok (plural)
piccolo (nominative singular)
piccolók (nominative plural)
piccolót (accusative singular)
piccolókat (accusative plural)
piccolónak (dative singular)
piccolóknak (dative plural)
piccolóval (instrumental singular)
piccolókkal (instrumental plural)
piccolóért (causal-final singular)
piccolókért (causal-final plural)
piccolóvá (singular translative)
piccolókká (plural translative)
piccolóig (singular terminative)
piccolókig (plural terminative)
piccoloként (essive-formal singular)
piccolókként (essive-formal plural)
piccolóban (inessive singular)
piccolókban (inessive plural)
piccolón (singular superessive)
piccolókon (plural superessive)
piccolónál (adessive singular)
piccolóknál (adessive plural)
piccolóba (illative singular)
piccolókba (illative plural)
piccolóra (singular sublative)
piccolókra (plural sublative)
piccolóhoz (allative singular)
piccolókhoz (allative plural)
piccolóból (elative singular)
piccolókból (elative plural)
piccolóról (delative singular)
piccolókról (delative plural)
piccolótól (ablative singular)
piccolóktól (ablative plural)
piccolóé (possessed-single possessive predicative singular)
piccolóké (plural possessed-single possessive predicative)
piccolóéi (possessed-single possessive predicative singular)
piccolókéi (plural possessed-single possessive predicative)
piccolóm (first-person possessed-single possessive singular)
piccolóim (first-person possessed-many possessive singular)
piccolód (possessed-single possessive second-person singular)
piccolóid (possessed-many possessive second-person singular)
piccolója (possessed-single possessive singular third-person)
piccolói (possessed-many possessive singular third-person)
piccolónk (first-person plural possessed-single possessive)
piccolóink (first-person plural possessed-many possessive)
piccolótok (plural possessed-single possessive second-person)
piccolóitok (plural possessed-many possessive second-person)
piccolójuk (plural possessed-single possessive third-person)
piccolóik (plural possessed-many possessive third-person)

From German Piccolo, from Italian piccolo.


fingerstyle

(music) A style of playing a stringed instrument, such as a guitar, which includes the use of the fingers to pluck the strings instead of a pick, or plectrum.


chutney

en-noun

chutney (usually uncountable, plural chutneys)

Borrowed from Hindustani चटनी (caṭnī) / چَٹْنِی (caṭnī).

(music) A style of Indo-Caribbean music from the West Indies, associated especially with Trinidad and Tobago.


subito

Borrowed from Italian subito, from Latin subitō.


variation

variation (usually uncountable, plural variations)

/ˌvɛəɹɪˈeɪʃn̩/

/ˌvɛəɹiˈeɪʃn̩/

/ˌvæɹiˈeɪʃn̩/

/ˌvɛɹiˈeɪʃn̩/

From Middle French variation, from Old French variacion, from Latin variātiō.

(music) A technique where material is repeated with alterations to the melody, harmony, rhythm, timbre, texture, counterpoint or orchestration; but with some invariant characteristic, e.g. a ground bass.


troll

en-verb

troll (third-person singular simple present trolls, present participle trolling, simple past and past participle trolled)

trolls (present singular third-person)
trolling (participle present)
trolled (participle past)
trolled (past)
troll (infinitive)

Spanish: trolear

The verb is derived from Late Middle English trollen, trolle (“to go about, wander; to move (something) to and fro, rock; to roll; to turn”) [and other forms], from Old French troller, trôler (“to run here and there; to walk aimlessly, ramble, stroll; (hunting) to wander about looking for game”) (modern French troller); further etymology uncertain, possibly related to Middle High German trollen (“to stroll”) (modern German trollen (“(informal) to move slowly, trundle; to push off, toddle off”)), ultimately from Proto-Germanic *truzlōną (“to lumber”), which is probably related to *trudaną (“to step on, tread”) (see further at etymology 1). Doublet of trull.
Verb sense 4.2.2 (“to fish using a line and bait or lures trailed behind a boat”) is possibly influenced by trail and/or trawl
The noun is probably derived from the verb. Noun sense 3 (“person who makes or posts inflammatory or insincere statements in an attempt to lure others into combative argument”) is possibly influenced by troll (etymology 1).
cognates
* Middle Low German drullen (“to stroll”) (Low German trullen (“to troll”))

laulaa vuoroin

(transitive, intransitive) to sing the parts of (a catch, round, or similar song) in succession

tokaista

(transitive, intransitive) to say (something) lightly and quickly

kalastama

(transitive, intransitive) to fish in (a place) using a running fishing line

Thou mak'ſt me merry: I am full of pleaſure, / Let vs be iocond. VVill you troule the Catch / You taught me but vvhileare?

1610–1611 (date written), William Shakespeare, “The Tempest”, in Mr. William Shakespeares Comedies, Histories, & Tragedies […] (First Folio), London: […] Isaac Iaggard, and Ed[ward] Blount, published 1623, →OCLC, [Act III, scene ii], page 12, column 2:

His Sonnets charm'd the attentive Crowd, / By wide-mouth'd Mortal troul'd aloud; […]

1663 (indicated as 1664), [Samuel Butler], “The Second Part of Hudibras. Canto III.”, in Hudibras. The First and Second Parts. […], London: […] John Martyn and Henry Herringman, […], published 1678, →OCLC; republished in A[lfred] R[ayney] Waller, editor, Hudibras: Written in the Time of the Late Wars, Cambridge, Cambridgeshire: University Press, 1905, →OCLC, page 162:

[S]he vvould be more vvelcome to thee than a Reprieve vvould, if thou vvert juſt novv trolling out Hopkins and Sternhold upon a Ladder.

1672, Thomas Shadwell, The Miser: A Comedy, […], London: […] Thomas Collins and John Ford, […], →OCLC, Act I, page 2:

But hark! our merry-men so gay / Troll forth another roundelay.

1813, Walter Scott, “Canto Third”, in Rokeby; a Poem, Edinburgh: […] [F]or John Ballantyne and Co. […]; London: Longman, Hurst, Rees, Orme, and Brown; by James Ballantyne and Co., […], →OCLC, stanza XXVIII, page 143:

Good Snell, do thou a burthen try / Shall change our sadness into joy: / Such as thou trollest in blythe mood, / On days of sunshine in the wood.

1846, Thomas Cooper, “Canto II”, in The Baron’s Yule Feast: A Christmas-rhyme, London: Jeremiah How […], →OCLC, page 34:

Deck the hall with boughs of holly, / Fa, la, la, la, la, la, la, la, la! / 'Tis the season to be jolly: / Fa, la, la, la, la, la, la, la, la! / Fill the meadcup, drain the barrel, / Fa, la, la, la, la, la, la, la! / Troul the ancient Christmas carol. / Fa, la, la, la, la, la, la, la, la!

1862, Thomas Oliphant, John Thomas, arranger, “Nos Galan. New Year’s Eve. [no. 15]”, in Welsh Melodies, with Welsh and English Poetry […], volume II, London: Addison, Hollier, & Lucas, →OCLC, page 140:

For where could a handsome young scholar not be welcome when he could touch the lute and troll a gay song?

1862 July – 1863 August, George Eliot [pseudonym; Mary Ann Evans], “A Man’s Ransom”, in Romola. […], volume I, London: Smith, Elder and Co., […], published 1863, →OCLC, book I, page 160:

[T]here is not a man but has his pulses shaken when Pan trolls out a stave of ecstasy and sets the world a-singing.

1878, Robert Louis Stevenson, “Pan’s Pipes”, in Virginibus Puerisque and Other Papers, London: C[harles] Kegan Paul & Co., […], published 1881, →OCLC, page 283:

Senses relating to the motion of passing around.

(music, archaic) To sing the parts of (a catch, round, or similar song) in succession; also (generally), to sing (a song) freely or in a carefree way, or loudly.

The Greeks figured Pan, the god of Nature, now terribly stamping his foot, so that armies were dispersed; now by the woodside on a summer noon trolling on his pipe until he charmed the hearts of upland ploughmen.

1878, Robert Louis Stevenson, “Pan’s Pipes”, in Virginibus Puerisque and Other Papers, London: C[harles] Kegan Paul & Co., […], published 1881, →OCLC, pages 280–281:

[H]e trolled with ample lungs; and the sound of his voice took hold upon the hillside and set the air shaking in the leafy glens.

1879, Robert Louis Stevenson, “[Upper Gévaudan (continued).] A Night among the Pines.”, in Travels with a Donkey in the Cévennes, 1st American edition, Boston, Mass.: Roberts Brothers, →OCLC, page 140:

[H]e opened his stall and spread his meat upon the bench, then, taking his cleaver and steel and clattering them together, he trolled aloud in merry tones:— […]

1883, Howard Pyle, “Robin Hood Turns Butcher”, in The Merry Adventures of Robin Hood […], New York, N.Y.: […] Charles Scribner’s Sons […], →OCLC, part second, page 49:

Here Challander trolleth from the crucified vine; / The Ring-dove moaneth, chattereth the Stare; / The snowy Culver fast from nest doth fare / The Throstle percheth high on olive-tine: […]

1884 October, Camoens [i.e., Luís de Camões], “[Canzons.] Canzon XVI. Por Meyo de Humas Serras Muy Fragosas, (a Country Piece: Imitation of Gaspar Gil Polo’s Rimas Provenzales).”, in Richard F[rancis] Burton, transl., The Lyricks. […], volume II, London: Bernard Quaritch, […], →OCLC, , stanza V, page 336:

(music, archaic) Of a person: to sing the parts of a catch, round, or similar song in succession; also (generally), to sing freely or in a carefree way, or loudly.

I have had the moſt happy invention this morning, and a Tune trouling in my head; […]

1677 (date written), John Dryden, The Kind Keeper; or, Mr. Limberham: A Comedy: […], London: […] R[ichard] Bentley, and M[ary] Magnes, […], published 1680, →OCLC, Act III, scene i, page 30:

Then he strolled away, an air from "The Grand Duchess" lightly trolling from his lips.

1890, J[ames] M[atthew] Barrie, “The Murder in the Inn”, in My Lady Nicotine: A Study in Smoke, Boston, Mass.: Joseph Knight Company, published 1896, →OCLC, pages 248–249:

(music, archaic) Of a song: to be sung freely or in a carefree way, or loudly; also, of a tune: to be constantly in someone's mind.

soida päässä

of a tune: to be constantly in someone’s mind


troll

Spanish: trol

At the opening of every club night he is called in to sing his "Confession of Faith," which is the famous old drinking trowl from Gammer Gurton's needle.

1820 September 13, Geoffrey Crayon [pseudonym; Washington Irving], “Little Britain”, in The Sketch Book of Geoffrey Crayon, Gent., number VII, New York, N.Y.: […] C[ornelius] S. Van Winkle, […], →OCLC, pages 106–107:

And thence the catch and troll, while "laughter, holding both his sides" sheds tears to song and ballad pathetic on the woes of married life, and all the ills that "our flesh is heir to."

1845, [John] Wilson, The Genius, and Character of Burns (Wiley and Putnam’s Library of Choice Reading), New York, N.Y.: Wiley and Putnam, […], →OCLC, page 103:

(music) A song the parts of which are sung in succession; a catch, a round.


gospel

gospel (nominative singular)
gospelit (nominative plural)
gospel (accusative nominative singular)
gospelit (accusative nominative plural)
gospelin (accusative genitive singular)
gospelit (accusative genitive plural)
gospelin (genitive singular)
gospelien (genitive plural)
gospeleiden (genitive plural)
gospeleitten (genitive plural)
gospelia (partitive singular)
gospeleita (partitive plural)
gospeleja (partitive plural)
gospelissa (inessive singular)
gospeleissa (inessive plural)
gospelista (elative singular)
gospeleista (elative plural)
gospeliin (illative singular)
gospeleihin (illative plural)
gospelilla (adessive singular)
gospeleilla (adessive plural)
gospelilta (ablative singular)
gospeleilta (ablative plural)
gospelille (allative singular)
gospeleille (allative plural)
gospelina (essive singular)
gospeleina (essive plural)
gospeliksi (singular translative)
gospeleiksi (plural translative)
gospelitta (abessive singular)
gospeleitta (abessive plural)
gospelein (instructive plural)
See the possessive forms below. (comitative)
gospelini (nominative singular)
gospelini (nominative plural)
gospelini (accusative nominative singular)
gospelini (accusative nominative plural)
gospelini (accusative genitive singular)
gospelini (accusative genitive plural)
gospelini (genitive singular)
gospelieni (genitive plural)
gospeleideni (genitive plural)
gospeleitteni (genitive plural)
gospeliani (partitive singular)
gospeleitani (partitive plural)
gospelejani (partitive plural)
gospelissani (inessive singular)
gospeleissani (inessive plural)
gospelistani (elative singular)
gospeleistani (elative plural)
gospeliini (illative singular)
gospeleihini (illative plural)
gospelillani (adessive singular)
gospeleillani (adessive plural)
gospeliltani (ablative singular)
gospeleiltani (ablative plural)
gospelilleni (allative singular)
gospeleilleni (allative plural)
gospelinani (essive singular)
gospeleinani (essive plural)
gospelikseni (singular translative)
gospeleikseni (plural translative)
gospelittani (abessive singular)
gospeleittani (abessive plural)
gospeleineni (comitative plural)
gospelisi (nominative singular)
gospelisi (nominative plural)
gospelisi (accusative nominative singular)
gospelisi (accusative nominative plural)
gospelisi (accusative genitive singular)
gospelisi (accusative genitive plural)
gospelisi (genitive singular)
gospeliesi (genitive plural)
gospeleidesi (genitive plural)
gospeleittesi (genitive plural)
gospeliasi (partitive singular)
gospeleitasi (partitive plural)
gospelejasi (partitive plural)
gospelissasi (inessive singular)
gospeleissasi (inessive plural)
gospelistasi (elative singular)
gospeleistasi (elative plural)
gospeliisi (illative singular)
gospeleihisi (illative plural)
gospelillasi (adessive singular)
gospeleillasi (adessive plural)
gospeliltasi (ablative singular)
gospeleiltasi (ablative plural)
gospelillesi (allative singular)
gospeleillesi (allative plural)
gospelinasi (essive singular)
gospeleinasi (essive plural)
gospeliksesi (singular translative)
gospeleiksesi (plural translative)
gospelittasi (abessive singular)
gospeleittasi (abessive plural)
gospeleinesi (comitative plural)
gospelimme (nominative singular)
gospelimme (nominative plural)
gospelimme (accusative nominative singular)
gospelimme (accusative nominative plural)
gospelimme (accusative genitive singular)
gospelimme (accusative genitive plural)
gospelimme (genitive singular)
gospeliemme (genitive plural)
gospeleidemme (genitive plural)
gospeleittemme (genitive plural)
gospeliamme (partitive singular)
gospeleitamme (partitive plural)
gospelejamme (partitive plural)
gospelissamme (inessive singular)
gospeleissamme (inessive plural)
gospelistamme (elative singular)
gospeleistamme (elative plural)
gospeliimme (illative singular)
gospeleihimme (illative plural)
gospelillamme (adessive singular)
gospeleillamme (adessive plural)
gospeliltamme (ablative singular)
gospeleiltamme (ablative plural)
gospelillemme (allative singular)
gospeleillemme (allative plural)
gospelinamme (essive singular)
gospeleinamme (essive plural)
gospeliksemme (singular translative)
gospeleiksemme (plural translative)
gospelittamme (abessive singular)
gospeleittamme (abessive plural)
gospeleinemme (comitative plural)
gospelinne (nominative singular)
gospelinne (nominative plural)
gospelinne (accusative nominative singular)
gospelinne (accusative nominative plural)
gospelinne (accusative genitive singular)
gospelinne (accusative genitive plural)
gospelinne (genitive singular)
gospelienne (genitive plural)
gospeleidenne (genitive plural)
gospeleittenne (genitive plural)
gospelianne (partitive singular)
gospeleitanne (partitive plural)
gospelejanne (partitive plural)
gospelissanne (inessive singular)
gospeleissanne (inessive plural)
gospelistanne (elative singular)
gospeleistanne (elative plural)
gospeliinne (illative singular)
gospeleihinne (illative plural)
gospelillanne (adessive singular)
gospeleillanne (adessive plural)
gospeliltanne (ablative singular)
gospeleiltanne (ablative plural)
gospelillenne (allative singular)
gospeleillenne (allative plural)
gospelinanne (essive singular)
gospeleinanne (essive plural)
gospeliksenne (singular translative)
gospeleiksenne (plural translative)
gospelittanne (abessive singular)
gospeleittanne (abessive plural)
gospeleinenne (comitative plural)
gospelinsa (nominative singular)
gospelinsa (nominative plural)
gospelinsa (accusative nominative singular)
gospelinsa (accusative nominative plural)
gospelinsa (accusative genitive singular)
gospelinsa (accusative genitive plural)
gospelinsa (genitive singular)
gospeliensa (genitive plural)
gospeleidensa (genitive plural)
gospeleittensa (genitive plural)
gospeliaan (partitive singular)
gospeliansa (partitive singular)
gospeleitaan (partitive plural)
gospelejaan (partitive plural)
gospeleitansa (partitive plural)
gospelejansa (partitive plural)
gospelissaan (inessive singular)
gospelissansa (inessive singular)
gospeleissaan (inessive plural)
gospeleissansa (inessive plural)
gospelistaan (elative singular)
gospelistansa (elative singular)
gospeleistaan (elative plural)
gospeleistansa (elative plural)
gospeliinsa (illative singular)
gospeleihinsa (illative plural)
gospelillaan (adessive singular)
gospelillansa (adessive singular)
gospeleillaan (adessive plural)
gospeleillansa (adessive plural)
gospeliltaan (ablative singular)
gospeliltansa (ablative singular)
gospeleiltaan (ablative plural)
gospeleiltansa (ablative plural)
gospelilleen (allative singular)
gospelillensa (allative singular)
gospeleilleen (allative plural)
gospeleillensa (allative plural)
gospelinaan (essive singular)
gospelinansa (essive singular)
gospeleinaan (essive plural)
gospeleinansa (essive plural)
gospelikseen (singular translative)
gospeliksensa (singular translative)
gospeleikseen (plural translative)
gospeleiksensa (plural translative)
gospelittaan (abessive singular)
gospelittansa (abessive singular)
gospeleittaan (abessive plural)
gospeleittansa (abessive plural)
gospeleineen (comitative plural)
gospeleinensa (comitative plural)


gospel

Unadapted borrowing from English gospel.

(music) gospel music; gospel (a genre of African American religious music)


collection

en-noun

collection (countable and uncountable, plural collections)

From Middle English colleccioun, collection, from Old French collection, from Latin collēctiō, collēctiōnem, from collēctus, from colligō (“collect together”), composed of con- + legō (“bring together, gather, collect”), ultimately from Proto-Indo-European *leǵ- (“to gather, collect”).

der

The "collectional information" one receives is ambiguous since the collection { C, E, F, G, A } occurs in the key of C and in the key of F.

2005, Neil Minturn, The Last Waltz of The Band, page 112:

In fact, students are often taught that specific collections—diatonic, octatonic, and whole-tone, etc.—typify these composers' compositional language.

2009, Brian Moseley, “Form and Transpositional Combination in George Crumb's Lux Aeterna”, in Bruce Quaglia, Jack Boss, editors, Musical Currents from the Left Coast, page 174:

Simply put, the realm of available collections in a largely diatonic environment is much smaller than it is in truly atonal one.

2012, Marguerite Boland, John Link, Elliott Carter Studies, page 22:

(music) A set of pitch classes used by a composer.


melodia

melodia (nominative singular)
melodiat (nominative plural)
melodia (accusative nominative singular)
melodiat (accusative nominative plural)
melodian (accusative genitive singular)
melodiat (accusative genitive plural)
melodian (genitive singular)
melodioiden (genitive plural)
melodioitten (genitive plural)
melodiain (genitive plural rare)
melodiaa (partitive singular)
melodioita (partitive plural)
melodiassa (inessive singular)
melodioissa (inessive plural)
melodiasta (elative singular)
melodioista (elative plural)
melodiaan (illative singular)
melodioihin (illative plural)
melodialla (adessive singular)
melodioilla (adessive plural)
melodialta (ablative singular)
melodioilta (ablative plural)
melodialle (allative singular)
melodioille (allative plural)
melodiana (essive singular)
melodioina (essive plural)
melodiaksi (singular translative)
melodioiksi (plural translative)
melodiatta (abessive singular)
melodioitta (abessive plural)
melodioin (instructive plural)
See the possessive forms below. (comitative)
melodiani (nominative singular)
melodiani (nominative plural)
melodiani (accusative nominative singular)
melodiani (accusative nominative plural)
melodiani (accusative genitive singular)
melodiani (accusative genitive plural)
melodiani (genitive singular)
melodioideni (genitive plural)
melodioitteni (genitive plural)
melodiaini (genitive plural rare)
melodiaani (partitive singular)
melodioitani (partitive plural)
melodiassani (inessive singular)
melodioissani (inessive plural)
melodiastani (elative singular)
melodioistani (elative plural)
melodiaani (illative singular)
melodioihini (illative plural)
melodiallani (adessive singular)
melodioillani (adessive plural)
melodialtani (ablative singular)
melodioiltani (ablative plural)
melodialleni (allative singular)
melodioilleni (allative plural)
melodianani (essive singular)
melodioinani (essive plural)
melodiakseni (singular translative)
melodioikseni (plural translative)
melodiattani (abessive singular)
melodioittani (abessive plural)
melodioineni (comitative plural)
melodiasi (nominative singular)
melodiasi (nominative plural)
melodiasi (accusative nominative singular)
melodiasi (accusative nominative plural)
melodiasi (accusative genitive singular)
melodiasi (accusative genitive plural)
melodiasi (genitive singular)
melodioidesi (genitive plural)
melodioittesi (genitive plural)
melodiaisi (genitive plural rare)
melodiaasi (partitive singular)
melodioitasi (partitive plural)
melodiassasi (inessive singular)
melodioissasi (inessive plural)
melodiastasi (elative singular)
melodioistasi (elative plural)
melodiaasi (illative singular)
melodioihisi (illative plural)
melodiallasi (adessive singular)
melodioillasi (adessive plural)
melodialtasi (ablative singular)
melodioiltasi (ablative plural)
melodiallesi (allative singular)
melodioillesi (allative plural)
melodianasi (essive singular)
melodioinasi (essive plural)
melodiaksesi (singular translative)
melodioiksesi (plural translative)
melodiattasi (abessive singular)
melodioittasi (abessive plural)
melodioinesi (comitative plural)
melodiamme (nominative singular)
melodiamme (nominative plural)
melodiamme (accusative nominative singular)
melodiamme (accusative nominative plural)
melodiamme (accusative genitive singular)
melodiamme (accusative genitive plural)
melodiamme (genitive singular)
melodioidemme (genitive plural)
melodioittemme (genitive plural)
melodiaimme (genitive plural rare)
melodiaamme (partitive singular)
melodioitamme (partitive plural)
melodiassamme (inessive singular)
melodioissamme (inessive plural)
melodiastamme (elative singular)
melodioistamme (elative plural)
melodiaamme (illative singular)
melodioihimme (illative plural)
melodiallamme (adessive singular)
melodioillamme (adessive plural)
melodialtamme (ablative singular)
melodioiltamme (ablative plural)
melodiallemme (allative singular)
melodioillemme (allative plural)
melodianamme (essive singular)
melodioinamme (essive plural)
melodiaksemme (singular translative)
melodioiksemme (plural translative)
melodiattamme (abessive singular)
melodioittamme (abessive plural)
melodioinemme (comitative plural)
melodianne (nominative singular)
melodianne (nominative plural)
melodianne (accusative nominative singular)
melodianne (accusative nominative plural)
melodianne (accusative genitive singular)
melodianne (accusative genitive plural)
melodianne (genitive singular)
melodioidenne (genitive plural)
melodioittenne (genitive plural)
melodiainne (genitive plural rare)
melodiaanne (partitive singular)
melodioitanne (partitive plural)
melodiassanne (inessive singular)
melodioissanne (inessive plural)
melodiastanne (elative singular)
melodioistanne (elative plural)
melodiaanne (illative singular)
melodioihinne (illative plural)
melodiallanne (adessive singular)
melodioillanne (adessive plural)
melodialtanne (ablative singular)
melodioiltanne (ablative plural)
melodiallenne (allative singular)
melodioillenne (allative plural)
melodiananne (essive singular)
melodioinanne (essive plural)
melodiaksenne (singular translative)
melodioiksenne (plural translative)
melodiattanne (abessive singular)
melodioittanne (abessive plural)
melodioinenne (comitative plural)
melodiansa (nominative singular)
melodiansa (nominative plural)
melodiansa (accusative nominative singular)
melodiansa (accusative nominative plural)
melodiansa (accusative genitive singular)
melodiansa (accusative genitive plural)
melodiansa (genitive singular)
melodioidensa (genitive plural)
melodioittensa (genitive plural)
melodiainsa (genitive plural rare)
melodiaansa (partitive singular)
melodioitaan (partitive plural)
melodioitansa (partitive plural)
melodiassaan (inessive singular)
melodiassansa (inessive singular)
melodioissaan (inessive plural)
melodioissansa (inessive plural)
melodiastaan (elative singular)
melodiastansa (elative singular)
melodioistaan (elative plural)
melodioistansa (elative plural)
melodiaansa (illative singular)
melodioihinsa (illative plural)
melodiallaan (adessive singular)
melodiallansa (adessive singular)
melodioillaan (adessive plural)
melodioillansa (adessive plural)
melodialtaan (ablative singular)
melodialtansa (ablative singular)
melodioiltaan (ablative plural)
melodioiltansa (ablative plural)
melodialleen (allative singular)
melodiallensa (allative singular)
melodioilleen (allative plural)
melodioillensa (allative plural)
melodianaan (essive singular)
melodianansa (essive singular)
melodioinaan (essive plural)
melodioinansa (essive plural)
melodiakseen (singular translative)
melodiaksensa (singular translative)
melodioikseen (plural translative)
melodioiksensa (plural translative)
melodiattaan (abessive singular)
melodiattansa (abessive singular)
melodioittaan (abessive plural)
melodioittansa (abessive plural)
melodioineen (comitative plural)
melodioinensa (comitative plural)

From Latin melodia, from Ancient Greek μελῳδῐ́ᾱ (melōidíā).


melodia

melodyjka (diminutive)
melodia (nominative singular)
melodie (nominative plural)
melodii (genitive singular)
melodii (genitive plural)
melodyj (archaic genitive plural)
melodii (dative singular)
melodiom (dative plural)
melodię (accusative singular)
melodie (accusative plural)
melodią (instrumental singular)
melodiami (instrumental plural)
melodii (locative singular)
melodiach (locative plural)
melodio (singular vocative)
melodie (plural vocative)

desctree

→ Old Ruthenian: мело́дїꙗ (melódija)
Belarusian: мело́дыя (mjelódyja)
Carpathian Rusyn: мело́дія (melódija)
Ukrainian: мело́дія (melódija)

→ Russian: мело́дия (melódija)
→ Kazakh: мелодия (melodiä)

Learned borrowing from Medieval Latin melōdia, from Ancient Greek μελῳδίᾱ (melōidíā).


metaller

(music, informal) One who listens to heavy metal music.


grinder

From Middle English grinder, grindere, from Old English grindere (“one or that which grinds; grinder”), equivalent to grind + -er.

inh

(music, slang) A fan or performer of grindcore music.


skank

Originally Jamaican, attested from the twentieth century, but earliest source is uncertain. The verb sense be dishonest is evidently older. Perhaps originally onomatopoeic. The dance senses may come from a resemblance to motorcyclists weaving in and out of traffic. Compare skanker.

A typical skank guitar rhythm:
{\time3/4\tempo4=180\set Staff.midiInstrument=#"electric guitar (muted)"\repeat unfold2{r8a4}\repeat unfold2{r8g4}}

He took it another step and brought blues into reggae music. I don’t play skank. I don’t play reggae guitar. So I had to call.

2017, Jas Obrecht, “Ben Harper in San Francisco, May 3, 1994”, in Talking Guitar, page 279:

(music) A style of rhythmic guitar strumming in ska, reggae, and punk.


module

Borrowed from French module, from Latin modulus (“a small measure, a measure, mode, meter”), diminutive of modus (“measure”) (whence mode). Doublet of modulus and mold.

der

(music, computing) A file containing a music sequence that can be played in a tracker (also called mod or music module).


shift

en-noun

shift (countable and uncountable, plural shifts)

From Middle English schiften, from Old English sċiftan (“to divide, separate into shares; appoint, ordain; arrange, organise”), from Proto-Germanic *skiftijaną, *skiptijaną, from earlier *skipatjaną (“to organise, put in order”), from Proto-Indo-European *skeyb- (“to separate, divide, part”), from Proto-Indo-European *skey- (“to cut, divide, separate, part”). Cognate with Scots schift, skift (“to shift”), West Frisian skifte, skiftsje (“to sort”), Dutch schiften (“to sort, screen, winnow, part”), German schichten (“to stack, layer”), Swedish skifta (“to shift, change, exchange, vary”), Norwegian skifte (“to shift”), Icelandic skipta (“to switch”). See ship.

cog

(music) In violin-playing, any position of the left hand except that nearest the nut.


shift

en-verb

shift (third-person singular simple present shifts, present participle shifting, simple past and past participle shifted)

shifts (present singular third-person)
shifting (participle present)
shifted (participle past)
shifted (past)

(music) In violin-playing, to move the left hand from its original position next to the nut.


tromboon

Blend of trombone + bassoon, humorously coined by composer Peter Schickele, attributed to fictitious composer P. D. Q. Bach.

(music) A trombone with the reed and bocal of a bassoon placed instead of the usual mouthpiece, which combines the limitations of both instruments, producing a loud comical sound.


eight-bar blues

en-noun

eight-bar blues (countable and uncountable, plural eight-bar blues)

(music) A blues form built on an eight-measure chord pattern, most typically I, I, IV, I, V7, IV, I, V7, where I, IV and V7 represent the tonic, subdominant and dominant seventh chords respectively.


twelve-bar blues

(music) A blues form built on a twelve-measure chord progression, most typically based around the tonic, subdominant and dominant seventh chords of a key.


dominant seventh

G7, the dominant seventh chord of a C major scale:
1

(music) The chord consisting of the fifth, major seventh, ninth and eleventh of a given scale; a seventh chord built on the dominant tone.


oda

oda (nominative singular)
ody (nominative plural)
ody (genitive singular)
od (genitive plural)
odzie (dative singular)
odom (dative plural)
odę (accusative singular)
ody (accusative plural)
odą (instrumental singular)
odami (instrumental plural)
odzie (locative singular)
odach (locative plural)
odo (singular vocative)
ody (plural vocative)

Learned borrowing from Latin ōda, from Ancient Greek ᾠδή (ōidḗ).


subdominant

(music) The triad built on the subdominant tone.


prelude

From Middle French prélude (“singing to test a musical instrument”), from Medieval Latin preludium, from Latin praelūdere.

der

(music) A short, free-form piece of music, originally one serving as an introduction to a longer and more complex piece; later, starting with the Romantic period, generally a stand-alone piece.


suonare

it-verb

suonàre (first-person singular present suòno, first-person singular past historic suonài, past participle suonàto, auxiliary avére)

suonàre (canonical)
suòno (first-person present singular)
suonài (first-person historic past singular)
suonàto (participle past)
avére (auxiliary)
suonàre (infinitive)
avére (auxiliary)
suonàndo (gerund)
suonànte (participle present)
suonàto (participle past)
suòno (first-person indicative present singular)
suòni (indicative present second-person singular)
suòna (indicative present singular third-person)
suoniàmo (first-person indicative plural present)
suonàte (indicative plural present second-person)
suònano (indicative plural present third-person)
suonàvo (first-person imperfect indicative singular)
suonàvi (imperfect indicative second-person singular)
suonàva (imperfect indicative singular third-person)
suonavàmo (first-person imperfect indicative plural)
suonavàte (imperfect indicative plural second-person)
suonàvano (imperfect indicative plural third-person)
suonài (first-person historic indicative past singular)
suonàsti (historic indicative past second-person singular)
suonò (historic indicative past singular third-person)
suonàmmo (first-person historic indicative past plural)
suonàste (historic indicative past plural second-person)
suonàrono (historic indicative past plural third-person)
suonerò (first-person future indicative singular)
suonerài (future indicative second-person singular)
suonerà (future indicative singular third-person)
suonerémo (first-person future indicative plural)
suoneréte (future indicative plural second-person)
suonerànno (future indicative plural third-person)
suonerèi (conditional first-person present singular)
suonerésti (conditional present second-person singular)
suonerèbbe (conditional present singular third-person)
suonerébbe (conditional present singular third-person)
suonerémmo (conditional first-person plural present)
suoneréste (conditional plural present second-person)
suonerèbbero (conditional plural present third-person)
suonerébbero (conditional plural present third-person)
suòni (first-person present singular subjunctive)
suòni (present second-person singular subjunctive)
suòni (present singular subjunctive third-person)
suoniàmo (first-person plural present subjunctive)
suoniàte (plural present second-person subjunctive)
suònino (plural present subjunctive third-person)
suonàssi (first-person imperfect singular subjunctive)
suonàssi (imperfect second-person singular subjunctive)
suonàsse (imperfect singular subjunctive third-person)
suonàssimo (first-person imperfect plural subjunctive)
suonàste (imperfect plural second-person subjunctive)
suonàssero (imperfect plural subjunctive third-person)
suòna (imperative second-person singular)
suòni (formal imperative second-person-semantically singular third-person)
suoniàmo (first-person imperative plural)
suonàte (imperative plural second-person)
suònino (formal imperative plural second-person-semantically third-person)
suonàre (imperative negative second-person singular)
suòni (formal imperative negative second-person-semantically singular third-person)
suoniàmo (first-person imperative negative plural)
suonàte (imperative negative plural second-person)
suònino (formal imperative negative plural second-person-semantically third-person)

From Latin sonāre, ultimately from Proto-Indo-European *swenh₂- (“to sound, resound”).

der

(transitive, music) to play (an instrument)


entry

en-noun

entry (countable and uncountable, plural entries)

exit

antonym(s) of “doorway that provides a means of entering a building”

Inherited from Middle English entre, from Old French entree (feminine past participle of the verb entrer, Modern French entrée). From Latin intrō. Doublet of entrada and entrée.

(music) The point when a musician starts to play or sing; entrance.

aloitus

music: point when a musician starts to perform


first violin

(music) The lead or primary violin role in an orchestra or other ensemble, or in a musical composition, that typically contains the melody and is often more technically demanding than the second violin role. The first violin role is played by a first violinist, typically the best violinist in the orchestra.

(British, music) The leader of the violin section of a symphony orchestra; the concertmaster.


progression

progression (countable and uncountable, plural progressions)

/pɹəˈɡɹɛʃən/


alfabeto

Borrowed from Italian alfabeto (“alphabet”). Doublet of alphabet.

The monograph should deal not only with modal scales (their range, ambitus, "centonized" gestures, cadences, and structural application in music) but would similarly need to deal with the guitar's alfabeto, the labyrinth of guitar chords, movable chords, transposed chords, the progressions of B quadro and B molle in the alfabeto books, and so forth.

1987, Journal of the Lute Society of America, volumes 17-18, page 127:

Composers for harpsichord, lute, viol, and guitar often placed chords or ornaments on notes in the positions of those strummed downward in the alfabeto tablatures, and composers for all instruments gave longer values to many of them.

1987, Betty Bang Mather, Dance Rhythms of the French Baroque: A Handbook for Performance, page 30:

In the Italian system, each letter of the alfabeto represents a chord formation on the guitar (the letter A, for example, represents a G-major chord).

1993, Stanley Yates, The baroque guitar, late Spanish style as represented by Santiago de Murcia in the Salvidar manuscript (1732):

(music, historical) An early Italian alphabetic notation system used to describe chords.


jungle

jungle (countable and uncountable, plural jungles)

→ Catalan: jungla

→ Czech: džungle

→ Danish: jungle

→ Dutch: jungle

→ French: jungle
→ Romanian: junglă

desctree

→ German: Dschungel
→ Hungarian: dzsungel

→ Esperanto: ĝangalo

→ Italian: giungla

→ Japanese: ジャングル (janguru)

→ Korean: 정글 (jeonggeul)

→ Polish: dżungla

→ Russian: джу́нгли (džúngli)
→ Armenian: ջունգլի (ǰungli)
→ Georgian: ჯუნგლი (ǯungli)

→ Serbo-Croatian: džungla

→ Slovak: džungľa

→ Slovene: džungla

→ Spanish: jungla

→ Swedish: djungel

→ Ukrainian: джу́нглі (džúnhli)

→ Welsh: jyngl

/ˈd͡ʒʌŋ.ɡ(ə)l/

Borrowed from Hindustani جَن٘گَل (jaṅgal) / जंगल (jaṅgal), from Sanskrit जङ्गल (jaṅgala, “arid, sterile, desert”). First appears c. 1776 in a translation by Nathaniel Halhed.

der

you can take the monkey out of the jungle, but you can't take the jungle out of the monkey

Always more multiracial than other post-Rave scenes, Hardcore got “blacker” as hiphop, Ragga, dub and Soul influences kicked in, and by 93 it had evolved into Jungle. By this point, Hardcore/Jungle (the terms remain interchangeable) was universally scorned by dance hipsters and banished from the media.

1994 September, Simon Reynolds, “Above The Treeline”, in The Wire:

In large part, happycore was the result of an exodus of white ravers from the jungle scene, in reaction to the influx of black youth and the attendant mood change from bonhomie to surliness.

2013, Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, page 291:

electronic dance music
electronic dance music

(music, uncountable) A style of electronic dance music and precursor of drum and bass.


transient

en-adj

transient (comparative more transient, superlative most transient)

more transient (comparative)
most transient (superlative)

From Late Latin transiēnt- (for classical transeunt-), stem of transiēns, present participle of transire (“to go over, to pass”).

مُؤَقَّت

passing or disappearing with time; transitory


rock and roll

/ˈɹɒk ən(d)ˈɹəʊl/

From rock (move back and forth) + and + roll; originally a verb phrase common among African Americans, meaning "to have sexual intercourse"; it was a euphemism that appeared in song titles since at least 1914 (Trixie Smith's "My Man Rocks Me With One Steady Roll").
As a name for a specific style of popular music from the early 1950s, popularized by disc jockey Alan Freed in reference to the euphemistic use in song titles.

This couple performs rock and roll music when he shreds the electric guitar while his girlfriend plays the drums!

(music) A genre of popular music that evolved in the 1950s from a combination of rhythm and blues and country music, characterized by electric guitars, strong rhythms, and youth-oriented lyrics.


rock and roll

/ˈʁɔ.kẽj̃ ˈʁow/

[ˈhɔ.kẽɪ̯̃ ˈhoʊ̯]

/ˈʁɔ.kẽj̃ ˈʁow/

[ˈhɔ.kẽɪ̯̃ ˈhoʊ̯]

/ˈʁɔ.kẽj̃ ˈʁow/

[ˈχɔ.kẽɪ̯̃ ˈχoʊ̯]

Unadapted borrowing from English rock and roll.


tonic

(music) Pertaining to or based upon the first note of a diatonic scale.


tonic

(music) The first note of a diatonic scale; the keynote.

(music) The triad built on the tonic note.


catalogue

/ˈkæt.əˌlɒɡ/

/ˈkæt.əˌlɔɡ/

/ˈkæt.əˌlɑɡ/

From Middle English cathaloge, from Old French catalogue, from Late Latin catalogus, itself from Ancient Greek κατάλογος (katálogos, “enrollment, register”), from καταλέγω (katalégō, “to recount, make a list”), from κατα- (kata-, “downwards, towards”) + λέγω (légō, “to say, to speak, to tell”).

katalog

a systematic list of names, books, pictures etc.

(music) A complete list of a recording artist's or a composer's songs.


bashment

en-noun

bashment (countable and uncountable, plural bashments)

LL-Q1860 (eng)-Flame, not lame-bashment.wav

(slang, uncountable, music, especially Jamaican) Dancehall music.


paradiddle

/ˈpæɹəˌdɪdəl/

Imitative. May be related to [Attic] Greek, παραδίδωμι (paradídōmi) 1) to give into the hands (of another) 2) to give over into (one's) power or use 2a) to deliver to one something to keep, use, take care of, manage

I mean, as a drummer, you're sitting at a practice pad for hours on end, doing paradiddles and all the exercises you learn for your craft.

2023 December 8, The Big Issue, Melbourne, page 33, column 2:

(music) A percussive exercise (one of 26 drum rudiments per the National Association of Rudimental Drummers or one of 40 per the Percussive Arts Society) which involves playing four even strokes in the order ‘right left right right’ or ‘left right left left.’


set theory

set theory (usually uncountable, plural set theories)

(music) Musical set theory, a systematic approach to describing musical objects and their relationships.


tip

From Middle English tip, typ, tippe, probably from an unrecorded Old English *typpa, *typpe, from Proto-Germanic *tuppijô, *tuppijǭ (“tip”), diminutive of *tuppaz (“top”).
Cognates
Cognate with Saterland Frisian Tip (“tip”), West Frisian tippe, tip (“tip”), Dutch tip (“tip”), German Low German Tip, Tippel (“tip”), dialectal German Zipf (“tip”) (diminutive Zipfel used in Standard German), Danish tip (“tip”), Swedish tipp (“tip”), Icelandic typpi (“knob, pin, penis”). Compare also Saterland Frisian Timpe (“tip”), West Frisian timpe (“tip”), Old English tæppa, Albanian thep (“tip, point”).

(music) The end of a bow of a stringed instrument that is not held.


fugue

Borrowed from French fugue, from Italian fuga (“flight, ardor”), from Latin fuga (“act of fleeing”), from fugiō (“to flee”); compare Ancient Greek φυγή (phugḗ). Apparently from the metaphor that the first part starts alone on its course, and is pursued by later parts.

(music) A contrapuntal piece of music wherein a particular melody is played in a number of voices, each voice introduced in turn by playing the melody.


fugue

→ English: fugue

Borrowed from Latin fuga. Doublet of fougue.


bleep

bleep (countable and uncountable, plural bleeps)

See, there are a huge number of people in this city who look like goths and talk the talk and claim to enjoy much of the same music I do, so it confuses me somewhat that the clubs all play bleep. I would have thought there would be enough people to make something else work.

2005, Jennie Kermode, “What is gothic?”, in alt.gothic (Usenet):

A number of nights now steer away from the EBM of yesteryear. The scene is alive and kicking with plenty of new bands that aren't reliant on synths. All you have to do is look. At InsanitoriuM we have a large, young, crowd that would up and leave if we started playing bleep at them, and we're not alone.

2005, oldgoth, “Theaving^([sic]) Goths”, in uk.people.gothic (Usenet):

(music, slang, uncountable) A broad genre of electronic music with goth and industrial influences, as opposed to traditional gothic rock.


idiomatic

en-adj

idiomatic (comparative more idiomatic, superlative most idiomatic)

more idiomatic (comparative)
most idiomatic (superlative)

From Ancient Greek ἰδιωματικός (idiōmatikós, “related to an idiom”), from ἰδίωμα (idíōma, “idiom”).

uder

(music) Relating to parts or pieces which are written both within the natural physical limitations of the instrument and human body and, less so or less often, the styles of playing used on specific instruments.

idiomatyczny

parts or pieces of or styles of playing music


Americana

/əˌmɛɹɪˈkænə/

/əˌmɛɹɪˈkɑːnə/

/əˌmɛɹɪˈkeɪnə/

The music that became Americana crossed racial lines very early, becoming one of the major integrating forces in America. The chapter shows how artists such as Buddy Holly and the Everly Brothers were creating and playing Americana long before we had a name for what they were doing.

2017, Michael Scott Cain, The Americana Revolution, Rowman & Littlefield, →ISBN, page xxx:

A quarter-century later, the Band’s music provided a key template for the acts first labeled Americana, including Son Volt, Wilco and Lucinda Williams, as well as for their sonic heirs.

[2023 August 9, “Robbie Robertson, 80, Dies; Canadian Songwriter Captured American Spirit”, in The New York Times:

(music) An amalgam of roots musics formed by the confluence of the shared and varied traditions that make up the American musical ethos; specifically those sounds that are merged from folk, country, blues, rhythm and blues, rock and roll and other external influential styles.


zufolo

(music) A little flute or flageolet, especially that which is used to teach birds.


pluck

en-verb

pluck (third-person singular simple present plucks, present participle plucking, simple past and past participle plucked or (obsolete) pluckt)

plucks (present singular third-person)
plucking (participle present)
plucked (participle past)
plucked (past)
pluckt (obsolete participle past)
pluckt (obsolete past)

From Middle English plucken, plukken, plockien, from Old English pluccian, ploccian (“to pluck, pull away, tear”), also Old English plyċċan ("to pluck, pull, snatch; pluck with desire"), from Proto-Germanic *plukkōną, *plukkijaną (“to pluck”), of uncertain and disputed origin. Perhaps related to Old English pullian (“to pull, draw; pluck off; snatch”). Cognate with Saterland Frisian plukje (“to pluck”), West Frisian plôkje (“to pick, pluck”), Dutch plukken (“to pluck”), Limburgish plógte (“to pluck”), Low German plukken (“to pluck”), German pflücken (“to pluck, pick”), Danish and Norwegian plukke (“to pick”), Swedish plocka (“to pick, pluck, cull”), Icelandic plokka, plukka (“to pluck, pull”). More at pull.
An alternative etymology suggests Proto-Germanic *plukkōną, *plukkijaną may have been borrowed from an assumed Vulgar Latin *pilūc(i)cāre, a derivative of Latin pilāre (“deprive of hair, make bald, depilate”), from pilus (“hair”). The Oxford English Dictionary, however, finds difficulties with this and cites gaps in historical evidence.
The noun sense of "heart, liver, and lights of an animal" comes from it being plucked out of the carcass after the animal is killed; the sense of "fortitude, boldness" derives from this meaning, originally being a boxing slang denoting a prize-ring, with semantic development from "heart", the symbol of courage, to "fortitude, boldness".

cog

Whereas a piano strikes the string, a harpsichord plucks it.

(transitive, music) To play (a single string on a musical instrument) by pulling and then releasing it, such as on a guitar.

彈撥

music: to play a single string by pulling and then releasing it


cadenza

LL-Q1860 (eng)-Flame, not lame-cadenza.wav

Borrowed from Italian cadenza, from Latin cadentia. Doublet of cadence and chance.

Yes, laugh, as I want to laugh for instance in the concert hall when the orchestra trundles to a stop and the virtuoso at his piano, hunched like a demented vet before the bared teeth of this enormous black beast of sound, lifts up deliquescent hands and prepares to plunge into the cadenza.

(music) A part of a piece of music, such as a concerto, that is very decorative and is played by a single musician.


zoppo

(music) Alternately with and without syncopation.


fi

(music) The solfeggio syllable used to indicate the sharp of the fourth note of a major scale.


filk

Originally "filk music" was a typo for "folk music" in a never-published essay on the influence of Science Fiction and Fantasy on folk music. Its first known deliberate use was by Karen Kruse Anderson in Die Zeitschrift für Vollständigen Unsinn (The Journal for Utter Nonsense) #774 (June 1953), for a song written by science-fiction author Poul Anderson.

The blame/credit (choose one) for the first filk song is a little dubious. Like the man who tried to sit on two stools, it falls in the middle, between Poul Anderson who wrote a filk song called Barbarous Allen and Karen Anderson who egged him on and published it in Zed #774.

1955 June, Karen Anderson, Poul Anderson (writing as "Petronius Arbiter Kingsley"), “Filk Song”, in Die Zeitschrift für Vollständigen Unsinn (aka The Zed), number 780, page 13:

And the permanent exhibit area offers a filk performance on a small stage so that neophytes can sample more esoteric interests.

2000, Camille Bacon-Smith, Science Fiction Culture, University of Pennsylvania Press, →ISBN, page 38:

2006, Robert T. Balder, quoted in Attitude 3: The New Subversive Online Cartoonists, Nantier Beall Minoustchine Publishing, →ISBN, page 97,
I’m also involved in what is called filk music. This is music for and by fans of Fantasy and Science Fiction. […] Filk is nearly as big a part of my creative life as comics, and I have similarly made many friends among the creative people in that community.

Music can be very important in fan texts and activities. Fans write and perform songs at gatherings about characters from television shows, not unlike the way that folk songs are sung in folk clubs. This can be seen in the name of this fan form: filk song. According to Jenkins [in Textual Poachers: Television Fans and Participatory Culture], filk songs take their cue from commercial culture. They are about the characters from commercial television series, but ‘Filk turns commercial culture back into folk culture, existing as a mediator between two musical traditions. Its raw materials come from commercial culture; its logic is from folk culture’ (1992: 270).

2007, Brian Longhurst, Popular Music and Society, Polity, →ISBN, page 236:

(music) About or inspired by science fiction, fantasy, horror, science, and/or subjects of interest to fans of speculative fiction; frequently, being a song whose lyrics have been altered to refer to science fiction; parodying. (However, much filk music is original rather than parodic.)


movement

en-noun

movement (countable and uncountable, plural movements)

From Middle English mevement, from Old French movement (modern French mouvement), from movoir + -ment; cf. also Medieval Latin movimentum, from Latin movere (“move”). Doublet of moment and momentum. In this sense, displaced native Old English styring, which led to Modern English stirring.
Morphologically move + -ment.

eye movement desensitization and reprocessing

Beethoven's movements

(music) A large division of a larger composition.

樂章

music: division of a larger musical composition

(music) Melodic progression, accentual character, tempo or pace.


clamshell

(often attributive) Any object with some other resemblance to either one or both halves of the shell of a clam.

(music) An amphitheater, especially an outdoor amphitheater; the semi-circular acoustic backdrop behind and above the performers.


poppy

en-adj

poppy (comparative poppier or more poppy, superlative poppiest or most poppy)

poppier (comparative)
more poppy (comparative)
poppiest (superlative)
most poppy (superlative)

From pop(ular) + -y (suffix forming adjectives with the sense ‘having the quality of’).

suffix

I thought Sparks were great; they were very poppy for Island Records. They were considered an oddity but you have to remember that at the time Roxy Music, now everyone's seminal band, were seen as very poppy.

2010, Daryl Easlea, “Island Life”, in Talent is an Asset: The Story of Sparks, London, New York, N.Y.: Omnibus Press, →ISBN:

(music) Typical of, or in the style of, pop music.


accordare

it-verb

accordàre (first-person singular present accòrdo, first-person singular past historic accordài, past participle accordàto, auxiliary avére)

accordàre (canonical)
accòrdo (first-person present singular)
accordài (first-person historic past singular)
accordàto (participle past)
avére (auxiliary)
accordàre (infinitive)
avére (auxiliary)
accordàndo (gerund)
accordànte (participle present)
accordàto (participle past)
accòrdo (first-person indicative present singular)
accòrdi (indicative present second-person singular)
accòrda (indicative present singular third-person)
accordiàmo (first-person indicative plural present)
accordàte (indicative plural present second-person)
accòrdano (indicative plural present third-person)
accordàvo (first-person imperfect indicative singular)
accordàvi (imperfect indicative second-person singular)
accordàva (imperfect indicative singular third-person)
accordavàmo (first-person imperfect indicative plural)
accordavàte (imperfect indicative plural second-person)
accordàvano (imperfect indicative plural third-person)
accordài (first-person historic indicative past singular)
accordàsti (historic indicative past second-person singular)
accordò (historic indicative past singular third-person)
accordàmmo (first-person historic indicative past plural)
accordàste (historic indicative past plural second-person)
accordàrono (historic indicative past plural third-person)
accorderò (first-person future indicative singular)
accorderài (future indicative second-person singular)
accorderà (future indicative singular third-person)
accorderémo (first-person future indicative plural)
accorderéte (future indicative plural second-person)
accorderànno (future indicative plural third-person)
accorderèi (conditional first-person present singular)
accorderésti (conditional present second-person singular)
accorderèbbe (conditional present singular third-person)
accorderébbe (conditional present singular third-person)
accorderémmo (conditional first-person plural present)
accorderéste (conditional plural present second-person)
accorderèbbero (conditional plural present third-person)
accorderébbero (conditional plural present third-person)
accòrdi (first-person present singular subjunctive)
accòrdi (present second-person singular subjunctive)
accòrdi (present singular subjunctive third-person)
accordiàmo (first-person plural present subjunctive)
accordiàte (plural present second-person subjunctive)
accòrdino (plural present subjunctive third-person)
accordàssi (first-person imperfect singular subjunctive)
accordàssi (imperfect second-person singular subjunctive)
accordàsse (imperfect singular subjunctive third-person)
accordàssimo (first-person imperfect plural subjunctive)
accordàste (imperfect plural second-person subjunctive)
accordàssero (imperfect plural subjunctive third-person)
accòrda (imperative second-person singular)
accòrdi (formal imperative second-person-semantically singular third-person)
accordiàmo (first-person imperative plural)
accordàte (imperative plural second-person)
accòrdino (formal imperative plural second-person-semantically third-person)
accordàre (imperative negative second-person singular)
accòrdi (formal imperative negative second-person-semantically singular third-person)
accordiàmo (first-person imperative negative plural)
accordàte (imperative negative plural second-person)
accòrdino (formal imperative negative plural second-person-semantically third-person)

From Vulgar Latin *accordāre, derived from Latin cor (“heart”).


concerto

/kənˈt͡ʃɛɹtoʊ/

From Italian concerto. Doublet of concert.

(music) A piece of music for one or more solo instruments and orchestra.

協奏曲

a piece of music for one or more solo instruments and orchestra


mixture

en-noun

mixture (countable and uncountable, plural mixtures)

From Middle English, borrowed from Old French misture, from Latin mixtūra (“a mixing”), from mixtus, perfect passive participle of misceō (“mix”); compare mix.


battere

it-verb

bàttere (first-person singular present bàtto, first-person singular past historic battéi, past participle battùto, auxiliary avére)

bàttere (canonical)
bàtto (first-person present singular)
battéi (first-person historic past singular)
battùto (participle past)
avére (auxiliary)
bàttere (infinitive)
avére (auxiliary)
battèndo (gerund)
battènte (participle present)
battùto (participle past)
bàtto (first-person indicative present singular)
bàtti (indicative present second-person singular)
bàtte (indicative present singular third-person)
battiàmo (first-person indicative plural present)
battéte (indicative plural present second-person)
bàttono (indicative plural present third-person)
battévo (first-person imperfect indicative singular)
battévi (imperfect indicative second-person singular)
battéva (imperfect indicative singular third-person)
battevàmo (first-person imperfect indicative plural)
battevàte (imperfect indicative plural second-person)
battévano (imperfect indicative plural third-person)
battéi (first-person historic indicative past singular)
battésti (historic indicative past second-person singular)
batté (historic indicative past singular third-person)
battémmo (first-person historic indicative past plural)
battéste (historic indicative past plural second-person)
battérono (historic indicative past plural third-person)
batterò (first-person future indicative singular)
batterài (future indicative second-person singular)
batterà (future indicative singular third-person)
batterémo (first-person future indicative plural)
batteréte (future indicative plural second-person)
batterànno (future indicative plural third-person)
batterèi (conditional first-person present singular)
batterésti (conditional present second-person singular)
batterèbbe (conditional present singular third-person)
batterébbe (conditional present singular third-person)
batterémmo (conditional first-person plural present)
batteréste (conditional plural present second-person)
batterèbbero (conditional plural present third-person)
batterébbero (conditional plural present third-person)
bàtta (first-person present singular subjunctive)
bàtta (present second-person singular subjunctive)
bàtta (present singular subjunctive third-person)
battiàmo (first-person plural present subjunctive)
battiàte (plural present second-person subjunctive)
bàttano (plural present subjunctive third-person)
battéssi (first-person imperfect singular subjunctive)
battéssi (imperfect second-person singular subjunctive)
battésse (imperfect singular subjunctive third-person)
battéssimo (first-person imperfect plural subjunctive)
battéste (imperfect plural second-person subjunctive)
battéssero (imperfect plural subjunctive third-person)
bàtti (imperative second-person singular)
bàtta (formal imperative second-person-semantically singular third-person)
battiàmo (first-person imperative plural)
battéte (imperative plural second-person)
bàttano (formal imperative plural second-person-semantically third-person)
bàttere (imperative negative second-person singular)
bàtta (formal imperative negative second-person-semantically singular third-person)
battiàmo (first-person imperative negative plural)
battéte (imperative negative plural second-person)
bàttano (formal imperative negative plural second-person-semantically third-person)

From Latin battere, from earlier battuere.

batterista

batteria (not from Italian but Old French)

(transitive, music) to mark the tempo (of a musical composition)


shoulder

From Middle English schuldre, sholder, shulder, schulder, from Old English sculdra, sculdor (“shoulder”), from Proto-West Germanic *skuldru (“shoulder”), of uncertain origin. Perhaps related to Proto-Germanic *skelduz (“shield”), see shield. Cognate with Old Frisian skuldere (“shoulder”) (West Frisian skouder (“shoulder”)), Middle Low German scholder (“shoulder”), Low German Schuller (“shoulder”), Dutch schouder (“shoulder”), German Schulter (“shoulder”).

inh

you can't put an old head on young shoulders

(of an object) The portion between the neck and the body.

(music) The rounded portion of a stringed instrument where the neck joins the body.


hopper

From Middle English hoppere, alteration of *hoppe (found in grashoppe (“grasshopper”)), from Old English *hoppa (“one who hops, hopper”), equivalent to hop + -er. Cognate with Dutch hopper (“hopper”), Swedish hoppare (“hopper, jumper”), Icelandic hoppari (“hopper”).


発音

[ha̠t͡sɨõ̞ɴ]

最大同時発音数


発音

発音する (canonical)
hatsuon suru (romanization)
発音し (stem)
発音した (past)
発音し
はつおんし
hatsuon shi
発音する
はつおんする
hatsuon suru
発音すれ
はつおんすれ
hatsuon sure
発音せよ (imperative literary)
発音しろ (colloquial imperative)
はつおんせよ (imperative literary)
はつおんしろ (colloquial imperative)
hatsuon seyo (imperative literary)
hatsuon shiro (colloquial imperative)
発音される (passive)
はつおんされる (passive)
hatsuon sareru (passive)
発音させる (causative)
発音さす (causative)
はつおんさせる (causative)
はつおんさす (causative)
hatsuon saseru (causative)
hatsuon sasu (causative)
発音できる (potential)
はつおんできる (potential)
hatsuon dekiru (potential)
発音しよう (volitional)
はつおんしよう (volitional)
hatsuon shiyō (volitional)
発音しない (negative)
はつおんしない (negative)
hatsuon shinai (negative)
発音せず (continuative negative)
はつおんせず (continuative negative)
hatsuon sezu (continuative negative)
発音します (formal)
はつおんします (formal)
hatsuon shimasu (formal)
発音した (perfective)
はつおんした (perfective)
hatsuon shita (perfective)
発音して (conjunctive)
はつおんして (conjunctive)
hatsuon shite (conjunctive)
発音すれば (conditional hypothetical)
はつおんすれば (conditional hypothetical)
hatsuon sureba (conditional hypothetical)

[ha̠t͡sɨõ̞ɴ]


chuck

Probably from Old French chuquer, later choquer (“to knock, hit”).

(music) On rhythm guitar or mandolin etc., the muting of a chord by lifting the fretting fingers immediately after strumming, producing a percussive effect.


chuck

en-verb

chuck (third-person singular simple present chucks, present participle chucking, simple past and past participle chucked)

chucks (present singular third-person)
chucking (participle present)
chucked (participle past)
chucked (past)

(music) On rhythm guitar or mandolin etc.: to mute a chord by lifting the fretting fingers immediately after strumming, producing a percussive effect.


authentic

en-adj

authentic (comparative more authentic, superlative most authentic)

more authentic (comparative)
most authentic (superlative)

non-authentic

antonym(s) of “not of the claimed origin”

From Middle English authentik, from Old French autentique, from Latin authenticus, from Ancient Greek αὐθεντικός (authentikós, “principal, genuine”), from Ancient Greek αὐθέντης (authéntēs, “lord, master”).

der

Designating a mode having the final as the lowest note.

Designating a cadence in which the dominant chord precedes the tonic.


transition

en-noun

transition (countable and uncountable, plural transitions)

/tɹænˈzɪʃən/

/tɹænˈsɪʃən/

/tɹɑːnˈzɪʃən/

/tɹænˈzɪʃən/

Etymology tree
Middle French transitionbor.
English transition
From Middle French transition, from Latin transitio.

etymon

filtered-popping recursive transition network

(music) A brief modulation; a passage connecting two themes.


modulus

la-noun

modulus m (genitive modulī); second declension

modulī (genitive)
modulus (nominative singular)
modulī (nominative plural)
modulī (genitive singular)
modulōrum (genitive plural)
modulō (dative singular)
modulīs (dative plural)
modulum (accusative singular)
modulōs (accusative plural)
modulō (ablative singular)
modulīs (ablative plural)
module (singular vocative)
modulī (plural vocative)

→ English: modulus

→ Occitan: mòtle

→ Old Catalan: motle

Catalan: motlle

→ Spanish: molde

→ Portuguese: molde

→ Old French: modle, mole

→ Middle English: molde, moolde, moulde

English: mold, mould

Scots: muild

French: moule

→ Catalan: mòdul (learned), mòdol

desctree

→ French: module
→ English: module
→ Romanian: modul
→ Turkish: modül

→ Italian: modulo

→ Portuguese: módulo

→ Russian: мо́дуль (módulʹ)

→ Spanish: módulo

[ˈmɔd̪ʊɫ̪ʊs̠]

From modus (“measure; manner, way”) + -ulus (diminutive suffix).

af

diminutive of modus (“measure, metre, mode; method”):

(music) a rhythmical measure, interval, rhythm, mode, time


rush

en-verb

rush (third-person singular simple present rushes, present participle rushing, simple past and past participle rushed)

rushes (present singular third-person)
rushing (participle present)
rushed (participle past)
rushed (past)

Perhaps from Middle English ruschen, russchen (“to rush, startle, make a loud rushing noise”), from Old English hrysċan (“to jolt, startle”), from Proto-West Germanic *hurskijan, from Proto-Germanic *hurskijaną (“to startle, drive”), from *hurskaz (“fast, rapid, quick”), from Proto-Indo-European *ḱers- (“to run, hurry”).
Cognate with Old High German hursken (“to hurry, speed, incite, accelerate”), Old English horsc (“quick, quick-witted, clever”).
etymology note
An alternative etymology traces rush via Middle English rouschen (“to rush”) from Old English *rūscian (“to rush”) from Proto-Germanic *rūskōną (“to rush, storm, be fierce, be cruel”), a variant (with formative k) of Proto-Germanic *rūsōną (“to be cruel, storm, rush”) from Proto-Indo-European *(o)rewə- (“to drive, move, agitate”), making it akin to Old High German rosc, rosci (“quick”), Middle Low German rûschen (“to rush”), Middle High German rūschen, riuschen (“to rush”) (German rauschen (“to rush”)), North Frisian ruse (“to rush”), Middle Dutch ruuscen (“to make haste”), Middle Dutch rūsen (“to rush”) (Dutch ruisen (“to rush”)), Danish ruse (“to rush”), Swedish rusa (“to rush”). Compare Middle High German rūsch (“a charge, rush”). Influenced by Middle English russhen (“to force back”) from Anglo-Norman russher, russer from Old French ruser, rëuser.
Alternatively, according to the OED, perhaps an adaptation of Anglo-Norman russher, russer (“to force back, down, out of place, by violent impact", "to pull out or drag off violently or hastily”), from Old French re(h)usser, ruser (although the connection of the forms with single -s- and double -ss- is dubious; also adopted in English ruse; French ruser (“to retreat, drive back”)), from an assumed Vulgar Latin *refūsāre and Latin refundō (“I cause to flow back”), although connection to the same Germanic root is also possible. More at rouse.

der

(intransitive, music) To play at a faster tempo than one is supposed to or than the other musicians one is playing with, or to inadvertently gradually increase tempo while one is playing.


telltale

From tell + tale, perhaps dissimilated from earlier taleteller, from Middle English tale tellere (literally “tale teller”).

(music) A movable piece of ivory, lead, or other material, connected to the bellows of an organ, whose position indicates when the wind is exhausted.


scordatura

→ English: scordatura


bumper

Dutch: bumper

Japanese: バンパー (banpā)

Korean: 범퍼 (beompeo)

Russian: ба́мпер (bámper)

(music) An extra musician (not notated in the score) who assists the principal French horn by playing less-exposed passages, so that the principal can save their 'lip' for difficult solos. Also applied to other sections of the orchestra.


twee pop

This belatedness is reflected in Kaya Oakes's suggestion that twee pop begins in the early 1990s, post-Nirvana[…]

2016, Pete Dale, Anyone Can Do It: Empowerment, Tradition and the Punk Underground, Routledge, →ISBN:

(music) A subgenre of indie pop music with simple melodies and lyrics, usually about love.


viola

en-noun

viola (plural violas or (senses 1 and 2, uncommon) viole)

From Italian viola, from Old Occitan viola (modern Occitan viula), from Medieval Latin vitula (“stringed instrument”), possibly from Frankish *fiþulā (“violin, fiddle”). Doublet of viol. Also possibly a doublet of fiddle.

der

(music) An organ stop having a similar tone.

(music) A 10-string steel-string acoustic guitar, used in Brazilian folk music.

(music) A berimbau viola, the smallest member of the berimbau used in capoeira music.


viola

viola (nominative singular)
violat (nominative plural)
viola (accusative nominative singular)
violat (accusative nominative plural)
violan (accusative genitive singular)
violat (accusative genitive plural)
violan (genitive singular)
violoiden (genitive plural)
violoitten (genitive plural)
violain (genitive plural rare)
violaa (partitive singular)
violoita (partitive plural)
violassa (inessive singular)
violoissa (inessive plural)
violasta (elative singular)
violoista (elative plural)
violaan (illative singular)
violoihin (illative plural)
violalla (adessive singular)
violoilla (adessive plural)
violalta (ablative singular)
violoilta (ablative plural)
violalle (allative singular)
violoille (allative plural)
violana (essive singular)
violoina (essive plural)
violaksi (singular translative)
violoiksi (plural translative)
violatta (abessive singular)
violoitta (abessive plural)
violoin (instructive plural)
See the possessive forms below. (comitative)
violani (nominative singular)
violani (nominative plural)
violani (accusative nominative singular)
violani (accusative nominative plural)
violani (accusative genitive singular)
violani (accusative genitive plural)
violani (genitive singular)
violoideni (genitive plural)
violoitteni (genitive plural)
violaini (genitive plural rare)
violaani (partitive singular)
violoitani (partitive plural)
violassani (inessive singular)
violoissani (inessive plural)
violastani (elative singular)
violoistani (elative plural)
violaani (illative singular)
violoihini (illative plural)
violallani (adessive singular)
violoillani (adessive plural)
violaltani (ablative singular)
violoiltani (ablative plural)
violalleni (allative singular)
violoilleni (allative plural)
violanani (essive singular)
violoinani (essive plural)
violakseni (singular translative)
violoikseni (plural translative)
violattani (abessive singular)
violoittani (abessive plural)
violoineni (comitative plural)
violasi (nominative singular)
violasi (nominative plural)
violasi (accusative nominative singular)
violasi (accusative nominative plural)
violasi (accusative genitive singular)
violasi (accusative genitive plural)
violasi (genitive singular)
violoidesi (genitive plural)
violoittesi (genitive plural)
violaisi (genitive plural rare)
violaasi (partitive singular)
violoitasi (partitive plural)
violassasi (inessive singular)
violoissasi (inessive plural)
violastasi (elative singular)
violoistasi (elative plural)
violaasi (illative singular)
violoihisi (illative plural)
violallasi (adessive singular)
violoillasi (adessive plural)
violaltasi (ablative singular)
violoiltasi (ablative plural)
violallesi (allative singular)
violoillesi (allative plural)
violanasi (essive singular)
violoinasi (essive plural)
violaksesi (singular translative)
violoiksesi (plural translative)
violattasi (abessive singular)
violoittasi (abessive plural)
violoinesi (comitative plural)
violamme (nominative singular)
violamme (nominative plural)
violamme (accusative nominative singular)
violamme (accusative nominative plural)
violamme (accusative genitive singular)
violamme (accusative genitive plural)
violamme (genitive singular)
violoidemme (genitive plural)
violoittemme (genitive plural)
violaimme (genitive plural rare)
violaamme (partitive singular)
violoitamme (partitive plural)
violassamme (inessive singular)
violoissamme (inessive plural)
violastamme (elative singular)
violoistamme (elative plural)
violaamme (illative singular)
violoihimme (illative plural)
violallamme (adessive singular)
violoillamme (adessive plural)
violaltamme (ablative singular)
violoiltamme (ablative plural)
violallemme (allative singular)
violoillemme (allative plural)
violanamme (essive singular)
violoinamme (essive plural)
violaksemme (singular translative)
violoiksemme (plural translative)
violattamme (abessive singular)
violoittamme (abessive plural)
violoinemme (comitative plural)
violanne (nominative singular)
violanne (nominative plural)
violanne (accusative nominative singular)
violanne (accusative nominative plural)
violanne (accusative genitive singular)
violanne (accusative genitive plural)
violanne (genitive singular)
violoidenne (genitive plural)
violoittenne (genitive plural)
violainne (genitive plural rare)
violaanne (partitive singular)
violoitanne (partitive plural)
violassanne (inessive singular)
violoissanne (inessive plural)
violastanne (elative singular)
violoistanne (elative plural)
violaanne (illative singular)
violoihinne (illative plural)
violallanne (adessive singular)
violoillanne (adessive plural)
violaltanne (ablative singular)
violoiltanne (ablative plural)
violallenne (allative singular)
violoillenne (allative plural)
violananne (essive singular)
violoinanne (essive plural)
violaksenne (singular translative)
violoiksenne (plural translative)
violattanne (abessive singular)
violoittanne (abessive plural)
violoinenne (comitative plural)
violansa (nominative singular)
violansa (nominative plural)
violansa (accusative nominative singular)
violansa (accusative nominative plural)
violansa (accusative genitive singular)
violansa (accusative genitive plural)
violansa (genitive singular)
violoidensa (genitive plural)
violoittensa (genitive plural)
violainsa (genitive plural rare)
violaansa (partitive singular)
violoitaan (partitive plural)
violoitansa (partitive plural)
violassaan (inessive singular)
violassansa (inessive singular)
violoissaan (inessive plural)
violoissansa (inessive plural)
violastaan (elative singular)
violastansa (elative singular)
violoistaan (elative plural)
violoistansa (elative plural)
violaansa (illative singular)
violoihinsa (illative plural)
violallaan (adessive singular)
violallansa (adessive singular)
violoillaan (adessive plural)
violoillansa (adessive plural)
violaltaan (ablative singular)
violaltansa (ablative singular)
violoiltaan (ablative plural)
violoiltansa (ablative plural)
violalleen (allative singular)
violallensa (allative singular)
violoilleen (allative plural)
violoillensa (allative plural)
violanaan (essive singular)
violanansa (essive singular)
violoinaan (essive plural)
violoinansa (essive plural)
violakseen (singular translative)
violaksensa (singular translative)
violoikseen (plural translative)
violoiksensa (plural translative)
violattaan (abessive singular)
violattansa (abessive singular)
violoittaan (abessive plural)
violoittansa (abessive plural)
violoineen (comitative plural)
violoinensa (comitative plural)


viola

Possibly from Old Occitan viola (modern Occitan viula), ultimately from Medieval Latin *vitula (“stringed instrument”), which could be related to the goddess Latin vitula.


viola

→ Malay: biola
Indonesian: biola

From Old Galician-Portuguese viola, from Old Occitan viola, from Medieval Latin vitula, from vitula, Roman goddess of joy and victory.

(music) viola (a bowed instrument larger than a violin)

(music) viol (a bowed instrument of the violin family held between the legs)

(music) viola; viola caipira (10-string acoustic guitar used in Brazilian folk music)

(music, loosely or endearing) acoustic guitar


trance

en-noun

trance (countable and uncountable, plural trances)

French: trance

From Middle English traunce, from Anglo-Norman transe (“fear of coming evil; passage from life to death”), from transir (“to be numb with fear; to die, pass on”), from Latin trānseō (“to cross over”).

der

(uncountable, music) Short for trance music (“genre of electronic dance music”).


trance

(music) trance (a genre of electronic dance music)