saothar

saothar m (genitive singular saothair, nominative plural saothair)

saothair (genitive singular)
saothair (nominative plural)
saothar (indefinite nominative singular)
saothair (indefinite nominative plural)
a shaothair (indefinite singular vocative)
a shaothara (indefinite plural vocative)
saothair (genitive indefinite singular)
saothar (genitive indefinite plural)
saothar (dative indefinite singular)
saothair (dative indefinite plural)
an saothar (definite nominative singular)
na saothair (definite nominative plural)
an tsaothair (definite genitive singular)
na saothar (definite genitive plural)
leis an saothar (dative definite singular)
don saothar (dative definite singular)
leis na saothair (dative definite plural)
saothar (mutation mutation-radical)
shaothar (lenition mutation)
tsaothar (lenition mutation)

From Old Irish saíthar, from Proto-Celtic *saitrom, from Proto-Indo-European *sh₂ey-trom (“binding, fetter”).


ܫܘܚܠܦܐ

head

ܫܘܚܠܦܐ • (šuḥlāfā) m (plural ܫܘܚܠܦܐ)

syc-noun

ܫܘܚܠܦܐ • (šuḥlāfā) m (plural ܫܘܚܠܦܐ)

šuḥlāfā (romanization)
ܫܘܚܠܦܐ (plural)
ܫܘܚܠܦ (absolute singular)
ܫܘܚܠܦܝܢ (absolute plural)
ܫܘܚܠܦ (construct singular)
ܫܘܚܠܦܝ (construct plural)
ܫܘܚܠܦܐ (emphatic singular)
ܫܘܚܠܦܐ (emphatic plural)
ܫܘܚܠܦܝ (common-gender first-person possessive singular)
ܫܘܚܠܦܟ (masculine possessive second-person singular)
ܫܘܚܠܦܝܟ (masculine possessive second-person singular)
ܫܘܚܠܦܟܝ (feminine possessive second-person singular)
ܫܘܚܠܦܝܟܝ (feminine possessive second-person singular)
ܫܘܚܠܦܗ (masculine possessive singular third-person)
ܫܘܚܠܦܘܗܝ (masculine possessive singular third-person)
ܫܘܚܠܦܗ (feminine possessive singular third-person)
ܫܘܚܠܦܝܗ (feminine possessive singular third-person)
ܫܘܚܠܦܢ (common-gender first-person plural possessive)
ܫܘܚܠܦܝܢ (common-gender first-person plural possessive)
ܫܘܚܠܦܟܘܢ (masculine plural possessive second-person)
ܫܘܚܠܦܝܟܘܢ (masculine plural possessive second-person)
ܫܘܚܠܦܟܝܢ (feminine plural possessive second-person)
ܫܘܚܠܦܝܟܝܢ (feminine plural possessive second-person)
ܫܘܚܠܦܗܘܢ (masculine plural possessive third-person)
ܫܘܚܠܦܝܗܘܢ (masculine plural possessive third-person)
ܫܘܚܠܦܗܝܢ (feminine plural possessive third-person)
ܫܘܚܠܦܝܗܝܢ (feminine plural possessive third-person)


engleski rog

sh-noun

ènglēskī rȏg m (Cyrillic spelling ѐнгле̄скӣ ро̑г)

ènglēskī rȏg (canonical masculine)
ѐнгле̄скӣ ро̑г (Cyrillic)


енглески рог

ѐнгле̄скӣ ро̑г

ѐнгле̄скӣ ро̑г m (Latin spelling ènglēskī rȏg)

ѐнгле̄скӣ ро̑г (canonical masculine)
ènglēskī rȏg (romanization)


альбом

uk-noun

альбо́м<genu>

альбо́м • (alʹbóm) m inan (genitive альбо́му, nominative plural альбо́ми, genitive plural альбо́мів, relational adjective альбо́мний)

альбо́м (canonical)
alʹbóm (romanization)
альбо́му (genitive)
альбо́ми (nominative plural)
альбо́мів (genitive plural)
альбо́мний (adjective relational)
альбо́м (nominative singular)
альбо́ми (nominative plural)
альбо́му (genitive singular)
альбо́мів (genitive plural)
альбо́мові (dative singular)
альбо́му (dative singular)
альбо́мам (dative plural)
альбо́м (accusative singular)
альбо́ми (accusative plural)
альбо́мом (instrumental singular)
альбо́мами (instrumental plural)
альбо́мі (locative singular)
альбо́мах (locative plural)
альбо́ме (singular vocative)
альбо́ми (plural vocative)

uk-ndecl

альбо́м<genu>

uk:Мельничук Олександр Савич

Borrowed from French album, from Latin album.


stoner rock

As with psychedelia, the literary links of stoner rock are not its dominant features, especially insofar as many bands distance themselves from the broadly understood mainstream, which connotes forms of elitism and canonization.

2022, Ryan Hibbett, editor, Lit-Rock: Literary Capital in Popular Music, Bloomsbury, →ISBN, page 130:

(music) A subgenre of heavy metal which combines it with elements of psychedelic rock and acid rock.


kvintet

kvìntēt (canonical masculine)
квѝнте̄т (Cyrillic)
kvìntēt (nominative singular)
kvinteti (nominative plural)
kvintéta (genitive singular)
kvinteta (genitive plural)
kvintetu (dative singular)
kvintetima (dative plural)
kvintet (accusative singular)
kvintete (accusative plural)
kvintete (singular vocative)
kvinteti (plural vocative)
kvintetu (locative singular)
kvintetima (locative plural)
kvintetom (instrumental singular)
kvintetima (instrumental plural)


架子鼓

/t͡ɕi̯ä⁵¹ d͡z̥z̩¹ ku²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ä⁵¹ d͡z̥z̩¹ ku²¹⁴⁻²¹⁽⁴⁾/


квинтет

ru-noun+

квинте́т • (kvintét) m inan (genitive квинте́та, nominative plural квинте́ты, genitive plural квинте́тов)

квинте́т (canonical)
kvintét (romanization)
квинте́та (genitive)
квинте́ты (nominative plural)
квинте́тов (genitive plural)
квинте́т (nominative singular)
квинте́ты (nominative plural)
квинте́та (genitive singular)
квинте́тов (genitive plural)
квинте́ту (dative singular)
квинте́там (dative plural)
квинте́т (accusative singular)
квинте́ты (accusative plural)
квинте́том (instrumental singular)
квинте́тами (instrumental plural)
квинте́те (prepositional singular)
квинте́тах (plural prepositional)


квинтет

квѝнте̄т (canonical masculine)
kvìntēt (romanization)
квѝнте̄т (nominative singular)
квинтети (nominative plural)
квинте́та (genitive singular)
квинтета (genitive plural)
квинтету (dative singular)
квинтетима (dative plural)
квинтет (accusative singular)
квинтете (accusative plural)
квинтете (singular vocative)
квинтети (plural vocative)
квинтету (locative singular)
квинтетима (locative plural)
квинтетом (instrumental singular)
квинтетима (instrumental plural)


gotycki

pl-adj

gotycki (not comparable, derived adverb gotycko)

gotycki (masculine nominative singular)
gotycka (feminine nominative singular)
gotyckie (neuter nominative singular)
gotyccy (nominative plural virile)
gotyckie (nominative plural)
gotyckiego (genitive masculine singular)
gotyckiej (feminine genitive singular)
gotyckiego (genitive neuter singular)
gotyckich (genitive plural)
gotyckich (genitive plural virile)
gotyckiemu (dative masculine singular)
gotycku (archaic dative masculine singular)
gotyckiej (dative feminine singular)
gotyckiemu (dative neuter singular)
gotycku (archaic dative neuter singular)
gotyckim (dative plural)
gotyckim (dative plural virile)
gotyckiego (accusative animate masculine singular)
gotycki (accusative inanimate masculine singular)
gotycką (accusative feminine singular)
gotyckie (accusative neuter singular)
gotyckich (accusative plural virile)
gotyckie (accusative plural)
gotyckim (instrumental masculine singular)
gotycką (feminine instrumental singular)
gotyckim (instrumental neuter singular)
gotyckimi (instrumental plural)
gotyckimi (instrumental plural virile)
gotyckim (locative masculine singular)
gotyckiej (feminine locative singular)
gotyckim (locative neuter singular)
gotyckich (locative plural)
gotyckich (locative plural virile)


квартет

ru-noun+

кварте́т • (kvartét) m inan (genitive кварте́та, nominative plural кварте́ты, genitive plural кварте́тов)

кварте́т (canonical)
kvartét (romanization)
кварте́та (genitive)
кварте́ты (nominative plural)
кварте́тов (genitive plural)
кварте́т (nominative singular)
кварте́ты (nominative plural)
кварте́та (genitive singular)
кварте́тов (genitive plural)
кварте́ту (dative singular)
кварте́там (dative plural)
кварте́т (accusative singular)
кварте́ты (accusative plural)
кварте́том (instrumental singular)
кварте́тами (instrumental plural)
кварте́те (prepositional singular)
кварте́тах (plural prepositional)


квартет

ква̀рте̄т (canonical masculine)
kvàrtēt (romanization)
ква̀рте̄т (nominative singular)
квартети (nominative plural)
кварте́та (genitive singular)
квартета (genitive plural)
квартету (dative singular)
квартетима (dative plural)
квартет (accusative singular)
квартете (accusative plural)
квартете (singular vocative)
квартети (plural vocative)
квартету (locative singular)
квартетима (locative plural)
квартетом (instrumental singular)
квартетима (instrumental plural)


kvartet

kvartet (nominative singular)
kvartety (nominative plural)
kvartetu (genitive singular)
kvartetů (genitive plural)
kvartetu (dative singular)
kvartetům (dative plural)
kvartet (accusative singular)
kvartety (accusative plural)
kvartete (singular vocative)
kvartety (plural vocative)
kvartetu (locative singular)
kvartetech (locative plural)
kvartetem (instrumental singular)
kvartety (instrumental plural)


kvartet

kvàrtēt (canonical masculine)
ква̀рте̄т (Cyrillic)
kvàrtēt (nominative singular)
kvarteti (nominative plural)
kvartéta (genitive singular)
kvarteta (genitive plural)
kvartetu (dative singular)
kvartetima (dative plural)
kvartet (accusative singular)
kvartete (accusative plural)
kvartete (singular vocative)
kvarteti (plural vocative)
kvartetu (locative singular)
kvartetima (locative plural)
kvartetom (instrumental singular)
kvartetima (instrumental plural)


kvartet

kvartẹ̑t (canonical inanimate masculine)
please help by adding the tonal marks.
kvartét (nominative singular)
kvartéta (dual nominative)
kvartéti (nominative plural)
kvartéta (genitive singular)
kvartétov (dual genitive)
kvartétov (genitive plural)
kvartétu (dative singular)
kvartétoma (dative dual)
kvartétom (dative plural)
kvartét (accusative singular)
kvartéta (accusative dual)
kvartéte (accusative plural)
kvartétu (locative singular)
kvartétih (dual locative)
kvartétih (locative plural)
kvartétom (instrumental singular)
kvartétoma (dual instrumental)
kvartéti (instrumental plural)


քարշ

head

քարշ • (kʻarš)

Armenian: քարշ (kʻarš)

Borrowed from Iranian *karš-. Compare Avestan 𐬐𐬀𐬭𐬱- (karš-, “to drag, to draw furrows, plough”), Persian کشیدن (kašidan, “to draw, extract”). The spelling քաշ (kʻaš) is a later form.


guitarra acústica

ca-noun

guitarra acústica f (plural guitarres acústiques)


guitarra acústica

gl-noun

guitarra acústica f (plural guitarras acústicas)


guitarra acústica

(music, retronym) acoustic guitar (hollow-body guitar)


сюжет

uk-noun

сюже́т<genu>

сюже́т • (sjužét) m inan (genitive сюже́ту, nominative plural сюже́ти, genitive plural сюже́тів, relational adjective сюже́тний)

сюже́т (canonical)
sjužét (romanization)
сюже́ту (genitive)
сюже́ти (nominative plural)
сюже́тів (genitive plural)
сюже́тний (adjective relational)
сюже́т (nominative singular)
сюже́ти (nominative plural)
сюже́ту (genitive singular)
сюже́тів (genitive plural)
сюже́тові (dative singular)
сюже́ту (dative singular)
сюже́там (dative plural)
сюже́т (accusative singular)
сюже́ти (accusative plural)
сюже́том (instrumental singular)
сюже́тами (instrumental plural)
сюже́ті (locative singular)
сюже́тах (locative plural)
сюже́те (singular vocative)
сюже́ти (plural vocative)

uk-ndecl

сюже́т<genu>

Borrowed from French sujet, from Latin subiectum/subjectum. Doublet of суб'є́кт (subʺjékt).


ABG

en-noun

ABG (countable and uncountable, plural ABGs)

acoustic bass guitar
acoustic bass guitar#English

(music) Initialism of acoustic bass guitar.


riĉerkaro

eo-head

riĉerkaro (accusative singular riĉerkaron, plural riĉerkaroj, accusative plural riĉerkarojn)

riĉerkaron (accusative singular)
riĉerkaroj (plural)
riĉerkarojn (accusative plural)


barokowy

pl-adj

barokowy (comparative bardziej barokowy, superlative najbardziej barokowy, derived adverb barokowo)

bardziej barokowy (comparative)
najbardziej barokowy (superlative)
barokowy (masculine nominative singular)
barokowa (feminine nominative singular)
barokowe (neuter nominative singular)
barokowi (nominative plural virile)
barokowe (nominative plural)
barokowego (genitive masculine singular)
barokowej (feminine genitive singular)
barokowego (genitive neuter singular)
barokowych (genitive plural)
barokowych (genitive plural virile)
barokowemu (dative masculine singular)
barokowej (dative feminine singular)
barokowemu (dative neuter singular)
barokowym (dative plural)
barokowym (dative plural virile)
barokowego (accusative animate masculine singular)
barokowy (accusative inanimate masculine singular)
barokową (accusative feminine singular)
barokowe (accusative neuter singular)
barokowych (accusative plural virile)
barokowe (accusative plural)
barokowym (instrumental masculine singular)
barokową (feminine instrumental singular)
barokowym (instrumental neuter singular)
barokowymi (instrumental plural)
barokowymi (instrumental plural virile)
barokowym (locative masculine singular)
barokowej (feminine locative singular)
barokowym (locative neuter singular)
barokowych (locative plural)
barokowych (locative plural virile)

(relational, not comparable, art, music, historical) Baroque (from or characteristic of the Baroque period)


cantáid

head

cantáid f (genitive singular cantáide, nominative plural cantáidí)

cantáide (genitive singular)
cantáidí (nominative plural)
cantáid (indefinite nominative singular)
cantáidí (indefinite nominative plural)
a chantáid (indefinite singular vocative)
a chantáidí (indefinite plural vocative)
cantáide (genitive indefinite singular)
cantáidí (genitive indefinite plural)
cantáid (dative indefinite singular)
cantáidí (dative indefinite plural)
an chantáid (definite nominative singular)
na cantáidí (definite nominative plural)
na cantáide (definite genitive singular)
na gcantáidí (definite genitive plural)
leis an gcantáid (dative definite singular)
don chantáid (dative definite singular)
leis na cantáidí (dative definite plural)
cantáid (mutation mutation-radical)
chantáid (lenition mutation)
gcantáid (eclipsis mutation)


téama

téama m (genitive singular téama, nominative plural téamaí)

téama (genitive singular)
téamaí (nominative plural)
téama (indefinite nominative singular)
téamaí (indefinite nominative plural)
a théama (indefinite singular vocative)
a théamaí (indefinite plural vocative)
téama (genitive indefinite singular)
téamaí (genitive indefinite plural)
téama (dative indefinite singular)
téamaí (dative indefinite plural)
an téama (definite nominative singular)
na téamaí (definite nominative plural)
an téama (definite genitive singular)
na dtéamaí (definite genitive plural)
leis an téama (dative definite singular)
don téama (dative definite singular)
leis na téamaí (dative definite plural)
téama (mutation mutation-radical)
théama (lenition mutation)
dtéama (eclipsis mutation)

Borrowed from Old French tesme (French thème), from Latin thema, from Ancient Greek θέμα (théma), from τίθημι (títhēmi, “I put, place”), reduplicative from Proto-Indo-European *dʰeh₁- (“to put, place, do”).


téarma

head

téarma m (genitive singular téarma, nominative plural téarmaí)

téarma (genitive singular)
téarmaí (nominative plural)
téarma (indefinite nominative singular)
téarmaí (indefinite nominative plural)
a théarma (indefinite singular vocative)
a théarmaí (indefinite plural vocative)
téarma (genitive indefinite singular)
téarmaí (genitive indefinite plural)
téarma (dative indefinite singular)
téarmaí (dative indefinite plural)
an téarma (definite nominative singular)
na téarmaí (definite nominative plural)
an téarma (definite genitive singular)
na dtéarmaí (definite genitive plural)
leis an téarma (dative definite singular)
don téarma (dative definite singular)
leis na téarmaí (dative definite plural)
téarma (mutation mutation-radical)
théarma (lenition mutation)
dtéarma (eclipsis mutation)

/ˈtʲeːɾˠmˠə/

Borrowed from Middle English terme, from Old French terme, from Latin terminus (“boundary, limit”). Doublet of tearmann.


hocketed

en-adj

hocketed (comparative more hocketed, superlative most hocketed)

more hocketed (comparative)
most hocketed (superlative)

His “Frontline” had a ping-ponging, hocketed section for the band’s four horns at the beginning and end.

2008 March 7, Ben Ratliff, “Giving an Unpredictable Force His Due”, in New York Times:


Coordinate term: 𝄇

(music) Indicates the beginning of a repeated passage of music.


meanma

meanman (genitive singular)
meanma (indefinite nominative singular)
a mheanma (indefinite singular vocative)
meanman (genitive indefinite singular)
meanma (dative indefinite singular)
an mheanma (definite nominative singular)
na meanman (definite genitive singular)
leis an meanma (dative definite singular)
don mheanma (dative definite singular)
meanma (mutation mutation-radical)
mheanma (lenition mutation)

/ˈmʲanˠəmˠə/

From Middle Irish menma, from Old Irish menmae, from Proto-Celtic *menmens, from Proto-Indo-European *men- (“to think, remember”).


dream pop

(music) A subgenre of alternative rock with ethereal textures and breathy vocals rather than hard riffs.


갈고

(music) galgo, an ancient double-headed hourglass-shaped drum played with two sticks, used in Korean traditional music


albumo

eo-head

albumo (accusative singular albumon, plural albumoj, accusative plural albumojn)

albumon (accusative singular)
albumoj (plural)
albumojn (accusative plural)

Ultimately from Latin album (“blank white writing tablet”), from albus (“white”).

der

(music, colloquial) a collection of audio recordings intended for distribution as a group


փոխ

head

փոխ • (pʻox)

xcl-noun

փոխ • (pʻox)

pʻox (romanization)
փոխ (nominative singular)
փոխք (nominative plural)
փոխոյ (genitive singular)
փոխոց (genitive plural)
փոխոյ (dative singular)
փոխոց (dative plural)
փոխ (accusative singular)
փոխս (accusative plural)
փոխոյ (ablative singular)
փոխոց (ablative plural)
փոխով (instrumental singular)
փոխովք (instrumental plural)
փոխ (locative singular)
փոխս (locative plural)
փոխ (nominative singular)
փոխք (nominative plural)
փոխի (genitive singular)
փոխից (genitive plural)
փոխի (dative singular)
փոխից (dative plural)
փոխ (accusative singular)
փոխս (accusative plural)
փոխէ (ablative singular)
փոխից (ablative plural)
փոխիւ (instrumental singular)
փոխիւք (instrumental plural)
փոխի (locative singular)
փոխս (locative plural)

Armenian: փոխ (pʻox), փոխ- (pʻox-)

Ultimately from Akkadian 𒁍𒌑𒄷 (pu-u-ḫu /pūḫu/, “exchange, substitute, replacement; loan”), perhaps via Urartian 𒁍𒄭 (pu-ḫi /pūḫi/, “change, alter”) or Hurrian 𒁍𒄭 (pu-ḫu /pôḫi, pūḫi/, “barter, exchange”) since the phoneme /o/ is absent from Akkadian. The verbal attestation Urartian 𒁍𒄭𒀀𒉌 (pu-ḫi-a-ni /pūḫiani/, “let him not alter”) is sometimes adduced as an argument for a specifically Urartian source, though it does not exclude a direct borrowing from an unattested Hurrian verbal form. The Hurrian root was also borrowed with suffix as Hittite 𒁍𒄷𒂵𒊑 (pu-ḫu-ga-ri /puḫugari/, “substitute, replacement”).

cog

փոխ առ փոխ, փոխն ի փոխ

by turns, reciprocally, alternatively, mutually

(music) anthem, response, antistrophe, antiphon


ܡܪܒܥܐ

aii-noun

ܡܪܲܒܥܵܐ • (mrabˁā) m sg (plural ܡܪ̈ܲܒܥܹܐ (mrabˁē))

ܡܪܲܒܥܵܐ (canonical)
mrabˁā (romanization)
ܡܪ̈ܲܒܥܹܐ (plural)

Cognate to Arabic مُرَبَّع (murabbaʕ) and Hebrew רִבּוּעַ (ribu'a).

ܪܒ݂ܝܼܥܵܝ ܙܵܘܝܵܬܹ̈ܐ

rḇīˁāy zāwyātē


steel guitar

en-noun

steel guitar (countable and uncountable, plural steel guitars)

Steel guitar — in which the player used a metal or glass slide to note the strings — became popular when Hawaiian musicians, such as master steel guitarist Sal Hoopi, toured and recorded in the 1910a and 1920s.

2005, W. K. McNeil, Encyclopedia of American Gospel Music, page 167:

(music, uncountable) A method of playing slide guitar using a steel (a kind of slide).

While the acoustic guitar is stereotypically tied to country music, the pedal steel guitar, perhaps even more so than the acoustic guitar, represents country music by virtue of its visual appearance and more importantly its sound. […] During the 1950s and the era of the Nashville Sound, artists like Jim Reeves, Patsy Cline, Eddy Arnold, and Ray Price eschewed the hard country sounds of the steel guitar and fiddle and replaced them with softer back-up singers and string sections as they strove for a homogeneity that would appeal to a wider audience.

2003, Victor Coelho, The Cambridge Companion to the Guitar, pages 138–139:

The sound of the steel guitar had become popular in country music in the 1940s and was especially noticeable in the fusion of country and big band jazz called western swing.

2004, A. J. Millard, The Electric Guitar: A History of an American Icon, page 53:

The ukulele, slack key guitar, and steel guitar all came from this mixing of Hawai'ian and haole culture.

2005, Ben Marcus, Jeff Divine, Surfing USA!: An Illustrated History of the Coolest Sport of All Time, page 85:

(music, countable) Any of several types of guitar designed to be played using this method.


oktavo

eo-head

oktavo (accusative singular oktavon, plural oktavoj, accusative plural oktavojn)

oktavon (accusative singular)
oktavoj (plural)
oktavojn (accusative plural)


ground bass

en-noun

ground bass (countable and uncountable, plural ground basses)

(music) A constantly repeated bassline or harmonic pattern in a piece.


quintole

(music) A group of five notes to be played or sung in the time of three, four or six.


glisando

eo-head

glisando (accusative singular glisandon, plural glisandoj, accusative plural glisandojn)

glisandon (accusative singular)
glisandoj (plural)
glisandojn (accusative plural)


art rock

(music) A subgenre of experimental, intellectual rock music, often presented as a suite of pieces with a story or theme.


sub-bass

en-noun

sub-bass (countable and uncountable, plural sub-basses)

(music) Audible sounds below 60 Hz and extending downward to the lowest frequencies humans can hear, typically 20 Hz.


ομοφωνία

head

ομοφωνία • (omofonía) f (plural ομοφωνίες)

omofonía (romanization)
ομοφωνίες (plural)
ομοφωνία (nominative singular)
ομοφωνίας (genitive singular)
ομοφωνία (accusative singular)
ομοφωνία (singular vocative)

ο‧μο‧φω‧νί‧α

ομο- (omo-, “same, homo-”) + φωνή (foní, “voice”)


οργανικός

head

οργανικός • (organikós) m (feminine οργανική, neuter οργανικό)

organikós (romanization)
οργανική (feminine)
οργανικό (neuter)
οργανικός (masculine nominative singular)
οργανική (feminine nominative singular)
οργανικό (neuter nominative singular)
οργανικοί (masculine nominative plural)
οργανικές (feminine nominative plural)
οργανικά (neuter nominative plural)
οργανικού (genitive masculine singular)
οργανικής (feminine genitive singular)
οργανικού (genitive neuter singular)
οργανικών (genitive masculine plural)
οργανικών (feminine genitive plural)
οργανικών (genitive neuter plural)
οργανικό (accusative masculine singular)
οργανική (accusative feminine singular)
οργανικό (accusative neuter singular)
οργανικούς (accusative masculine plural)
οργανικές (accusative feminine plural)
οργανικά (accusative neuter plural)
οργανικέ (masculine singular vocative)
οργανική (feminine singular vocative)
οργανικό (neuter singular vocative)
οργανικοί (masculine plural vocative)
οργανικές (feminine plural vocative)
οργανικά (neuter plural vocative)
πιο + positive forms (comparative usually)

el-decl-adj-positive

Comparative: <i class="Grek mention" lang="el">πιο</i> + positive forms (e.g. πιο οργανικός, etc.)
 Relative superlative: definite article + πιο + positive forms (e.g. ο πιο οργανικός, etc.)

el-decl-adj-table

οργανικούς •


ფლეიტა

ka-noun

ფლეიტა • (pleiṭa) (plural ფლეიტები)


пуч

puč (romanization)
пуч (nominative singular)
пуч-влак (nominative plural)
пучым (accusative singular)
пуч-влакым (accusative plural)
пучын (genitive singular)
пуч-влакын (genitive plural)
пучлан (dative singular)
пуч-влаклан (dative plural)
пучге (comitative singular)
пуч-влакге (comitative plural)
пучла (comparative singular)
пуч-влакла (comparative plural)
пучышто (inessive singular)
пуч-влакыште (inessive plural)
пучыш (illative singular)
пуч-влакыш (illative plural)
пучышко (illative singular)
пуч-влакышке (illative plural)
пучеш (lative singular)
пуч-влакеш (lative plural)
пучем (first-person possessive singular)
пучна (first-person plural possessive)
пучет (possessive second-person singular)
пучда (plural possessive second-person)
пучшо (possessive singular third-person)
пучышт (plural possessive third-person)

mhr-decl-noun-table

пуч-влакыште

пуч-влакышке

From Proto-Mari *pŭč, from Proto-Uralic *pučke.


адажио

ада́жио (canonical)
adážio (romanization)

Borrowed from Italian adagio, perhaps through French adagio, based on the pronunciation.


onbeat

(music) The first and third beats in a bar of four-four time.


forebeat

(music) The primary, stronger half of a musical beat.


afterbeat

He does so by giving the first structural tone an afterbeat comparable to that which follows the second structural tone.

1989, Leonard B. Meyer, Style and music: theory, history, and ideology:

The most distinctive rhythmic feature of ska is a strong afterbeat: a strong, crisp chunk on the latter part of each beat.

2007, Michael Campbell, James Brody, ROCK AND ROLL: AN INTRODUCTION:

(music) A secondary, weaker half of a musical beat.


quinible

(music, obsolete) An interval of a fifth, or a part sung with such intervals.


kanzono

eo-head

kanzono (accusative singular kanzonon, plural kanzonoj, accusative plural kanzonojn)

kanzonon (accusative singular)
kanzonoj (plural)
kanzonojn (accusative plural)


Säit

Borrowed from German Saite, from Old High German seita. Formally adapted to etymology 1 because the German word is homophonous with Seite. If it had been inherited, the Luxembourgish form would be *Seet. Compare similarly Läich (“spawn”).


модерато

модера́то (canonical)
modɛráto (romanization)


модерато

ru-noun

модера́то • (modɛráto) m inan (indeclinable)

(music) a movement or piece that starts as moderato


arpegio

(music) arpeggio (the notes of a chord played individually instead of simultaneously)


noncuple

First attested in adjectival use in 1557, in nominal use in 1636, and in verbal use in 1674; from the post-Classical Latin noncuplus (“nine times larger than”), from the Classical Latin nōnus (“ninth”) + -cuplus; compare nonuple.

uder

Ðe rigt hand diſcanteŧ in Noncuple uppon đe plain Triple of đe left hand.

1636, Charls Butler, The Principles of Muſik in Singing and Setting, page 25:


sirvente

Borrowed from French sirvente, from Old Provençal sirventes, sirventesc, originally, the poem of, or concerning, a sirvent, from sirvent, properly, serving, n., one who serves (e.g., as a soldier), from servir (“to serve”), from Latin servīre.

The knight in the meantime, had brought the strings into some order, and after a short prelude, asked his host whether he would choose a sirvente in the language of oc, or a lai in the language of oui, or a virelai, or a ballad in the vulgar English.

1819 December 20 (indicated as 1820), Walter Scott, chapter XVII, in Ivanhoe; a Romance. […], volume II, Edinburgh: […] Archibald Constable and Co.; London: Hurst, Robinson, and Co. […], →OCLC, page 42:

[T]here was a little, sleek, fat clerk of the name of Chaucer, who was so apt at rondel, sirvente, or tonson, that no man dare give back a foot from the walls, lest he find it all set down in his rhymes and sung by every underling and varlet in the camp.

1891, A[rthur] Conan Doyle, The White Company, New York, N.Y., Boston, Mass.: Thomas Y[oung] Crowell & Company […], →OCLC, page 138:

(music, historical) A typically satirical song sung by the troubadours of Provence.


l'istesso tempo

From Italian l'istesso tempo (“the same tempo”). Lo istesso is contracted to L'istesso in standard written Italian.

der

(music) Indicates that the following movement should be played at the same tempo as the last, often employed when switching from simple to compound metres or vice versa, to clarify that the tempo stays the same in reference to the beats felt, not the time signature.


pre-hook

(music) Before the hook (normally a chorus) of a popular song.


bemola

eo-head

bemola (accusative singular bemolan, plural bemolaj, accusative plural bemolajn)

bemolan (accusative singular)
bemolaj (plural)
bemolajn (accusative plural)


sixteenth note

(music) A note that has 1/16 the value of a whole note.


helnot

helnot (indefinite nominative singular)
helnoten (definite nominative singular)
helnoter (indefinite nominative plural)
helnoterna (definite nominative plural)
helnots (genitive indefinite singular)
helnotens (definite genitive singular)
helnoters (genitive indefinite plural)
helnoternas (definite genitive plural)


eighth rest

(music) A rest that has the same length as an eighth note.


sixteenth rest

(music) A rest with the same length as a sixteenth note.


četrtinka

četrtȋnka (canonical feminine)
please help by adding the tonal marks.
četrtínka (nominative singular)
četrtínki (dual nominative)
četrtínke (nominative plural)
četrtínke (genitive singular)
četrtínk (dual genitive)
četrtínk (genitive plural)
četrtínki (dative singular)
četrtínkama (dative dual)
četrtínkam (dative plural)
četrtínko (accusative singular)
četrtínki (accusative dual)
četrtínke (accusative plural)
četrtínki (locative singular)
četrtínkah (dual locative)
četrtínkah (locative plural)
četrtínko (instrumental singular)
četrtínkama (dual instrumental)
četrtínkami (instrumental plural)


бемол

bg-noun

бемо́л • (bemól) m

бемо́л (canonical)
bemól (romanization)
бемо́л (indefinite singular)
бемо́ли (indefinite plural)
бемо́лът (definite singular subjective)
бемо́лите (definite plural subjective)
бемо́ла (definite objective singular)
бемо́лите (definite objective plural)
бемо́ла (count-form plural)

Borrowed from French bémol, from Medieval Latin b molle (“B flat”, literally “soft B”).


бемол

ре бемо́л


shepherd's pipe

en-noun

shepherd's pipe (plural shepherd's pipes or shepherds' pipes)

shepherd's pipes (plural)
shepherds' pipes (plural)


thirty-second note

thirty-second note (plural thirty-second notes)

(music) A note that has 1/32 the length of a whole note.


32nd note

(music, US) a note with 1/32 the length of a whole note


Fis

de-noun

Fis n (strong, genitive Fis, plural Fis)

Fis (genitive)
Fis (plural)
Fis (nominative singular)
Fis (definite nominative plural)
Fis (genitive singular)
Fis (definite genitive plural)
Fis (dative singular)
Fis (dative definite plural)
Fis (accusative singular)
Fis (accusative definite plural)

(music) F♯, F-sharp (the musical note one semitone above F)


alla breve

Borrowed from Italian alla breve (“at the breve”).

(music) A time signature for which the half note is the beat and there are two beats per measure.


alla breve

(music) According to the time signature for which the half note is the beat and there are two beats per measure.


harmonic minor scale

en-noun

harmonic minor scale (plural harmonic minor scales)

tone - semitone - tone - tone - semitone - augmented second - semitone.

(music) a type of minor scale with the 3rd and 6th notes lowered by one semitone, with the interval pattern:


natural minor scale

natural minor scale (plural natural minor scales)

tone - semitone - tone - tone - semitone - tone - tone.

Starting on the note C, this produces a scale with the notes C, D, E♭, F, G, A♭, B♭, C:

{c'd'es'f'g'aes'bes'c}

(music) A type of minor scale with the 3rd, 6th, and 7th notes lowered by one semitone, with the interval pattern:


down bow

(music) movement from the frog to the tip on the bow of a stringed instrument


octavated

Ob 2 = violin 2 (octavated, except bar 4, which is from basset-horn 2)

1987, Bastiaan Blomhert, The Harmoniemusik of Die Entführung aus dem Serail by Wolfgang Amadeus Mozart, page 60:

(music, rare, of an instrument) Altered to sound a pitch one octave lower than its usual range.


tenor clef

(music) a musical clef that is higher than the bass clef and lower than the alto clef where the A that is a third lower than middle C is the center line


up bow

(music) movement from the tip to the frog on the bow of a stringed instrument


melodic minor scale

melodic minor scale (plural melodic minor scales)

tone - semitone - tone - tone - tone - tone - semitone, and

tone - semitone - tone - tone - semitone - tone - tone

(music) a type of minor scale with the 3rd note lowered by one semitone when the scale is played ascending, and the 3rd, 6th, and 7th notes lowered by one semitone when descending, with the interval patterns:


octavating

The idea underlying this section is ‘the exploitation of non-octavating pitch-sieves (scales) and their cyclic transpositions.’

The tenor, originally written in standard G clef, is here written in octavating G clef, showing that it is to be read an octave lower than it is notated.

1984, Richard A. Crawford, editor, The Core Repertory of Early American Psalmody, page xvii:

Ob 1 = flute 1 (= octavating violin 1)

Soprano, alto, and tenor clefs used for the corresponding vocal parts in the principal and concordant sources have been changed here respectively to treble, treble, and octavating treble.

1994, Antonio Salieri, edited by Jane Schatkin Hettrick, Mass in D Major, preface, page xii:

The tenor is here written in the octavating G clef, indicating that it is to be sung an octave lower than notated. The counter parts in part 1, which were originally meant to be read as though octavating, are here written at actual pitch.

1995, Stephen Jenks, edited by David Warren Steel, Collected Works, page xlviii:

Clefs for the treble and bass have been retained, the treble clef substituted for the alto clef in the counter, and the octavating treble clef supplied to the tenor.

1995, Daniel Read, edited by Karl Kroeger, Collected Works, pages 221–222:

The octavating treble clef has been used for the tenor part, indicating that it should be sung an octave lower than written.

1997, Timothy Swan, edited by Nym Cooke, Psalmody and Secular Songs, page 268:

In the expanded Gamut with its octavating hexachords, all C’s, D’s, G’s, and A’s could be allotted three voces.

2005, David Lasocki, editor, Musicque de Joye, page 316, note 153:

I have systematically employed an octavating treble clef for tenor vocal parts.

2011, Laura Ingalls Wilder, edited by Dale Cockrell, The Ingalls Wilder Family Songbook, page 343:


octavation

First attested in 1922; probably formed as octav(e) + -ation, but compare octavate.

OCTAVATION (also called Pitch Control) — Changing the rate of tape speed over the playback head of a tape recorder changes the pitch of the signal being played back. If the speed is doubled, the signal will increase in pitch one octave.

1973, George R Neaderhiser, Guidelines for the Development of a Comprehensive Music Curriculum for Elementary Secondary Schools, page unknown:

A French rondeau from the Roman de la Rose (12th century) first establishes the triad, then turns to the seventh, but leaves it immediately to catch the octave, only to return in haste to the safer, wonted seventh. A similar example of uncertain octavation will be described in the following section on the Fate of Quartal and Quintal Patterns.

1977, Curt Sachs, edited by Jaap Kunst, The Wellsprings of Music, page 158:

I arranged ‘octavations’ which seemed to me to give the two movements greater elegance and litheness.

1988, William Primrose quoted by David J. Dalton in Playing the Viola, page 202

The method provides a simple control mechanism to provide spectral morphing via the octavation parameter.

1996 August 19th–24th, Lydia Ayers and Andrew Horner [eds.], Proceedings of the 1996 International Computer Music Conference, page 127

He also once mentioned a principle of “octavation” (his term), whereby, coming to a difficult point in the evolution of a contrapuntal texture, the composer could, as it were, escape to fresh territory by the straightforward strategy of jumping a part up or down by an octave.

1998, Hayes Biggs, Susan Orzel, editors, Musically Incorrect, page 13:


suomisaundi

suomisaundi (nominative singular)
suomisaundit (nominative plural)
suomisaundi (accusative nominative singular)
suomisaundit (accusative nominative plural)
suomisaundin (accusative genitive singular)
suomisaundit (accusative genitive plural)
suomisaundin (genitive singular)
suomisaundien (genitive plural)
suomisaundia (partitive singular)
suomisaundeja (partitive plural)
suomisaundissa (inessive singular)
suomisaundeissa (inessive plural)
suomisaundista (elative singular)
suomisaundeista (elative plural)
suomisaundiin (illative singular)
suomisaundeihin (illative plural)
suomisaundilla (adessive singular)
suomisaundeilla (adessive plural)
suomisaundilta (ablative singular)
suomisaundeilta (ablative plural)
suomisaundille (allative singular)
suomisaundeille (allative plural)
suomisaundina (essive singular)
suomisaundeina (essive plural)
suomisaundiksi (singular translative)
suomisaundeiksi (plural translative)
suomisaunditta (abessive singular)
suomisaundeitta (abessive plural)
suomisaundein (instructive plural)
See the possessive forms below. (comitative)
suomisaundini (nominative singular)
suomisaundini (nominative plural)
suomisaundini (accusative nominative singular)
suomisaundini (accusative nominative plural)
suomisaundini (accusative genitive singular)
suomisaundini (accusative genitive plural)
suomisaundini (genitive singular)
suomisaundieni (genitive plural)
suomisaundiani (partitive singular)
suomisaundejani (partitive plural)
suomisaundissani (inessive singular)
suomisaundeissani (inessive plural)
suomisaundistani (elative singular)
suomisaundeistani (elative plural)
suomisaundiini (illative singular)
suomisaundeihini (illative plural)
suomisaundillani (adessive singular)
suomisaundeillani (adessive plural)
suomisaundiltani (ablative singular)
suomisaundeiltani (ablative plural)
suomisaundilleni (allative singular)
suomisaundeilleni (allative plural)
suomisaundinani (essive singular)
suomisaundeinani (essive plural)
suomisaundikseni (singular translative)
suomisaundeikseni (plural translative)
suomisaundittani (abessive singular)
suomisaundeittani (abessive plural)
suomisaundeineni (comitative plural)
suomisaundisi (nominative singular)
suomisaundisi (nominative plural)
suomisaundisi (accusative nominative singular)
suomisaundisi (accusative nominative plural)
suomisaundisi (accusative genitive singular)
suomisaundisi (accusative genitive plural)
suomisaundisi (genitive singular)
suomisaundiesi (genitive plural)
suomisaundiasi (partitive singular)
suomisaundejasi (partitive plural)
suomisaundissasi (inessive singular)
suomisaundeissasi (inessive plural)
suomisaundistasi (elative singular)
suomisaundeistasi (elative plural)
suomisaundiisi (illative singular)
suomisaundeihisi (illative plural)
suomisaundillasi (adessive singular)
suomisaundeillasi (adessive plural)
suomisaundiltasi (ablative singular)
suomisaundeiltasi (ablative plural)
suomisaundillesi (allative singular)
suomisaundeillesi (allative plural)
suomisaundinasi (essive singular)
suomisaundeinasi (essive plural)
suomisaundiksesi (singular translative)
suomisaundeiksesi (plural translative)
suomisaundittasi (abessive singular)
suomisaundeittasi (abessive plural)
suomisaundeinesi (comitative plural)
suomisaundimme (nominative singular)
suomisaundimme (nominative plural)
suomisaundimme (accusative nominative singular)
suomisaundimme (accusative nominative plural)
suomisaundimme (accusative genitive singular)
suomisaundimme (accusative genitive plural)
suomisaundimme (genitive singular)
suomisaundiemme (genitive plural)
suomisaundiamme (partitive singular)
suomisaundejamme (partitive plural)
suomisaundissamme (inessive singular)
suomisaundeissamme (inessive plural)
suomisaundistamme (elative singular)
suomisaundeistamme (elative plural)
suomisaundiimme (illative singular)
suomisaundeihimme (illative plural)
suomisaundillamme (adessive singular)
suomisaundeillamme (adessive plural)
suomisaundiltamme (ablative singular)
suomisaundeiltamme (ablative plural)
suomisaundillemme (allative singular)
suomisaundeillemme (allative plural)
suomisaundinamme (essive singular)
suomisaundeinamme (essive plural)
suomisaundiksemme (singular translative)
suomisaundeiksemme (plural translative)
suomisaundittamme (abessive singular)
suomisaundeittamme (abessive plural)
suomisaundeinemme (comitative plural)
suomisaundinne (nominative singular)
suomisaundinne (nominative plural)
suomisaundinne (accusative nominative singular)
suomisaundinne (accusative nominative plural)
suomisaundinne (accusative genitive singular)
suomisaundinne (accusative genitive plural)
suomisaundinne (genitive singular)
suomisaundienne (genitive plural)
suomisaundianne (partitive singular)
suomisaundejanne (partitive plural)
suomisaundissanne (inessive singular)
suomisaundeissanne (inessive plural)
suomisaundistanne (elative singular)
suomisaundeistanne (elative plural)
suomisaundiinne (illative singular)
suomisaundeihinne (illative plural)
suomisaundillanne (adessive singular)
suomisaundeillanne (adessive plural)
suomisaundiltanne (ablative singular)
suomisaundeiltanne (ablative plural)
suomisaundillenne (allative singular)
suomisaundeillenne (allative plural)
suomisaundinanne (essive singular)
suomisaundeinanne (essive plural)
suomisaundiksenne (singular translative)
suomisaundeiksenne (plural translative)
suomisaundittanne (abessive singular)
suomisaundeittanne (abessive plural)
suomisaundeinenne (comitative plural)
suomisaundinsa (nominative singular)
suomisaundinsa (nominative plural)
suomisaundinsa (accusative nominative singular)
suomisaundinsa (accusative nominative plural)
suomisaundinsa (accusative genitive singular)
suomisaundinsa (accusative genitive plural)
suomisaundinsa (genitive singular)
suomisaundiensa (genitive plural)
suomisaundiaan (partitive singular)
suomisaundiansa (partitive singular)
suomisaundejaan (partitive plural)
suomisaundejansa (partitive plural)
suomisaundissaan (inessive singular)
suomisaundissansa (inessive singular)
suomisaundeissaan (inessive plural)
suomisaundeissansa (inessive plural)
suomisaundistaan (elative singular)
suomisaundistansa (elative singular)
suomisaundeistaan (elative plural)
suomisaundeistansa (elative plural)
suomisaundiinsa (illative singular)
suomisaundeihinsa (illative plural)
suomisaundillaan (adessive singular)
suomisaundillansa (adessive singular)
suomisaundeillaan (adessive plural)
suomisaundeillansa (adessive plural)
suomisaundiltaan (ablative singular)
suomisaundiltansa (ablative singular)
suomisaundeiltaan (ablative plural)
suomisaundeiltansa (ablative plural)
suomisaundilleen (allative singular)
suomisaundillensa (allative singular)
suomisaundeilleen (allative plural)
suomisaundeillensa (allative plural)
suomisaundinaan (essive singular)
suomisaundinansa (essive singular)
suomisaundeinaan (essive plural)
suomisaundeinansa (essive plural)
suomisaundikseen (singular translative)
suomisaundiksensa (singular translative)
suomisaundeikseen (plural translative)
suomisaundeiksensa (plural translative)
suomisaundittaan (abessive singular)
suomisaundittansa (abessive singular)
suomisaundeittaan (abessive plural)
suomisaundeittansa (abessive plural)
suomisaundeineen (comitative plural)
suomisaundeinensa (comitative plural)

(music) suomi, freestyle psytrance (freeform variation of psytrance music said to originate in Finland)


octavate

en-verb

octavate (third-person singular simple present octavates, present participle octavating, simple past and past participle octavated)

octavates (present singular third-person)
octavating (participle present)
octavated (participle past)
octavated (past)

First attested in verbal use in 1922 and in nominal use in 2000; formed as octav(e) + -ate, in the musical sense after the French octavier.

The string, originally divided, will continue for some time to “octavate”.

1922, Diran Alexanian [aut.] and Frederick Fairbanks [tr.], Complete Cello Technique (2003 repub.), page 105

Adolphe Sax, when he invented the saxophone, had at first only in mind the object of improving the clarinet by permitting it to ‘octavate.’

1947, Ernest Closson, translated by Delano Ames, History of the Piano, page 64:

‘Octavate’ (i.e. overblow at the octave. Does decimate mean to overblow at the tenth? Is the Primate the fundamental note of an instrument?).

1948, The Galpin Society Journal, I-IV, page 69:

When it octavates, the holes being closed, it often assumes its natural pitch again on opening the holes, instead of continuing its tones to the octave above, so that it octavates much more easily when the holes are closed than when they are unstopped.

1957, Marin Mersenne, translated by Roger Eddington Chapman, Harmonie Universelle, page 305:

(music) To sound one octave higher or lower.

(intransitive, of an instrument) To resonate or sound one octave higher or lower.

Ability to ornament, octavate, play chords and do some improvising.

He varies and octavates, leaving Bach listeners thunderstruck.

2007, Michael Gallant, “OCTAVATE!: Spread your hands to create powerful sounds.” in Keyboard XXXIII–XXXIV, page unknown

(intransitive, of a person) To span (at least) one octave in playing a musical instrument.

A 12-string doubles the octaves of only the lower four strings…. A doubled, capoed guitar “octavates up” the top two strings.

1999, Jon Chappell, The Recording Guitarist, page 133:

(transitive, rare, of an instrument, construed with up) To double the pitch of (a part of itself).


C major

(music) The major key with C as its tonic, and no sharps or flats, having the notes C, D, E, F, G, A, and B.

(music) The major chord with a root of C.


fristajlowiec

fristajlowiec (nominative singular)
fristajlowcy (nominative plural)
fristajlowce (derogatory nominative plural)
fristajlowca (genitive singular)
fristajlowców (genitive plural)
fristajlowcowi (dative singular)
fristajlowcom (dative plural)
fristajlowca (accusative singular)
fristajlowców (accusative plural)
fristajlowcem (instrumental singular)
fristajlowcami (instrumental plural)
fristajlowcu (locative singular)
fristajlowcach (locative plural)
fristajlowcze (singular vocative)
fristajlowcy (plural vocative)

(colloquial, sports, music) Alternative spelling of freestylowiec


multimovement

Asked to write a set of voluntaries, Mendelssohn — who admitted in an 1844 letter to Coventry that he did not understand what the term meant — fashioned a series of small pieces, then arranged them into multimovement works for publication in 1845.

2009 February 3, Steve Smith, “Pomp and Mendelssohn With Fluid Pedal Work”, in New York Times:


手板

/ʂoʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/sɐu̯³⁵ paːn³⁵/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁵⁵⁴⁻²⁴ pan⁵⁵⁴/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁴¹⁻⁴⁴ pan⁴¹/

/ʂəu̯⁴¹ pan⁴¹/

/ʂoʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/sɐu̯³⁵ paːn³⁵/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁵⁵⁴⁻²⁴ pan⁵⁵⁴/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁵³⁻⁴⁴ pan⁵³/

/t͡sʰiu⁴¹⁻⁴⁴ pan⁴¹/

/ʂəu̯⁴¹ pan⁴¹/

(music) handheld clapper used in traditional Chinese music


una corda pedal

en-noun

una corda pedal (plural una corda pedals)


skippy

en-adj

skippy (comparative skippier, superlative skippiest)

skippier (comparative)
skippiest (superlative)

(music) Having an upbeat rhythm, suitable to skip to.


megaconcerto

(music) a very large concert (especially a pop concert)


E major

{\key e \major e'fis'gis'a'b'cisdise2}

(music) The major key with the notes E, F♯, G♯, A, B, C♯, D♯, the key signature of which has four sharps.

(music) The major chord with a root of E.


G major

{\key g \major g'a'b'cdefisg2}

(music) The major key with the notes G, A, B, C, D, E, F♯, the key signature of which has one sharp.

(music) The major chord with a root of G.


F major

{\key f \major f'g'a'bes'cdef2}

(music) The major key with the notes F, G, A, B♭, C, D, E, the key signature of which has one flat.

(music) The major chord with a root of F.


D major

{\key d \major d'e'fis'g'a'b'cisd2}

(music) The major key with the notes D, E, F♯, G, A, B, and C♯, the key signature of which has two sharps.

(music) The major chord with a root of D.


kokonuotti

kokonuotti (nominative singular)
kokonuotit (nominative plural)
kokonuotti (accusative nominative singular)
kokonuotit (accusative nominative plural)
kokonuotin (accusative genitive singular)
kokonuotit (accusative genitive plural)
kokonuotin (genitive singular)
kokonuottien (genitive plural)
kokonuottia (partitive singular)
kokonuotteja (partitive plural)
kokonuotissa (inessive singular)
kokonuoteissa (inessive plural)
kokonuotista (elative singular)
kokonuoteista (elative plural)
kokonuottiin (illative singular)
kokonuotteihin (illative plural)
kokonuotilla (adessive singular)
kokonuoteilla (adessive plural)
kokonuotilta (ablative singular)
kokonuoteilta (ablative plural)
kokonuotille (allative singular)
kokonuoteille (allative plural)
kokonuottina (essive singular)
kokonuotteina (essive plural)
kokonuotiksi (singular translative)
kokonuoteiksi (plural translative)
kokonuotitta (abessive singular)
kokonuoteitta (abessive plural)
kokonuotein (instructive plural)
See the possessive forms below. (comitative)
kokonuottini (nominative singular)
kokonuottini (nominative plural)
kokonuottini (accusative nominative singular)
kokonuottini (accusative nominative plural)
kokonuottini (accusative genitive singular)
kokonuottini (accusative genitive plural)
kokonuottini (genitive singular)
kokonuottieni (genitive plural)
kokonuottiani (partitive singular)
kokonuottejani (partitive plural)
kokonuotissani (inessive singular)
kokonuoteissani (inessive plural)
kokonuotistani (elative singular)
kokonuoteistani (elative plural)
kokonuottiini (illative singular)
kokonuotteihini (illative plural)
kokonuotillani (adessive singular)
kokonuoteillani (adessive plural)
kokonuotiltani (ablative singular)
kokonuoteiltani (ablative plural)
kokonuotilleni (allative singular)
kokonuoteilleni (allative plural)
kokonuottinani (essive singular)
kokonuotteinani (essive plural)
kokonuotikseni (singular translative)
kokonuoteikseni (plural translative)
kokonuotittani (abessive singular)
kokonuoteittani (abessive plural)
kokonuotteineni (comitative plural)
kokonuottisi (nominative singular)
kokonuottisi (nominative plural)
kokonuottisi (accusative nominative singular)
kokonuottisi (accusative nominative plural)
kokonuottisi (accusative genitive singular)
kokonuottisi (accusative genitive plural)
kokonuottisi (genitive singular)
kokonuottiesi (genitive plural)
kokonuottiasi (partitive singular)
kokonuottejasi (partitive plural)
kokonuotissasi (inessive singular)
kokonuoteissasi (inessive plural)
kokonuotistasi (elative singular)
kokonuoteistasi (elative plural)
kokonuottiisi (illative singular)
kokonuotteihisi (illative plural)
kokonuotillasi (adessive singular)
kokonuoteillasi (adessive plural)
kokonuotiltasi (ablative singular)
kokonuoteiltasi (ablative plural)
kokonuotillesi (allative singular)
kokonuoteillesi (allative plural)
kokonuottinasi (essive singular)
kokonuotteinasi (essive plural)
kokonuotiksesi (singular translative)
kokonuoteiksesi (plural translative)
kokonuotittasi (abessive singular)
kokonuoteittasi (abessive plural)
kokonuotteinesi (comitative plural)
kokonuottimme (nominative singular)
kokonuottimme (nominative plural)
kokonuottimme (accusative nominative singular)
kokonuottimme (accusative nominative plural)
kokonuottimme (accusative genitive singular)
kokonuottimme (accusative genitive plural)
kokonuottimme (genitive singular)
kokonuottiemme (genitive plural)
kokonuottiamme (partitive singular)
kokonuottejamme (partitive plural)
kokonuotissamme (inessive singular)
kokonuoteissamme (inessive plural)
kokonuotistamme (elative singular)
kokonuoteistamme (elative plural)
kokonuottiimme (illative singular)
kokonuotteihimme (illative plural)
kokonuotillamme (adessive singular)
kokonuoteillamme (adessive plural)
kokonuotiltamme (ablative singular)
kokonuoteiltamme (ablative plural)
kokonuotillemme (allative singular)
kokonuoteillemme (allative plural)
kokonuottinamme (essive singular)
kokonuotteinamme (essive plural)
kokonuotiksemme (singular translative)
kokonuoteiksemme (plural translative)
kokonuotittamme (abessive singular)
kokonuoteittamme (abessive plural)
kokonuotteinemme (comitative plural)
kokonuottinne (nominative singular)
kokonuottinne (nominative plural)
kokonuottinne (accusative nominative singular)
kokonuottinne (accusative nominative plural)
kokonuottinne (accusative genitive singular)
kokonuottinne (accusative genitive plural)
kokonuottinne (genitive singular)
kokonuottienne (genitive plural)
kokonuottianne (partitive singular)
kokonuottejanne (partitive plural)
kokonuotissanne (inessive singular)
kokonuoteissanne (inessive plural)
kokonuotistanne (elative singular)
kokonuoteistanne (elative plural)
kokonuottiinne (illative singular)
kokonuotteihinne (illative plural)
kokonuotillanne (adessive singular)
kokonuoteillanne (adessive plural)
kokonuotiltanne (ablative singular)
kokonuoteiltanne (ablative plural)
kokonuotillenne (allative singular)
kokonuoteillenne (allative plural)
kokonuottinanne (essive singular)
kokonuotteinanne (essive plural)
kokonuotiksenne (singular translative)
kokonuoteiksenne (plural translative)
kokonuotittanne (abessive singular)
kokonuoteittanne (abessive plural)
kokonuotteinenne (comitative plural)
kokonuottinsa (nominative singular)
kokonuottinsa (nominative plural)
kokonuottinsa (accusative nominative singular)
kokonuottinsa (accusative nominative plural)
kokonuottinsa (accusative genitive singular)
kokonuottinsa (accusative genitive plural)
kokonuottinsa (genitive singular)
kokonuottiensa (genitive plural)
kokonuottiaan (partitive singular)
kokonuottiansa (partitive singular)
kokonuottejaan (partitive plural)
kokonuottejansa (partitive plural)
kokonuotissaan (inessive singular)
kokonuotissansa (inessive singular)
kokonuoteissaan (inessive plural)
kokonuoteissansa (inessive plural)
kokonuotistaan (elative singular)
kokonuotistansa (elative singular)
kokonuoteistaan (elative plural)
kokonuoteistansa (elative plural)
kokonuottiinsa (illative singular)
kokonuotteihinsa (illative plural)
kokonuotillaan (adessive singular)
kokonuotillansa (adessive singular)
kokonuoteillaan (adessive plural)
kokonuoteillansa (adessive plural)
kokonuotiltaan (ablative singular)
kokonuotiltansa (ablative singular)
kokonuoteiltaan (ablative plural)
kokonuoteiltansa (ablative plural)
kokonuotilleen (allative singular)
kokonuotillensa (allative singular)
kokonuoteilleen (allative plural)
kokonuoteillensa (allative plural)
kokonuottinaan (essive singular)
kokonuottinansa (essive singular)
kokonuotteinaan (essive plural)
kokonuotteinansa (essive plural)
kokonuotikseen (singular translative)
kokonuotiksensa (singular translative)
kokonuoteikseen (plural translative)
kokonuoteiksensa (plural translative)
kokonuotittaan (abessive singular)
kokonuotittansa (abessive singular)
kokonuoteittaan (abessive plural)
kokonuoteittansa (abessive plural)
kokonuotteineen (comitative plural)
kokonuotteinensa (comitative plural)


postserial

Here was music by a young composer audaciously combining postserial techniques with the buzz-saw din of rock.

2009 April 9, Anthony Tommasini, “Four Debuts, One Farewell”, in New York Times:


melos

(music) The melody in Ancient Greek music.


расстройство

ru-noun+

расстро́йство

расстро́йство • (rasstrójstvo) n inan (genitive расстро́йства, nominative plural расстро́йства, genitive plural расстро́йств)

расстро́йство (canonical)
rasstrójstvo (romanization)
расстро́йства (genitive)
расстро́йства (nominative plural)
расстро́йств (genitive plural)
расстро́йство (nominative singular)
расстро́йства (nominative plural)
расстро́йства (genitive singular)
расстро́йств (genitive plural)
расстро́йству (dative singular)
расстро́йствам (dative plural)
расстро́йство (accusative singular)
расстро́йства (accusative plural)
расстро́йством (instrumental singular)
расстро́йствами (instrumental plural)
расстро́йстве (prepositional singular)
расстро́йствах (plural prepositional)

Ru-расстройство.ogg

расстро́ить (rasstróitʹ) + -ство (-stvo)

af

Расстро́йство мое́й фле́йты ста́ло заме́тно как то́лько орке́стр на́чал игра́ть.

It became apparent that my flute was out of tune as soon as the orchestra started to play.

Rasstrójstvo mojéj fléjty stálo zamétno kak tólʹko orkéstr náčal igrátʹ.

(music) The state of an instrument being out of tune.


eelmäng

head

eelmäng (genitive eelmängu, partitive eelmängu)

eelmängu (genitive)
eelmängu (partitive)
eelmäng (nominative singular)
eelmängud (nominative plural)
eelmäng (accusative nominative singular)
eelmängud (accusative nominative plural)
eelmängu (accusative genitive singular)
eelmängud (accusative genitive plural)
eelmängu (genitive singular)
eelmängude (genitive plural)
eelmängu (partitive singular)
eelmänge (partitive plural)
eelmängusid (partitive plural)
eelmängu (illative singular)
eelmängusse (illative singular)
eelmängudesse (illative plural)
eelmängesse (illative plural)
eelmängus (inessive singular)
eelmängudes (inessive plural)
eelmänges (inessive plural)
eelmängust (elative singular)
eelmängudest (elative plural)
eelmängest (elative plural)
eelmängule (allative singular)
eelmängudele (allative plural)
eelmängele (allative plural)
eelmängul (adessive singular)
eelmängudel (adessive plural)
eelmängel (adessive plural)
eelmängult (ablative singular)
eelmängudelt (ablative plural)
eelmängelt (ablative plural)
eelmänguks (singular translative)
eelmängudeks (plural translative)
eelmängeks (plural translative)
eelmänguni (singular terminative)
eelmängudeni (plural terminative)
eelmänguna (essive singular)
eelmängudena (essive plural)
eelmänguta (abessive singular)
eelmängudeta (abessive plural)
eelmänguga (comitative singular)
eelmängudega (comitative plural)

From eel- + mäng, a calque of German Vorspiel.


D-flat major

{\key des \major des'es'f'ges'aes'bes'cdes2}

(music) a major key with the notes D♭, E♭, F, G♭, A♭, B♭, C, the key signature of which has five flats

(music) a chord with the notes D♭, F, and A♭:


D-flat major

(music) describing a piece, song, or scale that has a D-flat major key


ghatam

For a stretch, this cohort made additional room for T. H. Vinayakram, an expert on the ghatam, an earthenware pot played with thrummed fingers or open palms.

2009 May 1, Nate Chinen, “Bringing Along Friends Who Can Add to the Beat”, in New York Times:

percussion instrument
percussion instrument

(music) An earthenware pot used as a percussion instrument in the Carnatic music of South India.


gyil

“Dust Dances” (1994), the vigorous opening work here, is the fruit of a four-month visit to Ghana, where Mr. Bermel studied the gyil, an African xylophone.

2009 May 10, The New York Times, “Sounds Both Eclectic and Electric”, in New York Times:

(music) A pentatonic instrument of Africa, resembling a xylophone.


ワンマン

Borrowed from English one man, as used in phrases like one-man show. Listed incorrectly in some sources as wasei eigo, likely due to the divergence in meaning. Used in compounds, many of which point towards the original borrowed meaning of simply one man.

ワンマンカー

a bus, streetcar, or train with only a driver and no conductor

ワンマンコントロール

one-man control, as of equipment or machinery

ワンマンチーム: a team that relies entirely on its pitcher

(music) live performance exclusively featuring one performer (band, group, etc.)


mimodramma

(music) pantomime (early form of drama) with music


mottettista

it-noun

mottettista m or f by sense (masculine plural mottettisti, feminine plural mottettiste)

mottettisti (masculine plural)
mottettiste (feminine plural)


C-clef

(music) a sign that indicates where middle C is on the staff with the center of the sign being middle C.


páirteach

head

páirteach m (genitive singular páirtigh, nominative plural páirteacha)

páirtigh (genitive singular)
páirteacha (nominative plural)
páirteach (indefinite nominative singular)
páirteacha (indefinite nominative plural)
a pháirtigh (indefinite singular vocative)
a pháirteacha (indefinite plural vocative)
páirtigh (genitive indefinite singular)
páirteach (genitive indefinite plural)
páirteach (dative indefinite singular)
páirteacha (dative indefinite plural)
an páirteach (definite nominative singular)
na páirteacha (definite nominative plural)
an pháirtigh (definite genitive singular)
na bpáirteach (definite genitive plural)
leis an bpáirteach (dative definite singular)
don pháirteach (dative definite singular)
leis na páirteacha (dative definite plural)
páirteach (mutation mutation-radical)
pháirteach (lenition mutation)
bpáirteach (eclipsis mutation)

From páirt (“part”) + -ach (adjectival suffix).


alt-country

alternative country
alternative country#English

(music) Clipping of alternative country.


oboista

it-noun

oboista m or f by sense (masculine plural oboisti, feminine plural oboiste)

oboisti (masculine plural)
oboiste (feminine plural)


organologico

it-adj

organologico (feminine organologica, masculine plural organologici, feminine plural organologiche)

organologica (feminine)
organologici (masculine plural)
organologiche (feminine plural)

(biology, music) organologic, organological


sound hole

(music) An opening in the belly of a stringed instrument that increases its volume and enhances its tone quality.

ääniaukko

an opening in a stringed musical instrument


doucine

fro-noun

doucine oblique singular, f (oblique plural doucines, nominative singular doucine, nominative plural doucines)

doucine oblique singular or (canonical feminine)
doucines (oblique plural)
doucine (nominative singular)
doucines (nominative plural)

Spanish: dulzaina

→ English: dulzaina


chart-topping

After signing a record deal at just 17 while the rest of us (me) were making $5 per week mowing neighbors’s lawns, the singer [Doja Cat] released multiple chart-topping albums and had several songs go absolutely viral on TikTok.

2024 September 4, Mehera Bonner, “Doja Cat Is One of Music’s Highest-Paid Artists, and Her Net Worth Shows It”, in Cosmopolitan:

(music) That sells the most copies (of a record) during a particular time.


pedaleggiare

it-verb

pedaleggiàre (first-person singular present pedaléggio, first-person singular past historic pedaleggiài, past participle pedaleggiàto, auxiliary avére)

pedaleggiàre (canonical)
pedaléggio (first-person present singular)
pedaleggiài (first-person historic past singular)
pedaleggiàto (participle past)
avére (auxiliary)
pedaleggiàre (infinitive)
avére (auxiliary)
pedaleggiàndo (gerund)
pedaleggiànte (participle present)
pedaleggiàto (participle past)
pedaléggio (first-person indicative present singular)
pedaléggi (indicative present second-person singular)
pedaléggia (indicative present singular third-person)
pedaleggiàmo (first-person indicative plural present)
pedaleggiàte (indicative plural present second-person)
pedaléggiano (indicative plural present third-person)
pedaleggiàvo (first-person imperfect indicative singular)
pedaleggiàvi (imperfect indicative second-person singular)
pedaleggiàva (imperfect indicative singular third-person)
pedaleggiavàmo (first-person imperfect indicative plural)
pedaleggiavàte (imperfect indicative plural second-person)
pedaleggiàvano (imperfect indicative plural third-person)
pedaleggiài (first-person historic indicative past singular)
pedaleggiàsti (historic indicative past second-person singular)
pedaleggiò (historic indicative past singular third-person)
pedaleggiàmmo (first-person historic indicative past plural)
pedaleggiàste (historic indicative past plural second-person)
pedaleggiàrono (historic indicative past plural third-person)
pedaleggerò (first-person future indicative singular)
pedaleggerài (future indicative second-person singular)
pedaleggerà (future indicative singular third-person)
pedaleggerémo (first-person future indicative plural)
pedaleggeréte (future indicative plural second-person)
pedaleggerànno (future indicative plural third-person)
pedaleggerèi (conditional first-person present singular)
pedaleggerésti (conditional present second-person singular)
pedaleggerèbbe (conditional present singular third-person)
pedaleggerébbe (conditional present singular third-person)
pedaleggerémmo (conditional first-person plural present)
pedaleggeréste (conditional plural present second-person)
pedaleggerèbbero (conditional plural present third-person)
pedaleggerébbero (conditional plural present third-person)
pedaléggi (first-person present singular subjunctive)
pedaléggi (present second-person singular subjunctive)
pedaléggi (present singular subjunctive third-person)
pedaleggiàmo (first-person plural present subjunctive)
pedaleggiàte (plural present second-person subjunctive)
pedaléggino (plural present subjunctive third-person)
pedaleggiàssi (first-person imperfect singular subjunctive)
pedaleggiàssi (imperfect second-person singular subjunctive)
pedaleggiàsse (imperfect singular subjunctive third-person)
pedaleggiàssimo (first-person imperfect plural subjunctive)
pedaleggiàste (imperfect plural second-person subjunctive)
pedaleggiàssero (imperfect plural subjunctive third-person)
pedaléggia (imperative second-person singular)
pedaléggi (formal imperative second-person-semantically singular third-person)
pedaleggiàmo (first-person imperative plural)
pedaleggiàte (imperative plural second-person)
pedaléggino (formal imperative plural second-person-semantically third-person)
pedaleggiàre (imperative negative second-person singular)
pedaléggi (formal imperative negative second-person-semantically singular third-person)
pedaleggiàmo (first-person imperative negative plural)
pedaleggiàte (imperative negative plural second-person)
pedaléggino (formal imperative negative plural second-person-semantically third-person)

(intransitive, music) to use the pedals (of a piano, etc.)


double whole note

en-noun

double whole note (plural double whole notes)

(US, music) A note with twice the value of a whole note; a breve.

倍全音符

music: a note with twice the value of a whole note


рэп

ru-noun+

рэп • (rɛp) m inan (genitive рэ́па, nominative plural рэ́пы, genitive plural рэ́пов)

rɛp (romanization)
рэ́па (genitive)
рэ́пы (nominative plural)
рэ́пов (genitive plural)
рэ́п (nominative singular)
рэ́пы (nominative plural)
рэ́па (genitive singular)
рэ́пов (genitive plural)
рэ́пу (dative singular)
рэ́пам (dative plural)
рэ́п (accusative singular)
рэ́пы (accusative plural)
рэ́пом (instrumental singular)
рэ́пами (instrumental plural)
рэ́пе (prepositional singular)
рэ́пах (plural prepositional)


champeta

Bomba Estéreo’s set at the Bowery Ballroom on Thursday night — part of a six-band lineup — was kaleidoscopic and danceable, mingling the clip-clop bounce of cumbia and another Colombian rhythm, champeta, with echoey guitar, reggae backbeats and the singing and rapping of Liliana Saumet.

2009 July 11, Jon Pareles, “Latin Alternative Music’s Movers and Shakers Meet”, in New York Times:

(music) A form of local independent music from Colombia.


техно

tehno (romanization)
техно (indefinite singular)
техното (definite singular unspecified)
техново (definite proximal singular)
техноно (definite distal singular)
техно (singular vocative)


トランス

[to̞ɾã̠ɰ̃sɨ]


Mixolydian mode

tone - tone - semitone - tone - tone - semitone - tone.

Starting on the note C, this produces a scale with the notes C, D, E, F, G, A, B♭, C.

{c' d' e' f' g' a' bes' c2}

(music) a mode whose scale is the same as a major key with the seventh scale degree lowered by one half step, with the interval pattern:


Dorian mode

tone - semitone - tone - tone - tone - semitone - tone

Starting on the note C, this produces a scale with the notes C, D, E♭, F, G, A, B♭, C

{c'd'es'f'g'a'bes'c}

(music) a mode whose scale is the same as a minor key with the sixth scale degree raised by one half step, with the interval pattern:


Phrygian mode

semitone - tone - tone - tone - semitone - tone - tone.

Starting on the note C, this produces a scale with the notes C, D♭, E♭, F, G, A♭, B♭, C

{c'des'es'f'g'aes'bes'c}

(music) a mode whose scale is the same as a minor key with the second scale degree lowered by one half step, with the interval pattern:


scale degree

(music) a number given to each note of a scale


Ionian mode

tone - tone - semitone - tone - tone - tone - semitone

Starting on the note C, this produces a scale with the notes C, D, E, F, G, A, B, C

{c'd'e'f'g'a'b'c}

(music) A mode that is the same as a major key, with the interval pattern:


Lydian mode

tone - tone - tone - semitone - tone - tone - semitone.

Starting on the note C, this produces a scale with the notes C, D, E, F♯, G, A, B, C

{c'd'e'fis'g'a'b'c}

(music) a mode whose scale is the same as a major key with the fourth scale degree raised by one half step, with the interval pattern:


Aeolian mode

tone - semitone - tone - tone - semitone - tone - tone

Starting on the note A, this produces a scale with the notes A, B, C, D, E, F, G, A

{a b c'd'e'f'g'a'2}

(music) a mode whose scale is the same as a natural minor scale, with the interval pattern:


مضراب

head

مضراب • (mezrâb)

fa-noun

مضراب • (mezrâb)

Ultimately from Arabic مِضْرَاب (miḍrāb).

(music) mezrab, a small lightweight hammer with a slightly curved end and an inbuilt pick that is used to play the santur (Iranian hammered dulcimer) by striking the strings.


double sharp

(music) An accidental that indicates that a note should be played a whole step higher.

dubbelkruis

music: an accidental that indicates that a note should be played a whole step higher


double flat

Coordinate term: double sharp

(music) An accidental that indicates that a note should be played a whole step lower.

dubbelmol

music: an accidental that indicates that a note should be played a whole step lower


augmented second

en-noun

augmented second (plural augmented seconds)

(music) an interval that is equivalent to a major second widened by one chromatic semitone. In twelve-tone equal temperament, this is equal to three half steps where the notes are in consecutive staff positions (compare minor third.)


anhemitonic pentatonic scale

anhemitonic pentatonic scale (plural anhemitonic pentatonic scales)

(music) A pentatonic scale that does not contain half steps.


hemitonic pentatonic scale

hemitonic pentatonic scale (plural hemitonic pentatonic scales)

(music) A pentatonic scale that contains half steps.


octatonic scale

octatonic scale (plural octatonic scales)

(music) A scale that has four half step intervals and four whole step intervals that alternate.


sixty-fourth note

sixty-fourth note (plural sixty-fourth notes)

(music) a note with 1/64 the value of a whole note


preludiare

it-verb

preludiàre (first-person singular present prelùdio, first-person singular past historic preludiài, past participle preludiàto, auxiliary avére)

preludiàre (canonical)
prelùdio (first-person present singular)
preludiài (first-person historic past singular)
preludiàto (participle past)
avére (auxiliary)
preludiàre (infinitive)
avére (auxiliary)
preludiàndo (gerund)
preludiànte (participle present)
preludiàto (participle past)
prelùdio (first-person indicative present singular)
prelùdi (indicative present second-person singular)
prelùdia (indicative present singular third-person)
preludiàmo (first-person indicative plural present)
preludiàte (indicative plural present second-person)
prelùdiano (indicative plural present third-person)
preludiàvo (first-person imperfect indicative singular)
preludiàvi (imperfect indicative second-person singular)
preludiàva (imperfect indicative singular third-person)
preludiavàmo (first-person imperfect indicative plural)
preludiavàte (imperfect indicative plural second-person)
preludiàvano (imperfect indicative plural third-person)
preludiài (first-person historic indicative past singular)
preludiàsti (historic indicative past second-person singular)
preludiò (historic indicative past singular third-person)
preludiàmmo (first-person historic indicative past plural)
preludiàste (historic indicative past plural second-person)
preludiàrono (historic indicative past plural third-person)
preludierò (first-person future indicative singular)
preludierài (future indicative second-person singular)
preludierà (future indicative singular third-person)
preludierémo (first-person future indicative plural)
preludieréte (future indicative plural second-person)
preludierànno (future indicative plural third-person)
preludierèi (conditional first-person present singular)
preludierésti (conditional present second-person singular)
preludierèbbe (conditional present singular third-person)
preludierébbe (conditional present singular third-person)
preludierémmo (conditional first-person plural present)
preludieréste (conditional plural present second-person)
preludierèbbero (conditional plural present third-person)
preludierébbero (conditional plural present third-person)
prelùdi (first-person present singular subjunctive)
prelùdi (present second-person singular subjunctive)
prelùdi (present singular subjunctive third-person)
preludiàmo (first-person plural present subjunctive)
preludiàte (plural present second-person subjunctive)
prelùdino (plural present subjunctive third-person)
preludiàssi (first-person imperfect singular subjunctive)
preludiàssi (imperfect second-person singular subjunctive)
preludiàsse (imperfect singular subjunctive third-person)
preludiàssimo (first-person imperfect plural subjunctive)
preludiàste (imperfect plural second-person subjunctive)
preludiàssero (imperfect plural subjunctive third-person)
prelùdia (imperative second-person singular)
prelùdi (formal imperative second-person-semantically singular third-person)
preludiàmo (first-person imperative plural)
preludiàte (imperative plural second-person)
prelùdino (formal imperative plural second-person-semantically third-person)
preludiàre (imperative negative second-person singular)
prelùdi (formal imperative negative second-person-semantically singular third-person)
preludiàmo (first-person imperative negative plural)
preludiàte (imperative negative plural second-person)
prelùdino (formal imperative negative plural second-person-semantically third-person)

(intransitive, music) to prelude, to play a prelude [with su ‘on an instrument’] [auxiliary avere]


同調

/tʰʊŋ³⁵ ti̯ɑʊ̯⁵¹/

/tʰʊŋ³⁵ ti̯aʊ̯ɻʷ⁵¹/

/tʰʊŋ²¹ tiːu̯²²/

/tʰʊŋ³⁵ ti̯ɑʊ̯⁵¹/

/tʰʊŋ³⁵ ti̯aʊ̯ɻʷ⁵¹/

/tʰʊŋ²¹ tiːu̯²²/


goguette

(historical, music) glee club, singing society


détonner

détonner (infinitive)
avoir + past participle (infinitive multiword-construction)
détonnant (gerund participle present)
ayant + past participle (gerund multiword-construction participle present)
détonné (participle past)
détonne (first-person indicative present singular)
détonnes (indicative present second-person singular)
détonne (indicative present singular third-person)
détonnons (first-person indicative plural present)
détonnez (indicative plural present second-person)
détonnent (indicative plural present third-person)
détonnais (first-person imperfect indicative singular)
détonnais (imperfect indicative second-person singular)
détonnait (imperfect indicative singular third-person)
détonnions (first-person imperfect indicative plural)
détonniez (imperfect indicative plural second-person)
détonnaient (imperfect indicative plural third-person)
détonnai (first-person historic indicative past singular)
détonnas (historic indicative past second-person singular)
détonna (historic indicative past singular third-person)
détonnâmes (first-person historic indicative past plural)
détonnâtes (historic indicative past plural second-person)
détonnèrent (historic indicative past plural third-person)
détonnerai (first-person future indicative singular)
détonneras (future indicative second-person singular)
détonnera (future indicative singular third-person)
détonnerons (first-person future indicative plural)
détonnerez (future indicative plural second-person)
détonneront (future indicative plural third-person)
détonnerais (conditional first-person singular)
détonnerais (conditional second-person singular)
détonnerait (conditional singular third-person)
détonnerions (conditional first-person plural)
détonneriez (conditional plural second-person)
détonneraient (conditional plural third-person)
future of avoir + past participle (future indicative multiword-construction perfect)
conditional of avoir + past participle (conditional multiword-construction perfect)
détonne (first-person present singular subjunctive)
détonnes (present second-person singular subjunctive)
détonne (present singular subjunctive third-person)
détonnions (first-person plural present subjunctive)
détonniez (plural present second-person subjunctive)
détonnent (plural present subjunctive third-person)
détonnasse (first-person imperfect singular subjunctive)
détonnasses (imperfect second-person singular subjunctive)
détonnât (imperfect singular subjunctive third-person)
détonnassions (first-person imperfect plural subjunctive)
détonnassiez (imperfect plural second-person subjunctive)
détonnassent (imperfect plural subjunctive third-person)
détonne (imperative second-person singular)
détonnons (first-person imperative plural)
détonnez (imperative plural second-person)


équisonnant

fr-adj

équisonnant (feminine équisonnante, masculine plural équisonnants, feminine plural équisonnantes)

équisonnante (feminine)
équisonnants (masculine plural)
équisonnantes (feminine plural)

(music) equisonant (separated by an octave)


leading tone

(music) scale degree seven when the first scale degree is one half step higher than the seventh scale degree


aicinn

head

aicinn f (genitive singular aicinne, plural aicinnean)

aicinne (genitive singular)
aicinnean (plural)
aicinn (mutation mutation-radical)
n-aicinn (eclipsis mutation)
h-aicinn (mutation prothesis-h)
t-aicinn (mutation prothesis-t)

From Old Irish aiccend, from Latin accentus.


popurrí

es-noun

popurrí m (plural popurrís or popurríes)

Borrowed from French pot pourri, a calque of Spanish olla podrida (literally “rotten pot”).


rapsodista

it-noun

rapsodista m or f by sense (masculine plural rapsodisti, feminine plural rapsodiste)

rapsodisti (masculine plural)
rapsodiste (feminine plural)

(music) rhapsodist (composer of rhapsodies)


yé-yé

en-noun

yé-yé (countable and uncountable, plural yé-yés)

From French yéyé, from English yeah-yeah.

[…] she (Françoise Hardy) is so today, so white boots and yé-yé, that she can make anyone over 25 (me) feel prehistoric, raccoon coat and rah-rah.

1966 December 18, Joan Barthel, “Francoise from France: White Boots and Ye-Ye”, in The New York Times, →ISSN:

(uncountable, music) A genre of pop music of the early 1960s in Europe.


エチュード

ja-noun

エチュード • (echūdo)

[e̞t͡ɕɨːdo̞]

(music) A short piece of music, designed to give a soloist performer practice in a particular area or skill.


otelauta

otelauta (nominative singular)
otelaudat (nominative plural)
otelauta (accusative nominative singular)
otelaudat (accusative nominative plural)
otelaudan (accusative genitive singular)
otelaudat (accusative genitive plural)
otelaudan (genitive singular)
otelautojen (genitive plural)
otelautain (genitive plural rare)
otelautaa (partitive singular)
otelautoja (partitive plural)
otelaudassa (inessive singular)
otelaudoissa (inessive plural)
otelaudasta (elative singular)
otelaudoista (elative plural)
otelautaan (illative singular)
otelautoihin (illative plural)
otelaudalla (adessive singular)
otelaudoilla (adessive plural)
otelaudalta (ablative singular)
otelaudoilta (ablative plural)
otelaudalle (allative singular)
otelaudoille (allative plural)
otelautana (essive singular)
otelautoina (essive plural)
otelaudaksi (singular translative)
otelaudoiksi (plural translative)
otelaudatta (abessive singular)
otelaudoitta (abessive plural)
otelaudoin (instructive plural)
See the possessive forms below. (comitative)
otelautani (nominative singular)
otelautani (nominative plural)
otelautani (accusative nominative singular)
otelautani (accusative nominative plural)
otelautani (accusative genitive singular)
otelautani (accusative genitive plural)
otelautani (genitive singular)
otelautojeni (genitive plural)
otelautaini (genitive plural rare)
otelautaani (partitive singular)
otelautojani (partitive plural)
otelaudassani (inessive singular)
otelaudoissani (inessive plural)
otelaudastani (elative singular)
otelaudoistani (elative plural)
otelautaani (illative singular)
otelautoihini (illative plural)
otelaudallani (adessive singular)
otelaudoillani (adessive plural)
otelaudaltani (ablative singular)
otelaudoiltani (ablative plural)
otelaudalleni (allative singular)
otelaudoilleni (allative plural)
otelautanani (essive singular)
otelautoinani (essive plural)
otelaudakseni (singular translative)
otelaudoikseni (plural translative)
otelaudattani (abessive singular)
otelaudoittani (abessive plural)
otelautoineni (comitative plural)
otelautasi (nominative singular)
otelautasi (nominative plural)
otelautasi (accusative nominative singular)
otelautasi (accusative nominative plural)
otelautasi (accusative genitive singular)
otelautasi (accusative genitive plural)
otelautasi (genitive singular)
otelautojesi (genitive plural)
otelautaisi (genitive plural rare)
otelautaasi (partitive singular)
otelautojasi (partitive plural)
otelaudassasi (inessive singular)
otelaudoissasi (inessive plural)
otelaudastasi (elative singular)
otelaudoistasi (elative plural)
otelautaasi (illative singular)
otelautoihisi (illative plural)
otelaudallasi (adessive singular)
otelaudoillasi (adessive plural)
otelaudaltasi (ablative singular)
otelaudoiltasi (ablative plural)
otelaudallesi (allative singular)
otelaudoillesi (allative plural)
otelautanasi (essive singular)
otelautoinasi (essive plural)
otelaudaksesi (singular translative)
otelaudoiksesi (plural translative)
otelaudattasi (abessive singular)
otelaudoittasi (abessive plural)
otelautoinesi (comitative plural)
otelautamme (nominative singular)
otelautamme (nominative plural)
otelautamme (accusative nominative singular)
otelautamme (accusative nominative plural)
otelautamme (accusative genitive singular)
otelautamme (accusative genitive plural)
otelautamme (genitive singular)
otelautojemme (genitive plural)
otelautaimme (genitive plural rare)
otelautaamme (partitive singular)
otelautojamme (partitive plural)
otelaudassamme (inessive singular)
otelaudoissamme (inessive plural)
otelaudastamme (elative singular)
otelaudoistamme (elative plural)
otelautaamme (illative singular)
otelautoihimme (illative plural)
otelaudallamme (adessive singular)
otelaudoillamme (adessive plural)
otelaudaltamme (ablative singular)
otelaudoiltamme (ablative plural)
otelaudallemme (allative singular)
otelaudoillemme (allative plural)
otelautanamme (essive singular)
otelautoinamme (essive plural)
otelaudaksemme (singular translative)
otelaudoiksemme (plural translative)
otelaudattamme (abessive singular)
otelaudoittamme (abessive plural)
otelautoinemme (comitative plural)
otelautanne (nominative singular)
otelautanne (nominative plural)
otelautanne (accusative nominative singular)
otelautanne (accusative nominative plural)
otelautanne (accusative genitive singular)
otelautanne (accusative genitive plural)
otelautanne (genitive singular)
otelautojenne (genitive plural)
otelautainne (genitive plural rare)
otelautaanne (partitive singular)
otelautojanne (partitive plural)
otelaudassanne (inessive singular)
otelaudoissanne (inessive plural)
otelaudastanne (elative singular)
otelaudoistanne (elative plural)
otelautaanne (illative singular)
otelautoihinne (illative plural)
otelaudallanne (adessive singular)
otelaudoillanne (adessive plural)
otelaudaltanne (ablative singular)
otelaudoiltanne (ablative plural)
otelaudallenne (allative singular)
otelaudoillenne (allative plural)
otelautananne (essive singular)
otelautoinanne (essive plural)
otelaudaksenne (singular translative)
otelaudoiksenne (plural translative)
otelaudattanne (abessive singular)
otelaudoittanne (abessive plural)
otelautoinenne (comitative plural)
otelautansa (nominative singular)
otelautansa (nominative plural)
otelautansa (accusative nominative singular)
otelautansa (accusative nominative plural)
otelautansa (accusative genitive singular)
otelautansa (accusative genitive plural)
otelautansa (genitive singular)
otelautojensa (genitive plural)
otelautainsa (genitive plural rare)
otelautaansa (partitive singular)
otelautojaan (partitive plural)
otelautojansa (partitive plural)
otelaudassaan (inessive singular)
otelaudassansa (inessive singular)
otelaudoissaan (inessive plural)
otelaudoissansa (inessive plural)
otelaudastaan (elative singular)
otelaudastansa (elative singular)
otelaudoistaan (elative plural)
otelaudoistansa (elative plural)
otelautaansa (illative singular)
otelautoihinsa (illative plural)
otelaudallaan (adessive singular)
otelaudallansa (adessive singular)
otelaudoillaan (adessive plural)
otelaudoillansa (adessive plural)
otelaudaltaan (ablative singular)
otelaudaltansa (ablative singular)
otelaudoiltaan (ablative plural)
otelaudoiltansa (ablative plural)
otelaudalleen (allative singular)
otelaudallensa (allative singular)
otelaudoilleen (allative plural)
otelaudoillensa (allative plural)
otelautanaan (essive singular)
otelautanansa (essive singular)
otelautoinaan (essive plural)
otelautoinansa (essive plural)
otelaudakseen (singular translative)
otelaudaksensa (singular translative)
otelaudoikseen (plural translative)
otelaudoiksensa (plural translative)
otelaudattaan (abessive singular)
otelaudattansa (abessive singular)
otelaudoittaan (abessive plural)
otelaudoittansa (abessive plural)
otelautoineen (comitative plural)
otelautoinensa (comitative plural)

[ˈo̞t̪e̞lˌlɑ̝u̯t̪ɑ̝]

Compound of ote (“grip”) + lauta (“board”).


contrepoint

→ Persian: کنترپوئن (kontrpu'an)

→ Turkish: kontrpuan

From contre + point, based on Medieval Latin contrapunctus.


funkabilly

(music) A subgenre of popular music that blends rockabilly with funk.


jazzcore

Their new jazzcore outing is everything the men in furs are not: chaotic, uncontrolled, sloppy, and low-fi.

1997, CMJ New Music Monthly, number 41, page 46:

(music) An aggressive style of jazz with hardcore punk elements.


cuddlecore

[…]the syrupy cuddlecore of bands like cub and Shonen Knife.

(music, informal) A twee, childlike style of alternative rock.


darkcore

From dark + -core, perhaps from the 1993 track Darkcore by Two Dark Troopers, released on Basement Records.

Of course, even amid the beeps and beats good old guitar music never went away, and there are plenty of indie, punk and alternative bands gigging to appreciative audiences, as well as the resolutely grim Gothic and darkcore fringe.

2002, Andrea Schulte-Peevers, Berlin, page 36:

(music) A subgenre of jungle music with morbid, horror-based themes.


skacore

TVT's Buck-O-Nine will deliver more San Diego skacore on "Libido" in September.

1998, Billboard, volume 110, number 34, page 59:

Cut for cut, Pay Attention is another step in songwriting evolution for the once-plaid-clad architects of the fusion of punk rock and Afro-Caribbean dance music known as skacore.

2000, CMJ New Music Monthly, number 81, page 47:

(music) A genre that blends ska music with hardcore punk.


mathcore

While all that herky-jerky mathcore in your collection might not fit the bill, put some Portishead on your Pod and the attached OhMiBod will respond rhythmically in kind.

(music) A rhythmically complex and dissonant style of metalcore music.


happycore

Shortening, equivalent to happy + -core.

In large part, happycore was the result of an exodus of white ravers from the jungle scene, in reaction to the influx of black youth and the attendant mood change from bonhomie to surliness.

2013, Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, page 291:


pornocore

[…]pornocore rap, a subgenre of hardcore rap that features only sexual graphic lyrics and themes[…]

2009, Ramona Demetriou, Programmatic Presentations in the Songs of African American Female Singers, page 91:

(music) A style of hip-hop music with sexually explicit themes.


funkcore

Five songs of spunky funkcore. Bouncy, peppy stuff with annoying tempo changes and whiny singing.

1995, Maximum Rock 'n' Roll, number 142:

And even if you really want to, you can always buy your suit on the cheap from Overstock.com, hope nobody notices, and use the $500 you saved to buy studio time for your new indie-funkcore-folk band.

2006, New Zealand Centre for Independent Studies, Policy, volume 22:

(music) An aggressive style of funk music influenced by rock or metal.


breakcore

The head-on collision between DJ Ricky Rabbit's fractured breakcore and MC Vulture Voltaire's fuming invective is a spectacle of almost physical impossibility, like trying to rap along to an earthquake while getting tased[…]

2008, SPIN, volume 24, number 2, page 93:

Where breakcore picks up on rave's daftness, dubstep fixates on its darkness, sometimes to a shlocky degree[…]

2008, Marc Masters, Weasel Walter, Rob Young, No Wave:

(music) A style of electronic music characterised by a high tempo, complex and intricate breakbeats, and a wide palette of samples from various sources, especially the "Amen break".


Frenchcore

(music) A French style of rave or gabber music.


ritmomelodico

it-adj

ritmomelodico (feminine ritmomelodica, masculine plural ritmomelodici, feminine plural ritmomelodiche)

ritmomelodica (feminine)
ritmomelodici (masculine plural)
ritmomelodiche (feminine plural)


Nintendocore

From Nintendo (“Japanese multinational video game company”) + -core (suffix denoting a music genre, especially one influenced by hardcore music), with reference to the simplistic sound effects of early video game consoles. The word was coined by the American musician Nathan Winneke, the frontman of the metalcore band Horse the Band, as a joke; the band posted the word on the Internet and also printed it on a label on the compact disc of their first demo I Am a Small Wooden Statue on a Patch of Crabgrass Next to a Dried Up Riverbed (2001).

coinage

Did you ever wonder what it would be like to mix the theme song from the original Mario Bros. games with chugging guitars and the vocal stylings of someone who wasn't hugged enough as a child? You're not alone. In fact, there's an entire genre of music devoted to this sound – it's called nintendocore. Growing out of metalcore – a fusion of heavy metal and punk – nintendocore derives its distinctive sound from the use of synths reminiscent of mid-eighties video games.

2009 November 2, Amy Plachta, “You Never Knew You Loved … Nintendocore a Unique Sound Worth Exploring”, in Interrobang: Fanshawe College’s Student Voice, volume 42, number 11, London, Ont.: Fanshawe College Student Union, →OCLC, archived from the original on 2024-03-31:

In the ever-changing landscape of music, that's given way to such genres as emo, screamo, nu metal and Nintendocore, one question remains! Does anyone play rock music anymore?

2010 May, Jake Brown, Alice in Chains: In the Studio, Nashville, Tenn.: Rock ’N’ Roll Books, →ISBN:

At the time of writing, Spotify currently lists over 4,000 online categories and sub-categories of music ranging from Nintendocore – a genre delineated solely by the overlay of bludgeoning, bowel-stewing grunge riffs on old-school videogame soundtracks – to Pornogrind, a maximum security subgenre of Grindcore (a convulsing fusion of rawboned, buzz-sawing death metal and tightly coiled hardcore punk).

2020, Kevin Dutton, Black and White Thinking: The Burden of a Binary Brain in a Complex World, London: Bantam Press, →ISBN:

In the US, a well-known Brooklyn music venue hosted a Minecraft concert featuring much loved bands[…]. The sprawling nightclub was painstakingly recreated and featured performances from the popular emo act American Football, "Nintendocore" videogame musicians Anamanaguchi and electronic artist Baths[…].

2020, Larissa Hjorth, Ingrid Richardson, Hugh Davies, William Balmford, “Playing during and post COVID-19 Pandemic”, in Exploring Minecraft: Ethnographies of Play and Creativity (Palgrave Games in Context), Cham, Zug, Switzerland: Palgrave Macmillan, →ISBN, page 171:

(music, video games) An aggressive genre of modern rock music influenced by chiptunes (“music that samples or emulates the audio capabilities of older sound chips”) and video game music.

Nintendocore

aggressive genre of modern rock music influenced by chiptunes and video game music


G-flat major

{\key ges \major ges'aes'bes'cesdeseesfges2}

(music) a major key with the notes G♭, A♭, B♭, C♭, D♭, E♭, and F, the key signature of which has 6 flats.

(music) The major chord with a root of G.


F-sharp major

{\key fis\major fis'gis'ais'b'cisdiseisfis2}

(music) a musical key with the notes F♯, G♯, A♯, B, C♯, D♯, and E♯, the key signature of which has 6 sharps

(music) a musical chord with the notes F♯, A♯, and C♯


C-flat major

{\key ces \major ces'des'es'fes'ges'aes'bes'ces2}

(music) a major key with the notes C♭, D♭, E♭, F♭, G♭, A♭, B♭, the key signature of which has seven flats:

(music) a chord with the notes C♭, E♭, and G♭:


C-sharp major

{\key cis \major cis'dis'eis'fis'gis'ais'bis'cis2}

(music) a key with the notes C♯, D♯, E♯, F♯, G♯, A♯, and B♯, the key signature of which has seven sharps:

(music) a chord with the notes C♯, E♯, and G♯:


perfect interval

en-noun

perfect interval (plural perfect intervals)

(music) an interval that is either a unison, fourth, fifth, or an octave


generic interval

generic interval (plural generic intervals)

(music) the distance between notes only regarding the distance on the staff


major interval

(music) an interval that is either a major second, major third, major sixth, or a major seventh


diminished interval

diminished interval (plural diminished intervals)

(music) An interval that is decreased from either a minor interval or a perfect interval.


augmented interval

augmented interval (plural augmented intervals)

(music) An interval that is increased one half step from either a major interval or a perfect interval.


minor interval

(music) an interval that is either a minor second, minor third, minor sixth, or a minor seventh


major second

(music) An interval in Western music that approximates a frequency ratio of 9/8 or 10/9, less commonly 8/7.


minor second

(music) an interval that is equivalent to the difference between the third and fourth degrees of a diatonic major scale.


salmodiare

it-verb

salmodiàre (first-person singular present salmòdio, first-person singular past historic salmodiài, past participle salmodiàto, auxiliary avére)

salmodiàre (canonical)
salmòdio (first-person present singular)
salmodiài (first-person historic past singular)
salmodiàto (participle past)
avére (auxiliary)
salmodiàre (infinitive)
avére (auxiliary)
salmodiàndo (gerund)
salmodiànte (participle present)
salmodiàto (participle past)
salmòdio (first-person indicative present singular)
salmòdi (indicative present second-person singular)
salmòdia (indicative present singular third-person)
salmodiàmo (first-person indicative plural present)
salmodiàte (indicative plural present second-person)
salmòdiano (indicative plural present third-person)
salmodiàvo (first-person imperfect indicative singular)
salmodiàvi (imperfect indicative second-person singular)
salmodiàva (imperfect indicative singular third-person)
salmodiavàmo (first-person imperfect indicative plural)
salmodiavàte (imperfect indicative plural second-person)
salmodiàvano (imperfect indicative plural third-person)
salmodiài (first-person historic indicative past singular)
salmodiàsti (historic indicative past second-person singular)
salmodiò (historic indicative past singular third-person)
salmodiàmmo (first-person historic indicative past plural)
salmodiàste (historic indicative past plural second-person)
salmodiàrono (historic indicative past plural third-person)
salmodierò (first-person future indicative singular)
salmodierài (future indicative second-person singular)
salmodierà (future indicative singular third-person)
salmodierémo (first-person future indicative plural)
salmodieréte (future indicative plural second-person)
salmodierànno (future indicative plural third-person)
salmodierèi (conditional first-person present singular)
salmodierésti (conditional present second-person singular)
salmodierèbbe (conditional present singular third-person)
salmodierébbe (conditional present singular third-person)
salmodierémmo (conditional first-person plural present)
salmodieréste (conditional plural present second-person)
salmodierèbbero (conditional plural present third-person)
salmodierébbero (conditional plural present third-person)
salmòdi (first-person present singular subjunctive)
salmòdi (present second-person singular subjunctive)
salmòdi (present singular subjunctive third-person)
salmodiàmo (first-person plural present subjunctive)
salmodiàte (plural present second-person subjunctive)
salmòdino (plural present subjunctive third-person)
salmodiàssi (first-person imperfect singular subjunctive)
salmodiàssi (imperfect second-person singular subjunctive)
salmodiàsse (imperfect singular subjunctive third-person)
salmodiàssimo (first-person imperfect plural subjunctive)
salmodiàste (imperfect plural second-person subjunctive)
salmodiàssero (imperfect plural subjunctive third-person)
salmòdia (imperative second-person singular)
salmòdi (formal imperative second-person-semantically singular third-person)
salmodiàmo (first-person imperative plural)
salmodiàte (imperative plural second-person)
salmòdino (formal imperative plural second-person-semantically third-person)
salmodiàre (imperative negative second-person singular)
salmòdi (formal imperative negative second-person-semantically singular third-person)
salmodiàmo (first-person imperative negative plural)
salmodiàte (imperative negative plural second-person)
salmòdino (formal imperative negative plural second-person-semantically third-person)

(music, intransitive) to sing or chant psalms [auxiliary avere]

(music, intransitive or transitive, uncommon, figurative) to intone in a slow, monotonous voice [auxiliary avere]

(music, transitive) to sing or chant (a hymn, etc.) in the manner of a psalm


yfirtónn

head

yfirtónn m (genitive singular yfirtóns, nominative plural yfirtónar)

yfirtóns (genitive singular)
yfirtónar (nominative plural)
yfirtónn (indefinite nominative singular)
yfirtónninn (definite nominative singular)
yfirtónar (indefinite nominative plural)
yfirtónarnir (definite nominative plural)
yfirtón (accusative indefinite singular)
yfirtóninn (accusative definite singular)
yfirtóna (accusative indefinite plural)
yfirtónana (accusative definite plural)
yfirtóni (dative indefinite singular)
yfirtóninum (dative definite singular)
yfirtónum (dative indefinite plural)
yfirtónunum (dative definite plural)
yfirtóns (genitive indefinite singular)
yfirtónsins (definite genitive singular)
yfirtóna (genitive indefinite plural)
yfirtónanna (definite genitive plural)