pie

pies (plural)
pié (alternative obsolete)

Inherited from Old Spanish pie, from Latin pedem.
Cognate with Asturian pie, Galician and Portuguese pé, and Catalan peu. As an English unit, a calque of English foot.


accent

en-noun

accent (countable and uncountable, plural accents)

From Middle English accent, from Medieval Latin accentus and Old French accent, acent, both from Latin accentus, past participle of accinō (“sing to, sing along”). The word accent had been borrowed into Old English already, but was lost and reborrowed in Middle English.

tongval

distinctive pronunciation associated with a region, social group, etc.

The name Cézanne is written with an acute accent.

(orthography) A mark or character used in writing, in order to indicate the place of the spoken accent, or to indicate the nature or quality of the vowel marked.

pilkku

geometry: mark indicating minutes and seconds of a degree

(prosody, poetry) Stress laid on certain syllables of a verse.


accent

nl-noun

accent n (plural accenten, diminutive accentje n)

accenten (plural)
accentje (diminutive neuter)

Afrikaans: aksent

→ Indonesian: aksen

→ Papiamentu: aksènt

From Middle Dutch accent, ultimately from Latin accentus.

(orthography) accent (symbol to indicate spoken accent or the nature of a vowel)


stylus

styli (plural)
styluses (plural)
stilus (alternative)

Borrowed from Latin stylus (“a stake or pale”). Probably not directly related to Ancient Greek στῦλος (stûlos, “a pillar”). Doublet of style.

иго́лка

граммофо́нная

(writing) An ancient writing implement consisting of a small rod with a pointed end for scratching letters on clay, wax-covered tablets or other surfaces, and a blunt end for obliterating them.

A small implement with a pointed end used for engraving and tracing.

(computing) A small device resembling a pen used to input handwritten text or drawings directly into an electronic device with a touch-sensitive screen.

ստիլուս

pen for writing on a touch-sensitive screen

[T]he pleasure of writing on wax with a stylus is exemplified by the fine, flowing hand of a Roman scribe who made out the birth certificate of Herennia Gemella, born March 128 AD.

2013 September 14, Jane Shilling, “The Golden Thread: the Story of Writing, by Ewan Clayton, review”, in The Telegraph:


small

en-adj

small (comparative smaller, superlative smallest)

smaller (comparative)
smallest (superlative)

From Middle English smal, from Old English smæl (“small, narrow, slender”), from Proto-Germanic *smalaz (“small”), from Proto-Indo-European *(s)mal-, *(s)mel- (“small, mean, malicious”). Cognate with Scots smal; sma (“small”); West Frisian smel (“narrow”); Dutch smal (“narrow”); German schmal (“narrow, small”); Low German small (“narrow”); Danish, Norwegian, Swedish smal (“narrow; thin; slender”); Latin malus (“bad”); Russian ма́лый (mályj, “small”).

inh

better to light one small candle than to curse the darkness

"I've got catholic tastes. Catholic with a small "c", of course."

1959, Anthony Burgess, Beds in the East (The Malayan Trilogy), published 1972, page 584:

(writing, not comparable) Minuscule or lowercase, referring to written or printed letters.

փոքրատառ

minuscule or lowercase, referring to written letters


vowel

→ Yoruba: fáwẹ̀lì

From Middle English vouel, from Old French vouel, a variant of voyeul (whence French voyelle), from Latin vōcālis (“voiced”), itself a semantic loan of Koine Greek φωνῆεν (phōnêen). Doublet of vocal and vocalis.

Facetiously is spelled with all six vowels in alphabetical order.

(orthography) A letter representing the sound of a vowel; in English, the vowels are a, e, i, o, u, w (sometimes), y (sometimes) .


ending

nb-noun-c

ending f or m (definite singular endinga or endingen, indefinite plural endinger, definite plural endingene)

endinga (definite singular)
endingen (definite singular)
endinger (indefinite plural)
endingene (definite plural)

ende + -ing, first part from Old Norse endi, endir (“end, conclusion”), from Proto-Germanic *andijaz (“end”), from Proto-Indo-European *h₂entíos (“front, forehead”), from *h₂ent- (“face, forehead, front”), perhaps from *h₂en- (“on, onto”). Last part from Old Norse -ingr m, -ingi m, -ing f, from Proto-Germanic *-ingō, *-ungō.

inh

sensibilitetens øks styrer diktene – med makt tvinger den fram mannlig, trykksterk ending i hver linje

the ax of sensibility controls the poems - with force it forces a masculine, powerful ending in each line

(poetry) the last syllable in a verse line


hack

Abbreviation of hackney (“an ordinary horse”), probably from place name Hackney.

Dason is nothing but a two-bit hack.

He's nothing but the typical hack writer.

(derogatory, authorship) An untalented writer.


epigram

epigram (nominative singular)
epigramy (nominative plural)
epigramu (genitive singular)
epigramów (genitive plural)
epigramowi (dative singular)
epigramom (dative plural)
epigram (accusative singular)
epigramy (accusative plural)
epigramem (instrumental singular)
epigramami (instrumental plural)
epigramie (locative singular)
epigramach (locative plural)
epigramie (singular vocative)
epigramy (plural vocative)

(poetry) epigram (short, witty or pithy poem)


bad

en-adj

bad (comparative worse or (nonstandard) badder or (nonstandard) more bad, superlative worst or (nonstandard) baddest or (nonstandard) most bad)

worse (comparative)
badder (comparative nonstandard)
more bad (comparative nonstandard)
worst (superlative)
baddest (nonstandard superlative)
most bad (nonstandard superlative)

From Middle English bad, badde (“wicked, evil, depraved”), of uncertain origin. Perhaps a shortening of Old English bæddel (“hermaphrodite”) (for loss of -el compare Middle English muche from Old English myċel, and Middle English wenche from Old English wenċel), or at least related to it and/or to bǣ̆dan (“to defile”), compare Old High German pad (“hermaphrodite”).
Alternatively, perhaps a loan from Old Norse into Middle English, compare Norwegian bad (“effort, trouble, fear”, neuter noun), East Danish bad (“damage, destruction, fight”, neuter noun), from the Proto-Germanic noun *badą, whence also Proto-Germanic *badōną (“to frighten”), Old Saxon undarbadōn (“to frighten”), Norwegian Nynorsk bada (“to weigh down, press”); ultimately from Proto-Indo-European *bʰedʰ- (“to bend, press, push, oppress”).

unk

uncertain

der

æ-tensing, New York City, New Orleans, Philadelphia, Baltimore

Don't you dare speak to me with that bad language!

(of a word, speech, or writing) Vulgar, obscene, or blasphemous.


beat

→ Pennsylvania German: biede

From Middle English beten, from Old English bēatan (“to beat, pound, strike, lash, dash, thrust, hurt, injure”), from Proto-West Germanic *bautan, from Proto-Germanic *bautaną (“to push, strike”), from Proto-Indo-European *bʰewd- (“to hit, strike”).
Compare Old Irish fo·botha (“he threatened”), Latin confutō (“to strike down”), fūstis (“stick, club”), Albanian bahe (“sling”), Lithuanian baudžiù, Old Armenian բութ (butʻ)).

march to the beat of a different drummer

(authorship) A short pause in a play, screenplay, or teleplay, for dramatic or comedic effect.


slug

Nicoline van der Sijs
Slug (disambiguation)

Originally referred to a slow, lazy person, from Middle English slugge (“lazy person", also "sloth, slothfulness”), probably of either Old English or Old Norse origin; compare Norn slug (“lazy, slothful, sluggish”), dialectal Norwegian slugg (“a large, heavy body”), sluggje (“heavy, slow person”), Danish slog (“rascal, rogue”); perhaps ultimately from Proto-Indo-European *sliǵ-ōn, from *sley- (“smooth; slick; sticky; slimy”) or otherwise from the root of Old Norse slókr (“lazy person, oaf”), whence Icelandic slókur (“laziness”). Compare also Dutch slak (“snail, slug”). Doublet of slotch.

inh

(television editing) A black screen used to separate broadcast items.


contraction

en-noun

contraction (countable and uncountable, plural contractions)

PIE word
 *ḱóm
From Late Middle English contraccioun, contraxion (“spasm, contraction; constriction, shrinking; act of pressing together”), from Old French contraction (modern French contraction), from Latin contractiō(n) (“a drawing together, contraction; abridgement, shortening; dejection, despondency”), from contrahō (“to draw things together, assemble, collect, gather; to enter into a contract”) + -tiō(n) (suffix forming nouns relating to actions or their results). Contrahō is derived from con- (prefix denoting a bringing together of objects) + trahō (“to drag, pull”) (probably from Proto-Indo-European *dʰregʰ- (“to drag, pull; to run”)). By surface analysis, contract + -ion (suffix denoting actions or processes, or their results).

verkleining

Don’t is a contraction of do not; and ’til is a contraction of until.

Senses relating to pulling together or shortening.

A (sometimes reversible) contracting or reduction in length, scope, size, or volume; a narrowing, a shortening, a shrinking.

(orthography) In the English language: a shortened form of a word, often with omitted letters replaced by an apostrophe or a diacritical mark.


machine

→ Ainu: マシン

→ Bengali: মেশিন (meśin)

→ Cowlitz: məšín

→ Irish: meaisín

→ Japanese: マシン (mashin)

→ Korean: 머신 (meosin)

→ Maori: mīhini

→ Punjabi

Gurmukhi script: ਮਸ਼ੀਨ (maśīn)

Shahmukhi script: مشین (maśīn)

→ Swahili: mashine

→ Tok Pisin: masin

Borrowed from Middle French machine, from Latin māchina (“a machine, engine, contrivance, device, stratagem, trick”), from Doric Greek μᾱχᾰνᾱ́ (mākhănā́), cognate with Attic Greek μηχᾰνή (mēkhănḗ, “a machine, engine, contrivance, device”), from which comes mechanical. Displaced native Old English searu.

cog

perpetual motion machine of the first kind

perpetual motion machine of the second kind

Outline of machines on Wikipedia.Wikipedia

I am apt to think, that the changing of the Trojan fleet into water-nymphs, which is the most violent machine in the whole Æneid[…]

1712 May 2 (Gregorian calendar), [Joseph Addison], “MONDAY, April 21, 1712”, in The Spectator, number 351; republished in Alexander Chalmers, editor, The Spectator; a New Edition, […], volume IV, New York, N.Y.: D[aniel] Appleton & Company, 1853, →OCLC:

(poetry) Supernatural agency in a poem, or a superhuman being introduced to perform some exploit.


bridge

bridges (plural)
bridg (alternative obsolete)
brigge (alternative)

From Middle English brigge, from Old English brycġ (“bridge”), from Proto-Germanic *brugjō, *brugjǭ (“bridge”), from Proto-Indo-European *bʰerw-, *bʰrēw- (“wooden flooring, decking, bridge”).
Cognate with Scots brig, brigg, breeg (“bridge”), Saterland Frisian Brääch (“bridge”), West Frisian brêge (“bridge”), Dutch brug (“bridge”), German Brücke (“bridge”), Danish brygge (“wharf”), Icelandic brygga (“pier”), Gaulish briua (“bridge”).
The verb is from Middle English briggen, from Old English brycġian (“to bridge, make a causeway, pave”), derived from the noun. Cognate with Dutch bruggen (“to bridge”), Middle Low German bruggen (“to bridge”), Old High German bruccōn (“to bridge”) (whence Modern German brücken).
The musical connection sense is a semantic loan from German Steg, from Old High German steg.

ацҳа

construction or natural feature that spans a divide

if someone told you to jump off a bridge, would you do it

(poetry) A point in a line where a break in a word unit cannot occur.


tell

en-verb

tell (third-person singular simple present tells, present participle telling, simple past and past participle told or (dialectal or nonstandard) telled)

tells (present singular third-person)
telling (participle present)
told (participle past)
told (past)
telled (dialectal participle past)
telled (dialectal past)
tell (infinitive)
tell (first-person present singular)
told (first-person past singular)
tell (present second-person singular)
tellest (archaic present second-person singular)
told (past second-person singular)
toldest (archaic past second-person singular)
tells (present singular third-person)
telleth (archaic present singular third-person)
told (past singular third-person)
tell (plural present)
told (past plural)
tell (present subjunctive)
told (past subjunctive)
tell (imperative present)
telling (participle present)
told (participle past)

From Middle English tellen (“to count, tell”), from Old English tellan (“to count, tell”), from Proto-West Germanic *talljan, from Proto-Germanic *taljaną, *talzijaną (“to count, enumerate”), from Proto-Germanic *talą, *talǭ (“number, counting”), from Proto-Indo-European *dol- (“calculation, fraud”).
Cognate with Saterland Frisian tälle (“to say; tell”), West Frisian telle (“to count”), West Frisian fertelle (“to tell, narrate”), Dutch tellen (“to count”) and Dutch vertellen (“to tell”), Low German tellen (“to count”), German zählen, Faroese telja. More at tale.

cog

don't pee on my leg and tell me it's raining

don't piss on my leg and tell me it's raining

piss on someone's leg and tell them it's raining

Maria rewrote the section of her novel that talked about Meg and Sage's friendship to have less telling and more showing.

(authorship, intransitive) To reveal information in prose through outright expository statement — contrasted with show.


round

en-adj

round (comparative rounder or more round, superlative roundest or most round)

rounder (comparative)
more round (comparative)
roundest (superlative)
most round (superlative)
around (alternative)
ron (alternative)

From Middle English round, rounde, from Old Northern French roünt, rund, Old French ront, runt, reont ( > French rond), from both Late Latin retundus and the original Latin rotundus. The noun developed partly from the adjective and partly from the corresponding French noun rond. Doublet of rotund.

pyöreä

pronounced with the mouth in the shape of an "O"

(authorship, of a fictional character) Well-written and well-characterized; complex and reminiscent of a real person.


round

roundes (plural)
rond (alternative)
rounde (alternative)
roun (alternative)
rount (alternative)
roende (alternative Late-Middle-English)
rown (alternative Late-Middle-English)
rowne (alternative Late-Middle-English)
rownd (alternative Late-Middle-English)
rowndde (alternative Late-Middle-English)
rownde (alternative Late-Middle-English)
rowunde (alternative Late-Middle-English)

English: round

Geordie English: roond

Scots: round, roond

Yola: rent

Borrowed from Old French reont, from Late Latin retundus, from Latin rotundus.


flat

flat (comparative flatter, superlative flattest)

flatter (comparative)
flattest (superlative)
flatt (alternative obsolete)
flatte (alternative obsolete)

bumpy

antonym(s) of “having no variations in altitude”

→ Portuguese: flat

From Middle English flat, a borrowing from Old Norse flatr (compare Norwegian and Swedish flat, Danish flad), from Proto-Germanic *flataz, from Proto-Indo-European *pleth₂- (“flat”); akin to Saterland Frisian flot (“smooth”), German Flöz (“a geological layer”), Ancient Greek πλατύς (platús), Latvian plats, Sanskrit प्रथस् (prathas, “extension”). Doublet of plat and pleyt.
The noun is from Middle English flat (“level piece of ground, flat edge of a weapon”), from the adjective.
The algebraic sense was coined by Serre in a 1956 paper, originally as French plat.

inh

The author added a chapter to flesh out the book's flatter characters.

(figurative) Lacking liveliness or action; depressed; uninteresting; dull and boring.

(authorship, figuratively, especially of a character) Lacking in depth, substance, or believability; underdeveloped; one-dimensional.


dialogue

en-noun

dialogue (countable and uncountable, plural dialogues)

dialogues (plural)
dialog (alternative US)

Inherited from Middle English dialog, from Old French dialoge (French dialogue), from Late Latin dialogus, from Ancient Greek διάλογος (diálogos, “conversation, discourse”), from διά (diá, “through, inter”) + λόγος (lógos, “speech, oration, discourse”), from διαλέγομαι (dialégomai, “to converse”), from διά (diá) + λέγειν (légein, “to speak”).

der

The movie had great special effects, but the dialogue was lackluster.

In 1936, Anstey had co-directed Housing Problems, which featured direct dialogue recording - allowing the subjects of the film to speak for themselves. As Anstey said: "At the time nobody had done it, and we gave slum dwellers a chance to make their own films."

2021 March 10, Greg Morse, “Telling the railway's story on film”, in RAIL, number 926, page 42:

(authorship) In a dramatic or literary presentation, the verbal parts of the script or text; the verbalizations of the actors or characters.

حِوَار

verbal part of a literary or dramatic work


broad

en-adj

broad (comparative broader, superlative broadest)

broader (comparative)
broadest (superlative)

thin

antonym(s) of “wide—regarding occupied space, width of an object”

skinny

antonym(s) of “wide—regarding body width”

Etymology tree
Proto-Indo-European *bʰer-der.?
Proto-Germanic *braidaz
Proto-West Germanic *braid
Old English brād
Middle English brod
English broad
From Middle English brood, brode, from Old English brād (“broad, flat, open, extended, spacious, wide, ample, copious”), from Proto-West Germanic *braid, from Proto-Germanic *braidaz (“broad”), of uncertain origin.
Cognate with Scots braid (“broad”), West Frisian breed (“broad”), Saterland Frisian breed (“broad”), Low German breed (“broad”), breet, Dutch breed (“broad”), German breit (“broad, wide”), Danish, Swedish and Norwegian Bokmål bred (“broad”), Norwegian brei (“broad”), Icelandic breiður (“broad, wide”).

inh

not be able to hit the broad side of a barn

Lee: I wrote that line for you. Maeve: A bit broad, if you ask me.

2018 April 22, “Journey into Night” (39:17 from the start), in Westworld, season 2, episode 1, spoken by Maeve Millay and Lee Sizemore (Thandie Newton and Simon Quarterman), via HBO:


apostrophe

apostrophes (plural)
apostrophë (alternative)
apostrophy (alternative)

From French apostrophe, or Latin apostrophus, from Ancient Greek ἀπόστροφος (apóstrophos, “accent of elision”), a noun use of an adjective from ἀποστρέφω (apostréphō, “I turn away”), from ἀπό (apó, “away from”) + στρέφω (stréphō, “to turn”).

der

Since its inception the apostrophe has been a controversial piece of punctuation.

2021, Claire Cock-Starkey, Hyphens & Hashtags, Bodleian Library, page 30:

(orthography) The text character ’, which serves as a punctuation mark in various languages and as a diacritical mark in certain rare contexts.


apostrophe

→ English: apostrophe

→ Romanian: apostrof

desctree

→ Russian: апо́строф (apóstrof)
→ Azerbaijani: apostrof

→ Persian: آپاستروف (âpâstruf)

→ Turkish: apostrof

From Latin apostrophus, from Ancient Greek ἀπόστροφος (apóstrophos, “accent of elision”), a noun use of an adjective from ἀποστρέφω (apostréphō, “to turn away”).


stroke

The noun is derived from Middle English strok, stroke (“blow from a weapon, cut”), from Old English strāc, from Proto-West Germanic *straik, from Proto-Germanic *straikaz (“stroke”), from Proto-Indo-European *streyg- (“to rub, stroke; to shear; to strike”).
Sense 3.6.2.2 (“the oblique, slash, or virgule (‘/’)”) is a contraction of oblique stroke, a variant of oblique which was originally used in telegraphy.
The verb is derived from the noun.
Cognates
* German Streich (“stroke”)
* Middle Low German strēk (“stroke, trick, prank”)
* Scots strak, strake, straik (“blow, stroke”)

isku

one of a series of beats or movements against a resisting medium, by means of which movement through or upon it is accomplished

ход

single movement or thrust of a part (such as a piston) of a machine that moves back and forth; length of this movement

A single movement of a paintbrush, chisel, pen, pencil, or similar implement; a line or mark made by such an implement.

(linguistics, calligraphy, typography) A line making up a written character.

خَطّ

line or mark made on a surface by an implement for drawing, writing, etc.

筆畫 /笔画

line making up a written character; specifically, a Chinese, Japanese, or Korean character


開く

ja-verb

開(ひら)く • (hiraku) transitive or intransitive godan (stem 開(ひら)き (hiraki), past 開(ひら)いた (hiraita))

開く (canonical)
hiraku (romanization)
開き (stem)
開いた (past)
開か
ひらか
hiraka
開き
ひらき
hiraki
開く
ひらく
hiraku
開け
ひらけ
hirake
開かれる (passive)
ひらかれる (passive)
hirakareru (passive)
開かせる (causative)
開かす (causative)
ひらかせる (causative)
ひらかす (causative)
hirakaseru (causative)
hirakasu (causative)
開ける (potential)
ひらける (potential)
hirakeru (potential)
開こう (volitional)
ひらこう (volitional)
hirakō (volitional)
開かない (negative)
ひらかない (negative)
hirakanai (negative)
開かず (continuative negative)
ひらかず (continuative negative)
hirakazu (continuative negative)
開きます (formal)
ひらきます (formal)
hirakimasu (formal)
開いた (perfective)
ひらいた (perfective)
hiraita (perfective)
開いて (conjunctive)
ひらいて (conjunctive)
hiraite (conjunctive)
開けば (conditional hypothetical)
ひらけば (conditional hypothetical)
hirakeba (conditional hypothetical)
開か (irrealis stem)
ひらか (irrealis stem)
firaka (irrealis)
開き (continuative stem)
ひらき (continuative stem)
firaki (continuative)
開く (stem terminative)
ひらく (stem terminative)
firaku (terminative)
開く (attributive stem)
ひらく (attributive stem)
firaku (attributive)
開け (realis stem)
ひらけ (realis stem)
firake (realis)
開け (imperative stem)
ひらけ (imperative stem)
firake (imperative)
開かず (negative)
ひらかず (negative)
firakazu (negative)
開けど (contrastive)
ひらけど (contrastive)
firakedo (contrastive)
開けば (causative)
ひらけば (causative)
firakeba (causative)
開かば (conditional)
ひらかば (conditional)
firakaba (conditional)
開きき (past)
ひらきき (past)
firakiki (past)
開きけり (past)
ひらきけり (past)
firakikeri (past)
開きつ (perfect)
ひらきつ (perfect)
firakitu (perfect)
開きぬ (perfect)
ひらきぬ (perfect)
firakinu (perfect)
開けり (continuative perfect)
開きたり (continuative perfect)
ひらけり (continuative perfect)
ひらきたり (continuative perfect)
firakeri (continuative perfect)
firakitari (continuative perfect)
開かむ (volitional)
ひらかむ (volitional)
firakamu (volitional)

(proofreading, orthography) to write a Japanese word using hiragana


亂

Phono-semantic compound (形聲 /形声, OC *roːns): phonetic 𤔔 (*[r]ˁo[n]-s) + semantic 乚. The left-side component 𤔔 is itself ideogrammatic, depicting the effort to comb a tangle of threads, hence the semantic link to order and disorder.
Area word of Austroasiatic origin. Compare Khmer ប្រួល (pruəl, “changing; unstable”) < Khmer រួល (ruəl, “to cook; to grill”), and also Khmer កំរោល (kɑmraol, “to go berserk; to become excited”) < Khmer រោល (rool, “to burn; to roast”) (Schuessler, 2007). Burmese ရုန်း (run:, “to struggle, to warp, to cause chaos”) and Tibetan ཁྲལ་ཁྲུལ (khral khrul, “fragments; scattered”) are Austroasiatic loans. Compare also Vietnamese lộn (“to turn the inside out, upside down, to reverse, to return, etc.”) and trộn (“to mix; to blend; to turn upside down”).

cog

乱
乨
乿
𠃶
𠃹
𠃿
𢿢
𢿮
𤕅
𤔪

The Master said, "When the music master Zhi first entered on his office, the finish of the Guan Ju was magnificent — how it filled the ears!"

The Analects of Confucius, c. 475 – 221 BCE, translated based on James Legge's version

Zǐyuē: “Shī Zhì zhī shǐ, “Guānjū” zhī luàn, yángyáng hū yíng ěr zāi!”

子曰：「師摯之始，《關雎》之亂，洋洋乎盈耳哉！」

子曰：「师挚之始，《关雎》之乱，洋洋乎盈耳哉！」

(obsolete, literary, music or poetry) coda; finale; conclusion of a piece


仄

(linguistics, poetry, of a tone) being neither the ngang or huyền tone

(poetry, of a rhyme) carrying a trắc tone


令

CJKV/code

Sino-Xenic (令):
* → Japanese: 令(りょう) (ryō); 令(れい) (rei)
* → Vietnamese: lệnh (令), lành (令)

Ideogrammic compound (會意 /会意): 亼 + 卩. The upper part is an open mouth to convey the idea of giving orders, while the bottom part is a kneeling man. Compare 兄, in which an open mouth on top of the character conveys the same idea of giving orders.
Usually thought to be related to 命 (OC *mreŋs, “order”) (Schuessler, 2007). As a surname, 令 has many origins, one of them is 令狐 (Línghú).


儘

Sound shift from 随(まにま) (manima, “state of following other's will or the way things develop”).

ja-r

北川さんの「見っけた写真」〔ママ〕


儷

Phono-semantic compound (形聲 /形声, OC *reːls): semantic 人 (“person”) + phonetic 麗 (OC *reːls, *rel).


冠

(poetry) first (traditionally, five) morae of a haiku, etc.; specifically, the first verse or line of a poem


勒

(calligraphy) the horizontal stroke; the second of the Eight Principles of Yong


字

CJKV/code

Sino-Xenic (字):
* → Japanese: 字(じ) (ji)
* → Korean: 자(字) (ja)
* → Vietnamese: tự (字)

→ Proto-Tai: *ɟɤ:ᴮ (“name”)

Lao: ຊື່ (sư̄, “name”)

Thai: ชื่อ (chʉ̂ʉ, “name”)

Zhuang: coh (“name”)

desc

→ Vietnamese: chữ (“script; letter; writing; word”), chửa (“to be pregnant”)

Characters in the same phonetic series (子) (Zhengzhang, 2003)
Phono-semantic compound (形聲 /形声, OC *zlɯs): semantic 宀 (“roof”) + phonetic 子 (OC *ʔslɯʔ, “child”).
From Proto-Sino-Tibetan *tsa ~ za (“child; to give birth; to take care; to be kind”). Related to:
* 子 (OC *ʔslɯʔ, “child, son”) (also its phonetic component)
* 慈 (OC *zɯ, “to be kind, loving”)
* 滋 (OC *ʔsɯ, “to nourish, to grow”)
* 詞 (OC *ljɯ, “word, term”)
* 辭 (OC *ljɯ, “word, from testimony”)
Original sense (1): “to become pregnant, to give birth to, to nurture, to love” has essentially become obsolete. The sense (2) “letter, character” is either from a different root or a derivation from the sense “to produce, to generate”.
Cognate with Tibetan ཚ་བོ (tsha bo, “nephew”), Tibetan ཚ་རུས (tsha rus, “descendant”), Tibetan བཙའ (btsa', “to give birth to; to guard”), Tibetan མཛའ (mdza', “kind, peaceful, friendly”) (Quan, 1996), Burmese စာ (ca, “writing, letter”).

cog

柳字 ― liǔzì ― style of calligraphy of Liu Gongquan

(calligraphy) style of handwriting; printing type

字畫／字画

(calligraphy) (a calligrapher's) calligraphy work


acatalectic

From Late Latin acatalēcticus, from Ancient Greek ἀκατάληκτος (akatálēktos, “leaving off”).

der

(poetry, prosody) Designating a line of verse having the required number of syllables in the last foot


acatalectic

(poetry, prosody) A verse which has the complete number of feet and syllables


彎

CJKV/code

Sino-Xenic (彎):
* → Japanese: 彎(わん) (wan)
* → Korean: 만(彎) (man)
* → Vietnamese: loan (彎)

Phono-semantic compound (形聲 /形声, OC *qroːn): semantic 弓 (“bow”) + phonetic 䜌 (OC *b·roːn, *b·ron, *b·rons).
May be cognate with 迂 (OC *qʷa, *qʷaʔ, *ɢʷa).
; “homosexual”

Han compound

(Chinese calligraphy) a bend (such as in ㇉, ㇌, ㇟, or ㇠)


徒

徒花

blossom that bear no fruit; things which being gorgeous in the pretence but worthless in actuality

蕉風俳諧(しょうふうはいかい) 蕉風俳諧#Japanese

(historical, poetry) the term of the 蕉風俳諧(しょうふうはいかい) (shōfūhaikai, “Bashō style haikai”) to indicate innocent and humorous style


折

Characters in the same phonetic series (折) (Zhengzhang, 2003)
Originally 㪿, an ideogrammic compound (會意 /会意): ⿱屮屮 (“a tree 木 cut in half”) + 斤 (“axe”) – an axe cutting a tree in half.
In the current form, the left side has become 扌 (“hand”).
From Proto-Sino-Tibetan *tset (“to cut off; to sever; to break”).

inh

(Chinese calligraphy) a change in direction of a stroke (such as in ㇕, ㇉, or ㇜)


挑

Phono-semantic compound (形聲 /形声, OC *l̥ʰaːw, *l̥ʰeːw, *l'eːwʔ): semantic 手 (“hand”) + phonetic 兆 (OC *l'ewʔ).

Han compound

(Chinese calligraphy) a rising stroke (㇀)


捺

Phono-semantic compound (形聲 /形声, OC *naːd): semantic 扌 (“hand”) + phonetic 奈 (OC *naːls, *naːds) – to press down with the hand, stamp.

Han compound

one character does not have two falling strokes (rule used in calligraphy)

yī zì bù èr nà

一字不二捺

(Chinese calligraphy) a stroke that falls downwards towards the right (㇏)


提

Phono-semantic compound (形聲 /形声, OC *deː, *dje): semantic 扌 (“hand”) + phonetic 是 (OC *djeʔ).


撇

Phono-semantic compound (形聲 /形声, OC *pʰeːd): semantic 手 (“hand”) + phonetic 敝 (OC *beds, *bed).

Han compound

(Chinese calligraphy) stroke that falls downwards towards the left (㇒)


斜

Phono-semantic compound (形聲 /形声, OC *lja, *laː): semantic 斗 (“ladle/dipper”) + phonetic 余 (OC *la). The character expresses the idea of scooping or drawing out. By extension, it is also used to mean "slant" or "diagonal."

Han compound

(Chinese calligraphy) a bend to the right (such as in ㇂, ㇃, or ㇠)


橫

Phono-semantic compound (形聲 /形声, OC *ɡʷraːŋ, *ɡʷraːŋs, *kʷaːŋ): semantic 木 (“wood”) + phonetic 黃 (OC *ɡʷaːŋ).
; “crosswise > door rail; side; cross-grained; unrestrained”
* Related to 衡 (OC *ɡraːŋ, “crossbar”), 桁 (OC *ɡaːŋ, *ɡraːŋ, “purlin”), 珩 (OC *ɡraːŋ, “top horizontal gem of a girdle-pendant”) and 璜 (OC *ɡʷaːŋ, “jade pendant”) (Wang, 1982), and possibly 樑 (OC *raŋ, “roof beam”) (Schuessler, 2007).
* Schuessler (2007) connects these with Khmer ខ្វែង (khvaeng, “to cross; to intersect; to crisscross; diagonal; etc.”) < Old Khmer khveṅ (“to go far around; to encircle; to enclose”). Compare Thai ขวาง (kwǎang, “to lie across; to bar; to obstruct; to thwart”) and the Khmer derivatives កំពែង (kɑmpɛɛng, “enclosing wall; rampart”), កំពង់ (kɑmpŭəng, “crossing-place; ford; port; shore”) (cf. Malay kampung). Note also Burmese ခြင် (hkrang, “bamboo rafter”) (Luce, 1981).

cog

(Chinese calligraphy) horizontal stroke (㇐)


歌

From Old Japanese, from Proto-Japonic *ota.


海

⟨umi₁⟩ → */umij/ → /umi/
From Old Japanese, theorized as descending from Proto-Japonic *omi.
Has been thought to have been derived from a compound. There are two leading theories regarding the ultimate derivation:
* Shift from 大 (ō-, “big, great”) + 水 (mi, “water”, combining form).
: This is problematic phonetically because there is no known term having a related shift from /opo/ → /oː/ → /o/ → /u/, and semantically as there already exists a compound 大水 (ōmizu, “flood”).
* From う (u-, stem indicating “ocean”) + 水 (mi, “water”, combining form). The u- stem is evident in 魚 (uo, “fish”) and 潮 (ushio, “salt water; tide”), and in the 海 (una) element in various ancient terms (see below).

海を渡る

cross over the ocean → go to a foreign country

(calligraphy) in a 硯 (suzuri, “inkstone”), a reservoir where water is stored


直

desc

→ Old Turkic: tik (“vertical, straight, straightforward”)

Oghuz: دیك

Azerbaijani: dik

Turkish: dik

Turkmen: dik

Turkmen: dikan (“honest, straight, direct”)

Oracle bone script: Ideogrammic compound (會意 /会意): 目 (“eye”) + 丨 (“vertical stroke”) – vertical stroke above the eye; looking straight ahead. Then, a black dot was drawn inside the vertical stroke and this point later became a horizontal stroke (hence getting a shape similar to 十).
The line on the side appears in bronze script and subsequently stretched under the 目 shape, while the traditional form appears in seal script.
A conservative version is used inside the character 𢛳 (> 德), while the modern version is used inside its variant 惪. Unrelated to 具 and 真.
; "simply; only"
; "straight; right"
; “heterosexual”

Han compound

直
⿱十且
𡇛
𥄂
𬽈
𰥐
𰥑
𠅺
𣓟
𣖇
𣖈
𣖴
𥠤

(Chinese calligraphy) vertical stroke in Chinese characters


真

CJKV/code

Sino-Xenic (真):
* → Japanese: 真(しん) (shin)
* → Korean: 진(眞) (jin)
* → Vietnamese: chân (真)

→ Lao: ຈິງ (ching)

→ Proto-Turkic: *čïn (see there for further descendants)

→ Thai: จริง (jing)

/t͡sz̩ʷøŋ⁵²/

/t͡sz̩ʷøŋ⁵²/

Originally phono-semantic compound (形聲 /形声, OC *ʔljin): phonetic 𠂈 (OC *l'ɯːnʔ) + semantic 貝 (“cowry”); 𠂈 (a knife or dagger) was then a phonetic component. Often 丁 (OC *rteːŋ, *teːŋ) (a nail) was added as a second phonetic component at the bottom; originally, it appeared as a black dot. He Linyi posits it to be the original character for 珍 (OC *ʔl'ɯn, “rare; valuable”).
The sound component 𠂈 corrupted into 十 in the modern form, and into 匕 in the orthodox seal script form 眞. The bottom of the character in both forms derives from the components 貝 and 丁 corrupting into 目 and 丌.
From Proto-Sino-Tibetan; cognate with Tibetan བདེན (bden, “true; truth”). Possibly connected with 貞 (OC *teŋ) (Schuessler, 2007).

Han compound

眞
𡙊
𠤛
⿱𥃭大
⿱𥃰大
⿱𥃰六
𰶵
𰶱
⿳上目大
⿳止目六
⿳十且八

(Chinese calligraphy) short for 真書／真书 (zhēnshū, “regular script”)


磔

(literary, Chinese calligraphy) synonym of 捺 (nà)


穂

From Old Japanese, from Proto-Japonic *po. Related to 秀(ほ) (ho, “exceling; standing out”).


策

CJKV/code

Sino-Xenic (策):
* → Japanese: 策(さく) (saku)

/t͡sʰiɪk̚³²/

/t͡sʰiɪk̚³²/

Phono-semantic compound (形聲 /形声, OC *sʰreːɡ): semantic 竹 (“bamboo”) + phonetic 朿 (OC *sʰeɡs).
;"to whip"
Etymologically the same word as 冊 (OC *sʰreːɡ), with an original meaning of "bamboo slips" (Schuessler, 2007).

Han compound

筞
*筴
箣
𠞁
𠞦
𠷽
𢄆
𥳯

Eight Principles of Yong
w:Eight Principles of Yong

(calligraphy) upward horizontal stroke (the fifth of the Eight Principles of Yong)


絕

/d͡zz̩ʷœʔ¹²/

/d͡zz̩ʷœʔ¹²/

Originally ideogrammic compound (會意 /会意): 刀 (“knife”) + 幺 (“silk”) or ideogrammic compound (會意 /会意): 刀 (“knife”) + 𢆶 (“silk”) — to cut silk threads.
Now phono-semantic compound (形聲 /形声): semantic 糹 (“silk”) + semantic 刀 (“knife”) + phonetic 巴 (卪).
Most likely unrelated to 色.
Compare Burmese ဆွတ် (hcwat, “to pluck”) (Hill, 2019).

绝
絶
㔃
𢇍
𠤉
撧
𢴭

被難

to be killed in a disaster, political incident

七絕

七绝


継

連(れん)用(よう)形(けい) (ren'yōkei, “stem or continuative form”) of the verb 継(つ)ぐ (tsugu, “to connect, to mend, to succeed”).

ja-etym-renyokei

(poetry) short for 継歌 (tsugi-uta, “sequential poem composition on a theme”)


ABC

en-noun

ABC (countable and uncountable, plural ABCs or ABC's)

ABCs (plural)
ABC's (plural)
absey (alternative)

From Middle English abece, ABC, from the first three letters of the Latin alphabet, standing for the whole alphabet.

(obsolete, poetry) A type of poem in which the lines start with the letters of the alphabet in order.


興

Characters in the same phonetic series (興) (Zhengzhang, 2003)
Ideogrammic compound (會意 /会意): 舁 (“to raise”) + 同 (“together”) – to hold up together.

Han compound

(poetry) association; speaking first of something else to lead up to the main theme


草

CJKV/code

Sino-Xenic (草):
* → Japanese: 草(そう) (sō)
* → Korean: 초(草) (cho)
* → Vietnamese: thảo (草)

Vietnamese: tháu (“scrawling”)

/t͡sʰɑʊ̯²¹⁴/

/t͡sʰɑʊ̯²¹⁴/

Phono-semantic compound (形聲 /形声, OC *sʰuːʔ): semantic 艹 (“grass; plant”) + phonetic 早 (OC *ʔsuːʔ). Originally referred to 皂, and later borrowed for the “grass” sense, replacing 艸.
From Proto-Sino-Tibetan *r-tswa-n (“grass”); cognate with Tibetan རྩྭ (rtswa, “grass”) (Schuessler, 2007; STEDT).
Alternatively, it may be related to 芻 (OC *sʰro, “hay”), from Austroasiatic; compare Mon ချဲ (“grass; weeds; hay”) (Schuessler, 2007).

Han compound

屮
艸
𢂉
𦯑
𦯨
𦳕
𦷣
𦳱
騲

狂草

(calligraphy) short for 草書／草书 (cǎoshū, “cursive script (grass script)”)


行

行 (canonical)
gyō (romanization)
gyau (romanization)
ぎやう (hiragana historical)

From Middle Chinese 行 (MC haeng). First cited in Buddhist texts of the early 600s.
The pronunciation is goon, so likely an earlier borrowing.
* For the "formations" definition, translation of Sanskrit संस्कार (saṃskāra)
* For "austerities", translation of Sanskrit चर्या (caryā)
* For "walking", translation of Sanskrit गमन (gamana)

(calligraphy) abbreviation of 行書 (“semi-cursive script”)


行

行: Hán Việt readings: hàng (canonical)
hành (canonical)
hãng (canonical)
hạng (canonical)
hạnh 行: Nôm readings: hàng (canonical)
hăng (canonical)
ngành (canonical)


訊

Characters in the same phonetic series (卂) (Zhengzhang, 2003)
Phono-semantic compound (形聲 /形声, OC *sins): semantic 言 + phonetic 卂 (OC *sins, *tods).


豎

Possibly phono-semantic compound (形聲 /形声, OC *djoʔ): semantic 臤 + phonetic 豆 (OC *doːs).

Han compound

竖
竪
𠐊
㒘
䜿
䝂
𥪛

(Chinese calligraphy) a vertical stroke (㇑)


metre

en-verb

metre (third-person singular simple present metres, present participle metring, simple past and past participle metred)

metres (present singular third-person)
metring (participle present)
metred (participle past)
metred (past)
meter (alternative)

From Old English, from Latin metrum, from Ancient Greek μέτρον (métron, “measure, rule, length, size, poetic metre”).

der

(poetry, music) To put into metrical form.


metre

(poetry, music) metre/meter (the rhythm of a song or poem)


鉤

(Chinese calligraphy) a stroke with a hook (such as in ㇠, ㇆, ㇚, or ㇟)


echo

en-noun

echo (countable and uncountable, plural echoes or echos)

echoes (plural)
echos (plural)
echoe (alternative)
eccho (alternative)

From Middle English eccho, ecco, ekko, from Medieval Latin ecco, from Latin echo, from Ancient Greek ἠχώ (ēkhṓ), from ἠχή (ēkhḗ, “sound”). Possibly from the same Proto-Indo-European root as sough.

(poetry) A device in verse in which a line ends with a word which recalls the sound of the last word of the preceding line.


點

Phono-semantic compound (形聲 /形声, OC *teːmʔ): semantic 黑 (“black”) + phonetic 占 (OC *ʔljem, *tjems) – black dots.


hook

sometimes in Northern England and Ireland, otherwise obsolete

From Middle English hoke, from Old English hōc, from Proto-West Germanic *hōk, from Proto-Germanic *hōkaz, variant of *hakô (“hook”), probably ultimately from Proto-Indo-European *kog-, *keg-, *keng- (“peg, hook, claw”).
Cognates
Compare West Frisian heak, Dutch haak (“hook”)) (compare West Frisian/Dutch hoek (“hook, angle, corner”), Low German Hook, Huuk); also related to hake.

(authorship) A brief, punchy opening statement intended to get attention from an audience, reader, or viewer, and make them want to continue to listen to a speech, read a book, or watch a play.


pied

Haitian Creole: pye

Inherited from Middle French pied, from Old French pié, from Latin pedem. The -d was added to the spelling in Middle French after the Latin form.
Cognate with Italian piede, Catalan peu, Spanish pie, Portuguese pé, and further with English foot, Lithuanian pėda, Persian پا (pâ) etc.


mechanics

From Latin mēchanicus, from Ancient Greek μηχανικός (mēkhanikós), from μηχανή (mēkhanḗ, “machine, tool”).


jambe

head

jambe c (singular definite jamben, plural indefinite jamber)

jamben (definite singular)
jamber (indefinite plural)
jambe (indefinite nominative singular)
jamben (definite nominative singular)
jamber (indefinite nominative plural)
jamberne (definite nominative plural)
jambes (genitive indefinite singular)
jambens (definite genitive singular)
jambers (genitive indefinite plural)
jambernes (definite genitive plural)


protagonist

Penguin Books
The Independent
The Sense of Style
protagonist

From Ancient Greek πρωταγωνιστής (prōtagōnistḗs, “a chief actor”), from πρῶτος (prôtos, “first”) + ἀγωνιστής (agōnistḗs, “a combatant, pleader, actor”). By surface analysis, prot- (“first”) + agonist (“combatant, participant”).

der

πρωταγωνιστής

surf

(authorship) The main character, or one of the main characters, in any story, such as a literary work or drama.


protagonist

protagonist (indefinite nominative singular)
protagonists (genitive indefinite singular)
protagonisten (definite nominative singular)
protagonistens (definite genitive singular)
protagonister (indefinite nominative plural)
protagonisters (genitive indefinite plural)
protagonisterna (definite nominative plural)
protagonisternas (definite genitive plural)


Saturnian

en-adj

Saturnian (comparative more Saturnian, superlative most Saturnian)

more Saturnian (comparative)
most Saturnian (superlative)

(poetry) Involving a meter consisting of three iambics and an extra syllable followed by three trochees, employed by satirists in Ancient Rome.


acute

acute (comparative acuter or more acute, superlative acutest or most acute)

acuter (comparative)
more acute (comparative)
acutest (superlative)
most acute (superlative)

From Late Middle English acute (“of a disease or fever: starting suddenly and lasting for a short time; of a humour: irritating, sharp”), from Latin acūta, from acūtus (“sharp, sharpened”), perfect passive participle of acuō (“to make pointed, sharpen, whet”), from acus (“needle, pin”). The word is cognate to ague (“acute, intermittent fever”).
As regards the noun, which is derived from the verb, compare Middle English acūte (“severe but short-lived fever; of blood: corrosiveness, sharpness; musical note of high pitch”).

cog

The last letter of ‘café’ is ‘e’ acute.

A more conservative approach, particularly if your author is a skilled computer user, would be to replace the problem characters with simple words or codes that are guaranteed to transfer successfully between computers. For example, you could replace é with e-acute if that particular character is causing problems. […] The author could then do a search and replace to change all instances of e-acute back to é before publication.

2007, Geoff[rey J. S.] Hart, “Editing in Special Situations”, in Effective Onsceen Editing: New Tools for an Old Profession, Pointe-Claire, Que.: Diaskeuasis Publishing, →ISBN, page 404:

Commonly used European accents are available as below: / á Á a acute / […] / é É e acute / […] / í Í i acute / […] / ó Ó o acute / […] / ú Ú u acute

2017, [Michael] Mitchell, [Susan] Wightman, “Foreign Languages”, in Typographic Style Handbook, London: MacLehose Press, →ISBN, section 10.2.1 (Commonly Used Accents), page 143:

(orthography, postpositive) Of a letter of the alphabet, having an acute accent.

agut

(orthography) after a letter of the alphabet: having an acute accent


acute

The word ‘cafe’ often has an acute over the ‘e’.

The number of Notes in this Table, without either acute or grave marks (´ or `), is 75. Of those bearing one acute mark (´) it is 74, of those with two acutes (´´) 70, with three acutes (´´´ or ´³) 51, […]

1817 June, John Farey, Sen., “CI. On Mr. Listons, or the Euharmonic Scale of Musical Intervals, […]”, in Alexander Tilloch, editor, The Philosophical Magazine and Journal: […], volume XLIX, number 230, London: Printed by Richard and Arthur Taylor. […], →OCLC, page 445:

The five vowels marked with acutes over them, it is probable, were first contrived to assist the ignorant monks in reading the church service, that by this means they might arrive to a proper and settled pronunciation in the discharge of their sacerdotal duties; […]

1824, J[ohn] Johnson, “A Fount of Letter, as Considered by Letter Founders”, in Typographia, or The Printers’ Instructor: […], volume II, London: Published by Messrs. Longman, Hurst, Rees, Orme, Brown & Green, […], →OCLC, page 34:


virgule

Borrowed from Middle French virgule, from Latin virgula (“twig; scratch comma”), from virga (“rod, branch”) + -ulus (diminutive suffix). Doublet of virgula.

(typography, dated) A pipe, ⟨|⟩.
(poetry) Used to mark metrical feet.

A pipe, ⟨|⟩.
Used to mark metrical feet.


fare

head

fare (imperative far, present tense farer, simple past for, past participle fart, present participle farende)

far (imperative)
farer (present)
for (past)
fart (participle past)
farende (participle present)


afflatus

la-noun

afflātus m (genitive afflātūs); fourth declension

afflātus (canonical masculine)
afflātūs (genitive)
afflātus (nominative singular)
afflātūs (nominative plural)
afflātūs (genitive singular)
afflātuum (genitive plural)
afflātuī (dative singular)
afflātibus (dative plural)
afflātum (accusative singular)
afflātūs (accusative plural)
afflātū (ablative singular)
afflātibus (ablative plural)
afflātus (singular vocative)
afflātūs (plural vocative)

Catalan: aflat

→ English: afflatus

Italian: afflato

Occitan: aflat

Portuguese: aflato

Spanish: aflato

Perfect passive participle of afflō (“I blow, breathe (on or towards)”).

(poetry, religion) afflation (from an inspiring spirit from an unknown source in Cicero; from a divine spirit in a pagan context or from the Holy Spirit in later Christian contexts)


reference

en-noun

reference (countable and uncountable, plural references)

From Middle French référence, from Medieval Latin referentia, nominative neuter plural of referēns, present participle of referō (“return, reply”, literally “carry back”). Morphologically refer + -ence.

verwysing

academic writing: identification of a source

(academic writing) A short written identification of a previously published work which is used as a source for a text.

(academic writing) A previously published written work thus indicated; a source.


hymn

hymn (nominative singular)
hymny (nominative plural)
hymnu (genitive singular)
hymnów (genitive plural)
hymnowi (dative singular)
hymnom (dative plural)
hymn (accusative singular)
hymny (accusative plural)
hymnem (instrumental singular)
hymnami (instrumental plural)
hymnie (locative singular)
hymnach (locative plural)
hymnie (singular vocative)
hymny (plural vocative)

→? Belarusian: гімн m inan (himn)

desctree

→ Russian: гимн m inan (gimn) (likely)
→ Armenian: հիմն (himn)
→ Bashkir: гимн (gimn)
→ Crimean Tatar: gimn
→ Georgian: ჰიმნი (himni), გიმნი (gimni) — informal, proscribed
→ Kazakh: gïmn
→ Kildin Sami: гӣммн (gīmmn)
→ Urum: гимн
→ Uzbek: gimn

→? Ukrainian: гімн m inan (himn)

Learned borrowing from Latin hymnus, from Ancient Greek ὕμνος (húmnos).


antagonist

[ɛə̯nˈtæɡənɪst]

From Latin antagonista, from Ancient Greek ἀνταγωνιστής (antagōnistḗs, “opponent”) (ἀντί (antí, “against”) + ἀγωνιστής (agōnistḗs, “a combatant, pleader, actor”)), from ἀνταγωνίζομαι (antagōnízomai, “to antagonize”).

der

ἀνταγωνιστής

So God forbid I'm seen just as an average human being / I mean, imagine if antagonists lacked any evil scheme

2022, Will Wood (musician), “The Main Character”, in In case I make it,, performed by Will Wood:

(authorship) The main character or force opposing the protagonist in a literary work or drama.


antagonist

antagonist (indefinite nominative singular)
antagonists (genitive indefinite singular)
antagonisten (definite nominative singular)
antagonistens (definite genitive singular)
antagonister (indefinite nominative plural)
antagonisters (genitive indefinite plural)
antagonisterna (definite nominative plural)
antagonisternas (definite genitive plural)


ghost

en-noun

ghost (countable and uncountable, plural ghosts)

ghosts (plural)
ghoast (alternative obsolete)
gost (alternative obsolete)

→ Japanese: ゴースト (gōsuto)

LL-Q1860 (eng)-Naomi Persephone Amethyst (NaomiAmethyst)-ghost.wav

Inherited from Middle English gost, from Old English gāst, gǣst (“breath, spirit, soul, ghost”) (compare modern English Holy Ghost), from Proto-West Germanic *gaist, from Proto-Germanic *gaistaz, from Proto-Indo-European *ǵʰéysdos, derived from *ǵʰéysd- (“anger, agitation”). Cognate with Saterland Frisian Gäist, Jeest, West Frisian geast, Dutch geest, German Low German Geest, Geist, German Geist, Swedish gast.
The ⟨h⟩ in the spelling appears in the Prologue to William Caxton's Royal Book, printed in 1484, in a reference to the ‘Holy Ghoost’, likely introduced by Caxton's assistant, Wynkyn de Worde, as a result of Flemish influence, where it was spelled gheest at the time. Doublet of geist.

I've written both as a ghost for experts and under my name.


synopsis

From Late Latin synopsis, itself from Ancient Greek σύνοψις (súnopsis), from σύν (sún, “with or whole”) + ὄψις (ópsis, “view”) meaning whole view.

(authorship) A brief summary of the major points of a written work, either as prose or as a table; an abridgment or condensation of a work.


poeta

pl-noun

poeta m pers (female equivalent poetka or poetessa)

poetka (feminine)
poetessa (feminine)
poeta (nominative singular)
poeci (nominative plural)
poety (derogatory nominative plural)
poety (genitive singular)
poetów (genitive plural)
poecie (dative singular)
poetom (dative plural)
poetę (accusative singular)
poetów (accusative plural)
poetą (instrumental singular)
poetami (instrumental plural)
poecie (locative singular)
poetach (locative plural)
poeto (singular vocative)
poeci (plural vocative)


Venus

en-noun

Venus (countable and uncountable, plural Venuses or Veneres)

From Middle English Venus, from Latin Venus.

Immoderate Venus in excess, as it is a cause, or in defect; so, moderately used, to some parties an only help, a present remedy.

(obsolete or poetry) Sexual activity or intercourse, sex; lust, love.


speaker

→ Brunei Malay: speaker

→ Belarusian: спі́кер (spíkjer)

→ Estonian: spiiker

→ French: speaker

→ Georgian: სპიკერი (sṗiḳeri)

→ Italian: speaker

→ Japanese: スピーカー (supīkā)

→ Malayalam: സ്പീക്കർ (spīkkaṟ)

→ Maltese: speaker, spiker

→ Norwegian Bokmål: speaker

→ Polish: spiker

→ Romanian: speaker

desctree

→ Russian: спикер (spiker)
→ Kazakh:
Cyrillic script: спикер (spiker)
Latin script: spiker

→ Serbo-Croatian:

Latin script: spiker

Cyrillic script: спикер

→ Spanish: speaker

→ Swahili: spika

→ Turkish: spiker

→ Ukrainian: спі́кер (spíker)

From Middle English speker, spekere, an alteration (with change of suffix) of Old English speca, spreca (“speaker”), from Proto-Germanic *sprekô (“speaker”), equivalent to speak + -er. Compare Saterland Frisian Spreeker (“speaker”), West Frisian sprekker (“speaker”), Dutch spreker (“speaker”), German Low German Spreker (“speaker”), German Sprecher (“speaker”).

puhuja

linguistics: producer of a given utterance

Popular culture often incorrectly attributes quotes from the speakers of poems or songs to the authors thereof, as when "I took the one less traveled by" is attributed to Robert Frost rather than to the speaker in Frost's "The Road Not Taken".

(especially in linguistics) The producer of a given utterance, whether speech or text.

(poetry) The literary character uttering the lyrics of a poem or song, as opposed to the author writing the words of that character.


nos

From Latin nucem, accusative singular of nux (“nut”), ultimately from Proto-Indo-European *knew-.


quinzaine

(poetry) A piece of verse having fifteen syllables.


interpolation

en-noun

interpolation (countable and uncountable, plural interpolations)

/ɪnˌtɜː.pəˈleɪʃən/

/ɪnˌtɜː.pəˈleɪʃən/

From French interpolation, from Latin interpolatio.
Morphologically interpolate + -ion.

Today a widely established convention encloses all editorial interpolations in square brackets [like so] for clarity.

Bentley wrote a letter […] upon the scriptural glosses in our present copies of Hesychius, which he considered interpolations from a later hand.

1830, Thomas De Quincey, Life of Richard Bentley:

We, who are born into the world's artificial system, can never adequately know how little in our present state and circumstances is natural, and how much is merely the interpolation of the perverted mind and heart of man.

1843, Nathaniel Hawthorne, “The New Adam and Eve”, in Mosses from an Old Manse. […], part II, New York, N.Y.: Wiley and Putnam, published 1846, →OCLC, page 1:

(editing, content analysis) That which is introduced or inserted; in contexts of content analysis of centuries-old texts, especially something foreign or spurious.


hattu

hattu (nominative singular)
hatut (nominative plural)
hattu (accusative nominative singular)
hatut (accusative nominative plural)
hatun (accusative genitive singular)
hatut (accusative genitive plural)
hatun (genitive singular)
hattujen (genitive plural)
hattua (partitive singular)
hattuja (partitive plural)
hatussa (inessive singular)
hatuissa (inessive plural)
hatusta (elative singular)
hatuista (elative plural)
hattuun (illative singular)
hattuihin (illative plural)
hatulla (adessive singular)
hatuilla (adessive plural)
hatulta (ablative singular)
hatuilta (ablative plural)
hatulle (allative singular)
hatuille (allative plural)
hattuna (essive singular)
hattuina (essive plural)
hatuksi (singular translative)
hatuiksi (plural translative)
hatutta (abessive singular)
hatuitta (abessive plural)
hatuin (instructive plural)
See the possessive forms below. (comitative)
hattuni (nominative singular)
hattuni (nominative plural)
hattuni (accusative nominative singular)
hattuni (accusative nominative plural)
hattuni (accusative genitive singular)
hattuni (accusative genitive plural)
hattuni (genitive singular)
hattujeni (genitive plural)
hattuani (partitive singular)
hattujani (partitive plural)
hatussani (inessive singular)
hatuissani (inessive plural)
hatustani (elative singular)
hatuistani (elative plural)
hattuuni (illative singular)
hattuihini (illative plural)
hatullani (adessive singular)
hatuillani (adessive plural)
hatultani (ablative singular)
hatuiltani (ablative plural)
hatulleni (allative singular)
hatuilleni (allative plural)
hattunani (essive singular)
hattuinani (essive plural)
hatukseni (singular translative)
hatuikseni (plural translative)
hatuttani (abessive singular)
hatuittani (abessive plural)
hattuineni (comitative plural)
hattusi (nominative singular)
hattusi (nominative plural)
hattusi (accusative nominative singular)
hattusi (accusative nominative plural)
hattusi (accusative genitive singular)
hattusi (accusative genitive plural)
hattusi (genitive singular)
hattujesi (genitive plural)
hattuasi (partitive singular)
hattujasi (partitive plural)
hatussasi (inessive singular)
hatuissasi (inessive plural)
hatustasi (elative singular)
hatuistasi (elative plural)
hattuusi (illative singular)
hattuihisi (illative plural)
hatullasi (adessive singular)
hatuillasi (adessive plural)
hatultasi (ablative singular)
hatuiltasi (ablative plural)
hatullesi (allative singular)
hatuillesi (allative plural)
hattunasi (essive singular)
hattuinasi (essive plural)
hatuksesi (singular translative)
hatuiksesi (plural translative)
hatuttasi (abessive singular)
hatuittasi (abessive plural)
hattuinesi (comitative plural)
hattumme (nominative singular)
hattumme (nominative plural)
hattumme (accusative nominative singular)
hattumme (accusative nominative plural)
hattumme (accusative genitive singular)
hattumme (accusative genitive plural)
hattumme (genitive singular)
hattujemme (genitive plural)
hattuamme (partitive singular)
hattujamme (partitive plural)
hatussamme (inessive singular)
hatuissamme (inessive plural)
hatustamme (elative singular)
hatuistamme (elative plural)
hattuumme (illative singular)
hattuihimme (illative plural)
hatullamme (adessive singular)
hatuillamme (adessive plural)
hatultamme (ablative singular)
hatuiltamme (ablative plural)
hatullemme (allative singular)
hatuillemme (allative plural)
hattunamme (essive singular)
hattuinamme (essive plural)
hatuksemme (singular translative)
hatuiksemme (plural translative)
hatuttamme (abessive singular)
hatuittamme (abessive plural)
hattuinemme (comitative plural)
hattunne (nominative singular)
hattunne (nominative plural)
hattunne (accusative nominative singular)
hattunne (accusative nominative plural)
hattunne (accusative genitive singular)
hattunne (accusative genitive plural)
hattunne (genitive singular)
hattujenne (genitive plural)
hattuanne (partitive singular)
hattujanne (partitive plural)
hatussanne (inessive singular)
hatuissanne (inessive plural)
hatustanne (elative singular)
hatuistanne (elative plural)
hattuunne (illative singular)
hattuihinne (illative plural)
hatullanne (adessive singular)
hatuillanne (adessive plural)
hatultanne (ablative singular)
hatuiltanne (ablative plural)
hatullenne (allative singular)
hatuillenne (allative plural)
hattunanne (essive singular)
hattuinanne (essive plural)
hatuksenne (singular translative)
hatuiksenne (plural translative)
hatuttanne (abessive singular)
hatuittanne (abessive plural)
hattuinenne (comitative plural)
hattunsa (nominative singular)
hattunsa (nominative plural)
hattunsa (accusative nominative singular)
hattunsa (accusative nominative plural)
hattunsa (accusative genitive singular)
hattunsa (accusative genitive plural)
hattunsa (genitive singular)
hattujensa (genitive plural)
hattuaan (partitive singular)
hattuansa (partitive singular)
hattujaan (partitive plural)
hattujansa (partitive plural)
hatussaan (inessive singular)
hatussansa (inessive singular)
hatuissaan (inessive plural)
hatuissansa (inessive plural)
hatustaan (elative singular)
hatustansa (elative singular)
hatuistaan (elative plural)
hatuistansa (elative plural)
hattuunsa (illative singular)
hattuihinsa (illative plural)
hatullaan (adessive singular)
hatullansa (adessive singular)
hatuillaan (adessive plural)
hatuillansa (adessive plural)
hatultaan (ablative singular)
hatultansa (ablative singular)
hatuiltaan (ablative plural)
hatuiltansa (ablative plural)
hatulleen (allative singular)
hatullensa (allative singular)
hatuilleen (allative plural)
hatuillensa (allative plural)
hattunaan (essive singular)
hattunansa (essive singular)
hattuinaan (essive plural)
hattuinansa (essive plural)
hatukseen (singular translative)
hatuksensa (singular translative)
hatuikseen (plural translative)
hatuiksensa (plural translative)
hatuttaan (abessive singular)
hatuttansa (abessive singular)
hatuittaan (abessive plural)
hatuittansa (abessive plural)
hattuineen (comitative plural)
hattuinensa (comitative plural)

From Proto-Finnic *hattu (compare Ingrian hattu, Karelian hattu, Votic hattu), borrowed from Proto-Norse *ᚺᚨᛏᛏᚢᛉ (*hattuʀ) (compare Swedish hatt), from Proto-Germanic *hattuz (compare English hat).

vetää hatustaan

to improvise, guess, express off the top of one's head

(orthography, typography) háček, caron (diacritical mark [ ˇ ])


minúscula

(orthography) minuscule (lower-case letter)


minúscula

(orthography) minuscule, lower-case letter, small letter


mayúscula

Borrowed from Latin maiusculus. Cognate with English majuscule.


minúsculo

pt-adj

minúsculo (feminine minúscula, masculine plural minúsculos, feminine plural minúsculas)

minúscula (feminine)
minúsculos (masculine plural)
minúsculas (feminine plural)

Learned borrowing from Latin minusculus.

(orthography) minuscule; lower-case (written in minuscules)


minúsculo

From Latin minusculus, from minus (“less”) + -culus (diminutive suffix).


fronte

Inherited from Latin frontem (“forehead”). For sense 2 compare the Latin etymon and derivatives in Italian like sfrontato (“shameless”).

inh+

(poetry, prosody) the two initial quatrains of an Italian sonnet


defective

en-adj

defective (comparative more defective, superlative most defective)

more defective (comparative)
most defective (superlative)

From Middle English defectif, defective, from Old French defectif, from Late Latin dēfectīvus.

(orthography, of a script) Not capable of representing all the phonemic distinctions of a language it is used to write.


chapter

chapters (plural)
chapiter (alternative)
chapitre (alternative)
chapiture (alternative)
chaptre (alternative)
chapyter (alternative)
chapytre (alternative)
chaptire (alternative)

→ Cebuano: tsapter

From Middle English chapitre, from Old French chapitre, from Latin capitulum (“a chapter of a book, in Medieval Latin also a synod or council”), diminutive of caput (“a head”); see capital, capitulum, and chapiter, which are doublets of chapter.

der

Detective novel writers try to keep up the suspense until the last chapter.

At her invitation he outlined for her the succeeding chapters with terse military accuracy ; and what she liked best and best understood was avoidance of that false modesty which condescends, turning technicality into pabulum.

1907 August, Robert W[illiam] Chambers, chapter VIII, in The Younger Set, New York, N.Y.: D. Appleton & Company, →OCLC:

(authorship) One of the main sections into which the text of a book is divided.

CHAPTER - One of the principal divisions of a book, and, in reference to the Bible, one of the larger sections into which its books are divided. This division, as well as that consisting of verses, was introduced to facilitate reference, and not to indicate any natural or accurate division of the subjects treated in the books.

1842, Walter Farquahar Hook, A Church Dictionary, published 1896:

At least thirty-two of the first forty-seven decretal chapters were received by English ecclesiastics,

1963, Charles Duggan, Twelfth-century Decretal Collections and Their Importance in English History, page 127:

il conclut: « No pope, no collection but the masters who served the one and commented on the other ultimately determined the content of this decretal chapter».

1983, Revue théologique de Louvain - Volume 14, page 127:

But unlike a similar annotation, it has not been turned into a chapter title because the annotation “de quodam hermita” (Of a certain hermit) immediately preceded it. If a scribe had also turned Liberauit Dominus hermitam into a chapter title, he would have created a chapter that consisted of a single sentence, which even for a rather dull scribe would seem unacceptable. […] While scribe A wrote the body of the text of the De nugis curialium, scribe X contributed the rubricated chapter headings.

2017, Joshua Byron Smith, Walter Map and the Matter of Britain, page 67:

While rubrics do not appear in paper manuscripts, eight paper manuscripts contain chapter titles, which serve the same function as the medieval rubrics.

2018, Svanhildur Óskarsdóttir, Emily Lethbridge, New Studies in the Manuscript Tradition of Njáls saga, page xvii:

Characteristics: parchment; 92 fols.; 260 × 180 mm.; 32 lines; Italy; ca. 1430; two hands: humanistic rotunda with some Gothic features; marginal notes by first hand and names by a second hand; space left for initials; rubric inscriptions; superscript variants by first hand; chapters marked in margin; horizontal catchwords; quaternions.

2018, David J. Hunt, A Textual History of Cicero's Academici Libri, page 152:

From canon law, he cited Gratian's Decretum, Gregory's Decretales, the Sexto and Clementines Decretales, and the Extravagantes, and specifically referred to “the rules for understanding the Law” in a decretal chapter on Propterea.

2021, David T. Orique, The Unheard Voice of Law in Bartolomé de Las Casas’s Brevísima Relación de la Destruición de las Indias, page 97:

A section of a work, a collection of works, or fragments of works, often manuscripts or transcriptions, created by scholars or advocates, not the original authors, to aid in finding portions of the texts.


umlaut

Borrowed from German Umlaut in the 19ᵗʰ century, from um- or um (“around, re-, trans-”) + Laut (“sound”), from Old High German hlūt. More at loud.

(orthography) The diacritical mark ( ¨ ) placed over a vowel when it indicates a (rounded) front vowel

"Naïve" takes an umlaut because it is pronounced as two syllables.

(informal, orthography) Synonym of diaeresis.


umlaut

(orthography) umlaut (the diacritical mark ¨ used to indicate such assimilation)


arse

(poetry, music) arsis (the stronger part of a measure or foot)


alba

First attested in 1821; borrowed from Occitan alba, ultimately from Latin albus (“white”); compare Spanish alba (“dawn”).

(poetry) A type of lyrical poetry, traditionally Provençal, about lovers who must part at dawn.


alba

alba (nominative singular)
alby (nominative plural)
alby (genitive singular)
alb (genitive plural)
albie (dative singular)
albom (dative plural)
albę (accusative singular)
alby (accusative plural)
albą (instrumental singular)
albami (instrumental plural)
albie (locative singular)
albach (locative plural)
albo (singular vocative)
alby (plural vocative)

Borrowed from Occitan alba. First attested in the 20th century.

ref

Witold Doroszewski, editor (1958–1969), “alba”, in Słownik języka polskiego (in Polish), Warszawa: PWN

(historical, poetry) alba (genre of Old Occitan lyric poetry)


retrograde

en-adj

retrograde (comparative more retrograde, superlative most retrograde)

more retrograde (comparative)
most retrograde (superlative)

The adjective is derived from Middle English retrograd, retrograde (“of a planet: appearing to move in a direction opposite to the order of the zodiac signs, retrograde; unfortunate”), from Middle French retrograde and Old French retrograde (“of a celestial object: appearing to move backwards; moving backwards; reverse; palindromic; opposed to change”) (modern French rétrograde), and from their etymon Latin retrōgradus (“of a celestial object: appearing to move backwards”) (compare Late Latin retrōgradus (“reverse; palindromic”)), from retrō (“back, backwards; behind; before, formerly”) + gradus (“pace, step”). By surface analysis, retro- + -grade.
The adverb and noun are derived from the adjective.

cog

/ˈɹɛtɹə(ʊ)ɡɹeɪd/

/ˈɹɛtɹəˌɡɹeɪd/

retrògrad

reverting to an inferior or less developed state — see also declining, regressing

(poetry, archaic) Of verse: reading the same forwards or backwards; palindromic.


metro

eo-head

metro (accusative singular metron, plural metroj, accusative plural metrojn)

metron (accusative singular)
metroj (plural)
metrojn (accusative plural)


metro

Borrowed from French mètre, from Ancient Greek μέτρον (métron, “measure”).

der

(poetry, music) metre (the rhythm or measure in verse and musical composition)


metro

→ Tagalog: metro


breve

From Middle English breve, variant of bref, from Old French brieve, breve (feminine form of brief, bref), from Latin brevis (“short”).

(orthography, printing) A semicircular diacritical mark (˘) placed above a vowel, commonly used to mark its quantity as short.


breve

nl-noun

breve f (plural breves, diminutive brevetje n)

breves (plural)
brevetje (diminutive neuter)


breve

Borrowed from Dutch breve (“breve”), from Latin brevis (“short”).

(orthography) breve: a semicircular diacritical mark (˘) placed above a vowel, commonly used to mark its quantity as short


Sapphic

Sappho (Ancient Greek Σαπφώ (Sapphṓ)) + -ic, whence Latin Sapphicus. Sense related to sexuality alludes to Sappho's poetry discussing love between women (see also lesbian).

(poetry) Of a certain kind of verse reputed to have been invented by Sappho, consisting of five metrical feet, of which the first, fourth, and fifth are trochees, the second is a spondee, and the third a dactyl.


Sapphic

Sapphics (plural)
Sapphick (alternative)

His Sapphics, on the story of Bacchus and Ariadne, are easy, elegant, and poetical.

1824, Vicesimus Knox, The Works of Vicesimus Knox, D.D.: With a Biographical Preface:

The first line (which goes by the name of Aristophanes) is a Sapphic without the initial trochees.

1887, Horace, Horace: The Odes, Carmen Seculare, and Epodes, page 174:

"A real Sapphic," said Crane, dropping into a poetical tone, as an elocutionist does when he is hungry for an opportunity to recite a favorite sketch.

1888, Maurice Thompson, A Fortnight of Folly, page 41:


loa

ᜎᜓᜏ (Baybayin)
lowa (alternative)
luwa (alternative)

poetic panegyric of eulogy (usually in praise of the Virgin Mary and the saints)


diaeresis

diaereses (plural)
diaresis (alternative)
dieresis (alternative)
diæresis (alternative)
diaëresis (alternative)

/daɪˈɛɹɪsɪs/

/daɪˈɪəɹɪsɪs/

/daɪˈɪəɹɪsɪs/

/daɪˈɛɹəsɪs/

/daɪˈɪəɹɪsiːz/

PIE word
 *dwís
Unadapted borrowing from Late Latin diaeresis (“distribution; division of a diphthong into two syllables”), from Ancient Greek δῐαίρεσῐς (dĭaíresĭs, “distribution, division; division of a poetic line when the end of a word and a metrical foot coincide; division of a diphthong into two syllables”), from δῐαιρέω (dĭairéō, “to divide; to distinguish; to resolve a diphthong or contracted form”) + -σῐς (-sĭs, suffix forming abstract nouns or nouns of action, process, or result). Δῐαιρέω (Dĭairéō) is derived from δῐᾰ- (dĭă-, prefix meaning ‘across; through; in different directions’) (ultimately from Proto-Indo-European *dwís (“doubly, twice; in two”)) + αἱρέω (hairéō, “to grasp, seize, take”) (ultimately from Proto-Indo-European *ser- (“to grasp, seize, take”)).
The plural is borrowed from Latin diaeresēs.

diërese

separation of one syllable (especially a vowel which is a diphthong) into two distinct syllables

Diæreſis is vvhen tvvo points ouer a vovvell diuide it from another vovvel, as bouë, queuë, read bou-e, queu-e, not bo-ue, que-ue.

1611, Randle Cotgrave, compiler, “Briefe Directions for Such as Desire to Learne the French Tongue. And First, of the Vowels, and Diphthongs.”, in A Dictionarie of the French and English Tongues, London: […] Adam Islip, →OCLC, signature Nnnn, recto, column 2:

The Diæresis is used to divide a diphthong into two syllables; as, Creätor.

1841, William Corry, “Grammatical Terms, with Their Respective Marks and Explanations”, in An English Spelling Book, with Reading Lessons; for the Use of the Parish and Other Schools of New Brunswick, St. John, N.B.: […] Henry Chubb, […], →OCLC, page 8:

An 85-year injustice has been rectified at Poets' Corner in Westminster Abbey with the corrected spelling of one of the greatest of all literary names. Reader, it is finally Brontë, not Bronte. An amended memorial to Charlotte, Emily and Anne Brontë was unveiled on Thursday with added diaereses (two dots) that ensure people pronounce it with two syllables. As if it rhymed with Monty, not font. The memorial was installed in 1939 and, for whatever reason, came without the diaereses that the Brontës used.

2024 September 26, Mark Brown, “Brontë sisters finally get their dots as names corrected at Westminster Abbey”, in Katharine Viner, editor, The Guardian, London: Guardian News & Media, →ISSN, →OCLC, archived from the original on 2024-10-05:

A separation of one syllable (especially a vowel which is a diphthong, that is, beginning with one sound and ending with another) into two distinct syllables; distraction.

(orthography) The diacritical mark consisting of two dots (¨) placed over a letter (especially the second of two consecutive vowels) to indicate that it is sounded separately, usually as a distinct syllable.

deelteken

diacritical mark consisting of two dots (¨) placed over a letter to indicate that it is sounded separately


tren

trenowy (adjective)
tren (nominative singular)
treny (nominative plural)
trenu (genitive singular)
trenów (genitive plural)
trenowi (dative singular)
trenom (dative plural)
tren (accusative singular)
treny (accusative plural)
trenem (instrumental singular)
trenami (instrumental plural)
trenie (locative singular)
trenach (locative plural)
trenie (singular vocative)
treny (plural vocative)

(poetry) threnody (poem of lamentation or mourning for a dead person; a dirge; an elegy)


Oktave

de-noun

Oktave f (genitive Oktave, plural Oktaven)

Oktave (genitive)
Oktaven (plural)
Oktave (nominative singular)
Oktaven (definite nominative plural)
Oktave (genitive singular)
Oktaven (definite genitive plural)
Oktave (dative singular)
Oktaven (dative definite plural)
Oktave (accusative singular)
Oktaven (accusative definite plural)

From Middle High German octāv, from Medieval Latin octava (“eighth”).


pes

la-noun

pēs m (genitive pedis); third declension

pēs (canonical masculine)
pedis (genitive)
pēs (nominative singular)
pedēs (nominative plural)
pedis (genitive singular)
pedum (genitive plural)
pedī (dative singular)
pedibus (dative plural)
pedem (accusative singular)
pedēs (accusative plural)
pede (ablative singular)
pedibus (ablative plural)
pēs (singular vocative)
pedēs (plural vocative)

Balkan Romance:

⇒ Aromanian: pezã

Romanian: piez ⇒ piază

Dalmatian:

pi

Italo-Romance

Corsican: pede

Gallurese: pedi

Italian: piede

→ Esperanto: piedo

→ Ladino: piede (regional)

Neapolitan: pede

Sassarese: pedi

Sicilian: pedi, peri

Rhaeto-Romance:

Friulian: pît

Romansch: pe

Padanian:

Istriot: peîe, pèie

Gallo-Italic:

Ligurian: pê

Piedmontese: pe

Romagnol: pè, pid (Rimini, San Marino)

Venetan: piè

Northern Gallo-Romance:

Franco-Provençal: pièd

Norman: pid, pyid

desctree

Old French: pié, pé (Anglo-Norman), *pied, *piet
Middle French: pied
French: pied
Walloon: pî

Southern Gallo-Romance:

Catalan: peu

Old Occitan: pe
Occitan: pè

Ibero-Romance:

Asturian: pie

Extremaduran: pie

Leonese: pía

Mirandese: pie

Old Navarro-Aragonese: pie, pied

Aragonese: piet

Old Galician-Portuguese: pee
Galician: pé
Portuguese: pé

Old Spanish: pie
Ladino: pye
Spanish: pie

Sardinian:

Campidanese: pei

Logudorese: pe

Nuorese: pede

Derived forms:

⇒ Vulgar Latin: *pedicāre

Catalan: petjar

Borrowings:

→ English: pes

→ Ido: pedo

→ Interlingua: pede

→⇒ German: stante pede

From Proto-Italic *pets, from Proto-Indo-European *pṓds (compare Sanskrit पद् (pád), Ancient Greek πούς (poús) and Old English fōt, whence English foot).

vāde, liber, verbīsque meīs loca grāta salūtā:

Go, [my] book, and greet with my words [those] beloved places: at least I shall reach [them] with the ‘foot’ that is allowed!
(The exiled poet puns that the metrical “feet” of his poem shall go where his own “feet” cannot.)

(poetry) a metrical foot: the basic unit of metered poetry


rest

en-noun

rest (countable and uncountable, plural rests)

From Middle English rest, reste, from Old English ræst, from Proto-West Germanic *rastu, from Proto-Germanic *rastō, from Proto-Indo-European *ros-, *res-, *erH- (“rest”). Cognate with West Frisian rêst (“rest”), Dutch rust (“rest”), German Rast (“rest”), Swedish rast (“rest”), Norwegian rest (“rest”), Icelandic röst (“rest”), Old Irish árus (“dwelling”), German Ruhe (“calm”), Albanian resht (“to stop, pause”), Welsh araf (“quiet, calm, gentle”), Lithuanian rovà (“calm”), Ancient Greek ἐρωή (erōḗ, “rest, respite”), Avestan 𐬀𐬌𐬭𐬌𐬨𐬈 (aⁱrime, “calm, peaceful”), Sanskrit रमते (rámate, “he stays still, calms down”), Gothic 𐍂𐌹𐌼𐌹𐍃 (rimis, “tranquility”). Related to roo.

rest

stick used to support the cue in snooker

(poetry) A short pause in reading poetry; a caesura.


نسخ

(calligraphy) Naskh (style of calligraphy)


foil

en-noun

foil (countable and uncountable, plural foils)

From Middle English foyle, from Middle French fueille, from Old French fueille (“plant leaf”), from Late Latin folia, the plural of folium, mistaken as a singular feminine.
The literary sense is from the practice of backing a gem with metal foil to make it shine more brilliantly.
Doublet of folio and folium, distantly also with phyllo and phyllon.

As Puss comes to realize his legendary status is not a substitute for interpersonal connection, his interactions with Kitty and the therapy dog start to take on a surprising amount of weight, while Goldilocks serves as a well-realized foil who has more in common with Puss that is at first apparent.

2022 December 20, Leigh Monson, “Puss In Boots: The Last Wish review: Antonio Banderas leads the best film yet in the Shrek franchise”, in AV Club:

(authorship, figuratively) In literature, theatre/theater, etc., a character who helps emphasize the traits of the main character and who usually acts as an opponent or antagonist, but can also serve as the sidekick of the protagonist.

contrastfiguur

character who helps emphasise the traits of the main character


blank verse

blank verse (countable and uncountable, plural blank verses)

Milton's command of blank verse exceeds even Shakespeare's.

[T]here is an upstart Crow, beautified with our feathers, that with his Tygers hart wrapt in a Players hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and beeing an absolute Iohannes fac totum, is in his owne conceit the onely Shake-scene in a countrey.

1592, Robert Greene, Groats-Worth of Witte, Bought with a Million of Repentance, London: imprinted for William Wright, folio F¹v:

I could have spoken in blank verse of Shakespearean beauty, all sorts of great ideas flashed through my mind; it was as though the bonds of my flesh had been loosened, and left the spirit free to soar to the empyrean of its native power.

1886 October – 1887 January, H[enry] Rider Haggard, “The Spirit of Life”, in She: A History of Adventure, London: Longmans, Green, and Co., published 1887, →OCLC, page 288:

Soon after Surrey's translation of Virgil, blank verse became a persuasive rival to the heroic couplet.

2006, Philip Hobsbaum, “The heroic couplet”, in Metre, Rhythm and Verse Form, Routledge, →ISBN, page 18:

(poetry) A poetic form with regular meter, particularly iambic pentameter, but no fixed rhyme scheme.


septet

PIE word
 *septḿ̥
From Latin septem (“seven”).

A group of seven, particularly
(poetry) A set of seven lines.

A group of seven, particularly
A set of seven lines.


Curved single quotation marks and apostrophes

Straight single quotation mark and apostrophe


Shakespearean sonnet

Shakespearean sonnet (plural Shakespearean sonnets)

Named after English playwright and poet William Shakespeare (1564–1616) and strongly associated with his authorship.

named-after

(poetry) A sonnet comprising three quatrains and a final couplet, in iambic pentameter with the rhyme scheme of abab cdcd efef gg.


Spenserian sonnet

en-noun

Spenserian sonnet (plural Spenserian sonnets)

Named after English poet Edmund Spenser (1552/1553–1599) and associated with his authorship.

named-after

(poetry) A sonnet comprising three quatrains with the latter rhyme part being carried over from one quatrain to the next, and a concluding couplet, therefore comprising a rhyme scheme of abab bcbc cdcd ee.


Petrarchan sonnet

en-noun

Petrarchan sonnet (plural Petrarchan sonnets)

Named after Italian scholar, poet and humanist Francesco Petrarca (1304–1374), who did not invent but made large use of this form in his authorship.

named-after

(poetry) A sonnet comprising an octave and a closing sestet, following the rhyme scheme of either abba abba cde cde or abba abba cd cd cd or abba abba cce dde or abba abba cdd cee.


tag

From Middle English tagge (“small piece hanging from a garment”), probably of North Germanic origin. Compare Norwegian tagg (“point; prong; barb; tag”), Swedish tagg (“thorn; prickle; tine”), Icelandic tág (“a willow-twig”). Compare also tack.

cog

Seems here like Russ would be speaking. You could use a tag here.

(Can we date this quote?), michael, alt.fiction.original (Usenet):

If you want to start with talk, stick a tag in right away

(Can we date this quote?), Jane MacDonald, alt.fiction.original (Usenet):

You could combine these two paragraphs, I think, and rewrite to lose the tag portion of the third sentence.

(Can we date this quote?), bart_...@hotmail.com, alt.fiction.original (Usenet):

(informal, authorship) An attribution in narrated dialogue (eg, "he said") or attributed words (e.g. "he thought").


vend

vend f (definite singular venda, indefinite plural vender, definite plural vendene)

venda (definite singular)
vender (indefinite plural)
vendene (definite plural)

(poetry, music) a stanza, or the tune of one


quiescent

en-adj

quiescent (comparative more quiescent, superlative most quiescent)

more quiescent (comparative)
most quiescent (superlative)

Learned borrowing from Latin quiēscēns, quiēscentem.

lbor

The k is quiescent in "knight" and "know".


measure

→ Japanese: メジャー (mejā)

LL-Q1860 (eng)-I learned some phrases-measure.wav

From Middle English mesure, from Old French mesure, from Latin mēnsūra (“a measure”), from mēnsus, past participle of mētīrī (“to measure”). Largely displaced native Old English metan ("to measure" whence modern mete) and ġemet (“a measure”).

lainsäädäntötoimenpide

piece of legislation as course of action

a poem in iambic measure

(poetry) The manner of ordering and combining the quantities, or long and short syllables; meter; rhythm; hence, a metrical foot.

размер

poetry: manner of ordering and combining the quantities


redundant

en-adj

redundant (comparative more redundant, superlative most redundant)

more redundant (comparative)
most redundant (superlative)

From Latin redundāns, present participle of redundō (“to overflow, redound”), from red- (“again, back”) + undō (“to surge, flood”), from unda (“a wave”).

(of words, writing, etc) Repetitive or needlessly wordy.


octave

From Latin octavus (“eighth”). Doublet of octavo, ochava, and oitava.

Octave in the Encyclopædia Britannica (11th edition, 1911)

With mournful melody it continued this octave.

a. 1587, Philippe Sidnei [i.e., Philip Sidney], “(please specify the folio)”, in [Fulke Greville; Matthew Gwinne; John Florio], editors, The Countesse of Pembrokes Arcadia [The New Arcadia], London: […] [John Windet] for William Ponsonbie, published 1590, →OCLC:

(poetry) A poetic stanza consisting of eight lines; usually used as one part of a sonnet.


leonine

Léonin
Pope Leo II
Pope Leo IV
San Clemente al Laterano

The adjective is derived from Late Middle English leonin, leonine (“of or pertaining to a person named Leo; specifically Pope Leo IV”), from Latin leōnīnus, from Leo (“man’s name”) (from leo (“lion”): see etymology 1) + -īnus (suffix meaning ‘of or pertaining to’).
Sense 2 (“being or relating to a kind of verse with internal rhyme”) is said to refer to a (possibly apocryphal) medieval monk named Leo or Leonius who composed verse with this characteristic; his identity is uncertain, but the composer Léonin (also known as Leo, Leoninus, or Leonius; flourished 1135–1201) has been suggested. Alternatively, the word may refer to Pope Leo II (c. 611–683): see the c. 1760–1761 quotation.
The noun is derived from the adjective.

leonine rhyme

In the Church of St. Dominick is a ſmall Picture of the Bleſſed Virgin, vvith the Infant JESUS in her Arms, vvell painted, and yet, appears to have been done in the Iron Age of Painting and other Arts, by the follovving verses, vvrit under it. […] Theſe Leonine Verſes, as plainly appears by them, expreſs a Senſe contrary to the Intention of the VVriter.

1712, [Bernard de] Montfaucon, “My Journey to Siena; […]”, in [John Henley?], transl., The Travels of the Learned Father Montfaucon from Paris thro’ Italy. […], London: […] D. L. for E[dmund] Curll […], E[gbert] Sanger […], R[obert] Gosling […], and W. Lewis […], →OCLC, page 403:

Observe, that, if the date of this poem be true, the general opinion, that the Leonine verse owes its name to Leonius, seems to be false; […] It is not therefore very likely, as Leonius flourished in 1154, that he should give name to such Latin verses upwards of thirty years before. Indeed some people have thought that it was called after Leo, probably the Second, who lived in 684, a pope who is said to have reformed the hymns and the music of the church.

c. 1760–1761 (date written; published 1814), Thomas Gray, “[Essays. Metrum.] Observations on the Pseudo-Rhythmus.”, in Edmund Gosse, editor, The Works of Thomas Gray in Prose and Verse. […], volume I (Poems, Journals, and Essays), London: Macmillan and Co., published 1884, →OCLC, pages 374–375:

[T]he Latin poetry, instead of Leonine rhymes, or attempts at regular hexameters almost equally bad, becomes, in the hands of Gunther, Gualterus de Insulis, Gulielmus Brito, and Joseph Iscanus, to whom a considerable number of names might be added, always tolerable, sometimes truly spirited; […]

1837–1839, Henry Hallam, “On the General State of Literature in the Middle Ages to the End of the Fourteenth Century”, in Introduction to the Literature of Europe, in the Fifteenth, Sixteenth and Seventeenth Centuries, volume I, London: John Murray, […], →OCLC, paragraph 84, page 100:

(poetry) Being or relating to a kind of medieval Latin verse, generally alternative hexameter and pentameter, with rhyming at the middle and end of a line (that is, internal rhyme); also (by extension), of or relating to modern verse having internal rhyme.

leoniininen

being or relating to a kind of medieval Latin verse; of or relating to modern verse having internal rhyme


leonine

A[llen]. The Clink of Syllables call'd Rymes, / Brought in ith' barb'rous Runick times, / To ſober Criticks ſeems to be / A paultry part of Poetry, / Becoming Monkiſh dull Divines, / VVho traded much in Leonines. / J[ohn]. Altho' to ſpoil I ſhould be ſorry, / An undergraduate Antiquary, / Yet I'll produce a Line or tvvo / Of Leonines in Cicero, / Before the Monks long time ago.

1715, “Canto III”, in The Miller of Trompington: being an Exercise upon Chaucer’s Reeve’s Tale, London: […] Jonas Brown, […]; and sold by J[ames] Roberts […], →OCLC, pages 44–45:

[F]rom the jingling of the Greek couplet juſt before, and ſimilar inſtances of his taſte, I am perſuaded Sir VVilliam intended theſe as Leonines perfect in their kind.

1771 December, “Illustration of the Inscription on Sir W[illiam] Browne’s Monument. […] Continued from Our Last. The Notes.”, in The Town and Country Magazine; or, Universal Repository of Knowledge, Instruction, and Entertainment, volume III, London: […] A[rchibald] Hamilton Junr. […]; [a]nd sold by Robinson and Roberts, […], →OCLC, page 648, column 1:

The manuscript of Trinity College, Cambridge, which we have already mentioned, was written at the beginning of the thirteenth century, and the proverbs which it contains are translations into Latin leonines of some of the more popular English, and, in one or two instances, Norman proverbs of that time.

1835 March, “Art. V.— […] 4. Collection of English Proverbs of the Twelfth Century, Translated into Latin Leonines. MS. Trin. Coll. Camb. O. 2. 45. (Unpublished.) [book review]”, in Cochrane’s Foreign Quarterly Review, volume I, number II, London: Whittaker & Co. […]; Edinburgh: Robert Cadell, […], →OCLC, page 395:

(poetry, chiefly in the plural) Synonym of Leonine verse (“a kind of medieval Latin verse, generally alternative hexameter and pentameter, with rhyming at the middle and end of a line (that is, internal rhyme)”).


-o

اَوُرَكِيْبُوُ جُوَ نِمَاسِ ، كَكُلَ خَسَرَ اُخَسِرِيِ

18th century, Abdallah bin Ali bin Nasir, Al-Inkishafi, stanza 13:

The one who rides it, know you are a rebel; you harm yourself.

Aurakibuo jua ni-mwasi, kwa-kula khasara ukhasiriye.

(archaic, Northern Swahili, poetry) relative marker for any noun class


tempus

la-noun

tempus n (genitive temporis); third declension

temporis (genitive)
tempus (nominative singular)
tempora (nominative plural)
temporis (genitive singular)
temporum (genitive plural)
temporī (dative singular)
temporibus (dative plural)
tempus (accusative singular)
tempora (accusative plural)
tempore (ablative singular)
temporibus (ablative plural)
tempus (singular vocative)
tempora (plural vocative)
temporī (locative singular)
tempore (locative singular)
temporibus (locative plural)

Eastern Romance:

Megleno-Romanian: timp

Romanian: timp

Italo-Dalmatian:

Corsican: tempu

Dalmatian: tiamp

Istriot: tenpo

Italian: tempo (see there for further descendants)

desc

Judeo-Italian: טִִינְפוֹ (ṭinəpo /tinpo/)

Neapolitan: tiempo

Sicilian: tempu

Venetan: tenpo, tempo, tènp

Rhaeto-Romance:

Friulian: timp

Ladin: tëmp

Romansch: temp, taimp, tains

Gallo-Italic:

Emilian: tänp

Ligurian: tempo

Lombard: temp

Piedmontese: temp

Gallo-Romance:

Franco-Provençal: temps

Old French: temps (see there for further descendants)

Occitano-Romance:

Old Catalan: temps

Catalan: temps

desctree

Old Occitan: tems
Occitan: tèms, tems, temps

Ibero-Romance:

Asturian: tiempu

Old Galician-Portuguese: tempo

Galician: tempo

Portuguese: tempo

Spanish: tiempo

Borrowings:

→ Finnish: tempus

→ Middle Welsh: tymhor

Welsh: tymor

→ Norwegian Bokmål: tempus

→ Russian: темп (temp)

→ Sardinian: tempus

→ Swedish: tempus

⇒ Vulgar Latin: *tempula, *templa

Catalan: templa

Italian: tempia

Old French: temple
French: tempe
→ Middle English: temple
English: temple

Romanian: tâmplă

⇒ Asturian: tenllera

⇒ Galician: tempas

→ Basque: denbora

→ Italian: tempora

→ Portuguese: têmpora

→ Sicilian: tèmpura

→ Spanish: témpora

From Proto-Italic *tempos; thence, two ultimate origins have been proposed:
* From Proto-Indo-European *tempos (“stretch”), from the extension *temp- of the root *ten- (“to stretch, string”), with meaning development "what is stretched, stretching" → "stretch (of time)" → "time, occasion".
* From Proto-Indo-European *temh₁- (“to cut”), thus "a section (of time)", this root also giving Latin temnō, tondeō, Ancient Greek τέμνω (témnō). templum is a possible cognate that has also been assigned to both roots.
Sense 2 is a semantic loan from Ancient Greek τὰ καίρῐᾰ (tà kaírĭă, “the vital or fatal place (on the body)”), from καιρός (kairós, “time, opportunity, etc.”), and is less frequent in singular form. Compare Old English þunwang (“temple of the head”), Middle High German tinne, tinge (“forehead, temples”).
As seen from the adverb temperī, the noun would originally have declined like genus.

cog

(poetry, rhetoric) time; measure, quantity


canto

From Old Galician-Portuguese canto, from Latin cantus (“song; singing”), perfect passive participle of canō (“to sing”), from Proto-Indo-European *kan- (“to sing”). Cognate of English chant.


chuff

en-noun

chuff (countable and uncountable, plural chuffs)

(scriptwriting, uncountable) Superfluous small talk that is free of conflict, offers no character development, description or insight, and does not advance the story or plot.


corona

A favorite and most attractive combination is that of the corona or series of sonnets, employed to frame or develop some one theme. A list of these corone is given by Biadene, who selects and publishes from among them a series of three by Petrarch, and the famous corona of the months by Folgore da San Gemignano.

1889 May, F. M. Warren, “The Sonnet. Morfologia del Sonetto nei secoli xiii e xiv. L. Biadene [Studj di Filologia Romanza, Fasc. 10.]”, in A. Marshall Elliott, editor, Modern Language Notes, volume IV, Baltimore, Md.: [Johns Hopkins University Press], →ISSN, →OCLC, column 308:

But the poets of Siena, and particularly the Academy of the Intronati, found the proper way of constructing coronas—since the ones mentioned above should really be called sequences ['catene'] rather than coronas.

1997, Michael R. G. Spiller, The Sonnet Sequence: A Study of Its Strategies (Studies in Literary Themes and Genres; 13), New York, N.Y.: Twayne Publishers, →ISBN, page 144:

[Lady Mary] Wroth alludes to these contexts as the corona of sonnets that crowns the sequence opens: "In this strang labourinth how shall I turne?" (Wroth, Poems 127).

2000, Mary B. Moore, “The Labyrinth of Style: Lady Mary Wroth and the Idea of Petrarchism”, in Desiring Voices: Women Sonneteers and Petrarchism, Carbondale, Edwardsville, Ill.: Southern Illinois University Press, →ISBN, page 125:

Both sets of echoes derive from the poets' first poems, and since first poems in Petrarchan sequences set stylistic, tonal, and thematic expectations, Robert [Sidney]'s double allusion to first poems should color readings of this, the first poem of his corona.

2015, Mary B. Moore, “Robert Sidney’s Poetry”, in Margaret P. Hannay, Mary Ellen Lamb, Michael G. Brennan, editors, The Ashgate Research Companion to The Sidneys, 1500–1700, volume 2 (Literature), Farnham, Surrey, Burlington, Vt.: Ashgate Publishing, →ISBN, part VI (Poetry), page 250:

(poetry) A series of sonnets linked together such that the last word of each is the first word of the next.


haiku

nb-noun

haiku m or n (definite singular haikuen or haikuet, indefinite plural haiku, definite plural haikuene)

haikuen (definite singular)
haikuet (definite singular)
haiku (indefinite plural)
haikuene (definite plural)

Ultimately borrowed from Japanese 俳(はい)句(く) (haiku).

Det opprinnelige haikuet er japansk


haiku

nn-noun-multi

haiku m or n (definite singular haikuen or haikuet, indefinite plural haikuar or haiku, definite plural haikuane or haikua)

haikuen (definite singular)
haikuet (definite singular)
haikuar (indefinite plural)
haiku (indefinite plural)
haikuane (definite plural)
haikua (definite plural)

der finst ikkje så mange ord i eit haiku

Paal-Helge Haugen sette om japanske haikuar til norsk[.]

1998, Hadle Oftedal Andersen, editor, Poesiens pil, [Oslo]: Cappelen, page 170:

Paal-Helge Haugen translated Japanese haikus into Norwegian.


haiku

(poetry) haiku (Japanese poem in three lines, the first and last consisting of five morae, and the second consisting of seven morae, usually with an emphasis on the season or a naturalistic theme)

(poetry) haiku (three-line poem in any language, with five syllables in the first and last lines and seven syllables in the second, usually with an emphasis on the season or a naturalistic theme)


haiku

(poetry) haiku (type of poem used in Japanese poetry)


rondo

rondko (diminutive)
rondo (nominative singular)
ronda (nominative plural)
ronda (genitive singular)
rond (genitive plural)
rondu (dative singular)
rondom (dative plural)
rondo (accusative singular)
ronda (accusative plural)
rondem (instrumental singular)
rondami (instrumental plural)
rondzie (locative singular)
rondach (locative plural)
rondo (singular vocative)
ronda (plural vocative)


volta

[…][Larmona] Ash describes how “conversion arrives like a volta [poetic shift]^([sic]) in a person's life.” The metaphor is apt, imagining one's spiritual life as a poem, an authored thing, and not preserved on vellum either, but open to revision.

2025 May 31, Tanjil Rashid, quoting Lamorna Ash, “Finding their religion”, in FT Weekend, Life & Arts, page 9:

(poetry) A turning point or point of change in a poem, most commonly a sonnet.


premise

premises (plural)
premiss (alternative)
præmise (alternative archaic)
præmiss (alternative archaic)

From Middle English premise, premisse, from Old French premisse, from Medieval Latin premissa (“set before”) (premissa propositio (“the proposition set before”)), feminine past participle of Latin praemittere (“to send or put before”), from prae- (“before”) + mittere (“to send”).
The sense "a piece of real estate" arose from the misinterpretation of the word by property owners while reading title deeds where the word was used with the legal sense.

der

In 1949, the simple premise of discovering ordinary people who have hidden, extraordinary talents came to prominence in the UK with Opportunity Knocks, which started out as a nationwide touring radio show, before moving onto TV in 1956.

2021 September 15, Laura Martin, “How talent shows became TV's most bizarre programmes”, in BBC:

(authorship) The fundamental concept that drives the plot of a film or other story.


scan

en-verb

scan (third-person singular simple present scans, present participle scanning, simple past and past participle scanned)

scans (present singular third-person)
scanning (participle present)
scanned (participle past)
scanned (past)

⇒ Lithuanian: skenuoti

From late Middle English scanne (“to mark off verse to show metrical structure”), from earlier scanden, from Late Latin scandere (“to scan verse”), from Classical Latin scandō (“I climb, rise, mount”), from Proto-Indo-European *skend- (“to jump, dart, climb, scale, scan”).

مَحَّصَ

to examine sequentially, carefully, or critically; to scrutinize; to behold closely

In such cases as these, almost any one with a good ear will "scan" the verse correctly enough without instruction. It is not proposed to give here a list of Shakspere's slurred and contracted words; […]

1886, Francis Barton Gummere, A Handbook of Poetics for Students of English Verse, page 218:

(poetry, transitive) To read or mark so as to show a specific metre.

escandir

to read or mark so as to show a specific metre

You're right, sir, it doesn't scan very well in the English, but in the Gaelic it's sheer poetry. Have you the Gaelic?

1998, Milton Acorn, Cedric Smith, edited by James Deahl, The Road to Charlottetown: A Play, UnMon Northland:

(poetry, intransitive) To conform to a metrical structure.


slam

Pseudo-anglicism, derived from slam poetry.


stave

LL-Q1860 (eng)-I learned some phrases-stave.wav

Back-formation from staves, the plural of staff.

Let us chaunt a passing stave / In honour of that hero brave.

1815, William Wordsworth, Rob Roy's Grave:

(poetry) A metrical portion; a stanza; a staff.

Ley, in his work on the Metrical Forms of Hebrew Poetry, 1866, has taken too little notice of these frequently occurring alliteration staves; Lagarde communicated to me (8th Sept. 1846) his view of the stave-rhyme in the Book[…]

1874, Franz Delitzsch, Biblical Commentary on the Proverbs of Solomon, page 73:

[The] stave that binds the two halves of the line together the on-verse must be classified as D in spite of the f-stave . . stave-rhyme (OED s.v. Stave sb.)

1974, John Collins Pope, Old English Studies in Honour of John C. Pope, page 193:

... consisting only of the two staves, folches . . . fehta. […] Line 63 contains the two-stave rhyme, aerist ... asckim; the suggested reduplicative rhyme [...] is technically doubtful according to the standards we have[…]

1975, Studies in Medieval Culture, page 11:

This may seem sparse and incomplete, but is reminiscent of the Old Norse stave rhyme technique in which one avoided two alliterating staves in one dipod – which the poets of that time considered superfluous.

(poetry, rare) The initial consonant, consonant cluster, or vowel of a word which rhymes with another word with the same consonant or vowel in stave-rhyme.


strain

From Middle English streen, strene, streon, istreon (“race, stock, generation”), from Old English strēon, ġestrēon (“gain, wealth”), from Proto-Germanic *streuną (“heap, treasure, profit, gain”), from Proto-Indo-European *strew- (“to spread, strew”) (cognate with Old Saxon gistriuni, Old High German gistriuni (“gain, property, wealth, business”), Latin strues (“heap”)). Confused in Middle English with the related noun strend, strynd, strund, from Old English strȳnd (“race; stock”), from strēonan, strȳnan (“to beget; acquire”). Related also to Dutch struinen (“to prowl, root about, rout”).

cog

Yet Keats, though for so many years he has given nothing to the world, is understood to have devoted himself to the composition of an epic poem. Some passages of it have been communicated to the inner circle of his admirers, and impressed them as the loftiest strains that have been audible on earth since Milton’s days.

1846, Nathaniel Hawthorne, “P.'s Correspondence”, in Mosses from an Old Manse:

A baby gurgled, a photographer dropped her lens cap, and the strains of the U.S. Army Brass Quintet echoed off the murals depicting seminal moments in American history.

2024, Christa Case Bryant, As US marks 9/11, a divided Congress unites to honor 13 fallen in Afghanistan, in: The Christian Science Monitor, September 11, 2024

(music, poetry) Any sustained note or movement; a song; a distinct portion of an ode or other poem; also, the pervading note, or burden, of a song, poem, etc.

напев

music, poetry: any sustained note or movement; a song; a distinct portion of an ode or other poem; also, the pervading note, or burden, of a song, poem, etc.


lament

lament (nominative singular)
lamenty (nominative plural)
lamentu (genitive singular)
lamentów (genitive plural)
lamentowi (dative singular)
lamentom (dative plural)
lament (accusative singular)
lamenty (accusative plural)
lamentem (instrumental singular)
lamentami (instrumental plural)
lamencie (locative singular)
lamentach (locative plural)
lamencie (singular vocative)
lamenty (plural vocative)

(poetry) threnody (poem of lamentation or mourning for a dead person; a dirge; an elegy)


pentameter

en-noun

pentameter (countable and uncountable, plural pentameters)

pentameters (plural)
pentametre (alternative)

PIE word
 *pénkʷe
From Middle French pentamètre, by surface analysis, penta- + meter.

The best verses, more especially pentameters, are written on the principle of attracting and fixing the attention to their close.

1822, Robert Bland, Elements of Latin Hexameters and Pentameters, third edition, London: John Robinson, page vi:

(poetry, countable) A line in a poem having five metrical feet.

(poetry) Poetic metre in which each line has five feet.


tetrameter

tetrameter (countable and uncountable, plural tetrameters)

tetrameters (plural)
tetrametre (alternative)

(poetry) A line in a poem having four metrical feet.

tetrametër

a line in a poem having four metrical feet (poetry)


dimeter

dimeter (countable and uncountable, plural dimeters)

(poetry) A line in a poem having two metrical feet.

(poetry) A poetic metre in which each line has two feet.


seagull

seagulls (plural)
sea gull (alternative)
sea-gull (alternative)

From sea + gull. The second element is from a Brythonic language. Compare Welsh gwylan, Breton gouelan.

(orthography) The symbol ̼, which combines under a letter as a sort of accent.