"timbrical" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "timbre",
        "3": "ical"
      },
      "expansion": "timbre + -ical",
      "name": "suffix"
    }
  ],
  "etymology_text": "From timbre + -ical.",
  "forms": [
    {
      "form": "more timbrical",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most timbrical",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "timbrical (comparative more timbrical, superlative most timbrical)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms suffixed with -ical",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1999, Enrico Stinchelli, Greatest Stars of the Opera: The Lives and Voices of Two Hundred Golden Years, Biblio Distribution, page 196",
          "text": "The flag bearer for this prestigious category is, without a doubt, Jose Mardones (Fontecha, Alava 1869 - Madrid 1932) who had a voice which was unique for its volume and timbrical beauty.",
          "type": "quotation"
        },
        {
          "ref": "2001, Double Bassist, numbers 16-19, page 4",
          "text": "As Voyage was exploring the timbrical, melodic and rhythmical aspects of a sound generator (actually a string), […]",
          "type": "quotation"
        },
        {
          "ref": "2004, Elena Prestini, The Evolution of Applied Harmonic Analysis: Models of the Real World, Birkhäuser, page 130",
          "text": "Sounds were dull, without life and identity; the imitation of existing instruments (strings, brass,...) was a failure, their timbrical qualities not even remotely recognizable.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Of, relating to, or having timbre."
      ],
      "id": "en-timbrical-en-adj-kAgbm5sx",
      "links": [
        [
          "timbre",
          "timbre"
        ]
      ]
    }
  ],
  "word": "timbrical"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "timbre",
        "3": "ical"
      },
      "expansion": "timbre + -ical",
      "name": "suffix"
    }
  ],
  "etymology_text": "From timbre + -ical.",
  "forms": [
    {
      "form": "more timbrical",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most timbrical",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "timbrical (comparative more timbrical, superlative most timbrical)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms suffixed with -ical",
        "English terms with quotations",
        "Pages with 1 entry"
      ],
      "examples": [
        {
          "ref": "1999, Enrico Stinchelli, Greatest Stars of the Opera: The Lives and Voices of Two Hundred Golden Years, Biblio Distribution, page 196",
          "text": "The flag bearer for this prestigious category is, without a doubt, Jose Mardones (Fontecha, Alava 1869 - Madrid 1932) who had a voice which was unique for its volume and timbrical beauty.",
          "type": "quotation"
        },
        {
          "ref": "2001, Double Bassist, numbers 16-19, page 4",
          "text": "As Voyage was exploring the timbrical, melodic and rhythmical aspects of a sound generator (actually a string), […]",
          "type": "quotation"
        },
        {
          "ref": "2004, Elena Prestini, The Evolution of Applied Harmonic Analysis: Models of the Real World, Birkhäuser, page 130",
          "text": "Sounds were dull, without life and identity; the imitation of existing instruments (strings, brass,...) was a failure, their timbrical qualities not even remotely recognizable.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Of, relating to, or having timbre."
      ],
      "links": [
        [
          "timbre",
          "timbre"
        ]
      ]
    }
  ],
  "word": "timbrical"
}