"timbrally" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "timbral",
        "3": "ly"
      },
      "expansion": "timbral + -ly",
      "name": "suffix"
    }
  ],
  "etymology_text": "timbral + -ly",
  "head_templates": [
    {
      "args": {
        "1": "-"
      },
      "expansion": "timbrally (not comparable)",
      "name": "en-adv"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adv",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms suffixed with -ly",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "topical",
          "langcode": "en",
          "name": "Music",
          "orig": "en:Music",
          "parents": [
            "Art",
            "Sound",
            "Culture",
            "Energy",
            "Society",
            "Nature",
            "All topics",
            "Fundamental"
          ],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1984, Carol Gertrud Isaac, Three compositions: Perimeter drive, A quartet, Shot?, page v",
          "text": "Perimeter Drive explores the potential for a single instrument to function timbrally, harmonically, and rhythmically as a multiple resource.",
          "type": "quotation"
        },
        {
          "ref": "2015 December 8, “Colour Association with Music Is Mediated by Emotion: Evidence from an Experiment Using a CIE Lab Interface and Interviews”, in PLOS ONE, →DOI",
          "text": "The first represents the degree of variation of successive harmonic peaks in the spectrum (this would indicate a timbrally rich music); the second, the relative strength of a tonal centre (e.g. a stable, predictable music); and the third, the degree of minor-to-major tonality, so that a higher value is ‘more major’ (see [30 ], p. 112, 127, and 129).",
          "type": "quotation"
        }
      ],
      "glosses": [
        "With regard to timbre."
      ],
      "id": "en-timbrally-en-adv-YiX6vGxx",
      "links": [
        [
          "music",
          "music"
        ],
        [
          "timbre",
          "timbre"
        ]
      ],
      "raw_glosses": [
        "(music) With regard to timbre."
      ],
      "tags": [
        "not-comparable"
      ],
      "topics": [
        "entertainment",
        "lifestyle",
        "music"
      ]
    }
  ],
  "word": "timbrally"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "timbral",
        "3": "ly"
      },
      "expansion": "timbral + -ly",
      "name": "suffix"
    }
  ],
  "etymology_text": "timbral + -ly",
  "head_templates": [
    {
      "args": {
        "1": "-"
      },
      "expansion": "timbrally (not comparable)",
      "name": "en-adv"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adv",
  "senses": [
    {
      "categories": [
        "English adverbs",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms suffixed with -ly",
        "English terms with quotations",
        "English uncomparable adverbs",
        "en:Music"
      ],
      "examples": [
        {
          "ref": "1984, Carol Gertrud Isaac, Three compositions: Perimeter drive, A quartet, Shot?, page v",
          "text": "Perimeter Drive explores the potential for a single instrument to function timbrally, harmonically, and rhythmically as a multiple resource.",
          "type": "quotation"
        },
        {
          "ref": "2015 December 8, “Colour Association with Music Is Mediated by Emotion: Evidence from an Experiment Using a CIE Lab Interface and Interviews”, in PLOS ONE, →DOI",
          "text": "The first represents the degree of variation of successive harmonic peaks in the spectrum (this would indicate a timbrally rich music); the second, the relative strength of a tonal centre (e.g. a stable, predictable music); and the third, the degree of minor-to-major tonality, so that a higher value is ‘more major’ (see [30 ], p. 112, 127, and 129).",
          "type": "quotation"
        }
      ],
      "glosses": [
        "With regard to timbre."
      ],
      "links": [
        [
          "music",
          "music"
        ],
        [
          "timbre",
          "timbre"
        ]
      ],
      "raw_glosses": [
        "(music) With regard to timbre."
      ],
      "tags": [
        "not-comparable"
      ],
      "topics": [
        "entertainment",
        "lifestyle",
        "music"
      ]
    }
  ],
  "word": "timbrally"
}