"technoetic" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "Roy Ascott",
        "in": "1997",
        "nat": "British",
        "nocap": "1",
        "nocat": "1",
        "occ": "artist"
      },
      "expansion": "coined by British artist Roy Ascott in 1997",
      "name": "coin"
    }
  ],
  "etymology_text": "From τέχνη (tékhnē) + νοητικός (noētikós), coined by British artist Roy Ascott in 1997.",
  "forms": [
    {
      "form": "more technoetic",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most technoetic",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "technoetic (comparative more technoetic, superlative most technoetic)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "text": "1997 June 19, Roy Ascott, The Connective State: Europe's technoetic dimension:",
          "type": "quotation"
        },
        {
          "ref": "1998, Christa Sommerer, Laurent Mignonneau, Art @ Science, page 286",
          "text": "So within the telematic embrace we hope to reach this social synchronicity, an identical rhythm of the heart, a dynamic technoetic equilibrium.",
          "type": "quotation"
        },
        {
          "ref": "2000, Stephen Aldhouse-Green, Paviland Cave and the 'Red Lady': A Definitive Report, page 227",
          "text": "The 'Red Lady' in his palaeoecological and technoetic context (chapter title)",
          "type": "quotation"
        },
        {
          "ref": "2014, Norbert Herber, “Musical Behavior and Amergence in Technoetic and Media Arts”, in Karen Collins, Bill Kapralos, Holly Tessler, editors, The Oxford Handbook of Interactive Audio, page 365",
          "text": "Amergent music is a generative style developed to complement the innate dynamics or ontology of technoetic environments.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Combining technology and consciousness."
      ],
      "id": "en-technoetic-en-adj-0hwKtbLy",
      "links": [
        [
          "technology",
          "technology"
        ],
        [
          "consciousness",
          "consciousness"
        ]
      ]
    }
  ],
  "word": "technoetic"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "Roy Ascott",
        "in": "1997",
        "nat": "British",
        "nocap": "1",
        "nocat": "1",
        "occ": "artist"
      },
      "expansion": "coined by British artist Roy Ascott in 1997",
      "name": "coin"
    }
  ],
  "etymology_text": "From τέχνη (tékhnē) + νοητικός (noētikós), coined by British artist Roy Ascott in 1997.",
  "forms": [
    {
      "form": "more technoetic",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most technoetic",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "technoetic (comparative more technoetic, superlative most technoetic)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms with quotations",
        "Pages with 1 entry",
        "Quotation templates to be cleaned"
      ],
      "examples": [
        {
          "text": "1997 June 19, Roy Ascott, The Connective State: Europe's technoetic dimension:",
          "type": "quotation"
        },
        {
          "ref": "1998, Christa Sommerer, Laurent Mignonneau, Art @ Science, page 286",
          "text": "So within the telematic embrace we hope to reach this social synchronicity, an identical rhythm of the heart, a dynamic technoetic equilibrium.",
          "type": "quotation"
        },
        {
          "ref": "2000, Stephen Aldhouse-Green, Paviland Cave and the 'Red Lady': A Definitive Report, page 227",
          "text": "The 'Red Lady' in his palaeoecological and technoetic context (chapter title)",
          "type": "quotation"
        },
        {
          "ref": "2014, Norbert Herber, “Musical Behavior and Amergence in Technoetic and Media Arts”, in Karen Collins, Bill Kapralos, Holly Tessler, editors, The Oxford Handbook of Interactive Audio, page 365",
          "text": "Amergent music is a generative style developed to complement the innate dynamics or ontology of technoetic environments.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Combining technology and consciousness."
      ],
      "links": [
        [
          "technology",
          "technology"
        ],
        [
          "consciousness",
          "consciousness"
        ]
      ]
    }
  ],
  "word": "technoetic"
}