"superenergetic" meaning in All languages combined

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        "1": "en",
        "2": "super-",
        "3": "energetic"
      },
      "expansion": "super- + energetic",
      "name": "affix"
    }
  ],
  "etymology_text": "From super- + energetic.",
  "forms": [
    {
      "form": "more superenergetic",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most superenergetic",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "superenergetic (comparative more superenergetic, superlative most superenergetic)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
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          "name": "English terms prefixed with super-",
          "parents": [],
          "source": "w"
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          "parents": [],
          "source": "w"
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          "parents": [],
          "source": "w"
        }
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      "examples": [
        {
          "ref": "1996, Lawrence Kramer, Classical Music and Postmodern Knowledge, →ISBN, page 222:",
          "text": "Unburdened by defensiveness, Ravel is able to figure the exotic in ways that are genuinely open to the energies of the other as well as appropriative of them. Those emergies find their culminating expression in the “General Dance” celebrating the union of Daphnis and Chloe. By organizing its dithyrambic whirl with an irregular meter, 5/4, the dance becomes an orgy of “false steps” utterly alien to the European tradition of superenergetic finales.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Highly energetic."
      ],
      "id": "en-superenergetic-en-adj-h3ofHxGR",
      "links": [
        [
          "energetic",
          "energetic"
        ]
      ]
    }
  ],
  "sounds": [
    {
      "audio": "LL-Q1860 (eng)-Flame, not lame-superenergetic.wav",
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    }
  ],
  "word": "superenergetic"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "super-",
        "3": "energetic"
      },
      "expansion": "super- + energetic",
      "name": "affix"
    }
  ],
  "etymology_text": "From super- + energetic.",
  "forms": [
    {
      "form": "more superenergetic",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most superenergetic",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "superenergetic (comparative more superenergetic, superlative most superenergetic)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
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        "Pages with entries"
      ],
      "examples": [
        {
          "ref": "1996, Lawrence Kramer, Classical Music and Postmodern Knowledge, →ISBN, page 222:",
          "text": "Unburdened by defensiveness, Ravel is able to figure the exotic in ways that are genuinely open to the energies of the other as well as appropriative of them. Those emergies find their culminating expression in the “General Dance” celebrating the union of Daphnis and Chloe. By organizing its dithyrambic whirl with an irregular meter, 5/4, the dance becomes an orgy of “false steps” utterly alien to the European tradition of superenergetic finales.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Highly energetic."
      ],
      "links": [
        [
          "energetic",
          "energetic"
        ]
      ]
    }
  ],
  "sounds": [
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    }
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  "word": "superenergetic"
}