"semi-naïf" meaning in All languages combined

{
  "forms": [
    {
      "form": "more semi-naïf",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most semi-naïf",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "semi-naïf (comparative more semi-naïf, superlative most semi-naïf)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "alt_of": [
        {
          "word": "semi-naive"
        }
      ],
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1978, Sidney Alexander, Marc Chagall: A Biography, New York, N.Y.: G. P. Putnam’s Sons, page 460:",
          "text": "Marc Chagall comes from Vitebsk but has nothing Jewish about him in looks, in manner, in any peculiarities. Yet he paints almost nothing but ghetto life—and in a semi-naïf, rather childish fashion, does it with enough feeling to “put it over.”",
          "type": "quote"
        },
        {
          "ref": "1979, Growing Point, page 3509:",
          "text": "Drawings of a simple, semi-naïf type also stress the homely, almost accidental tenor of the re-tellings.",
          "type": "quote"
        },
        {
          "ref": "1986, Studio International, page 44:",
          "text": "Other Australian work which impressed included the semi-naïf paint-[…]",
          "type": "quote"
        },
        {
          "ref": "2002, Tim Burford, Georgia with Armenia, Bradt Travel Guides, →ISBN, page 128:",
          "text": "Up some steps behind the hotel the All Saints church was built in 1620–30 and is now being restored; it has new paintings in a nice light style and semi-naïf icons.",
          "type": "quote"
        },
        {
          "ref": "2009, Natalie Adamson, Painting, Politics and the Struggle for the École de Paris, 1944–1964, Ashgate Publishing, →ISBN, page 136:",
          "text": "Rebeyrolle’s semi-naïf, deliberately ugly and pathetic portraits, still lifes and rude examinations of the bestial world were hailed as a vital example of revelatory realism, admired in France as in England for their durable construction of quotidian objects and bulky bodies, suggesting the necessity of a committed return to drawing and modelling after the Old Masters.",
          "type": "quote"
        },
        {
          "ref": "2014, Luisa Del Giudice, “Afterword: Personal Reflections on the Watts Towers Common Ground Initiative”, in Sabato Rodia’s Towers in Watts: Art, Migrations, Development, New York, N.Y.: Fordham University Press, →LCCN, page 344:",
          "text": "Politi had actually made multiethnicity a focus of his art (before it became the norm) and showed a penchant for expressions of ethnically costumed festive celebration in a simple, even semi-naïf vein (appropriate to children’s literature).",
          "type": "quote"
        }
      ],
      "glosses": [
        "Alternative form of semi-naive"
      ],
      "id": "en-semi-naïf-en-adj-~gNDXX4h",
      "links": [
        [
          "semi-naive",
          "semi-naive#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "semi-naïf"
}

{
  "forms": [
    {
      "form": "more semi-naïf",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most semi-naïf",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "semi-naïf (comparative more semi-naïf, superlative most semi-naïf)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "alt_of": [
        {
          "word": "semi-naive"
        }
      ],
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English multiword terms",
        "English terms spelled with Ï",
        "English terms spelled with ◌̈",
        "English terms with quotations",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "ref": "1978, Sidney Alexander, Marc Chagall: A Biography, New York, N.Y.: G. P. Putnam’s Sons, page 460:",
          "text": "Marc Chagall comes from Vitebsk but has nothing Jewish about him in looks, in manner, in any peculiarities. Yet he paints almost nothing but ghetto life—and in a semi-naïf, rather childish fashion, does it with enough feeling to “put it over.”",
          "type": "quote"
        },
        {
          "ref": "1979, Growing Point, page 3509:",
          "text": "Drawings of a simple, semi-naïf type also stress the homely, almost accidental tenor of the re-tellings.",
          "type": "quote"
        },
        {
          "ref": "1986, Studio International, page 44:",
          "text": "Other Australian work which impressed included the semi-naïf paint-[…]",
          "type": "quote"
        },
        {
          "ref": "2002, Tim Burford, Georgia with Armenia, Bradt Travel Guides, →ISBN, page 128:",
          "text": "Up some steps behind the hotel the All Saints church was built in 1620–30 and is now being restored; it has new paintings in a nice light style and semi-naïf icons.",
          "type": "quote"
        },
        {
          "ref": "2009, Natalie Adamson, Painting, Politics and the Struggle for the École de Paris, 1944–1964, Ashgate Publishing, →ISBN, page 136:",
          "text": "Rebeyrolle’s semi-naïf, deliberately ugly and pathetic portraits, still lifes and rude examinations of the bestial world were hailed as a vital example of revelatory realism, admired in France as in England for their durable construction of quotidian objects and bulky bodies, suggesting the necessity of a committed return to drawing and modelling after the Old Masters.",
          "type": "quote"
        },
        {
          "ref": "2014, Luisa Del Giudice, “Afterword: Personal Reflections on the Watts Towers Common Ground Initiative”, in Sabato Rodia’s Towers in Watts: Art, Migrations, Development, New York, N.Y.: Fordham University Press, →LCCN, page 344:",
          "text": "Politi had actually made multiethnicity a focus of his art (before it became the norm) and showed a penchant for expressions of ethnically costumed festive celebration in a simple, even semi-naïf vein (appropriate to children’s literature).",
          "type": "quote"
        }
      ],
      "glosses": [
        "Alternative form of semi-naive"
      ],
      "links": [
        [
          "semi-naive",
          "semi-naive#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "semi-naïf"
}