"phénakistoscope" meaning in All languages combined

{
  "forms": [
    {
      "form": "phénakistoscopes",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "phénakistoscope (plural phénakistoscopes)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "alt_of": [
        {
          "word": "phenakistoscope"
        }
      ],
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
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          "source": "w"
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        {
          "kind": "other",
          "name": "Pages with 1 entry",
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          "source": "w"
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        {
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          "source": "w"
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      ],
      "examples": [
        {
          "ref": "1999, Timothy Dallett, editor, Image/Duration: Installations of the Moving Image, Gallery 101, →ISBN:",
          "text": "The iconic regime is comprised of the following vision machines: the diorama (1820); the phénakistoscope (1830); the zootrope (1835); the panorama and the stereoscope (1800-50); the cinéorama (1900); Cinerama and Cinemascope (1952), Sensorama (1960) and Omnimax (1980-90).",
          "type": "quote"
        },
        {
          "ref": "2004, Norman E. Tutorow, The Governor: The Life and Legacy of Leland Stanford, a California Colossus, Spokane, Wash.: The Arthur H. Clark Company, →ISBN, page 490:",
          "text": "[Obadiah B.] Brown gave his machine—which combined the principles of the phénakistocope (derived from Greek words meaning, roughly, “to show movement of a target or object”) and the magic lantern—the equally improbable name of phasmatrope (a “turning apparition”).",
          "type": "quote"
        },
        {
          "ref": "2018, Camila Afanador-Llach, “Motion in Graphic Design: Interdisciplinary References for Teaching”, in R. Brian Stone, Leah Wahlin, editors, The Theory and Practice of Motion Design: Critical Perspectives and Professional Practice, New York, N.Y., London: Focal Press, →ISBN, part 1 (Theoretical Perspectives), section 1 (Interdisciplinary Influences and Origins), chapter section “From Other Fields”, subsection “Devices and formats”, page 40:",
          "text": "Figure 8 Phénakistoscope, praxinoscope and zoetrope.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Alternative form of phenakistoscope"
      ],
      "id": "en-phénakistoscope-en-noun-l1G7DDWB",
      "links": [
        [
          "phenakistoscope",
          "phenakistoscope#English"
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  "word": "phénakistoscope"
}

{
  "forms": [
    {
      "form": "phénakistoscopes",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "phénakistoscope (plural phénakistoscopes)",
      "name": "en-noun"
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  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "alt_of": [
        {
          "word": "phenakistoscope"
        }
      ],
      "categories": [
        "English countable nouns",
        "English entries with incorrect language header",
        "English lemmas",
        "English nouns",
        "English terms spelled with É",
        "English terms spelled with ◌́",
        "English terms with quotations",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "ref": "1999, Timothy Dallett, editor, Image/Duration: Installations of the Moving Image, Gallery 101, →ISBN:",
          "text": "The iconic regime is comprised of the following vision machines: the diorama (1820); the phénakistoscope (1830); the zootrope (1835); the panorama and the stereoscope (1800-50); the cinéorama (1900); Cinerama and Cinemascope (1952), Sensorama (1960) and Omnimax (1980-90).",
          "type": "quote"
        },
        {
          "ref": "2004, Norman E. Tutorow, The Governor: The Life and Legacy of Leland Stanford, a California Colossus, Spokane, Wash.: The Arthur H. Clark Company, →ISBN, page 490:",
          "text": "[Obadiah B.] Brown gave his machine—which combined the principles of the phénakistocope (derived from Greek words meaning, roughly, “to show movement of a target or object”) and the magic lantern—the equally improbable name of phasmatrope (a “turning apparition”).",
          "type": "quote"
        },
        {
          "ref": "2018, Camila Afanador-Llach, “Motion in Graphic Design: Interdisciplinary References for Teaching”, in R. Brian Stone, Leah Wahlin, editors, The Theory and Practice of Motion Design: Critical Perspectives and Professional Practice, New York, N.Y., London: Focal Press, →ISBN, part 1 (Theoretical Perspectives), section 1 (Interdisciplinary Influences and Origins), chapter section “From Other Fields”, subsection “Devices and formats”, page 40:",
          "text": "Figure 8 Phénakistoscope, praxinoscope and zoetrope.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Alternative form of phenakistoscope"
      ],
      "links": [
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          "phenakistoscope",
          "phenakistoscope#English"
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  "word": "phénakistoscope"
}