"marchlike" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "march",
        "3": "like"
      },
      "expansion": "march + -like",
      "name": "suffix"
    }
  ],
  "etymology_text": "march + -like",
  "forms": [
    {
      "form": "more marchlike",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most marchlike",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "marchlike (comparative more marchlike, superlative most marchlike)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms suffixed with -like",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "topical",
          "langcode": "en",
          "name": "Music",
          "orig": "en:Music",
          "parents": [
            "Art",
            "Sound",
            "Culture",
            "Energy",
            "Society",
            "Nature",
            "All topics",
            "Fundamental"
          ],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "2007 April 24, Bernard Holland, “Composers Near and Far, Speaking a Language of Now”, in New York Times",
          "text": "His work, “La Devinette d’Arlequin,” seemed less the riddle of its title than a busy, marchlike exercise in calculated harshness […].",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Resembling a march"
      ],
      "id": "en-marchlike-en-adj-66kxhqDy",
      "links": [
        [
          "music",
          "music"
        ],
        [
          "march",
          "march"
        ]
      ],
      "raw_glosses": [
        "(music) Resembling a march"
      ],
      "topics": [
        "entertainment",
        "lifestyle",
        "music"
      ]
    }
  ],
  "word": "marchlike"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "march",
        "3": "like"
      },
      "expansion": "march + -like",
      "name": "suffix"
    }
  ],
  "etymology_text": "march + -like",
  "forms": [
    {
      "form": "more marchlike",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most marchlike",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "marchlike (comparative more marchlike, superlative most marchlike)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms suffixed with -like",
        "English terms with quotations",
        "en:Music"
      ],
      "examples": [
        {
          "ref": "2007 April 24, Bernard Holland, “Composers Near and Far, Speaking a Language of Now”, in New York Times",
          "text": "His work, “La Devinette d’Arlequin,” seemed less the riddle of its title than a busy, marchlike exercise in calculated harshness […].",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Resembling a march"
      ],
      "links": [
        [
          "music",
          "music"
        ],
        [
          "march",
          "march"
        ]
      ],
      "raw_glosses": [
        "(music) Resembling a march"
      ],
      "topics": [
        "entertainment",
        "lifestyle",
        "music"
      ]
    }
  ],
  "word": "marchlike"
}