"lobate style" meaning in All languages combined

See lobate style on Wiktionary

Noun [English]

Head templates: {{en-noun|-}} lobate style (uncountable)
  1. (art, historical) Synonym of auricular style Tags: historical, uncountable Categories (topical): Art Synonyms: earshell work, Knorpelwerk, auricular style [synonym, synonym-of]
    Sense id: en-lobate_style-en-noun-R0JMhPV4 Categories (other): English entries with incorrect language header Topics: art, arts

Download JSON data for lobate style meaning in All languages combined (3.4kB)

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          "ref": "1961, J. W. Frederiks, “III. The Baroque Style. A. The Lobate Style. North-Holland. Amsterdam. Joannes Lutma Sr.”, in Dutch Silver: Embossed Ecclesiastical and Secular Plate from the Renaissance until the End of the Eighteenth Century, Dordrecht: Springer, →DOI, page 45",
          "text": "Adam [van Vianen]'s suppleness is not only equalled, but even surpassed by [Joannes] Lutma. In fact, the lobate style, if it was not Lutma's invention, reached its highest perfection in his work.",
          "type": "quotation"
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          "ref": "1971, Hugh Honour, “Paulus van Vianen (c. 1568—1613)”, in Goldsmiths & Silversmiths (Great Craftsmen), New York: G. P. Putnam's Sons, →OCLC, page 97",
          "text": "The auricular or lobate style, known in Holland as Kwabornament and in Germany as Knorpelwerk, appears to be the only ornamental style which was developed mainly by silversmiths and found its fullest and most notable expression in silver.",
          "type": "quotation"
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          "ref": "1993, Ellenor M. Alcorn, “58. Two-Handled Cup and Cover, London, ca. 1665, Gold, 60.534a,b”, in English Silver in the Museum of Fine Arts, Boston. Volume I. Silver Before 1697, Boston: Museum of Fine Arts. Distributed by Northeastern University Press, →OCLC, page 137",
          "text": "The two-handled cup and cover by the Hound Sejant maker at Wadham College, Oxford, to which he compared it, shows a similar tentative application of the lobate style to an essentially English form.",
          "type": "quotation"
        },
        {
          "ref": "1997, Zsuzsanna van Ruyven-Zeman, “Hendrick de Keyser: Draftsman and Designer of Stained Glass”, in Simiolus: Netherlands Quarterly for the History of Art, volume 25, number 4, →DOI, →JSTOR, page 292",
          "text": "The ornament in this window comprises not only Netherlandish grotesque with its characteristic combination of strapwork and scrollwork but also classical motifs in the two friezes. The two empty cartouches in the lower register (fig. II) moreover herald an entirely new fashion, that of the auricular or lobate style.",
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          "ref": "2009, Natalie Zemon Davis, Deborah L. Krohn, Dutch New York Between East and West: The World of Margrieta Van Varick, New York: Bard Graduate Center for Studies in the Decorative Arts, →OCLC, page 232",
          "text": "The smooth, kneaded, almost unfinished appearance of the heart-shaped relief ornament is reminiscent of the lobate style of relief decoration, known as kwabornament, which was popular in the first half of the seventeenth century.",
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          "word": "auricular style"
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          "ref": "1961, J. W. Frederiks, “III. The Baroque Style. A. The Lobate Style. North-Holland. Amsterdam. Joannes Lutma Sr.”, in Dutch Silver: Embossed Ecclesiastical and Secular Plate from the Renaissance until the End of the Eighteenth Century, Dordrecht: Springer, →DOI, page 45",
          "text": "Adam [van Vianen]'s suppleness is not only equalled, but even surpassed by [Joannes] Lutma. In fact, the lobate style, if it was not Lutma's invention, reached its highest perfection in his work.",
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          "ref": "1971, Hugh Honour, “Paulus van Vianen (c. 1568—1613)”, in Goldsmiths & Silversmiths (Great Craftsmen), New York: G. P. Putnam's Sons, →OCLC, page 97",
          "text": "The auricular or lobate style, known in Holland as Kwabornament and in Germany as Knorpelwerk, appears to be the only ornamental style which was developed mainly by silversmiths and found its fullest and most notable expression in silver.",
          "type": "quotation"
        },
        {
          "ref": "1993, Ellenor M. Alcorn, “58. Two-Handled Cup and Cover, London, ca. 1665, Gold, 60.534a,b”, in English Silver in the Museum of Fine Arts, Boston. Volume I. Silver Before 1697, Boston: Museum of Fine Arts. Distributed by Northeastern University Press, →OCLC, page 137",
          "text": "The two-handled cup and cover by the Hound Sejant maker at Wadham College, Oxford, to which he compared it, shows a similar tentative application of the lobate style to an essentially English form.",
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          "text": "The ornament in this window comprises not only Netherlandish grotesque with its characteristic combination of strapwork and scrollwork but also classical motifs in the two friezes. The two empty cartouches in the lower register (fig. II) moreover herald an entirely new fashion, that of the auricular or lobate style.",
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          "ref": "2009, Natalie Zemon Davis, Deborah L. Krohn, Dutch New York Between East and West: The World of Margrieta Van Varick, New York: Bard Graduate Center for Studies in the Decorative Arts, →OCLC, page 232",
          "text": "The smooth, kneaded, almost unfinished appearance of the heart-shaped relief ornament is reminiscent of the lobate style of relief decoration, known as kwabornament, which was popular in the first half of the seventeenth century.",
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This page is a part of the kaikki.org machine-readable All languages combined dictionary. This dictionary is based on structured data extracted on 2024-05-09 from the enwiktionary dump dated 2024-05-02 using wiktextract (4d5d0bb and edd475d). The data shown on this site has been post-processed and various details (e.g., extra categories) removed, some information disambiguated, and additional data merged from other sources. See the raw data download page for the unprocessed wiktextract data.

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