"lectosign" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "la:lect",
        "3": "sign"
      },
      "expansion": "Latin lect + sign",
      "name": "af"
    }
  ],
  "etymology_text": "From Latin lect + sign.",
  "forms": [
    {
      "form": "lectosigns",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "lectosign (plural lectosigns)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1989, Gilles Deleuze, translated by Hugh Tomlinson and Robert Galeta, Cinema 2: the Time-Image, Minneapolis: University of Minnesota Press, translation of Cinéma 2, L’Image-temps (in French), page 100:",
          "text": "Thus chronosigns are continually extended into lectosigns and noosigns.",
          "type": "quote"
        },
        {
          "ref": "2003 fall, Charles J. Stivale, “Review of Deleuze on Cinema, by R. Bogue”, in JSTOR, volume 45, number 4, page 531:",
          "text": "Suffice it to say that to each of these technical and cinematic details, Deleuze (and Bogue) juxtapose new concepts—crystalline states for the hyalosigns; sheets of past, peaks of present, and powers of the false for chronosigns; linked to the latter, the power of the outside and the interstice for noosigns; and also linked to chronosigns, silent and audible lectosigns as well as the modern dimension of the time-image as \"archeological, stratigraphic, and tectonic\"",
          "type": "quote"
        }
      ],
      "glosses": [
        "In the works of philosopher Gilles Deleuze, a lectosign is an image that must be read as much as it is seen or heard. Deleuze introduced this concept in his book Cinema 2: The Time-Image to describe cinematic images that demand interpretation beyond their immediate visual or auditory presentation."
      ],
      "id": "en-lectosign-en-noun-izp4tDd9",
      "qualifier": "film theory",
      "raw_glosses": [
        "(film theory) In the works of philosopher Gilles Deleuze, a lectosign is an image that must be read as much as it is seen or heard. Deleuze introduced this concept in his book Cinema 2: The Time-Image to describe cinematic images that demand interpretation beyond their immediate visual or auditory presentation."
      ]
    }
  ],
  "sounds": [
    {
      "other": "/ˈlɛktoʊˌsaɪn/"
    }
  ],
  "word": "lectosign"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "la:lect",
        "3": "sign"
      },
      "expansion": "Latin lect + sign",
      "name": "af"
    }
  ],
  "etymology_text": "From Latin lect + sign.",
  "forms": [
    {
      "form": "lectosigns",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "lectosign (plural lectosigns)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        "English 3-syllable words",
        "English compound terms",
        "English countable nouns",
        "English entries with incorrect language header",
        "English lemmas",
        "English nouns",
        "English terms derived from Latin",
        "English terms with IPA pronunciation",
        "English terms with quotations",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "ref": "1989, Gilles Deleuze, translated by Hugh Tomlinson and Robert Galeta, Cinema 2: the Time-Image, Minneapolis: University of Minnesota Press, translation of Cinéma 2, L’Image-temps (in French), page 100:",
          "text": "Thus chronosigns are continually extended into lectosigns and noosigns.",
          "type": "quote"
        },
        {
          "ref": "2003 fall, Charles J. Stivale, “Review of Deleuze on Cinema, by R. Bogue”, in JSTOR, volume 45, number 4, page 531:",
          "text": "Suffice it to say that to each of these technical and cinematic details, Deleuze (and Bogue) juxtapose new concepts—crystalline states for the hyalosigns; sheets of past, peaks of present, and powers of the false for chronosigns; linked to the latter, the power of the outside and the interstice for noosigns; and also linked to chronosigns, silent and audible lectosigns as well as the modern dimension of the time-image as \"archeological, stratigraphic, and tectonic\"",
          "type": "quote"
        }
      ],
      "glosses": [
        "In the works of philosopher Gilles Deleuze, a lectosign is an image that must be read as much as it is seen or heard. Deleuze introduced this concept in his book Cinema 2: The Time-Image to describe cinematic images that demand interpretation beyond their immediate visual or auditory presentation."
      ],
      "qualifier": "film theory",
      "raw_glosses": [
        "(film theory) In the works of philosopher Gilles Deleuze, a lectosign is an image that must be read as much as it is seen or heard. Deleuze introduced this concept in his book Cinema 2: The Time-Image to describe cinematic images that demand interpretation beyond their immediate visual or auditory presentation."
      ]
    }
  ],
  "sounds": [
    {
      "other": "/ˈlɛktoʊˌsaɪn/"
    }
  ],
  "word": "lectosign"
}