"hixploitation" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "hick",
        "3": "sploitation"
      },
      "expansion": "hick + -sploitation",
      "name": "suffix"
    }
  ],
  "etymology_text": "hick + -sploitation",
  "head_templates": [
    {
      "args": {
        "1": "-"
      },
      "expansion": "hixploitation (uncountable)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms suffixed with -sploitation",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "topical",
          "langcode": "en",
          "name": "Film",
          "orig": "en:Film",
          "parents": [
            "Entertainment",
            "Mass media",
            "Culture",
            "Media",
            "Society",
            "Communication",
            "All topics",
            "Fundamental"
          ],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "2006, David Kamp, Lawrence Levi, The Film Snob*s Dictionary: An Essential Lexicon of Filmological Knowledge, Broadway Books, page 48",
          "text": "The apotheosis of the hixploitation movement was Smokey and the Bandit (1977), the directorial debut of Tennessee-born veteran stuntman Hal Needham, who actually cast Mel Tillis, Foster Brooks, and Ruth Buzzi for unironic effect.",
          "type": "quotation"
        },
        {
          "ref": "2007 February, Troy Patterson, “Chick Flicked”, in Spin, page 92",
          "text": "While Black Snake Moan seems to unfold in a realm of synthetic fantasy—a hybrid of hip-hop's Dirty South, a bluesman's back roads, and the Dixie of '70s hixploitation flicks—it's actually set in a corner of Tennessee where a white girl named Rae (Ricci) holds the title of town slut.",
          "type": "quotation"
        },
        {
          "ref": "2011, Tara Powell, “'You Taste of America': Talladega Nights, Deliverance, and Southern Studies”, in Andrew B. Leiter, editor, Southerners on Film: Essays on Hollywood Portrayals Since the 1970s, McFarland & Company, page 220",
          "text": "Historians of what Scott Von Doviak dubbed \"Hick Flicks\" in his 2005 book by that name, point out that a \"Southern\" genre of film never emerged to compete with the western as such for a national audience, though there was a rise of hixploitation films in the 1970s whose success hinged on and ultimately died with the demise of the drive-in regional theater (French, Von Doviak).",
          "type": "quotation"
        }
      ],
      "glosses": [
        "A genre of exploitation film that relies on the stereotypical (and often negative) depiction of rural whites of the American South and Appalachia."
      ],
      "hypernyms": [
        {
          "word": "whitesploitation"
        }
      ],
      "id": "en-hixploitation-en-noun-5-KhMsKT",
      "links": [
        [
          "film",
          "film#Noun"
        ],
        [
          "exploitation film",
          "exploitation film"
        ],
        [
          "rural",
          "rural"
        ],
        [
          "whites",
          "whites"
        ],
        [
          "American South",
          "American South"
        ],
        [
          "Appalachia",
          "Appalachia"
        ]
      ],
      "raw_glosses": [
        "(film) A genre of exploitation film that relies on the stereotypical (and often negative) depiction of rural whites of the American South and Appalachia."
      ],
      "synonyms": [
        {
          "word": "hicksploitation"
        }
      ],
      "tags": [
        "uncountable"
      ],
      "topics": [
        "broadcasting",
        "film",
        "media",
        "television"
      ],
      "wikipedia": [
        "Farmer's Daughters"
      ]
    }
  ],
  "word": "hixploitation"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "hick",
        "3": "sploitation"
      },
      "expansion": "hick + -sploitation",
      "name": "suffix"
    }
  ],
  "etymology_text": "hick + -sploitation",
  "head_templates": [
    {
      "args": {
        "1": "-"
      },
      "expansion": "hixploitation (uncountable)",
      "name": "en-noun"
    }
  ],
  "hypernyms": [
    {
      "word": "whitesploitation"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        "English entries with incorrect language header",
        "English lemmas",
        "English nouns",
        "English terms suffixed with -sploitation",
        "English terms with quotations",
        "English uncountable nouns",
        "en:Film"
      ],
      "examples": [
        {
          "ref": "2006, David Kamp, Lawrence Levi, The Film Snob*s Dictionary: An Essential Lexicon of Filmological Knowledge, Broadway Books, page 48",
          "text": "The apotheosis of the hixploitation movement was Smokey and the Bandit (1977), the directorial debut of Tennessee-born veteran stuntman Hal Needham, who actually cast Mel Tillis, Foster Brooks, and Ruth Buzzi for unironic effect.",
          "type": "quotation"
        },
        {
          "ref": "2007 February, Troy Patterson, “Chick Flicked”, in Spin, page 92",
          "text": "While Black Snake Moan seems to unfold in a realm of synthetic fantasy—a hybrid of hip-hop's Dirty South, a bluesman's back roads, and the Dixie of '70s hixploitation flicks—it's actually set in a corner of Tennessee where a white girl named Rae (Ricci) holds the title of town slut.",
          "type": "quotation"
        },
        {
          "ref": "2011, Tara Powell, “'You Taste of America': Talladega Nights, Deliverance, and Southern Studies”, in Andrew B. Leiter, editor, Southerners on Film: Essays on Hollywood Portrayals Since the 1970s, McFarland & Company, page 220",
          "text": "Historians of what Scott Von Doviak dubbed \"Hick Flicks\" in his 2005 book by that name, point out that a \"Southern\" genre of film never emerged to compete with the western as such for a national audience, though there was a rise of hixploitation films in the 1970s whose success hinged on and ultimately died with the demise of the drive-in regional theater (French, Von Doviak).",
          "type": "quotation"
        }
      ],
      "glosses": [
        "A genre of exploitation film that relies on the stereotypical (and often negative) depiction of rural whites of the American South and Appalachia."
      ],
      "links": [
        [
          "film",
          "film#Noun"
        ],
        [
          "exploitation film",
          "exploitation film"
        ],
        [
          "rural",
          "rural"
        ],
        [
          "whites",
          "whites"
        ],
        [
          "American South",
          "American South"
        ],
        [
          "Appalachia",
          "Appalachia"
        ]
      ],
      "raw_glosses": [
        "(film) A genre of exploitation film that relies on the stereotypical (and often negative) depiction of rural whites of the American South and Appalachia."
      ],
      "tags": [
        "uncountable"
      ],
      "topics": [
        "broadcasting",
        "film",
        "media",
        "television"
      ],
      "wikipedia": [
        "Farmer's Daughters"
      ]
    }
  ],
  "synonyms": [
    {
      "word": "hicksploitation"
    }
  ],
  "word": "hixploitation"
}