"historiographic metafiction" meaning in All languages combined

{
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        "2": "Linda Hutcheon",
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      "expansion": "Coined by Canadian literary theorist Linda Hutcheon",
      "name": "coin"
    }
  ],
  "etymology_text": "Coined by Canadian literary theorist Linda Hutcheon.",
  "forms": [
    {
      "form": "historiographic metafictions",
      "tags": [
        "plural"
      ]
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  ],
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      "expansion": "historiographic metafiction (usually uncountable, plural historiographic metafictions)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
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        },
        {
          "kind": "topical",
          "langcode": "en",
          "name": "Literary genres",
          "orig": "en:Literary genres",
          "parents": [
            "Fiction",
            "Genres",
            "Literature",
            "Artistic works",
            "Entertainment",
            "Culture",
            "Writing",
            "Art",
            "Society",
            "Human behaviour",
            "Language",
            "All topics",
            "Human",
            "Communication",
            "Fundamental"
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      ],
      "examples": [
        {
          "ref": "2008, Markus Schneider, Kurt Vonnegut’s “Slaughterhouse-Five” as Historiographic Metafiction, GRIN Verlag, →ISBN, page 1:",
          "text": "This assumption leads us to historiographic metafiction, a style of writing that emerged during the postmodern era. If there is fiction in scholarly historiography, where is the difference between that and a novel that deals with history?",
          "type": "quote"
        },
        {
          "ref": "2012, Joe Bray, Alison Gibbons, Brian McHale, editors, The Routledge Companion to Experimental Literature, Routledge, →ISBN, page 137:",
          "text": "Although works classified as “historiographic metafiction” have been seen by numerous critics as the continuation into the eighties of the work of Pynchon, Coover, Barth, and Gass, this application of the concept turns on metafiction's identification with its anti-mimetic, counter-realist self-descriptions. […] McHale identifies three devices in historiographic metafiction: —apocryphal history, creative anachronism, and historical fantasy […]",
          "type": "quote"
        }
      ],
      "glosses": [
        "A type of postmodern historical fiction employing metafiction."
      ],
      "id": "en-historiographic_metafiction-en-noun-iWuTQPip",
      "links": [
        [
          "postmodern",
          "postmodern"
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        [
          "historical fiction",
          "historical fiction"
        ],
        [
          "metafiction",
          "metafiction"
        ]
      ],
      "tags": [
        "uncountable",
        "usually"
      ]
    }
  ],
  "word": "historiographic metafiction"
}

{
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      "name": "coin"
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  ],
  "etymology_text": "Coined by Canadian literary theorist Linda Hutcheon.",
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    {
      "form": "historiographic metafictions",
      "tags": [
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  ],
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      "expansion": "historiographic metafiction (usually uncountable, plural historiographic metafictions)",
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  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "categories": [
        "English coinages",
        "English countable nouns",
        "English entries with incorrect language header",
        "English lemmas",
        "English multiword terms",
        "English nouns",
        "English terms with quotations",
        "English uncountable nouns",
        "Pages with 1 entry",
        "Pages with entries",
        "en:Literary genres"
      ],
      "examples": [
        {
          "ref": "2008, Markus Schneider, Kurt Vonnegut’s “Slaughterhouse-Five” as Historiographic Metafiction, GRIN Verlag, →ISBN, page 1:",
          "text": "This assumption leads us to historiographic metafiction, a style of writing that emerged during the postmodern era. If there is fiction in scholarly historiography, where is the difference between that and a novel that deals with history?",
          "type": "quote"
        },
        {
          "ref": "2012, Joe Bray, Alison Gibbons, Brian McHale, editors, The Routledge Companion to Experimental Literature, Routledge, →ISBN, page 137:",
          "text": "Although works classified as “historiographic metafiction” have been seen by numerous critics as the continuation into the eighties of the work of Pynchon, Coover, Barth, and Gass, this application of the concept turns on metafiction's identification with its anti-mimetic, counter-realist self-descriptions. […] McHale identifies three devices in historiographic metafiction: —apocryphal history, creative anachronism, and historical fantasy […]",
          "type": "quote"
        }
      ],
      "glosses": [
        "A type of postmodern historical fiction employing metafiction."
      ],
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      "tags": [
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  "word": "historiographic metafiction"
}