"egretlike" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "egret",
        "3": "like"
      },
      "expansion": "egret + -like",
      "name": "suffix"
    }
  ],
  "etymology_text": "From egret + -like.",
  "forms": [
    {
      "form": "more egretlike",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most egretlike",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "egretlike (comparative more egretlike, superlative most egretlike)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms suffixed with -like",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "bold_text_offsets": [
            [
              42,
              51
            ]
          ],
          "ref": "2007 February 18, Ben Brantley, “When Adaptation Is Bold Innovation”, in New York Times:",
          "text": "Instead the play focuses on Don Juan (the egretlike Rhys Ifans) as an aristocratic anachronism, a vestige of a dead age who has nothing left to do but play games and exercise his droit de seigneur.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Resembling or characteristic of an egret."
      ],
      "id": "en-egretlike-en-adj-DGLI6mcb",
      "links": [
        [
          "egret",
          "egret"
        ]
      ],
      "raw_glosses": [
        "(rare) Resembling or characteristic of an egret."
      ],
      "tags": [
        "rare"
      ]
    }
  ],
  "word": "egretlike"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "egret",
        "3": "like"
      },
      "expansion": "egret + -like",
      "name": "suffix"
    }
  ],
  "etymology_text": "From egret + -like.",
  "forms": [
    {
      "form": "more egretlike",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most egretlike",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "egretlike (comparative more egretlike, superlative most egretlike)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms suffixed with -like",
        "English terms with quotations",
        "English terms with rare senses",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "bold_text_offsets": [
            [
              42,
              51
            ]
          ],
          "ref": "2007 February 18, Ben Brantley, “When Adaptation Is Bold Innovation”, in New York Times:",
          "text": "Instead the play focuses on Don Juan (the egretlike Rhys Ifans) as an aristocratic anachronism, a vestige of a dead age who has nothing left to do but play games and exercise his droit de seigneur.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Resembling or characteristic of an egret."
      ],
      "links": [
        [
          "egret",
          "egret"
        ]
      ],
      "raw_glosses": [
        "(rare) Resembling or characteristic of an egret."
      ],
      "tags": [
        "rare"
      ]
    }
  ],
  "word": "egretlike"
}