"cybergothic" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "cyber",
        "3": "gothic"
      },
      "expansion": "cyber- + gothic",
      "name": "prefix"
    }
  ],
  "etymology_text": "From cyber- + gothic.",
  "forms": [
    {
      "form": "more cybergothic",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most cybergothic",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "cybergothic (comparative more cybergothic, superlative most cybergothic)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms prefixed with cyber-",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "2009, Marianne van den Boomen, Digital Material: Tracing New Media in Everyday Life and Technology, page 127:",
          "text": "[…] from the early 1990s onwards, bands such as Feindflug in Germany and VNV Nation in England started to combine EBM with the ultimately machine-made musical style, techno, into cybergothic music. This musical style typically has a high bpm (beat per minute) count, and its harmonic structure is built on the rhythmical basses of techno and trance […]",
          "type": "quote"
        }
      ],
      "glosses": [
        "Of or pertaining to the cybergoth subculture."
      ],
      "id": "en-cybergothic-en-adj-QFGRFFDi",
      "links": [
        [
          "cybergoth",
          "cybergoth"
        ]
      ]
    }
  ],
  "word": "cybergothic"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "cyber",
        "3": "gothic"
      },
      "expansion": "cyber- + gothic",
      "name": "prefix"
    }
  ],
  "etymology_text": "From cyber- + gothic.",
  "forms": [
    {
      "form": "more cybergothic",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most cybergothic",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "cybergothic (comparative more cybergothic, superlative most cybergothic)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms prefixed with cyber-",
        "English terms with quotations",
        "Pages with 1 entry",
        "Quotation templates to be cleaned"
      ],
      "examples": [
        {
          "ref": "2009, Marianne van den Boomen, Digital Material: Tracing New Media in Everyday Life and Technology, page 127:",
          "text": "[…] from the early 1990s onwards, bands such as Feindflug in Germany and VNV Nation in England started to combine EBM with the ultimately machine-made musical style, techno, into cybergothic music. This musical style typically has a high bpm (beat per minute) count, and its harmonic structure is built on the rhythmical basses of techno and trance […]",
          "type": "quote"
        }
      ],
      "glosses": [
        "Of or pertaining to the cybergoth subculture."
      ],
      "links": [
        [
          "cybergoth",
          "cybergoth"
        ]
      ]
    }
  ],
  "word": "cybergothic"
}