"cleflike" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "clef",
        "3": "like"
      },
      "expansion": "clef + -like",
      "name": "suffix"
    }
  ],
  "etymology_text": "From clef + -like.",
  "forms": [
    {
      "form": "more cleflike",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most cleflike",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "cleflike (comparative more cleflike, superlative most cleflike)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms suffixed with -like",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "bold_text_offsets": [
            [
              132,
              140
            ]
          ],
          "ref": "2008 May 8, Karen Rosenberg, “Italian Sculptor Attuned to the Harmonic Occupation of Space”, in New York Times:",
          "text": "Early sculptures refer, often explicitly, to musical structure and notation: the torqued staffs of “Sculpture No. 17” (1935) or the cleflike curlicues of “Sculpture 11” (1934).",
          "type": "quote"
        }
      ],
      "glosses": [
        "Resembling a musical clef."
      ],
      "id": "en-cleflike-en-adj-8HKH-oJu",
      "links": [
        [
          "clef",
          "clef"
        ]
      ]
    }
  ],
  "word": "cleflike"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "clef",
        "3": "like"
      },
      "expansion": "clef + -like",
      "name": "suffix"
    }
  ],
  "etymology_text": "From clef + -like.",
  "forms": [
    {
      "form": "more cleflike",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most cleflike",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "cleflike (comparative more cleflike, superlative most cleflike)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms suffixed with -like",
        "English terms with quotations",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "bold_text_offsets": [
            [
              132,
              140
            ]
          ],
          "ref": "2008 May 8, Karen Rosenberg, “Italian Sculptor Attuned to the Harmonic Occupation of Space”, in New York Times:",
          "text": "Early sculptures refer, often explicitly, to musical structure and notation: the torqued staffs of “Sculpture No. 17” (1935) or the cleflike curlicues of “Sculpture 11” (1934).",
          "type": "quote"
        }
      ],
      "glosses": [
        "Resembling a musical clef."
      ],
      "links": [
        [
          "clef",
          "clef"
        ]
      ]
    }
  ],
  "word": "cleflike"
}