"bembón" meaning in All languages combined

{
  "forms": [
    {
      "form": "bembona",
      "tags": [
        "feminine"
      ]
    },
    {
      "form": "bembones",
      "tags": [
        "masculine",
        "plural"
      ]
    },
    {
      "form": "bembonas",
      "tags": [
        "feminine",
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "bembón (feminine bembona, masculine plural bembones, feminine plural bembonas)",
      "name": "es-adj"
    }
  ],
  "lang": "Spanish",
  "lang_code": "es",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "Latin American Spanish",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Spanish entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "2020 July 10, Pedro de la Hoz, “Guillén y Roldán, claves compartidas”, in Granma:",
          "text": "Lo cierto fue que este último entre 1932 y 1934 completó una de sus obras más representativas, Motivos de son, suite de canciones cubanas para voz y once instrumentos a partir de los ocho textos guillenianos del cuaderno homónimo: Negro bembón, Mi chiquita, Búcate plata, Sigue, Ayé me dijeron negro, Tú no sabe inglé, Si tú supiera y Mulata.",
          "type": "quote"
        }
      ],
      "glosses": [
        "big-lipped"
      ],
      "id": "en-bembón-es-adj-iq8CG0be",
      "links": [
        [
          "big",
          "big"
        ],
        [
          "lipped",
          "lipped"
        ]
      ],
      "raw_glosses": [
        "(Latin America) big-lipped"
      ],
      "tags": [
        "Latin-America"
      ]
    }
  ],
  "word": "bembón"
}

{
  "forms": [
    {
      "form": "bembona",
      "tags": [
        "feminine"
      ]
    },
    {
      "form": "bembones",
      "tags": [
        "masculine",
        "plural"
      ]
    },
    {
      "form": "bembonas",
      "tags": [
        "feminine",
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "bembón (feminine bembona, masculine plural bembones, feminine plural bembonas)",
      "name": "es-adj"
    }
  ],
  "lang": "Spanish",
  "lang_code": "es",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        "Latin American Spanish",
        "Pages with 1 entry",
        "Pages with entries",
        "Requests for translations of Spanish quotations",
        "Spanish adjectives",
        "Spanish entries with incorrect language header",
        "Spanish lemmas",
        "Spanish terms with quotations"
      ],
      "examples": [
        {
          "ref": "2020 July 10, Pedro de la Hoz, “Guillén y Roldán, claves compartidas”, in Granma:",
          "text": "Lo cierto fue que este último entre 1932 y 1934 completó una de sus obras más representativas, Motivos de son, suite de canciones cubanas para voz y once instrumentos a partir de los ocho textos guillenianos del cuaderno homónimo: Negro bembón, Mi chiquita, Búcate plata, Sigue, Ayé me dijeron negro, Tú no sabe inglé, Si tú supiera y Mulata.",
          "type": "quote"
        }
      ],
      "glosses": [
        "big-lipped"
      ],
      "links": [
        [
          "big",
          "big"
        ],
        [
          "lipped",
          "lipped"
        ]
      ],
      "raw_glosses": [
        "(Latin America) big-lipped"
      ],
      "tags": [
        "Latin-America"
      ]
    }
  ],
  "word": "bembón"
}