"Michelangeloesque" meaning in All languages combined

{
  "forms": [
    {
      "form": "more Michelangeloesque",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most Michelangeloesque",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "Michelangeloesque (comparative more Michelangeloesque, superlative most Michelangeloesque)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "alt_of": [
        {
          "word": "Michelangelesque"
        }
      ],
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1897 September 4, Rodolfo Lanciani, “The Higher Life of Modern Rome”, in The Outlook, volume 57, number 1, New York, N.Y., page 27, column 1",
          "text": "The group of Italy and Rome on the front of the pedestal, the lion of strength on the back, and the Michelangeloesque figure of the man freeing himself from the bonds of servitude, make up a striking whole.",
          "type": "quotation"
        },
        {
          "ref": "2007, Penelope J[ane] E[llis] Davies, Walter B[ell] Denny, Frima Fox Hofrichter, Joseph Jacobs, Ann M. Roberts, David L. Simon, Janson’s History of Art: The Western Tradition, 7th edition, volume II, Upper Saddle River, N.J.: Pearson Prentice Hall, page 808, column 1",
          "text": "The bold elements of this composition include the tensely coiled serpent, the deep recession of both the boat and boatman, and the violent upward thrust of Thor, whose Michelangeloesque proportions seen from the low vantage point of the serpent itself endow him with a sense of Herculean strength.",
          "type": "quotation"
        },
        {
          "ref": "2015, Dan Cruickshank, A History of Architecture in 100 Buildings, Buffalo, N.Y.: Firefly Books, page 212",
          "text": "This detail of a frieze in the New Sacristy is embellished with an idiosyncratic pattern that can be read as a series of grotesque human faces – a typical piece of Michelangeloesque wit and invention.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Alternative form of Michelangelesque."
      ],
      "id": "en-Michelangeloesque-en-adj-uCoqpWgi",
      "links": [
        [
          "Michelangelesque",
          "Michelangelesque#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "Michelangeloesque"
}

{
  "forms": [
    {
      "form": "more Michelangeloesque",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most Michelangeloesque",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "Michelangeloesque (comparative more Michelangeloesque, superlative most Michelangeloesque)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "alt_of": [
        {
          "word": "Michelangelesque"
        }
      ],
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms with quotations"
      ],
      "examples": [
        {
          "ref": "1897 September 4, Rodolfo Lanciani, “The Higher Life of Modern Rome”, in The Outlook, volume 57, number 1, New York, N.Y., page 27, column 1",
          "text": "The group of Italy and Rome on the front of the pedestal, the lion of strength on the back, and the Michelangeloesque figure of the man freeing himself from the bonds of servitude, make up a striking whole.",
          "type": "quotation"
        },
        {
          "ref": "2007, Penelope J[ane] E[llis] Davies, Walter B[ell] Denny, Frima Fox Hofrichter, Joseph Jacobs, Ann M. Roberts, David L. Simon, Janson’s History of Art: The Western Tradition, 7th edition, volume II, Upper Saddle River, N.J.: Pearson Prentice Hall, page 808, column 1",
          "text": "The bold elements of this composition include the tensely coiled serpent, the deep recession of both the boat and boatman, and the violent upward thrust of Thor, whose Michelangeloesque proportions seen from the low vantage point of the serpent itself endow him with a sense of Herculean strength.",
          "type": "quotation"
        },
        {
          "ref": "2015, Dan Cruickshank, A History of Architecture in 100 Buildings, Buffalo, N.Y.: Firefly Books, page 212",
          "text": "This detail of a frieze in the New Sacristy is embellished with an idiosyncratic pattern that can be read as a series of grotesque human faces – a typical piece of Michelangeloesque wit and invention.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Alternative form of Michelangelesque."
      ],
      "links": [
        [
          "Michelangelesque",
          "Michelangelesque#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "Michelangeloesque"
}