бандура

ru-noun+

банду́ра • (bandúra) f inan (genitive банду́ры, nominative plural банду́ры, genitive plural банду́р)

банду́ра (canonical)
bandúra (romanization)
банду́ры (genitive)
банду́ры (nominative plural)
банду́р (genitive plural)
банду́ра (nominative singular)
банду́ры (nominative plural)
банду́ры (genitive singular)
банду́р (genitive plural)
банду́ре (dative singular)
банду́рам (dative plural)
банду́ру (accusative singular)
банду́ры (accusative plural)
банду́рой (instrumental singular)
банду́рою (instrumental singular)
банду́рами (instrumental plural)
банду́ре (prepositional singular)
банду́рах (plural prepositional)

Borrowed from Ukrainian банду́ра (bandúra).

bor+

bandura (old Ukrainian music instrument)


бандура

uk-noun

банду́ронька

банду́ра • (bandúra) f inan (genitive банду́ри, nominative plural банду́ри, genitive plural банду́р, diminutive банду́рка or банду́рочка or банду́ронька)

банду́ра (canonical)
bandúra (romanization)
банду́ри (genitive)
банду́ри (nominative plural)
банду́р (genitive plural)
банду́рка (diminutive)
банду́рочка (diminutive)
банду́ронька (diminutive)
банду́ра (nominative singular)
банду́ри (nominative plural)
банду́ри (genitive singular)
банду́р (genitive plural)
банду́рі (dative singular)
банду́рам (dative plural)
банду́ру (accusative singular)
банду́ри (accusative plural)
банду́рою (instrumental singular)
банду́рами (instrumental plural)
банду́рі (locative singular)
банду́рах (locative plural)
банду́ро (singular vocative)
банду́ри (plural vocative)

Possibly through Italian pandura and Polish pandura, from Late Latin pandura (“musical instrument with three strings”); ultimately from Ancient Greek πανδοῦρα (pandoûra, “three-stringed lute; zither”). Doublet of ба́нджо (bándžo) and мандо́ла (mandóla).

doublet

(music) bandura (old Ukrainian music instrument)


barrel drum

(music) A drum (membranophone) with a shape that bulges in the middle, forming a barrel-like appearance, usually very large and made of wood with a one-headed and open-bottomed body.


footed drum

(music) A drum (membranophone) whose resonance is improved by an open bottom that is held by the player's feet.


vertical flute

(music) Any type of flute that is held vertically when played.


transverse flute

en-noun

transverse flute (plural transverse flutes)

(music) Any type of flute that is held sideways when played.


pellet drum

(music) A drum (membranophone) that has two heads and produces sound through two pellets, tied to the body of the drum and manipulated so as to strike the heads.


conical drum

(music) A typically single-headed drum (membranophone) with one end larger than the other, and a body that slopes towards one end, forming a conical shape.


double-conical drum

double-conical drum (plural double-conical drums)

(music) A type of barrel drum with two heads instead of one.


yoke lute

(music) Any chordophone (stringed instrument) with two arms extending from a body to a crossbar (a yoke), and strings, parallel to the soundboard, connecting the body to the yoke.


contrabass bugle

contrabass bugle (plural contrabass bugles)

(music) A type of tuba designed for marching. It is preferred by drum corps with large tuba sections because it offers a more rich sound than a sousaphone at the expense of volume.


friction drum

(music) A drum (membranophone) that produces sound through friction.


saung

Borrowed from Burmese စောင်းကောက် (caung:kauk).

(music) An arched harp used in Burmese traditional music.


kontigi

A boat-shaped lute-like string instrument with one or two strings, originating among the Hausa people of West Africa.


kanjira

Mr. Mahadevan also sang winningly (but often wordlessly) throughout the concert’s second half, alongside Mr. Hussain, the mandolinist U. Shrinivas and the percussionist V. Selvaganesh, whose specialty is the kanjira, a small hand drum with an expressive range of pitch.

2009 May 1, Nate Chinen, “Bringing Along Friends Who Can Add to the Beat”, in New York Times:

A South Indian frame drum, similar to the tambourine.


bolombatto

He is performing here with his Symmetric Orchestra, an ensemble of West African musicians who play both traditional instruments (kora, balafon, bolombatto, djembe) and slightly more contemporary ones (guitars, keyboards).

2009 April 17, The New York Times, “Pop Listings”, in New York Times:

A traditional string instrument of West Africa, consisting of four strings stretched over a gourd.


tetzilacatl

percussion instrument
percussion instrument

A ceremonial percussion instrument of Aztec origin; consisting of a concave copper tray suspended from a rope, which is struck with a small, metal mallet or with the hand.


tiorbino

(music) A stringed instrument, a type of small theorbo.


romantic guitar

romantic guitar (plural romantic guitars)

(music) An archaic kind of early guitar, from the classical and romantic eras, with six single strings and a long, fretted neck.


sanshin

Borrowed from Japanese 三線 (sanshin) or Okinawan 三線 (sanshin, literally “three strings”). Doublet of sanxian.

bor

(music) A three-stringed instrument of Okinawan origin, the precursor to the shamisen.


sanxian

Borrowed from Mandarin 三弦 (sānxián). Doublet of sanshin.

(music) A three-stringed fretless Chinese instrument.


Selmer guitar

From the surname of the French manufacturer.

(music) A kind of acoustic guitar of French origin, used in the early to mid-20th century.


tanpura

From Hindi तंबूरा (tambūrā) or Hindi तानपूरा (tānpūrā), from Persian تنبور (tanbur).

(music) A Hindustani/Indian classical stringed instrument, typically having a gourd as its resonating chamber.


sympitar

(music) A stringed instrument similar to a guitar with sympathetic strings like a sitar.


suroz

(music) A stringed instrument with a long neck, played vertically and with a bow, especially associated with the Baloch people.


waterphone

The listing for Loop 2.4.3 had promised that a waterphone would be featured.

2009 June 23, Allan Kozinn, “Classical Tunes Come Down to the Streets for Impromptu Concerts”, in New York Times:

An acoustic percussion instrument consisting of a resonator bowl or pan with a cylindrical neck, surrounded by rods of different lengths and diameters. Water may be added to the bowl to modify the sound.


तबला

tablā (romanization)
طبلہ (Urdu)
तबला (direct singular)
तबले (direct plural)
तबले (oblique singular)
तबलों (oblique plural)
तबले (singular vocative)
तबलो (plural vocative)


तबला

tablā (romanization)
तबला
तबले
तबल्या
तबल्यां-
तबल्याला
तबल्यांना
तबल्याने (ergative)
तबल्यानं (ergative)
तबल्यांनी (ergative)
तबल्याशी (instrumental)
तबल्यांशी (instrumental)
Locative Note: -त  is a postposition.
तबल्याचा
तबल्याचे
तबल्याची
तबल्याच्या
तबल्याचं
तबल्यांचा
तबल्यांचे
तबल्यांची
तबल्यांच्या
तबल्यांचं
तबल्यांच्या

mr-decl-noun

masc ā-stem


ਤਬਲਾ

pa-noun

ਤਬਲਾ • (tablā) m (Shahmukhi spelling طبلہ)


shahrud

(music) A type of short-necked lute, similar to an archlute, originating in traditional Persian music.


parlor guitar

(music) A kind of small acoustic guitar, originally meant to be played (often by women) in the parlor of a Victorian-era home; more modern models are still used today, commonly in folk music.


Portuguese guitar

en-noun

Portuguese guitar (plural Portuguese guitars)

(music) A plucked guitar with a pear-shaped body and round soundholes, with twelve strings in six double courses, associated most prominently with Portuguese music, especially fado.


taro-patch fiddle

taro-patch fiddle (plural taro-patch fiddles)

(music) A five-stringed musical instrument originating in the traditional music of Hawaii.


pommer

From German Pommer, from Middle High German bumhart, from Italian bombarda.

The treble pommer was the equivalent of our hautboy; the bass pommer corresponded to our bassoon. Midway between these lay the alto and tenor pommers, of which the former (the alto), was doubtless the forerunner of the cor anglais.

The Emperor Sigismund, Pope John XXIII, and many other Church dignitaries and others high in the affairs of state, sat in the council which opened in that year and lasted until 1418. For this occasion there were gathered together some five hundred musicians who played on fifes, fiddles, trumps, trombones, and pommers.

1936, Ray Giles, «Here Comes the Band!», New York, N.Y., London: Harper & Brothers, page 176:

The Fleming Denis van Alsloot’s ‘Procession of the Religious Orders from the Town of Antwerp…’, painted in 1616 shows with excellent clarity six musicians playing a trombone, two alto pommers, a discant schalmey, cornetto, and a dulzian played on the left side with the right hand uppermost, the exact opposite to the dulzian’s descendant, the bassoon, which is played the other way round.

1948, The Monthly Musical Record, page 230:

(music) An alto, tenor, or bass instrument of the shawm family.


bigophone

From Bigot + -phone (after its French inventor Romain Bigot).

Elsewhere, professionals could enthuse over new precision instruments capable, for instance, of measuring weights down to a tenth of a milligram, or over a host of self-registering thermometers and barometers, microscopes, typewriters, calculators and all sorts of technical and musical devices, including automatic concertinas, edeophones, auto-harps, bigophones and other long-forgotten objects.

1978, Jan Romein, The Watershed of Two Eras: Europe in 1900, page 303:

(music) Any of a series of cheap musical instruments, made to resemble orchestral instruments, that were blown in the manner of a kazoo


tromba marina

From Italian, meaning "marine trumpet".
* The tromba may originate in a comparison to the valveless trumpet of the Middle Ages, which produced harmonic overtones like the tromba marina, or as a reference to the unique trumpet-like rasping sound created by the intentionally loose bridge of the instrument vibrating against its face. The marina may refer to the Virgin Mary, perhaps because the instrument was played by nuns in convents.

(music) A Middle Ages European string instrument with a long, slender and triangular-shaped body, featuring one main string and sometimes additional sympathetic strings, known for an extremely loud sound making it useful for signalling between ships, and for a distinctive ethereal tone (harmonic overtones) created by the player fingering the string at precise intervals below the point where the string is to be bowed, rather than above as most similar instruments.


trumpet marine

trumpet marine (plural trumpets marine or trumpet marines)

trumpets marine (plural)
trumpet marines (plural)


triple contrabass viol

triple contrabass viol (plural triple contrabass viols)

(music) A stringed instrument of the viol family, a variant of the octobass distinguished by its extreme size -- at more than ten feet all, it must be performed by a person on a platform.


チューバ

ja-noun

チューバ • (chūba)

Daijirin
Daijisen
Kyōsuke Kindaichi
Kōjien
Shinmura Izuru
Tuba
ja:チューバ
ja:松村明


シンセサイザー

Daijirin
Daijisen
Kyōsuke Kindaichi
Kōjien
Shinmura Izuru
ja:シンセサイザー
ja:松村明


ashiko

(music) A conical drum with one open end and a head on the wide end, originating in Yoruba music.


ashiko

A claw-like piece attached to one's foot, used for climbing, originating among the ninjas of Japan.


Harmonium

de-noun

Harmonium n (strong, genitive Harmoniums, plural Harmonien)

Harmoniums (genitive)
Harmonien (plural)
Harmonium (nominative singular)
Harmonien (definite nominative plural)
Harmoniums (genitive singular)
Harmonien (definite genitive plural)
Harmonium (dative singular)
Harmonien (dative definite plural)
Harmonium (accusative singular)
Harmonien (accusative definite plural)


Bügelhorn

Bügelhorn n (strong, genitive Bügelhornes or Bügelhorns, plural Bügelhörner)

Bügelhornes (genitive)
Bügelhorns (genitive)
Bügelhörner (plural)
Bügelhorn (nominative singular)
Bügelhörner (definite nominative plural)
Bügelhornes (genitive singular)
Bügelhorns (genitive singular)
Bügelhörner (definite genitive plural)
Bügelhorn (dative singular)
Bügelhorne (dative singular)
Bügelhörnern (dative definite plural)
Bügelhorn (accusative singular)
Bügelhörner (accusative definite plural)


पुंगी

hi-noun

पुंगी • (puṅgī) f (Urdu spelling پُنْگِی)

puṅgī (romanization)
پُنْگِی (Urdu)
पुंगी (direct singular)
पुंगियाँ (direct plural)
पुंगी (oblique singular)
पुंगियों (oblique plural)
पुंगी (singular vocative)
पुंगियो (plural vocative)


harmónica de vidro

pt-noun

harmónica de vidro f (plural harmónicas de vidro)

(music) glass harmonica (musical instrument composed of a series of glass bowls)


सितार

sitār (romanization)
ستار (Urdu)
सितार (direct singular)
सितारें (direct plural)
सितार (oblique singular)
सितारों (oblique plural)
सितार (singular vocative)
सितारो (plural vocative)

Etymology tree
Proto-Indo-European *tréyes
Proto-Indo-Iranian *tráyas
Proto-Iranian *θráyah
Old Persian 𐏂 (ç)
Persian سه
Proto-Indo-European *ten-
Persian تار
Classical Persian سِهتَار (si-tār)bor.
Hindi सितार (sitār)
Borrowed from Classical Persian سِهتَار (si-tār, literally “three strings”).


saxotromba

A valved brasswind instrument designed for the mounted bands of the French military.


acordán

head

acordán m (genitive singular acordáin, nominative plural acordáin)

acordáin (genitive singular)
acordáin (nominative plural)
nominative (indefinite)
acordán (indefinite singular)
acordáin (indefinite plural)
vocative (indefinite)
a acordáin (indefinite singular)
a acordána (indefinite plural)
genitive (indefinite)
acordáin (indefinite singular)
acordán (indefinite plural)
dative (indefinite)
nominative (definite)
an t-acordán (definite singular)
na hacordáin (definite plural)
genitive (definite)
an acordáin (definite singular)
na n-acordán (definite plural)
dative (definite)
leis an acordán (definite singular)
don acordán (definite singular)
leis na hacordáin (definite plural)
acordán
n-acordán
hacordán
t-acordán

Borrowed from English accordion, assimilated to the suffix -án.


mandiri

ha-noun

màndīr̃ī̀ m (plural màndī̀r̃ai, possessed form màndīr̃ìn)

màndīr̃ī̀ (canonical masculine)
màndī̀r̃ai (plural)
màndīr̃ìn (possessed-form)

a type of tambourine played by the Qadiriyya sect of Sufis


λάφτα

head

λάφτα • (láfta) f

el-noun

λάφτα • (láfta) f

láfta (romanization)
λάφτα (nominative singular)
λάφτες (nominative plural)
λάφτας (genitive singular)
λάφτων (genitive plural)
λάφτα (accusative singular)
λάφτες (accusative plural)
λάφτα (singular vocative)
λάφτες (plural vocative)

λαούτο λαούτο#Greek


λαγούτο

lagoúto (romanization)
λαγούτα (plural)
λαγούτο (nominative singular)
λαγούτα (nominative plural)
λαγούτου (genitive singular)
λαγούτων (genitive plural)
λαγούτο (accusative singular)
λαγούτα (accusative plural)
λαγούτο (singular vocative)
λαγούτα (plural vocative)

λαούτο λαούτο#Greek


λαούτο

laoúto (romanization)
λαούτα (plural)
λαούτο (nominative singular)
λαούτα (nominative plural)
λαούτου (genitive singular)
λαούτων (genitive plural)
λαούτο (accusative singular)
λαούτα (accusative plural)
λαούτο (singular vocative)
λαούτα (plural vocative)

→ English: laouto

laouto, lute (Greek or Cypriot instrument of the lute family)


laouto

Borrowed from Greek λαούτο (laoúto). Doublet of lavta, lute, and oud.

A Greek or Cypriot musical instrument of the lute family.


wn'

From Proto-Iranian *wīnā, from Proto-Indo-Iranian *wī́nā.
Related to Sogdian 𐼴𐼷𐼻𐼰 (wynʾ /wīnā/, “harp, lute”), Old Armenian վին (vin, “a kind of plucked string instrument”) (an Iranian borrowing), Khotanese [script needed] (bīna, “musical instrument; harp, lute”) and Sanskrit वीणा (vī́ṇā, “veena”).


clarsach

Borrowed from Scottish Gaelic clàrsach (“harp”) by the 1810s, possibly from clàr (“board, plank; table”). The word is cognate with Irish cláirseach (“harp”).

And I, beside the lake of swans, / Shall hunt for thee the fallow deer; / And build thy hut and bring thee home / The wild fowl, and the honey-comb; / And berries from the wood provide, / And play my clarshech by thy side.

1810, Thomas Campbell, “O’Connor's Child, or, The Flower of Love Lies Bleeding”, in The Poetical Works of Thomas Campbell. […], Baltimore, Md.: Printed for Philip H[oulbrooke] Nicklin & Co., […], stanza VIII, page 209:

[S]he sate down at a little distance upon the bench on which Allan M‘Aulay was placed, and tuning her clairshach, a small harp, about thirty inches in height, she accompanied it with her voice.

1819, Jedediah Cleishbotham [pseudonym; Walter Scott], chapter VI, in Tales of My Landlord, Third Series. […], volume III (A Legend of Montrose), Edinburgh: […] [James Ballantyne and Co.] for Archibald Constable and Co.; London: Longman, Hurst, Rees, Orme, and Brown, […]; Hurst, Robinson, and Co. […], →OCLC, page 274:

He is particularly delighted by her skill in music, which is so exquisite, that she far exceeds the best performers in this country in playing on the clashach or harp.

1819, Jedediah Cleishbotham [pseudonym; Walter Scott], chapter V, in Tales of My Landlord, Third Series. […], volume IV (A Legend of Montrose), Edinburgh: […] [James Ballantyne and Co.] for Archibald Constable and Co.; London: Longman, Hurst, Rees, Orme, and Brown, […]; Hurst, Robinson, and Co. […], →OCLC, page 306:

They [the country people] preferred the sprightly springs of the fiddle when intent on the dance; or if pouring forth the sweet melody of the song, their choice accompaniment was unquestionably the clarsach (harp).

1876 July, “Gaelic Songs”, in Alexander Mackenzie, Alexander Macgregor, editors, The Celtic Magazine: A Monthly Periodical Devoted to the Literature, History, Antiquities, Folk Lore, Traditions, and the Social and Material Interests of the Celt at Home and Abroad, volume I, number IX, Inverness: A. & W. Mackenzie, […]; Edinburgh: J. Menzies & Co., and Maclauchlan & Stewart; Glasgow: William Love, →OCLC, page 295:

After long thought, he took his clàrsach and went up through the ancient forest and out upon the desert of the great mountain which towers above all others in Emhain Abhlach. He played gently upon his clàrsach as he went, so that no wild thing molested him.

1899, Fiona Macleod [pseudonym; William Sharp], “Honey of the Wild Bees”, in The Dominion of Dreams, Westminster, London: Archibald Constable and Co., →OCLC; 5th edition, Westminster, London: Archbald Constable and Co., […], 1899, →OCLC, page 248:

The craft of making clarsachs or harps continues despite the fact that of the three principal instruments played in Scotland over the centuries the clarsach is almost certainly the oldest.

1974, Michael Brander, Scottish Crafts and Craftsmen, Edinburgh: Johnston and Bacon, →ISBN, page 66:

[T]here are two examples of the earliest clarsachs in the National Museum of Antiquities of Scotland. The Caledonian or Lamont harp is believed to date back to 1464, and the Queen Mary harp dates back to about 1564. Mary Queen of Scots was an ardent clarsach player, as was King James I. The clarsach was popular in Scotland until the middle of the eighteenth century, when the destruction of the clan system had its concurrent effect on this instrument. It was not until the 1890s that the clarsach was heard from again.

1986, Emily Ann Donaldson, The Scottish Highland Games in America, Gretna, New Orleans, La.: Firebird Press, Pelican Publishing Company, →ISBN, pages 196–197:

A small triangular wire-strung harp of Gaelic origin.


cromorne

A French woodwind instrument resembling the crumhorn.


banjô

banjôs (plural)
banjoau (plural)
banjô
fanjô (soft)
manjô


總稿機

/t͡sʊŋ²¹⁴⁻³⁵ kɑʊ̯²¹⁴⁻²¹ t͡ɕi⁵⁵/

/t͡sʊŋ²¹⁴⁻³⁵ kɑʊ̯²¹⁴⁻²¹ t͡ɕi⁵⁵/

Borrowed from Burmese စောင်းကောက် (caung:kauk). Coined in the Qing Dynasty.

The saung, a harp used in traditional Burmese music.


秦琵琶

ㄑㄧㄣˊ ㄆㄧˊ ㄆㄚˊ

/t͡ɕʰin³⁵ pʰi³⁵ pʰä³⁵/

/t͡ɕʰin³⁵ pʰi³⁵ pʰä³⁵/


sekkepipe

sekkepipa (definite singular)
sekkepipen (definite singular)
sekkepiper (indefinite plural)
sekkepipene (definite plural)

From sekk + -e- + pipe. Calque of English bagpipe.

(music) bagpipes (plural noun), or bagpipe


sekkepipe

sekkepipa (definite singular)
sekkepiper (indefinite plural)
sekkepipene (definite plural)


桑高

/sɑŋ⁵⁵ kɑʊ̯⁵⁵/

/sɑŋ⁵⁵ kɑʊ̯⁵⁵/


薩塔爾

/sä⁵¹ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sä⁵¹ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

(music) satar (a bowed long-necked lute used as a traditional instrument by the Uyghur people of Xinjiang)


都塔爾

/tu⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/tu⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

Borrowed from Uyghur دۇتار (dutar) or دۇتتار (duttar).

(music) dutar (a long-necked plucked lute with two strings, used in Uyghur music of Xinjiang)


彈撥爾

/tʰän³⁵ pu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/tʰän³⁵ pu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

Phono-semantic matching of Uyghur تەمبۈر (tembür).

psm

(music) tembor (a plucked stringed instrument of the Uyghur people of Xinjiang)


klávesnica

sk-noun

klávesnica f (relational adjective klávesnicový, diminutive klávesnička)

klávesnicový (adjective relational)
klávesnička (diminutive)
nominative
klávesnica (singular)
klávesnice (plural)
genitive
klávesnice (singular)
klávesníc (plural)
dative
klávesnici (singular)
klávesniciam (plural)
accusative
klávesnicu (singular)
locative
klávesniciach (plural)
instrumental
klávesnicou (singular)
klávesnicami (plural)


belloneon

The belloneon, likewise mechanical, seems to have been a complete military band which executed marches and flourishes with a unity, precision, and correctness beyond the reach of the most practiced artists.

1976, Otto Mayr, Philosophers and machines:

(historical, music) A mechanical musical instrument consisting of twenty-four trumpets and two kettle drums.


chirimía

→ English: chirimia

El recorrido del 1 de enero es acompañado con música de tun y chirimía, y de una banda musical que interpreta melodías religiosas.

2015 December, “Rituales de fin de año”, in Prensa Libre:


тапан

mk-noun

тапан • (tapan) m (plural тапани, diminutive тапанче)

tapan (romanization)
тапани (plural)
тапанче (diminutive)
тапан (indefinite singular)
тапани (indefinite plural)
тапанот (definite singular unspecified)
тапаните (definite plural unspecified)
тапанов (definite proximal singular)
тапаниве (definite plural proximal)
тапанон (definite distal singular)
тапанине (definite distal plural)
тапану (singular vocative)
тапани (plural vocative)
тапана (count-form plural)

Inherited from Proto-Slavic *tǫpanъ, from Latin tympanum, from Ancient Greek τύμπανον (túmpanon).


Lure

Lure (genitive)
Luren (plural)
Lure (nominative singular)
Luren (definite nominative plural)
Lure (genitive singular)
Luren (definite genitive plural)
Lure (dative singular)
Luren (dative definite plural)
Lure (accusative singular)
Luren (accusative definite plural)

Of North Germanic origin, from Norwegian and Danish lur, from Old Norse lúðr.

Luren, in Tagen der Gothen und Geten, / Hießen unsre Nordlands-Trompeten, / Hörner waren’s, von sieben Fuß Länge, / Schlachtruf waren ihre Klänge, / Die Luren, lange vor Gorm dem Alten, / Ueber’s Moor und über die Haide schallten …


madal

A type of drum used in Nepalese folk music.


виола

viola (romanization)
виола (indefinite singular)
виоли (indefinite plural)
виолата (definite singular unspecified)
виолите (definite plural unspecified)
виолава (definite proximal singular)
виоливе (definite plural proximal)
виолана (definite distal singular)
виолине (definite distal plural)
виоло (singular vocative)
виоли (plural vocative)


виола

viola (romanization)
виола (nominative singular)
виоли (nominative plural)
виоли (genitive singular)
виолох (genitive plural)
виоли (dative singular)
виолом (dative plural)
виолу (accusative singular)
виоли (accusative plural)
виолу (instrumental singular)
виолами (instrumental plural)
виоли (locative singular)
виолох (locative plural)
виоло (singular vocative)
виоли (plural vocative)

Internationalism, ultimately from Italian viola.


оргула

orgula (romanization)
оргула (indefinite singular)
оргули (indefinite plural)
оргулата (definite singular unspecified)
оргулите (definite plural unspecified)
оргулава (definite proximal singular)
оргуливе (definite plural proximal)
оргулана (definite distal singular)
оргулине (definite distal plural)
оргуло (singular vocative)
оргули (plural vocative)


зурла

zurla (romanization)
зурла (indefinite singular)
зурли (indefinite plural)
зурлата (definite singular unspecified)
зурлите (definite plural unspecified)
зурлава (definite proximal singular)
зурливе (definite plural proximal)
зурлана (definite distal singular)
зурлине (definite distal plural)
зурло (singular vocative)
зурли (plural vocative)

Borrowed from Ottoman Turkish [Term?] (Turkish zurna), from Persian سرنای (sornây).


鐵馬

/tʰi̯ɛ²¹⁴⁻³⁵ mä²¹⁴⁻²¹⁽⁴⁾/

/tʰiːt̚³ maː¹³/

/tʰi(ʔ)²⁻⁵³ be⁵³/

/tʰi(ʔ)³²⁻⁵³ be⁵³/

/tʰi(ʔ)⁵⁻⁵³ be⁵⁵/

/tʰiɛt̚³²⁻⁴ mã⁵³/

/tʰi̯ɛ²¹⁴⁻³⁵ mä²¹⁴⁻²¹⁽⁴⁾/

/tʰiːt̚³ maː¹³/

/tʰi(ʔ)²⁻⁵³ be⁵³/

/tʰi(ʔ)³²⁻⁵³ be⁵³/

/tʰi(ʔ)⁵⁻⁵³ be⁵⁵/

/tʰiɛt̚³²⁻⁴ mã⁵³/

Later, the riot police used mills barriers and water cannon anti-riot vehicles to separate the demonstrators into smaller groups, forcing the demonstration to end.

2007 May 2, 安琦, 澳門反貪遊行 警方武力鎮壓, in 大紀元時報 (Epoch Times)

hau⁶ loi⁴ fong⁴ bou⁶ ging² deoi⁶⁻² jung⁶ tit³ maa⁵ kap⁶ fong⁴ bou⁶ seoi² ce¹ zoeng¹ jau⁴ hang⁴ deoi⁶ ng⁵ gaak³ hoi¹ jat¹ kwan⁴ jat¹ kwan⁴, koeng⁵ hang⁴ zung¹ zi² jau⁴ hang⁴.

後來防暴警隊用鐵馬及防暴水車將遊行隊伍隔開一群一群，強行終止遊行。

后来防暴警队用铁马及防暴水车将游行队伍隔开一群一群，强行终止游行。

In an attempt to force their way into the Complex, the protesters damaged the security facilities of the Complex, forcibly pulled away the mills barriers placed in the demonstration area outside the Complex, and tried to pry open the doors with bamboo poles.

2014 June 18, 立法會急切質詢二題：協助立法會應對嚴重保安問題或緊急情況 (LC Urgent Q2: Render assistance to LegCo in its response to serious security problems or emergencies)

si⁶ wai¹ ze² wai⁶ cong² jap⁶ daai⁶ lau⁴, po³ waai⁶ daai⁶ lau⁴ dik¹ bou² on¹ cit³ si¹, koeng⁵ hang⁴ laai¹ zau² gaa³ jyu¹ daai⁶ lau⁴ ngoi⁶ si⁶ wai¹ keoi¹ dik¹ tit³ maa⁵, jau⁶ ji⁵ zuk¹ gon¹ si³ tou⁴ giu⁶ hoi¹ daai⁶ mun⁴.

示威者為闖入大樓，破壞大樓的保安設施，強行拉走架於大樓外示威區的鐵馬，又以竹竿試圖撬開大門。

示威者为闯入大楼，破坏大楼的保安设施，强行拉走架于大楼外示威区的铁马，又以竹竿试图撬开大门。

crowd control barrier
crowd control barrier

(chiefly Cantonese) mills barrier; crowd control barrier (made of metal) (Classifier: 個／个 c)


サックス

[sa̠k̚kɯ̟̊sɨ̥]


קלאַרנעט

yi-noun

קלאַרנעט • (klarnet) m, plural קלאַרנעטן (klarnetn)

klarnet (romanization)
klarnetn (romanization)

From Polish klarnet and/or Russian кларне́т (klarnét). Ultimately from French clarinette. Compare German Klarinette.


טרומייט

טרומייט • (trumeyt) m, plural טרומייטן (trumeytn)

trumeyt (romanization)
trumeytn (romanization)


তবলা

tobola (romanization)
তবলা (absolutive indefinite)
তবলাটো (absolutive definite numeral singular)
তবলাকেইটা (absolutive definite numeral plural)
তবলাবোৰ (absolutive definite informal non-numeral plural)
তবলাবিলাক (absolutive definite non-numeral plural)
তবলাসমূহ (absolutive definite formal non-numeral plural)
তবলাই (ergative indefinite)
তবলাটোৱে (definite ergative numeral singular)
তবলাকেইটাই (definite ergative numeral plural)
তবলাবোৰে (definite ergative informal non-numeral plural)
তবলাবিলাকে (definite ergative non-numeral plural)
তবলাসমূহে (definite ergative formal non-numeral plural)
তবলাক (accusative indefinite)
তবলাটোক (accusative definite numeral singular)
তবলাকেইটাক (accusative definite numeral plural)
তবলাবোৰক (accusative definite informal non-numeral plural)
তবলাবিলাকক (accusative definite non-numeral plural)
তবলাসমূহক (accusative definite formal non-numeral plural)
তবলাৰ (genitive indefinite)
তবলাটোৰ (definite genitive numeral singular)
তবলাকেইটাৰ (definite genitive numeral plural)
তবলাবোৰৰ (definite genitive informal non-numeral plural)
তবলাবিলাকৰ (definite genitive non-numeral plural)
তবলাসমূহৰ (definite formal genitive non-numeral plural)
তবলালৈ (dative indefinite)
তবলাটোলৈ (dative definite numeral singular)
তবলাকেইটালৈ (dative definite numeral plural)
তবলাবোৰলৈ (dative definite informal non-numeral plural)
তবলাবিলাকলৈ (dative definite non-numeral plural)
তবলাসমূহলৈ (dative definite formal non-numeral plural)
তবলালৈকে (indefinite terminative)
তবলাটোলৈকে (definite numeral singular terminative)
তবলাকেইটালৈকে (definite numeral plural terminative)
তবলাবোৰলৈকে (definite informal non-numeral plural terminative)
তবলাবিলাকলৈকে (definite non-numeral plural terminative)
তবলাসমূহলৈকে (definite formal non-numeral plural terminative)
তবলাৰে (indefinite instrumental)
তবলাটোৰে (definite instrumental numeral singular)
তবলাকেইটাৰে (definite instrumental numeral plural)
তবলাবোৰেৰে (definite informal instrumental non-numeral plural)
তবলাবিলাকেৰে (definite instrumental non-numeral plural)
তবলাসমূহেৰে (definite formal instrumental non-numeral plural)
তবলাত (indefinite locative)
তবলাটোত (definite locative numeral singular)
তবলাকেইটাত (definite locative numeral plural)
তবলাবোৰত (definite informal locative non-numeral plural)
তবলাবিলাকত (definite locative non-numeral plural)
তবলাসমূহত (definite formal locative non-numeral plural)


তবলা

Borrowed from Classical Persian طبله (tabla), from Arabic طَبْلَة (ṭabla).


סאַקסאָפֿאָן

head

סאַקסאָפֿאָן • (saksofon) m

yi-noun

סאַקסאָפֿאָנען

סאַקסאָפֿאָן • (saksofon) m, plural סאַקסאָפֿאָנען (saksofonen)

saksofon (romanization)
saksofonen (romanization)

Ultimately borrowed from French saxophone, likely via Russian саксофо́н (saksofón). Compare German Saxofon, with a different syllable stress.

saxophone (a musical instrument of the woodwind family)


אַקאָרדעאָן

head

אַקאָרדעאָן • (akordeon) m

yi-noun

אַקאָרדעאָנען

אַקאָרדעאָן • (akordeon) m, plural אַקאָרדעאָנען (akordeonen)

akordeon (romanization)
akordeonen (romanization)

accordion (A small, portable, keyed wind instrument)


האַרפֿע

head

האַרפֿע • (harfe) f

yi-noun

האַרפֿע • (harfe) f, plural האַרפֿעס (harfes)

harfe (romanization)
harfes (romanization)


קסילאָפֿאָן

head

קסילאָפֿאָן • (ksilofon) m

yi-noun

קסילאָפֿאָנען

קסילאָפֿאָן • (ksilofon) m, plural קסילאָפֿאָנען (ksilofonen)

ksilofon (romanization)
ksilofonen (romanization)


וויאָלע

head

וויאָלע • (vyole) f

yi-noun

וויאָלע • (vyole) f, plural וויאָלעס (vyoles)

vyole (romanization)
vyoles (romanization)

viola (music: stringed instrument of the violin family)


מאַנדאָלינע

head

מאַנדאָלינע • (mandoline) f

yi-noun

מאַנדאָלינע • (mandoline) f, plural מאַנדאָלינעס (mandolines)

mandoline (romanization)
mandolines (romanization)


buccin

Inherited from Middle French (cf. the form buxine), borrowed from Latin buccinum, variant of bucinum. Cf. buse and buisine, inherited from a related root.

(music, historical) buccina (curved brass instrument)


तानपूरा

hi-noun

तानपूरा • (tānpūrā) m (Urdu spelling تنپورا)

tānpūrā (romanization)
تنپورا (Urdu)
तानपूरा (direct singular)
तानपूरे (direct plural)
तानपूरे (oblique singular)
तानपूरों (oblique plural)
तानपूरे (singular vocative)
तानपूरो (plural vocative)

[t̪ä̃ːn.puː.ɾäː]

Ultimately from Classical Persian تنبور (tanbūr). However, the word was assimilated in an "Indianized" manner and was reanalyzed as तान (tān) + पूरा (pūrā). Compare Marathi तंबोरा (tamborā).

compound

तान (tān) + पूरा (pūrā)


ચાવી

head

ચાવી • (cāvī) f

gu-noun

ચાવી • (cāvī) f

cāvī (romanization)
ચાવી (nominative singular)
ચાવીઓ (nominative plural)
ચાવી (oblique singular)
ચાવીઓ (oblique plural)
ચાવી (singular vocative)
ચાવીઓ (plural vocative)
ચાવી (instrumental singular)
ચાવીઓ (instrumental plural)
ચાવીએ (locative singular)
ચાવીઓએ (locative plural)

(music) tuning lever; tuning wrench; hammer (tool used to tune certain stringed instruments, especially a sitar)


サクソフォーン

[sa̠kɯ̟̊so̞ɸõ̞ːɴ]

Daijirin Daijisen Saxophone ja:サクソフォーン ja:松村明


銅管樂器

ㄊㄨㄥˊ ㄍㄨㄢˇ ㄩㄝˋ ㄑㄧˋ

тунгуань юэци

/tʰʊŋ³⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ t͡ɕʰi⁵¹/

/tʰʊŋ²¹ kuːn³⁵ ŋɔːk̚² hei̯³³/

/tʰʊŋ³⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹⁻⁵³ t͡ɕʰi⁵¹/

/tʰʊŋ²¹ kuːn³⁵ ŋɔːk̚² hei̯³³/


γλωσσίς

grc-noun

γλωσσῐ́ς • (glōssĭ́s) f (genitive γλωσσῐ́δος); third declension

γλωσσῐ́ς (canonical)
glōssĭ́s (romanization)
γλωσσῐ́δος (genitive)
ἡ γλωσσῐ́ς (nominative singular)
τὼ γλωσσῐ́δε (dual nominative)
αἱ γλωσσῐ́δες (nominative plural)
τῆς γλωσσῐ́δος (genitive singular)
τοῖν γλωσσῐ́δοιν (dual genitive)
τῶν γλωσσῐ́δων (genitive plural)
τῇ γλωσσῐ́δῐ (dative singular)
τοῖν γλωσσῐ́δοιν (dative dual)
ταῖς γλωσσῐ́σῐ (dative plural)
γλωσσῐ́σῐν (dative plural)
taîs glōssĭ́sĭ (dative plural)
taîs glōssĭ́sĭn (dative plural)
τὴν γλωσσῐ́δᾰ (accusative singular)
τὼ γλωσσῐ́δε (accusative dual)
τᾱ̀ς γλωσσῐ́δᾰς (accusative plural)
γλωσσῐ́ς (singular vocative)
γλωσσῐ́δε (dual vocative)
γλωσσῐ́δες (plural vocative)

From γλῶσσᾰ (glôssă, “tongue”) + -ις (-is, feminine noun suffix).

af

(music) mouthpiece of a wind instrument, in which the reed was inserted


גראַגער

yi-noun

גראַגער • (grager) m, plural גראַגערס (gragers)

grager (romanization)
gragers (romanization)

English: gragger

From גראַגערן (gragern, “to rattle”), perhaps ultimately of imitative origin.

onomatopoeic

imitative


サキソホン

Daijirin Daijisen Saxophone ja:サキソホン ja:松村明


гитар

gitar (romanization)
гитар (attributive)
гитар (indefinite nominative singular)
гитарууд (definite nominative plural)
гитарын (genitive indefinite singular)
гитаруудын (definite genitive plural)
гитарыг (accusative indefinite singular)
гитаруудыг (accusative definite plural)
гитарт (dative indefinite locative singular)
гитаруудад (dative definite locative plural)
гитараас (ablative indefinite singular)
гитаруудаас (ablative definite plural)
гитараар (indefinite instrumental singular)
гитаруудаар (definite instrumental plural)
гитартай (comitative indefinite singular)
гитаруудтай (comitative definite plural)
гитаргүй (indefinite privative singular)
гитаруудгүй (definite plural privative)
гитар луу (directive indefinite singular)
гитарууд руу (definite directive plural)
гитараа (indefinite nominative singular)
гитаруудаа (definite nominative plural)
гитарынхаа (genitive indefinite singular)
гитаруудынхаа (definite genitive plural)
гитарыгаа (accusative indefinite singular)
гитаруудыгаа (accusative definite plural)
гитартаа (dative indefinite locative singular)
гитарууддаа (dative definite locative plural)
гитараасаа (ablative indefinite singular)
гитаруудаасаа (ablative definite plural)
гитараараа (indefinite instrumental singular)
гитаруудаараа (definite instrumental plural)
гитартайгаа (comitative indefinite singular)
гитаруудтайгаа (comitative definite plural)
гитаргүйгээ (indefinite privative singular)
гитаруудгүйгээ (definite plural privative)
гитар луугаа (directive indefinite singular)
гитарууд руугаа (definite directive plural)


treblåser

treblåseren (definite singular)
treblåsere (indefinite plural)
treblåserne (definite plural)

From tre (“wood”) + blåser (“wind instrument player”).


treblåseinstrument

treblåseinstrumentet (definite singular)
treblåseinstrument (indefinite plural)
treblåseinstrumenter (indefinite plural)
treblåseinstrumenta (definite plural)
treblåseinstrumentene (definite plural)

From tre (“wood”) + blåseinstrument (“wind instrument”).

(music) a woodwind or woodwind instrument


treblåseinstrument

treblåseinstrumentet (definite singular)
treblåseinstrument (indefinite plural)
treblåseinstrumenta (definite plural)


blåseinstrument

blåseinstrumentet (definite singular)
blåseinstrument (indefinite plural)
blåseinstrumenter (indefinite plural)
blåseinstrumenta (definite plural)
blåseinstrumentene (definite plural)


blåseinstrument

blåseinstrumentet (definite singular)
blåseinstrument (indefinite plural)
blåseinstrumenta (definite plural)


strengeinstrument

head

strengeinstrument n (singular definite strengeinstrumentet, plural indefinite strengeinstrumenter)

strengeinstrumentet (definite singular)
strengeinstrumenter (indefinite plural)


strengeinstrument

strengeinstrumentet (definite singular)
strengeinstrument (indefinite plural)
strengeinstrumenter (indefinite plural)
strengeinstrumenta (definite plural)
strengeinstrumentene (definite plural)


strengeinstrument

strengeinstrumentet (definite singular)
strengeinstrument (indefinite plural)
strengeinstrumenta (definite plural)


instrument muzical

ro-noun

instrument muzical n (plural instrumente muzicale)


kontrabass

kontrabassen (definite singular)
kontrabasser (indefinite plural)
kontrabassene (definite plural)

From kontra- (“in music”) + bass; compare with German Kontrabass and Italian contrabbasso and contrabasso.


kontrabass

kontrabassen (definite singular)
kontrabassar (indefinite plural)
kontrabassane (definite plural)


strykeinstrument

strykeinstrumentet (definite singular)
strykeinstrument (indefinite plural)
strykeinstrumenter (indefinite plural)
strykeinstrumenta (definite plural)
strykeinstrumentene (definite plural)

(music) a string instrument (one played with a bow)


strykeinstrument

strykeinstrumentet (definite singular)
strykeinstrument (indefinite plural)
strykeinstrumenta (definite plural)


簫の笛

ja-noun

簫(しょう)の笛(ふえ) • (shō no fue) ^(←せうのふえ (seunofue)?)

簫の笛 (canonical)
shō no fue (romanization)
seunofue (romanization)
せうのふえ (hiragana historical)

[ɕo̞ː no̞ ɸɯ̟e̞]

Compound of 簫 (shō, “xiao”, a kind of Chinese flute) + の (no, possessive particle) + 笛 (fue, “flute”).
Synonymous with just 簫 (shō) on its own. However, given the rarity of this kanji in writing, and the large number of possible single-kanji terms pronounced as shō in Japanese, the longer version that specifies 笛 (“flute”) is used to clarify and disambiguate.


lutt

lutten (definite singular)
lutter (indefinite plural)
luttene (definite plural)

From Arabic اَلْعُود (al-ʕūd, “wood”), via French and Middle Low German.


lutt

lutten (definite singular)
luttar (indefinite plural)
luttane (definite plural)


atabaque

Borrowed from Portuguese atabaque, from Arabic الطَّبَق (aṭ-ṭabaq, “plate”).

A tall Afro-Brazilian hand drum, traditionally having its shell made of jacaranda wood.


atabaque

→ English: atabaque

Inherited from Old Galician-Portuguese atavaque, borrowed from Arabic طَبَق (ṭabaq). Cognate with Spanish tabaque (“wicker basket”).


zoemsteen

nl-noun

zoemsteen m (plural zoemstenen, diminutive zoemsteentje n)

zoemstenen (plural)
zoemsteentje (diminutive neuter)


mairimbe

head

mairimbe f (genitive singular mairimbe, nominative plural mairimbí)

mairimbe (genitive singular)
mairimbí (nominative plural)
nominative (indefinite)
mairimbe (indefinite singular)
mairimbí (indefinite plural)
vocative (indefinite)
a mhairimbe (indefinite singular)
a mhairimbí (indefinite plural)
genitive (indefinite)
dative (indefinite)
nominative (definite)
an mhairimbe (definite singular)
na mairimbí (definite plural)
genitive (definite)
na mairimbe (definite singular)
dative (definite)
leis an mairimbe (definite singular)
don mhairimbe (definite singular)
leis na mairimbí (definite plural)
mairimbe
mhairimbe

Borrowed from English marimba, ultimately from a Bantu language.


cegarrega

/ˌsɛ.ɡaˈʁɛ.ɡɐ/

[ˌsɛ.ɡaˈhɛ.ɡɐ]

/ˌsɛ.ɡaˈʁɛ.ɡɐ/

[ˌsɛ.ɡaˈhɛ.ɡɐ]

/ˌsɛ.ɡaˈʁɛ.ɡɐ/

[ˌsɛ.ɡaˈχɛ.ɡɐ]

/ˌsɛ.ɡaˈʁɛ.ɡa/

/ˌsɛ.ɡɐˈʁɛ.ɡɐ/

[ˌsɛ.ɣɐˈʁɛ.ɣɐ]

Onomatopoeic, or possibly derived from cigarra (“cicada”).

Vá. Canta lá a tua cegarrega. Eu escuto com a paciência e a atenção de um discípulo... como é que se diz?... de um discípulo...» «...modelar.» «Isso... Ensina lá, não ouves? Já não me lembro em que ponto ias...

1995, Fernando Campos, A esmeralda partida:

(music) rattle (instrument or sound imitating the sound of a cicada)


हारमोनियम

hi-noun

हारमोनियम • (hārmoniyam) m (Urdu spelling ہارمونیم)

hārmoniyam (romanization)
ہارمونیم (Urdu)
हारमोनियम (direct singular)
हारमोनियम (direct plural)
हारमोनियम (oblique singular)
हारमोनियमों (oblique plural)
हारमोनियम (singular vocative)
हारमोनियमो (plural vocative)


turutot

a horn; any of several musical wind instruments


viola da braccio

it-noun

viola da braccio f (plural viole da braccio)

German: Bratschgeige

(music) Synonym of viola (instrument larger than a violin, smaller than a cello)


tsymbaly

(music) The Ukrainian version of the hammered dulcimer.


綽板

/ʈ͡ʂʰu̯ɔ⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/

/ʈ͡ʂʰu̯ɔ⁵⁵ pän²¹⁴⁻²¹⁽⁴⁾/

(music) A variety of paiban (Chinese percussion instrument resembling castanets).


琤尼

/ʈ͡ʂʰɤŋ⁵⁵ ni³⁵/

/ʈ͡ʂʰɤŋ⁵⁵ ni³⁵/

(music) A bowed zither used as a traditional instrument by the Zhuang people


aaya

From Proto-Uto-Aztecan *aya (“tortoise; tortoiseshell rattle”).

inh

(music) rattle (instrument), especially one made from a gourd


guimbarda

Borrowed from French guimbarde, from Old Occitan guimar (“to leap”).


acordión

(Benasquese, Cheso, Sobrepuerto) accordion


편종

[pʰjʌ̹ɲd͡ʑo̞ŋ]


편경

[pʰjʌ̹nɡjʌ̹ŋ]


ढोल

ḍhol (romanization)
ڈھول (Urdu)
ढोल (direct singular)
ढोल (direct plural)
ढोल (oblique singular)
ढोलों (oblique plural)
ढोल (singular vocative)
ढोलो (plural vocative)


鳳首箜篌

ㄈㄥˋ ㄕㄡˇ ㄎㄨㄥ ㄏㄡˊ

фэншоу кунхоу

/fɤŋ⁵¹ ʂoʊ̯²¹⁴⁻²¹ kʰʊŋ⁵⁵ xoʊ̯³⁵/

/fʊŋ²² sɐu̯³⁵ hʊŋ⁵⁵ hɐu̯²¹/

/fɤŋ⁵¹ ʂoʊ̯²¹⁴⁻²¹ kʰʊŋ⁵⁵ xoʊ̯³⁵/

/fʊŋ²² sɐu̯³⁵ hʊŋ⁵⁵ hɐu̯²¹/

(music) phoenix-headed konghou (Burmese harp)


根卡

/kən⁵⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/kən⁵⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

(music) A Tibetan bowed string instrument.


胡西它爾

ㄏㄨˊ ㄒㄧ ㄊㄚ ㄦˇ

/xu³⁵ ɕi⁵⁵ tʰä⁵⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/xu³⁵ ɕi⁵⁵ tʰä⁵⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

khushtar (a bowed stringed Uyghur musical instrument)


Rhodes piano

Named after American inventor Harold Rhodes (1910–2000).

named-after

The Rhodes piano wasn't the only keyboard available at the Apple studio.

2001, Andy Babiuk, Beatles Gear, page 237:

An electric piano whose keys activate hammers that strike thin metal rods of varied length, connected to tonebars, which are then amplified via an electromagnetic pickup.


虎波

/xu²¹⁴⁻²¹ pu̯ɔ⁵⁵/

/fuː³⁵ pɔː⁵⁵/

/xu²¹⁴⁻²¹ pu̯ɔ⁵⁵/

/fuː³⁵ pɔː⁵⁵/

(music) A kind of Chinese court instrument.


סטרונע

yi-noun

סטרונע • (strune) f, plural סטרונעס (strunes)

strune (romanization)
strunes (romanization)

From a Slavic language; compare Polish struna.


agong

Compare Tagalog agong, Tausug agung, and Maranao agong.

gong made out of bronze for dancing, usually played in a set of two


agong

From Malay gong. Compare Hanunoo agong, Cebuano agong, Maranao agong, Tausug agung, and Javanese ꦒꦺꦴꦁ (gong).


σάλπιγξ

grc-noun

σᾰ́λπῐγξ • (sắlpĭnx) f (genitive σᾰ́λπῐγγος); third declension

σᾰ́λπῐγξ (canonical)
sắlpĭnx (romanization)
σᾰ́λπῐγγος (genitive)
ἡ σᾰ́λπῐγξ (nominative singular)
τὼ σᾰ́λπῐγγε (dual nominative)
αἱ σᾰ́λπῐγγες (nominative plural)
τῆς σᾰ́λπῐγγος (genitive singular)
τοῖν σᾰλπῐ́γγοιν (dual genitive)
τῶν σᾰλπῐ́γγων (genitive plural)
τῇ σᾰ́λπῐγγῐ (dative singular)
τοῖν σᾰλπῐ́γγοιν (dative dual)
ταῖς σᾰ́λπῐγξῐ (dative plural)
σᾰ́λπῐγξῐν (dative plural)
taîs sắlpĭnxĭ (dative plural)
taîs sắlpĭnxĭn (dative plural)
τὴν σᾰ́λπῐγγᾰ (accusative singular)
τὼ σᾰ́λπῐγγε (accusative dual)
τᾱ̀ς σᾰ́λπῐγγᾰς (accusative plural)
σᾰ́λπῐγξ (singular vocative)
σᾰ́λπῐγγε (dual vocative)
σᾰ́λπῐγγες (plural vocative)

desc

σάλπιγγα (sálpinga)

→ Greek: σάλπιγξ (sálpinx), σάλπιγγα (sálpinga)

⇒ New Latin: salpingopharyngeus

→ English: salpinx, salpingo-, salping-

Formation like σῦρῐγξ (sûrĭnx) and φόρμῐγξ (phórmĭnx). As a word of Mediterranean culture, it remains without Indo-European connection. According to Beekes, the suffix is Pre-Greek.


σάλπιγξ

sálpinx (romanization)
σάλπιγξ (plural)
σάλπιγξ (nominative singular)
σάλπιγγες (nominative plural)
σάλπιγγος (genitive singular)
σαλπίγγων (genitive plural)
σάλπιγγα (accusative singular)
σάλπιγγες (accusative plural)
σάλπιγξ (singular vocative)
σάλπιγγες (plural vocative)

Inherited from Ancient Greek σάλπιγξ (sálpinx).

(formal, archaic, Katharevousa, military, music) war-trumpet, trump


雙清

/ʂu̯ɑŋ⁵⁵ t͡ɕʰiŋ⁵⁵/

/sœːŋ⁵⁵ t͡sʰɪŋ⁵⁵/

/ʂu̯ɑŋ⁵⁵ t͡ɕʰiŋ⁵⁵/

/sœːŋ⁵⁵ t͡sʰɪŋ⁵⁵/

(music) a long-necked fretted plucked lute used during the Qing Dynasty


呼哨

/xu⁵⁵ ʂɑʊ̯⁵¹/

/xu⁵⁵ ʂaʊ̯ɻʷ⁵¹/

/fuː⁵⁵ saːu̯³³/

/xu⁵⁵ ʂɑʊ̯⁵¹/

/xu⁵⁵ ʂaʊ̯ɻʷ⁵¹/

/fuː⁵⁵ saːu̯³³/


胡哨

/xu³⁵ ʂɑʊ̯⁵¹/

/xu³⁵ ʂaʊ̯ɻʷ⁵¹/

/xu³⁵ ʂɑʊ̯⁵¹/

/xu³⁵ ʂaʊ̯ɻʷ⁵¹/


熱瓦普

/ʐɤ⁵¹ wä²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

/ʐɤ⁵¹ wä²¹⁴⁻³⁵ pʰu²¹⁴⁻²¹⁽⁴⁾/

(music) rawap (a fretless plucked long-necked lute used in Uyghur traditional music)


熱瓦甫

/ʐɤ⁵¹ wä²¹⁴⁻³⁵ fu²¹⁴⁻²¹⁽⁴⁾/

/ʐɤ⁵¹ wä²¹⁴⁻³⁵ fu²¹⁴⁻²¹⁽⁴⁾/


利拉羅

/li⁵¹ lä⁵⁵ lu̯ɔ³⁵/

/li⁵¹ lä⁵⁵ lu̯ɔ³⁵/

(music) A traditional musical instrument of the Li people of Hainan.


鐘片琴

ㄓㄨㄥ ㄆㄧㄢˋ ㄑㄧㄣˊ

чжунпяньцинь

/ʈ͡ʂʊŋ⁵⁵ pʰi̯ɛn⁵¹ t͡ɕʰin³⁵/

/t͡sʊŋ⁵⁵ pʰiːn³³⁻³⁵ kʰɐm²¹/

/ʈ͡ʂʊŋ⁵⁵ pʰi̯ɛn⁵¹ t͡ɕʰin³⁵/

/t͡sʊŋ⁵⁵ pʰiːn³³⁻³⁵ kʰɐm²¹/


वीणा

hi-noun

वीणा • (vīṇā) f

vīṇā (romanization)
वीणा (direct singular)
वीणाएँ (direct plural)
वीणा (oblique singular)
वीणाओं (oblique plural)
वीणा (singular vocative)
वीणाओ (plural vocative)


擂琴

/leɪ̯⁵¹ t͡ɕʰin³⁵/

/lɵy̯²¹ kʰɐm²¹/

/leɪ̯⁵¹ t͡ɕʰin³⁵/

/lɵy̯²¹ kʰɐm²¹/

(music) leiqin (a Chinese bowed string instrument)


瓢琴

/pʰi̯ɑʊ̯³⁵ t͡ɕʰin³⁵/

/pʰiːu̯²¹ kʰɐm²¹/

/pʰi̯ɑʊ̯³⁵ t͡ɕʰin³⁵/

/pʰiːu̯²¹ kʰɐm²¹/

(music) A bowed lute of the Miao people.


蘇古篤

/su⁵⁵ ku²¹⁴⁻³⁵ tu²¹⁴⁻²¹⁽⁴⁾/

/sou̯⁵⁵ kuː³⁵ tʊk̚⁵/

/su⁵⁵ ku²¹⁴⁻³⁵ tu²¹⁴⁻²¹⁽⁴⁾/

/sou̯⁵⁵ kuː³⁵ tʊk̚⁵/

(music) A traditional plucked lute of the Naxi people, originating from the huobusi (火不思 (huǒbùsī)).


天琴

/tʰi̯ɛn⁵⁵ t͡ɕʰin³⁵/

/tʰiːn⁵⁵ kʰɐm²¹/

/tʰi̯ɛn⁵⁵ t͡ɕʰin³⁵/

/tʰiːn⁵⁵ kʰɐm²¹/

(music) A traditional fretless plucked lute of the Zhuang people; its soundbox is usually made from a gourd.


彎琴

/wän⁵⁵ t͡ɕʰin³⁵/

/waːn⁵⁵ kʰɐm²¹/

/wän⁵⁵ t͡ɕʰin³⁵/

/waːn⁵⁵ kʰɐm²¹/


臥箜篌

/wɔ⁵¹ kʰʊŋ⁵⁵ xoʊ̯³⁵/

/ŋɔː²² hʊŋ⁵⁵ hɐu̯²¹/

/wɔ⁵¹ kʰʊŋ⁵⁵ xoʊ̯³⁵/

/ŋɔː²² hʊŋ⁵⁵ hɐu̯²¹/

(historical, music) Wokonghou ("horizontal konghou", an ancient type of konghou that took the form of a plucked fretted long zither)


方磬

方磬 (canonical)
hōkei (romanization)
faukei (romanization)
はうけい (hiragana historical)

ja-r

方(ほう)響(きょう) (hōkyō)

(music) hōkyō, a percussion instrument derived from the Chinese fangxiang


西納干胡爾

ㄒㄧ ㄋㄚˋ ㄍㄢ ㄏㄨˊ ㄦˇ

синагань хуэр

/ɕi⁵⁵ nä⁵¹ kän⁵⁵ xu³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sɐi̯⁵⁵ naːp̚² kɔːn⁵⁵ wuː²¹ jiː¹³/

/ɕi⁵⁵ nä⁵¹ kän⁵⁵ xu³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sɐi̯⁵⁵ naːp̚² kɔːn⁵⁵ wuː²¹ jiː¹³/

From Mongolian ᠰᠢᠨᠠᠭᠠᠨ
ᠬᠣᠭᠣᠷ (sinaɣan qoɣor) / шанаган хуур (šanagan xuur).

bor

ᠰᠢᠨᠠᠭᠠᠨ ᠬᠣᠭᠣᠷ

(music) Ladle-shaped khuur, a traditional Mongolian bowed lute.


特磬

/tʰɤ⁵¹⁻⁵³ t͡ɕʰiŋ⁵¹/

/tɐk̚² hɪŋ³³/

/tʰɤ⁵¹⁻⁵³ t͡ɕʰiŋ⁵¹/

/tɐk̚² hɪŋ³³/

(music) A type of Chinese sounding stone (qing) used primarily in ritual/ceremonial music. It is a single thin piece of limestone or jade cut in an L-shape, hung from a frame, and struck with a wooden mallet.


特鐘

/tʰɤ⁵¹ ʈ͡ʂʊŋ⁵⁵/

/tɐk̚² t͡sʊŋ⁵⁵/

/tʰɤ⁵¹ ʈ͡ʂʊŋ⁵⁵/

/tɐk̚² t͡sʊŋ⁵⁵/

(music) A single large bronze bell hung in a frame and used primarily in ceremonial/ritual music


日本箏

/ʐ̩⁵¹ pən²¹⁴⁻²¹ ʈ͡ʂɤŋ⁵⁵/

/jɐt̚² puːn³⁵ t͡sɐŋ⁵⁵/

/ʐ̩⁵¹ pən²¹⁴⁻²¹ ʈ͡ʂɤŋ⁵⁵/

/jɐt̚² puːn³⁵ t͡sɐŋ⁵⁵/


洋琵琶

/jɑŋ³⁵ pʰi³⁵ pʰä³/

yêng⁴ péi⁴ pa⁴⁻²

/jœːŋ²¹ pʰei̯²¹ pʰaː²¹/

/jœːŋ²¹ pʰei̯²¹ pʰaː²¹⁻³⁵/

/jɑŋ³⁵ pʰi³⁵ pʰä³/

/jœːŋ²¹ pʰei̯²¹ pʰaː²¹/

/jœːŋ²¹ pʰei̯²¹ pʰaː²¹⁻³⁵/


曼陀林

ㄇㄢˋ ㄊㄨㄛˊ ㄌㄧㄣˊ

/män⁵¹ tʰu̯ɔ³⁵ lin³⁵/

/män⁵¹ tʰu̯ɔ³⁵ lin³⁵/


エレクトリック・ギター

[e̞ɾe̞kɯ̟̊to̞ɾʲik̚kɯ̟ ɡʲita̠ː]

ja:エレクトリック・ギター


エレキギター

Perhaps from a modified short form of エレクトリック・ギター (erekutorikku gitā). Compare エレキテル (erekiteru). Also compare ケーキ (kēki, “cake”), デッキ (dekki, “dekki”), プロキシ (purokishi, “proxy”) for the use of キ (ki) instead of the typical ク (ku) to transcribe the foreign sound /k/.

エレクトリック・ギター エレクトリック・ギター#Japanese

Synonym of エレクトリック・ギター (“electric guitar”)


忽雷

/xu⁵⁵ leɪ̯³⁵/

/fɐt̚⁵ lɵy̯²¹/

/xu⁵⁵ leɪ̯³⁵/

/fɐt̚⁵ lɵy̯²¹/

(music, historical) A plucked lute of non-Han origin.


烏德琴

/u⁵⁵ tɤ³⁵ t͡ɕʰin³⁵/

/wuː⁵⁵ tɐk̚⁵ kʰɐm²¹/

/u⁵⁵ tɤ³⁵ t͡ɕʰin³⁵/

/wuː⁵⁵ tɐk̚⁵ kʰɐm²¹/


梆笛

/pɑŋ⁵⁵ ti³⁵/

/pɔːŋ⁵⁵ tɛːk̚²/

/pɔːŋ⁵⁵ tɛːk̚²⁻³⁵/

/pɑŋ⁵⁵ ti³⁵/

/pɔːŋ⁵⁵ tɛːk̚²/

/pɔːŋ⁵⁵ tɛːk̚²⁻³⁵/

From 梆子 (bāngzi, “a form of opera popular in northern China”) + 笛 (dí, “flute”).

zh-l

(music) A regional variant of dizi that is smaller and higher in pitch, and used primarily in the music of northern China.


曲笛

/t͡ɕʰy²¹⁴⁻²¹ ti³⁵/

/kʰʊk̚⁵ tɛːk̚²/

/kʰʊk̚⁵ tɛːk̚²⁻³⁵/

/t͡ɕʰy²¹⁴⁻²¹ ti³⁵/

/kʰʊk̚⁵ tɛːk̚²/

/kʰʊk̚⁵ tɛːk̚²⁻³⁵/

From the abbreviation of 崑曲／昆曲 (kūnqǔ, “Kunqu”) + 笛 (dí, “flute”).


Fiedel

de-noun

Fiedel f (genitive Fiedel, plural Fiedeln, diminutive Fiedelchen n or Fiedlein n)

Fiedel (genitive)
Fiedeln (plural)
Fiedelchen (diminutive neuter)
Fiedlein (diminutive neuter)
Fiedel (nominative singular)
Fiedeln (definite nominative plural)
Fiedel (genitive singular)
Fiedeln (definite genitive plural)
Fiedel (dative singular)
Fiedeln (dative definite plural)
Fiedel (accusative singular)
Fiedeln (accusative definite plural)

→ Lower Sorbian: fidle

→ Polish: fidel

From Middle High German videle, from Old High German fidula, Proto-West Germanic *fiþulā (“fiddle”).

(informal, usually humorous, else archaic) violin, fiddle

(historical) vielle (medieval kind of violin)


崑笛

/kʰu̯ən⁵⁵ ti³⁵/

/kʷʰɐn⁵⁵ tɛːk̚²/

/kʷʰɐn⁵⁵ tɛːk̚²⁻³⁵/

/kʰu̯ən⁵⁵ ti³⁵/

/kʷʰɐn⁵⁵ tɛːk̚²/

/kʷʰɐn⁵⁵ tɛːk̚²⁻³⁵/

(music) A regional variant of dizi, used as an accompanying instrument in Kunqu.


ស្គរ

km-noun

ស្គរ • (skɔɔ)

From Proto-Mon-Khmer *sgər ~ *sgəər (“a kind of drum”).


ກອງ

lo-noun

ກອງ • (kǭng)

From Proto-Tai *koːŋᴬ (“to heap up”). Cognate with Thai กอง (gɔɔng), Lü ᦂᦸᧂ (k̇oang), Tai Dam ꪀꪮꪉ, Shan ၵွင် (kǎung), Zhuang gong.


ກອງ

kǭng (romanization)
ການກອງ (abstract-noun)

to pile up; to pile; to accumulate; to heap; to stack up.


ກອງ

ກອງ • (kǭng)

From Proto-Tai *kloːŋᴬ (“drum”). Cognate with Thai กลอง (glɔɔng), Lü ᦂᦸᧂ (k̇oang), Shan ၵွင် (kǎung), Ahom 𑜀𑜨𑜂𑜫 (koṅ), Zhuang gyong. Compare Vietnamese trống.


ပတ်

Borrowed from Pali paṭaha, from Sanskrit पटह (paṭaha, “kettledrum, war drum”).


aeolodicon

(music) An obsolete keyed wind instrument resembling the harmonium, its tone produced from steel springs.


aeolopantalon

(music) An obsolete musical instrument combining the aeolomelodicon with a piano, allowing them to be played separately or together.


aeolomelodicon

In the æolopantalon, invented about the year 1830, by Dlugosz of Warsaw, the æolomelodicon was combined with a pianoforte, so arranged that the player could make use of either instrument separately or both together.

1879, Sir George Grove, A Dictionary of Music and Musicians (A.D. 1450-1889), volume 1:

Naturally, the "foremost Polish pianist", the 15-year-old Chopin, was called on to give a public recital on the aeolomelodicon, a strange instrument invented by Brummer and Hoffman.

1968, Adelaide Murgia, The life and times of Chopin, page 13:

One was to launch a new keyboard instrument, a hybrid between the pianoforte and the organ, which during its brief life span was known as the aeolomelodicon.

1978, Ruth Jordan, Nocturne: a life of Chopin, page 45:

(music, historical) An obsolete musical instrument derived from the aeolodicon but having brass tubes affixed to the reeds, making it more like an organ.


申胡

/ʂən⁵⁵ xu³⁵/

/sɐn⁵⁵ wuː²¹/

/ʂən⁵⁵ xu³⁵/

/sɐn⁵⁵ wuː²¹/

(music) A huqin used as the leading instrument in Huju, a form of local opera from the Shanghai area.


shruti box

During the “Gayatri Mantra” her voice soared over the hypnotic drone that one hand coaxed from her shruti box, while the other hand energetically massaged the air.

2006 December 2, Vivien Schweitzer, “Prayer, Texts and Chants, Along With Some Improv”, in The New York Times, →ISSN:

(music) A musical instrument resembling a harmonium, used to provide a droning accompaniment in Indian classical music.


蘇鑼

/su⁵⁵ lu̯ɔ³⁵/

/sou̯⁵⁵ lɔː²¹/

/su⁵⁵ lu̯ɔ³⁵/

/sou̯⁵⁵ lɔː²¹/

(music) a Chinese gong originating in the area of Suzhou


馬鑼

/mä²¹⁴⁻²¹ lu̯ɔ³⁵/

/maː¹³ lɔː²¹/

/mä²¹⁴⁻²¹ lu̯ɔ³⁵/

/maː¹³ lɔː²¹/


虎鑼

/xu²¹⁴⁻²¹ lu̯ɔ³⁵/

/fuː³⁵ lɔː²¹/

/xu²¹⁴⁻²¹ lu̯ɔ³⁵/

/fuː³⁵ lɔː²¹/


答臘鼓

/tä³⁵ lä⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

/tä³⁵ lä⁵¹ ku²¹⁴⁻²¹⁽⁴⁾/

(music) a Chinese drum used in ancient times


自鳴琴

[d͡ʑime̞ːkʲĩɴ]

自 (ji, “self”) + 鳴 (mei, “sound making”) + 琴 (kin, “musical instrument”)

com

オルゴール オルゴール#Japanese

(music, rare) Synonym of オルゴール (orugōru, “music box”)


자명금

[t͡ɕa̠mjʌ̹ŋɡɯm]


speldosa

speldosa (indefinite nominative singular)
speldosas (genitive indefinite singular)
speldosan (definite nominative singular)
speldosans (definite genitive singular)
speldosor (indefinite nominative plural)
speldosors (genitive indefinite plural)
speldosorna (definite nominative plural)
speldosornas (definite genitive plural)


象鼻四絃

ㄒㄧㄤˋ ㄅㄧˊ ㄙˋ ㄒㄧㄢˊ

сянби сысянь

/ɕi̯ɑŋ⁵¹ pi³⁵ sz̩⁵¹ ɕi̯ɛn³⁵/

/ɕi̯ɑŋ⁵¹ pi³⁵ sz̩⁵¹ ɕi̯ɛn³⁵/

(music) The original main accompanying instrument in yuediao, a variety of Chinese opera: a variety of sihu (huqin with four strings).


胡兀兒

/xu³⁵ u⁵¹ ˀɤɻ³⁵/

/xu³⁵ u⁵¹ ˀɤɻ³⁵/

From Mongolian ᠬᠤᠭᠤᠷ (quɣur) / хуур (xuur, “stringed instrument”).

Alternative name for 馬頭琴／马头琴 (mǎtóuqín).


likembe

Borrowed from Lingala likembé, from li- + kembé.

One of the lesser pygmies had a small musical instrument in his lap, a hollowed-out box affair with small strips of metal set across a bar on top which, if I remember right, is called a "Likembe."

1946, James Riddell, In the forests of the night, page 204:

This instrument became interregionally known as the likembe, and it spread like wildfire among porters and employees in the Belgian colonial service throughout the French and the Belgian Congo, thus paralleling the spread of the trade […]

1999, Jacqueline Cogdell DjeDje, Turn Up the Volume!: A Celebration of African Music, page 44:

A new artist, Antoine Mundanda of Brazzaville, brought his likembe troupe to Ngoma in 1954, recording several songs that seemed to confirm the link between traditional likembe and modern guitar picking.

2003, Gary Stewart, Rumba on the River: A History of the Popular Music of the Two Congos, page 71:

Like elsewhere in central Africa, the likembe in Angola was an instrument of the emerging working class and, as such, it was also inter-ethnic.

2010, Theory of African Music, Theory of African Music, volume 1, page 385:

musical instrument
musical instrument#English

A musical instrument found in sub-Saharan Africa; a kind of lamellophone.


螺貝

desc

→ Mongolian: ᠯᠠᠪᠠᠢ (labai, “sea shell; conch; conch trumpet”)

desctree

→ Chinese: 喇叭 (lǎba, “horn”)
→ Dongxiang: laba
→ Manchu: ᠯᠠᠪᠠ (laba)

/lu̯ɔ³⁵ peɪ̯⁵¹/

/lɔː²¹⁻³⁵ puːi̯³³/

/le²⁴⁻²² pue²¹/

/le²⁴⁻²² pue⁴¹/

/le¹³⁻²² pue²¹/

/le²⁴⁻¹¹ pue¹¹/

/le²³⁻³³ pue²¹/

/lu̯ɔ³⁵ peɪ̯⁵¹/

/lɔː²¹⁻³⁵ puːi̯³³/

/le²⁴⁻²² pue²¹/

/le²⁴⁻²² pue⁴¹/

/le¹³⁻²² pue²¹/

/le²⁴⁻¹¹ pue¹¹/

/le²³⁻³³ pue²¹/


桑圖爾

/sɑŋ⁵⁵ tʰu³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sɔːŋ⁵⁵ tʰou̯²¹ jiː¹³/

/sɑŋ⁵⁵ tʰu³⁵ ˀɤɻ²¹⁴⁻²¹⁽⁴⁾/

/sɔːŋ⁵⁵ tʰou̯²¹ jiː¹³/

(music) santur (hammered dulcimer of Persian origin)


曲項琵琶

ㄑㄩ ㄒㄧㄤˋ ㄆㄧˊ ㄆㄚˊ

ㄑㄩ ㄒㄧㄤˋ ㄆㄧˊ ˙ㄆㄚ

/t͡ɕʰy⁵⁵ ɕi̯ɑŋ⁵¹ pʰi³⁵ pʰä³⁵/

/t͡ɕʰy⁵⁵ ɕi̯ɑŋ⁵¹ pʰi³⁵ pʰä³/

/kʰʊk̚⁵ hɔːŋ²² pʰei̯²¹ pʰaː²¹/

/t͡ɕʰy⁵⁵ ɕi̯ɑŋ⁵¹ pʰi³⁵ pʰä³⁵/

/t͡ɕʰy⁵⁵ ɕi̯ɑŋ⁵¹ pʰi³⁵ pʰä³/

/kʰʊk̚⁵ hɔːŋ²² pʰei̯²¹ pʰaː²¹/

(music) an early form of pipa, popular during the Tang Dynasty, whose peg box is bent backwards at an angle


五絃琵琶

ㄨˇ ㄒㄧㄢˊ ㄆㄧˊ ㄆㄚˊ

ㄨˇ ㄒㄧㄢˊ ㄆㄧˊ ˙ㄆㄚ

/u²¹⁴⁻²¹ ɕi̯ɛn³⁵ pʰi³⁵ pʰä³⁵/

/u²¹⁴⁻²¹ ɕi̯ɛn³⁵ pʰi³⁵ pʰä³/

/ŋ̍¹³ jiːn²¹ pʰei̯²¹ pʰaː²¹/

/u²¹⁴⁻²¹ ɕi̯ɛn³⁵ pʰi³⁵ pʰä³⁵/

/u²¹⁴⁻²¹ ɕi̯ɛn³⁵ pʰi³⁵ pʰä³/

/ŋ̍¹³ jiːn²¹ pʰei̯²¹ pʰaː²¹/

an obsolete form of pipa with five strings, which is believed to have come to China from non-Han regions to China's north


zeze

A stringed instrument of sub-Saharan Africa.


גלאָק

yi-noun

גלאָק • (glok) m, plural גלאָקן (glokn) or גלעקער (gleker), diminutive גלעקל (glekl)

glok (romanization)
glokn (romanization)
gleker (romanization)
glekl (romanization)

From Middle High German glocke, from Old High German glocca. Compare German Glocke.


umpan

A cloud-shaped gong rung in a Zen monastery to announce mealtimes, etc.


волынка

ru-noun+

волы́нка • (volýnka) f inan (genitive волы́нки, nominative plural волы́нки, genitive plural волы́нок)

волы́нка (canonical)
volýnka (romanization)
волы́нки (genitive)
волы́нки (nominative plural)
волы́нок (genitive plural)
волы́нка (nominative singular)
волы́нки (nominative plural)
волы́нки (genitive singular)
волы́нок (genitive plural)
волы́нке (dative singular)
волы́нкам (dative plural)
волы́нку (accusative singular)
волы́нки (accusative plural)
волы́нкой (instrumental singular)
волы́нкою (instrumental singular)
волы́нками (instrumental plural)
волы́нке (prepositional singular)
волы́нках (plural prepositional)


adhbh cheoil

head

adhbh cheoil f (genitive singular aidhbhe ceoil, nominative plural adhbha ceoil)

aidhbhe ceoil (genitive singular)
adhbha ceoil (nominative plural)
adhbh cheoil
n-adhbh cheoil
hadhbh cheoil

(literary, music) instrument, musical instrument


бенџо

bendžo (romanization)
бенџо (indefinite singular)
бенџото (definite singular unspecified)
бенџово (definite proximal singular)
бенџоно (definite distal singular)
бенџо (singular vocative)


свирол

svirol (romanization)
свирол (indefinite singular)
свироли (indefinite plural)
свиролот (definite singular unspecified)
свиролите (definite plural unspecified)
свиролов (definite proximal singular)
свироливе (definite plural proximal)
свиролон (definite distal singular)
свиролине (definite distal plural)
свиролу (singular vocative)
свироли (plural vocative)
свирола (count-form plural)


flutina

(music) An early precursor to the diatonic button accordion, having one or two rows of treble buttons, configured to have the tonic of the scale, on the "draw" of the bellows.


verrophone

(music) A musical instrument consisting of an arrangement of open-ended glass tubes of various sizes, which are rubbed or struck with a mallet to produce the sound.


αγγλικό κόρνο

αγγλικά κόρνα

αγγλικό κόρνο • (anglikó kórno) n (plural αγγλικά κόρνα)

el-noun

αγγλικά κόρνα

anglikó kórno (romanization)
αγγλικά κόρνα (plural)

(music) cor anglais, English horn (type of woodwind instrument)


コーラングレ

[ko̞ːɾã̠ŋɡɯ̟ɾe̞]

Borrowed from French cor anglais (literally “English horn”), calqued from a misunderstanding of Middle High German engellisches horn (“angelic horn”), from the resemblance of the instrument to horns played by angels as depicted in the Middle Ages.


イングリッシュホルン

[ĩŋɡɯ̟ɾʲiɕːɨho̞ɾɯ̟̃ɴ]

Borrowed from English English horn, calqued from French cor anglais.

(music) cor anglais, English horn, a double-reeded pipe


アルトオーボエ

[a̠ɾɯ̟to̞ːo̞bo̞e̞]

アルト (aruto, “alto”) + オーボエ (ōboe, “oboe”), both borrowed from Italian.


брчало

mk-noun

брчало • (brčalo) n

brčalo (romanization)
брчало (indefinite singular)
брчала (indefinite plural)
брчалото (definite singular unspecified)
брчалата (definite plural unspecified)
брчалово (definite proximal singular)
брчалава (definite plural proximal)
брчалоно (definite distal singular)
брчалана (definite distal plural)
брчало (singular vocative)
брчала (plural vocative)

[ˈbr̩t͡ʃaɫɔ]


гусла

bg-noun

гу́сла • (gúsla) f

гу́сла (canonical)
gúsla (romanization)
гу́сла (indefinite singular)
гу́сли (indefinite plural)
гу́слата (definite singular)
гу́слите (definite plural)

Inherited from Old Church Slavonic гѫсли (gǫsli), from Proto-Slavic *gǫsli. Old Church Slavonic ѫ (ǫ) regularly gives Bulgarian ъ (ǎ), so it is believed that the form with у (u) originates from western lects.
See the Proto-Slavic reconstruction for cognates in other languages.

inh+

gusle, a single-stringed wooden musical instrument popular in Balkan folk music


κόρνο

kórno (romanization)
κόρνα (plural)
κόρνο (nominative singular)
κόρνα (nominative plural)
κόρνου (genitive singular)
κόρνων (genitive plural)
κόρνο (accusative singular)
κόρνα (accusative plural)
κόρνο (singular vocative)
κόρνα (plural vocative)


ξύλινα πνευστά

head

ξύλινα πνευστά • (xýlina pnefstá) n pl

el-noun

ξύλινα πνευστά • (xýlina pnefstá) n pl

ξύλινα n pl (xýlina, “wooden”) + πνευστά pl (pnefstá, “wind”)


κορ ανγκλέ

head

κορ ανγκλέ • (kor angklé) n (indeclinable)

Borrowed from French cor anglais (literally “English horn”).

(music) cor anglais, English horn (a woodwind instrument)


πίκολο

πίκολο • (píkolo) n

el-noun

πίκολο • (píkolo) n

píkolo (romanization)
piccoli (romanization)
πίκολο (nominative singular)
πίκολα (nominative plural)
πίκολου (genitive singular)
πίκολων (genitive plural)
πίκολο (accusative singular)
πίκολα (accusative plural)
πίκολο (singular vocative)
πίκολα (plural vocative)

From Italian piccolo (“small”). The Italian word for piccolo flute is ottavino.


γαλλικό κόρνο

head

γαλλικά κόρνα

γαλλικό κόρνο • (gallikó kórno) n (plural γαλλικά κόρνα)

el-noun

γαλλικά κόρνα

gallikó kórno (romanization)
γαλλικά κόρνα (plural)

(music) French horn (type of brass instrument)


扎木聶

/ʈ͡ʂä⁵⁵ mu⁵¹⁻⁵³ ni̯ɛ⁵¹/

/ʈ͡ʂä⁵⁵ mu⁵¹⁻⁵³ ni̯ɛ⁵¹/

Borrowed from Tibetan སྒྲ་སྙན (sgra snyan).

(music) dramyin (Tibetan plucked string instrument)


鼓鼙

/ku²¹⁴⁻²¹ pʰi³⁵/

/kuː³⁵ pʰei̯²¹/

/ku²¹⁴⁻²¹ pʰi³⁵/

/kuː³⁵ pʰei̯²¹/


tambol

Borrowed from Spanish tambor, from Andalusian Arabic تابول (ṭabbūl), hypocorism/diminutive of Arabic طُنْبُور (ṭunbūr).


bongotromme

bongotromma (definite singular)
bongotrommen (definite singular)
bongotrommer (indefinite plural)
bongotrommene (definite plural)

[ˈbʊŋ.ɡʊ.ˌtɾʊm.mə]


bongotromme

bongotromma (definite singular)
bongotrommer (indefinite plural)
bongotrommene (definite plural)

[ˈbʊŋ.ɡʊ.ˌtɾʊm.mə]


най

uk-noun

най • (naj) m inan (genitive на́ю, nominative plural на́ї, genitive plural на́їв)

naj (romanization)
на́ю (genitive)
на́ї (nominative plural)
на́їв (genitive plural)
най (nominative singular)
на́ї (nominative plural)
на́ю (genitive singular)
на́їв (genitive plural)
на́ю (dative singular)
на́єві (dative singular)
на́ям (dative plural)
най (accusative singular)
на́ї (accusative plural)
на́єм (instrumental singular)
на́ями (instrumental plural)
на́ю (locative singular)
на́ї (locative singular)
на́ях (locative plural)
на́ю (singular vocative)
на́ї (plural vocative)


αυλός

avlós (romanization)
αυλοί (plural)
αυλός (nominative singular)
αυλοί (nominative plural)
αυλού (genitive singular)
αυλών (genitive plural)
αυλό (accusative singular)
αυλούς (accusative plural)
αυλέ (singular vocative)
αυλοί (plural vocative)

From Ancient Greek αὐλός (aulós), from Proto-Indo-European *h₂ewlos (“tube”).
Cognates include Lithuanian aulas, Norwegian aul, Hittite [script needed] (auli-, “tube-shaped organ in the neck”), and perhaps also Latin alvus, Old Church Slavonic улица (ulica, “small lane, narrow street”), and Old Armenian ուղ (uł, “passage”), ուղի (ułi, “road”).

cog

«Ο Μαγικός Αυλός» ― «O Magikós Avlós» ― The Magic Flute (1791 opera by Mozart)

(music) pipe, flute, fife (any wind instrument played by blowing)

(music, more specifically) floghera or souravli (Greek folk instruments)


悶笛

(music) a double reed instrument used by the Yi ethnic group of China


畢旺

/pi⁵¹⁻⁵³ wɑŋ⁵¹/

/pɐt̚⁵ wɔːŋ²²/

/pi⁵¹⁻⁵³ wɑŋ⁵¹/

/pɐt̚⁵ wɔːŋ²²/

(music) a Tibetan bowed string instrument


шупелка

mk-noun

шупелка • (šupelka) f

šupelka (romanization)
шупелка (indefinite singular)
шупелки (indefinite plural)
шупелката (definite singular unspecified)
шупелките (definite plural unspecified)
шупелкава (definite proximal singular)
шупелкиве (definite plural proximal)
шупелкана (definite distal singular)
шупелкине (definite distal plural)
шупелко (singular vocative)
шупелки (plural vocative)


སྒྲ་སྙན

/ʈ͡ʂam˩˨.ȵɛ̃˥˥/


上低音號

ㄕㄤˋ ㄉㄧ ㄧㄣ ㄏㄠˋ

/ʂɑŋ⁵¹ ti⁵⁵ in⁵⁵ xɑʊ̯⁵¹/

/sœːŋ²² tɐi̯⁵⁵ jɐm⁵⁵ hou̯²²/

/ʂɑŋ⁵¹ ti⁵⁵ in⁵⁵ xɑʊ̯⁵¹/

/sœːŋ²² tɐi̯⁵⁵ jɐm⁵⁵ hou̯²²/


قربة

ar-noun

قِرْبَة • (qirba) f (plural قِرَبَات (qirabāt) or قِرَب (qirab) or قِرْبَات (qirbāt))

قِرْبَة (canonical)
qirba (romanization)
قِرَبَات (plural)
قِرَب (plural)
قِرْبَات (plural)
قِرْبَة (ar-infl-a indefinite informal singular triptote)
الْقِرْبَة (ar-infl-a definite informal singular triptote)
قِرْبَة (ar-infl-a construct informal singular triptote)
قِرْبَةٌ (ar-infl-a indefinite nominative singular triptote)
الْقِرْبَةُ (ar-infl-a definite nominative singular triptote)
قِرْبَةُ (ar-infl-a construct nominative singular triptote)
قِرْبَةً (accusative ar-infl-a indefinite singular triptote)
الْقِرْبَةَ (accusative ar-infl-a definite singular triptote)
قِرْبَةَ (accusative ar-infl-a construct singular triptote)
قِرْبَةٍ (ar-infl-a genitive indefinite singular triptote)
الْقِرْبَةِ (ar-infl-a definite genitive singular triptote)
قِرْبَةِ (ar-infl-a construct genitive singular triptote)
قِرْبَتَيْن (ar-infl-a dual indefinite informal singular triptote)
الْقِرْبَتَيْن (ar-infl-a definite dual informal singular triptote)
قِرْبَتَيْ (ar-infl-a construct dual informal singular triptote)
قِرْبَتَانِ (ar-infl-a dual indefinite nominative singular triptote)
الْقِرْبَتَانِ (ar-infl-a definite dual nominative singular triptote)
قِرْبَتَا (ar-infl-a construct dual nominative singular triptote)
قِرْبَتَيْنِ (accusative ar-infl-a dual indefinite singular triptote)
الْقِرْبَتَيْنِ (accusative ar-infl-a definite dual singular triptote)
قِرْبَتَيْ (accusative ar-infl-a construct dual singular triptote)
قِرْبَتَيْنِ (ar-infl-a dual genitive indefinite singular triptote)
الْقِرْبَتَيْنِ (ar-infl-a definite dual genitive singular triptote)
قِرْبَتَيْ (ar-infl-a construct dual genitive singular triptote)
قِرَبَات (broken-form indefinite informal plural triptote)
قِرَبَات (feminine indefinite informal plural sound-form)
قِرَب (broken-form indefinite informal plural triptote)
قِرَب (feminine indefinite informal plural sound-form)
قِرْبَات (broken-form indefinite informal plural triptote)
قِرْبَات (feminine indefinite informal plural sound-form)
الْقِرَبَات (broken-form definite informal plural triptote)
الْقِرَبَات (definite feminine informal plural sound-form)
الْقِرَب (broken-form definite informal plural triptote)
الْقِرَب (definite feminine informal plural sound-form)
الْقِرْبَات (broken-form definite informal plural triptote)
الْقِرْبَات (definite feminine informal plural sound-form)
قِرَبَات (broken-form construct informal plural triptote)
قِرَبَات (construct feminine informal plural sound-form)
قِرَب (broken-form construct informal plural triptote)
قِرَب (construct feminine informal plural sound-form)
قِرْبَات (broken-form construct informal plural triptote)
قِرْبَات (construct feminine informal plural sound-form)
قِرَبَاتٌ (broken-form indefinite nominative plural triptote)
قِرَبَاتٌ (feminine indefinite nominative plural sound-form)
قِرَبٌ (broken-form indefinite nominative plural triptote)
قِرَبٌ (feminine indefinite nominative plural sound-form)
قِرْبَاتٌ (broken-form indefinite nominative plural triptote)
قِرْبَاتٌ (feminine indefinite nominative plural sound-form)
الْقِرَبَاتُ (broken-form definite nominative plural triptote)
الْقِرَبَاتُ (definite feminine nominative plural sound-form)
الْقِرَبُ (broken-form definite nominative plural triptote)
الْقِرَبُ (definite feminine nominative plural sound-form)
الْقِرْبَاتُ (broken-form definite nominative plural triptote)
الْقِرْبَاتُ (definite feminine nominative plural sound-form)
قِرَبَاتُ (broken-form construct nominative plural triptote)
قِرَبَاتُ (construct feminine nominative plural sound-form)
قِرَبُ (broken-form construct nominative plural triptote)
قِرَبُ (construct feminine nominative plural sound-form)
قِرْبَاتُ (broken-form construct nominative plural triptote)
قِرْبَاتُ (construct feminine nominative plural sound-form)
قِرَبَاتٍ (accusative broken-form indefinite plural triptote)
قِرَبَاتٍ (accusative feminine indefinite plural sound-form)
قِرَبًا (accusative broken-form indefinite plural triptote)
قِرَبًا (accusative feminine indefinite plural sound-form)
قِرْبَاتٍ (accusative broken-form indefinite plural triptote)
قِرْبَاتٍ (accusative feminine indefinite plural sound-form)
الْقِرَبَاتِ (accusative broken-form definite plural triptote)
الْقِرَبَاتِ (accusative definite feminine plural sound-form)
الْقِرَبَ (accusative broken-form definite plural triptote)
الْقِرَبَ (accusative definite feminine plural sound-form)
الْقِرْبَاتِ (accusative broken-form definite plural triptote)
الْقِرْبَاتِ (accusative definite feminine plural sound-form)
قِرَبَاتِ (accusative broken-form construct plural triptote)
قِرَبَاتِ (accusative construct feminine plural sound-form)
قِرَبَ (accusative broken-form construct plural triptote)
قِرَبَ (accusative construct feminine plural sound-form)
قِرْبَاتِ (accusative broken-form construct plural triptote)
قِرْبَاتِ (accusative construct feminine plural sound-form)
قِرَبَاتٍ (broken-form genitive indefinite plural triptote)
قِرَبَاتٍ (feminine genitive indefinite plural sound-form)
قِرَبٍ (broken-form genitive indefinite plural triptote)
قِرَبٍ (feminine genitive indefinite plural sound-form)
قِرْبَاتٍ (broken-form genitive indefinite plural triptote)
قِرْبَاتٍ (feminine genitive indefinite plural sound-form)
الْقِرَبَاتِ (broken-form definite genitive plural triptote)
الْقِرَبَاتِ (definite feminine genitive plural sound-form)
الْقِرَبِ (broken-form definite genitive plural triptote)
الْقِرَبِ (definite feminine genitive plural sound-form)
الْقِرْبَاتِ (broken-form definite genitive plural triptote)
الْقِرْبَاتِ (definite feminine genitive plural sound-form)
قِرَبَاتِ (broken-form construct genitive plural triptote)
قِرَبَاتِ (construct feminine genitive plural sound-form)
قِرَبِ (broken-form construct genitive plural triptote)
قِرَبِ (construct feminine genitive plural sound-form)
قِرْبَاتِ (broken-form construct genitive plural triptote)
قِرْبَاتِ (construct feminine genitive plural sound-form)

→ English: kirbeh

→ Italian: ghirba

→ Ottoman Turkish: قربه (kırba)

→ Turkish: kırba


པི་ཝང

From an uncertain source, perhaps Khotanese, with the same origin as the independently borrowed Chinese 琵琶 (pípá).


西斯鈴

/ɕi⁵⁵ sz̩⁵⁵ liŋ³⁵/

/ɕi⁵⁵ sz̩⁵⁵ liɤ̯̃ɻ³⁵/

/ɕi⁵⁵ sz̩⁵⁵ liŋ³⁵/

/ɕi⁵⁵ sz̩⁵⁵ liɤ̯̃ɻ³⁵/


阿烏

Onomatopoeic of the sound produced when the instrument is blown.

(music) an ocarina used by the Yi people of southwest China


搖鼓

/jɑʊ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jiːu̯²¹ kuː³⁵/

/io²⁴⁻²² kɔ⁵³/

/io²⁴⁻²² kɔ⁵⁵⁴/

/io¹³⁻²² kɔ⁵³/

/io²⁴⁻¹¹ kɔ⁵³/

/iɤ²³⁻³³ kɔ⁴¹/

/ie³⁵⁻¹¹ kou⁵²/

/io³⁵⁻¹¹ kou⁵²/

/jɑʊ̯³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/jiːu̯²¹ kuː³⁵/

/io²⁴⁻²² kɔ⁵³/

/io²⁴⁻²² kɔ⁵⁵⁴/

/io¹³⁻²² kɔ⁵³/

/io²⁴⁻¹¹ kɔ⁵³/

/iɤ²³⁻³³ kɔ⁴¹/

/ie³⁵⁻¹¹ kou⁵²/

/io³⁵⁻¹¹ kou⁵²/

(music) pellet drum (Classifier: 枝 mn-t)


薩巴依

/sä⁵¹ pä⁵⁵ i⁵⁵/

/sä⁵¹ pä⁵⁵ i⁵⁵/

(music) sapayi, a Uyghur percussion instrument (a type of sistrum) made of metal rings mounted on a wooden stick or animal horn


叉鈴

/ʈ͡ʂʰä⁵⁵ liŋ³⁵/

/ʈ͡ʂʰä⁵⁵ liɤ̯̃ɻ³⁵/

/ʈ͡ʂʰä⁵⁵ liŋ³⁵/

/ʈ͡ʂʰä⁵⁵ liɤ̯̃ɻ³⁵/


面板

/mi̯ɛn⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/mi̯ɛn⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/

/mi̯ɛn⁵¹ pän²¹⁴⁻²¹⁽⁴⁾/

/mi̯ɛn⁵¹ pɑɻ²¹⁴⁻²¹⁽⁴⁾/


リコーダー

ja-noun

リコーダー • (rikōdā)


ブロックフレーテ

[bɯ̟ɾo̞k̚kɯ̟ɸɯ̟ɾe̞ːte̞]


縦笛

Compound of 縦 (tate, “vertical”) + 笛 (fue, “flute”). The fue changes to bue as an instance of rendaku (連濁).


カズー

カズー • (kazū)


дредноут

ru-noun+

дредно́ут • (drednóut) m inan (genitive дредно́ута, nominative plural дредно́уты, genitive plural дредно́утов)

дредно́ут (canonical)
drednóut (romanization)
дредно́ута (genitive)
дредно́уты (nominative plural)
дредно́утов (genitive plural)
дредно́ут (nominative singular)
дредно́уты (nominative plural)
дредно́ута (genitive singular)
дредно́утов (genitive plural)
дредно́уту (dative singular)
дредно́утам (dative plural)
дредно́ут (accusative singular)
дредно́уты (accusative plural)
дредно́утом (instrumental singular)
дредно́утами (instrumental plural)
дредно́уте (prepositional singular)
дредно́утах (plural prepositional)


biyolin

Borrowed from Spanish violín (“violin”), from Italian violino, diminutive form of viola with diminutive suffix -ino.


biyolin

From Spanish violín (“violin”), from Italian violino, diminutive form of viola with diminutive suffix -ino.


biyola

Borrowed from Spanish viola (“viola”), from Italian viola, from Old Occitan viola (modern Occitan viula), from Medieval Latin *vitula (“stringed instrument”).


batingting

tl-noun

batingtíng (Baybayin spelling ᜊᜆᜒᜅ᜔ᜆᜒᜅ᜔)

batingtíng (canonical)
ᜊᜆᜒᜅ᜔ᜆᜒᜅ᜔ (Baybayin)

Possibly from the following:
* From Proto-Philippine *batiŋtiŋ (“ringing sound, as of a bell”)
* From Spanish batintín (“Chinese gong”)
* From Chinese [Term?]


bahon

Borrowed from Spanish bajón (“bassoon”).


dulzaina

Borrowed from Spanish dulzaina. Doublet of doucine.

The dulzaina was a double-reed folk instrument, similar to the oboe, which comes from north-central Spain.

2010, Frank Koonce, Baroque Guitar in Spain and the New World, page 112:

A Spanish double reed musical instrument in the oboe family.


dulzaina

→ English: dulzaina


xofar

From the Hebrew שׁוֹפָר (shofár, “shofar”).

shofar (ram's horn trumpet used in Jewish rituals)


قيتار

acw-noun

قيتار • (gītār) m (plural قيتارات (gītārāt))

From English guitar, from Spanish guitarra, from Arabic قِيثَارَة (qīṯāra), from Latin cithara, from Ancient Greek κιθάρα (kithára). Doublet of قيثار and قيثارة.

der

Arabic قِيثَارَة (qīṯāra)


тарілка

uk-noun

тарі́лка<c*>

тарі́лка • (tarílka) f inan (genitive тарі́лки, nominative plural тарілки́, genitive plural таріло́к)

тарі́лка (canonical)
tarílka (romanization)
тарі́лки (genitive)
тарілки́ (nominative plural)
таріло́к (genitive plural)
тарі́лка (nominative singular)
тарілки́ (nominative plural)
тарі́лки (genitive singular)
таріло́к (genitive plural)
тарі́лці (dative singular)
тарілка́м (dative plural)
тарі́лку (accusative singular)
тарілки́ (accusative plural)
тарі́лкою (instrumental singular)
тарілка́ми (instrumental plural)
тарі́лці (locative singular)
тарілка́х (locative plural)
тарі́лко (singular vocative)
тарілки́ (plural vocative)

uk-ndecl

тарі́лка<c*>

Uk-тарілка.ogg

From Middle High German talier through Polish talerz (“plate”) + -ка (-ka), with metathesis of l and r.


crotta

From Welsh, from Proto-Celtic *krottos (“round thing”).


yabag

(music) something that is not tuned correctly


ятга

mn-noun

ятга • (jatga) (Mongolian spelling ᠶᠠᠲᠤᠭᠠ (yatug-a)); (hidden-n declension)

Compare Kazakh жетіген (jetıgen), possibly from жеті (jetı, “seven”).

yatga, a traditional Mongolian plucked bridge zither (a stringed musical instrument played horizontally)


шанз

шанз • (šanz) (Mongolian spelling ᠱᠠᠨᠵᠠ (šanǰa)); (hidden-n declension)

Borrowed from Mandarin 弦子 (xiánzi, “sanxian”).

A Mongolian lute-like traditional musical instrument, similar to Chinese sanxian and Japanese shamisen


tarumbeta

sw-noun

tarumbeta class V (plural matarumbeta class VI)

tarumbeta class V (canonical)
matarumbeta class VI (plural)

Borrowed from Portuguese trombeta. Some sources claim it's from English trumpet.


rhythm pole

(music) A percussion instrument, consisting of small bells attached to a pole, used exclusively by the Bonzo Dog Doo-Dah Band


ᠬᠤᠭᠤᠷ

head

ᠬᠤᠭᠤᠷ (quɣur)

From Proto-Mongolic *kuxur, from Proto-Turkic *kopuŕ.
Compare Mongolian хуур (xuur), Turkish kopuz.

ᠥᠴᠥᠬᠡᠨ
ᠮᠣᠳᠢ
ᠬᠤᠭᠤᠷ
ᠡᠭᠦᠳᠬᠦ
ᠶᠡᠬᠡ
ᠮᠣᠳᠢ
ᠨᠢᠷᠤᠭᠤᠨ
ᠲᠤᠯᠭᠠ
ᠪᠣᠯᠭᠠᠬᠤᠢᠠ
ᠵᠠᠶᠠᠭᠠᠭᠰᠠᠨ
ᠮᠡᠲᠦ

1338, The Mongolian Inscription in Memory of Jigüntei

like ordaining to make small trees into lutes and large trees into pillars

öčöken mod-i quɣur egüdkü yeke mod-i niruɣun tulg-a bolɣaqui-a ǰayaɣaɣsan metü


isigubhu

ísígúbhu class 7 (plural ízígúbhu class 8)

ísígúbhu (canonical class-7)
ízígúbhu (class-8 plural)


isigubhu

ísígúbhu class 7 (plural íingúbhu class 8)

ísígúbhu (canonical class-7)
íingúbhu (class-8 plural)


isigubhu

zu-noun

ísigúbhu class 7 (plural ízigúbhu class 8)

ísigúbhu (canonical class-7)
ízigúbhu (class-8 plural)
isigubhu (full-form singular)
izigubhu (full-form plural)
sigubhu (basic-form singular)
zigubhu (basic-form plural)
esigujini (locative singular)
ezigujini (locative plural)
yisigubhu (copulative singular)
yizigubhu (copulative plural)
wesigubhu (class-1 possessive singular)
owesigubhu (class-1 possessive possessive-substantive singular)
wezigubhu (class-1 plural possessive possessive-substantive)
owezigubhu (class-1 plural possessive possessive-substantive)
besigubhu (class-2 possessive singular)
abesigubhu (class-2 possessive possessive-substantive singular)
bezigubhu (class-2 plural possessive possessive-substantive)
abezigubhu (class-2 plural possessive possessive-substantive)
wesigubhu (class-3 possessive singular)
owesigubhu (class-3 possessive possessive-substantive singular)
wezigubhu (class-3 plural possessive possessive-substantive)
owezigubhu (class-3 plural possessive possessive-substantive)
yesigubhu (class-4 possessive singular)
eyesigubhu (class-4 possessive possessive-substantive singular)
yezigubhu (class-4 plural possessive possessive-substantive)
eyezigubhu (class-4 plural possessive possessive-substantive)
lesigubhu (class-5 possessive singular)
elesigubhu (class-5 possessive possessive-substantive singular)
lezigubhu (class-5 plural possessive possessive-substantive)
elezigubhu (class-5 plural possessive possessive-substantive)
esigubhu (class-6 possessive singular)
awesigubhu (class-6 possessive possessive-substantive singular)
ezigubhu (class-6 plural possessive possessive-substantive)
awezigubhu (class-6 plural possessive possessive-substantive)
sesigubhu (class-7 possessive singular)
esesigubhu (class-7 possessive possessive-substantive singular)
sezigubhu (class-7 plural possessive possessive-substantive)
esezigubhu (class-7 plural possessive possessive-substantive)
zesigubhu (class-8 possessive singular)
ezesigubhu (class-8 possessive possessive-substantive singular)
zezigubhu (class-8 plural possessive possessive-substantive)
ezezigubhu (class-8 plural possessive possessive-substantive)
yesigubhu (class-9 possessive singular)
eyesigubhu (class-9 possessive possessive-substantive singular)
yezigubhu (class-9 plural possessive possessive-substantive)
eyezigubhu (class-9 plural possessive possessive-substantive)
zesigubhu (class-10 possessive singular)
ezesigubhu (class-10 possessive possessive-substantive singular)
zezigubhu (class-10 plural possessive possessive-substantive)
ezezigubhu (class-10 plural possessive possessive-substantive)
lwesigubhu (class-11 possessive singular)
olwesigubhu (class-11 possessive possessive-substantive singular)
lwezigubhu (class-11 plural possessive possessive-substantive)
olwezigubhu (class-11 plural possessive possessive-substantive)
besigubhu (class-14 possessive singular)
obesigubhu (class-14 possessive possessive-substantive singular)
bezigubhu (class-14 plural possessive possessive-substantive)
obezigubhu (class-14 plural possessive possessive-substantive)
kwesigubhu (class-15 possessive singular)
okwesigubhu (class-15 possessive possessive-substantive singular)
kwezigubhu (class-15 plural possessive possessive-substantive)
okwezigubhu (class-15 plural possessive possessive-substantive)
kwesigubhu (class-17 possessive singular)
okwesigubhu (class-17 possessive possessive-substantive singular)
kwezigubhu (class-17 plural possessive possessive-substantive)
okwezigubhu (class-17 plural possessive possessive-substantive)


tamburína

tamburína (nominative singular)
tamburíny (nominative plural)
tamburíny (genitive singular)
tamburín (genitive plural)
tamburíně (dative singular)
tamburínám (dative plural)
tamburínu (accusative singular)
tamburíny (accusative plural)
tamburíno (singular vocative)
tamburíny (plural vocative)
tamburíně (locative singular)
tamburínách (locative plural)
tamburínou (instrumental singular)
tamburínami (instrumental plural)


τύμπανον

grc-noun

τῠ́μπᾰνον • (tŭ́mpănon) n (genitive τῠμπᾰ́νου); second declension

τῠ́μπᾰνον (canonical)
tŭ́mpănon (romanization)
τῠμπᾰ́νου (genitive)
τὸ τῠ́μπᾰνον (nominative singular)
τὼ τῠμπᾰ́νω (dual nominative)
τᾰ̀ τῠ́μπᾰνᾰ (nominative plural)
τοῦ τῠμπᾰ́νου (genitive singular)
τοῖν τῠμπᾰ́νοιν (dual genitive)
τῶν τῠμπᾰ́νων (genitive plural)
τῷ τῠμπᾰ́νῳ (dative singular)
τοῖν τῠμπᾰ́νοιν (dative dual)
τοῖς τῠμπᾰ́νοις (dative plural)
τὸ τῠ́μπᾰνον (accusative singular)
τὼ τῠμπᾰ́νω (accusative dual)
τᾰ̀ τῠ́μπᾰνᾰ (accusative plural)
τῠ́μπᾰνον (singular vocative)
τῠμπᾰ́νω (dual vocative)
τῠ́μπᾰνᾰ (plural vocative)

Byzantine Greek: τύμπανον (túmpanon)

Greek: τύμπανο (týmpano)

→ Old French: timbre

→ English: timbre

French: timbre

→ Amharic: ቴምብር (tembər)

→ Latin: tympanum

→ English: tympanum

From τῠ́πτω (tŭ́ptō, “to strike, beat, smite”) + -ᾰνον (-ănon).

af

ἐς ταύτην δὴ κᾰτᾰδῠ̀ς ὁ Ᾰ̓νᾰ́χᾰρσῐς τὴν ὁρτὴν ἐπετέλεε πᾶσᾰν τῇ θεῷ, τῠ́μπᾰνον τε ἔχων καὶ ἐκδησᾰ́μενος ᾰ̓γᾰ́λμᾰτᾰ.

Hidden there, Anacharsis celebrated the goddess' ritual with exactness, carrying a small drum and hanging images about himself.

es taútēn dḕ kătădŭ̀s ho Ănắkhărsĭs tḕn hortḕn epetélee pâsăn têi theôi, tŭ́mpănon te ékhōn kaì ekdēsắmenos ăgắlmătă.


cobză

cobze (plural)
cobză (accusative indefinite nominative singular)
cobza (accusative definite nominative singular)
cobze (accusative indefinite nominative singular)
cobzele (accusative definite nominative plural)
cobze (indefinite singular)
cobzei (definite singular)
cobzelor (definite plural)

Borrowed from Ukrainian ко́бза (kóbza), from Proto-Turkic *kopuŕ.


talabalacco

(historical) a sort of drum used by Saracenes


zabumba

(music) A Brazilian bass drum that performers wear and is tapped with both hands.


中音薩克斯管

ㄓㄨㄥ ㄧㄣ ㄙㄚˋ ㄎㄜˋ ㄙ ㄍㄨㄢˇ

чжунъинь сакэсыгуань

/ʈ͡ʂʊŋ⁵⁵ in⁵⁵ sä⁵¹⁻⁵³ kʰɤ⁵¹ sz̩⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/


onbeia

Four onbeia blowers walked in front, and, in turns, sounded the great elephant's tusk, while, headed by the dreaded sable standard and moving very slowly, came the Khalifa, stern, stately, statuesque, with drawn sword. Behind, followed the gaudily-attired mulazimin, or body-servants, riding, while his black guards, veritable giants in stature, formed a compact square around him.

1897, William Le Queux, The Eye of Istar: A Romance of the Land of No Return, page 8:


ütőgardon

ütőgardonok (plural)
ütőgardon (nominative singular)
ütőgardonok (nominative plural)
ütőgardont (accusative singular)
ütőgardonokat (accusative plural)
ütőgardonnak (dative singular)
ütőgardonoknak (dative plural)
ütőgardonnal (instrumental singular)
ütőgardonokkal (instrumental plural)
ütőgardonért (causal-final singular)
ütőgardonokért (causal-final plural)
ütőgardonná (singular translative)
ütőgardonokká (plural translative)
ütőgardonig (singular terminative)
ütőgardonokig (plural terminative)
ütőgardonként (essive-formal singular)
ütőgardonokként (essive-formal plural)
ütőgardonban (inessive singular)
ütőgardonokban (inessive plural)
ütőgardonon (singular superessive)
ütőgardonokon (plural superessive)
ütőgardonnál (adessive singular)
ütőgardonoknál (adessive plural)
ütőgardonba (illative singular)
ütőgardonokba (illative plural)
ütőgardonra (singular sublative)
ütőgardonokra (plural sublative)
ütőgardonhoz (allative singular)
ütőgardonokhoz (allative plural)
ütőgardonból (elative singular)
ütőgardonokból (elative plural)
ütőgardonról (delative singular)
ütőgardonokról (delative plural)
ütőgardontól (ablative singular)
ütőgardonoktól (ablative plural)
ütőgardoné (singular)
ütőgardonoké (plural)
ütőgardonéi (singular)
ütőgardonokéi (plural)
ütőgardonom (first-person possessed-single possessive singular)
ütőgardonjaim (first-person possessed-many possessive singular)
ütőgardonod (possessed-single possessive second-person singular)
ütőgardonjaid (possessed-many possessive second-person singular)
ütőgardonja (possessed-single possessive singular third-person)
ütőgardonjai (possessed-many possessive singular third-person)
ütőgardonunk (first-person plural possessed-single possessive)
ütőgardonjaink (first-person plural possessed-many possessive)
ütőgardonotok (plural possessed-single possessive second-person)
ütőgardonjaitok (plural possessed-many possessive second-person)
ütőgardonjuk (plural possessed-single possessive third-person)
ütőgardonjaik (plural possessed-many possessive third-person)

(music) A folk musical instrument played primarily in Transylvania. It is similar in appearance to a cello, but it is played percussively like a drum. Instead of being played with a bow, its strings are plucked and beaten with a stick.


號筒

/xɑʊ̯⁵¹ tʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/hou̯²² tʰʊŋ²¹/

/ho⁵⁵ tʰuŋ¹¹/

/ho²²⁻²¹ taŋ²⁴/

/ho⁴¹⁻²² taŋ²⁴/

/ho²²⁻²¹ taŋ¹³/

/ho³³⁻¹¹ taŋ²⁴/

/hɤ³³⁻²¹ taŋ²³/

/xɑʊ̯⁵¹ tʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/hou̯²² tʰʊŋ²¹/

/ho⁵⁵ tʰuŋ¹¹/

/ho²²⁻²¹ taŋ²⁴/

/ho⁴¹⁻²² taŋ²⁴/

/ho²²⁻²¹ taŋ¹³/

/ho³³⁻¹¹ taŋ²⁴/

/hɤ³³⁻²¹ taŋ²³/


𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽

got-noun

𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽 • (þuthaurn) n

þuthaurn (romanization)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽 (nominative singular)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽𐌰 (nominative plural)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽 (singular vocative)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽𐌰 (plural vocative)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽 (accusative singular)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽𐌰 (accusative plural)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽𐌹𐍃 (genitive singular)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽𐌴 (genitive plural)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽𐌰 (dative singular)
𐌸𐌿𐍄𐌷𐌰𐌿𐍂𐌽𐌰𐌼 (dative plural)

From *𐌸𐌿𐍄𐍃 (*þuts) + 𐌷𐌰𐌿𐍂𐌽 (haurn). The first element may be related to Proto-Germanic *þeutǭ.


diamond marimba

en-noun

diamond marimba (plural diamond marimbas)

(music) A Partchian marimba with keys arranged in a physical manifestation of the 11-limit tonality diamond.


chromelodeon

(music) A Partchian pump organ designed to conform to Partch's tonality system.


zymo-xyl

(music) A Partchian xylophone augmented with everyday articles such as bottles and hubcaps.


琴瑟

CJKV/code

Sino-Xenic (琴瑟):
* → Japanese: 琴瑟(きんしつ) (kinshitsu)
* → Korean: 금슬(琴瑟) (geumseul)

/t͡ɕʰin³⁵ sɤ⁵¹/

/kʰɐm²¹ sɐt̚⁵/

/kʰim²⁴⁻²² siɪk̚³²/

/kʰim²⁴⁻²² siɪk̚⁵/

/kʰim¹³⁻²² siɪk̚³²/

/kʰim²⁴⁻¹¹ siɪk̚³²/

/kʰim²³⁻³³ siɪk̚³²/

/t͡ɕʰin³⁵ sɤ⁵¹/

/kʰɐm²¹ sɐt̚⁵/

/kʰim²⁴⁻²² siɪk̚³²/

/kʰim²⁴⁻²² siɪk̚⁵/

/kʰim¹³⁻²² siɪk̚³²/

/kʰim²⁴⁻¹¹ siɪk̚³²/

/kʰim²³⁻³³ siɪk̚³²/

The modest, retiring, virtuous, young lady: With lutes, small and large, let us give her friendly welcome.

The Classic of Poetry, c. 11ᵗʰ – 7ᵗʰ centuries BCE, translated based on James Legge's version

窈窕淑女，琴瑟友之。

(music) the qin and the se (traditional Chinese zither-like instruments)


琴瑟

ja-noun

琴(きん)瑟(しつ) • (kinshitsu) ^(←きんしつ (kinsitu)?)

琴瑟 (canonical)
kinshitsu (romanization)
kinsitu (romanization)
きんしつ (hiragana historical)

[kʲĩɰ̃ɕit͡sɨ]

(literary, music) the qin and the se (traditional Chinese zither-like instruments)


鈴鐺

/liŋ³⁵ d̥ɑŋ³/

/lɪŋ²¹ tɔːŋ⁵⁵/

/liɪŋ²⁴⁻²² taŋ³³/

/liɪŋ¹³⁻²² taŋ⁴⁴/

/liɪŋ²⁴⁻²² taŋ⁴⁴/

/liŋ³⁵ d̥ɑŋ³/

/lɪŋ²¹ tɔːŋ⁵⁵/

/liɪŋ²⁴⁻²² taŋ³³/

/liɪŋ¹³⁻²² taŋ⁴⁴/

/liɪŋ²⁴⁻²² taŋ⁴⁴/


齊特琴

ㄑㄧˊ ㄊㄜˋ ㄑㄧㄣˊ

/t͡ɕʰi³⁵ tʰɤ⁵¹ t͡ɕʰin³⁵/

/t͡ɕʰi³⁵ tʰɤ⁵¹ t͡ɕʰin³⁵/

Borrowed from German Zither + 琴 (qín, “(Chinese) zither”).


кемане

Borrowed from Ottoman Turkish [Term?] (Turkish kemençe), from Persian کمانچه (kamânče).


uhabhu

zu-noun

ûhábhu class 11 (plural ízihábhu class 10)

ûhábhu (canonical class-11)
ízihábhu (class-10 plural)
uhabhu (full-form singular)
izihabhu (full-form plural)
luhabhu (basic-form singular)
zihabhu (basic-form plural)
ohajini (locative singular)
ezihajini (locative plural)
wuhabhu (copulative singular)
yizihabhu (copulative plural)
wohabhu (class-1 possessive singular)
owohabhu (class-1 possessive possessive-substantive singular)
wezihabhu (class-1 plural possessive possessive-substantive)
owezihabhu (class-1 plural possessive possessive-substantive)
bohabhu (class-2 possessive singular)
abohabhu (class-2 possessive possessive-substantive singular)
bezihabhu (class-2 plural possessive possessive-substantive)
abezihabhu (class-2 plural possessive possessive-substantive)
wohabhu (class-3 possessive singular)
owohabhu (class-3 possessive possessive-substantive singular)
wezihabhu (class-3 plural possessive possessive-substantive)
owezihabhu (class-3 plural possessive possessive-substantive)
yohabhu (class-4 possessive singular)
eyohabhu (class-4 possessive possessive-substantive singular)
yezihabhu (class-4 plural possessive possessive-substantive)
eyezihabhu (class-4 plural possessive possessive-substantive)
lohabhu (class-5 possessive singular)
elohabhu (class-5 possessive possessive-substantive singular)
lezihabhu (class-5 plural possessive possessive-substantive)
elezihabhu (class-5 plural possessive possessive-substantive)
ohabhu (class-6 possessive singular)
awohabhu (class-6 possessive possessive-substantive singular)
ezihabhu (class-6 plural possessive possessive-substantive)
awezihabhu (class-6 plural possessive possessive-substantive)
sohabhu (class-7 possessive singular)
esohabhu (class-7 possessive possessive-substantive singular)
sezihabhu (class-7 plural possessive possessive-substantive)
esezihabhu (class-7 plural possessive possessive-substantive)
zohabhu (class-8 possessive singular)
ezohabhu (class-8 possessive possessive-substantive singular)
zezihabhu (class-8 plural possessive possessive-substantive)
ezezihabhu (class-8 plural possessive possessive-substantive)
yohabhu (class-9 possessive singular)
eyohabhu (class-9 possessive possessive-substantive singular)
yezihabhu (class-9 plural possessive possessive-substantive)
eyezihabhu (class-9 plural possessive possessive-substantive)
zohabhu (class-10 possessive singular)
ezohabhu (class-10 possessive possessive-substantive singular)
zezihabhu (class-10 plural possessive possessive-substantive)
ezezihabhu (class-10 plural possessive possessive-substantive)
lohabhu (class-11 possessive singular)
olohabhu (class-11 possessive possessive-substantive singular)
lwezihabhu (class-11 plural possessive possessive-substantive)
olwezihabhu (class-11 plural possessive possessive-substantive)
bohabhu (class-14 possessive singular)
obohabhu (class-14 possessive possessive-substantive singular)
bezihabhu (class-14 plural possessive possessive-substantive)
obezihabhu (class-14 plural possessive possessive-substantive)
kohabhu (class-15 possessive singular)
okohabhu (class-15 possessive possessive-substantive singular)
kwezihabhu (class-15 plural possessive possessive-substantive)
okwezihabhu (class-15 plural possessive possessive-substantive)
kohabhu (class-17 possessive singular)
okohabhu (class-17 possessive possessive-substantive singular)
kwezihabhu (class-17 plural possessive possessive-substantive)
okwezihabhu (class-17 plural possessive possessive-substantive)


ukoko

(Ekiti) A type of Yoruba drum played by the Ekiti people


dvojnice

Tone pitch depends on the dimensions of the dvojnice tubes and upon the position of the first hole in relation to the lower opening of the pipe.

2014, Jasmina Talam, Folk Musical Instruments in Bosnia and Herzegovina, page 172:


zurla

It cannot be doubted that for hundreds of years zurla and tapan ensembles have played professionally for many ethnic groups in southern Serbia, Kosovo, Macedonia, the Macedonian province of Greece, the Pirin region of Bulgaria (southwest), and some parts of Balkan Thrace.

2012, Carol Silverman, Romani Routes: Cultural Politics and Balkan Music in Diaspora:


gajda

Many of them are one-time pupils of Pece Atanasovski, until his recent untimely death the finest gajda player in the country, and leader of the very fine Radio Skopje (now Macedonian TV-Ratio) ensemble, the Ansambl na Narodni Instrumenti, with which he recorded frequently.

1999, Simon Broughton, World Music: Africa, Europe and the Middle East, page 203:


巴松管

/pä⁵⁵ sʊŋ⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/paː⁵⁵ t͡sʰʊŋ²¹ kuːn³⁵/

/pa⁵⁵ soŋ³³ kuø²¹/

/pä⁵⁵ sʊŋ⁵⁵ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/paː⁵⁵ t͡sʰʊŋ²¹ kuːn³⁵/

/pa⁵⁵ soŋ³³ kuø²¹/

From French basson (“bassoon”) + 管 (guǎn, “tube-shaped object; pipe”).


大管

/tä⁵¹ ku̯än²¹⁴⁻²¹⁽⁴⁾/

/tä⁵¹ ku̯än²¹⁴⁻²¹⁽⁴⁾/


皮鼓

/pʰi³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/pʰei̯²¹ kuː³⁵/

/pʰi³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/pʰei̯²¹ kuː³⁵/


大鍵琴

ㄉㄚˋ ㄐㄧㄢˋ ㄑㄧㄣˊ

/tä⁵¹⁻⁵³ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/taːi̯²² kiːn²² kʰɐm²¹/

/tua²²⁻²¹ kiɛn²²⁻²¹ kʰim²⁴/

/tua⁴¹⁻²² kiɛn⁴¹⁻²² kʰim²⁴/

/tua²²⁻²¹ kiɛn²²⁻²¹ kʰim¹³/

/tua³³⁻¹¹ kiɛn³³⁻¹¹ kʰim²⁴/

/tua³³⁻²¹ kiɛn³³⁻²¹ kʰim²³/

/tä⁵¹⁻⁵³ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/taːi̯²² kiːn²² kʰɐm²¹/

/tua²²⁻²¹ kiɛn²²⁻²¹ kʰim²⁴/

/tua⁴¹⁻²² kiɛn⁴¹⁻²² kʰim²⁴/

/tua²²⁻²¹ kiɛn²²⁻²¹ kʰim¹³/

/tua³³⁻¹¹ kiɛn³³⁻¹¹ kʰim²⁴/

/tua³³⁻²¹ kiɛn³³⁻²¹ kʰim²³/


小鍵琴

ㄒㄧㄠˇ ㄐㄧㄢˋ ㄑㄧㄣˊ

сяоцзяньцинь

/ɕi̯ɑʊ̯²¹⁴⁻²¹ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/siːu̯³⁵ kiːn²² kʰɐm²¹/

/ɕi̯ɑʊ̯²¹⁴⁻²¹ t͡ɕi̯ɛn⁵¹ t͡ɕʰin³⁵/

/siːu̯³⁵ kiːn²² kʰɐm²¹/


恰朗哥

/t͡ɕʰi̯ä⁵¹ lɑŋ²¹⁴⁻²¹ kɤ⁵⁵/

/t͡ɕʰi̯ä⁵¹ lɑŋ²¹⁴⁻²¹ kɤ⁵⁵/


大管弦

ㄉㄚˋ ㄍㄨㄢˇ ㄒㄧㄢˊ

/tä⁵¹ ku̯än²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/tä⁵¹ ku̯än²¹⁴⁻²¹ ɕi̯ɛn³⁵/

(music) a two-stringed vertical fiddle used primarily in Min Nan regions and by the Hakka, in Taiwan and Fujian


廣弦

/ku̯ɑŋ²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/kʷɔːŋ³⁵ jiːn²¹/

/ku̯ɑŋ²¹⁴⁻²¹ ɕi̯ɛn³⁵/

/kʷɔːŋ³⁵ jiːn²¹/


花鼓大筒

ㄏㄨㄚ ㄍㄨˇ ㄉㄚˋ ㄊㄨㄥˇ

/xu̯ä⁵⁵ ku²¹⁴⁻²¹ tä⁵¹ tʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

/xu̯ä⁵⁵ ku²¹⁴⁻²¹ tä⁵¹ tʰʊŋ²¹⁴⁻²¹⁽⁴⁾/

a vertical bowed string instrument with two strings in the huqin family, used primarily in the traditional music of Hunan


泰勒明

ㄊㄞˋ ㄌㄜˋ ㄇㄧㄥˊ

/tʰaɪ̯⁵¹⁻⁵³ lɤ⁵¹ miŋ³⁵/

/tʰaːi̯³³ lɐk̚² mɪŋ²¹/

/tʰaɪ̯⁵¹⁻⁵³ lɤ⁵¹ miŋ³⁵/

/tʰaːi̯³³ lɐk̚² mɪŋ²¹/

From the French name of the Russian creator, Léon Theremin.


မိကျောင်း

my-noun

မိကျောင်း • (mi.kyaung:) (classifier ကောင်)

mi.kyaung: (romanization)
ကောင် (classifier)

From Sanskrit मकर (makara) according to Myanmar-English Dictionary (1993). Compare Mon ကျာံ.

my:မိကျောင်း
my:မိကျောင်း (တူရိယာ)

မိကျောင်းပန်း

Aganope heptaphylla (syn. Derris sinuata Benth. ex Thwaites)

mi gyaung, a crocodile-shaped musical instrument with three strings


hulusi

The hulusi, also known as a poleweng, baihongliao or bilangdao, is a two or three pipe free reed from southern China played by the Dai, A'chang, De'ang and Wa people.

2010, Randy Raine-Reusch, Play the World: The 101 World Instrument Primer, page 68:

A wind instrument from China and the Shan State.


hulusi

hulusi (nominative singular)
hulusit (nominative plural)
hulusi (accusative nominative singular)
hulusit (accusative nominative plural)
hulusin (accusative genitive singular)
hulusit (accusative genitive plural)
hulusin (genitive singular)
hulusien (genitive plural)
hulusia (partitive singular)
huluseja (partitive plural)
hulusissa (inessive singular)
huluseissa (inessive plural)
hulusista (elative singular)
huluseista (elative plural)
hulusiin (illative singular)
huluseihin (illative plural)
hulusilla (adessive singular)
huluseilla (adessive plural)
hulusilta (ablative singular)
huluseilta (ablative plural)
hulusille (allative singular)
huluseille (allative plural)
hulusina (essive singular)
huluseina (essive plural)
hulusiksi (singular translative)
huluseiksi (plural translative)
hulusitta (abessive singular)
huluseitta (abessive plural)
hulusein (instructive plural)
See the possessive forms below. (comitative)
hulusini (nominative singular)
hulusini (nominative plural)
hulusini (accusative nominative singular)
hulusini (accusative nominative plural)
hulusini (accusative genitive singular)
hulusini (accusative genitive plural)
hulusini (genitive singular)
hulusieni (genitive plural)
hulusiani (partitive singular)
hulusejani (partitive plural)
hulusissani (inessive singular)
huluseissani (inessive plural)
hulusistani (elative singular)
huluseistani (elative plural)
hulusiini (illative singular)
huluseihini (illative plural)
hulusillani (adessive singular)
huluseillani (adessive plural)
hulusiltani (ablative singular)
huluseiltani (ablative plural)
hulusilleni (allative singular)
huluseilleni (allative plural)
hulusinani (essive singular)
huluseinani (essive plural)
hulusikseni (singular translative)
huluseikseni (plural translative)
hulusittani (abessive singular)
huluseittani (abessive plural)
huluseineni (comitative plural)
hulusisi (nominative singular)
hulusisi (nominative plural)
hulusisi (accusative nominative singular)
hulusisi (accusative nominative plural)
hulusisi (accusative genitive singular)
hulusisi (accusative genitive plural)
hulusisi (genitive singular)
hulusiesi (genitive plural)
hulusiasi (partitive singular)
hulusejasi (partitive plural)
hulusissasi (inessive singular)
huluseissasi (inessive plural)
hulusistasi (elative singular)
huluseistasi (elative plural)
hulusiisi (illative singular)
huluseihisi (illative plural)
hulusillasi (adessive singular)
huluseillasi (adessive plural)
hulusiltasi (ablative singular)
huluseiltasi (ablative plural)
hulusillesi (allative singular)
huluseillesi (allative plural)
hulusinasi (essive singular)
huluseinasi (essive plural)
hulusiksesi (singular translative)
huluseiksesi (plural translative)
hulusittasi (abessive singular)
huluseittasi (abessive plural)
huluseinesi (comitative plural)
hulusimme (nominative singular)
hulusimme (nominative plural)
hulusimme (accusative nominative singular)
hulusimme (accusative nominative plural)
hulusimme (accusative genitive singular)
hulusimme (accusative genitive plural)
hulusimme (genitive singular)
hulusiemme (genitive plural)
hulusiamme (partitive singular)
hulusejamme (partitive plural)
hulusissamme (inessive singular)
huluseissamme (inessive plural)
hulusistamme (elative singular)
huluseistamme (elative plural)
hulusiimme (illative singular)
huluseihimme (illative plural)
hulusillamme (adessive singular)
huluseillamme (adessive plural)
hulusiltamme (ablative singular)
huluseiltamme (ablative plural)
hulusillemme (allative singular)
huluseillemme (allative plural)
hulusinamme (essive singular)
huluseinamme (essive plural)
hulusiksemme (singular translative)
huluseiksemme (plural translative)
hulusittamme (abessive singular)
huluseittamme (abessive plural)
huluseinemme (comitative plural)
hulusinne (nominative singular)
hulusinne (nominative plural)
hulusinne (accusative nominative singular)
hulusinne (accusative nominative plural)
hulusinne (accusative genitive singular)
hulusinne (accusative genitive plural)
hulusinne (genitive singular)
hulusienne (genitive plural)
hulusianne (partitive singular)
hulusejanne (partitive plural)
hulusissanne (inessive singular)
huluseissanne (inessive plural)
hulusistanne (elative singular)
huluseistanne (elative plural)
hulusiinne (illative singular)
huluseihinne (illative plural)
hulusillanne (adessive singular)
huluseillanne (adessive plural)
hulusiltanne (ablative singular)
huluseiltanne (ablative plural)
hulusillenne (allative singular)
huluseillenne (allative plural)
hulusinanne (essive singular)
huluseinanne (essive plural)
hulusiksenne (singular translative)
huluseiksenne (plural translative)
hulusittanne (abessive singular)
huluseittanne (abessive plural)
huluseinenne (comitative plural)
hulusinsa (nominative singular)
hulusinsa (nominative plural)
hulusinsa (accusative nominative singular)
hulusinsa (accusative nominative plural)
hulusinsa (accusative genitive singular)
hulusinsa (accusative genitive plural)
hulusinsa (genitive singular)
hulusiensa (genitive plural)
hulusiaan (partitive singular)
hulusiansa (partitive singular)
hulusejaan (partitive plural)
hulusejansa (partitive plural)
hulusissaan (inessive singular)
hulusissansa (inessive singular)
huluseissaan (inessive plural)
huluseissansa (inessive plural)
hulusistaan (elative singular)
hulusistansa (elative singular)
huluseistaan (elative plural)
huluseistansa (elative plural)
hulusiinsa (illative singular)
huluseihinsa (illative plural)
hulusillaan (adessive singular)
hulusillansa (adessive singular)
huluseillaan (adessive plural)
huluseillansa (adessive plural)
hulusiltaan (ablative singular)
hulusiltansa (ablative singular)
huluseiltaan (ablative plural)
huluseiltansa (ablative plural)
hulusilleen (allative singular)
hulusillensa (allative singular)
huluseilleen (allative plural)
huluseillensa (allative plural)
hulusinaan (essive singular)
hulusinansa (essive singular)
huluseinaan (essive plural)
huluseinansa (essive plural)
hulusikseen (singular translative)
hulusiksensa (singular translative)
huluseikseen (plural translative)
huluseiksensa (plural translative)
hulusittaan (abessive singular)
hulusittansa (abessive singular)
huluseittaan (abessive plural)
huluseittansa (abessive plural)
huluseineen (comitative plural)
huluseinensa (comitative plural)


西塔爾琴

ㄒㄧ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

ㄒㄧ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

/ɕi⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ɕi⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/


錫塔爾琴

ㄒㄧ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

ㄒㄧˊ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

ㄒㄧ ㄊㄚˇ ㄦˇ ㄑㄧㄣˊ

/ɕi⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ɕi³⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ɕi⁵⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/

/ɕi³⁵ tʰä²¹⁴⁻³⁵ ˀɤɻ²¹⁴⁻²¹ t͡ɕʰin³⁵/


排笛

/pʰaɪ̯³⁵ ti³⁵/

/pʰaːi̯²¹ tɛːk̚²/

/pʰaɪ̯³⁵ ti³⁵/

/pʰaːi̯²¹ tɛːk̚²/


潘笛

/pʰän⁵⁵ ti³⁵/

/pʰän⁵⁵ ti³⁵/