kwaito

From Camtho, from Afrikaans kwaai (“cool”, literally “angry”).

der

Kwaito is a genre-defying style blending the programmed percussion and vibrant call-and-response vocals of 1980s bubble-gum with British garage, American hip-hop and the new Jamaican ragga music; this inter-cultural mix, in turn, is framed by laid-back bass lines that can sound like Chicago-based house music in slow motion.

2005, Martin Scherzinger, “The Globalisation of South African Art Music”, in Christine Lucia, editor, The World of South African Music, Cambridge Scholars Press, →ISBN:

The residue of this otherworldliness is still audible in contemporary kwaito, which consistently thwarts any simple identification with ethnicity, language, or social position.

2016, Gavin Steingo, Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa, University of Chicago Press, →ISBN, page 43:

(South Africa, music) A style of music featuring words chanted over house music, originating in Johannesburg during the 1990s.


kwela

(South Africa, music) A style of music, first played in the townships, whose principal instrument is the penny whistle.


Dixieland

My sis is tying the knot. I want you to play for the reception. She likes Dixieland. Two of my boys say you play good Dixieland.

(music) A type of jazz that originated in New Orleans.


gothic rock

First coined by John Stickney in reference to The Doors in 1967 and used by the late 1970s to describe the musical scene that gave rise to the goth subculture, both from a supposed aesthetic similarity to dark and moody 19th century gothic fiction and earlier gothic art and architecture.

Since the 1980s, several goth substyles have mixed the Batcave heritage with other musical genres into new goth substyles. New wave was gothed into darkwave, classic rock into gothic rock, and metal into gothic metal.

2015, Isabella van Elferen, Jeffrey Andrew Weinstock, Goth Music: From Sound to Subculture, Routledge, →ISBN, page 25:

(music) A style of music that developed out of punk rock in the late 1970s, with lyrics and imagery often referring to morbid, spooky or mystical ideas.

The Doors
gothic architecture
gothic art
gothic fiction
gothic rock


polonaise

polonaises (plural)
polonese (alternative)

LL-Q1860 (eng)-Flame, not lame-polonaise.wav

Borrowed from French polonaise (“Polish”).


ripsaw

en-noun

ripsaw (countable and uncountable, plural ripsaws)

Turks and Caicos Islands
Turks and Caicos Islands

(uncountable, music, Caribbean) A genre of music played with a ripsaw and other instruments, originally associated mainly with Turks and Caicos Islands.


Europop

Coordinate term: Eurodance

And why do you have the Aqua album? It hasn't really stood the test of time, has it? Wasn't quite the ‘post-ironic Europop masterpiece’ you declared it to be back in 1997 […]

2010, John O'Connell, The Midlife Manual, Hachette, →ISBN:

A style of continental European pop music from the 1970s and 1980s characterized by catchy beats, slick songs and frothy lyrics.


J-pop

Borrowed from Japanese J-POP (jeipoppu), from J- + pop, an abbreviation of English Japanese pop, coined by Tokyo radio station J‑WAVE in 1988.

J-Pop (alternative)
Jpop (alternative)
JPop (alternative)

The girls are constantly reshuffled into new permutations in order to feed the J-pop market's insatiable demand for fresh looks and faces.

2005 August 21, Chris Campion, “J-Pop's dream factory”, in The Observer, →ISSN:

She may be declining in popularity, relevance and quality, but Ayumi Hamasaki is still the undisputed Queen of J-Pop, and it will be a long while before anyone can surpass her.

2010 March 25, Teresa Nieman, “Why Japanese pop matters”, in The Guardian, →ISSN:

(music) Japanese pop music influenced by Western genres.


J-pop

[ˌd͡ʒeɪ̯ˈpɔp]

[ˌd͡ʒeɪ̯ˈpɔp]

[ˌd͡ʒeɪ̯ˈpɔp]

/ˌd͡ʒɐjˈpɔp/

/ˌd͡ʒɐjˈpɔp/


singjay

A Jamaican style of reggae combining toasting and singing in an elastic scat format.


ketjak

1999: An innovation on Mule Variations is the employment of a turntable artist, who as it turns out is so discrete you hardly notice, except on “Eyeball Kid”, which makes brilliantly apposite use of a sampled gospel choir and Balinese ketjak chanters — Luc Sante, Village Voice 12 May 1999 (Innocent When You Dream, Orion 2006, p. 250)

A form of Balinese musical drama featuring rhythmic, percussive chanting.


mariachi

/ˌmæɹiˈɑ.t͡ʃi/

Borrowed from Mexican Spanish mariachi. The origin of the Spanish word is unclear. It has often been claimed to derive from French mariage (“marriage”), reputedly because the Europe-born Emperor Maximilian of Mexico (which France had invaded) encouraged the music to be played at weddings. However, new evidence shows the word to have been used prior to the French invasion. Most other theories suggest indigenous roots. See Wikipedia.

Of or pertaining to a band playing such music, or to the singers of such songs.


mariachi

mariachis (plural)
mariache (alternative)

→ English: mariachi

Mexican Spanish, often derived from French mariage (“marriage”), because such bands performed at wedding celebrations, but this is debated. See English mariachi.

(music) a traditional form of music from the Mexican state of Jalisco


chaabi

From Arabic شَعْبِيّ (šaʕbiyy, “popular, folksy”).

bor

(music) A kind of Moroccan popular music.


reguetón

Este estilo musical descrito como electro shaabi, melodías populares de la clase obrera egipcia que mezclan reguetón con rap, grime, electrónica y folk tradicional shaabi, ha conseguido enfadar al sindicato de músicos egipcios hasta el punto de intentar borrarlo del país.

2020 March 2, “Egipto prohíbe el reguetón árabe”, in La Vanguardia:


prog rock

Its opening track, Mastermind, offers one possible answer to a theoretical question about what prog rock might have sounded like in the highly unlikely event that it had co-opted Giorgio Moroder’s brand of electronic disco: […]

2016 July 7, Alexis Petridis, “Roísín Murphy: Take Her Up to Monto review – still too strange for the bigtime”, in The Guardian:

progressive rock
progressive rock#English


ragga

Clipping of raggamuffin, variant of ragamuffin (“troublemaker”), influenced by reggae.

Tosh's brand of roots reggae, with its emphasis on uplifting anthems and melodic riffs, now sounds as dated as The Wailers' earliest incarnation as a straight-up ska band, especially when listened to alongside the shuddering bass of most contemporary ragga tracks.

1993 August, David Eimer, “Reel to Reel”, in The Wire, number 114, →ISSN, page 52:

The song samples Ricky Martin's hit Shake Your Bom-Bom but adds ragga's roughness. When Bam Bam comes on, the crowd goes wild.

2001 September 15, Christopher John Farley, “Music Goes Global”, in Time, →ISSN:

A sub-genre of reggae, ragga is a modern Jamaican sound with ties to the oldest traditional music of that island-nation. The name is taken from the word “raggamuffin”, a term used for disenfranchised youth. One popular ragga singer called Half Pint said, “A lot of people interpret raggamuffin as if it [is]^([sic]) a criminal morality.”

2016, Linda Dailey Paulson, “Ragga”, in Dave DiMartino, editor, Music in the 20th Century, volume 1, Routledge, →ISBN, page 514:

Fling a ragga riddim like it's '03

2019, Wiley et al (lyrics and music), “Boasty”:

(music) A subgenre of reggae and dancehall influenced by hip hop and digital production techniques such as sampling.


country pop

(music) A subgenre of country music that combines it with elements of pop music, produced and marketed to reach a wide audience; or a specific genre of country pop, especially the Nashville sound.


Nashville sound

(music) A subgenre of country music that became popular in the 1950s and 1960s, containing elements of popular music and characterized by electronic string sections, background vocals, and orchestras.


rockabilly

en-noun

rockabilly (countable and uncountable, plural rockabillies or rockabillys)

rockabillies (plural)
rockabillys (plural)

/ˈɹɒkəˌbɪli/

/ˈɹɑːkəˌbɪli/

(uncountable, music) A genre of music originating from the South (United States) and mixing elements of rock, blues, country, hillbilly boogie and bluegrass music.


Bakersfield sound

Developed in and around Bakersfield, California, during the 1950s.

A subgenre of country music, the Bakersfield Sound emerged out of what Merle Haggard called “the redneck honky-tonks” and what Glen Campbell termed “the fightin' and dancin' clubs” in Bakersfield, California.

2023, Thomas M. Kitts, Keep on Believin', Penn State Press, →ISBN, page 105:

A subgenre of country music developed in the West Coast and popularized during the 1950s and 1960s, featuring Fender Telecaster guitars, a drum backbeat, fiddles and steel guitars, along with stylistic touches from rock and roll music.


Urban Cowboy

The term is borrowed from the title of a popular 1980 movie starring John Travolta and Debra Winger and featuring several country music performances.

(music, uncountable) Pop-styled country music which became popular during the early 1980s, following the release of the movie Urban Cowboy (1980).


outlaw country

Often said to be derived from the Waylon Jennings song "Ladies Love Outlaws." The outlaw country genre was created as a response to the then-prevalent Nashville sound and growing popularity of country pop.

A subgenre of country music that became popular during the 1970s, fusing older styles (such as honky-tonk) with newer styles including rock and blues. Artists involved wrote their own material, demanded creative control of their music, and adopted an "outlaw" image.


kagok

A genre of Korean vocal music for mixed female and male voices. Accompaniments and interludes are played by a small ensemble of traditional Korean musical instruments


country music

A shortening of country and western. This version has been predominant since the 1950s.

He's a handsome country singer who plays the guitar with his beautiful girlfriend who plays the drums!

(music) A style of popular music that originated in the folk music of the rural population of the southern and western United States and characterized by string-band instruments and simple melodies.

old-time country

considered either coordinate or hyponymous


country and western

country & western (alternative)
country-western (alternative)

(music) A diverse field of American popular music that grew out of hillbilly music and features elements from rural peoples across the Southern and Western United States.


old-time country

A form of American folk music popular in the Southern Appalachian region of the United States prior to the early 1930s, emphasizing jug and mountain string bands; influential in early country music.


singing cowboy

singing cowboy (countable and uncountable, plural singing cowboys)

(music) A subgenre of country music and western music honoring the cowboy life and the West.


Western swing

A 1930s to 1940s style of U.S. Southwestern country music with a jazz influence, meshing string bands with other instrumentation - especially drums, trumpet, piano, electric guitar and the steel guitar.


close harmony

A style of music where the chords are arranged within a narrow range, and the vocal styles of two or more singers either complement or are similar to each other.


countrypolitan

A subgenre of country music, a development of the Nashville sound, produced in the late 1960s and early 1970s, containing elements of popular music, including string sections and background vocals.


neotraditional country

A subgenre of country music popularized starting in the early- to mid-1980s, emphasizing traditional country sounds rather than popular music sounds. Produced in direct response to the growing influence of country pop music.


alternative country

A kind of indie country music meshing traditional forms of country music with diverse musical styles like folk, pop, punk and heavy metal.

country alternative

subgenre of country music influenced by other musical styles


big beat

(music) A form of pop music having distorted breakbeats at a moderate tempo.


breakbeat

electronic dance music
electronic dance music

(music, uncountable) A genre of electronic dance music based on such syncopated rhythms.


rock music

Shortening of rock and roll music, in use since circa 1966 to refer to genres of popular music which had grown sufficiently distinct from 1950s rock and roll.

(music) A broad genre of popular music, including especially those styles ultimately derived from rock and roll, employing electrical amplification, heavy use of guitars, 4/4 time with strong percussive rhythm on beats two and four (backbeat), and usually themes of bold wildness, rebellion, and sexuality.


acid jazz

Humorously coined by DJ Gilles Peterson after blending jazz records with acid house in 1988.

(music, jazz) A genre of popular music combining jazz with elements of soul music, funk and disco.


acid jazz

Unadapted borrowing from English acid jazz.

ubor

(music) acid jazz (music combining jazz with elements of soul music, funk and disco)


जाज़

jāz (romanization)
جاز (Urdu)
जाज़ (direct singular)
जाज़ें (direct plural)
जाज़ (oblique singular)
जाज़ों (oblique plural)
जाज़ (singular vocative)
जाज़ो (plural vocative)


पॉप

pŏp (romanization)
پوپ (Urdu)
पॉप (direct singular)
पॉप (direct plural)
पॉप (oblique singular)
पॉपों (oblique plural)
पॉप (singular vocative)
पॉपो (plural vocative)


रॉक

hi-noun

रॉक • (rŏk) ?


օպերա

head

օպերա • (ōpera)

hy-noun

օպերա • (ōpera)

ōpera (romanization)
օպերա (nominative singular)
օպերաներ (nominative plural)
օպերայի (dative singular)
օպերաների (dative plural)
օպերայից (ablative singular)
օպերաներից (ablative plural)
օպերայով (instrumental singular)
օպերաներով (instrumental plural)
օպերայում (locative singular)
օպերաներում (locative plural)
օպերան (definite nominative singular)
օպերաները (definite nominative plural)
օպերաներն (definite nominative plural)
օպերային (dative definite singular)
օպերաներին (dative definite plural)
օպերաս (first-person nominative possessive singular)
օպերաներս (first-person nominative plural possessive)
օպերայիս (dative first-person possessive singular)
օպերաներիս (dative first-person plural possessive)
օպերայիցս (ablative first-person possessive singular)
օպերաներիցս (ablative first-person plural possessive)
օպերայովս (first-person instrumental possessive singular)
օպերաներովս (first-person instrumental plural possessive)
օպերայումս (first-person locative possessive singular)
օպերաներումս (first-person locative plural possessive)
օպերադ (nominative possessive second-person singular)
օպերաներդ (nominative plural possessive second-person)
օպերայիդ (dative possessive second-person singular)
օպերաներիդ (dative plural possessive second-person)
օպերայիցդ (ablative possessive second-person singular)
օպերաներիցդ (ablative plural possessive second-person)
օպերայովդ (instrumental possessive second-person singular)
օպերաներովդ (instrumental plural possessive second-person)
օպերայումդ (locative possessive second-person singular)
օպերաներումդ (locative plural possessive second-person)

hy-decl-noun

օպերաները/օպերաներն

օպերաներումս

օպերաներումդ


electroclash

Electroclash began as an esoteric offshoot of techno, revisiting some of the genre's original sonic touchstones: Kraftwerk, Depeche Mode, New Order, Afrika Bambaataa and New York disco.

2002 March 22, Dorian Lynskey, “Out with the old, in with the older”, in The Guardian, →ISSN:

Oft-derided, even in its 2002 heyday, no one expected electroclash to last. But, just as sonic heirs such as La Roux or Little Boots capitalise on their groundwork, the old electro guard return with works of real solidity and depth.

2009 April 24, Tony Naylor, “Emerging victorious”, in The Guardian, →ISSN:

A music style from the late 1990s fusing dance music, punk and electronic.


drum and bass

Coordinate term: jungle

(music) A style of electronic dance music focusing heavily on loud bass and fast-tempo drumbeats.


qawwali

en-noun

qawwali (countable and uncountable, plural qawwalis)

From Urdu قوالی (qawwālī), from Classical Persian قوالی (qawwālī).

Jameela Siddiqi listens to qawwali and talks to its performers […].

1994, Simon Broughton, World Music: The Rough Guide:

(music, uncountable) A style of Muslim devotional music, especially among the South Asian Sufis, accompanied by drums and harmonium.


dadrock

(colloquial) Rock music that appeals to an older generation, or that is heavily influenced by that of an earlier era.


baila

Unfortunately Wellington noise control cut short the party after 3 a.m., when drunken baila broke the decibel level.

2011, Shehan Karunatilaka, Chinaman: The Legend of Pradeep Mathew, Jonathan Cape, page 322:

(music) A genre of music from Sri Lanka and India, mainly using European instruments and rhythms.


cante

(music, Portugal) genre of traditional music from the Portuguese region of Alentejo, usually performed a cappella by amateur choral groups


corrido

Like most Anglos in the Southwest, he could listen tolerantly, if not with great pleasure, to trios and mariachis, the music of the bourgeoisie in Mexico, but express nothing but scorn for corridos, the music of the poor in northern Mexico and the southwestern United States.

1984 February 4, David Morris, “Different Origins: Joto Güero del West Side”, in Gay Community News, volume 11, number 28, page 16:

The Mexican corrido remains essentially true to these Iberian roots in regard to its poetic form and its handling of narrative subjects. It is probable that the term corrido is a shortening of the term romance corrido, meaning a through-sung ballad, as attested in Spanish usage during the sixteenth century (Simmons 1963).

2015, John Holmes McDowell, ¡Corrido!: The Living Ballad of Mexico's Western Coast, UNM Press, →ISBN, page 2:

(music) A Mexican or Mexican-American ballad or folk song.


cha-cha

From Cuban/Latin American Spanish cha-cha, imitative of the music.

onomatopoeic

imitative


forró

Clipping of forrobodó (“chaotic situation”).

clipping

(music, dance) type of music and dance that originated in Northeastern Brazil


intermezzo

intermezzo (nominative singular)
intermezza (nominative plural)
intermezza (genitive singular)
intermezzów (genitive plural)
intermezzu (dative singular)
intermezzom (dative plural)
intermezzo (accusative singular)
intermezza (accusative plural)
intermezzem (instrumental singular)
intermezzami (instrumental plural)
intermezzu (locative singular)
intermezzach (locative plural)
intermezzo (singular vocative)
intermezza (plural vocative)

Unadapted borrowing from Italian intermezzo.

ubor

(music, opera) intermezzo (short piece of music or act in the interval of the main spectacle)

(historical, music, opera) intermezzo (musical and dramatic interlude of a comic character, performed in the antracts of Italian opera in the 17th–18th centuries)


RAC

rock against communism
rock against communism#English

(music) Initialism of rock against communism, a subgenre of hardcore punk associated with neo-nazism.


slackness

en-noun

slackness (usually uncountable, plural slacknesses)

From Middle English slacnesse, slakenes, slaknesse; equivalent to slack + -ness. Compare Old English slæcness.

The state of being slack; the quality of having slack.


growling

(jazz) The technique of producing a low-pitched growling or rumbling sound on a wind instrument.


barbershop

barbershop (countable and uncountable, plural barbershops)

barbershops (plural)
barber shop (alternative)
barber-shop (alternative)
barber's shop (alternative)

LL-Q1860 (eng)-Flame, not lame-barbershop.wav

(uncountable, music) A style of a cappella vocal music, sung in four-part harmony, typically by a quartet of men.


siciliana

sicilianas (plural)
siciliano (alternative)
sicilienne (alternative)


zamacueca

→ English: zamacueca, cueca

(Chile, Peru) a folk dance and the music that goes with it


in the groove

Originally slang that first appeared in the mid-19th century with a (usually pejorative) reference to the difficulty of leaving a well-worn rut (see in a rut). As back in the groove, the phrase acquired a positive sense of returning to one's usual self after a period of illness, setbacks, etc. With special regard for music, originally US jazz slang from the 1920s, possibly with reference to the grooves of early records.

The whole course of legislation... had flowed in the same groove for centuries.

1869, J.E.T. Rogers's preface to Adam Smith's Wealth of Nations, Vol. I, p. 27

[…] having such a wonderful time which puts me in a groove […]

There's a time in everybody's life when they know precisely what is right. And when I was doing that, when I was in the groove, I knew exactly what was right.

2005, Joe McCabe, Hanging Out With the Dream King: Conversations with Neil Gaiman, page 77:

Used other than figuratively or idiomatically: see in, groove.


filmi

(India, music) Music written especially for Bollywood films.


rock steady

(music) Alternative spelling of rocksteady


rocksteady

“Maelcum a rude boy, Case. Garvey Maelcum boat.” His gloved hand slapped a panel and the bass-heavy rocksteady of Zion dub came pulsing from the tug's speakers.

1984, William Gibson, Neuromancer (Sprawl; book 1), New York, N.Y.: Ace Books, →ISBN, page 192:

(music) A genre of Jamaican music somewhat slower than ska.


death metal

LL-Q1860 (eng)-Flame, not lame-death metal.wav

(music) A subgenre of heavy metal typically employing moderate to fast tempos, heavily distorted guitars, deep growling vocals, blast beat drumming and complex song structures with multiple tempo changes, often having violent or dark lyrics.


death metal

Unadapted borrowing from English death metal.

ubor

(music) death metal (subgenre of heavy metal)


electro

en-noun

electro (countable and uncountable, plural electros)

/ɪˈlɛk.tɹəʊ/

(uncountable, music) An electronic style of hip hop; electrofunk.


screamo

Audio (US)

(music) A genre of aggressive lo-fi guitar-driven music with predominantly screaming vocals, while preserving structural aspects of the emocore/hardcore emo genres of the early 1990's.

(music) A genre of guitar-driven music combining late 1990's emo indie rock with interludes of screaming vocals, often accompanied by hardcore or metalcore guitar riffs.

(music) Any punk rock-inspired music that involves screaming vocals, typically referring to the genres described above as well as certain subgenres of hardcore punk.


alternative rock

It seems as if every passing year sees the mainstream embrace a longtime cult-favorite alternative rock band.

1995 June 3, David Sprague, “Buffalo Tom Reaches Crossroads: EastWest Trio At Make-Or-Break Point”, in Billboard, volume 107, number 22, page 9:

(music) A genre of rock music that is normally published on independent labels, comprising of many different subgenres, mostly distinguished by the prevalence of thick and distorted guitar sound.


neo soul

neosoul (alternative)
neo-soul (alternative)

She want neo-soul, this hip-hop is old / She don't want no Rock n' Roll

2002, “The Seed (2.0)”, in Phrenology, performed by The Roots:

(music) A subgenre of rhythm and blues that combines the elements of contemporary rhythm and blues, 1970s-style soul music, hip hop, rap, jazz, funk, and classical music.


synthpop

Coordinate term: electropop

As well as being forefathers of the synthpop that would dominate the 1980s and beyond, the title track of Trans-Europe Express was sampled in 1982 by Afrika Bambaataa & the Soul Sonic Force for one of the earliest hip-hop hits, Planet Rock, while Computer World was hugely influential on the house and techno music that emerged from Chicago and Detroit that decade.

2020 May 6, Ben Beaumont-Thomas, “Florian Schneider, Kraftwerk co-founder, dies aged 73”, in The Guardian:

Steve Bronski, a founding member of the trailblazing British synth-pop trio Bronski Beat, has died, a source close to the group has confirmed.

2021 December 9, Laura Snapes, “Steve Bronski: co-founder of Bronski Beat dies aged 61”, in The Guardian:

(music) A style of pop music in which the synthesizer is the dominant musical instrument.


Eurodance

Coordinate term: Europop

A left field U.S. pick, this combination of big beat Eurodisco (or is that Eurodance now?) and westernized Japanese musical motifs is the unlikely work of a Scottish doctor’s wife and singer of traditional Gaelic folk songs.

1981 November 14, “Singles Review”, in Cash Box, volume XLIII, number 26, →ISSN, page 11:

Though the genre's formation took place in several countries across Europe, 20 years later Eurodance became the internationally most widespread popular music from Germany.

2020, Oliver Seibt, Martin Ringsmut, David-Emil Wickström, editors, Made in Germany: Studies in Popular Music, Routledge, →ISBN:

A type of European synthesizer-driven dance music which became popular worldwide in the early- to mid-1990s and continuing up until today.


scat singing

(jazz, singing) The act of vocalizing, using nonsense syllables or sounds (e.g. "dool-yuh doot-n dwee-dah") to create an improvised melodic solo, often imitative of other musical instruments.


minimalism

minimalism (countable and uncountable, plural minimalisms)

(music) A style of music that emphasises extreme simplicity of rhythms and melodic forms to achieve a trancelike effect.


minimalism

minimalism (indefinite nominative singular)
minimalisms (genitive indefinite singular)
minimalismen (definite nominative singular)
minimalismens (definite genitive singular)


ensalada

From Northern Italian salada, salata (compare insalata), from Vulgar Latin *salāta, from *salāre, from Latin saliō, from sal (“salt”). Cognates include Italian insalata, Portuguese salada, and French salade.

la ensalada, poco vinagre y bien aceitada

a genre of secular polyphonic music popular in 16th century Spain


gayo

From Korean 가요 (gayo), 歌謠 (gayo), meaning Korean popular music.


legenda

legendowy (adjective)
legenda (nominative singular)
legendy (nominative plural)
legendy (genitive singular)
legend (genitive plural)
legendzie (dative singular)
legendom (dative plural)
legendę (accusative singular)
legendy (accusative plural)
legendą (instrumental singular)
legendami (instrumental plural)
legendzie (locative singular)
legendach (locative plural)
legendo (singular vocative)
legendy (plural vocative)

Internationalism; compare English legend, French légende, German Legende, ultimately from Medieval Latin legenda.

legend (story in which a kernel of truth is embellished to an unlikely degree)


beatdown

beatdown (countable and uncountable, plural beatdowns)

Deverbal of beat down; influenced by earlier throwdown.

(music) A subgenre of hardcore punk influenced by heavy metal.


hard rock

(music) A rock music genre marked by a heavy regular beat, high amplification, and usually frenzied performances.


hard rock

hard rock (nominative singular)
hard rocka (genitive singular)
hard rockowi (dative singular)
hard rocka (accusative singular)
hard rockiem (instrumental singular)
hard rocku (locative singular)
hard rocku (singular vocative)

Unadapted borrowing from English hard rock.


pop rock

(music) A musical genre combining elements of pop music and rock music.

poproko

genre combining pop music and rock music


easy listening

A genre of music characterized by simple and laid-back melodies.

輕音樂 /轻音乐

style of music involving simple and laid-back melodies


easy listening

easy listening (nominative singular)
easy listeningit (nominative plural)
easy listening (accusative nominative singular)
easy listeningit (accusative nominative plural)
easy listeningin (accusative genitive singular)
easy listeningit (accusative genitive plural)
easy listeningin (genitive singular)
easy listeningien (genitive plural)
easy listeningiä (partitive singular)
easy listeningejä (partitive plural)
easy listeningissä (inessive singular)
easy listeningeissä (inessive plural)
easy listeningistä (elative singular)
easy listeningeistä (elative plural)
easy listeningiin (illative singular)
easy listeningeihin (illative plural)
easy listeningillä (adessive singular)
easy listeningeillä (adessive plural)
easy listeningiltä (ablative singular)
easy listeningeiltä (ablative plural)
easy listeningille (allative singular)
easy listeningeille (allative plural)
easy listeninginä (essive singular)
easy listeningeinä (essive plural)
easy listeningiksi (singular translative)
easy listeningeiksi (plural translative)
easy listeningittä (abessive singular)
easy listeningeittä (abessive plural)
easy listeningein (instructive plural)
See the possessive forms below. (comitative)
easy listeningini (nominative singular)
easy listeningini (nominative plural)
easy listeningini (accusative nominative singular)
easy listeningini (accusative nominative plural)
easy listeningini (accusative genitive singular)
easy listeningini (accusative genitive plural)
easy listeningini (genitive singular)
easy listeningieni (genitive plural)
easy listeningiäni (partitive singular)
easy listeningejäni (partitive plural)
easy listeningissäni (inessive singular)
easy listeningeissäni (inessive plural)
easy listeningistäni (elative singular)
easy listeningeistäni (elative plural)
easy listeningiini (illative singular)
easy listeningeihini (illative plural)
easy listeningilläni (adessive singular)
easy listeningeilläni (adessive plural)
easy listeningiltäni (ablative singular)
easy listeningeiltäni (ablative plural)
easy listeningilleni (allative singular)
easy listeningeilleni (allative plural)
easy listeninginäni (essive singular)
easy listeningeinäni (essive plural)
easy listeningikseni (singular translative)
easy listeningeikseni (plural translative)
easy listeningittäni (abessive singular)
easy listeningeittäni (abessive plural)
easy listeningeineni (comitative plural)
easy listeningisi (nominative singular)
easy listeningisi (nominative plural)
easy listeningisi (accusative nominative singular)
easy listeningisi (accusative nominative plural)
easy listeningisi (accusative genitive singular)
easy listeningisi (accusative genitive plural)
easy listeningisi (genitive singular)
easy listeningiesi (genitive plural)
easy listeningiäsi (partitive singular)
easy listeningejäsi (partitive plural)
easy listeningissäsi (inessive singular)
easy listeningeissäsi (inessive plural)
easy listeningistäsi (elative singular)
easy listeningeistäsi (elative plural)
easy listeningiisi (illative singular)
easy listeningeihisi (illative plural)
easy listeningilläsi (adessive singular)
easy listeningeilläsi (adessive plural)
easy listeningiltäsi (ablative singular)
easy listeningeiltäsi (ablative plural)
easy listeningillesi (allative singular)
easy listeningeillesi (allative plural)
easy listeninginäsi (essive singular)
easy listeningeinäsi (essive plural)
easy listeningiksesi (singular translative)
easy listeningeiksesi (plural translative)
easy listeningittäsi (abessive singular)
easy listeningeittäsi (abessive plural)
easy listeningeinesi (comitative plural)
easy listeningimme (nominative singular)
easy listeningimme (nominative plural)
easy listeningimme (accusative nominative singular)
easy listeningimme (accusative nominative plural)
easy listeningimme (accusative genitive singular)
easy listeningimme (accusative genitive plural)
easy listeningimme (genitive singular)
easy listeningiemme (genitive plural)
easy listeningiämme (partitive singular)
easy listeningejämme (partitive plural)
easy listeningissämme (inessive singular)
easy listeningeissämme (inessive plural)
easy listeningistämme (elative singular)
easy listeningeistämme (elative plural)
easy listeningiimme (illative singular)
easy listeningeihimme (illative plural)
easy listeningillämme (adessive singular)
easy listeningeillämme (adessive plural)
easy listeningiltämme (ablative singular)
easy listeningeiltämme (ablative plural)
easy listeningillemme (allative singular)
easy listeningeillemme (allative plural)
easy listeninginämme (essive singular)
easy listeningeinämme (essive plural)
easy listeningiksemme (singular translative)
easy listeningeiksemme (plural translative)
easy listeningittämme (abessive singular)
easy listeningeittämme (abessive plural)
easy listeningeinemme (comitative plural)
easy listeninginne (nominative singular)
easy listeninginne (nominative plural)
easy listeninginne (accusative nominative singular)
easy listeninginne (accusative nominative plural)
easy listeninginne (accusative genitive singular)
easy listeninginne (accusative genitive plural)
easy listeninginne (genitive singular)
easy listeningienne (genitive plural)
easy listeningiänne (partitive singular)
easy listeningejänne (partitive plural)
easy listeningissänne (inessive singular)
easy listeningeissänne (inessive plural)
easy listeningistänne (elative singular)
easy listeningeistänne (elative plural)
easy listeningiinne (illative singular)
easy listeningeihinne (illative plural)
easy listeningillänne (adessive singular)
easy listeningeillänne (adessive plural)
easy listeningiltänne (ablative singular)
easy listeningeiltänne (ablative plural)
easy listeningillenne (allative singular)
easy listeningeillenne (allative plural)
easy listeninginänne (essive singular)
easy listeningeinänne (essive plural)
easy listeningiksenne (singular translative)
easy listeningeiksenne (plural translative)
easy listeningittänne (abessive singular)
easy listeningeittänne (abessive plural)
easy listeningeinenne (comitative plural)
easy listeninginsä (nominative singular)
easy listeninginsä (nominative plural)
easy listeninginsä (accusative nominative singular)
easy listeninginsä (accusative nominative plural)
easy listeninginsä (accusative genitive singular)
easy listeninginsä (accusative genitive plural)
easy listeninginsä (genitive singular)
easy listeningiensä (genitive plural)
easy listeningiään (partitive singular)
easy listeningiänsä (partitive singular)
easy listeningejään (partitive plural)
easy listeningejänsä (partitive plural)
easy listeningissään (inessive singular)
easy listeningissänsä (inessive singular)
easy listeningeissään (inessive plural)
easy listeningeissänsä (inessive plural)
easy listeningistään (elative singular)
easy listeningistänsä (elative singular)
easy listeningeistään (elative plural)
easy listeningeistänsä (elative plural)
easy listeningiinsä (illative singular)
easy listeningeihinsä (illative plural)
easy listeningillään (adessive singular)
easy listeningillänsä (adessive singular)
easy listeningeillään (adessive plural)
easy listeningeillänsä (adessive plural)
easy listeningiltään (ablative singular)
easy listeningiltänsä (ablative singular)
easy listeningeiltään (ablative plural)
easy listeningeiltänsä (ablative plural)
easy listeningilleen (allative singular)
easy listeningillensä (allative singular)
easy listeningeilleen (allative plural)
easy listeningeillensä (allative plural)
easy listeninginään (essive singular)
easy listeninginänsä (essive singular)
easy listeningeinään (essive plural)
easy listeningeinänsä (essive plural)
easy listeningikseen (singular translative)
easy listeningiksensä (singular translative)
easy listeningeikseen (plural translative)
easy listeningeiksensä (plural translative)
easy listeningittään (abessive singular)
easy listeningittänsä (abessive singular)
easy listeningeittään (abessive plural)
easy listeningeittänsä (abessive plural)
easy listeningeineen (comitative plural)
easy listeningeinensä (comitative plural)

Unadapted borrowing from English easy listening


boogaloo

en-noun

boogaloo (countable and uncountable, plural boogaloos)

/ˈbuːɡəˌluː/

/ˌbuːɡəˈluː/

Attested as a style of dance since at least January 1966 (and found in the titles of many songs around that time), perhaps from boogie (for the ending, compare crackaloo, hullabaloo). (Compare Spanish bugalú, the Spanish name for the style of music and dance.) Kent Harris used the stage name "Boogaloo" in the 1950s. The sense "sequel or repetition" refers to the title of Breakin' 2: Electric Boogaloo (1984), a sequel which was considered to be so bad it became a cult classic. Compare the sense "black person" to boogalee, a term for a Cajun, attested since 1960 or earlier.

(music, uncountable) A genre of music that blends rhythm and blues and soul music with Cuban-style rhythms, originating in the United States in the 1960s.


guiro

(music) A genre of traditional Cuban music, used in santería rituals.


bhangra

bhangra (countable and uncountable, plural bhangras)

From Punjabi ਭੰਗੜਾ (bhaṅgṛā) / بَھن٘گْڑا (bhaṉgṛā), from ਭੰਗ / بَھن٘گ (bhaṉg, “hemp”) + ـڑا (-ṛā).

suffix

ਭੰਗ / بَھن٘گ

Any style of electronic dance music (EDM) influenced by the musics of the Indian subcontinent.


Cantopop

Earlier, a venerable British guitarist in wonderful tweeds had opined as how they hadn't really expected the next Hendrix to emerge from Taiwanese Canto-pop, but then again they hadn't actually been expecting the first one, had they?

1996, William Gibson, Idoru (Bridge trilogy; book 2), New York, N.Y.: G. P. Putnam's Sons, →ISBN, page 131:

Mandopop and its Cantonese equivalent, Cantopop, are subsets of Chinese pop, or C-pop, whose roots stretch back almost 100 years.

2024 January 20, Ludovic Hunter-Tilney, “An Asian megastar who fills arenas in Europe–so who is he?”, in FT Weekend, Life & Arts, page 14:

(music) Cantonese pop music, originating from Guangdong and Hong Kong.


cold wave

en-noun

cold wave (countable and uncountable, plural cold waves)

Not so much forgotten as little heard in the first place, cold wave – and its dancier, synth-powered cousin, minimal wave – finds its roots in early 80s France.

2009 July 13, Louis Pattison, “Scene and heard: Cold wave”, in The Guardian:

(uncountable, music) Alternative spelling of coldwave (“European post-punk music sub-genre”)


bluesy

en-adj

bluesy (comparative bluesier, superlative bluesiest)

bluesier (comparative)
bluesiest (superlative)

When he entered the kitchen, Vida was folding clothes and singing along to some bluesy country music on the radio.

2003, Toni Morrison, Love, Vintage (2016), page 46:

(music, informal) Characteristic of, or similar to, the blues (a genre of music).


primadonna

primadonna (nominative singular)
primadonny (nominative plural)
primadonny (genitive singular)
primadonn (genitive plural)
primadonnie (dative singular)
primadonnom (dative plural)
primadonnę (accusative singular)
primadonny (accusative plural)
primadonną (instrumental singular)
primadonnami (instrumental plural)
primadonnie (locative singular)
primadonnach (locative plural)
primadonno (singular vocative)
primadonny (plural vocative)

Borrowed from Italian prima donna (“first lady”).


Primadonna

de-noun

Primadonna f (genitive Primadonna, plural Primadonnen)

Primadonna (genitive)
Primadonnen (plural)
Primadonna (nominative singular)
Primadonnen (definite nominative plural)
Primadonna (genitive singular)
Primadonnen (definite genitive plural)
Primadonna (dative singular)
Primadonnen (dative definite plural)
Primadonna (accusative singular)
Primadonnen (accusative definite plural)

18th century, from Italian prima donna (literally “first woman”).


京劇

CJKV/code

Sino-Xenic (京劇):
* → Japanese: 京(きょう)劇(げき) (kyōgeki); 京(けい)劇(げき) (keigeki)
* → Korean: 경극(京劇) (gyeonggeuk)
* → Vietnamese: Kinh kịch (京劇)

→ Zhuang: ginghgi

/t͡ɕiŋ⁵⁵ t͡ɕy⁵¹/

/kɪŋ⁵⁵ kʰɛːk̚²/

/kiã³³ kiɔk̚²⁴/

/kiã⁴⁴⁻²² kiɔk̚⁴/

/kiã⁴⁴⁻³³ kiɔk̚⁴/

/kiã⁴⁴⁻²² kiak̚¹²¹/

/t͡ɕiŋ⁵⁵ t͡ɕy⁵¹/

/kɪŋ⁵⁵ kʰɛːk̚²/

/kiã³³ kiɔk̚²⁴/

/kiã⁴⁴⁻²² kiɔk̚⁴/

/kiã⁴⁴⁻³³ kiɔk̚⁴/

/kiã⁴⁴⁻²² kiak̚¹²¹/


京劇

ja-noun

京(きょう)劇(げき) • (kyōgeki) ^(←きやうげき (kyaugeki)?)

京劇 (canonical)
kyōgeki (romanization)
kyaugeki (romanization)
きやうげき (hiragana historical)


재즈

[t͡ɕ͈e̞d͡ʑɯ]


polonez

head

polonez (definite accusative polonezi, plural polonezler)

polonezi (accusative definite)
polonezler (plural)
polonez (nominative singular)
polonezler (nominative plural)
polonezi (accusative definite singular)
polonezleri (accusative definite plural)
poloneze (dative singular)
polonezlere (dative plural)
polonezde (locative singular)
polonezlerde (locative plural)
polonezden (ablative singular)
polonezlerden (ablative plural)
polonezin (genitive singular)
polonezlerin (genitive plural)
polonezim (first-person nominative singular)
polonezlerim (first-person nominative singular)
polonezin (nominative second-person singular)
polonezlerin (nominative second-person singular)
polonezi (nominative singular third-person)
polonezleri (nominative singular third-person)
polonezimiz (first-person nominative plural)
polonezlerimiz (first-person nominative plural)
poloneziniz (nominative plural second-person)
polonezleriniz (nominative plural second-person)
polonezleri (nominative plural third-person)
polonezimi (accusative definite first-person singular)
polonezlerimi (accusative definite first-person singular)
polonezini (accusative definite second-person singular)
polonezlerini (accusative definite second-person singular)
polonezini (accusative definite singular third-person)
polonezlerini (accusative definite singular third-person)
polonezimizi (accusative definite first-person plural)
polonezlerimizi (accusative definite first-person plural)
polonezinizi (accusative definite plural second-person)
polonezlerinizi (accusative definite plural second-person)
polonezlerini (accusative definite plural third-person)
polonezime (dative first-person singular)
polonezlerime (dative first-person singular)
polonezine (dative second-person singular)
polonezlerine (dative second-person singular)
polonezine (dative singular third-person)
polonezlerine (dative singular third-person)
polonezimize (dative first-person plural)
polonezlerimize (dative first-person plural)
polonezinize (dative plural second-person)
polonezlerinize (dative plural second-person)
polonezlerine (dative plural third-person)
polonezimde (first-person locative singular)
polonezlerimde (first-person locative singular)
polonezinde (locative second-person singular)
polonezlerinde (locative second-person singular)
polonezinde (locative singular third-person)
polonezlerinde (locative singular third-person)
polonezimizde (first-person locative plural)
polonezlerimizde (first-person locative plural)
polonezinizde (locative plural second-person)
polonezlerinizde (locative plural second-person)
polonezlerinde (locative plural third-person)
polonezimden (ablative first-person singular)
polonezlerimden (ablative first-person singular)
polonezinden (ablative second-person singular)
polonezlerinden (ablative second-person singular)
polonezinden (ablative singular third-person)
polonezlerinden (ablative singular third-person)
polonezimizden (ablative first-person plural)
polonezlerimizden (ablative first-person plural)
polonezinizden (ablative plural second-person)
polonezlerinizden (ablative plural second-person)
polonezlerinden (ablative plural third-person)
polonezimin (first-person genitive singular)
polonezlerimin (first-person genitive singular)
polonezinin (genitive second-person singular)
polonezlerinin (genitive second-person singular)
polonezinin (genitive singular third-person)
polonezlerinin (genitive singular third-person)
polonezimizin (first-person genitive plural)
polonezlerimizin (first-person genitive plural)
polonezinizin (genitive plural second-person)
polonezlerinizin (genitive plural second-person)
polonezlerinin (genitive plural third-person)


chicha

From a popular song entitled La Chichera (“the chicha seller”), referring to the fermented beverage.

/ˈt͡ʃiːt͡ʃə/

(music) A genre of popular Peruvian music related to cumbia and native Peruvian huayno.


rigadoon

From French rigaudon. Ultimate origin unknown; perhaps related to Hebrew ריקודים or Arabic رقص.


поп

ru-noun+

поп • (pop) m inan (genitive по́па, uncountable)

pop (romanization)
по́па (genitive)
по́п (nominative singular)
по́па (genitive singular)
по́пу (dative singular)
по́п (accusative singular)
по́пом (instrumental singular)
по́пе (prepositional singular)


nu metal

Sensational spelling of new + (heavy) metal

nu-metal (alternative)
nü-metal (alternative)

Which nu-metal song has rocked your world this year?

2004, BBC for kidz - nu-metal song of the year:

Nu metal band Korn is back with a big tour, no-name album.

2007, Post Gazette (Pittsburgh), 1 Aug 2007 (headline) https://web.archive.org/web/20071208125956/http://www.post-gazette.com/pg/07214/806207-388.stm

(music) A subgenre of heavy metal music from the 1990s and 2000s with some sounds and influences from grunge and hip-hop.


black metal

(music, dated, 1980s and early 1990s) Any form of extreme metal having a Satanic or anti-Christian theme.


doom metal

Perhaps from the 1986 album title Epicus Doomicus Metallicus or maybe from the 1970 Black Sabbath song "Hand of Doom".

Devotees of doom metal often cite as early instances of the sub-genre mid-1980s albums by Saint Vitus and Candlemass, the title of Candlemass' 1986 Epicus Doomicus Metallicus perhaps inspiring the sub-genre's eventual designation.

2016, Ronald Bogue, Deleuze's Way: Essays in Transverse Ethics and Aesthetics, Routledge, →ISBN, page 39:

(music) A subgenre of heavy metal characterised by a slow tempo and low-tuned guitars, often emphasizing despairing lyrics.


鄉村

/ɕi̯ɑŋ⁵⁵ t͡sʰu̯ən⁵⁵/

/ɕiɑŋ²⁴ t͡sʰuŋ⁵¹/

/hœːŋ⁵⁵ t͡sʰyːn⁵⁵/

/hi̯oŋ²⁴⁻¹¹ t͡sʰun²⁴/

/hiũ⁴⁴⁻²² t͡sʰŋ̍⁴⁴/

/hiũ³³ t͡sʰŋ̍³³/

/hiũ⁴⁴⁻²² t͡sʰun⁴⁴/

/hiɔ̃⁴⁴⁻²² t͡sʰuan⁴⁴/

/hiɔŋ⁴⁴⁻³³ t͡sʰun⁴⁴/

/hiɔŋ³³ t͡sʰun³³/

/hiaŋ⁴⁴⁻²² t͡sʰun⁴⁴/

/hiɔŋ⁴⁴⁻³³ t͡sʰuan⁴⁴/

/hiaŋ⁴⁴⁻³³ t͡sʰuan⁴⁴/

/hĩẽ³³⁻²³ t͡sʰɯŋ³³/

/hĩõ³³⁻²³ t͡sʰɯŋ³³/

/ɕiã⁵⁵ t͡sʰən²¹/

/ɕiã⁴⁴ t͡sʰən⁵³/

/ɕi̯ɑŋ⁵⁵ t͡sʰu̯ən⁵⁵/

/ɕiɑŋ²⁴ t͡sʰuŋ⁵¹/

/hœːŋ⁵⁵ t͡sʰyːn⁵⁵/

/hi̯oŋ²⁴⁻¹¹ t͡sʰun²⁴/

/hiũ⁴⁴⁻²² t͡sʰŋ̍⁴⁴/

/hiũ³³ t͡sʰŋ̍³³/

/hiũ⁴⁴⁻²² t͡sʰun⁴⁴/

/hiɔ̃⁴⁴⁻²² t͡sʰuan⁴⁴/

/hiɔŋ⁴⁴⁻³³ t͡sʰun⁴⁴/

/hiɔŋ³³ t͡sʰun³³/

/hiaŋ⁴⁴⁻²² t͡sʰun⁴⁴/

/hiɔŋ⁴⁴⁻³³ t͡sʰuan⁴⁴/

/hiaŋ⁴⁴⁻³³ t͡sʰuan⁴⁴/

/hĩẽ³³⁻²³ t͡sʰɯŋ³³/

/hĩõ³³⁻²³ t͡sʰɯŋ³³/

/ɕiã⁵⁵ t͡sʰən²¹/

/ɕiã⁴⁴ t͡sʰən⁵³/


speedcore

(music) A very fast type of hardcore techno.


Fahrstuhlmusik

de-noun

Fahrstuhlmusik f (genitive Fahrstuhlmusik, plural Fahrstuhlmusiken)

Fahrstuhlmusik (genitive)
Fahrstuhlmusiken (plural)
Fahrstuhlmusik (nominative singular)
Fahrstuhlmusiken (definite nominative plural)
Fahrstuhlmusik (genitive singular)
Fahrstuhlmusiken (definite genitive plural)
Fahrstuhlmusik (dative singular)
Fahrstuhlmusiken (dative definite plural)
Fahrstuhlmusik (accusative singular)
Fahrstuhlmusiken (accusative definite plural)


pasillo

Borrowed from Spanish pasillo (literally “corridor”).

bor+

(music) A South American genre of music with some of the features of European classical dance.


pasillo

rural northern Spain, Andes Mountains, Paraguay, Philippines


Marsch

de-noun

Marsch m (strong, genitive Marsches or Marschs, plural Märsche)

Marsches (genitive)
Marschs (genitive)
Märsche (plural)
Marsch (nominative singular)
Märsche (definite nominative plural)
Marsches (genitive singular)
Marschs (genitive singular)
Märsche (definite genitive plural)
Marsch (dative singular)
Marsche (dative singular)
Märschen (dative definite plural)
Marsch (accusative singular)
Märsche (accusative definite plural)

→ Polish: marsz


dangdut

From the Javanese onomatopoeia for the sound of the tabla, reportedly coined by the music magazine Aktuil.

(music) A genre of Indonesian music that combines elements of Arab and Malay folk music.


dangdut

Altered from dang-ding-dut.
Coined by Tempo (Indonesian magazine).

(music) dangdut, a genre of Indonesian music that combines elements of Arab and Malay folk music.


psychobilly

(music) A genre of popular music, blending rockabilly with punk rock, that has grotesque or humorous lyrics which often draw heavily on the imagery of 1950s science fiction and horror films.


punkabilly

en-noun

punkabilly (countable and uncountable, plural punkabillies)

(music) A subgenre of psychobilly that blends rockabilly with punk rock.


džez

cs-noun

džez m inan (relational adjective džezový)

džezový (adjective relational)
džez (nominative singular)
džezy (nominative plural)
džezu (genitive singular)
džezů (genitive plural)
džezu (dative singular)
džezům (dative plural)
džez (accusative singular)
džezy (accusative plural)
džeze (singular vocative)
džezy (plural vocative)
džezu (locative singular)
džezech (locative plural)
džezem (instrumental singular)
džezy (instrumental plural)
jazz (alternative)


džez

džȅz (canonical masculine)
џе̏з (Cyrillic)
džez (nominative singular)
džezovi (nominative plural)
džeza (genitive singular)
džezova (genitive plural)
džezu (dative singular)
džezovima (dative plural)
džez (accusative singular)
džezove (accusative plural)
džezu (singular vocative)
džezovi (plural vocative)
džezu (locative singular)
džezovima (locative plural)
džezom (instrumental singular)
džezovima (instrumental plural)


džez

sk-noun

džez m inan (genitive singular džezu, declension pattern of dub)

džezu (genitive singular)
dub (declension-pattern-of)
džez (nominative singular-only)
džezu (genitive singular-only)
džezu (dative singular-only)
džez (accusative singular-only)
džeze (locative singular-only)
džezom (instrumental singular-only)


džez

džẹ̑z (canonical inanimate masculine)
please help by adding the tonal marks.
džéz (nominative singular)
džéza (genitive singular)
džézu (dative singular)
džéz (accusative singular)
džézu (locative singular)
džézom (instrumental singular)


lo-fi

The drum beats in lo-fi music sound so cute!

(music) A subgenre of hip-hop that includes traditional jazz elements and drum machine samples.

(music) A subgenre of rock music characterized by minimal production, giving a raw and unsophisticated sound.


朋克

/pʰɤŋ³⁵ kʰɤ⁵¹/

/pʰɤŋ³⁵ kʰɤ⁵¹/


džingl

džingl (nominative singular)
džingly (nominative plural)
džinglu (genitive singular)
džinglů (genitive plural)
džinglu (dative singular)
džinglům (dative plural)
džingl (accusative singular)
džingly (accusative plural)
džingle (singular vocative)
džingly (plural vocative)
džinglu (locative singular)
džinglech (locative plural)
džinglem (instrumental singular)
džingly (instrumental plural)

Potom nás Drahoš Kvasnička uvedl a ozval se džingl s naším sloganem.

1995, Zdeněk Zapletal, Probuď se a zpívej, Praha: Akropolis, →ISBN, page 10:

Then Drahoš Kvasnička introduced us and a jingle with our slogan sounded.

Delta vychovala hodně budoucích hvězd. Když to vezmu od začátku, tak Karel Kučera, dnes je to hlas Evropy 2, kde vyrábí džingly[…]

2009 April 29, Jiří Macek, “Dýdžej Štěpo Štěpánek: Když ráno otevřu oči, říkám si: Jirko, pojď do toho!”, in Deník.cz:

Delta prepared a lot of future stars. If I take it from the beginning, there was Karel Kučera, nowadays a voice of Evropa 2 where he produces jingles […]

Trvá to jen pár vteřin a nikdo si těch tónů nevšímá. Oznamuje tenhle melancholický džingl, který zní jako od Antonína Dvořáka, lidem, že se blíží pohroma?

2017, Martina Leierová, Dům s vypůjčeným výhledem, Brno: Host, →ISBN, page 107:

It takes just a couple of seconds and nobody notices the melody. Does this melancholic jingle, which sounds as if it was composed by Antonín Dvořák, announce to people that a disaster is coming?

(slang) jingle (a short melody dividing parts of TV or radio broadcasting, often before or after a commercial break)


八音

/pat̚³²⁻⁴ im⁴⁴/

/pat̚⁵⁻²⁴ im³³/

/pat̚³²⁻⁵ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

/pat̚⁵⁻²⁴ im³³/

/pat̚³²⁻⁵ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

/pat̚³²⁻⁴ im⁴⁴/

(music) an ancient Chinese system of classifying musical instruments into eight materials


norteño

From Spanish norteño (“Northern [Mexico]”).

Coordinate term: Tejano

At a party in an isolated mountain community in central Mexico, the host may well take out his accordion and play norteño corridos until the dawn breaks.

2000, Simon Broughton, Mark Ellingham, James McConnachie, Orla Duane, World Music: The Rough Guide. Latin and North America, Caribbean, India, Asia and Pacific, Rough Guides, →ISBN, page 470:

The two-stage festival's lineup reads like a who's who of norteño, duranguense and banda sinaloense acts, including Los Tigres del Norte, Banda el Recodo, Conjunto Primavera, Los Tucanes de Tijuana and K-Paz de la Sierra.

2010 April 17, Ayala Ben-Yehuda, “Field of Dreams: Vive Grupero Festival Snares Regional Mexican Artists For Free”, in Billboard, volume 122, number 15, page 8:

(music) A genre of Mexican music related to polka and corridos, emerged in the late 19th century.


New Wave

Any of several movements in music and film which are or were considered cutting edge.


new wave

New York to east California / There's a new wave coming, I warn ya

1981, “Kids in America”, performed by Kim Wilde:

(music) An alternative and broad pop and rock music genre that existed during the late 1970s and the early to mid-1980s, incorporating punk sensibilities and/or other forms of music, but made with more accessibility.


pachanga

A lively style of Cuban music, a mixture of son montuno and merengue.


compas

→ Portuguese: compasso

→ Burmese: ကွန်ပါ (kwanpa)

→ Romanian: compas

Inherited from Old French compas, from Latin com- + passus.

(music) a genre of modern Haitian music descended from the traditional style méringue


merengue

en-noun

merengue (countable and uncountable, plural merengues)

From American Spanish merengue, from French meringue. Doublet of meringue.

The marina was a mainstay of the neighborhood, and Mr. O’Rourke was known for staging salsa and merengue concerts.

2007 January 7, Alex Mindlin, “For a Shuttered Marina, Some Regret, Some Relief”, in New York Times:

(music, uncountable) A type of music common in the Caribbean, originally associated with the Dominican Republic.


merengue

Borrowed from Spanish merengue, itself borrowed from French meringue.


kantrimusiikki

kantrimusiikki (nominative singular)
kantrimusiikit (nominative plural)
kantrimusiikki (accusative nominative singular)
kantrimusiikit (accusative nominative plural)
kantrimusiikin (accusative genitive singular)
kantrimusiikit (accusative genitive plural)
kantrimusiikin (genitive singular)
kantrimusiikkien (genitive plural)
kantrimusiikkia (partitive singular)
kantrimusiikkeja (partitive plural)
kantrimusiikissa (inessive singular)
kantrimusiikeissa (inessive plural)
kantrimusiikista (elative singular)
kantrimusiikeista (elative plural)
kantrimusiikkiin (illative singular)
kantrimusiikkeihin (illative plural)
kantrimusiikilla (adessive singular)
kantrimusiikeilla (adessive plural)
kantrimusiikilta (ablative singular)
kantrimusiikeilta (ablative plural)
kantrimusiikille (allative singular)
kantrimusiikeille (allative plural)
kantrimusiikkina (essive singular)
kantrimusiikkeina (essive plural)
kantrimusiikiksi (singular translative)
kantrimusiikeiksi (plural translative)
kantrimusiikitta (abessive singular)
kantrimusiikeitta (abessive plural)
kantrimusiikein (instructive plural)
See the possessive forms below. (comitative)
kantrimusiikkini (nominative singular)
kantrimusiikkini (nominative plural)
kantrimusiikkini (accusative nominative singular)
kantrimusiikkini (accusative nominative plural)
kantrimusiikkini (accusative genitive singular)
kantrimusiikkini (accusative genitive plural)
kantrimusiikkini (genitive singular)
kantrimusiikkieni (genitive plural)
kantrimusiikkiani (partitive singular)
kantrimusiikkejani (partitive plural)
kantrimusiikissani (inessive singular)
kantrimusiikeissani (inessive plural)
kantrimusiikistani (elative singular)
kantrimusiikeistani (elative plural)
kantrimusiikkiini (illative singular)
kantrimusiikkeihini (illative plural)
kantrimusiikillani (adessive singular)
kantrimusiikeillani (adessive plural)
kantrimusiikiltani (ablative singular)
kantrimusiikeiltani (ablative plural)
kantrimusiikilleni (allative singular)
kantrimusiikeilleni (allative plural)
kantrimusiikkinani (essive singular)
kantrimusiikkeinani (essive plural)
kantrimusiikikseni (singular translative)
kantrimusiikeikseni (plural translative)
kantrimusiikittani (abessive singular)
kantrimusiikeittani (abessive plural)
kantrimusiikkeineni (comitative plural)
kantrimusiikkisi (nominative singular)
kantrimusiikkisi (nominative plural)
kantrimusiikkisi (accusative nominative singular)
kantrimusiikkisi (accusative nominative plural)
kantrimusiikkisi (accusative genitive singular)
kantrimusiikkisi (accusative genitive plural)
kantrimusiikkisi (genitive singular)
kantrimusiikkiesi (genitive plural)
kantrimusiikkiasi (partitive singular)
kantrimusiikkejasi (partitive plural)
kantrimusiikissasi (inessive singular)
kantrimusiikeissasi (inessive plural)
kantrimusiikistasi (elative singular)
kantrimusiikeistasi (elative plural)
kantrimusiikkiisi (illative singular)
kantrimusiikkeihisi (illative plural)
kantrimusiikillasi (adessive singular)
kantrimusiikeillasi (adessive plural)
kantrimusiikiltasi (ablative singular)
kantrimusiikeiltasi (ablative plural)
kantrimusiikillesi (allative singular)
kantrimusiikeillesi (allative plural)
kantrimusiikkinasi (essive singular)
kantrimusiikkeinasi (essive plural)
kantrimusiikiksesi (singular translative)
kantrimusiikeiksesi (plural translative)
kantrimusiikittasi (abessive singular)
kantrimusiikeittasi (abessive plural)
kantrimusiikkeinesi (comitative plural)
kantrimusiikkimme (nominative singular)
kantrimusiikkimme (nominative plural)
kantrimusiikkimme (accusative nominative singular)
kantrimusiikkimme (accusative nominative plural)
kantrimusiikkimme (accusative genitive singular)
kantrimusiikkimme (accusative genitive plural)
kantrimusiikkimme (genitive singular)
kantrimusiikkiemme (genitive plural)
kantrimusiikkiamme (partitive singular)
kantrimusiikkejamme (partitive plural)
kantrimusiikissamme (inessive singular)
kantrimusiikeissamme (inessive plural)
kantrimusiikistamme (elative singular)
kantrimusiikeistamme (elative plural)
kantrimusiikkiimme (illative singular)
kantrimusiikkeihimme (illative plural)
kantrimusiikillamme (adessive singular)
kantrimusiikeillamme (adessive plural)
kantrimusiikiltamme (ablative singular)
kantrimusiikeiltamme (ablative plural)
kantrimusiikillemme (allative singular)
kantrimusiikeillemme (allative plural)
kantrimusiikkinamme (essive singular)
kantrimusiikkeinamme (essive plural)
kantrimusiikiksemme (singular translative)
kantrimusiikeiksemme (plural translative)
kantrimusiikittamme (abessive singular)
kantrimusiikeittamme (abessive plural)
kantrimusiikkeinemme (comitative plural)
kantrimusiikkinne (nominative singular)
kantrimusiikkinne (nominative plural)
kantrimusiikkinne (accusative nominative singular)
kantrimusiikkinne (accusative nominative plural)
kantrimusiikkinne (accusative genitive singular)
kantrimusiikkinne (accusative genitive plural)
kantrimusiikkinne (genitive singular)
kantrimusiikkienne (genitive plural)
kantrimusiikkianne (partitive singular)
kantrimusiikkejanne (partitive plural)
kantrimusiikissanne (inessive singular)
kantrimusiikeissanne (inessive plural)
kantrimusiikistanne (elative singular)
kantrimusiikeistanne (elative plural)
kantrimusiikkiinne (illative singular)
kantrimusiikkeihinne (illative plural)
kantrimusiikillanne (adessive singular)
kantrimusiikeillanne (adessive plural)
kantrimusiikiltanne (ablative singular)
kantrimusiikeiltanne (ablative plural)
kantrimusiikillenne (allative singular)
kantrimusiikeillenne (allative plural)
kantrimusiikkinanne (essive singular)
kantrimusiikkeinanne (essive plural)
kantrimusiikiksenne (singular translative)
kantrimusiikeiksenne (plural translative)
kantrimusiikittanne (abessive singular)
kantrimusiikeittanne (abessive plural)
kantrimusiikkeinenne (comitative plural)
kantrimusiikkinsa (nominative singular)
kantrimusiikkinsa (nominative plural)
kantrimusiikkinsa (accusative nominative singular)
kantrimusiikkinsa (accusative nominative plural)
kantrimusiikkinsa (accusative genitive singular)
kantrimusiikkinsa (accusative genitive plural)
kantrimusiikkinsa (genitive singular)
kantrimusiikkiensa (genitive plural)
kantrimusiikkiaan (partitive singular)
kantrimusiikkiansa (partitive singular)
kantrimusiikkejaan (partitive plural)
kantrimusiikkejansa (partitive plural)
kantrimusiikissaan (inessive singular)
kantrimusiikissansa (inessive singular)
kantrimusiikeissaan (inessive plural)
kantrimusiikeissansa (inessive plural)
kantrimusiikistaan (elative singular)
kantrimusiikistansa (elative singular)
kantrimusiikeistaan (elative plural)
kantrimusiikeistansa (elative plural)
kantrimusiikkiinsa (illative singular)
kantrimusiikkeihinsa (illative plural)
kantrimusiikillaan (adessive singular)
kantrimusiikillansa (adessive singular)
kantrimusiikeillaan (adessive plural)
kantrimusiikeillansa (adessive plural)
kantrimusiikiltaan (ablative singular)
kantrimusiikiltansa (ablative singular)
kantrimusiikeiltaan (ablative plural)
kantrimusiikeiltansa (ablative plural)
kantrimusiikilleen (allative singular)
kantrimusiikillensa (allative singular)
kantrimusiikeilleen (allative plural)
kantrimusiikeillensa (allative plural)
kantrimusiikkinaan (essive singular)
kantrimusiikkinansa (essive singular)
kantrimusiikkeinaan (essive plural)
kantrimusiikkeinansa (essive plural)
kantrimusiikikseen (singular translative)
kantrimusiikiksensa (singular translative)
kantrimusiikeikseen (plural translative)
kantrimusiikeiksensa (plural translative)
kantrimusiikittaan (abessive singular)
kantrimusiikittansa (abessive singular)
kantrimusiikeittaan (abessive plural)
kantrimusiikeittansa (abessive plural)
kantrimusiikkeineen (comitative plural)
kantrimusiikkeinensa (comitative plural)
countrymusiikki (alternative)


electronic rock

(music) Any of various genres of rock music that feature electronic synthesisers.


歌仔戲

/kɤ⁵⁵ t͡saɪ̯²¹⁴⁻²¹ ɕi⁵¹/

/kɤ⁵⁵ t͡sz̩²¹⁴⁻²¹ ɕi⁵¹/

/kɔː⁵⁵ t͡sɐi̯³⁵ hei̯³³/

/kua⁴⁴⁻³³ a⁵³⁻⁴⁴ hi¹¹/

/kua⁴⁴⁻³³ a⁵³⁻⁵⁵ hi²¹/

/kua⁴⁴⁻³³ a⁴¹⁻⁴⁴ hi²¹/

/kua³³ a⁵⁵⁴⁻²⁴ hi⁴¹/

/kua³³ a⁵⁵⁻³⁵ hi³¹/

/kua⁴⁴⁻²² a⁵³⁻⁴⁴ hi²¹/

/kuai⁴⁴⁻²² a⁵³⁻²⁴ hi¹²/

/kɤ⁵⁵ t͡saɪ̯²¹⁴⁻²¹ ɕi⁵¹/

/kɤ⁵⁵ t͡sz̩²¹⁴⁻²¹ ɕi⁵¹/

/kɔː⁵⁵ t͡sɐi̯³⁵ hei̯³³/

/kua⁴⁴⁻³³ a⁵³⁻⁴⁴ hi¹¹/

/kua⁴⁴⁻³³ a⁵³⁻⁵⁵ hi²¹/

/kua⁴⁴⁻³³ a⁴¹⁻⁴⁴ hi²¹/

/kua³³ a⁵⁵⁴⁻²⁴ hi⁴¹/

/kua³³ a⁵⁵⁻³⁵ hi³¹/

/kua⁴⁴⁻²² a⁵³⁻⁴⁴ hi²¹/

/kuai⁴⁴⁻²² a⁵³⁻²⁴ hi¹²/

Grandpa wants to watch MTV, while Grandma wants to watch Taiwanese opera

2009, 阿公阿嬷的故事, Dancing Queen, Alice Ong (王汶玲)

a-kong beh khòaⁿ MTV, a-má beh khòaⁿ koa-á-hì

阿公欲看MTV，阿媽欲看歌仔戲

阿公欲看MTV，阿妈欲看歌仔戏


散調

/sän²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/sän²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

(music) sanjo, a genre of traditional Korean instrumental music


散調

[sã̠ɲ̟d͡ʑo̞]


산조

[ˈsʰa̠(ː)ɲd͡ʑo̞]

Sino-Korean word from 散調, from 散 (“scattered”) + 調 (“melodies”)


металл

ru-noun+

металли́ческий

мета́лл • (metáll) m inan (genitive мета́лла, nominative plural мета́ллы, genitive plural мета́ллов, relational adjective металли́ческий)

мета́лл (canonical)
metáll (romanization)
мета́лла (genitive)
мета́ллы (nominative plural)
мета́ллов (genitive plural)
металли́ческий (adjective relational)
мета́лл (nominative singular)
мета́ллы (nominative plural)
мета́лла (genitive singular)
мета́ллов (genitive plural)
мета́ллу (dative singular)
мета́ллам (dative plural)
мета́лл (accusative singular)
мета́ллы (accusative plural)
мета́ллом (instrumental singular)
мета́ллами (instrumental plural)
мета́лле (prepositional singular)
мета́ллах (plural prepositional)

→ Mariupol Greek: мета́лл (mjetáll)

→ Mongolian: металл (metall)


дума

uk-noun

ду́ма • (dúma) f inan (genitive ду́ми, nominative plural ду́ми, genitive plural дум)

ду́ма (canonical)
dúma (romanization)
ду́ми (genitive)
ду́ми (nominative plural)
дум (genitive plural)
ду́ма (nominative singular)
ду́ми (nominative plural)
ду́ми (genitive singular)
дум (genitive plural)
ду́мі (dative singular)
ду́мам (dative plural)
ду́му (accusative singular)
ду́ми (accusative plural)
ду́мою (instrumental singular)
ду́мами (instrumental plural)
ду́мі (locative singular)
ду́мах (locative plural)
ду́мо (singular vocative)
ду́ми (plural vocative)

→ English: dumka

→ Polish: dumka

From Proto-Slavic *duma (“thought, care, council”), Origin disputed. Either from Germanic, possibly Proto-Germanic *dōmaz (“judicial decision, act, thought”), Gothic 𐌳𐍉𐌼𐍃 (dōms, “judgment, act, thought”), 𐌳𐍉𐌼𐌾𐌰𐌽 (dōmjan, “to judge”), 𐌳𐍉𐌼 (dōm, “council, thought”). Also compare modern German -tum, English -dom, doom. Or from Proto-Indo-European *dʰewh₂- (“to smoke”), akin to Proto-Slavic *duti (“to blow, to inflate”), *dymъ (“smoke”).

der

A sung epic poem, of a type invented by Ukrainian Cossacks in the 16th century; a ballad, elegy.


джаз

uk-noun

джаз • (džaz) m inan (genitive джа́зу, nominative plural джа́зи, genitive plural джа́зів, relational adjective джа́зовий)

džaz (romanization)
джа́зу (genitive)
джа́зи (nominative plural)
джа́зів (genitive plural)
джа́зовий (adjective relational)
джаз (nominative singular)
джа́зи (nominative plural)
джа́зу (genitive singular)
джа́зів (genitive plural)
джа́зові (dative singular)
джа́зу (dative singular)
джа́зам (dative plural)
джаз (accusative singular)
джа́зи (accusative plural)
джа́зом (instrumental singular)
джа́зами (instrumental plural)
джа́зі (locative singular)
джа́зах (locative plural)
джа́зе (singular vocative)
джа́зи (plural vocative)


Regisseur

de-noun

Regisseur m (strong, genitive Regisseurs, plural Regisseure, feminine Regisseurin)

Regisseurs (genitive)
Regisseure (plural)
Regisseurin (feminine)
Regisseur (nominative singular)
Regisseure (definite nominative plural)
Regisseurs (genitive singular)
Regisseure (definite genitive plural)
Regisseur (dative singular)
Regisseuren (dative definite plural)
Regisseur (accusative singular)
Regisseure (accusative definite plural)

[ʁeʒɪˈsøːɐ̯]

Borrowed from French régisseur, which stands for bailiff or trustee in English, as well as assistant director in theater. The word is actually a false friend; in French the film director is a metteur en scène or sometimes réalisateur, but never a régisseur.

(film, theater or opera) director (male or of unspecified gender)


shoegazing

/ˈʃuːˌɡeɪ.zɪŋ/

/ˈʃuˌɡeɪ.zɪŋ/

From shoe + gazing, because of the tendency of such performers to look down rather than at the crowd and the heavy use of effect pedals.

"[…]Anyway, correct me if I'm wrong here, Danny, but wasn't it you who told me that true shoegazing began and ended with Slowdive's 12-inch debut: the imaginatively titled, 'Slowdive'?”
“You're taking me out of context here, dude. What I meant was that it was the epoch of the genre. The other bands still made a valid contribution, they just didn't define the moment."

2006, James Buckley, Celebrate Myself, page 12:

Johansson and Sitek started out in more faithful lo-fi style before filtering the songs through an indie-rock sensibility that's equal parts postpunk-gothic, 4AD dreampop, shoegazing drone, and TV on the Radio epicness.

2011, Barney Hoskyns, Lowside of the Road: A Life of Tom Waits, page 491:

Then in 2003, they released Still Electric only on their website; with this album, they'd taken on more of a shoegazing style of rock, similar to Chapterhouse or Catherine Wheel.

2013, Pete Crigler, Majorlabelland And Assorted Oddities, page 91:

(British, music) A subgenre of alternative rock music popularised in early 1990s, characterised by a dreamlike sound making much use of effect pedals, and by a detached or introverted performance style.


fantaisie

fantaisies (plural)
phantaisie (alternative)

→ Persian: فانتزی (fântezi)

→ Romanian: fantezie

→ Turkish: fantezi

→ Vietnamese: phăng-tê-di

Inherited from Old French fantaisie, fantasie (“imagination”), from Latin phantasia, from Ancient Greek φαντασία (phantasía), of φαντάζεσθαι (phantázesthai), from φαντός (phantós, “visible”), from φαίνεσθαι (phaínesthai, “appear”). Doublet of fantasy.


countrymusik

countrymusik (indefinite nominative singular)
countrymusiks (genitive indefinite singular)
countrymusiken (definite nominative singular)
countrymusikens (definite genitive singular)


booder

The term came into the popular vernacular in the jazz scene in 1920's Harlem.

(US, slang, dated, jazz) A catch-all phrase for an object, person, or place.


grindcore

A genre of death metal music or hardcore punk, incorporating aggressive guitar riffs, extremely rapid drumming and loud, undecipherable screaming.


rapcore

A genre of metal music, incorporating loud guitar riffs mixed with rapping, loud almost-screaming singing and rapid drumming.


老闆

/lɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/lau²¹³⁻²⁴ ˈpan²¹³/

/lau⁵³⁻¹¹ pæ̃⁵³/

/l̃o³³⁻³⁵ pɛiŋ³³/

/lau⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/lau³⁵⁻¹¹ paŋ⁵²/

/lau⁵²⁻³⁵ paŋ⁵²⁻²¹/

/lɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/lau²¹³⁻²⁴ ˈpan²¹³/

/lau⁵³⁻¹¹ pæ̃⁵³/

/l̃o³³⁻³⁵ pɛiŋ³³/

/lau⁴¹⁻⁵⁵⁴ pan⁵⁵⁴/

/lau³⁵⁻¹¹ paŋ⁵²/

/lau⁵²⁻³⁵ paŋ⁵²⁻²¹/

From earlier 老辦／老办 or 老班, from 老 (lǎo, “a respectful prefix”) + 辦／办 (bàn, “to manage”) or 班 (bān, “group”); 闆 and 板 in 老闆／老板 are phonetic loan characters; first attested as 老辦／老办 in the 16ᵗʰ century (Yang, 2012).

(honorific) famous actor in Beijing opera


ária

áriák (plural)
ária (nominative singular)
áriák (nominative plural)
áriát (accusative singular)
áriákat (accusative plural)
áriának (dative singular)
áriáknak (dative plural)
áriával (instrumental singular)
áriákkal (instrumental plural)
áriáért (causal-final singular)
áriákért (causal-final plural)
áriává (singular translative)
áriákká (plural translative)
áriáig (singular terminative)
áriákig (plural terminative)
áriaként (essive-formal singular)
áriákként (essive-formal plural)
áriában (inessive singular)
áriákban (inessive plural)
árián (singular superessive)
áriákon (plural superessive)
áriánál (adessive singular)
áriáknál (adessive plural)
áriába (illative singular)
áriákba (illative plural)
áriára (singular sublative)
áriákra (plural sublative)
áriához (allative singular)
áriákhoz (allative plural)
áriából (elative singular)
áriákból (elative plural)
áriáról (delative singular)
áriákról (delative plural)
áriától (ablative singular)
áriáktól (ablative plural)
áriáé (singular)
áriáké (plural)
áriáéi (singular)
áriákéi (plural)
áriám (first-person possessed-single possessive singular)
áriáim (first-person possessed-many possessive singular)
áriád (possessed-single possessive second-person singular)
áriáid (possessed-many possessive second-person singular)
áriája (possessed-single possessive singular third-person)
áriái (possessed-many possessive singular third-person)
áriánk (first-person plural possessed-single possessive)
áriáink (first-person plural possessed-many possessive)
áriátok (plural possessed-single possessive second-person)
áriáitok (plural possessed-many possessive second-person)
áriájuk (plural possessed-single possessive third-person)
áriáik (plural possessed-many possessive third-person)

(music) aria (a musical piece written typically for a solo voice with orchestral accompaniment in an opera or cantata)


komolyzene

komolyzenék (plural)
komolyzene (nominative singular)
komolyzenék (nominative plural)
komolyzenét (accusative singular)
komolyzenéket (accusative plural)
komolyzenének (dative singular)
komolyzenéknek (dative plural)
komolyzenével (instrumental singular)
komolyzenékkel (instrumental plural)
komolyzenéért (causal-final singular)
komolyzenékért (causal-final plural)
komolyzenévé (singular translative)
komolyzenékké (plural translative)
komolyzenéig (singular terminative)
komolyzenékig (plural terminative)
komolyzeneként (essive-formal singular)
komolyzenékként (essive-formal plural)
komolyzenében (inessive singular)
komolyzenékben (inessive plural)
komolyzenén (singular superessive)
komolyzenéken (plural superessive)
komolyzenénél (adessive singular)
komolyzenéknél (adessive plural)
komolyzenébe (illative singular)
komolyzenékbe (illative plural)
komolyzenére (singular sublative)
komolyzenékre (plural sublative)
komolyzenéhez (allative singular)
komolyzenékhez (allative plural)
komolyzenéből (elative singular)
komolyzenékből (elative plural)
komolyzenéről (delative singular)
komolyzenékről (delative plural)
komolyzenétől (ablative singular)
komolyzenéktől (ablative plural)
komolyzenéé (singular)
komolyzenéké (plural)
komolyzenééi (singular)
komolyzenékéi (plural)
komolyzeném (first-person possessed-single possessive singular)
komolyzenéim (first-person possessed-many possessive singular)
komolyzenéd (possessed-single possessive second-person singular)
komolyzenéid (possessed-many possessive second-person singular)
komolyzenéje (possessed-single possessive singular third-person)
komolyzenéi (possessed-many possessive singular third-person)
komolyzenénk (first-person plural possessed-single possessive)
komolyzenéink (first-person plural possessed-many possessive)
komolyzenétek (plural possessed-single possessive second-person)
komolyzenéitek (plural possessed-many possessive second-person)
komolyzenéjük (plural possessed-single possessive third-person)
komolyzenéik (plural possessed-many possessive third-person)


przedstawienie

przedstawienie (nominative singular)
przedstawienia (nominative plural)
przedstawienia (genitive singular)
przedstawień (genitive plural)
przedstawieniu (dative singular)
przedstawieniom (dative plural)
przedstawienie (accusative singular)
przedstawienia (accusative plural)
przedstawieniem (instrumental singular)
przedstawieniami (instrumental plural)
przedstawieniu (locative singular)
przedstawieniach (locative plural)
przedstawienie (singular vocative)
przedstawienia (plural vocative)

(countable, ballet, opera, theater) performance


anti-folk

A style of music derived from folk music but with a self-mocking or ironic twist.


AM pop

Music, especially rock music ballads and crossover material, played on top 40-formatted AM radio stations, especially during the 1970s.


ठुमरी

hi-noun

ठुमरी • (ṭhumrī) f

ṭhumrī (romanization)
ठुमरी (direct singular)
ठुमरियाँ (direct plural)
ठुमरी (oblique singular)
ठुमरियों (oblique plural)
ठुमरी (singular vocative)
ठुमरियो (plural vocative)

(music) thumri, a semiclassical vocal music genre of the Hindustani music tradition of North India.


文丑

/wən³⁵ ʈ͡ʂʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/mɐn²¹ t͡sʰɐu̯³⁵/

/wən³⁵ ʈ͡ʂʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/mɐn²¹ t͡sʰɐu̯³⁵/

(Chinese opera) clown skilled in dialogue and acting


emotronic

Blend of emo + electronic, referring to electronic music.

(music) A genre of music that fuses emo and electronic music, typically combining emotional lyrics with instruments such as synthesizers, bass guitars, and sequencer.


dżezowy

pl-adj

dżezowy (comparative bardziej dżezowy, superlative najbardziej dżezowy, derived adverb dżezowo)

bardziej dżezowy (comparative)
najbardziej dżezowy (superlative)
dżezowy (masculine nominative singular)
dżezowa (feminine nominative singular)
dżezowe (neuter nominative singular)
dżezowi (nominative plural virile)
dżezowe (nominative plural)
dżezowego (genitive masculine singular)
dżezowej (feminine genitive singular)
dżezowego (genitive neuter singular)
dżezowych (genitive plural)
dżezowych (genitive plural virile)
dżezowemu (dative masculine singular)
dżezowej (dative feminine singular)
dżezowemu (dative neuter singular)
dżezowym (dative plural)
dżezowym (dative plural virile)
dżezowego (accusative animate masculine singular)
dżezowy (accusative inanimate masculine singular)
dżezową (accusative feminine singular)
dżezowe (accusative neuter singular)
dżezowych (accusative plural virile)
dżezowe (accusative plural)
dżezowym (instrumental masculine singular)
dżezową (feminine instrumental singular)
dżezowym (instrumental neuter singular)
dżezowymi (instrumental plural)
dżezowymi (instrumental plural virile)
dżezowym (locative masculine singular)
dżezowej (feminine locative singular)
dżezowym (locative neuter singular)
dżezowych (locative plural)
dżezowych (locative plural virile)

/d͡ʐɛˈzɔ.vɘ/

(music, relational) Alternative spelling of jazzowy


dżezbend

dżezbend (nominative singular)
dżezbendy (nominative plural)
dżezbendu (genitive singular)
dżezbendów (genitive plural)
dżezbendowi (dative singular)
dżezbendom (dative plural)
dżezbend (accusative singular)
dżezbendy (accusative plural)
dżezbendem (instrumental singular)
dżezbendami (instrumental plural)
dżezbendzie (locative singular)
dżezbendach (locative plural)
dżezbendzie (singular vocative)
dżezbendy (plural vocative)

(music) Alternative spelling of jazzband


dżezmen

dżezmen (nominative singular)
dżezmeni (nominative plural)
dżezmeny (derogatory nominative plural)
dżezmena (genitive singular)
dżezmenów (genitive plural)
dżezmenowi (dative singular)
dżezmenom (dative plural)
dżezmena (accusative singular)
dżezmenów (accusative plural)
dżezmenem (instrumental singular)
dżezmenami (instrumental plural)
dżezmenie (locative singular)
dżezmenach (locative plural)
dżezmenie (singular vocative)
dżezmeni (plural vocative)


tánczene

tánczenék (plural)
tánczene (nominative singular)
tánczenék (nominative plural)
tánczenét (accusative singular)
tánczenéket (accusative plural)
tánczenének (dative singular)
tánczenéknek (dative plural)
tánczenével (instrumental singular)
tánczenékkel (instrumental plural)
tánczenéért (causal-final singular)
tánczenékért (causal-final plural)
tánczenévé (singular translative)
tánczenékké (plural translative)
tánczenéig (singular terminative)
tánczenékig (plural terminative)
tánczeneként (essive-formal singular)
tánczenékként (essive-formal plural)
tánczenében (inessive singular)
tánczenékben (inessive plural)
tánczenén (singular superessive)
tánczenéken (plural superessive)
tánczenénél (adessive singular)
tánczenéknél (adessive plural)
tánczenébe (illative singular)
tánczenékbe (illative plural)
tánczenére (singular sublative)
tánczenékre (plural sublative)
tánczenéhez (allative singular)
tánczenékhez (allative plural)
tánczenéből (elative singular)
tánczenékből (elative plural)
tánczenéről (delative singular)
tánczenékről (delative plural)
tánczenétől (ablative singular)
tánczenéktől (ablative plural)
tánczenéé (singular)
tánczenéké (plural)
tánczenééi (singular)
tánczenékéi (plural)
tánczeném (first-person possessed-single possessive singular)
tánczenéim (first-person possessed-many possessive singular)
tánczenéd (possessed-single possessive second-person singular)
tánczenéid (possessed-many possessive second-person singular)
tánczenéje (possessed-single possessive singular third-person)
tánczenéi (possessed-many possessive singular third-person)
tánczenénk (first-person plural possessed-single possessive)
tánczenéink (first-person plural possessed-many possessive)
tánczenétek (plural possessed-single possessive second-person)
tánczenéitek (plural possessed-many possessive second-person)
tánczenéjük (plural possessed-single possessive third-person)
tánczenéik (plural possessed-many possessive third-person)


premiera

pl-noun

premiera f (related adjective premierowy)

premierowy (adjective)
premiera (nominative singular)
premiery (nominative plural)
premiery (genitive singular)
premier (genitive plural)
premierze (dative singular)
premierom (dative plural)
premierę (accusative singular)
premiery (accusative plural)
premierą (instrumental singular)
premierami (instrumental plural)
premierze (locative singular)
premierach (locative plural)
premiero (singular vocative)
premiery (plural vocative)

(film, opera, theater) premiere (first showing of a film, play, opera, or other form of entertainment, often held as a special event with celebrity guests)


prog

en-noun

prog (countable and uncountable, plural progs)

He listens to a lot of prog.

Progressive rock
progressive rock#English

(uncountable, informal, music) Progressive rock.


metalcore

(music) A subgenre of rock music which fuses extreme metal and hardcore punk.


chiptune

From chip + tune, referring to a computer's sound chip; see chip (“electronic circuit”). Initially in the meaning of modules, as an antonym to 'real' chip music, then generalized/recontextualized.

(music) A style of music that samples or emulates the audio capabilities of older sound chips, but ignores certain hardware or software limitations inherent to them; especially (demoscene) a tracker module simulating the sound of early 8-bit computers.


dzsessz

dzsesszek (plural)
dzsessz (nominative singular)
dzsesszek (nominative plural)
dzsesszt (accusative singular)
dzsesszeket (accusative plural)
dzsessznek (dative singular)
dzsesszeknek (dative plural)
dzsesszel (instrumental singular)
dzsesszekkel (instrumental plural)
dzsesszért (causal-final singular)
dzsesszekért (causal-final plural)
dzsesszé (singular translative)
dzsesszekké (plural translative)
dzsesszig (singular terminative)
dzsesszekig (plural terminative)
dzsesszként (essive-formal singular)
dzsesszekként (essive-formal plural)
dzsesszben (inessive singular)
dzsesszekben (inessive plural)
dzsesszen (singular superessive)
dzsesszeken (plural superessive)
dzsessznél (adessive singular)
dzsesszeknél (adessive plural)
dzsesszbe (illative singular)
dzsesszekbe (illative plural)
dzsesszre (singular sublative)
dzsesszekre (plural sublative)
dzsesszhez (allative singular)
dzsesszekhez (allative plural)
dzsesszből (elative singular)
dzsesszekből (elative plural)
dzsesszről (delative singular)
dzsesszekről (delative plural)
dzsessztől (ablative singular)
dzsesszektől (ablative plural)
dzsesszé (singular)
dzsesszeké (plural)
dzsesszéi (singular)
dzsesszekéi (plural)
dzsesszem (first-person possessed-single possessive singular)
dzsesszeim (first-person possessed-many possessive singular)
dzsesszed (possessed-single possessive second-person singular)
dzsesszeid (possessed-many possessive second-person singular)
dzsessze (possessed-single possessive singular third-person)
dzsesszei (possessed-many possessive singular third-person)
dzsesszünk (first-person plural possessed-single possessive)
dzsesszeink (first-person plural possessed-many possessive)
dzsesszetek (plural possessed-single possessive second-person)
dzsesszeitek (plural possessed-many possessive second-person)
dzsesszük (plural possessed-single possessive third-person)
dzsesszeik (plural possessed-many possessive third-person)
jazz (alternative)

From English jazz, likely through German Jazz, or some earlier alternative spellings of the English etymon (anyway, final-obstruent devoicing is very unusual in Hungarian, the expected form would be *dzsezz).


djassur

fo-noun

djassur m (genitive singular djass, uncountable)

djass (genitive singular)
djassur (indefinite nominative singular)
djassurin (definite nominative singular)
djass (accusative indefinite singular)
djassin (accusative definite singular)
djassi (dative indefinite singular)
djassinum (dative definite singular)
djass (genitive indefinite singular)
djassins (definite genitive singular)


benna

(music, Antigua and Barbuda) A calypso-like genre of traditional music from Antigua and Barbuda.


blues-rock

(music) A musical genre combining elements of blues and rock and roll


soft rock

CSN&Y didn't shy away from politics, but many artists who followed in their footsteps used the new soft rock synthesis to warble inoffensive pop to a nation tired of controversy. […] Subsequently, many artists rode the soft rock formula all the way to the bank—or at least their labels did.

2010, Christopher Knowles, The Secret History of Rock 'n' Roll, Simon and Schuster, →ISBN:

(music) A comparatively unaggressive, melodic rock music genre in which the arrangement and lyrics are emphasized more than the beat; a reaction against hard rock.


acid rock

(music) A rock music genre originating from the late 1960s, heavily inspired by drug-induced experiences.


elegi

elegi (indefinite nominative singular)
elegis (genitive indefinite singular)
elegin (definite nominative singular)
elegins (definite genitive singular)
elegier (indefinite nominative plural)
elegiers (genitive indefinite plural)
elegierna (definite nominative plural)
elegiernas (definite genitive plural)


musica classica

it-noun

musica classica f (plural musiche classiche)


balettimusiikki

balettimusiikki (nominative singular)
balettimusiikit (nominative plural)
balettimusiikki (accusative nominative singular)
balettimusiikit (accusative nominative plural)
balettimusiikin (accusative genitive singular)
balettimusiikit (accusative genitive plural)
balettimusiikin (genitive singular)
balettimusiikkien (genitive plural)
balettimusiikkia (partitive singular)
balettimusiikkeja (partitive plural)
balettimusiikissa (inessive singular)
balettimusiikeissa (inessive plural)
balettimusiikista (elative singular)
balettimusiikeista (elative plural)
balettimusiikkiin (illative singular)
balettimusiikkeihin (illative plural)
balettimusiikilla (adessive singular)
balettimusiikeilla (adessive plural)
balettimusiikilta (ablative singular)
balettimusiikeilta (ablative plural)
balettimusiikille (allative singular)
balettimusiikeille (allative plural)
balettimusiikkina (essive singular)
balettimusiikkeina (essive plural)
balettimusiikiksi (singular translative)
balettimusiikeiksi (plural translative)
balettimusiikitta (abessive singular)
balettimusiikeitta (abessive plural)
balettimusiikein (instructive plural)
See the possessive forms below. (comitative)
balettimusiikkini (nominative singular)
balettimusiikkini (nominative plural)
balettimusiikkini (accusative nominative singular)
balettimusiikkini (accusative nominative plural)
balettimusiikkini (accusative genitive singular)
balettimusiikkini (accusative genitive plural)
balettimusiikkini (genitive singular)
balettimusiikkieni (genitive plural)
balettimusiikkiani (partitive singular)
balettimusiikkejani (partitive plural)
balettimusiikissani (inessive singular)
balettimusiikeissani (inessive plural)
balettimusiikistani (elative singular)
balettimusiikeistani (elative plural)
balettimusiikkiini (illative singular)
balettimusiikkeihini (illative plural)
balettimusiikillani (adessive singular)
balettimusiikeillani (adessive plural)
balettimusiikiltani (ablative singular)
balettimusiikeiltani (ablative plural)
balettimusiikilleni (allative singular)
balettimusiikeilleni (allative plural)
balettimusiikkinani (essive singular)
balettimusiikkeinani (essive plural)
balettimusiikikseni (singular translative)
balettimusiikeikseni (plural translative)
balettimusiikittani (abessive singular)
balettimusiikeittani (abessive plural)
balettimusiikkeineni (comitative plural)
balettimusiikkisi (nominative singular)
balettimusiikkisi (nominative plural)
balettimusiikkisi (accusative nominative singular)
balettimusiikkisi (accusative nominative plural)
balettimusiikkisi (accusative genitive singular)
balettimusiikkisi (accusative genitive plural)
balettimusiikkisi (genitive singular)
balettimusiikkiesi (genitive plural)
balettimusiikkiasi (partitive singular)
balettimusiikkejasi (partitive plural)
balettimusiikissasi (inessive singular)
balettimusiikeissasi (inessive plural)
balettimusiikistasi (elative singular)
balettimusiikeistasi (elative plural)
balettimusiikkiisi (illative singular)
balettimusiikkeihisi (illative plural)
balettimusiikillasi (adessive singular)
balettimusiikeillasi (adessive plural)
balettimusiikiltasi (ablative singular)
balettimusiikeiltasi (ablative plural)
balettimusiikillesi (allative singular)
balettimusiikeillesi (allative plural)
balettimusiikkinasi (essive singular)
balettimusiikkeinasi (essive plural)
balettimusiikiksesi (singular translative)
balettimusiikeiksesi (plural translative)
balettimusiikittasi (abessive singular)
balettimusiikeittasi (abessive plural)
balettimusiikkeinesi (comitative plural)
balettimusiikkimme (nominative singular)
balettimusiikkimme (nominative plural)
balettimusiikkimme (accusative nominative singular)
balettimusiikkimme (accusative nominative plural)
balettimusiikkimme (accusative genitive singular)
balettimusiikkimme (accusative genitive plural)
balettimusiikkimme (genitive singular)
balettimusiikkiemme (genitive plural)
balettimusiikkiamme (partitive singular)
balettimusiikkejamme (partitive plural)
balettimusiikissamme (inessive singular)
balettimusiikeissamme (inessive plural)
balettimusiikistamme (elative singular)
balettimusiikeistamme (elative plural)
balettimusiikkiimme (illative singular)
balettimusiikkeihimme (illative plural)
balettimusiikillamme (adessive singular)
balettimusiikeillamme (adessive plural)
balettimusiikiltamme (ablative singular)
balettimusiikeiltamme (ablative plural)
balettimusiikillemme (allative singular)
balettimusiikeillemme (allative plural)
balettimusiikkinamme (essive singular)
balettimusiikkeinamme (essive plural)
balettimusiikiksemme (singular translative)
balettimusiikeiksemme (plural translative)
balettimusiikittamme (abessive singular)
balettimusiikeittamme (abessive plural)
balettimusiikkeinemme (comitative plural)
balettimusiikkinne (nominative singular)
balettimusiikkinne (nominative plural)
balettimusiikkinne (accusative nominative singular)
balettimusiikkinne (accusative nominative plural)
balettimusiikkinne (accusative genitive singular)
balettimusiikkinne (accusative genitive plural)
balettimusiikkinne (genitive singular)
balettimusiikkienne (genitive plural)
balettimusiikkianne (partitive singular)
balettimusiikkejanne (partitive plural)
balettimusiikissanne (inessive singular)
balettimusiikeissanne (inessive plural)
balettimusiikistanne (elative singular)
balettimusiikeistanne (elative plural)
balettimusiikkiinne (illative singular)
balettimusiikkeihinne (illative plural)
balettimusiikillanne (adessive singular)
balettimusiikeillanne (adessive plural)
balettimusiikiltanne (ablative singular)
balettimusiikeiltanne (ablative plural)
balettimusiikillenne (allative singular)
balettimusiikeillenne (allative plural)
balettimusiikkinanne (essive singular)
balettimusiikkeinanne (essive plural)
balettimusiikiksenne (singular translative)
balettimusiikeiksenne (plural translative)
balettimusiikittanne (abessive singular)
balettimusiikeittanne (abessive plural)
balettimusiikkeinenne (comitative plural)
balettimusiikkinsa (nominative singular)
balettimusiikkinsa (nominative plural)
balettimusiikkinsa (accusative nominative singular)
balettimusiikkinsa (accusative nominative plural)
balettimusiikkinsa (accusative genitive singular)
balettimusiikkinsa (accusative genitive plural)
balettimusiikkinsa (genitive singular)
balettimusiikkiensa (genitive plural)
balettimusiikkiaan (partitive singular)
balettimusiikkiansa (partitive singular)
balettimusiikkejaan (partitive plural)
balettimusiikkejansa (partitive plural)
balettimusiikissaan (inessive singular)
balettimusiikissansa (inessive singular)
balettimusiikeissaan (inessive plural)
balettimusiikeissansa (inessive plural)
balettimusiikistaan (elative singular)
balettimusiikistansa (elative singular)
balettimusiikeistaan (elative plural)
balettimusiikeistansa (elative plural)
balettimusiikkiinsa (illative singular)
balettimusiikkeihinsa (illative plural)
balettimusiikillaan (adessive singular)
balettimusiikillansa (adessive singular)
balettimusiikeillaan (adessive plural)
balettimusiikeillansa (adessive plural)
balettimusiikiltaan (ablative singular)
balettimusiikiltansa (ablative singular)
balettimusiikeiltaan (ablative plural)
balettimusiikeiltansa (ablative plural)
balettimusiikilleen (allative singular)
balettimusiikillensa (allative singular)
balettimusiikeilleen (allative plural)
balettimusiikeillensa (allative plural)
balettimusiikkinaan (essive singular)
balettimusiikkinansa (essive singular)
balettimusiikkeinaan (essive plural)
balettimusiikkeinansa (essive plural)
balettimusiikikseen (singular translative)
balettimusiikiksensa (singular translative)
balettimusiikeikseen (plural translative)
balettimusiikeiksensa (plural translative)
balettimusiikittaan (abessive singular)
balettimusiikittansa (abessive singular)
balettimusiikeittaan (abessive plural)
balettimusiikeittansa (abessive plural)
balettimusiikkeineen (comitative plural)
balettimusiikkeinensa (comitative plural)


libreto

libreto (absolutive indefinite)
libretoa (absolutive indefinite singular)
libretoak (absolutive indefinite plural)
libretok (ergative indefinite)
libretoak (ergative indefinite singular)
libretoek (ergative indefinite plural)
libretori (dative indefinite)
libretoari (dative indefinite singular)
libretoei (dative indefinite plural)
libretoren (genitive indefinite)
libretoaren (genitive indefinite singular)
libretoen (genitive indefinite plural)
libretorekin (comitative indefinite)
libretoarekin (comitative indefinite singular)
libretoekin (comitative indefinite plural)
libretorengatik (causative indefinite)
libretoarengatik (causative indefinite singular)
libretoengatik (causative indefinite plural)
libretorentzat (benefactive indefinite)
libretoarentzat (benefactive indefinite singular)
libretoentzat (benefactive indefinite plural)
libretoz (indefinite instrumental)
libretoaz (indefinite instrumental singular)
libretoez (indefinite instrumental plural)
libretotan (indefinite inessive)
libretoan (indefinite inessive singular)
libretoetan (indefinite inessive plural)
libretotako (indefinite locative)
libretoko (indefinite locative singular)
libretoetako (indefinite locative plural)
libretotara (allative indefinite)
libretora (allative indefinite singular)
libretoetara (allative indefinite plural)
libretotaraino (indefinite terminative)
libretoraino (indefinite singular terminative)
libretoetaraino (indefinite plural terminative)
libretotarantz (directive indefinite)
libretorantz (directive indefinite singular)
libretoetarantz (directive indefinite plural)
libretotarako (destinative indefinite)
libretorako (destinative indefinite singular)
libretoetarako (destinative indefinite plural)
libretotatik (ablative indefinite)
libretotik (ablative indefinite singular)
libretoetatik (ablative indefinite plural)
libretorik (indefinite partitive)
libretotzat (indefinite prolative)


libreto

eo-head

libreto (accusative singular libreton, plural libretoj, accusative plural libretojn)

libreton (accusative singular)
libretoj (plural)
libretojn (accusative plural)

LL-Q143 (epo)-Robin van der Vliet-libreto.wav


libreto

Borrowing from Esperanto libreto. Equivalent to libro + -et-.


junkanoo

en-noun

junkanoo (countable and uncountable, plural junkanoos)

junkanoos (plural)
Jonkonnu (alternative)
jonkonnu (alternative)
Junkanoo (alternative)

From John Canoe, the older name of the festival, perhaps named after folk hero John Canoe.

Rafael sang from his stuffings, the beat swirled, the brass blasted, and in a three-month period, America bought a bargeful of the Munings' "junkanoo" sound.

1990, Wayne Jancik, The Billboard Book of One-Hit Wonders, →ISBN, page 274:

Junkanoo also became established among expatriate Bahamian communities, notably in Miami and Toronto, where Junkanoo bands were to be seen at the Orange Bowl and Caribana parades respectively.

2000, Michael Craton, Gail Saunders, A History of the Bahamian People, University of Georgia Press, →ISBN, page 490:

(music) A style of goombay traditionally played on goatskin drums and cowbells during the parade.


choro

Deverbal of chorar. For the origin of the music sense there exist various theories:
* a fusion of choro (from chorar) and Latin chorus
* a corruption of choromeleiros, musicians during the Brazilian colonial period
* a corruption of xolo, a type of dance from Brazilian fazendas.

(music) choro (Brazilian popular music genre)


ska punk

ska punk (countable and uncountable, plural ska punks)

ska punks (plural)
ska-punk (alternative)

Thus, ska punk managed to revitalize punk through the popularization of a more unusual genre.

2019, Kevin L. Ferguson, Pop Goes the Decade: The Nineties, ABC-CLIO, →ISBN, page 126:

(uncountable, music) A style of music combining ska and punk rock popular in the 1990s.


EBM

A number of nights now steer away from the EBM of yesteryear. The scene is alive and kicking with plenty of new bands that aren't reliant on synths.

2005, "oldgoth", Theaving Goths (on newsgroup uk.people.gothic)

Modern industrial music subgenres and fusion-genres include EBM, futurepop, power-noise, aggrotech (terror-EBM), coldwave, elektro, dark-electro, and industrial-metal. Yes, it can be quite confusing.

2007, Raven Digitalis, Goth Craft: The Magickal Side of Dark Culture, page 37:

electronic body music
electronic body music#English

evidence-based medicine
evidence-based medicine#English

(medicine) Initialism of evidence-based medicine.


futurepop

Despite—or more likely, because of—futurepop's sudden and visible popularity within the global industrial scene, it was subject to harsh criticism in the early and mid-2000s.

2013, S. Alexander Reed, Assimilate: A Critical History of Industrial Music, page 296:

Music festivals that feature futurepop bands include Infest, Wave Gotik Treffen and M'era Luna.

[…] a substantial offering of futurepop (e.g., Covenant, Wolfsheim, VNV Nation, Apoptygma Bezerk), a smattering of aggrotech (e.g. Suicide Commando, Combichrist), and a number of other subgenres.

2015, Isabella van Elferen, Jeffrey Andrew Weinstock, Goth Music: From Sound to Subculture:

(music) A genre of electronic dance music with influences from synthpop, trance, and EBM.


brega

(music) a subgenre of Brazilian popular music that originated in the 1970s, often with romantic lyrics about love and infidelity


lokk

lokket (definite singular)
lokk (indefinite plural)
lokka (definite plural)
lokkene (definite plural)


lokk

lokket (definite singular)
lokk (indefinite plural)
lokka (definite plural)
lok (alternative)


氛圍

/fən⁵⁵ weɪ̯³⁵/

/fən⁵¹ weɪ̯³⁵/

/fɐn⁵⁵ wɐi̯²¹/

/hun⁴⁴⁻²² ui²⁴/

/hun⁴⁴⁻²² ui¹³/

/huŋ³³⁻²³ ui⁵⁵/

/fən⁵⁵ weɪ̯³⁵/

/fən⁵¹ weɪ̯³⁵/

/fɐn⁵⁵ wɐi̯²¹/

/hun⁴⁴⁻²² ui²⁴/

/hun⁴⁴⁻²² ui¹³/

/huŋ³³⁻²³ ui⁵⁵/


no wave

A punning rejection of the more commercial new wave movement.

To dream that tall, mean, vegan Jeff, in turtlenecks and chinos like Sterling Morrison, was the only one I talked to at all the no wave shows I went to alone.

2020, “Jinx”, in Timmy's Unbuttoned Gen X Meditations, performed by Good Fuck:

(music) A broad musical and artistic movement originating in the mid-1970s in New York City, typified by experimentation and performance art.


darkwave

From dark + -wave, meaning the “dark” counterpart of new wave.

As well as mainstream pop you'll find dance, funk and all kinds of club music, world music and even very select genres such as darkwave medieval, darkwave gothic to darkwave neofolk.

2002, Jules Brown, Dinah Gardner, Hong Kong and Macau, page 315:

Since the 1980s, several goth substyles have mixed the Batcave heritage with other musical genres into new goth substyles. New wave was gothed into darkwave, classic rock into gothic rock, and metal into gothic metal. […] The term darkwave originated in the 1980s as an indicator of the “dark” counterpart of new wave.

2015, Isabella van Elferen, Jeffrey Andrew Weinstock, Goth Music: From Sound to Subculture, Routledge, →ISBN, page 25:

(music) A musical movement that originated in the late 1970s, combining elements of new wave and gothic rock with dark, thoughtful lyrics and an undertone of sorrow.

dark wave

musical movement combining elements of new wave and gothic rock


braindance

From brain + dance, from its relatively complex (i.e. intellectual) structure and use of elements of dance music. Coined by the label Rephlex Records.

For the devoted, this is a rare chance to devour an hour of box-fresh blockbuster braindance that might somehow bring them closer to their master.

2014, Piers Martin, “Aphex Twin: ‘His music is a perfect mix of mystery and adrenaline’”, in The Guardian:

intelligent dance music
intelligent dance music#English

(music) Synonym of intelligent dance music