vonce

LL-Q1860 (eng)-Flame, not lame-vonce.wav

Uncertain; possibly from German Schwanz (“tail, slang for penis”) or Yiddish שוואַנץ (shvants, “penis”).

bor

Re-hearing the Curtis Mayfield-avant soul of "Judgment", the proto-acid jazz groove vonce of "Tune Up", the neo-soul slow drag prophecy of "Rosemary Blue" (penned by Neil Sedaka!) 25 years later, I know now that I totally slept on a most seminal pop vocal album.

1999, Jazz Times - Volume 29, Issues 6-10, page 38:

"Man, when I was with Basie," he'd say, "we'd come up on the vonce, and the man would put the ding-ding here."

2009, George Wein, Nate Chinen, Myself Among Others: A Life in Music, →ISBN, page 92:

Blowin' out here would be more like wailing into the heavenly vonce, rather then huffing and puffing changes in a dark cellar.

2009, Skoot Larson, The Dig You Later, Alligator Blues: A Lars Lindstrom Zen-Jazz Mystery, →ISBN:

Feeling his vonce before the soulfully enspirited Baltimore congregation, Gordon counts off the tempo for “Blues Up and Down,” the ritualistic set-closer, “roaring out the blocks hotter than a bowl of three-alarm chili, expatiating inventive verse after verse until the total rings up to an astounding 40,” in the words of Hollis.

2012, The Complete Prestige Recordings of Dexter Gordon (liner notes):

(slang, jazz) A state in which the musician produces great improvisation intuitively.


詠嘆調

ㄩㄥˇ ㄊㄢˋ ㄉㄧㄠˋ

/jʊŋ²¹⁴⁻²¹ tʰän⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

ㄩㄥˇ ㄊㄢˋ ㄉㄧㄠˋㄦ

/jʊŋ²¹⁴⁻²¹ tʰän⁵¹⁻⁵³ ti̯aʊ̯ɻʷ⁵¹/

/jʊŋ²¹⁴⁻²¹ tʰän⁵¹⁻⁵³ ti̯ɑʊ̯⁵¹/

/jʊŋ²¹⁴⁻²¹ tʰän⁵¹⁻⁵³ ti̯aʊ̯ɻʷ⁵¹/


chillstep

A subgenre of dubstep music that is relatively slow and relaxed.


舞劇

/u²¹⁴⁻²¹ t͡ɕy⁵¹/

/u²¹⁴⁻²¹ t͡ɕy⁵¹/


藍調

/län³⁵ ti̯ɑʊ̯⁵¹/

/län³⁵ ti̯ɑʊ̯⁵¹/


武場

/u²¹⁴⁻³⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/u²¹⁴⁻²¹ ʈ͡ʂʰɑŋ³⁵/

/mou̯¹³ t͡sʰœːŋ²¹/

/bu⁵⁵⁴⁻²⁴ tiũ²⁴/

/bu⁵³⁻⁴⁴ tiũ²⁴/

/bu⁵³⁻⁴⁴ tiɔ̃¹³/

/u²¹⁴⁻³⁵ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/u²¹⁴⁻²¹ ʈ͡ʂʰɑŋ³⁵/

/mou̯¹³ t͡sʰœːŋ²¹/

/bu⁵⁵⁴⁻²⁴ tiũ²⁴/

/bu⁵³⁻⁴⁴ tiũ²⁴/

/bu⁵³⁻⁴⁴ tiɔ̃¹³/

military division (one of the two divisions of the orchestra in traditional opera, consisting of percussion instruments like drums, gongs, cymbals, etc.)


武打

/u²¹⁴⁻³⁵ tä²¹⁴⁻²¹⁽⁴⁾/

/u³³⁻³⁵ ⁽ᵗ⁻⁾la³³/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁵⁵⁴⁻²⁴ tã⁵⁵⁴/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁴¹⁻⁴⁴ tã⁴¹/

/u²¹⁴⁻³⁵ tä²¹⁴⁻²¹⁽⁴⁾/

/u³³⁻³⁵ ⁽ᵗ⁻⁾la³³/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁵⁵⁴⁻²⁴ tã⁵⁵⁴/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁵³⁻⁴⁴ tã⁵³/

/bu⁴¹⁻⁴⁴ tã⁴¹/

acrobatic fighting in Chinese opera or dance


雲手

/yn³⁵ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/wɐn²¹ sɐu̯³⁵/

/yn³⁵ ʂoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/wɐn²¹ sɐu̯³⁵/

(classical Chinese dance and opera) “cloud hands”, a basic move in Chinese dance and operas


iê-iê-iê

Borrowed from English yeah, yeah, yeah, from the chorus in the Beatles’ song “She Loves You”. Compare French yéyé.

Dentre as divergências da época, a inserção do iê-iê-iê foi vista na imprensa como uma crítica de Chico Buarque às novas tendências da música popular brasileira.

2015, Gabriel da Cunha Pereira, Imaginando o Brasil, Appris, page 70:

Among the disagreements of the time, the inclusion of iê-iê-iê was seen by the press as a critique by Chico Buarque of the trends in Brazilian popular music.

(Brazil, music) the style of rock and roll, and associated cultural scene, popular during the 60s in Brazil


electro swing

A music genre combining vintage or modern swing and jazz influences with house music and hip-hop.


說白

/ʂu̯ɔ⁵⁵ paɪ̯³⁵/

/suat̚³²⁻⁵ piɪk̚¹²¹/

/se(ʔ)³²⁻⁵³ peʔ⁴/

/suat̚³²⁻⁵ pɛʔ¹²¹/

/ʂu̯ɔ⁵⁵ paɪ̯³⁵/

/suat̚³²⁻⁵ piɪk̚¹²¹/

/se(ʔ)³²⁻⁵³ peʔ⁴/

/suat̚³²⁻⁵ pɛʔ¹²¹/


tropical house

Coined by Australian producer Thomas Jack.

A subgenre of deep house music with elements of dancehall and Balearic house.


bluesify

en-verb

bluesify (third-person singular simple present bluesifies, present participle bluesifying, simple past and past participle bluesified)

bluesifies (present singular third-person)
bluesifying (participle present)
bluesified (participle past)
bluesified (past)

2000, Tracy Johnson, ncounters with Bob Dylan: If You See Him, Say Hello
Most harpists back then played cross harp, sucking in on the notes to bend and bluesify them.

(transitive, music) To adapt to sound like blues.


異域

CJKV/code

Sino-Xenic (異域):
* → Japanese: 異(い)域(いき) (iiki)
* → Korean: 이역(異域) (iyeok)

/i⁵¹⁻⁵³ y⁵¹/

/jiː²² wɪk̚²/

/i²²⁻²¹ hiɪk̚⁴/

/i⁴¹⁻²² hiɪk̚²⁴/

/i²²⁻²¹ hiɪk̚¹²¹/

/i³³⁻¹¹ hiɪk̚⁴/

/i³³⁻²¹ hiɪk̚⁴/

/i⁵¹⁻⁵³ y⁵¹/

/jiː²² wɪk̚²/

/i²²⁻²¹ hiɪk̚⁴/

/i⁴¹⁻²² hiɪk̚²⁴/

/i²²⁻²¹ hiɪk̚¹²¹/

/i³³⁻¹¹ hiɪk̚⁴/

/i³³⁻²¹ hiɪk̚⁴/


老調

/lɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/lɑʊ̯²¹⁴⁻²¹ ti̯aʊ̯ɻʷ⁵¹/

/lɑʊ̯²¹⁴⁻²¹ ti̯ɑʊ̯⁵¹/

/lɑʊ̯²¹⁴⁻²¹ ti̯aʊ̯ɻʷ⁵¹/

(opera) laodiao (local opera of Hebei Province)


潛臺詞

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

ㄑㄧㄢˊ ㄊㄞˊ ㄘˊㄦ

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

ㄑㄧㄢˇ ㄊㄞˊ ㄘˊㄦ

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡sʰiːm²¹ tʰɔːi̯²¹ t͡sʰiː²¹/

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

/t͡ɕʰi̯ɛn³⁵ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩³⁵/

/t͡ɕʰi̯ɛn²¹⁴⁻²¹ tʰaɪ̯³⁵ t͡sʰz̩ɻ³⁵/

/t͡sʰiːm²¹ tʰɔːi̯²¹ t͡sʰiː²¹/

(opera) unspoken lines in a play (left for the audience to understand)


nederjazz

a style of improvisational jazz music originating from the Netherlands


darkside

en-noun

darkside (countable and uncountable, plural darksides)

darksides (plural)
dark side (alternative)
dark-side (alternative)

National Oceanic and Atmospheric Administration

From dark + side. Sense 2.1 (“side that is evil”) was popularized by the film Star Wars (1977; later retitled Star Wars: Episode IV – A New Hope) where the term was used to describe the aspect of a metaphysical power called the Force which could be used to act aggressively and perpetrate evil.

The label closely observed the shifts in techno during the 90s, being a staple source of ‘darkside’ hardcore in 1992.

1994, “Reinforced Records”, in Colin Larkin, editor, The Guinness Who’s Who of Rap, Dance & Techno, Enfield, Middlesex [London]: Guinness Publishing, →ISBN, page 304, column 1:

1993 was the year that hardcore began to get more varied with different styles being made. One style known as "darkness" or "darkside" used less pianos and more darker sounding chords.

2003 May 6, Alex Nikolaenko Jr., “What is a Jungle?”, in fido7.ru.music.drum-bass (Usenet):

After some atonal washes and twitchy breakbeats, the track lurched to a sudden halt and – in a moment that still takes my breath away when I listen to it now – a brief snatch of the spidery, abstract electronics instantly recognisable from the Japan record leapt into the chasm, before being immediately consumed by viscous bass ooze and the synthetic screeches that were the sonic signatures of darkside Jungle.

2007 December, Mark Fisher, “Epiphanies”, in The Wire, number 286, London: The Wire Magazine, →ISSN, →OCLC, archived from the original on 2021-05-17, page 106, columns 1–2:

(uncountable, music) A style of electronic music, being a form of hardcore characterized by discordant sounds.


ユーロビート

ja-noun

ユーロビート • (yūrobīto)

[jɯ̟ːɾo̞bʲiːto̞]


浩室音樂

ㄏㄠˋ ㄕˋ ㄧㄣ ㄩㄝˋ

ㄏㄠˋ ㄕˇ ㄧㄣ ㄩㄝˋ

/xɑʊ̯⁵¹⁻⁵³ ʂʐ̩⁵¹ in⁵⁵ ɥɛ⁵¹/

/xɑʊ̯⁵¹ ʂʐ̩²¹⁴⁻²¹ in⁵⁵ ɥɛ⁵¹/

/xɑʊ̯⁵¹⁻⁵³ ʂʐ̩⁵¹ in⁵⁵ ɥɛ⁵¹/

/xɑʊ̯⁵¹ ʂʐ̩²¹⁴⁻²¹ in⁵⁵ ɥɛ⁵¹/

Phono-semantic matching of English house (in house music) + 音樂／音乐 (yīnyuè, “music”).


丑角

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛ³⁵/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛɻ³⁵/

/t͡sʰɐu̯³⁵ kɔːk̚³/

/tʰiu⁵²⁻³⁵ kak̚²/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛ³⁵/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ t͡ɕy̯ɛɻ³⁵/

/t͡sʰɐu̯³⁵ kɔːk̚³/

/tʰiu⁵²⁻³⁵ kak̚²/

(opera) clown role; comic character; harlequin


chap-hop

Never wear plimsolls if not doing sport
Unless you're a chap-hop superstar sort

2010, Mr.B The Gentleman Rhymer (lyrics and music), “Hail the Chap”, in I Say!, performed by Mr.B The Gentleman Rhymer:

Any style of music can become steampunk if the story is right. Thus the rise of a seemingly incongruous pairing: steampunk rap, or chap-hop.

2013, Julie Anne Taddeo, Cynthia J. Miller, Steaming into a Victorian Future, page 90:

[…] the compliment has now been returned, with the rise of a style known as chap-hop, in which people in tweeds such as Mr B the Gentleman Rhymer freestyle over a banjulele accompaniment barbed songs of political comment such as 'They Don't Allow Rappers in the Bullingdon' (2012).

2016, Max Décharné, Vulgar Tongues: An Alternative History of English Slang:

(music) A parodic musical genre that blends elements of hip-hop with steampunk and traditional English stereotypes.


lolicore

From loli + -core.
Last.fm claims it was coined by Loli Ripe in 2006 and their RYM artist profile says they were an anonymous 4chan poster - which doesn't seem unrealistic as the place of its origin, at least as far as the more western scene (which seems to be where the term "lolicore" came from).

(music) A subgenre of breakcore that is characterised by heavily distorted and pitch-shifted samples, typically taken from anime, and often inspired by Japanese otaku culture.


2 Tone

Coined by Jerry Dammers, keyboard player for The Specials, as an allusion to multiraciality.

A British ska revival genre of the late 1970s, fusing traditional ska music with punk rock elements.


花旦

/xu̯ä⁵⁵ tän⁵¹/

/faː⁵⁵ taːn³³⁻³⁵/

/fa²⁴⁻¹¹ tan⁵⁵/

/fa⁴⁴⁻³⁵ tan⁵³/

/xua¹¹ tæ̃⁴⁵/

/hua⁵⁵⁻⁵³ ⁽ᵗ⁻⁾lɑŋ²¹³/

/hue⁴⁴⁻²² tuã²¹/

/hue⁴⁴⁻³³ tuã¹¹/

/hue⁴⁴⁻³³ tuã²¹/

/hua⁴⁴⁻²² tuã²¹/

/hua³³⁻²¹ tuã²¹/

/hue³³⁻²³ tũã²¹³/

/ɸa̠³³ tan⁴⁵/

/xu̯ä⁵⁵ tän⁵¹/

/faː⁵⁵ taːn³³⁻³⁵/

/fa²⁴⁻¹¹ tan⁵⁵/

/fa⁴⁴⁻³⁵ tan⁵³/

/xua¹¹ tæ̃⁴⁵/

/hua⁵⁵⁻⁵³ ⁽ᵗ⁻⁾lɑŋ²¹³/

/hue⁴⁴⁻²² tuã²¹/

/hue⁴⁴⁻³³ tuã¹¹/

/hue⁴⁴⁻³³ tuã²¹/

/hua⁴⁴⁻²² tuã²¹/

/hua³³⁻²¹ tuã²¹/

/hue³³⁻²³ tũã²¹³/

/ɸa̠³³ tan⁴⁵/

(opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman of questionable morals, notably a coquettish maidservant or an amorous young woman, bold, seductive, and charming; great emphasis being placed on acting)


dark cabaret

A music genre with elements of goth and punk, drawing on the decadent, risqué aesthetics of German Weimar-era cabaret shows.


行當

/xɑŋ³⁵ tɑŋ⁵¹/

/xɑŋ³⁵ d̥ɑŋ³/

/hɔːŋ²¹ tɔːŋ³³/

/haŋ²⁴⁻²² tɔŋ⁴¹/

/haŋ²⁴⁻²² tɔŋ²¹/

/haŋ¹³⁻²² tɔŋ²¹/

/haŋ²⁴⁻²² taŋ⁴¹/

/ɦɑ̃²² tɑ̃⁴⁴/

/xɑŋ³⁵ tɑŋ⁵¹/

/xɑŋ³⁵ d̥ɑŋ³/

/hɔːŋ²¹ tɔːŋ³³/

/haŋ²⁴⁻²² tɔŋ⁴¹/

/haŋ²⁴⁻²² tɔŋ²¹/

/haŋ¹³⁻²² tɔŋ²¹/

/haŋ²⁴⁻²² taŋ⁴¹/

/ɦɑ̃²² tɑ̃⁴⁴/

(informal) trade; profession; line of business


doom/death

doom death (alternative)
doom-death (alternative)

2007, Keith Kahn-Harris, Extreme Metal: Music and Culture on the Edge, Berg, →ISBN, page 133.
The Gathering from the Netherlands also previously a doom/death metal band, now play a form of psychedelic/gothic rock.

2010, Jeff Wagner, Mean Deviation: Four Decades of Progressive Heavy Metal, Bazillion Points, →ISBN, page 245.
The only other notable band incorporating violin into metal at taht time was U.K. avant-garde doom/death act My Dying Bride.

2015, "Myraeth", in Brian Giffin (comp.), Encyclopaedia of Australian Heavy Metal, Lulu (3rd revised ed.), →ISBN, page 2194.
Myraeth is a doom/death band from the Blue Mountains, formed by Samantha Kempster from Lycanthia, Ryan Casey and Max Vandyke in 2009.

(music) A hybrid genre derived from doom metal and death metal.


那卡西

/nä⁵¹ kʰä²¹⁴⁻²¹ ɕi⁵⁵/

/nã⁴⁴⁻³³ ɡa⁵³⁻⁴⁴ siʔ³²/

/nã⁴⁴⁻³³ ɡa⁴¹⁻⁴⁴ siʔ³²/

/nä⁵¹ kʰä²¹⁴⁻²¹ ɕi⁵⁵/

/nã⁴⁴⁻³³ ɡa⁵³⁻⁴⁴ siʔ³²/

/nã⁴⁴⁻³³ ɡa⁴¹⁻⁴⁴ siʔ³²/

Borrowed from Japanese 流(なが)し (nagashi, “cruising”).

The nakasi music keeps on playing, piercing into my heart

na-gá-sih ê im-ga̍k it-ti̍t tôaⁿ, lâi chha̍k-tio̍h gún ê sim-koaⁿ

那卡西的音樂一直彈 來刺著阮的心肝

那卡西的音乐一直弹 来刺著阮的心肝

(Taiwan) nakasi (essential traditional popular music form in Japan and Taiwan)


extratone

Borrowed from German extrahieren (“to extract”) + Tone (“notes”).

(music) A variation of speedcore with a bpm exceeding 1000.


鼓打貝斯

ㄍㄨˇ ㄉㄚˇ ㄅㄟˋ ㄙ

/ku²¹⁴⁻³⁵ tä²¹⁴⁻²¹ peɪ̯⁵¹ sz̩⁵⁵/

/ku²¹⁴⁻³⁵ tä²¹⁴⁻²¹ peɪ̯⁵¹ sz̩⁵⁵/


Swing

de-noun

Swing m (strong, genitive Swings or Swing, plural Swings)

Swings (genitive)
Swing (genitive)
Swings (plural)
Swing (nominative singular)
Swings (definite nominative plural)
Swings (genitive singular)
Swing (genitive singular)
Swings (definite genitive plural)
Swing (dative singular)
Swings (dative definite plural)
Swing (accusative singular)
Swings (accusative definite plural)


古典樂

ㄍㄨˇ ㄉㄧㄢˇ ㄩㄝˋ

/ku²¹⁴⁻³⁵ ti̯ɛn²¹⁴⁻²¹ ɥɛ⁵¹/

/ku²¹⁴⁻³⁵ ti̯ɛn²¹⁴⁻²¹ ɥɛ⁵¹/


doskpop

Said to be from Swedish disco och synth-kombinerad pop (disco and synth combined pop). http://www.pouet.net/topic.php?which=5058

look for the doskpop collection, it's a chiptune doskpop collection with tracks by Lizardking (naturally) and others. Look on aminet, it's there somewhere, probably named "doskpop" something or other.. (try looking in /pub/aminet/mods/INDEX).

1995, Andrew Fort, “Chiptunes...”, in comp.sys.ibm.pc.demos (Usenet):

No, I still like doskpop lots, don't get me wrong. :) I'm just saying that I think perhaps there's too many synth-pop wannabees who are getting highly rated.

1996, S M Carless, “DemoNews 124”, in comp.sys.ibm.pc.demos (Usenet):

The studio-oriented music would typically sound like jazz funk or techno, a unique style of the demoscene that became known as 'doskpop'. Swedish artist Lizardking was the father of doskpop, which can be described as soft digital disco music, somewhere in between 1980s electronic disco music such as Laserdance and Vangelis.

2013, Karen Collins, From Pac-Man to Pop Music: Interactive Audio in Games and New Media:

(demoscene, rare) A style of tracker music influenced by disco and associated with the demoscene.


放克

/fɑŋ⁵¹⁻⁵³ kʰɤ⁵¹/

/fɑŋ⁵¹⁻⁵³ kʰɤ⁵¹/


魂克

/xu̯ən³⁵ kʰɤ⁵¹/

/xu̯ən³⁵ kʰɤ⁵¹/


yacht rock

A retronym, suggesting the stereotype of a yuppie listening to the music while out sailing.

Yacht rock from the 1970s floated over the aisles like a bad storm cloud, dumping torrents of Christopher Cross and of the band that gave me sweaty nightmares, Steely Dan.

2012, Jenn Bennett, Summoning the Night: An Arcadia Bell Novel, Simon and Schuster, →ISBN:

(music) A smooth, melodic form of soft rock music of the late 1970s and early 1980s.


guitar pop

The term saw increased usage in the 1980s in journals like NME.

(music) Guitar-based pop/rock music, such as pop rock, jangle pop, or indie pop.


蘭花指

/län³⁵ xu̯ä⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/län³⁵ xu̯ä⁵⁵ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

(originally opera) A hand gesture, where the tip of the thumb gently touches the distal part of the middle finger and the remaining fingers are slightly flexed, making the hand resembling the petals of an orchid flower. It is considered a sign of grace and femininity.


scrunge

[…] Sun to Sun sure gives the current crop of jingle-jangle scrunge bands the kick in the ass they deserve.

1996, SPIN, volume 11, number 11, page 24:

(music, slang, derogatory) An inauthentic form of grunge music.


mutant disco

From the name of an early compilation album from ZE Records.

(music) An avant-garde subgenre of disco music.


brostep

In a crowded field for negative epithets, brostep was the term that won as a pejorative, the buzzword of a concerted but increasingly futile campaign to mock the masculinist tendency in dubstep out of existence. […] But then, as so often happens, the word began to be embraced as a positive identity.

2013 [1998], Simon Reynolds, Energy Flash, new and revised edition, Faber & Faber, →ISBN:

By the late 2000s, dubstep had splintered into numerous factions, from brostep to wonky to the evocative “purple,” […]

2015, Jan Kyrre Berg O. Friis, Robert P. Crease, Technoscience and Postphenomenology: The Manhattan Papers:

(music, originally derogatory) A harsher-sounding form of dubstep music, influenced by house music and heavy metal.


примадонна

ru-noun+

примадо́нна • (primadónna) f anim (genitive примадо́нны, nominative plural примадо́нны, genitive plural примадо́нн)

примадо́нна (canonical)
primadónna (romanization)
примадо́нны (genitive)
примадо́нны (nominative plural)
примадо́нн (genitive plural)
примадо́нна (nominative singular)
примадо́нны (nominative plural)
примадо́нны (genitive singular)
примадо́нн (genitive plural)
примадо́нне (dative singular)
примадо́ннам (dative plural)
примадо́нну (accusative singular)
примадо́нн (accusative plural)
примадо́нной (instrumental singular)
примадо́нною (instrumental singular)
примадо́ннами (instrumental plural)
примадо́нне (prepositional singular)
примадо́ннах (plural prepositional)

Borrowed from Italian prima donna (“first lady”).


五架頭

/u²¹⁴⁻²¹ t͡ɕi̯ä⁵¹ tʰoʊ̯³⁵/

/ŋ̍¹³ kaː³³ tʰɐu̯²¹⁻³⁵/

/u²¹⁴⁻²¹ t͡ɕi̯ä⁵¹ tʰoʊ̯³⁵/

/ŋ̍¹³ kaː³³ tʰɐu̯²¹⁻³⁵/

(music, opera) the wujiatou (a traditional five-piece ensemble formation in Cantonese music, comprising two bowed string instruments (originally erxian and zhutiqin), two plucked string instruments (originally sanxian and yueqin), and one flute (xiao or hengxiao [dizi]), often used to accompany Cantonese opera of the older style)


丑仔

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁵⁵⁴⁻²⁴ a⁵⁵⁴/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁴¹⁻⁴⁴ a⁴¹/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁵⁵⁴⁻²⁴ a⁵⁵⁴/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁵³⁻⁴⁴ a⁵³/

/tʰiu⁴¹⁻⁴⁴ a⁴¹/

(Southern Min, opera) clown role; comic character


gqom

Derived from an onomatopoeic combination of click consonants from the Zulu language, representing the sound of a drum.

South African artists include rapper Sho Madjozi, gqom acts Rude Boyz, Dominowe and Phatstoki, and sgubhu producer Sleeping Buddah.

2018 September 4, “Lokodo: This ugly thing called Nyege Nyege not happening this year”, in Daily Monitor:

Although gqom's early history is blurry, its originators generally agree that it first emerged from Durban around the start of the 2010s, recorded using pirated software, shared on social media and by mobile phone, and popularised by minibus-taxi drivers who blasted the sound to attract young passengers to ride with them.

2018, Matthew Collin, Rave On: Global Adventures in Electronic Dance Music, University of Chicago Press, →ISBN, page 202:

(music) A minimalistic style of house music from South Africa.


劍指

/t͡ɕi̯ɛn⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕi̯ɛn⁵¹ ʈ͡ʂʐ̩²¹⁴⁻²¹⁽⁴⁾/

2010, 林厚省, 《新版·太極氣功十八式》, page 353

Zuǒjiǎo xiàng yòujiǎo hòufāng chārù jiǎojiān diǎn dì de tóngshí, liǎng shǒuzhǎng biàn jiànzhǐ xiàng yòushàngfāng shuǎi yòushǒu shēnzhí zài shàng zài hòu, zuǒshǒu wānqū zài xià zài qián

左腳向右腳後方插入腳尖點地的同時，兩手掌變劍指向右上方甩右手伸直在上在後，左手彎曲在下在前

2010, 林厚省, 《新版·太極氣功十八式》, page 353

左脚向右脚后方插入脚尖点地的同时，两手掌变剑指向右上方甩右手伸直在上在后，左手弯曲在下在前

2010, 周顯, 《碳六十之劍 三之二 下》 [The Buckyball Swordsmen], page 51

Shuō shí chí, nàshí kuài, Zhuó Mièchóu de jiànzhǐ zài jìn, yǐ dào le Huò Tiāncán de liǎnmén, rú fēi Huò Tiāncán de yǎnkuàng zhǐ yúxià dòngkǒng, dāndān zhè jiànzhǐ fāchū de qìjìn, yǐ zúyǐ zhènxiā yǎnzhū. Qiānjūnyīfà zhī jì, Huò Tiāncán lián rén dài yǐ tǎng le xiàlái, shǎnkāi le yǎnqián de jiànzhǐ.

說時遲，那時快，卓滅仇的劍指再進，已到了霍天殘的臉門，如非霍天殘的眼眶只餘下洞孔，單單這劍指發出的氣勁，已足以震瞎眼珠。千鈞一髮之際，霍天殘連人帶椅躺了下來，閃開了眼前的劍指。

说时迟，那时快，卓灭仇的剑指再进，已到了霍天残的脸门，如非霍天残的眼眶只余下洞孔，单单这剑指发出的气劲，已足以震瞎眼珠。千钧一发之际，霍天残连人带椅躺了下来，闪开了眼前的剑指。

Hǔchán fāng xià làshǒu, quèshì dàjīng, lǎorén zuǒshǒu shí zhōng èrzhǐ bìng chéng jiànzhǐ, méi dài Hǔchán de dāo zāchū, fǎn shàngqián bàn bù, zǎo zài Hǔchán pūchū de fāngwèi děngzhe, zā xiàng Hǔchán yǎnjing.

虎禪方下辣手，卻是大驚，老人左手食中二指並成劍指，沒待虎禪的刀紮出，反上前半步，早在虎禪撲出的方位等著，紮向虎禪眼睛。

虎禅方下辣手，却是大惊，老人左手食中二指并成剑指，没待虎禅的刀扎出，反上前半步，早在虎禅扑出的方位等着，扎向虎禅眼睛。

(martial arts, dance, opera) a hand gesture in which the index and middle fingers are pointed together, while the thumbs are pressed to the ring and little fingers


長唄

→ English: nagauta

From 長 (naga-, “long”) + 唄 (uta, “shamisen song”).

prefix

(music) shamisen music developed as an accompaniment to kabuki theater


暗潮

/ˀän⁵¹ ʈ͡ʂʰɑʊ̯³⁵/

/ɐm³³ t͡sʰiːu̯²¹/

/ˀän⁵¹ ʈ͡ʂʰɑʊ̯³⁵/

/ɐm³³ t͡sʰiːu̯²¹/


VOCALOID

VOCALOID (canonical)
bōkaroido (romanization)

2014, 水(みず)あさと (Mizu Asato), デンキ街(がい)の本屋(ほんや)さん (Denkigai no hon'ya-san) [The Electric Town's Bookstore], volume 8.5:

Favorite music genres: denpa-kei, alternative rockbands, VOCALOID, etc.

好きな音楽ジャンル：電波系ソング オルタナロックバンド系 ボカロ等

suki na ongaku janru: denpa-kei songu orutanarokkubandokei bokaro nado

ボカロ (音楽ジャンル)
w:ja:ボカロ (音楽ジャンル)

(music) VOCALOID music (category of music that uses the VOCALOID technology)


nightcore

From night + core (“key part of a thing”) via Nightcore, the name of the Norwegian duo that created the genre. They explained their name by saying "we are the core of the night, so you'll dance all night long."
Around 2008, others started making their own songs in the same style and used the term nightcore not to refer music made by the duo, but to the new genre of music as a whole. As this usage spread and knowledge of the original duo faded, the term was reanalyzed as night + -core in the same style as other music genres like metalcore, rapcore, etc.

Mofo's [motherfucker's] tagging nearly everything Nightcore : it's not Nightcore! Maybe if you knew about hardcore you'd know that in the first place. <_<

2009 May 2, @StatusMessage, Twitter, archived from the original on 2023-07-08:

It's all in the title. Anyone know of good original Nightcore songs? Original being the key word here. And I guess any other really good Nightcore song too.

2011 December 1, Zephyranth [username], “Any original Nightcore songs?”, in Narkive [originally posted on Yahoo! Answers], archived from the original on 2023-06-21:

Grimes has shared a new remix of her recent single “We Appreciate Power.” Billed as a “Nightcore Remix” and produced by HANA, the track sees the original song (also featuring HANA) sped up and pitch-shifted.

2019 January, Noah Yoo, “Grimes Shares New Nightcore Remix of ‘We Appreciate Power’: Listen”, in Pitchfork:

A plunderphonic style of music based on taking an original track and speeding it up, increasing its pitch. Usually associated with visuals of anime-style artwork.


fashwave

Blend of fascist + vaporwave, equivalent to fash + -wave. Compare synthwave, darkwave, new wave.

“The Jew-owned Buzzfeed^([sic]) blog has done an article about how fashwave has become the musical soundtrack of the alt-right,” the piece said.

2016 December 14, Michael Hann, quoting Reggie Ugwu, “'Fashwave': synth music co-opted by the far right”, in The Guardian:

In fashwave, as in all fascist art (yes, that’s what the “fash” part stands for), the far right’s insecurities and apocalyptic death wish are chiefly on display.

2018 January 13, Jack Smith IV, “This is fashwave, the suicidal retro-futurist art of the alt-right”, in Mic:

Vaporwave music and art with fascist themes.


szlagier

szlagier (nominative singular)
szlagiery (nominative plural)
szlagiera (genitive singular)
szlagierów (genitive plural)
szlagierowi (dative singular)
szlagierom (dative plural)
szlagier (accusative singular)
szlagiery (accusative plural)
szlagierem (instrumental singular)
szlagierami (instrumental plural)
szlagierze (locative singular)
szlagierach (locative plural)
szlagierze (singular vocative)
szlagiery (plural vocative)

schlager (chiefly European style of popular music with light melodies (often easily danceable) and typically facile, sentimental lyrics)


hair metal

Referring to the typically long hair of the performers.

(informal, derogatory, music) Glam metal.


ドゥーワップ

ja-noun

ドゥーワップ • (dūwappu)

[dɯ̟ːβ̞a̠p̚pɯ̟]


波爾卡

/pu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻³⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/pɔː⁵⁵ jiː¹³ kʰaː⁵⁵/

/pu̯ɔ⁵⁵ ˀɤɻ²¹⁴⁻³⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/pɔː⁵⁵ jiː¹³ kʰaː⁵⁵/


semi-harmonic

(jazz) A stressed note, deliberately incorrect.


クラシック音楽

クラシック音楽 (canonical)
kurashikku ongaku (romanization)

[kɯ̟ɾa̠ɕi̥k̚kɯ̟ õ̞ŋɡa̠kɯ̟]


ワールドミュージック

[β̞a̠ːɾɯ̟do̞ mʲɨːʑik̚kɯ̟]

(music) world music (music that combines elements from traditional styles with popular elements)

ja:ワールドミュージック


ջազ

ǰaz (romanization)
ջազ (nominative singular singular-only)
ջազի (dative singular singular-only)
ջազից (ablative singular singular-only)
ջազով (instrumental singular singular-only)
ջազում (locative singular singular-only)
ջազը (definite nominative singular singular-only)
ջազն (definite nominative singular singular-only)
ջազին (dative definite singular singular-only)
ջազս (first-person nominative possessive singular singular-only)
ջազիս (dative first-person possessive singular singular-only)
ջազիցս (ablative first-person possessive singular singular-only)
ջազովս (first-person instrumental possessive singular singular-only)
ջազումս (first-person locative possessive singular singular-only)
ջազդ (nominative possessive second-person singular singular-only)
ջազիդ (dative possessive second-person singular singular-only)
ջազիցդ (ablative possessive second-person singular singular-only)
ջազովդ (instrumental possessive second-person singular singular-only)
ջազումդ (locative possessive second-person singular singular-only)

hy-decl-noun-unc

ջազերը/ջազերն


gobble-pipe

1937, liner notes to the album The Camel Caravan by Benny Goodman


agony-pipe

This was that same agony-pipe, which, in the German rhapsody, wails its way into the most exciting of all symphonic expressions of the jazz idiom...


靈魂樂

ㄌㄧㄥˊ ㄏㄨㄣˊ ㄩㄝˋ

/liŋ³⁵ xu̯ən³⁵ ɥɛ⁵¹/

/liŋ³⁵ xu̯ən³⁵ ɥɛ⁵¹/


白人靈魂樂

ㄅㄞˊ ㄖㄣˊ ㄌㄧㄥˊ ㄏㄨㄣˊ ㄩㄝˋ

байжэнь линхуньюэ

/paɪ̯³⁵ ʐən³⁵ liŋ³⁵ xu̯ən³⁵ ɥɛ⁵¹/

/paɪ̯³⁵ ʐən³⁵ liŋ³⁵ xu̯ən³⁵ ɥɛ⁵¹/


jazz rap

(music) A fusion subgenre of hip-hop and jazz music, developed in the late 1980s and early 1990s.


bambuco

(music) A traditional music genre from Colombia, formed in the 19th and 20th centuries as a blend of Basque folk music and the European waltz.


witch house

Inspired by early rave and dream-pop, witch house also takes its cue from the "chopped and screwed" remix technique so prevalent in early 90s hip-hop.

2010 September 25, Tim Jonze, “Witch house and the musicians taking us back to the future”, in The Guardian:

(music, neologism) A style of music characterized by chopped and screwed hip-hop soundscapes, industrial and noise experimentation, and the use of synthesizers, drum machines, obscure samples, droning repetition and heavily altered, ethereal, indiscernible vocals.


scrumpy and western

(UK, humorous, music) A genre of comical folk songs from England's West Country.


Italo house

(music) A fusion genre of house music and Italo disco.


cloud rap

(music) A subgenre of hip-hop music characterised by airy or atmospheric production.


ハピコア

ハッピーハードコア ハッピーハードコア#Japanese

Short for ハッピーハードコア (happī hādokoa, “happy hardcore”); happycore


ハッピーハードコア

ja-noun

ハッピーハードコア • (happī hādokoa)


ハピハコ

ハッピーハードコア ハッピーハードコア#Japanese

Short for ハッピーハードコア (happī hādokoa, “happy hardcore”).


鄉村音樂

ㄒㄧㄤ ㄘㄨㄣ ㄧㄣ ㄩㄝˋ

сянцунь иньюэ

/ɕi̯ɑŋ⁵⁵ t͡sʰu̯ən⁵⁵ in⁵⁵ ɥɛ⁵¹/

/hœːŋ⁵⁵ t͡sʰyːn⁵⁵ jɐm⁵⁵ ŋɔːk̚²/

/ɕi̯ɑŋ⁵⁵ t͡sʰu̯ən⁵⁵ in⁵⁵ ɥɛ⁵¹/

/hœːŋ⁵⁵ t͡sʰyːn⁵⁵ jɐm⁵⁵ ŋɔːk̚²/

Country music has always been about the relationship between rural and urban, home and moving, as well as the past and the present.

Xiāngcūnyīnyuè zǒngshì guānyú nóngcūn yǔ chéngshì ﹑ jiā yǔ qiānxǐ jí guòqù yǔ xiànzài jiān de guānxì.

鄉村音樂總是關於農村與城市﹑家與遷徙及過去與現在間的關係。

乡村音乐总是关于农村与城市﹑家与迁徙及过去与现在间的关系。


walc

pl-noun

walc m inan (diminutive walczyk, related adjective walcowy)

walczyk (diminutive)
walcowy (adjective)
walc (nominative singular)
walce (nominative plural)
walca (genitive singular)
walców (genitive plural)
walcowi (dative singular)
walcom (dative plural)
walc (accusative singular)
walce (accusative plural)
walcem (instrumental singular)
walcami (instrumental plural)
walcu (locative singular)
walcach (locative plural)
walcu (singular vocative)
walce (plural vocative)


پوپ

pope (head of the Roman Catholic Church)


क़व्वाली

hi-noun

क़व्वाली • (qavvālī) f (Urdu spelling قوالی)

qavvālī (romanization)
قوالی (Urdu)
क़व्वाली (direct singular)
क़व्वालियाँ (direct plural)
क़व्वाली (oblique singular)
क़व्वालियों (oblique plural)
क़व्वाली (singular vocative)
क़व्वालियो (plural vocative)
क़वाली (alternative)
कव्वाली (alternative)
कवाली (alternative)

Borrowed from a nisba form of Arabic قَوَّال (qawwāl, “qawwal”). Cognate with Bengali কাওয়ালী (kaōẇali)

qawwali: kind of Indian sufi devotional song


把子

/pä²¹⁴ d͡z̥z̩⁴/

/paː³⁵ t͡siː³⁵/

/pä²¹⁴ d͡z̥z̩⁴/

/paː³⁵ t͡siː³⁵/

/pä⁵¹ d͡z̥z̩¹/

/pä⁵¹ d͡z̥z̩¹/

/paː³⁵ t͡siː³⁵/

(opera) stage weapons and props used in traditional Chinese opera (as a whole)

(opera) mock fighting in traditional Chinese opera


neoprogressive

(music) Being or relating to a form of progressive rock that was briefly popular in the 1980s, characterized by deeply emotional content, often delivered via dramatic lyrics and on-stage theatricality.


內場

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ³⁵/

/nɔːi̯²² t͡sʰœːŋ²¹/

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/neɪ̯⁵¹ ʈ͡ʂʰɑŋ³⁵/

/nɔːi̯²² t͡sʰœːŋ²¹/

(opera) area behind the table on the stage


聖誕頌歌

ㄕㄥˋ ㄉㄢˋ ㄙㄨㄥˋ ㄍㄜ

шэндань сунгэ

/ʂɤŋ⁵¹⁻⁵³ tän⁵¹⁻⁵³ sʊŋ⁵¹ kɤ⁵⁵/

/ʂɤŋ⁵¹⁻⁵³ tän⁵¹⁻⁵³ sʊŋ⁵¹ kɤ⁵⁵/


disco music

A genre of dance music that was mostly popular in the 1970s that is often characterized by its elements of soul music along with a strong Latin-American inspired beat and often accompanied by pulsating lights that also features a melodic sound with a regular bass beat that was intended mainly for dancing at discotheques.


文武生

/wən³⁵ u²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/mɐn²¹ mou̯¹³ sɐŋ⁵⁵/

/wən³⁵ u²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/mɐn²¹ mou̯¹³ sɐŋ⁵⁵/

(opera) wenwusheng (combined civil and martial character)


正印花旦

ㄓㄥˋ ㄧㄣˋ ㄏㄨㄚ ㄉㄢˋ

чжэнъиньхуадань

/ʈ͡ʂɤŋ⁵¹⁻⁵³ in⁵¹ xu̯ä⁵⁵ tän⁵¹/

/ʈ͡ʂɤŋ⁵¹⁻⁵³ in⁵¹ xu̯ä⁵⁵ tän⁵¹/

(opera) zhengyinhuadan (female character)


二幫花旦

ㄦˋ ㄅㄤ ㄏㄨㄚ ㄉㄢˋ

эрбанхуадань

/ˀɤɻ⁵¹ pɑŋ⁵⁵ xu̯ä⁵⁵ tän⁵¹/

/ˀɤɻ⁵¹ pɑŋ⁵⁵ xu̯ä⁵⁵ tän⁵¹/

(opera) erbanghuadan (young female character)


丑生

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/t͡sʰɐu̯³⁵ sɐŋ⁵⁵/

/ʈ͡ʂʰoʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/t͡sʰɐu̯³⁵ sɐŋ⁵⁵/


對打

/tu̯eɪ̯⁵¹ tä²¹⁴⁻²¹⁽⁴⁾/

/tɵy̯³³ taː³⁵/

/tui²¹⁻⁵³ tã⁵³/

/tui⁴¹⁻⁵⁵⁴ tã⁵⁵⁴/

/tui²¹⁻⁵³ tã⁵³/

/tui¹¹⁻⁵³ tã⁵³/

/tui²¹⁻⁴¹ tã⁴¹/

/tu̯eɪ̯⁵¹ tä²¹⁴⁻²¹⁽⁴⁾/

/tɵy̯³³ taː³⁵/

/tui²¹⁻⁵³ tã⁵³/

/tui⁴¹⁻⁵⁵⁴ tã⁵⁵⁴/

/tui²¹⁻⁵³ tã⁵³/

/tui¹¹⁻⁵³ tã⁵³/

/tui²¹⁻⁴¹ tã⁴¹/

(chiefly martial arts, sports, opera) to duel


art pop

(music, pop) A genre of popular music influenced by pop art's integration of high and low culture.


big room house

(music) A subgenre of house music consisting of minimal synthesizer drops and percussion with bass heavy kicks, one of the most popular electronic dance genres since the mid-2010s.


vude

Fiji's homespun reggae acts tour the region, while domestic audiences also devour the vude genre, which emerged in the 1980s and combines the regionally popular guitar/ukulele string-band style with disco and country elements.

2006 November 25, Christie Eliezer, “Islands of Sound: Foundation Plots Sea Change for Inventive Indigenous Music”, in Billboard, volume 118, number 47, page 15:

(music) A musical genre emerged in Fiji in the 1980s, combining island music with disco and country elements.


dalszínház

dalszínház (nominative singular)
dalszínházak (nominative plural)
dalszínházat (accusative singular)
dalszínházakat (accusative plural)
dalszínháznak (dative singular)
dalszínházaknak (dative plural)
dalszínházzal (instrumental singular)
dalszínházakkal (instrumental plural)
dalszínházért (causal-final singular)
dalszínházakért (causal-final plural)
dalszínházzá (singular translative)
dalszínházakká (plural translative)
dalszínházig (singular terminative)
dalszínházakig (plural terminative)
dalszínházként (essive-formal singular)
dalszínházakként (essive-formal plural)
dalszínházban (inessive singular)
dalszínházakban (inessive plural)
dalszínházon (singular superessive)
dalszínházakon (plural superessive)
dalszínháznál (adessive singular)
dalszínházaknál (adessive plural)
dalszínházba (illative singular)
dalszínházakba (illative plural)
dalszínházra (singular sublative)
dalszínházakra (plural sublative)
dalszínházhoz (allative singular)
dalszínházakhoz (allative plural)
dalszínházból (elative singular)
dalszínházakból (elative plural)
dalszínházról (delative singular)
dalszínházakról (delative plural)
dalszínháztól (ablative singular)
dalszínházaktól (ablative plural)
dalszínházé (singular)
dalszínházaké (plural)
dalszínházéi (singular)
dalszínházakéi (plural)
dalszínházam (first-person possessed-single possessive singular)
dalszínházaim (first-person possessed-many possessive singular)
dalszínházad (possessed-single possessive second-person singular)
dalszínházaid (possessed-many possessive second-person singular)
dalszínháza (possessed-single possessive singular third-person)
dalszínházai (possessed-many possessive singular third-person)
dalszínházunk (first-person plural possessed-single possessive)
dalszínházaink (first-person plural possessed-many possessive)
dalszínházatok (plural possessed-single possessive second-person)
dalszínházaitok (plural possessed-many possessive second-person)
dalszínházuk (plural possessed-single possessive third-person)
dalszínházaik (plural possessed-many possessive third-person)

(literary) opera house (a theatre, or similar building, primarily used for staging opera)


シューゲイザー

ja-noun

シューゲイザー • (shūgeizā)

[ɕɨːɡe̞ːza̠ː]

Wasei eigo (和製英語; pseudo-anglicism), derived from shoegazer


イタロディスコ

Borrowed from Italian Italo disco or English Italo disco.


J-POP

J-POP (canonical)
jē-poppu (romanization)

[d͡ʑe̞ːpo̞p̚pɯ̟]


ppongjjak

From Korean 뽕짝 (ppongjjak), of onomatopoeic origin.

Synonym of trot (“Korean pop music genre”)


트로트

→ English: trot

→ Japanese: トロット (torotto)

trot, a 20th century genre of Korean pop music


tuồng

head

從, 傱, 㗰, 象, 像

vi-noun

從, 傱, 㗰, 象, 像

The more original meaning word was "look; appearance", which then extended to the performance art due to the performers' eye-catching costumes; hát tuồng therefore can be understood as "costume singing" or "vocal performance with costumes".

(by extension) classical Vietnamese opera (hát tuồng)


南曲

/nän³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/naːm²¹ kʰʊk̚⁵/

/lam²⁴⁻²² kʰiɪk̚³²/

/lam¹³⁻²² kʰiɪk̚³²/

/nän³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/naːm²¹ kʰʊk̚⁵/

/lam²⁴⁻²² kʰiɪk̚³²/

/lam¹³⁻²² kʰiɪk̚³²/

Nanguan (an ancient musical genre originating in Fujian, China, and also performed in Taiwan and Singapore)


南樂

/nän³⁵ ɥɛ⁵¹/

/naːm²¹ ŋɔːk̚²/

/lam²⁴⁻²² ɡak̚⁴/

/lam²⁴⁻²² ɡak̚²⁴/

/lam¹³⁻²² ɡak̚¹²¹/

/lam²⁴⁻¹¹ ɡak̚⁴/

/lam²³⁻³³ ɡak̚⁴/

/nän³⁵ ɥɛ⁵¹/

/naːm²¹ ŋɔːk̚²/

/lam²⁴⁻²² ɡak̚⁴/

/lam²⁴⁻²² ɡak̚²⁴/

/lam¹³⁻²² ɡak̚¹²¹/

/lam²⁴⁻¹¹ ɡak̚⁴/

/lam²³⁻³³ ɡak̚⁴/


電波ソング

電波ソング (canonical)
denpa songu (romanization)

→ English: denpa song

[dẽ̞mpa̠ sõ̞ŋɡɯ̟]

denpa song, a Japanese genre of catchy electronic music featuring cute vocals and nonsensical or unusual lyrics.


白字仔

/pɛ(ʔ)¹²¹⁻²¹ d͡zi²² a⁵³/

/pɛ(ʔ)¹²¹⁻²¹ d͡zi²² a⁵³/


シティポップ

city pop, a Japanese genre of pop music from the 1970s–80s


hardcore techno

electronic dance music
electronic dance music

(music) A genre of electronic dance music originating from the gabber rave scene.


トロット

From Korean 트로트 (teuroteu), with phonetics from English trot.


kafi

From Western Panjabi کافی (kāfī), ultimately from Arabic.

A genre of Punjabi and Sindhi classical music.


黃腔

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑ̃ɻ⁵⁵/

/wɔːŋ²¹ hɔːŋ⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/xu̯ɑŋ³⁵ t͡ɕʰi̯ɑ̃ɻ⁵⁵/

/wɔːŋ²¹ hɔːŋ⁵⁵/


廬劇

/lu³⁵ t͡ɕy⁵¹/

/lou̯²¹ kʰɛːk̚²/

/lu³⁵ t͡ɕy⁵¹/

/lou̯²¹ kʰɛːk̚²/

Luju (a variety of Chinese opera from Anhui)


本地戲仔

/pun⁵³⁻⁴⁴ te²²⁻²¹ hi²¹⁻⁵³ a⁵³/

/pun⁵³⁻⁴⁴ te²²⁻²¹ hi²¹⁻⁵³ a⁵³/

(Zhangzhou Hokkien, music) A branch of Taiwanese opera popular in Zhangzhou.


nhạc vàng

[ɲaːk̚˧˨ʔ vaːŋ˨˩]

[ɲaːk̚˨˩ʔ vaːŋ˦˩]

[ɲaːk̚˨˩˨ vaːŋ˨˩]

[ɲaːk̚˨˩˨ jaːŋ˨˩]

(music) “golden music” (a form of popular Vietnamese music from the 1950s to the 1970s)


shanto

(Guyana) A form of Guyanese music, related to calypso and mento.


guarania

Borrowed from Spanish guarania, from guaraní, from Guaraní abá guariní (“man of war”).

(music) A style of music from Paraguay, generally in a minor key.


guarania

From guaraní, from Guaraní abá guariní (“man of war”).


psybient

Indeed, by the early 2000s, the music and cultures of psytrance (from psybient to darkpsy) was becoming entheogenically liminalised, a popular state of affairs from Europe to Israel, America to Australia and Brazil to South Africa.

2010, Graham St John, The Local Scenes and Global Culture of Psytrance, →ISBN, page 224:

Psybient artists include Shpongle, Entheogenic (2), Evan Bluetech, Yaniv Shulman, Kickbong, and some of the works of Younger Brother.

Shpongle was formed in 1996 and has been described by Posford as “like nothing you’ve ever heard before.” They have been noted for pioneering the “psybient” genre, which combines world music, such as Ram’s infamous flute, with synth-based electronic mixing, making a sound that has been a strong influence for so many groups since Shpongle’s inception.

2014 May 9, Isabel McCan, “Shpongle: One-Time Show with Live Band at Red Rocks”, in 303 Magazine:

The worldwide annual psychedelic festival for yoga, music, dance and nature lovers is again hosted lecturers, coaches, psychologists and healers along with 130 yoga workshops, seances and lectures, as well as a Psybient music festival with over 140 music artists and DJs performing on three stages.

2018 August 16, “Samsara Festival: In Nature We Escape – Photo Album!”, in Hungary Today:

(music) A musical genre that is a fusion of psytrance and ambient.


リズム・アンド・ブルース

[ɾʲizɨmɯ̟ ã̠ndo̞ bɯ̟ɾɯ̟ːsɨ]

ja:リズム・アンド・ブルース


丑腳

/tʰiu⁵⁵⁴⁻²⁴ kioʔ⁵/

/tʰiu⁵³⁻⁴⁴ kioʔ³²/

/tʰiũ⁵³⁻⁴⁴ kioʔ³²/

/tʰiu⁵⁵⁴⁻²⁴ kioʔ⁵/

/tʰiu⁵³⁻⁴⁴ kioʔ³²/

/tʰiũ⁵³⁻⁴⁴ kioʔ³²/

(Hokkien, opera) clown role; comic character


dream trance

An early subgenre of trance music typically based around melodies played on acoustic instruments and combined with electronic beats.


淨角

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛ³⁵/

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛɻ³⁵/

/t͡sɪŋ²² kɔːk̚³/

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛ³⁵/

/t͡ɕiŋ⁵¹ t͡ɕy̯ɛɻ³⁵/

/t͡sɪŋ²² kɔːk̚³/

(opera) painted-face role (in Chinese opera)


хардбасс

ru-noun+

хардба́сс • (xardbáss) m inan (genitive хардба́сса, uncountable)

хардба́сс (canonical)
xardbáss (romanization)
хардба́сса (genitive)
хардба́сс (nominative singular)
хардба́сса (genitive singular)
хардба́ссу (dative singular)
хардба́сс (accusative singular)
хардба́ссом (instrumental singular)
хардба́ссе (prepositional singular)

→ English: hardbass


hardbass

From Russian хардба́сс (xardbáss), in turn from English hard bass.

A subgenre of electronic music from Russia, characterized by heavy basslines and a fast tempo.

хардба́сс

a subgenre of electronic music from Russia


Disco

de-noun

Disco m (strong, genitive Disco, no plural)

Disco (genitive)
Disco (nominative singular)
Disco (genitive singular)
Disco (dative singular)
Disco (accusative singular)
Disko (alternative)


hick-hop

A genre that combines country and hip-hop, often equated with country rap.


freak folk

The wide array of artists that grew out of the freak folk or indie folk scene of the early 2000s were indeed as much inspired by the Anthology as they were by the loose musical forms of experimental jazz and avant-garde music and Induist and […]

2016, Ross Hair, Thomas Ruys Smith, Harry Smith's Anthology of American Folk Music: America changed through music, Taylor & Francis, →ISBN, page 250:

psychedelic folk
psychedelic folk#English


wodewil

wodewil (nominative singular)
wodewile (nominative plural)
wodewilu (genitive singular)
wodewili (genitive plural)
wodewilowi (dative singular)
wodewilom (dative plural)
wodewil (accusative singular)
wodewile (accusative plural)
wodewilem (instrumental singular)
wodewilami (instrumental plural)
wodewilu (locative singular)
wodewilach (locative plural)
wodewilu (singular vocative)
wodewile (plural vocative)


operetka

operetka (nominative singular)
operetki (nominative plural)
operetki (genitive singular)
operetek (genitive plural)
operetce (dative singular)
operetkom (dative plural)
operetkę (accusative singular)
operetki (accusative plural)
operetką (instrumental singular)
operetkami (instrumental plural)
operetce (locative singular)
operetkach (locative plural)
operetko (singular vocative)
operetki (plural vocative)


bullerengue

Borrowed from Spanish bullerengue, a blend of bulla (“racket”) + arenga (“sermon”).

blend

(music) An African-styled music style and dance from Panama.


bullerengue

rural northern Spain, Andes Mountains, Paraguay, Philippines

Blend of bulla (“racket”) + arenga (“sermon”). Likely influenced by merengue.


power electronics

(music) A subgenre of industrial music with low-end drones, harsh loops, and screamed or distorted vocals.


gotyk

gotyk (nominative singular)
gotyku (genitive singular)
gotykowi (dative singular)
gotyk (accusative singular)
gotykiem (instrumental singular)
gotyku (locative singular)
gotyku (singular vocative)


synthdance

The opening cut, "Got to Get Up," is a fresh, buoyant, and tasty an example of current black synthdance music as you'll hear anywhere.

1983, Voice of Youth Advocates: VOYA, volume 6, page 159:

Swing Out Sister, a synthdance trio fronted by the marvellously idiosynchratic^([sic]) Corinne Drewery ("My mother keeps hedgehogs in the kitchen — I was always stumbling over their cages," she says), released their Phonogram debut, […]

(rare) electronic dance music employing a synthesizer


世界音樂

ㄕˋ ㄐㄧㄝˋ ㄧㄣ ㄩㄝˋ

/ʂʐ̩⁵¹⁻⁵³ t͡ɕi̯ɛ⁵¹ in⁵⁵ ɥɛ⁵¹/

/ʂʐ̩⁵¹⁻⁵³ t͡ɕi̯ɛ⁵¹ in⁵⁵ ɥɛ⁵¹/


鳥筅仔

/niãu⁵³⁻⁴⁴ t͡sʰiɪŋ⁵³⁻⁴⁴ a⁵³/

/niãu⁵³⁻⁴⁴ t͡sʰiɪŋ⁵³⁻⁴⁴ a⁵³/

(Zhangzhou Hokkien, opera) clown role; comic character


gospelypso

A musical genre combining calypso with gospel or a Christian message.


生囝

/ɬɛŋ⁵³³⁻²¹ ⁽ᵏ⁻⁾ŋyɒ⁴⁵³/

/ɬɛŋ⁵³³⁻²¹ ⁽ᵏ⁻⁾ŋya³³²/

/ɬɛŋ⁵³³⁻²¹ ⁽ᵏ⁻⁾ŋyɒ⁴⁵³/

/ɬɛŋ⁵³³⁻²¹ ⁽ᵏ⁻⁾ŋya³³²/

(Puxian Min, opera) sheng (a male role in Chinese opera)


旦角

/tän⁵¹ t͡ɕy̯ɛ³⁵/

/tän⁵¹ t͡ɕy̯ɛɻ³⁵/

/taːn³⁵ kɔːk̚³/

/tän⁵¹ t͡ɕy̯ɛ³⁵/

/tän⁵¹ t͡ɕy̯ɛɻ³⁵/

/taːn³⁵ kɔːk̚³/


락

Alternative spelling of 록 (rok, “(music) rock”)


skramz

Originally coined to distinguish first-wave screamo from mall screamo. Possibly from screams.

It is also true that Evangelical churches can create like-minded youth; Jamie, involved with a London-based emo band, explained how the band members attend the same Evangelical Anglican church in south London, whose youth pastor introduced them to the obscure skramz sub-subgenre of hardcore that influences their sound.

2017, Ibrahim Abraham, Evangelical Youth Culture: Alternative Music and Extreme Sports Subcultures:


جوقة

ar-noun

جَوْقَة • (jawqa) f (plural جَوْقَات (jawqāt))

جَوْقَة (canonical)
jawqa (romanization)
جَوْقَات (plural)
جَوْقَة (ar-infl-a indefinite informal singular triptote)
الْجَوْقَة (ar-infl-a definite informal singular triptote)
جَوْقَة (ar-infl-a construct informal singular triptote)
جَوْقَةٌ (ar-infl-a indefinite nominative singular triptote)
الْجَوْقَةُ (ar-infl-a definite nominative singular triptote)
جَوْقَةُ (ar-infl-a construct nominative singular triptote)
جَوْقَةً (accusative ar-infl-a indefinite singular triptote)
الْجَوْقَةَ (accusative ar-infl-a definite singular triptote)
جَوْقَةَ (accusative ar-infl-a construct singular triptote)
جَوْقَةٍ (ar-infl-a genitive indefinite singular triptote)
الْجَوْقَةِ (ar-infl-a definite genitive singular triptote)
جَوْقَةِ (ar-infl-a construct genitive singular triptote)
جَوْقَتَيْن (ar-infl-a dual indefinite informal singular triptote)
الْجَوْقَتَيْن (ar-infl-a definite dual informal singular triptote)
جَوْقَتَيْ (ar-infl-a construct dual informal singular triptote)
جَوْقَتَانِ (ar-infl-a dual indefinite nominative singular triptote)
الْجَوْقَتَانِ (ar-infl-a definite dual nominative singular triptote)
جَوْقَتَا (ar-infl-a construct dual nominative singular triptote)
جَوْقَتَيْنِ (accusative ar-infl-a dual indefinite singular triptote)
الْجَوْقَتَيْنِ (accusative ar-infl-a definite dual singular triptote)
جَوْقَتَيْ (accusative ar-infl-a construct dual singular triptote)
جَوْقَتَيْنِ (ar-infl-a dual genitive indefinite singular triptote)
الْجَوْقَتَيْنِ (ar-infl-a definite dual genitive singular triptote)
جَوْقَتَيْ (ar-infl-a construct dual genitive singular triptote)
جَوْقَات (feminine indefinite informal plural sound-form)
الْجَوْقَات (definite feminine informal plural sound-form)
جَوْقَات (construct feminine informal plural sound-form)
جَوْقَاتٌ (feminine indefinite nominative plural sound-form)
الْجَوْقَاتُ (definite feminine nominative plural sound-form)
جَوْقَاتُ (construct feminine nominative plural sound-form)
جَوْقَاتٍ (accusative feminine indefinite plural sound-form)
الْجَوْقَاتِ (accusative definite feminine plural sound-form)
جَوْقَاتِ (accusative construct feminine plural sound-form)
جَوْقَاتٍ (feminine genitive indefinite plural sound-form)
الْجَوْقَاتِ (definite feminine genitive plural sound-form)
جَوْقَاتِ (construct feminine genitive plural sound-form)
جَوْق (alternative)

An Iranian borrowing: compare Persian جوخ (jawx, “troop”) and the Old Armenian loanword ջոկ (ǰok).

(theater, opera) ensemble, choir, chorus, orchestra, troupe, band


sublow

(music) Grime music with very low bass frequencies.


holy unblack metal

The part holy unblack is a calque of Norwegian Bokmål hellig usvart, after Hellig Usvart, a record by Horde.

calque

(music) A subgenre of black metal with Christian lyrics.


kosmische musik

Borrowed from German kosmische Musik (“cosmic music”), used in German in the liner notes of the album Alpha Centauri (1971).

It began out of nothing, was given a joke name, and became the pop influence du jour: krautrock, kosmische musik, elektronische musik, or whatever you wish to call German experimental rock from the 1970s.

2010 March 30, Jon Savage, “Elektronische musik: a guide to krautrock”, in The Guardian:

Another term commonly used for some German music from the 1970s is kosmische Musik (“cosmic music”). It was introduced by Rolf-Ulrich Kaiser to market krautrock artists like Ash-Ra Tempel, Tangerine Dream, and Klaus Schulze. Although rejected by many artists associated with it, kosmische Musik remains a somewhat useful term to describe the synthesizer-heavy, meditative anti-rock of some West German musicians of the 1970s.

2016, Ulrich Adelt, Krautrock: German Music in the Seventies, University of Michigan Press, →ISBN, page 11:

(music) West German experimental space rock from the 1970s.


chamber pop

The use of string and horn sections helped add rich layers to the band's theatrical fusion of indie rock and chamber pop, with the heart of the album residing in the opening quartet of songs sharing the title 'Neighborhood'.

2011, Colin Larkin, The Encyclopedia of Popular Music, Omnibus Press, →ISBN, page 2210:

(music) A subgenre of rock music which places increased emphasis on melody, often incorporating vocal harmonies and bowed string instruments.


post-metal

(music) A genre of modern music influenced by heavy metal but often focusing more on atmosphere.


plugg

From "Plug!", earlier "Plugs!", the producer tag used by the members of BeatPluggz collective, who recorded the vocals for the tag.

(music) A laid-back subgenre of trap music.


groove metal

A subgenre of thrash metal focussing on elaborate drumming and featuring mid-tempo guitar riffs played in syncopated rhythms.


powerviolence

An extremely dissonant and fast subgenre of hardcore punk music, related to thrashcore and grindcore.


幫腔

/pɑŋ⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/pɔːŋ⁵⁵ hɔːŋ⁵⁵/

/pɑŋ⁵⁵ t͡ɕʰi̯ɑŋ⁵⁵/

/pɔːŋ⁵⁵ hɔːŋ⁵⁵/

(literally, in some Chinese operas) to sing an accompaniment


easycore

[…] the successful easycore DJs James and Martin Karminsky.

1997, Dylan Jones, Ultra Lounge: The Lexicon of Easy Listening, page 18:

The uncanny ability of "easycore" artists to swoon us into special realms, especially ones deep in our hearts, is a major theme of "Ultra Lounge." But as the genre offers a vacation from despair, looming heartache often comes with the ticket.

1997, Billboard, volume 109, number 18, page 67:

(music, rare) Music that verges toward easy listening, or that is less hardcore than comparable styles.

We have a forty-five minute slot, and the other bands are more easycore than we usually play with so there's a different crowd.

2016, Jason Rossiter, March: A Good Man:

While a bevy of MySpace bands who used the word "easycore" as a self-descriptor to mark their poppy hardcore tastes, ADTR [A Day to Remember] make the rest of the pile seem like amateurs thanks to their laser-precise songwriting.

2017 August 31, John Hill, “A Day to Remember Albums Ranked”, in Loudwire:

(music) A pop punk subgenre that combines elements of metalcore, incorporating use of breakdowns, screams, major key progressions and riffs and synthesizers.


軽音楽

軽音楽 (canonical)
keiongaku (romanization)

[ke̞ːõ̞ŋɡa̠kɯ̟]

From 軽 (kei, “light, easy”) + 音楽 (ongaku, “music”), a calque of English light music.

com

light music (such as popular songs, jazz, chanson, etc.), as opposed to classical music


出彩

/ʈ͡ʂʰu⁵⁵ t͡sʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵt̚⁵ t͡sʰɔːi̯³⁵/

/ʈ͡ʂʰu⁵⁵ t͡sʰaɪ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡sʰɵt̚⁵ t͡sʰɔːi̯³⁵/

(opera, dated) to apply red to someone to indicate bleeding; (metonymically) to bleed


C-Pop

de-noun

C-Pop m (strong, genitive C-Pops or C-Pop, no plural)

C-Pops (genitive)
C-Pop (genitive)
C-Pop (nominative singular)
C-Pops (genitive singular)
C-Pop (genitive singular)
C-Pop (dative singular)
C-Pop (accusative singular)


節奏布魯斯

ㄐㄧㄝˊ ㄗㄡˋ ㄅㄨˋ ㄌㄨˇ ㄙ

цзецзоу булусы

/t͡ɕi̯ɛ³⁵ t͡soʊ̯⁵¹⁻⁵³ pu⁵¹ lu²¹⁴⁻²¹ sz̩⁵⁵/


六國大封相

/lʊk̚² kʷɔːk̚³ taːi̯²² fʊŋ⁵⁵ sœːŋ³³/

/lʊk̚² kʷɔːk̚³ taːi̯²² fʊŋ⁵⁵ sœːŋ³³/

Six States Installation of Minister murder

Originally the name of a Cantonese opera set in a fictionalised Warring States period. The figurative meaning of "chaotic situation; etc." entered vernacular parlance after the infamous Chu Shing-choi murders (1951, Hong Kong).

(Cantonese, opera) Six States Installation of Minister


crunkcore

(music) A fusion genre combining cultural and musical elements of crunk, post-hardcore, pop, electronic music, and dance music. It often features screamed vocals, hip-hop beats, and sexually provocative lyrics.


opéra-féerie

desc

опера-феерия

→ Russian: опера-феерия (opera-fejerija)


fairy opera

en-noun

fairy opera (countable and uncountable, plural fairy operas)

(countable) An individual opera in this genre.


ロックンロール

[ɾo̞k̚kɯ̟̃n̺ɾo̞ːɾɯ̟]


Zauberoper

de-noun

Zauberoper f (genitive Zauberoper, plural Zauberopern)

Zauberoper (genitive)
Zauberopern (plural)
Zauberoper (nominative singular)
Zauberopern (definite nominative plural)
Zauberoper (genitive singular)
Zauberopern (definite genitive plural)
Zauberoper (dative singular)
Zauberopern (dative definite plural)
Zauberoper (accusative singular)
Zauberopern (accusative definite plural)


chamber opera

en-noun

chamber opera (countable and uncountable, plural chamber operas)

(uncountable) A genre of opera written to be performed with a chamber ensemble.


Kammeroper

de-noun

Kammeroper f (genitive Kammeroper, plural Kammeropern)

Kammeroper (genitive)
Kammeropern (plural)
Kammeroper (nominative singular)
Kammeropern (definite nominative plural)
Kammeroper (genitive singular)
Kammeropern (definite genitive plural)
Kammeroper (dative singular)
Kammeropern (dative definite plural)
Kammeroper (accusative singular)
Kammeropern (accusative definite plural)


New Thing

I'm not sure if I understand Greg properly, but he seems to be arguing that the avant-garde is the "property" of black musicians, a "Black Thang," while somehow conflating "the New Thing" with all areas of free jazz.

2002, Yuval Taylor, The Future of Jazz, page 178:

But where could the relocation of the free jazz movement take place, and how has this transfer action of the new thing been articulated by its protagonists?

2008, Guerino Mazzola, Paul B. Cherlin, Flow, Gesture, and Spaces in Free Jazz:

The emergence of free jazz has only emphasized the issue of (white) commercial domination over jazz. Everything about the New Thing clashed with the habits of jazz lovers; […]

2015, Philippe Carles, Jean-Louis Comolli, Free Jazz/Black Power:

Free jazz music, as associated with the black civil rights movement.


þjóðlagarokk

is-noun

þjóðlagarokk n (genitive singular þjóðlagarokks, no plural)

þjóðlagarokks (genitive singular)
þjóðlagarokk (indefinite nominative singular)
þjóðlagarokkið (definite nominative singular)
þjóðlagarokk (accusative indefinite singular)
þjóðlagarokkið (accusative definite singular)
þjóðlagarokki (dative indefinite singular)
þjóðlagarokkinu (dative definite singular)
þjóðlagarokks (genitive indefinite singular)
þjóðlagarokksins (definite genitive singular)


disco polo

A genre of popular dance music, created in Poland in the late 1980s.


Pillangókisasszony

Pillangókisasszony (nominative singular)
Pillangókisasszonyt (accusative singular)
Pillangókisasszonynak (dative singular)
Pillangókisasszonnyal (instrumental singular)
Pillangókisasszonyért (causal-final singular)
Pillangókisasszonnyá (singular translative)
Pillangókisasszonyig (singular terminative)
Pillangókisasszonyként (essive-formal singular)
Pillangókisasszonyban (inessive singular)
Pillangókisasszonyon (singular superessive)
Pillangókisasszonynál (adessive singular)
Pillangókisasszonyba (illative singular)
Pillangókisasszonyra (singular sublative)
Pillangókisasszonyhoz (allative singular)
Pillangókisasszonyból (elative singular)
Pillangókisasszonyról (delative singular)
Pillangókisasszonytól (ablative singular)
Pillangókisasszonyé (singular)
Pillangókisasszonyéi (singular)
Pillangókisasszonyom (first-person possessed-single possessive singular)
Pillangókisasszonyod (possessed-single possessive second-person singular)
Pillangókisasszonya (possessed-single possessive singular third-person)
Pillangókisasszonyunk (first-person plural possessed-single possessive)
Pillangókisasszonyotok (plural possessed-single possessive second-person)
Pillangókisasszonyuk (plural possessed-single possessive third-person)

[ˈpilːɒŋɡoːkiʃɒsːoɲ]

pillangó (“butterfly”) + kisasszony (“miss, young lady”)

affix

Madama Butterfly (an opera in three acts by Giacomo Puccini)


chorinho

Nessa ocasião, a partir de gêneros musicais nativos como o samba, o chorinho e o samba-canção somados à influência do jazz, introduzido com as grandes orquestras do início do século, desenvolvia-se, rapidamente, a ainda embrionária Bossa Nova.

2001, Toquei Algo Como Blues, Sem Me Dar Conta Disso…, José Veríssimo da Silva, Thesaurus Editora, →ISBN, page 71:

(music, uncountable) Synonym of choro (“Brazilian popular music genre”)


buggish

en-adj

buggish (comparative more buggish, superlative most buggish)

more buggish (comparative)
most buggish (superlative)

Now asked sweet mama to let me be her kid She says I might get buggish I couldn't keep it hid.

1930, Sleepy John Estes, Milk Cow Blues:

(see title)

1938, Willie Bee (James), Washboard Sam, My baby's getting buggish:

Ohh, little girl got buggish, she throwed all of my clothes outdoors.

2003, Paul Garon, The Devil's Son-in-law, page 19:


老生

/lɑʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/lou̯¹³ sɐŋ⁵⁵/

/lau³³⁻¹¹ siɪŋ⁴⁴/

/lau³³⁻²¹ siɪŋ⁴⁴/

/lɑʊ̯²¹⁴⁻²¹ ʂɤŋ⁵⁵/

/lou̯¹³ sɐŋ⁵⁵/

/lau³³⁻¹¹ siɪŋ⁴⁴/

/lau³³⁻²¹ siɪŋ⁴⁴/

(opera) laosheng (older male role in Chinese opera)


鬚生

/ɕy⁵⁵ ʂɤŋ⁵⁵/

/sou̯⁵⁵ sɐŋ⁵⁵/

/ɕy⁵⁵ ʂɤŋ⁵⁵/

/sou̯⁵⁵ sɐŋ⁵⁵/


北調

(Zhangzhou Hokkien) Beiguan (a type of traditional Chinese music that was widespread in southern Fujian and Taiwan)


北曲

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/pak̚³²⁻⁵ kʰiɪk̚³²/

/pak̚³²⁻⁵ kʰiɪk̚³²/

northern tunes (a type of music popular in northern China since the Song dynasty)

northern operas (popular in northern China in the Yuan dynasty)


北曲

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/peɪ̯²¹⁴⁻³⁵ t͡ɕʰy²¹⁴⁻²¹⁽⁴⁾/

/pɐk̚⁵ kʰʊk̚⁵/

/pak̚³²⁻⁵ kʰiɪk̚³²/

/pak̚³²⁻⁵ kʰiɪk̚³²/


Latin freestyle

With its angular rhythm tics and woodblock percussion, Latin Freestyle sounded like a cross between Gary Numan and Tito Puente.

2002, Rob Young, editor, Undercurrents: The Hidden Wiring of Modern Music, Bloomsbury, →ISBN, page 138:

Instead of symphonic disco, this sound was rooted in electro, old skool hip hop and the brash, crashing electro-funk style known as Latin Freestyle.

2012, Simon Reynolds, Energy Flash, Soft Skull Press, page 31:

A form of electronic dance music that emerged in the New York metropolitan area in the 1980s.


phonk

A style of music derived from hip-hop and trap music and directly inspired by 1990s Memphis rap.

By smashing together components of hip-hop, EDM, metal and dubstep, phonk is placed as one of the most prominent new genres of music.

2024 April 15, Andy Ward, Briony Luttrell, Lachlan Goold, “How a global crisis, drift racing and Memphis hip-hop gave us phonk – the music of the TikTok generation”, in The Conversation:


Zamrock

(music) The rock and roll scene and associated style that originated in Zambia during the 70s.


Caribbean dance music

(music) A hybrid music genre that fuses electronic dance music with Caribbean music such as dancehall, reggae and soca.


synthcore

I've seen an adorable unsigned punk band perform here, taken in some wickedawesome (all one word, of course) spoken word, and danced my patootie off to electro and synthcore djs. Yay.

2002, Pleasant Gehman, The Underground Guide to Los Angeles, Manic D Press, →ISBN:

A more hard or intense style of synthesizer music, influenced by other genres such as metal.


戲旦

/hi⁴¹⁻⁵⁵⁴ tuã⁴¹/

/hi²¹⁻⁵³ tuã²²/

/hi²¹³⁻⁵⁵ tũã²¹³/

/hi⁴¹⁻⁵⁵⁴ tuã⁴¹/

/hi²¹⁻⁵³ tuã²²/

/hi²¹³⁻⁵⁵ tũã²¹³/

(Quanzhou and Xiamen Hokkien, opera) female role (in Chinese opera, usually young and pretty)


紹興戲

/ʂɑʊ̯⁵¹ ɕiŋ⁵⁵ ɕi⁵¹/

/zɔ²² ɕin⁵⁵ ɕi²¹/

/ʂɑʊ̯⁵¹ ɕiŋ⁵⁵ ɕi⁵¹/

/zɔ²² ɕin⁵⁵ ɕi²¹/


french touch

Pseudo-anglicism, derived from French + touch, originally the name of a club night at Le Palace in Paris.

pseudo-loan

French touch (alternative)
French Touch (alternative)

Décomplexant le milieu techno de l’Hexagone par rapport à son modèle britannique, Daft Punk devient le fer de lance de la French Touch, la musique électronique française, qui s’exporte aussi bien que les foulards Hermès et le beaujolais nouveau.

2003, Irène Inchauspé, Rémi Godeau, chapter 13, in Main basse sur la musique, Calmann-Lévy, →ISBN:

(music) style of French house music popular in the 1990s


tropical rock

(music) A genre of popular music with elements of rock, reggae, country, folk, calypso, zydeco, and pop music, with themes and musical compositions inspired by a tropical island style.


ヘヴィメタル

ヘビーメタル ヘビーメタル#Japanese

Alternative form of ヘビーメタル (hebi metaru, “heavy metal”)


songo-salsa

A style of music that blends songo and salsa with rapping and hip-hop beats.


케이팝

keipap (romanization)
K팝 (alternative)
K-pop (alternative)
K-POP (alternative)

(music) K-pop (South Korean pop music influenced by Western styles)


jazzerati

LL-Q1860 (eng)-Flame, not lame-jazzerati.wav

Burns and Ward see their work as an attempt to reach beyond the factional discord of the “jazzerati” to introduce nonaficionados, and particularly younger Americans, to the story of one of the nation's most distinctive musical traditions.

2000, U.S. News & World Report, volume 129, page 178:

(informal) People who are considered the elite in the world of jazz music.


zeuhl

Coined by French musician Christian Vander, who claimed it meant "celestial" in his constructed language Kobaïan.

coin

(music) zeuhl (subgenre of progressive rock)


bedroom pop

Among the inscrutable terms invented to parse the stylistic subtleties of rock music, “bedroom pop” stands out as an elegantly descriptive coinage. The bedroom in question refers not to the content of the songs but to where they’re produced. These are solo projects, sort of like writing in a diary or sketching on a pad, and in New York, there is practically an epidemic of the stuff.

[2006 January 26, Hugo Lindgren, “Garbagehead Revisited”, in New York:

The Oakland, Calif., singer and songwriter Melina Duterte, who calls her D.I.Y. bedroom pop project Jay Som, does it all.

2017 March 22, Joe Coscarelli, “Jay Som Brings Her D.I.Y. Bedroom Pop to Brooklyn”, in The New York Times:

“We’re straying from the idea of bedroom pop sonically but ‘Fake It Flowers’ was still me writing songs here,” Kristi said, motioning toward walls filled with photos of friends, a tricolor tapestry and iconic posters of Tom Hanks from the film “Big” and the Beatles at Abbey Road.

2020 October 8, David Peisner, “beabadoobee Made Bedroom Pop. Now She’s Turning Up the Volume.”, in New York Times:

(music) A musical genre or aesthetic in which bands record at home, rather than at traditional recording spaces.


mumble rap

From mumble + rap. First coined by hip hop artist Wiz Khalifa in 2016 during an interview.

coinage

Derided by some, artists such as Future and Migos have been wildly successful mumble rap artists.

2018, Nick J. Sciullo, Communicating Hip-Hop: How Hip-Hop Culture Shapes Popular Culture, page 40:

"Mumble rap" is the most active and vigorous scapegoat rap has had in years, in part because the internet — particularly social media — has created a landscape for it to thrive and be a hotly debated topic, engaging in the ideas of language and whether or not rappers should have to adhere to them, or whether or not this so-called mumble rap is actually pushing the genre forward, past some of its bowing to establishments.

2019, Hanif Abdurraqib, Go Ahead in the Rain: Notes to A Tribe Called Quest, page 201:

The logical culmination of this tendency is today's mumble rap, featuring rhythmically monotonous phrasal and verbal repetition, strongly auto-tuned and, in some cases, literally mumbled.

2020, Macklin Smith, Aurko Joshi, Rhymes in the Flow: How Rappers Flip the Beat, page 256:

There was an exciting proliferation of punk rap, mumble rap, emo rap and trap-influenced SoundCloud artists.

2020, Adrian Besley, Billie Eilish: From e-girl to Icon, Michael O'Mara Books, →ISBN:

(music) A microgenre of hip hop with mumbling or unclear vocal delivery by artists, and may generally refer to rappers who do not share the genre's typical emphasis on lyricism.


mumble rap

Unadapted borrowing from English mumble rap.


印象主義

ㄧㄣˋ ㄒㄧㄤˋ ㄓㄨˇ ㄧˋ

/in⁵¹⁻⁵³ ɕi̯ɑŋ⁵¹ ʈ͡ʂu²¹⁴⁻²¹ i⁵¹/

/jɐn³³ t͡sœːŋ²² t͡syː³⁵ jiː²²/

/in⁵¹⁻⁵³ ɕi̯ɑŋ⁵¹ ʈ͡ʂu²¹⁴⁻²¹ i⁵¹/

/jɐn³³ t͡sœːŋ²² t͡syː³⁵ jiː²²/

Orthographic borrowing from Japanese 印(いん)象(しょう)主(しゅ)義(ぎ) (inshōshugi).


印象主義

ja-noun

印(いん)象(しょう)主(しゅ)義(ぎ) • (inshōshugi) ^(←いんしやうしゆぎ (insyausyugi)?)

印象主義 (canonical)
inshōshugi (romanization)
insyausyugi (romanization)
いんしやうしゆぎ (hiragana historical)

[ĩɰ̃ɕo̞ːɕɨɡʲi]

Calque of English impressionism or French impressionnisme.


wstawka

wstawka (nominative singular)
wstawki (nominative plural)
wstawki (genitive singular)
wstawek (genitive plural)
wstawce (dative singular)
wstawkom (dative plural)
wstawkę (accusative singular)
wstawki (accusative plural)
wstawką (instrumental singular)
wstawkami (instrumental plural)
wstawce (locative singular)
wstawkach (locative plural)
wstawko (singular vocative)
wstawki (plural vocative)

(music, opera) intermezzo (short piece of music or act in the interval of the main spectacle)


jazzistic

Hubbard next offered a slow rendering of "Embraceable You," a warmly romantic yet still exciting and jazzistic interpretation, something he is uniquely capable of achieving.

1991, International Association of Jazz Record Collectors, IAJRC Journal, volumes 24-25:

While some films merely "include" jazz on their soundtracks, others, such as Shirley Clarke's Harlem Story, or Cassavetes' Shadows, or Rivette's L'Amour Fou, or Kiarostami's Ten, are formally jazzistic.

2015, Robert Stam, Richard Porton, Leo Goldsmith, Keywords in Subversive Film/Media Aesthetics:

Among the properties of musics in the jazzistic field, isn't there precisely this dialogic treatment of so-called oppositions and contradictions rendered complementary?

2016, George E. Lewis, Benjamin Piekut, The Oxford Handbook of Critical Improvisation Studies, volume 1:


V-pop

From V- (“Vietnamese”) + pop, by analogy with J-pop.

V-Pop (alternative)
Vpop (alternative)
VPop (alternative)


jazzvogel

Compound of jazz (“jazz”) + vogel (“dude, cat; bird”).


NDW

Neue Deutsche Welle
Neue Deutsche Welle#German

(music) Initialism of Neue Deutsche Welle.


福州戲

/fu³⁵ ʈ͡ʂoʊ̯⁵⁵ ɕi⁵¹/

/huʔ²⁴⁻²¹ t͡sieu⁵⁵⁻⁵³ hiɛ²¹³/

/fu³⁵ ʈ͡ʂoʊ̯⁵⁵ ɕi⁵¹/

/huʔ²⁴⁻²¹ t͡sieu⁵⁵⁻⁵³ hiɛ²¹³/


美麗的磨坊少女

ㄇㄟˇ ㄌㄧˋ ˙ㄉㄜ ㄇㄛˋ ㄈㄤˊ ㄕㄠˋ ㄋㄩˇ

ㄇㄟˇ ㄌㄧˋ ˙ㄉㄜ ㄇㄛˋ ㄈㄤ ㄕㄠˋ ㄋㄩˇ

Мэйли Дэ Мофан Шаонюй

/meɪ̯²¹⁴⁻²¹ li⁵¹ d̥ə¹ mu̯ɔ⁵¹ fɑŋ³⁵ ʂɑʊ̯⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

/meɪ̯²¹⁴⁻²¹ li⁵¹ d̥ə¹ mu̯ɔ⁵¹ fɑŋ⁵⁵ ʂɑʊ̯⁵¹ ny²¹⁴⁻²¹⁽⁴⁾/

Die schöne Müllerin, a song cycle by Franz Schubert


四句

/si²¹⁻⁵³ ku²¹/

/si⁴¹⁻⁵⁵⁴ ku⁴¹/

/si²¹⁻⁵³ ku²¹/

/si⁴¹⁻⁵⁵⁴ ku⁴¹/

(Quanzhou and Xiamen Hokkien, opera) rhyming set of sentences read by a character in Hokkien opera (often comes in sets of four)


四句仔

/si²¹⁻⁵³ ku²¹⁻⁵³ a⁵³/

/si²¹⁻⁵³ ku²¹⁻⁵³ a⁵³/

(Xiamen Hokkien, opera) rhyming set of sentences read by a character in Hokkien opera (often comes in sets of four)


四念白

/si²¹⁻⁵³ liam²²⁻²¹ peʔ⁴/

/si²¹⁻⁵³ liam²²⁻²¹ peʔ⁴/


四句念

/si²¹⁻⁵³ ku²¹⁻⁵³ liam²²/

/si²¹⁻⁵³ ku²¹⁻⁵³ liam²²/


四句聯仔

/si²¹⁻⁵³ ku²¹⁻⁵³ liɛn²⁴⁻²² a⁵³/

/si²¹⁻⁵³ ku²¹⁻⁵³ liɛn²⁴⁻²² a⁵³/


念四句

/liam⁴¹⁻²² si⁴¹⁻⁵⁵⁴ ku⁴¹/

/liam⁴¹⁻²² si⁴¹⁻⁵⁵⁴ ku⁴¹/

(Quanzhou Hokkien, opera) rhyming set of sentences read by a character in Hokkien opera (often comes in sets of four)


acidcore

(music) A subgenre of both acid techno and hardcore which combines the two.


jazz-hop

jazz hop (alternative)
jazzhop (alternative)

(music) A fusion subgenre of hip-hop and jazz music; jazz rap.


飲場

/in⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/in⁵¹ ʈ͡ʂʰɑŋ³⁵/

/in⁵¹ ʈ͡ʂʰɑŋ²¹⁴⁻²¹⁽⁴⁾/

/in⁵¹ ʈ͡ʂʰɑŋ³⁵/

(dated, of a traditional Chinese opera singer) to have a drink of water on stage before performance commences


死亡金屬

ㄙˇ ㄨㄤˊ ㄐㄧㄣ ㄕㄨˇ

сыван цзиньшу

/sz̩²¹⁴⁻²¹ wɑŋ³⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/sz̩²¹⁴⁻²¹ wɑŋ³⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/


Schrammelmusik

From Austrian German Schrammelmusik. Named after the brothers Johann Schrammel (1850–1893) and Josef Schrammel (1852–1895), Austrian composers and violinists.

(music) A style of Viennese folk music originating in the late 19th century, influenced by Slovenian, Moravian, and Hungarian traditions and characterized by a melancholic but melodious sound.

Johann Schrammel
Josef Schrammel
Schrammelmusik


瓊劇

/t͡ɕʰi̯ʊŋ³⁵ t͡ɕy⁵¹/

/kʰɪŋ²¹ kʰɛːk̚²/

/t͡ɕʰi̯ʊŋ³⁵ t͡ɕy⁵¹/

/kʰɪŋ²¹ kʰɛːk̚²/


แจ๊ส

th-noun

แจ๊ส • (jɛ́ɛt)

jɛ́ɛt (romanization)
แจซซ์ (alternative)


แจซซ์

แจซซ์ • (jɛ́ɛt)


藏戲

/t͡sɑŋ⁵¹⁻⁵³ ɕi⁵¹/

/t͡sɑŋ⁵¹⁻⁵³ ɕi⁵¹/


藏劇

/t͡sɑŋ⁵¹⁻⁵³ t͡ɕy⁵¹/

/t͡sɑŋ⁵¹⁻⁵³ t͡ɕy⁵¹/


日搖

/ʐ̩⁵¹ jɑʊ̯³⁵/

/ʐ̩⁵¹ jɑʊ̯³⁵/

Short for 日本搖滾／日本摇滚 (Rìběn yáogǔn, “(music) Japanese rock”).


rhythm and grime

(music) A genre of music combining elements of grime and rhythm and blues.


瞪鞋

/tɤŋ⁵¹ ɕi̯ɛ³⁵/

/tɤŋ⁵¹ ɕi̯ɛ³⁵/


훵크

Alternative spelling of 펑크 (peongkeu, “(music) funk”)


펑크 록

[pʰʌ̹ŋkxɯ ɾo̞k̚]

wp

펑크 록 (1970년대 초반)


그런지

[kɯɾʌ̹ɲd͡ʑi]


얼터너티브 록

[ʌ̹ɭtʰʌ̹nʌ̹tʰibɯ ɾo̞k̚]

얼터너티브

corresponding to English [[alternative]]


finałowy

pl-adj

finałowy (not comparable, derived adverb finałowo)

finałowy (masculine nominative singular)
finałowa (feminine nominative singular)
finałowe (neuter nominative singular)
finałowi (nominative plural virile)
finałowe (nominative plural)
finałowego (genitive masculine singular)
finałowej (feminine genitive singular)
finałowego (genitive neuter singular)
finałowych (genitive plural)
finałowych (genitive plural virile)
finałowemu (dative masculine singular)
finałowej (dative feminine singular)
finałowemu (dative neuter singular)
finałowym (dative plural)
finałowym (dative plural virile)
finałowego (accusative animate masculine singular)
finałowy (accusative inanimate masculine singular)
finałową (accusative feminine singular)
finałowe (accusative neuter singular)
finałowych (accusative plural virile)
finałowe (accusative plural)
finałowym (instrumental masculine singular)
finałową (feminine instrumental singular)
finałowym (instrumental neuter singular)
finałowymi (instrumental plural)
finałowymi (instrumental plural virile)
finałowym (locative masculine singular)
finałowej (feminine locative singular)
finałowym (locative neuter singular)
finałowych (locative plural)
finałowych (locative plural virile)

(relational, opera) final (end of the entire opera or one of its acts)


㞎㞎腔

/pa̠⁴¹ pa̠³ t͡ɕʰi̯æn³³/

/pa̠⁴¹ pa̠³ t͡ɕʰi̯æn³³/

(Xiang, opera) bad pronunciation or singing in Hunanese opera


interludium

interludium (nominative singular)
interludia (nominative plural)
interludium (genitive singular)
interludiów (genitive plural)
interludium (dative singular)
interludiom (dative plural)
interludium (accusative singular)
interludia (accusative plural)
interludium (instrumental singular)
interludiami (instrumental plural)
interludium (locative singular)
interludiach (locative plural)
interludium (singular vocative)
interludia (plural vocative)

Learned borrowing from Latin interludium.


vastrap

(South Africa) A type of folk dance; the music of this dance


水袖

/ʂu̯eɪ̯²¹⁴⁻²¹ ɕi̯oʊ̯⁵¹/

/sɵy̯³⁵ t͡sɐu̯²²/

/ʂu̯eɪ̯²¹⁴⁻²¹ ɕi̯oʊ̯⁵¹/

/sɵy̯³⁵ t͡sɐu̯²²/

(opera) water sleeves (white silk extensions to the cuff of sleeves in costumes)


dolewave

(music, Australia) An Australian music genre which emerged in the early 2010s, typically laid-back, lo-fi and guitar-driven.


花旦兒

/xua⁵⁵ tɚ²¹³/

/xua⁵⁵ tɚ²¹³/

(Sichuanese, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman of questionable morals, notably a coquettish maidservant or an amorous young woman, bold, seductive, and charming; great emphasis being placed on acting)


青衣旦

/t͡ɕʰiŋ⁵⁵ i⁵⁵ tän⁵¹/

/t͡ɕʰin⁵⁵ i⁵⁵ tan²¹³/

/t͡ɕʰiŋ¹¹ i¹¹ tæ̃⁴⁵/

/t͡ɕʰiŋ⁵⁵ i⁵⁵ tän⁵¹/

/t͡ɕʰin⁵⁵ i⁵⁵ tan²¹³/

/t͡ɕʰiŋ¹¹ i¹¹ tæ̃⁴⁵/

(opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


烏衫旦

/ou³³⁻²³ sã³³⁻²³ tũã²¹³/

/ou³³⁻²³ sã³³⁻²³ tũã²¹³/

(Teochew, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


苦旦

/kʰɔ⁴¹⁻⁴⁴ tuã²¹/

/kʰɔ⁵³⁻⁴⁴ tuã¹¹/

/kʰɔ⁴¹⁻⁴⁴ tuã²¹/

/kʰɔ⁵³⁻⁴⁴ tuã¹¹/

(Taiwanese Hokkien, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


武旦

/u²¹⁴⁻²¹ tän⁵¹/

/mou̯¹³ taːn³³⁻³⁵/

/vu⁵³ tæ̃⁴⁵/

/u³³⁻⁵⁵ ⁽ᵗ⁻⁾lɑŋ²¹³/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵⁵⁴⁻²⁴ tuã⁴¹/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵³⁻⁴⁴ tuã¹¹/

/bu⁴¹⁻⁴⁴ tuã²¹/

/bu⁵²⁻³⁵ tũã²¹³/

/u²¹⁴⁻²¹ tän⁵¹/

/mou̯¹³ taːn³³⁻³⁵/

/vu⁵³ tæ̃⁴⁵/

/u³³⁻⁵⁵ ⁽ᵗ⁻⁾lɑŋ²¹³/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵⁵⁴⁻²⁴ tuã⁴¹/

/bu⁵³⁻⁴⁴ tuã²¹/

/bu⁵³⁻⁴⁴ tuã¹¹/

/bu⁴¹⁻⁴⁴ tuã²¹/

/bu⁵²⁻³⁵ tũã²¹³/

(opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a female warrior or martial artist)


刀馬旦

/tɑʊ̯⁵⁵ mä²¹⁴⁻²¹ tän⁵¹/

/tou̯⁵⁵ maː¹³ taːn³³⁻³⁵/

/tɔ⁵⁵ mo³³ te²¹/

/tɒu̯³³ ma̠⁴¹ tan⁴⁵/

/tɑʊ̯⁵⁵ mä²¹⁴⁻²¹ tän⁵¹/

/tou̯⁵⁵ maː¹³ taːn³³⁻³⁵/

/tɔ⁵⁵ mo³³ te²¹/

/tɒu̯³³ ma̠⁴¹ tan⁴⁵/


刀馬旦兒

/tau⁵⁵ ma⁵³ tɚ²¹³/

/tau⁵⁵ ma⁵³ tɚ²¹³/

(Sichuanese, opera) Erhua form of 刀馬旦／刀马旦 (dāomǎdàn).


雷劇

/leɪ̯³⁵ t͡ɕy⁵¹/

/lɵy̯²¹ kʰɛːk̚²/

/leɪ̯³⁵ t͡ɕy⁵¹/

/lɵy̯²¹ kʰɛːk̚²/


廣東漢劇

ㄍㄨㄤˇ ㄉㄨㄥ ㄏㄢˋ ㄐㄩˋ

Гуандун ханьцзюй

/ku̯ɑŋ²¹⁴⁻²¹ tʊŋ⁵⁵ xän⁵¹⁻⁵³ t͡ɕy⁵¹/

/kuɔŋ³¹ tʊŋ⁴⁴⁻³⁵ hɔn⁵³⁻⁵⁵ kʰiak̚¹/

/ku̯ɑŋ²¹⁴⁻²¹ tʊŋ⁵⁵ xän⁵¹⁻⁵³ t͡ɕy⁵¹/

/kuɔŋ³¹ tʊŋ⁴⁴⁻³⁵ hɔn⁵³⁻⁵⁵ kʰiak̚¹/


bilbainada

From bilbaino (“Bilbaoan”) + -ada, roughly meaning "a very Bilbaoan thing".


mákina

(music) a genre of electronic music originating in Spain, considered a subgenre of hardcore techno with hard trance elements


hyperpop

Liz is the missing link between 90s R&B-tinged teen pop of the Britney/Xtina variety, and the hyperpop of the PC Music stable.

2016 January 1, Paul Lester, “Shake it up: the future female pop stars of 2016”, in The Guardian:

SOPHIE, a hyperpop genre pioneer, is known for their signature use of an Elektron Monomachine, which they compared to bubbles popping and metal clanging during their 2014 interview with Billboard.

2018 May 4, Sam Taylor, “Intro to: Hyperpop”, in WPTS Radio:

Back in July, Charli XCX tweeted the question: “what is hyperpop?” […] A few minutes after her glib inquiry about the burgeoning pop descriptor, she rejected the label entirely, tweeting: “I do not identify with music genres.” That brief exchange is as good a definition as any for the sound and ethos of hyperpop: a genre tag for distinctly genre-less music.

2020 October 27, Eli Enis, “This is Hyperpop: A Genre Tag for Genre-less Music”, in Vice, archived from the original on 2020-11-01:

SOPHIE’s ascension beyond genre was incredibly impactful on hyperpop, and the musician’s impact on the expansion of music collectively is perpetuated through collaborations with a wide variety of modern musicians.

2021 February 7, Jocelyn Brossia, “Remembering SOPHIE: The Transformational Pioneer of Hyperpop”, in The University of California, San Diego Guardian:

Freelance music writer Shaad D’Souza speaks to Laura Murphy-Oates about the rise of hyperpop and what it tells us about the influence of big corporations such as Spotify.

2021 June 10, Shaad D’Souza, “Behind the rise of hyperpop”, in The Guardian:

Glitches—sounds that intentionally evoke malfunctioning machines—are everywhere these days: in the chaotic loops of TikTok, in the choppy samples of Hot 100 rap, in the aggressive bustle of hyperpop.

2021 December 3, Spencer Kornhaber, “The Rare Experimental Musician to Embrace the Spotlight”, in The Atlantic:

A microgenre of music that exaggerates common traits from pop music, originated in the 2010s.


Hardcore

de-noun

Hardcore m (strong, genitive Hardcores, plural Hardcores)

Hardcores (genitive)
Hardcores (plural)
Hardcore (nominative singular)
Hardcores (definite nominative plural)
Hardcores (genitive singular)
Hardcores (definite genitive plural)
Hardcore (dative singular)
Hardcores (dative definite plural)
Hardcore (accusative singular)
Hardcores (accusative definite plural)


ポンチャック

[põ̞ɲ̟t͡ɕa̠k̚kɯ̟]


白劇

/paɪ̯³⁵ t͡ɕy⁵¹/

/paɪ̯³⁵ t͡ɕy⁵¹/


白口

/paɪ̯³⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/paɪ̯³⁵ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/pe(ʔ)²⁴⁻² kʰau⁵⁵⁴/

/pe(ʔ)¹²¹⁻²¹ kʰau⁵³/

/paɪ̯³⁵ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/paɪ̯³⁵ kʰɤʊ̯ɻʷ²¹⁴⁻²¹⁽⁴⁾/

/pe(ʔ)²⁴⁻² kʰau⁵⁵⁴/

/pe(ʔ)¹²¹⁻²¹ kʰau⁵³/


dubstepo

eo-head

dubstepo (uncountable, accusative dubstepon)

La usona ĉefstila populareco de dubstepo kulminiĝis ĉirkaŭ 2010.

Dubstep's mainstream popularity in the United States peaked around 2010.

(music, neologism) dubstep, a genre of electronic music that arose in Croydon in the late 1990s as a fusion genre of 2-step garage and dub


drumenbaso

drumenbaso (uncountable, accusative drumenbason)

Phonological borrowing of English drum and bass.

electronic music
electronic music#English

(music) drum and bass (electronic music genre characterized by breakbeats and fast tempos of 160-190 bpm)


ŝugejzo

ŝugejzo (uncountable, accusative ŝugejzon)

Phonological borrowing of English shoegaze.


alternativa rokmuziko

alternativa rokmuziko (uncountable, accusative alternativan rokmuzikon)

From alternativa (“alternative”) + roko (“rock”) + muziko (“music”).


repmuziko

repmuziko (uncountable, accusative repmuzikon)


ĉaĉao

From Cuban/Latin American Spanish cha-cha, imitative of the music.

onomatopoeic

imitative


funko

From English funk (“foul or unpleasant smell; funk music”), via dialectal French funquer, funquier (“to smoke, reek”), from Vulgar Latin fūmicāre, an alteration of Latin fūmigāre (“to smoke, fumigate”), from fūmus (“smoke”). Doublet of fumo.


diskoo

eo-head

diskoo (uncountable, accusative diskoon)

Borrowed from English disco, a clipping of discotheque, itself a borrowing of French discothèque (“record library”). The extra -o was added to differentiate from disko (“disc”).


regeo

From English reggae, from Jamaican Creole rege (“rags; a quarrel”); see rag.


haŭzo

Ŝi tute fajfis pri teĥno, sed ŝi ĉiam fervore dancis laŭ la ritmoj de haŭzo ludataj de la DĴ-oj en siaj subgrundaj dancejoj plej ŝatataj.

She didn't care for techno at all, but she always danced zealously to the house rhythms played by the DJs in her favorite underground clubs.


krunko

eo-head

krunko (uncountable, accusative krunkon)


nova ondo

nova ondo (uncountable, accusative novan ondon)

From nova (“new”) + ondo (“wave”), a calque of English new wave.

En la 1980-aj jaroj, li estis fervorulo de nova ondo, sed mi preferis aŭskulti punkon.

In the 1980s, he was a fan of new wave, but I preferred listening to punk.

new wave (umbrella term for various styles of popular music that emerged in the late 1970s and early 1980s)


postpunko

postpunko (uncountable, accusative postpunkon)

From English post-punk, equivalent to post (“after”) + punko (“punk rock”).


etosmuziko

etosmuziko (accusative singular etosmuzikon, plural etosmuzikoj, accusative plural etosmuzikojn)

etosmuzikon (accusative singular)
etosmuzikoj (plural)
etosmuzikojn (accusative plural)

From etoso (“ambiance, atmosphere”) + muziko (“music”).


grunĝo

From English grunge, a back-formation of grungy (“dirty, shabby, in disrepair”).

back-form

Laŭ mi, Nirvana estas—kaj ĉiam estos—la reĝoj de grunĝo.

In my opinion, Nirvana are—and always will be—the kings of grunge.

alternative rock
alternative rock#English

Pacific Northwest
Pacific Northwest#English

grunge (an aggressive style of alternative rock that emerged from the Pacific Northwest in the late 1980s and early 1990s)


emoo

Borrowed from English emo, an abbreviation of emocore. The extra "o" was added to distinguish from emo (“tendency, inclination”).


duoblingo

eo-head

duoblingo (uncountable, accusative duoblingon)

Borrowed from English doubling, with the spelling influenced by duo (“double, twosome”). Not equivalent to duobla (“double”) + -ingo (“holder, fixture”).

(music) dub (genre of electronic music deriving from reggae)


mondmuziko

mondmuziko (uncountable, accusative mondmuzikon)

From mondo (“world”) + muziko (“music”), a calque of English world music.


bruomuziko

bruomuziko (uncountable, accusative bruomuzikon)

From bruo (“noise”) + muziko (“music”), equivalent to English noise + music.

Multaj homoj opinias, ke bruomuziko estas tro agresema por ĉiutaga aŭskultado, sed ŝi ŝajne ĉiam ludas ĝin per siaj kapaŭdiloj.

Many people think that noise music is too aggressive for everyday listening, but she always seems to be playing it in her headphones.


招式

/ʈ͡ʂɑʊ̯⁵⁵ ʂʐ̩⁵¹/

/t͡siːu̯⁵⁵ sɪk̚⁵/

/ʈ͡ʂɑʊ̯⁵⁵ ʂʐ̩⁵¹/

/t͡siːu̯⁵⁵ sɪk̚⁵/

(martial arts, traditional Chinese opera) movement; posture


afrobito

afrobito (accusative singular afrobiton, plural afrobitoj, accusative plural afrobitojn)

afrobiton (accusative singular)
afrobitoj (plural)
afrobitojn (accusative plural)
afrikobito (alternative)

Phonological borrowing from English afrobeat, from afro + beat.

afrobeat (fusion of jazz and funk originating in Nigeria)


blusroko

blusroko (uncountable, accusative blusrokon)

From bluso (“blues music”) + roko (“rock music”).

compound

blues rock (fusion genre combining elements of blues and rock'n'roll)


foroo

Borrowed from Portuguese forró, a clipping of forrobodó (“chaotic situation”).

clipping

(music, dance) forró (music and dance originating in Northeastern Brazil)


skiflo

eo-head

skiflo (uncountable, accusative skiflon)

Borrowed from English skiffle, itself borrowed from Scots skiffle (“light dusting of snow”).


progressive house

(music) A house music genre originating from the late 1990s.


Brill Building

After the Brill Building in New York City, where some (though not most) of the songs were written. The building acquired its name from a haberdasher who operated a store there and subsequently purchased the building.

But when a list of Brill Building songs was attached to the proposal, it seemed to go on forever and read like a history of pop music.

2001 August 25, Jim Bessman, quoting Carol Anne Dolan, “TV's ‘Hitmakers’ Spotlights Home of Brilliant Songwriting”, in Billboard, →ISSN, page 44:

As importantly, Brill Building music tended to utilize elements of African American music, often making use of vocal stylings characteristic of rhythm and blues—and, indeed, many songs typical of the Brill Building sound were sung by African American artists […]

2008, Jack R. Fischel, Encyclopedia of Jewish American Popular Culture, page 33:

Located at Broadway and 51st St. in Manhattan, Aldon and Nevins-Kirshner were part of the famous Brill Building music scene.

2016, Mark A. Moore, The Jan & Dean Record, page 74:

(music, historical, attributive) A style of pop music of the early 1960s, written by teams of professional songwriters to be performed by girl groups and teen idols.


アップリフティングトランス

ja-noun

アップリフティング トランス

[a̠p̚pɯ̟ɾʲiɸɯ̟tʲĩŋɡɯ̟ to̞ɾã̠ɰ̃sɨ]


zarzuelo

eo-head

zarzuelo (accusative singular zarzuelon, plural zarzueloj, accusative plural zarzuelojn)

zarzuelon (accusative singular)
zarzueloj (plural)
zarzuelojn (accusative plural)

From Spanish zarzuela, from La Zarzuela, the royal residence near Madrid where it was first performed, ultimately from zarza (“bramble”).

(music) zarzuela (a form of Spanish opera having spoken dialogue and usually a comic subject)


齋戲

/ʈ͡ʂaɪ̯⁵⁵ ɕi⁵¹/

/ʈ͡ʂaɪ̯⁵⁵ ɕi⁵¹/

Zhai opera, a genre of traditional Chinese opera originating in Hainan, China


takasufee

tàkasúfèé (canonical)
tàkasúfe (alternative)

From tàka (“to snap”) + súfèé (“to whistle”).

beatboxing, hip-hop music, rap music, pop music


sophisti-pop

Blend of sophisticated + pop, coined retrospectively.

The fact that the intellectual Green [Gartside] was also a friend and protégé of leading post-structuralist scholar, Jacques Derrida, served further to hype the postmodern playfulness of his sophisti-pop.

2012, Iain Ellis, Brit Wits: A History of British Rock Humor, Intellect Books, →ISBN, page 102:

(music) A subgenre of pop music that emerged during the mid-1980s in the UK.


ragtimo

ragtimo (accusative singular ragtimon, plural ragtimoj, accusative plural ragtimojn)

ragtimon (accusative singular)
ragtimoj (plural)
ragtimojn (accusative plural)


muğam

az-noun

muğam (definite accusative muğamı, plural muğamlar)

muğamı (accusative definite)
muğamlar (plural)
muğamım (first-person nominative possessive singular)
muğamlarım (first-person nominative possessive singular)
muğamın (nominative possessive second-person singular)
muğamların (nominative possessive second-person singular)
muğamı (nominative possessive singular third-person)
muğamları (nominative possessive singular third-person)
muğamımız (first-person nominative plural possessive)
muğamlarımız (first-person nominative plural possessive)
muğamınız (nominative plural possessive second-person)
muğamlarınız (nominative plural possessive second-person)
muğamı (nominative plural possessive third-person)
muğamları (nominative plural possessive third-person)
muğamımı (accusative first-person possessive singular)
muğamlarımı (accusative first-person possessive singular)
muğamını (accusative possessive second-person singular)
muğamlarını (accusative possessive second-person singular)
muğamını (accusative possessive singular third-person)
muğamlarını (accusative possessive singular third-person)
muğamımızı (accusative first-person plural possessive)
muğamlarımızı (accusative first-person plural possessive)
muğamınızı (accusative plural possessive second-person)
muğamlarınızı (accusative plural possessive second-person)
muğamını (accusative plural possessive third-person)
muğamlarını (accusative plural possessive third-person)
muğamıma (dative first-person possessive singular)
muğamlarıma (dative first-person possessive singular)
muğamına (dative possessive second-person singular)
muğamlarına (dative possessive second-person singular)
muğamına (dative possessive singular third-person)
muğamlarına (dative possessive singular third-person)
muğamımıza (dative first-person plural possessive)
muğamlarımıza (dative first-person plural possessive)
muğamınıza (dative plural possessive second-person)
muğamlarınıza (dative plural possessive second-person)
muğamına (dative plural possessive third-person)
muğamlarına (dative plural possessive third-person)
muğamımda (first-person locative possessive singular)
muğamlarımda (first-person locative possessive singular)
muğamında (locative possessive second-person singular)
muğamlarında (locative possessive second-person singular)
muğamında (locative possessive singular third-person)
muğamlarında (locative possessive singular third-person)
muğamımızda (first-person locative plural possessive)
muğamlarımızda (first-person locative plural possessive)
muğamınızda (locative plural possessive second-person)
muğamlarınızda (locative plural possessive second-person)
muğamında (locative plural possessive third-person)
muğamlarında (locative plural possessive third-person)
muğamımdan (ablative first-person possessive singular)
muğamlarımdan (ablative first-person possessive singular)
muğamından (ablative possessive second-person singular)
muğamlarından (ablative possessive second-person singular)
muğamından (ablative possessive singular third-person)
muğamlarından (ablative possessive singular third-person)
muğamımızdan (ablative first-person plural possessive)
muğamlarımızdan (ablative first-person plural possessive)
muğamınızdan (ablative plural possessive second-person)
muğamlarınızdan (ablative plural possessive second-person)
muğamından (ablative plural possessive third-person)
muğamlarından (ablative plural possessive third-person)
muğamımın (first-person genitive possessive singular)
muğamlarımın (first-person genitive possessive singular)
muğamının (genitive possessive second-person singular)
muğamlarının (genitive possessive second-person singular)
muğamının (genitive possessive singular third-person)
muğamlarının (genitive possessive singular third-person)
muğamımızın (first-person genitive plural possessive)
muğamlarımızın (first-person genitive plural possessive)
muğamınızın (genitive plural possessive second-person)
muğamlarınızın (genitive plural possessive second-person)
muğamının (genitive plural possessive third-person)
muğamlarının (genitive plural possessive third-person)


本戲

/pən²¹⁴⁻²¹ ɕi⁵¹/

/pən²¹⁴⁻²¹ ɕi⁵¹/


蹦蹦兒戲

ㄅㄥˋ ㄅㄥˋㄦ ㄒㄧˋ

/pɤŋ⁵¹⁻⁵³ pɤ̃ɻ⁵¹⁻⁵³ ɕi⁵¹/

/pɤŋ⁵¹⁻⁵³ pɤ̃ɻ⁵¹⁻⁵³ ɕi⁵¹/


politicore

Blend of politico- + -core, or political + -core.

F.U.A.L. / ($7) truely^([sic]) great politicore from North Ireland

1990, Profane Existence, number 3, unnumbered page:

As far as I’m concerned, faster-than-you politicore like this is a hell of a lot more dangerous to individual thought than George Bush or a handful of Nazi skinheads will ever be.

1991, Jersey Beat, number 41, unnumbered page:

Politicore from Pennsylvania. Philosophically, this is pretty right on, calling for a “socialist/collectivist world-state.”

1997, Punk Planet, number 20, unnumbered page:

You will be billed later, shading within a garment may occur, shamelessly hamhanded politicore, sharp as a stick but not small in stature, […]

Austin politicore thrasher Beyond Gods and Empires

2013 August 9, The Austin Chronicle, page 60:

(music, uncommon) A subgenre of punk with overtly political themes.


neoperreo

Probably borrowed from Spanish neoperreo.


regetono

eo-head

regetono (uncountable, accusative regetonon)

Borrowed from Spanish reggaeton, from reggae (“reggae”) + -ón (augmentative suffix).


Disko

Disko (genitive)
Diskos (plural)
Disko (nominative singular)
Diskos (definite nominative plural)
Disko (genitive singular)
Diskos (definite genitive plural)
Disko (dative singular)
Diskos (dative definite plural)
Disko (accusative singular)
Diskos (accusative definite plural)


Discomusik

de-noun

Discomusik f (genitive Discomusik, plural Discomusiken)

Discomusik (genitive)
Discomusiken (plural)
Discomusik (nominative singular)
Discomusiken (definite nominative plural)
Discomusik (genitive singular)
Discomusiken (definite genitive plural)
Discomusik (dative singular)
Discomusiken (dative definite plural)
Discomusik (accusative singular)
Discomusiken (accusative definite plural)
Diskomusik (alternative)


老倌

/lɑʊ̯²¹⁴⁻²¹ ku̯än⁵⁵/

/lɑʊ̯²¹⁴⁻²¹ ku̯än⁵⁵/

(Cantonese or in the context of Cantonese opera) famous Cantonese opera performer


타령

ko-noun

타령 • (taryeong) (usually no hanja; sometimes 打令)

taryeong (romanization)
no hanja (usually)
打令 (sometimes)

zh-l

打鈴／打铃 (dǎlíng)

→ Chinese: 打鈴／打铃 (dǎlíng), 打令 (dǎlìng)

→ Japanese: 打令 (taryon)

[ˈtʰa̠(ː)ɾjʌ̹ŋ]


harsh noise

(music) A subgenre of noise music characterized by extreme levels of distortion, abrasive textures and a lack of harmonics.


סלסה

he-noun

סַלְסָה • (sálsa) f

סַלְסָה (canonical)
sálsa (romanization)

(uncountable, music) salsa (a style of urban music originally from New York heavily influenced by Cuban dance music, jazz and rock)

(countable, dance) salsa (any of several dances performed to salsa music)

(countable) salsa (a spicy tomato sauce of Mexican origin, often including onions and hot peppers)


變口

/pi̯ɛn⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/pi̯ɛn⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

to use various dialects in 曲藝／曲艺 (qǔyì) (a form of folk art)


bro-country

In short, “Cruise” is bro-country: music by and of the tatted, gym-toned, party-hearty young American white dude.

2013 August 11, Jody Rosen, “Jody Rosen on the Rise of Bro-Country”, in New York Magazine:

Instead, bro country songs string together a formulaic subset of tropes about beer sipping, truck driving, sunglasses wearing, unpaved roads, and tanned girls in shorts, typically building to a predictable catchphrase singsong chorus.

2018, Bill C. Malone, Tracey E. W. Laird, Country Music USA, University of Texas Press, →ISBN, page 547:

(music) A subgenre of mainstream country music originating in the 2010s, influenced by hip hop, hard rock and electronica.


džiazas

lt-noun

džiãzas m (plural džiãzai) stress pattern 2

džiãzas (canonical masculine stress-pattern-2)
džiãzai (plural)
džiãzas (nominative singular)
džiãzai (nominative plural)
džiãzo (genitive singular)
džiãzų (genitive plural)
džiãzui (dative singular)
džiãzams (dative plural)
džiãzą (accusative singular)
džiazùs (accusative plural)
džiazù (instrumental singular)
džiãzais (instrumental plural)
džiazè (locative singular)
džiãzuose (locative plural)
džiãze (singular vocative)
džiãzai (plural vocative)


muzică clasică

ro-noun

muzică clasică f (plural muzici clasice)


emo rap

LL-Q1860 (eng)-Flame, not lame-emo rap.wav

There was an exciting proliferation of punk rap, mumble rap, emo rap and trap-influenced SoundCloud artists.

2020, Adrian Besley, Billie Eilish: From e-girl to Icon, Michael O'Mara Books, →ISBN:

Last fall, Bring Me the Horizon kicked off a new era of their band with a standalone single called "DiE4u", which sounded like a a heavy, metallic take on My Chemical Romance-style pop-punk mixed with the electronic flair of modern emo-rap.

2022 July 6, Eli Enis, “See Bring Me the Horizon's Horrifying, NSFW Video for New Song "sTraNgeRs"”, in Revolver:

(music) A fusion genre of hip hop and emo.


SoundCloud rap

After the audio streaming platform SoundCloud, where this genre initially spread.

It was just another unpredictable, bruising night in the world of SoundCloud rap — a swelling subgenre that takes its name from its creators’ preferred streaming service — which in the last year has become the most vital and disruptive new movement in hip-hop thanks to rebellious music, volcanic energy and occasional acts of malevolence.

2017 June 22, Jon Caramanica, “The Rowdy World of Rap’s New Underground”, in The New York Times, →ISSN:

SoundCloud rap is characterized by its distinct sound, which is typically a mix of trap, lo-fi, electronic, and hip-hop music. Artists of this genre are also known for the short length of their songs, their popular social media presences, and sometimes their dangerous drug use, especially Xanax.

2018, Vanessa Oswald, Hip-Hop: A Cultural and Musical Revolution, Greenhaven Publishing LLC, →ISBN, page 80:

SoundCloud rap moved from the more hidden corners of the internet into mainstream consciousness in June 2017.

2018 December 6, Lauren Levy, “The Gatekeepers of SoundCloud Rap”, in Vulture:

More than a year on from when we actively began the research into SoundCloud rap, nearly four years on from my first impulse to make a programme about the subject, we've finally embarked on a wholly new project, […]

2021, Louis Theroux, Theroux The Keyhole: Diaries of a grounded documentary maker, Pan Macmillan, →ISBN, page 67:

(music) A short-lived subgenre of hip hop mixing trap, lo-fi, and electronic music.


amapiano

Borrowed from Zulu [Term?] (literally “the pianos”).

Coordinate term: kwaito

A new generation of amapiano artists reference kwaito not only in terms of its style but for what it meant to the culture, as the soundtrack to a generation breaking free from the oppression of Apartheid.

2021 September 22, Nkgopoleng Moloi, “Amapiano: inside South Africa’s sound of freedom”, in Dazed:

(music, South Africa) A house music subgenre that emerged in South Africa, often incorporating jazz piano and lounge music.


blackened crust

crust punk music with black metal influences


Ẹyọ

It was traditionally held in honor of a deceased king and to usher in the reign of a new king, it is not held in honor of the death of an important figure, it serves as a display of Yoruba and Lagosian culture. It features the white dressed ẹ̀yọ̀ Egúngún

The culture, people, language, and customs of historically the Àwórì subethnic group of the Yoruba, and now the Lagosians.

The Ẹ̀yọ̀ festival, an Egúngún festival celebrated by the people of Lagos.

Àwórì people; now also refers to the modern inhabitants of the city of Lagos

The Yoruba dialect historically spoken by the Àwórì people

A genre of music and drumming unique to the people of Lagos.

The modern Yoruba dialect of the people of Lagos, not directly related to the dialect of the Àwórì.

Any language that is not one's own native language


雷鬼樂

ㄌㄟˊ ㄍㄨㄟˇ ㄩㄝˋ

/leɪ̯³⁵ ku̯eɪ̯²¹⁴⁻²¹ ɥɛ⁵¹/

/leɪ̯³⁵ ku̯eɪ̯²¹⁴⁻²¹ ɥɛ⁵¹/


騷莎

/sɑʊ̯⁵⁵ ʂä⁵⁵/

/sɑʊ̯⁵⁵ ʂä⁵⁵/

Ultimately from Spanish salsa, perhaps via English salsa.


プログレッシブロック

[pɯ̟ɾo̞ɡɯ̟ɾe̞ɕːibɯ̟ ɾo̞k̚kɯ̟]

ja:プログレッシブロック


טראנס

he-noun

טְרָאנְס • (trans) m

trance music
trance music#English:_Q170435


斯卡

/sz̩⁵⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/

/sz̩⁵⁵ kʰä²¹⁴⁻²¹⁽⁴⁾/


창극

[ˈt͡ɕʰa̠(ː)ŋɡɯk̚]


Bluegrass

de-noun

Bluegrass n (strong, genitive Bluegrass, no plural)

Bluegrass (genitive)
Bluegrass (nominative singular)
Bluegrass (genitive singular)
Bluegrass (dative singular)
Bluegrass (accusative singular)

Unadapted borrowing from English bluegrass.

ubor

Irgendjemand holte das Banjo von Shelbys Großvater, und bald darauf hatte Rosalee, die Frau ihres Onkels Grady, eine Geige in der Hand und ihr Bruder Clay eine Gitarre. Alle wollten Bluegrass hören, die Musik der Berge. Die hohen, schwingenden Töne und Harmonien aus gezupften und gestrichenen Saiten weckten Erinnerungen und schenkten Shelby wieder Kraft. Sie fühlte sich wie neugeboren.

2016 August 29, Nora Roberts, chapter 5, in Ein Leuchten im Sturm: Roman, Diana Verlag, →ISBN, →OCLC:

Die Allgegenwart des Bluegrass wird auch deshalb relevant, weil Maybelle schon als kleines Kind in die musikalische Sonderwelt ihrer Eltern hineinwächst und mit den anderen Bandmitgliedern Bekanntschaft macht, die wie eine erweiterte Familie sind.

2022 February 1, Walter Lesch, Markus Leniger, Fragen von Leben und Tod: Medizin und Ethik im Film (Religion, Film und Medien (RFM)), Schüren Verlag, →ISBN, page 212:


tech house

(music) A subgenre of house music that combines stylistic features of techno with house.


funeral doom

(music) An extreme subgenre of heavy metal music influenced by funeral dirges and played at a very slow tempo.


dagispop

Compound of dagis (“daycare”) + pop (“pop”), attested since 1985.

Jimmy, åtta år... Som en av stjärnorna i gruppen "The Pinks", dagispopens mästare, är han ett av [folk ]parkernas mest pålitliga dragplåster.

1985 July 22, “Några nyare ord i svenskan (Nyordlista 1986)”, in Dagens Nyheter:

Jimmy, eight years old... As one of the stars of the group "The Pinks", the master of daycare pop, he is one of the folkparks' most reliable attractions.

pop music that, either deliberately or incidentally, is popular among young children


ローファイ

ja-noun

ローファイ • (rōfai)


大鑼鼓

ㄉㄚˋ ㄌㄨㄛˊ ㄍㄨˇ

/tä⁵¹ lu̯ɔ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/taːi̯²² lɔː²¹ kuː³⁵/

/tä⁵¹ lu̯ɔ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/taːi̯²² lɔː²¹ kuː³⁵/

(music) da luogu (subgenre of traditional Teochew music)


笙管樂

/ʂɤŋ⁵⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹/

/ʂɤŋ⁵⁵ ku̯än²¹⁴⁻²¹ ɥɛ⁵¹/

a form of traditional Chinese instrumental ensemble music usually played by an ensemble of guanzi, sheng, dizi, yunluo, and percussion, and used primarily for ceremonial purposes


十番鑼鼓

ㄕˊ ㄈㄢ ㄌㄨㄛˊ ㄍㄨˇ

/ʂʐ̩³⁵ fän⁵⁵ lu̯ɔ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

/ʂʐ̩³⁵ fän⁵⁵ lu̯ɔ³⁵ ku²¹⁴⁻²¹⁽⁴⁾/

a genre of traditional Chinese music featuring a silk and bamboo ensemble augmented by prominent percussion


エレクトロニカ

[e̞ɾe̞kɯ̟to̞ɾo̞ɲ̟ika̠]


山西梆子

Шаньси банцзы

/ʂän⁵⁵ ɕi⁵⁵ pɑŋ⁵⁵ d͡z̥z̩²/

/saːn⁵⁵ sɐi̯⁵⁵ pɔːŋ⁵⁵ t͡siː³⁵/

/sæ̃¹¹ ɕi¹¹ pɒ̃¹¹ t͡səʔ²/

/ʂän⁵⁵ ɕi⁵⁵ pɑŋ⁵⁵ d͡z̥z̩²/

/saːn⁵⁵ sɐi̯⁵⁵ pɔːŋ⁵⁵ t͡siː³⁵/

/sæ̃¹¹ ɕi¹¹ pɒ̃¹¹ t͡səʔ²/

(opera) Jin opera (a style of Chinese opera originating in Shanxi)


中路梆子

ㄓㄨㄥ ㄌㄨˋ ㄅㄤ ˙ㄗ

чжунлу банцзы

/ʈ͡ʂʊŋ⁵⁵ lu⁵¹ pɑŋ⁵⁵ d͡z̥z̩²/

/t͡sʊŋ⁵⁵ lou̯²² pɔːŋ⁵⁵ t͡siː³⁵/

/t͡suŋ¹¹ ləu⁴⁵ pɒ̃¹¹ t͡səʔ²/

/ʈ͡ʂʊŋ⁵⁵ lu⁵¹ pɑŋ⁵⁵ d͡z̥z̩²/

/t͡sʊŋ⁵⁵ lou̯²² pɔːŋ⁵⁵ t͡siː³⁵/

/t͡suŋ¹¹ ləu⁴⁵ pɒ̃¹¹ t͡səʔ²/


骨鹿子

/kuəʔ²⁻⁵⁴ luəʔ² t͡səʔ³/

/kuəʔ²⁻⁵⁴ luəʔ² t͡səʔ³/

(Jin, opera, music) wooden clappers (small, rectangular, high-pitched wood block used in Jin opera)


T-pop

From T- (“Thai”) + pop, by analogy with J-pop.

T-Pop (alternative)
Tpop (alternative)
TPop (alternative)


table song

Of unknown authorship, it seems that it was sung as a Sabbath table-song and a festival table-song for holidays in general.

1996, Macy Nulman, The Encyclopedia of Jewish Prayer, page 122:

A hymn sung communally by Ashkenazi Jews at the dinner-table.


zimrah

bor

Hebrew זִמְרָה

A table song sung at the Shabbat dinner table on Friday night.


怯口

/t͡ɕʰy̯ɛ⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/

/t͡ɕʰy̯ɛ⁵¹ kʰoʊ̯²¹⁴⁻²¹⁽⁴⁾/


bongo flava

Coordinate term: Zenji flava

(Before temporarily closing his studio in 2004, Master J had two bongo flava producers working for him and one producer who worked with other genres of popular music.)

2012, Eric Charry, Hip Hop Africa: New African Music in a Globalizing World, page 195:

A genre of Tanzanian music that arose in the 1990s, combining traditional styles with American hip-hop, reggae, etc.


Zenji flava

Coordinate term: bongo flava