wombadelia

Blend of womb + psychedelia. Coined by Alternative Press' editor Dave Segal in 1992, to describe My Bloody Valentine's music.

When My Bloody Valentine released their debut album Isn't Anything in 1988 they essentially created a new genre of rock that one may venture to call "wombadelia". At once ethereal and sexual, oceanic and astral, blissed-up and fucked up, beautiful and noisy, […]"

1992 March, Dave Segal, “My Bloody Valentine: Rise of Wombadelia”, in Alternative Press, number 45, page 46:

My Bloody Valentine is another group you may want to investigate if you are into the pretty-female-vocal-mixed-with-powerful-rhythms-and-high-density-sound genre (known in some critical circles as "wombadelia").

1992 April 6, MXP...@psuvm.psu.edu, “Cranes”, in rec.music.misc (Usenet):

Then comes Comet's true forte: starry-eyed, slowcore webs of patiently brushed cymbals and madly reverberated guitar. At their best, on "Sputnik," the Stones' slow-burning waves of woozy wombadelia creep up and double over into melodic explosions of bombast and beauty.

2005 August 12, Michael Chamy, “Comet's Feathers From the Wing EP Review”, in The Austin Chronicle, volume 24, number 50, page 61:

Alternative Press (magazine)
My Bloody Valentine (band)


wombadelic

The bass sound in today's jungle lacks the wobbly glee and wombadelic warmth of hardcore rave; instead, there's the sinister radioactive glow of the 'Dread Bass' sound, or dry, metallic, atonal B-lines that palpitate joylessly and tunelessly.

1996 May, Simon Reynolds, “Wargasm: Militaristic imagery in popular culture”, in Frieze, number 28:

At times, it adds up to an earthier version of My Bloody Valentine's wombadelic bliss, most apparent on the standout "Electric Surgery."

2000 November 24, Michael Chamy, “Experimental Aircraft (Devil in the Woods)”, in The Austin Chronicle, volume 20, number 13:

The band’s playing cuts off their new album MAKE OUT ROOM (release date TBA). They do what Black Kids are doing, but rather than lean on the wombadelic shoegazer side, they tend more towards Gary Numan. In such a good way.

2010 May 17, “New Wave rockers LIVING DAYS play a free show tonight at Silverlake Lounge”, in Music Zeitgeist, archived from the original on 2024-04-20:

To this day, listening to Loveless feels like swimming in a warm bath of opiates and lust. It’s a primal, wombadelic, every-direction, every-color echo of what it feels like to be human, to be a mess of synapses, sexual desire, anxiety, obsession, fears, and hopes.

2013 February 16, Jonathan Patrick, “Review: My Bloody Valentine, m b v”, in Slant Magazine, archived from the original on 2024-04-20:

Is there anything more comforting than drone? It’s the wombadelic sound of pre-ego existence, the sonic warmth of a life free from the burdens of the world, music awash in the primal need to express our thoughts through sound.

2013 May 3, Jonathan Patrick, “sunn 0))) entire discography up for free streaming on Bandcamp; this will forever be newsworthy”, in Tiny Mix Tapes, archived from the original on 2024-04-20:

As tempting as it is to indulge my wee-lad love of all things dream pop and compare Star’s fresh take on shoegaze to early-90s wombadelic practitioners

2020 October 29, Steve Krakow, “Chicago trio Star become modern noise-pop greats on Violence Against Star”, in Chicago Reader, archived from the original on 2024-04-20:

(uncommon, music) Pertaining or related to wombadelia; shoegazey.


neoclassical darkwave

The leads, two thin girls with dark eyes and darker threads, unleashed a sticky brand of soul. With a blend of ethereal and neoclassical darkwave, they kicked off their set with a slow song about lost love, isolation and melancholy.

2010, Stephen Pytak, The Wild Damned, Mazz Press, page 144:

Her music's what they call "neoclassical darkwave." It sounds like a chorus of dark angels took their harps and violins and staged a revolt against heaven, all crashing, soaring and broody, layered over with Euphoria's smokey-smexy vocals.

2018, Genevieve Iseult Eldredge, chapter 1, in Derailed: A Moribund Prequel Novella, Monster House Books, LLC, page 10:

Some other bands, like Dead Can Dance and In the Nursery, began incorporating elements of classical orchestral and chamber music to create a style known as classical darkwave.

2019, Eric S. Strother, edited by Janet Sturman, The SAGE International Encyclopedia of Music and Culture, SAGE Publications, page 1304:

(music) A subgenre of darkwave that emerged in mid-1980s, characterized by a dark and melancholic atmosphere combined with elements of Western classical music.


xuc

(music) A danceable traditional music style from El Salvador developed in the 1940s; a dance related to said style.


xuc

Coined by Salvadoran composer Francisco Palaviccini, derived from the sound a juco (a type of zambomba) produces when played, ultimately onomatopoeic.


DSBM

depressive suicidal black metal
depressive suicidal black metal#English

(music) Initialism of depressive suicidal black metal.


depressive suicidal black metal

en-noun

depressive suicidal black metal (uncountable)

depressive black metal
depressive black metal#English

(music) Synonym of depressive black metal


funkot

electronic dance music
electronic dance music

(music) An electronic dance music genre from Indonesia that combines eurodance and trance synths with the syncopated rhythm from dangdut koplo.


სინთპოპი

sintṗoṗi (romanization)
სინთპოპი (nominative singular)
სინთპოპმა (ergative singular)
სინთპოპს (dative singular)
სინთპოპს (dative singular)
სინთპოპსაs) (dative singular)
სინთპოპსაsa) (dative singular)
სინთპოპის (genitive singular)
სინთპოპის (genitive singular)
სინთპოპისაs) (genitive singular)
სინთპოპისაsa) (genitive singular)
სინთპოპით (instrumental singular)
სინთპოპით (instrumental singular)
სინთპოპითაt) (instrumental singular)
სინთპოპითაta) (instrumental singular)
სინთპოპად (adverbial singular)
სინთპოპად (adverbial singular)
სინთპოპადაd) (adverbial singular)
სინთპოპადაda) (adverbial singular)
სინთპოპო (singular vocative)
-ზე
სინთპოპზე (singular)
-თან
სინთპოპთან (singular)
-ში
სინთპოპში (singular)
-ვით
სინთპოპივით (singular)
-თვის
სინთპოპისთვის (singular)
-ებრ
სინთპოპისებრ (singular)
-კენ
სინთპოპისკენ (singular)
-გან
სინთპოპისგან (singular)
-ადმი
სინთპოპისადმი (singular)
-დან
სინთპოპიდან (singular)
-ურთ
სინთპოპითურთ (singular)
-მდე
სინთპოპამდე (singular)


hardcore breaks

(music) An electronic music style emerged in the 2000s, inspired by old school breakbeat, while being fused with modern production techniques .


hexd

(music) An electronic genre characterized by significantly distorted vocals, altered to be faster and higher-pitched, and with the heavily compressed and distorted production.


生角

/ʂɤŋ⁵⁵ t͡ɕy̯ɛ³⁵/

/ʂɤŋ⁵⁵ t͡ɕy̯ɛɻ³⁵/

/ʂɤŋ⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

/ʂɤŋ⁵⁵ t͡ɕy̯ɛ³⁵/

/ʂɤŋ⁵⁵ t͡ɕy̯ɛɻ³⁵/

/ʂɤŋ⁵⁵ t͡ɕi̯ɑʊ̯²¹⁴⁻²¹⁽⁴⁾/

(opera) sheng (a male role in Chinese opera), especially laosheng


tearout

tearout (countable and uncountable, plural tearouts)

He's got a bunch of tearouts on the finished side. It's cheaper and easier to redo it than to patch it, but the job's unprofitable either way.

The heartwood gave consistently better results than the sapwood, in fact nearly all the tearouts and most of the rough cutting were found in the sapwood.

1949, E. M. Davis, “Shaping the End Grain of Redwood for Core Stock”, in United States Department of Agriculture Forest Service, editor, Reports, page 11:

Tearout can also occur below the final depth of cut.

2002, Gary Rogowski, The Complete Illustrated Guide to Joinery, page 21:

This slot is a hot zone for tearout because it creates an unsupported surface for the material being cut.

en:damage at exit side of drilled hole or sawn edge

(carpentry, woodworking) Synonym of blowout.


psychodelia

psychodelia (nominative singular)
psychodelii (genitive singular)
psychodelii (dative singular)
psychodelię (accusative singular)
psychodelią (instrumental singular)
psychodelii (locative singular)
psychodelio (singular vocative)

psychedelic rock (genre of rock music influenced by psychedelia, blues, jazz, folk music, electronic music, and the hippie counterculture of the 1960s)


HK-pop

From HK (“Hong Kong”) + pop, by analogy with J-pop.

HK-Pop (alternative)
HKpop (alternative)
HKPop (alternative)


corrido tumbado

(music) A music style derived from traditional corridos featuring trap's lyrical flow and subject matter.


კლასიკური მუსიკა

ka-noun

კლასიკური მუსიკა • (ḳlasiḳuri musiḳa) (uncountable)

ḳlasiḳuri musiḳa (romanization)
კლასიკური მუსიკა (nominative singular)
კლასიკურმა მუსიკამ (ergative singular)
კლასიკურ მუსიკას (dative singular)
კლასიკურ მუსიკას (dative singular)
კლასიკურ მუსიკასაs) (dative singular)
კლასიკურ მუსიკასაsa) (dative singular)
კლასიკური მუსიკის (genitive singular)
კლასიკური მუსიკის (genitive singular)
კლასიკური მუსიკისაs) (genitive singular)
კლასიკური მუსიკისაsa) (genitive singular)
კლასიკური მუსიკით (instrumental singular)
კლასიკური მუსიკით (instrumental singular)
კლასიკური მუსიკითაt) (instrumental singular)
კლასიკური მუსიკითაta) (instrumental singular)
კლასიკურ მუსიკად (adverbial singular)
კლასიკურ მუსიკად (adverbial singular)
კლასიკურ მუსიკადაd) (adverbial singular)
კლასიკურ მუსიკადაda) (adverbial singular)
კლასიკურო მუსიკავ (singular vocative)
-ზე
კლასიკურ მუსიკაზე (singular)
-თან
კლასიკურ მუსიკასთან (singular)
-ში
კლასიკურ მუსიკაში (singular)
-ვით
კლასიკურ მუსიკასავით (singular)
-თვის
კლასიკური მუსიკისთვის (singular)
-ებრ
კლასიკური მუსიკისებრ (singular)
-კენ
კლასიკური მუსიკისკენ (singular)
-გან
კლასიკური მუსიკისგან (singular)
-ადმი
კლასიკური მუსიკისადმი (singular)
-დან
კლასიკური მუსიკიდან (singular)
-ურთ
კლასიკური მუსიკითურთ (singular)
-მდე
კლასიკურ მუსიკამდე (singular)

კლა‧სი‧კუ‧რი


メロディックハードコア

ja-noun

メロディック ハードコア


barber beats

Coined by Aloe City Wrld music label, when describing the production style of Haircuts for Men.

People still trying to dismiss barber beats as “low effort” fail to realize that most of the high effort stuff, or even the sample free nonsense, misses the point of vaporwave entirely. I bet when it started, real musicians felt the same about the scene as a whole.

2022 December 8, @derivativenc, Twitter, archived from the original on 2024-03-16:

Capturing the elements of Vaporwave with the utilization of warm soul samples and Lo-Fi Hip-Hop in musical arrangement, Barber Beats prominently provided a new yet, familiar taste.

2023 January 7, Jeremy Adrian Eudin, Village Pipol, archived from the original on 2024-03-16:

i never really got into barber beats, for some reasons pad touched on in his video, and also some other things that weren't discussed.
the artwork is cool though.

2024 March 15, @nmeshofficial, Twitter, archived from the original on 2024-03-16:

(music) a chillout style that emerged in mid-2010s, heavily inspired from vaporwave techniques, downtempo, trip hop and instrumental hip hop.


future funk

A lot of people would say that future funk just rips off the original song, but I disagree. It brings a new meaning and feeling to it. There’s a lot more effort put into it than a lot of people think. It also brings a lot of attention to the original song.

2019 November 12, Margaret Cataldi, “Classical composer explains future funk”, in The Prospector, archived from the original on 2020-12-18:

Where many future funk producers make soundtracks for kawaii dance halls and coastal drives, SUI UZI's feels more at home at a darkening club after last call, or on a lonely drive home from a first date gone wrong.

2020 February 8, deliriously...daniel, “A Twilit Trist: Looking Back at SUI UZI's Night Songs Trilogy”, in Private Suite Magazine, number 11, page 25:

This can include the use of looped GIF animations and manipulated pop music tracks in Future Funk YouTube videos, which adapts eighties pop culture from Japan to the Vaporwave style of lo-fi and retro remixes and samples.

2023 October 15, Daniel Johnson, Textual Cacophony: Online Video and Anonymity in Japan, Cornell University Press, page 30:

(music) a house offshoot which emerged from vaporwave in the early 2010s, characterized by reverb effects, more rhythmic structures, and often, vocal samples from city pop and anime.


city pop

From Japanese シティ・ポップ (shiti poppu), itself from English city pop.

(music) a form of Japanese pop music that emerged in the late 1970s and peaked in popularity during the 1980s, including influences such as funk, disco, R&B, AOR, soft rock, and boogie, and associated with the country's nascent economic boom and leisure class.


midtempo bass

(music) an electronic dance music style which features harsh synth leads and a usual tempo of around 90-110 bpm.


future garage

(music) A UK garage subgenre that incorporates elements from 2-step garage, characterized by jittery, broken rhythms, vocal chops, and warm synth pads and plucks.


flashcore

(music) an electronic music style that grew out of speedcore and industrial hardcore, characterized by wandering soundscapes, scattered rapid short-duration sounds, complex avant-garde structures and abstract sounds.


rawstyle

(music) a hardstyle subgenre which features a distinctly harsh, simplistic, raw, and dark sound, with fast bpm.


後核

/xoʊ̯⁵¹ xɤ³⁵/

/xoʊ̯⁵¹ xɤ³⁵/


後硬核

/xoʊ̯⁵¹⁻⁵³ iŋ⁵¹ xɤ³⁵/

/xoʊ̯⁵¹⁻⁵³ iŋ⁵¹ xɤ³⁵/


死核

/sz̩²¹⁴⁻²¹ xɤ³⁵/

/sz̩²¹⁴⁻²¹ xɤ³⁵/


錦歌

/t͡ɕin²¹⁴⁻²¹ kɤ⁵⁵/

/kim⁵⁵⁴⁻²⁴ kua³³/

/ɡim⁵³⁻⁴⁴ kua⁴⁴/

/t͡ɕin²¹⁴⁻²¹ kɤ⁵⁵/

/kim⁵⁵⁴⁻²⁴ kua³³/

/ɡim⁵³⁻⁴⁴ kua⁴⁴/

a form of quyi (曲藝／曲艺 (qǔyì)) originating in Fujian, China


პროგრესული ჰაუსი

ka-noun

პროგრესული ჰაუსი • (ṗrogresuli hausi) (uncountable)

ṗrogresuli hausi (romanization)
პროგრესული ჰაუსი (nominative singular)
პროგრესულმა ჰაუსმა (ergative singular)
პროგრესულ ჰაუსს (dative singular)
პროგრესულ ჰაუსს (dative singular)
პროგრესულ ჰაუსსაs) (dative singular)
პროგრესულ ჰაუსსაsa) (dative singular)
პროგრესული ჰაუსის (genitive singular)
პროგრესული ჰაუსის (genitive singular)
პროგრესული ჰაუსისაs) (genitive singular)
პროგრესული ჰაუსისაsa) (genitive singular)
პროგრესული ჰაუსით (instrumental singular)
პროგრესული ჰაუსით (instrumental singular)
პროგრესული ჰაუსითაt) (instrumental singular)
პროგრესული ჰაუსითაta) (instrumental singular)
პროგრესულ ჰაუსად (adverbial singular)
პროგრესულ ჰაუსად (adverbial singular)
პროგრესულ ჰაუსადაd) (adverbial singular)
პროგრესულ ჰაუსადაda) (adverbial singular)
პროგრესულო ჰაუსო (singular vocative)
-ზე
პროგრესულ ჰაუსზე (singular)
-თან
პროგრესულ ჰაუსთან (singular)
-ში
პროგრესულ ჰაუსში (singular)
-ვით
პროგრესულ ჰაუსივით (singular)
-თვის
პროგრესული ჰაუსისთვის (singular)
-ებრ
პროგრესული ჰაუსისებრ (singular)
-კენ
პროგრესული ჰაუსისკენ (singular)
-გან
პროგრესული ჰაუსისგან (singular)
-ადმი
პროგრესული ჰაუსისადმი (singular)
-დან
პროგრესული ჰაუსიდან (singular)
-ურთ
პროგრესული ჰაუსითურთ (singular)
-მდე
პროგრესულ ჰაუსამდე (singular)

პროგ‧რე‧სუ‧ლი


džezmen

cs-noun

džezmen m anim (female equivalent džezmenka)

džezmenka (feminine)
džezmen (nominative singular)
džezmeni (nominative plural)
džezmena (genitive singular)
džezmenů (genitive plural)
džezmenovi (dative singular)
džezmenu (dative singular)
džezmenům (dative plural)
džezmena (accusative singular)
džezmeny (accusative plural)
džezmene (singular vocative)
džezmeni (plural vocative)
džezmenovi (locative singular)
džezmenu (locative singular)
džezmenech (locative plural)
džezmenem (instrumental singular)
džezmeny (instrumental plural)
jazzman (alternative)


džezbend

džezbend m inan (relational adjective džezbendový)

džezbendový (adjective relational)
džezbend (nominative singular)
džezbendy (nominative plural)
džezbendu (genitive singular)
džezbendů (genitive plural)
džezbendu (dative singular)
džezbendům (dative plural)
džezbend (accusative singular)
džezbendy (accusative plural)
džezbende (singular vocative)
džezbendy (plural vocative)
džezbendu (locative singular)
džezbendech (locative plural)
džezbendem (instrumental singular)
džezbendy (instrumental plural)
jazzband (alternative)

jazz band (group of musicians who play jazz music)


šanson

šanson m inan (relational adjective šansonový)

šansonový (adjective relational)
šanson (nominative singular)
šansony (nominative plural)
šansonu (genitive singular)
šansonů (genitive plural)
šansonu (dative singular)
šansonům (dative plural)
šanson (accusative singular)
šansony (accusative plural)
šansone (singular vocative)
šansony (plural vocative)
šansonu (locative singular)
šansonech (locative plural)
šansonem (instrumental singular)
šansony (instrumental plural)
chanson (alternative)


dungeon synth

(music) a genre of electronic music that merges elements of black metal and dark ambient that emerged in the early 1990s.


keller synth

(music) A subgenre of dungeon synth, closely related to tänzelcore.


Dariacore

From Daria + -core, coined by Jane Remover for her 2021 album Dariacore, after character Daria Morgendorffer from adult animated sitcom Daria.

There's already a crop of new artists making diverse variations of the dariacore style of spliced sounds and berserk beats

2021 November 24, Kieran Press-Reynolds, Business Insider, archived from the original on 2024-04-11:

“Dariacore” isn’t just a single artist’s mixtape series; it’s an entire genre in and of itself, taking hyperpop’s silliest tendencies to their logical conclusions by weaving in vocal samples[…]

2022 May 23, Raphael Helfand, The Fader, archived from the original on 2024-04-11:

dariacore is difficult i feel like im learning hyperpop for the first time all over again except its harder

2022 August 11, @desuc0re, Twitter, archived from the original on 2024-04-11:

“Hyperflip”, or as it’s commonly known, “Dariacore,” is my favorite trend in electronic music at the moment. Its mindmelting blend of Hyperpop, EDM, 2000’s pop samples, and Jersey Club is truly something to behold.

2023 February 7, DMC Woodstock, WKNC 88.1 FM, archived from the original on 2024-04-11:

there’s dariacore rave tn but all signs pointing me not to go bc life is so #LeSigh

2024 April 5, @HOAPISS, Twitter, archived from the original on 2024-04-11:

(music) A genre of electronic music related to hyperpop, which features prominent vocal samples, chaotic and distorted production, and influences from future bass, mashup, nightcore and Jersey club.

Daria
Daria Morgendorffer
Dariacore (album)


Midwest emo

LL-Q1860 (eng)-Flame, not lame-Midwest emo.wav

(music) A subgenre of emo which employs unconventional vocal stylings, distinct guitar riffs and arpeggiated melodies, drawing on indie rock and math rock approaches.


rigsar

Borrowed from Dzongkha རིག་གསར་ (rig gsar, “new idea”).


全部俺

全部俺 (canonical)
zenbu ore (romanization)

[d͡zẽ̞mbɯ̟ o̞ɾe̞]

(music, Internet slang) a one-man genre of music in which all instrumentation is either vocal or beatboxed


música cebolla

(music) A genre of Chilean music emphasising sentimentality and intimacy.


Cubatón

Borrowed from Spanish cubatón, a blend of Cuba + reggaetón.

(music) A variation of reggaeton from Cuba.


canto a lo poeta

es-noun

canto a lo poeta m (plural cantos a lo poeta)

(music) Sung poetry traditional to Chile.


rahvalaul

head

rahvalaul (genitive rahvalaulu, partitive rahvalaulu)

rahvalaulu (genitive)
rahvalaulu (partitive)
rahvalaul (nominative singular)
rahvalaulud (nominative plural)
rahvalaul (accusative nominative singular)
rahvalaulud (accusative nominative plural)
rahvalaulu (accusative genitive singular)
rahvalaulud (accusative genitive plural)
rahvalaulu (genitive singular)
rahvalaulude (genitive plural)
rahvalaulu (partitive singular)
rahvalaule (partitive plural)
rahvalaulusid (partitive plural)
rahvalaulu (illative singular)
rahvalaulusse (illative singular)
rahvalauludesse (illative plural)
rahvalaulesse (illative plural)
rahvalaulus (inessive singular)
rahvalauludes (inessive plural)
rahvalaules (inessive plural)
rahvalaulust (elative singular)
rahvalauludest (elative plural)
rahvalaulest (elative plural)
rahvalaulule (allative singular)
rahvalauludele (allative plural)
rahvalaulele (allative plural)
rahvalaulul (adessive singular)
rahvalauludel (adessive plural)
rahvalaulel (adessive plural)
rahvalaulult (ablative singular)
rahvalauludelt (ablative plural)
rahvalaulelt (ablative plural)
rahvalauluks (singular translative)
rahvalauludeks (plural translative)
rahvalauleks (plural translative)
rahvalauluni (singular terminative)
rahvalauludeni (plural terminative)
rahvalauluna (essive singular)
rahvalauludena (essive plural)
rahvalauluta (abessive singular)
rahvalauludeta (abessive plural)
rahvalauluga (comitative singular)
rahvalauludega (comitative plural)

From rahvas + laul. Calque of German Volkslied.

folk song (song with unknown authorship, originating among the common people)


talking blues

en-noun

talking blues (countable and uncountable, plural talking blues)

From the song “Talking Blues”, recorded by Chris Bouchillon in Atlanta in 1926.

The talking blues were first recorded in 1926, performed by a mandolinist named Chris Bouchillon.

2005, Dick Weissman, edited by Richard Carlin, Blues, Infobase Publishing, →ISBN, page 232:

If Guthrie's talking blues are comedic powerhouses, the same can surely be said of his singing blues.

2019, Will Kaufman, Mapping Woody Guthrie, University of Oklahoma Press, →ISBN, page 26:

(music) A form of folk music characterized by rhythmic speech or near-speech where the melody is free, but the rhythm is strict.


фонк

ru-noun+

фонк • (fonk) m inan (genitive фо́нка, uncountable, relational adjective фо́нковый)

fonk (romanization)
фо́нка (genitive)
фо́нковый (adjective relational)
фо́нк (nominative singular)
фо́нка (genitive singular)
фо́нку (dative singular)
фо́нк (accusative singular)
фо́нком (instrumental singular)
фо́нке (prepositional singular)


фонк

uk-noun

фонк • (fonk) m inan (genitive фо́нку, uncountable, relational adjective фо́нковий)

fonk (romanization)
фо́нку (genitive)
фо́нковий (adjective relational)
фонк (nominative singular)
фо́нку (genitive singular)
фо́нкові (dative singular)
фо́нку (dative singular)
фонк (accusative singular)
фо́нком (instrumental singular)
фо́нку (locative singular)
фо́нку (singular vocative)


dreamgaze

Can't say I agree with it, but it sure was well written and well informed. I guess everything depends on one's propensity for this new ethereal, atonal, industrial, dreamgaze style.

2000 October 5, FRED of LA, “Kid a.”, in alt.music.alternative (Usenet):

2018 March 6, Jude Noel, “Amidst work with her Dreamgaze band Soften, Cincinnati’s Brianna Kelly releases new Ambient Folk project”, in CityBeat, archived from the original on 2024-04-20:

Living Hour first came together in a Winnipeg basement in 2015. An appearance on a British compilation that year and a limited cassette release of the group’s debut album led to Portland, Oregon indie label Lefse re-releasing the LP, which helped attract the attention of Dreamgaze fans worldwide fairly quickly.

2019 March 1, Mike Breen, “Dazzling Canadian Indie Rock/Dreamgaze Band Living Hour to Play Free Concert in Cincinnati on Heels of Stellar New LP's Release”, in CityBeat, archived from the original on 2024-04-20:

No Swoon is a dreamgaze band based in Brooklyn, New York.

2020 February 19, “Interview: No Swoon”, in Good Album Friday, archived from the original on 2024-04-20:

Ash of the Womb is a dreamgaze beauty that is darkly elegant. Shantel Amundson’s vocals are haunting and perfectly encapsulates the themes of the album which center on our impact on the environment and the 2021 devastating fires in California where she resides.

2022 January 14, Angela, “Best of 2021: Angela’s List”, in Nine Circles, archived from the original on 2024-04-20:

Close to be Close to Me is a 2016 song by Swedish self-described showgaze^([sic])/dreamgaze band, Echo Ladies, taken from their self-titled EP.

2022, Louise Harris, Composing Audiovisually: Perspectives on audiovisual practices and relationships, Routledge, page 173:

The four-member "dreamgaze" band Tierpark has two final shows in Seoul this weekend and Busan next weekend, before two of its core members move away.

2023 July 18, Jon Dunbar, “Tierpark plans final Korea tour before going on hiatus again”, in The Korea Times, archived from the original on 2024-04-20:

(music) A mixture of dream pop and shoegaze.


kindie

And if you have a budding D.J. on your hands, check out “The Saturday Morning Cereal Bowl,” which provides two hours of “kindie music from today to yesterday” once a week out of Chattanooga State Community College in Tennessee.

2021 June 2, Phoebe Lett, “5 Music Podcasts for Kids”, in The New York Times:

(music) A style of children's music that melds the sensibility of the singer-songwriter with themes aimed at children under 10 years old.


hát tuồng

[haːt̚˧˦ tuəŋ˨˩]

[haːk̚˦˧˥ tuəŋ˦˩]

[haːk̚˦˥ tuəŋ˨˩]

hát (“to sing”) + tuồng (“look, appearance”).

com

classical Vietnamese opera (a form of Vietnamese theatre)


hát chèo

[haːt̚˧˦ t͡ɕɛw˨˩]

[haːk̚˦˧˥ t͡ɕɛw˦˩]

[haːk̚˦˥ cɛw˨˩]


nhạc đỏ

[ɲaːk̚˧˨ʔ ʔɗɔ˧˩]

[ɲaːk̚˨˩ʔ ʔɗɔ˧˨]

[ɲaːk̚˨˩˨ ʔɗɔ˨˩˦]

nhạc (“music”) + đỏ (“red”), literally "red music".


H-pop

From H (“Hindutva”) + pop, by analogy with J-pop.

On another occasion, H-pop singer Kanhiya Mittal sang a duet with a BJP lawmaker whose lyrics read “the saffron is getting deeper”, a reference to the colour of Hinduism and the BJP's own party colours, […]

2024 May 4, John Reed, “How to interpret India?”, in FT Weekend, Life & Arts, page 9:

(music) Hindutva pop music; Indian nationalist pop music.


landfill indie

These have focused variously on the abysmal quality of its 'landfill indie' variant, its alleged takeover by privately-educated nu-folkers, and its almost total failure to respond to an increasingly harsh rightwards turn in British politics

2013 March 11, Rhian E. Jones, Clampdown: Pop-Cultural Wars on Class and Gender, John Hunt Publishing, →ISBN, page 1994:

For example, Robinson writes that the 'Godfathers of landfill Indie', like Razorlight, the Pigeon Detectives and the Wombats, are doing for the new generation of indie-guitar bands what Menswear and Sleeper did for Britpop.

2013 January 28, Professor Andy Bennett, Professor Jon Stratton, Britpop and the English Music Tradition, Ashgate Publishing, Ltd., →ISBN, page 165:

The View were a Libertines-adjacent landfill indie band from Dundee with a few hit singles. Although music buffs will no doubt recoil in horror here, their hit single, “Superstar Tradesman”, really resonated with me.

2023 February 14, Dan Evans, A Nation of Shopkeepers: The Unstoppable Rise of the Petite Bourgeoisie, Watkins Media Limited, →ISBN:

(derogatory) A genre of British indie rock music in the late 2000s and early 2010s, typically defined by high-energy guitars, realist lyrics and use of regional accents; indie rock music perceived as unambitious, stale and commercial.


제이팝

jeipap (romanization)
J팝 (alternative)
J-pop (alternative)
J-POP (alternative)

(music) J-pop (Japanese pop music influenced by Western styles)


L-pop

From L (“Lao”) + pop, by analogy with J-pop.


Indopop

Indo pop (alternative)
Indo-pop (alternative)


M-pop

From M (“Malay”) + pop, by analogy with J-pop.


P-pop

From P (“Pinoy”) + pop, by analogy with J-pop.


Q-pop

From Q (“Qazaq; Kazakh”) + pop, by analogy with K-pop, itself formed by analogy with J-pop.


씨팝

ssipap (romanization)
C팝 (alternative)
C-pop (alternative)
C-POP (alternative)

(music) C-pop (Chinese pop music influenced by Western styles)


kołomyjka

kołomyjka (nominative singular)
kołomyjki (nominative plural)
kołomyjki (genitive singular)
kołomyjek (genitive plural)
kołomyjce (dative singular)
kołomyjkom (dative plural)
kołomyjkę (accusative singular)
kołomyjki (accusative plural)
kołomyjką (instrumental singular)
kołomyjkami (instrumental plural)
kołomyjce (locative singular)
kołomyjkach (locative plural)
kołomyjko (singular vocative)
kołomyjki (plural vocative)

Borrowed from Ukrainian коломи́йка (kolomýjka).

bor+

(music) kolomyika (Hutsul music genre that combines a fast-paced folk dance and comedic rhymed verses)


tänzelcore

A genre of rave music related to keller synth


regional Mexican

(music, collective) A collective name encompassing types of Mexican country music, such as mariachi, norteño, sierreño, corridos, etc.


雷鬼

/leɪ̯³⁵ ku̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

/lɵy̯²¹ kʷɐi̯³⁵/

/leɪ̯³⁵ ku̯eɪ̯²¹⁴⁻²¹⁽⁴⁾/

/lɵy̯²¹ kʷɐi̯³⁵/


Gabber

de-noun

Gabber m (strong, genitive Gabber, no plural)

Gabber (genitive)
Gabber (nominative singular)
Gabber (genitive singular)
Gabber (dative singular)
Gabber (accusative singular)

Unadapted borrowing from Dutch gabber. Doublet of Haberer and Chawer.


darkstep

Another area where I suspect there's some crossover, but I haven't poked around in much, is within death/black metal. Certainly some of what I've heard has the dark techy feel of techstep / darkstep like Technical Itch and whatnot, but it's not something I've had the time to look into properly.

2004 May 10, Phil Evans, “breaks / Drum and base / thrash metal”, in alt.music.drum-n-bass (Usenet):

This record is a standout in the records of Six Finger Satellite as it takes a dance tone. Some darkstep dances fer sure, but think Chrome, Deutsch Amerikan Friendschaft and you might start to get the idea.

2005 November 3, Alessandro Lendaro, quoting Load Records, “Ultimamente si parlava dei legendary pink dots”, in it.arti.musica.rock (Usenet):

on 10.10.10 the new DREAM ITO DUST song "counterfeit" was released online in 6 different mixes plus a video. besides the original, there is a darkstep mix, a breakcore mix [bryin dall], an EBM mix [angztek industries], a cold wave mix [prequel], and a powernoise mix [theologian].

2010 October 16, chth...@chthonicstreams.com, “DREAM INTO DUST : COUNTERFEIT (digital release)”, in rec.music.industrial (Usenet):

A subgenre of dubstep with a fast tempo that incorporates ambient and industrial samples.


áras ceoldrámaíochta

head

áras ceoldrámaíochta m (genitive singular árais ceoldrámaíochta, nominative plural árais ceoldrámaíochta)

árais ceoldrámaíochta (genitive singular)
árais ceoldrámaíochta (nominative plural)
áras ceoldrámaíochta
n-áras ceoldrámaíochta
háras ceoldrámaíochta
t-áras ceoldrámaíochta


ceoldrámaíocht

ceoldrámaíocht f (genitive singular ceoldrámaíochta)

ceoldrámaíochta (genitive singular)
ceoldrámaíocht (indefinite nominative singular)
a cheoldrámaíocht (indefinite singular vocative)
ceoldrámaíochta (genitive indefinite singular)
ceoldrámaíocht (dative indefinite singular)
an cheoldrámaíocht (definite nominative singular)
na ceoldrámaíochta (definite genitive singular)
leis an gceoldrámaíocht (dative definite singular)
don cheoldrámaíocht (dative definite singular)
ceoldrámaíocht
cheoldrámaíocht
gceoldrámaíocht


四物遊戲

ㄙˋ ㄨˋ ㄧㄡˊ ㄒㄧˋ

/sz̩⁵¹⁻⁵³ u⁵¹ joʊ̯³⁵ ɕi⁵¹/

/sz̩⁵¹⁻⁵³ u⁵¹ joʊ̯³⁵ ɕi⁵¹/

(music) samullori (Korean traditional genre)


কাওয়ালী

কাওয়ালী • (kaōẇali)

bn-noun

কাওয়ালী • (kaōẇali)

kaōẇali (romanization)
কাওয়্যালী (alternative)

Borrowed from Classical Persian قوالی (qawwālī), from Arabic قَوَّال (qawwāl, “qawwal”). Cognate with Hindi क़व्वाली (qavvālī), Urdu قوالی (qvālī).


石人金屬

ㄕˊ ㄖㄣˊ ㄐㄧㄣ ㄕㄨˇ

шижэнь цзиньшу

/ʂʐ̩³⁵ ʐən³⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/ʂʐ̩³⁵ ʐən³⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

Literal mistranslation of English stoner metal.


厄運金屬

ㄜˋ ㄩㄣˋ ㄐㄧㄣ ㄕㄨˇ

эюнь цзиньшу

/ˀɤ⁵¹⁻⁵³ yn⁵¹ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/ˀɤ⁵¹⁻⁵³ yn⁵¹ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/


泥漿金屬

ㄋㄧˊ ㄐㄧㄤ ㄐㄧㄣ ㄕㄨˇ

ницзян цзиньшу

/ni³⁵ t͡ɕi̯ɑŋ⁵⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/

/ni³⁵ t͡ɕi̯ɑŋ⁵⁵ t͡ɕin⁵⁵ ʂu²¹⁴⁻²¹⁽⁴⁾/


碾核

/ni̯ɛn²¹⁴⁻²¹ xɤ³⁵/

/ni̯ɛn²¹⁴⁻²¹ xɤ³⁵/


數學核

ㄕㄨˋ ㄒㄩㄝˊ ㄏㄜˊ

/ʂu⁵¹ ɕy̯ɛ³⁵ xɤ³⁵/

/ʂu⁵¹ ɕy̯ɛ³⁵ xɤ³⁵/


hardvapour

(music) An Internet-based microgenre of electronic music, emerged in 2015 as a reimagination of vaporwave with darker themes, faster tempos, and heavier sounds.


Hip-Hop

de-noun

Hip-Hop m (strong, genitive Hip-Hops, no plural)

Hip-Hops (genitive)
Hip-Hop (nominative singular)
Hip-Hops (genitive singular)
Hip-Hop (dative singular)
Hip-Hop (accusative singular)
Hiphop (alternative)
Hip Hop (alternative)


tecnobrega

tecno-brega (alternative)
tecno brega (alternative)

A trilha sonora é regional, ou seja, se ouvirá desde o ritmo calipso, passando pelo tecnobrega, brega, forró, tecnopop, lambada e diversas mixagens, como o electrobrega.

2024 August 8, Venceslau Borlina Filho, “3 dias em Belém: veja roteiro para desbravar a capital do Pará, sede da COP30”, in Folha de S.Paulo:

(Brazil, music) a style of music from northern Brazil that is based on remixing classic pop tunes, often from the 1980s


pisadinha

(Brazil, music) a musical genre originating in Bahia that developed from forró


spacecore

Hyper grind/jazz spacecore with clarinet & barking vocals. Comes w/lyrics, photos, and full colour cover!!! All for only $4.00 ppd. worldwide. Trades are welcome.

1994, “Grind Spacecore” (advertisement), in Chaotic Noise, number 3, Roanoke, Va., [https://archive.org/details/chaotic_noise_3/page/n49/mode/2up?q=spacecore page [50]]:

DUNKELHEIT - more than meets the third eye 7inch ¶ Industrial spacecore for the wasted generation! Four songs of sonic deconstruction!

1997 April, “suggestion records” (advertisement), in D.L.K.: The Hell Key, number 0011 [issue #3], Grottaglie, page 31:

It was Wednesday, the Night After. At ZuZu in Central Square, Stephen Brodsky — whose spacecore, prog-metal band Cave In had just finished a wild tour with their good friends Converge — did his best to distract us, and himself, with his solo-acoustic “Beatles ripoffs” (his description, not mine).

2004 November 12, Will Spitz, “The days after”, Out, in The Boston Phoenix, volume 33, number 44, Boston, Mass.: The Phoenix Media/Communications Group, Arts, page 21:

(music, rare) Heavy metal or rock music inspired by outer space.


neo-glam

As befits its neo-glam reputation, this month’s English Band of the Century travels with only carry-on luggage. Suede’s glamour, though, is of a distinctly seedy stripe.

1993 May 27, Steven Daly, “Suede: All That Glitters”, in Rolling Stone:

The foyer of the Colston Hall – soon to be rebranded to exorcise the spectre of the slave trader it is named after – plays host to, in their words, “the most incongruous sight in the history of popular music”: neo-glam troupe HMLTD, who you suspect would rather be playing a Transylvanian castle orgy than a thoroughfare in a medium-sized arts venue.

2017 October 23, Ben Beaumont-Thomas, “Simple Things festival review – neo-glam, power punk and the giddy glow of trance”, in The Guardian:

(music) A contemporary genre that grew out of the glam rock movement of the 1970s while incorporating modern elements.


雲霧說唱

ㄩㄣˊ ㄨˋ ㄕㄨㄛ ㄔㄤˋ

/yn³⁵ u⁵¹ ʂu̯ɔ⁵⁵ ʈ͡ʂʰɑŋ⁵¹/

/yn³⁵ u⁵¹ ʂu̯ɔ⁵⁵ ʈ͡ʂʰɑŋ⁵¹/


地牢合成器

ㄉㄧˋ ㄌㄠˊ ㄏㄜˊ ㄔㄥˊ ㄑㄧˋ

дилао хэчэнци

/ti⁵¹ lɑʊ̯³⁵ xɤ³⁵ ʈ͡ʂʰɤŋ³⁵ t͡ɕʰi⁵¹/

/ti⁵¹ lɑʊ̯³⁵ xɤ³⁵ ʈ͡ʂʰɤŋ³⁵ t͡ɕʰi⁵¹/


鳥囝

/t͡sieu⁴⁵³⁻²¹ ⁽ᵏ⁻⁾yɒ⁴⁵³/

/t͡sieu³³²⁻²¹ ⁽ᵏ⁻⁾ỹã³³²/

/t͡sieu⁴⁵³⁻²¹ ⁽ᵏ⁻⁾yɒ⁴⁵³/

/t͡sieu³³²⁻²¹ ⁽ᵏ⁻⁾ỹã³³²/

(Xianyou Puxian Min, opera) female role (in Chinese opera)


莆仙戲

/pʰu³⁵ ɕi̯ɛn⁵⁵ ɕi⁵¹/

pou² seng¹ hi⁴ [Phonetic:pou⁵ leng² ngi⁴]

/pʰɔu¹³⁻²¹ ^((ɬ-))lɛŋ⁵³³⁻¹³ ⁽ʰ⁻⁾ŋi⁴²/

/pʰu³⁵ ɕi̯ɛn⁵⁵ ɕi⁵¹/

/pʰɔu¹³⁻²¹ ^((ɬ-))lɛŋ⁵³³⁻¹³ ⁽ʰ⁻⁾ŋi⁴²/

(opera) Puxian opera (a variety of Chinese opera)


post-dubstep

From post- + dubstep, following post-punk.

This year's array of post-dubstep sounds are no longer chained to realness but are much more about garish hyper-reality.

2010 January 11, Simon Reynolds, “Grime and dubstep – a noise you could believe in”, in The Guardian, →ISSN:

(music) A range of musical styles that have been influenced by UK dubstep.


Kuschelrock

Kuschelrock m (strong, genitive Kuschelrocks, no plural)

Kuschelrocks (genitive)
Kuschelrock (nominative singular)
Kuschelrocks (genitive singular)
Kuschelrock (dative singular)
Kuschelrock (accusative singular)

kuscheln (“to cuddle”) + Rock (“rock music”)

af

(music) Synonym of Softrock (“soft rock”)


興化戲

ㄒㄧㄥ ㄏㄨㄚˋ ㄒㄧˋ

/ɕiŋ⁵⁵ xu̯ä⁵¹⁻⁵³ ɕi⁵¹/

hing¹ hua⁴ hi⁴ [Phonetic:hing² ngua¹ i⁴]

/hiŋ⁵³³⁻¹³ ⁽ʰ⁻⁾ŋua⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/

/ɕiŋ⁵⁵ xu̯ä⁵¹⁻⁵³ ɕi⁵¹/

/hiŋ⁵³³⁻¹³ ⁽ʰ⁻⁾ŋua⁴²⁻⁵⁵ ⁽ʰ⁻⁾i⁴²/

(opera) Hinghwa opera (a variety of Chinese opera)


terrorwave

Journalist Jake Hanrahan has described terrorwave as removing “the reality of the violence war brings” while revealing how “bored young men in the West desire a violent past they’ve no perception of.”

2023 May 4, Joshua Molloy, “Terrorwave: The Aesthetics of Violence and Terrorist Imagery in Militant Accelerationist Subcultures”, in Global Network on Extremism and Technology:

Vaporwave music and art with terrorist and militant themes.


倒板

/tɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

daoban (beat pattern used in traditional Chinese opera)


導板

/tɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/

/tɑʊ̯²¹⁴⁻³⁵ pän²¹⁴⁻²¹⁽⁴⁾/


chanchona

From chancho + -ona. Literally, “big pig”, which is a local name for the double bass.

(music, El Salvador) A danceable music style from El Salvador; (by extension) a musical group which performs this style


神功戲

/ʂən³⁵ kʊŋ⁵⁵ ɕi⁵¹/

/sɐn²¹ kʊŋ⁵⁵ hei̯³³/

/ʂən³⁵ kʊŋ⁵⁵ ɕi⁵¹/

/sɐn²¹ kʊŋ⁵⁵ hei̯³³/

(religion, chiefly Hong Kong, Macau) opera performed as an offering to deities on special occasions


stomp clap hey

Onomatopoeic, in reference to typical elements of the sound of certain indie folk bands c. 2010, perhaps best illustrated by the song Ho Hey by The Lumineers.

(humorous) A type of indie folk that enjoyed some popularity around the late 2000s and early 2010s.


blueseiro

pt-adj

blueseiro (feminine blueseira, masculine plural blueseiros, feminine plural blueseiras)

blueseira (feminine)
blueseiros (masculine plural)
blueseiras (feminine plural)
bluseiro (alternative)


blueseiro

pt-noun

blueseiro m (plural blueseiros, feminine blueseira, feminine plural blueseiras)

blueseiros (plural)
blueseira (feminine)
blueseiras (feminine plural)
bluseiro (alternative)


孟菲斯說唱

ㄇㄥˋ ㄈㄟ ㄙ ㄕㄨㄛ ㄔㄤˋ

Мэнфэйсы шочан

/mɤŋ⁵¹ feɪ̯⁵⁵ sz̩⁵⁵ ʂu̯ɔ⁵⁵ ʈ͡ʂʰɑŋ⁵¹/

/mɤŋ⁵¹ feɪ̯⁵⁵ sz̩⁵⁵ ʂu̯ɔ⁵⁵ ʈ͡ʂʰɑŋ⁵¹/


altered scale

(jazz music) A seven-note dominant scale where all nonessential tones have been altered.


絵描き歌

絵描き歌 (canonical)
ekakiuta (romanization)

絵描(えか)き (ekaki, “drawing, painting”) + 歌(うた) (uta, “song”)

ja-compound

drawing song, a genre of Japanese children's music, where the lyrics describe in playful language the strokes needed to draw a simple cartoon.


emoviolence

A subgenre of screamo with similar structures to powerviolence.


straight-ahead jazz

A puristic form of jazz, as opposed to newer forms like free jazz and fusion, featuring swing rhythms and small ensembles.


Italo dance

An Italian style of electronic dance music.


nuevo tango

(music) a style of tango music developed in Argentina in the 1950s and 1960s


electrotango

/əˈlɛktɹoʊˌtæŋɡəʊ/

In the early 2000s, electrotango emerged in Argentina, fusing tango with electronic music, enticing a younger generation of dancers.

2020, David DiGiuseppe, Tangos for Accordion: A Collection of Traditional Argentine Tangos Arranged for Keyboard Accordion, Mel Bay Publications, →ISBN, page 5:

(music) A form of tango with electronic music elements.


neotango

/ˈniːoʊˌtæŋɡoʊ/

/ˈniːəʊˌtæŋɡəʊ/

Twenty-first-century electronic tango is referred to as neotango in the United States, tango fusion in Argentina, and tecnotango in France.

[2019, Janet Sturman, editor, The SAGE International Encyclopedia of Music and Culture, SAGE Publications, →ISBN:


青衣旦兒

/t͡ɕʰin⁵⁵ i⁵⁵ tɚ²¹³/

/t͡ɕʰin⁵⁵ i⁵⁵ tɚ²¹³/

(Chengdu Sichuanese, opera) one of the main divisions of the 旦 or female role in traditional opera (traditionally the role of a woman with a strong personality and cultured behaviour)


danger music

An avant-garde form of music intended to physically harm its performers or listeners.


武淨

/u²¹⁴⁻²¹ t͡ɕiŋ⁵¹/

/u²¹⁴⁻²¹ t͡ɕiŋ⁵¹/

(opera) martial jing (a painted face male role that performs acrobatic fighting)


यक्षगान

hi-prop

यक्षगान • (yakṣagān) m

[jɐk.ʃɐ.ɡä̃ːn]

Borrowed from Kannada ಯಕ್ಷಗಾನ (yakṣagāna) (see ಯಕ್ಷ (yakṣa)). By surface analysis, यक्ष (yakṣ) + गान (gān).

surf

बारसीन
सुना है मैंने अपनी अदाकारी के लिए तुमने अपने चेहरे पर रंग लगाए। क्या करनेवाले हो?
पुरु
यक्षगान … नृत्य।
बारसीन
य … यश्क … क … ग … बड़ा अजीब नाम है। ख़ैर, जो भी हो …
पुरु
जो भी हो नहीं … राजकुमारी। यह हमारी पारंपारिक नृत्यशैली है। जिससे हम बहार से आए अतिथि के स्वागत के लिए करते हैं।

2017–2018, “पोरस बामिनी से मिलता है [poras bāminī se miltā hai]” (11:55 from the start), in पोरस (टीवी धारावाहिक) [Porus (TV series)], episode 39 (television production), spoken by Barsine and Porus (Riya Deepsi and Laksh Lalwani), Umargam, via Sony Entertainment Television:

Barsine
I have heard that you have coloured your face for a performance. What are you going to do?
Porus
The Yakshagana … dance.
Barsine
Ya … Yashk … ka … ga … That is a very strange name. Anyway, whatever …
Porus
It is not whatever … Princess. This is our traditional dance form, which we perform to welcome our guests from abroad.

Yakshagana (genre of theatre, dance and music from Karnataka and Kasaragod)


풍류

(music) pungnyu (traditional Korean aristocratic chamber music)