Spockish

en-adj

Spockish (comparative more Spockish, superlative most Spockish)

more Spockish (comparative)
most Spockish (superlative)

Gary Oldman is pale with pale blue eyes and Spockish ears.

1997, Film review: Special: Issues 18-21:

In the early shows, Leonard Nimoy and the various writers and directors struggled to find the Spockish response to emotionally charged situations.

1998, Grace Lee Whitney, Jim Denney, Leonard Nimoy, The Longest Trek: My Tour of the Galaxy, page 89:

Rather like the Spockish character Data in Star Trek: The Next Generation, psychology is coming to appreciate the power and virtues of emotions in mental life, as well as their dangers.

2009, Daniel Goleman, Emotional Intelligence, page 41:

It is not driven by the fiction of optimization in the manner of Dr.^([sic]) Spock in Star Trek―obsessively using high-tech logic tools. Such a Spockish approach often tends to mis-characterize the nature of the problem when the environment is complex, turbulent and evolving.

2010, Ruth Hubbard, Gilles Paquet, The Case for Decentralized Federalism, page 211:

Resembling or characteristic of the Star Trek character Mr Spock, especially in being excessively logical and emotionless.


mislight

This error is obviated to a large degree when the perforated strip arrangement is used. If a machine is threaded properly and has made one correct print, it is impossible for a mislight to occur if the machine is set properly before the motor switch is snapped on,

1953, William H. Offenhauser, 16-mm Sound Motion Pictures, page 403:

Notches weaken the negative, and tabs sometimes come off, causing mislights.

1976, SMPTE Journal: Publication of the Society of Motion Picture and Television Engineers:

(film) An error in projection in which the projected image is a combination of two frames.


kamerzysta

pl-noun

kamerzysta m pers (female equivalent kamerzystka)

kamerzystka (feminine)
kamerzysta (nominative singular)
kamerzyści (nominative plural)
kamerzysty (derogatory nominative plural)
kamerzysty (genitive singular)
kamerzystów (genitive plural)
kamerzyście (dative singular)
kamerzystom (dative plural)
kamerzystę (accusative singular)
kamerzystów (accusative plural)
kamerzystą (instrumental singular)
kamerzystami (instrumental plural)
kamerzyście (locative singular)
kamerzystach (locative plural)
kamerzysto (singular vocative)
kamerzyści (plural vocative)


montażysta

montażysta m pers (female equivalent montażystka)

montażystka (feminine)
montażysta (nominative singular)
montażyści (nominative plural)
montażysty (derogatory nominative plural)
montażysty (genitive singular)
montażystów (genitive plural)
montażyście (dative singular)
montażystom (dative plural)
montażystę (accusative singular)
montażystów (accusative plural)
montażystą (instrumental singular)
montażystami (instrumental plural)
montażyście (locative singular)
montażystach (locative plural)
montażysto (singular vocative)
montażyści (plural vocative)

(cinematography) editor (someone who manipulates video footage and assembles it into the correct order)


kaskader

kaskader m pers (female equivalent kaskaderka)

kaskaderka (feminine)
kaskader (nominative singular)
kaskaderzy (nominative plural)
kaskadery (derogatory nominative plural)
kaskadera (genitive singular)
kaskaderów (genitive plural)
kaskaderowi (dative singular)
kaskaderom (dative plural)
kaskadera (accusative singular)
kaskaderów (accusative plural)
kaskaderem (instrumental singular)
kaskaderami (instrumental plural)
kaskaderze (locative singular)
kaskaderach (locative plural)
kaskaderze (singular vocative)
kaskaderzy (plural vocative)


filmowiec

filmowiec (nominative singular)
filmowcy (nominative plural)
filmowca (genitive singular)
filmowców (genitive plural)
filmowcowi (dative singular)
filmowcom (dative plural)
filmowca (accusative singular)
filmowców (accusative plural)
filmowcem (instrumental singular)
filmowcami (instrumental plural)
filmowcu (locative singular)
filmowcach (locative plural)
filmowcu (singular vocative)
filmowcy (plural vocative)


scenarzysta

scenarzysta m pers (female equivalent scenarzystka)

scenarzystka (feminine)
scenarzysta (nominative singular)
scenarzyści (nominative plural)
scenarzysty (derogatory nominative plural)
scenarzysty (genitive singular)
scenarzystów (genitive plural)
scenarzyście (dative singular)
scenarzystom (dative plural)
scenarzystę (accusative singular)
scenarzystów (accusative plural)
scenarzystą (instrumental singular)
scenarzystami (instrumental plural)
scenarzyście (locative singular)
scenarzystach (locative plural)
scenarzysto (singular vocative)
scenarzyści (plural vocative)

Internationalism; compare English scenarist, French scénariste, German Szenarist. By surface analysis, scenariusz + -ysta.


césariser

césariser (infinitive)
avoir + past participle (infinitive multiword-construction)
césarisant (gerund participle present)
ayant + past participle (gerund multiword-construction participle present)
césarisé (participle past)
césarise (first-person indicative present singular)
césarises (indicative present second-person singular)
césarise (indicative present singular third-person)
césarisons (first-person indicative plural present)
césarisez (indicative plural present second-person)
césarisent (indicative plural present third-person)
césarisais (first-person imperfect indicative singular)
césarisais (imperfect indicative second-person singular)
césarisait (imperfect indicative singular third-person)
césarisions (first-person imperfect indicative plural)
césarisiez (imperfect indicative plural second-person)
césarisaient (imperfect indicative plural third-person)
césarisai (first-person historic indicative past singular)
césarisas (historic indicative past second-person singular)
césarisa (historic indicative past singular third-person)
césarisâmes (first-person historic indicative past plural)
césarisâtes (historic indicative past plural second-person)
césarisèrent (historic indicative past plural third-person)
césariserai (first-person future indicative singular)
césariseras (future indicative second-person singular)
césarisera (future indicative singular third-person)
césariserons (first-person future indicative plural)
césariserez (future indicative plural second-person)
césariseront (future indicative plural third-person)
césariserais (conditional first-person singular)
césariserais (conditional second-person singular)
césariserait (conditional singular third-person)
césariserions (conditional first-person plural)
césariseriez (conditional plural second-person)
césariseraient (conditional plural third-person)
future of avoir + past participle (future indicative multiword-construction perfect)
conditional of avoir + past participle (conditional multiword-construction perfect)
césarise (first-person present singular subjunctive)
césarises (present second-person singular subjunctive)
césarise (present singular subjunctive third-person)
césarisions (first-person plural present subjunctive)
césarisiez (plural present second-person subjunctive)
césarisent (plural present subjunctive third-person)
césarisasse (first-person imperfect singular subjunctive)
césarisasses (imperfect second-person singular subjunctive)
césarisât (imperfect singular subjunctive third-person)
césarisassions (first-person imperfect plural subjunctive)
césarisassiez (imperfect plural second-person subjunctive)
césarisassent (imperfect plural subjunctive third-person)
césarise (imperative second-person singular)
césarisons (first-person imperative plural)
césarisez (imperative plural second-person)

(trasitive, film) to grant the César Award to (a nominee)


ფილმი

pilmi (romanization)
ფილმები (plural)
ფილმი (nominative singular)
ფილმები (nominative plural)
ფილმნი (archaic nominative plural)
ფილმმა (ergative singular)
ფილმებმა (ergative plural)
ფილმთ (archaic ergative plural)
ფილმთ (archaic ergative plural)
ფილმთაt) (archaic ergative plural)
ფილმთაta) (archaic ergative plural)
ფილმს (dative singular)
ფილმს (dative singular)
ფილმსაs) (dative singular)
ფილმსაsa) (dative singular)
ფილმებს (dative plural)
ფილმებს (dative plural)
ფილმებსაs) (dative plural)
ფილმებსაsa) (dative plural)
ფილმთ (archaic dative plural)
ფილმთ (archaic dative plural)
ფილმთაt) (archaic dative plural)
ფილმთაta) (archaic dative plural)
ფილმის (genitive singular)
ფილმის (genitive singular)
ფილმისაs) (genitive singular)
ფილმისაsa) (genitive singular)
ფილმების (genitive plural)
ფილმების (genitive plural)
ფილმებისაs) (genitive plural)
ფილმებისაsa) (genitive plural)
ფილმთ (archaic genitive plural)
ფილმთ (archaic genitive plural)
ფილმთაt) (archaic genitive plural)
ფილმთაta) (archaic genitive plural)
ფილმით (instrumental singular)
ფილმით (instrumental singular)
ფილმითაt) (instrumental singular)
ფილმითაta) (instrumental singular)
ფილმებით (instrumental plural)
ფილმებით (instrumental plural)
ფილმებითაt) (instrumental plural)
ფილმებითაta) (instrumental plural)
ფილმად (adverbial singular)
ფილმად (adverbial singular)
ფილმადაd) (adverbial singular)
ფილმადაda) (adverbial singular)
ფილმებად (adverbial plural)
ფილმებად (adverbial plural)
ფილმებადაd) (adverbial plural)
ფილმებადაda) (adverbial plural)
ფილმო (singular vocative)
ფილმებო (plural vocative)
ფილმნო (archaic plural vocative)
-ზე (postpositional with-dative)
ფილმზე (singular)
ფილმებზე (plural)
-თან (postpositional with-dative)
ფილმთან (singular)
ფილმებთან (plural)
-ში (postpositional with-dative)
ფილმში (singular)
ფილმებში (plural)
-ვით (postpositional with-dative)
ფილმივით (singular)
ფილმებივით (plural)
-თვის (postpositional with-genitive)
ფილმისთვის (singular)
ფილმებისთვის (plural)
-ებრ (postpositional with-genitive)
ფილმისებრ (singular)
ფილმებისებრ (plural)
-კენ (postpositional with-genitive)
ფილმისკენ (singular)
ფილმებისკენ (plural)
-გან (postpositional with-genitive)
ფილმისგან (singular)
ფილმებისგან (plural)
-დან (postpositional with-instrumental)
ფილმიდან (singular)
ფილმებიდან (plural)
-ურთ (postpositional with-instrumental)
ფილმითურთ (singular)
ფილმებითურთ (plural)
-მდე (postpositional with-adverb)
ფილმამდე (singular)
ფილმებამდე (plural)

მოკლემეტრაჟიანი ფილმი


放映

CJKV/code

Sino-Xenic (放映):
* → Japanese: 放(ほう)映(えい) (hōei)
* → Korean: 방영(放映) (bang'yeong)

/fɑŋ⁵¹⁻⁵³ iŋ⁵¹/

/fɔːŋ³³ jɪŋ³⁵/

/hɔŋ²¹⁻⁵³ iɪŋ²¹/

/hɔŋ⁴¹⁻⁵⁵⁴ iɪŋ⁴¹/

/huaŋ²¹³⁻⁵⁵ iaŋ²¹³/

/fɑŋ⁵¹⁻⁵³ iŋ⁵¹/

/fɔːŋ³³ jɪŋ³⁵/

/hɔŋ²¹⁻⁵³ iɪŋ²¹/

/hɔŋ⁴¹⁻⁵⁵⁴ iɪŋ⁴¹/

/huaŋ²¹³⁻⁵⁵ iaŋ²¹³/


machiniste

fr-noun

machiniste m or f by sense (plural machinistes)

(cinematography) grip (person responsible for handling equipment on a film set)


đạo diễn

[ʔɗaːw˧˨ʔ ziən˦ˀ˥]

[ʔɗaːw˨˩ʔ jiəŋ˧˨]

[ʔɗaːw˨˩˨ jiəŋ˨˩˦]

LL-Q9199 (vie)-Penn Zero MSSJ-đạo diễn.wav

to direct (a play, a TV series, a movie, etc.)


đạo diễn

[ʔɗaːw˧˨ʔ ziən˦ˀ˥]

[ʔɗaːw˨˩ʔ jiəŋ˧˨]

[ʔɗaːw˨˩˨ jiəŋ˨˩˦]

director (of a play, a TV series, a movie, etc.)


cadreur

cadreur m (plural cadreurs, feminine cadreuse)


caméraman

caméraman m (plural caméramans or caméramen)


R-rated

From R + rated. The R-rating (short for restricted) is part of the rating scale used by the U.S. film rating authority Motion Picture Association (MPA) or similar rating scales used by authorities in some other countries.

(film) Of a motion picture, having an "R rating" from one more motion picture rating authorities, typically meaning it is suitable only for adults.

In movie terms, it suggests Paul Verhoeven in Robocop/Starship Troopers mode, an R-rated bloodbath where the grim spectacle of children murdering each other on television is bread-and-circuses for the age of reality TV, enforced by a totalitarian regime to keep the masses at bay.

2012 March 22, Scott Tobias, “The Hunger Games”, in AV Club:

(US, film) Of a motion picture, having an "R rating" from the Motion Picture Association (MPA), meaning it is suitable only for adults.


చిత్రము

te-noun

చిత్రము • (citramu) n (plural చిత్రములు)

citramu (romanization)
చిత్రములు (plural)

From Sanskrit चित्र (citra, “picture, sketch, painting”) + -ము (-mu).

uder

(formal, literary, by extension) film, movie


naalkidgo bee bééhoʼdílzin

naalkid (“(a movie) is rolled”) + -go (“while”) + bee (“by means of it”) + bééhoʼdílzin (“he is famous”)


filmanthropy

Filmmaking that aims to raise awareness of an issue and/or money for a charitable cause.


êcran

(Jersey, film, television, computing) screen


recadrage

(cinematography) pan and scan (of a video)


diptyque

→ Dutch: diptiek

From Late Latin diptycha pl, from Ancient Greek δίπτυχα (díptukha), neuter plural of δίπτυχος (díptukhos, “folded, doubled”).


sexposition

Blend of sex + exposition, coined in 2011 by Myles McNutt to describe the numerous scenes in the fantasy TV series Game of Thrones in which characters talk while they have sex with prostitutes or watch them having sex.

There were similar grumbles about season GAME OF THRONES eps, but it always had the Dinklage turning in reportedly great performances--including a redefinition of, ahem, "SLAPschtick"--and its infamous sexposition[…]

2012, Ken from Chicago, “HBO's "Luck" has few viewers”, in rec.arts.tv (Usenet):

(film) (The practice of providing) exposition against a backdrop of sex or nudity.


statiszta

statiszták (plural)
statiszta (nominative singular)
statiszták (nominative plural)
statisztát (accusative singular)
statisztákat (accusative plural)
statisztának (dative singular)
statisztáknak (dative plural)
statisztával (instrumental singular)
statisztákkal (instrumental plural)
statisztáért (causal-final singular)
statisztákért (causal-final plural)
statisztává (singular translative)
statisztákká (plural translative)
statisztáig (singular terminative)
statisztákig (plural terminative)
statisztaként (essive-formal singular)
statisztákként (essive-formal plural)
statisztában (inessive singular)
statisztákban (inessive plural)
statisztán (singular superessive)
statisztákon (plural superessive)
statisztánál (adessive singular)
statisztáknál (adessive plural)
statisztába (illative singular)
statisztákba (illative plural)
statisztára (singular sublative)
statisztákra (plural sublative)
statisztához (allative singular)
statisztákhoz (allative plural)
statisztából (elative singular)
statisztákból (elative plural)
statisztáról (delative singular)
statisztákról (delative plural)
statisztától (ablative singular)
statisztáktól (ablative plural)
statisztáé (possessed-single possessive predicative singular)
statisztáké (plural possessed-single possessive predicative)
statisztáéi (possessed-single possessive predicative singular)
statisztákéi (plural possessed-single possessive predicative)
statisztám (first-person possessed-single possessive singular)
statisztáim (first-person possessed-many possessive singular)
statisztád (possessed-single possessive second-person singular)
statisztáid (possessed-many possessive second-person singular)
statisztája (possessed-single possessive singular third-person)
statisztái (possessed-many possessive singular third-person)
statisztánk (first-person plural possessed-single possessive)
statisztáink (first-person plural possessed-many possessive)
statisztátok (plural possessed-single possessive second-person)
statisztáitok (plural possessed-many possessive second-person)
statisztájuk (plural possessed-single possessive third-person)
statisztáik (plural possessed-many possessive third-person)

From German Statist (“extra”), from New Latin statista.

(film, theater) extra, walk-on, spear carrier, supernumerary, bit player (a person without a speaking part appearing in a film or play)


ensemblier

fr-noun

ensemblier m (plural ensembliers, feminine ensemblière)

ensembliers (plural)
ensemblière (feminine)

(cinematography) set designer (cinema, TV)


銀幕

/ŋɐn²¹ mɔːk̚²/

/ɡun²⁴⁻²² mɔ̃⁴¹/

/ɡun²⁴⁻²² bɔ²²/

/ɡun²⁴⁻¹¹ bɔ³³/

/ɡin¹³⁻²² bɔ²²/

/ɡin²³⁻³³ bɔ³³/

/ŋɐn²¹ mɔːk̚²/

/ɡun²⁴⁻²² mɔ̃⁴¹/

/ɡun²⁴⁻²² bɔ²²/

/ɡun²⁴⁻¹¹ bɔ³³/

/ɡin¹³⁻²² bɔ²²/

/ɡin²³⁻³³ bɔ³³/

movies; motion pictures; the silver screen


camarógrafo

es-noun

camarógrafo m (plural camarógrafos, feminine camarógrafa, feminine plural camarógrafas)

camarógrafos (plural)
camarógrafa (feminine)
camarógrafas (feminine plural)

(cinematography) cameraman, camera operator (somebody who operates a movie camera or television camera)


infilmable

es-adj

infilmable m or f (masculine and feminine plural infilmables)


cinéfilo

cinéfilo (feminine cinéfila, masculine plural cinéfilos, feminine plural cinéfilas)

cinéfila (feminine)
cinéfilos (masculine plural)
cinéfilas (feminine plural)

cinephilic (having a love of films or the cinema)


cinéfilo

es-noun

cinéfilo m (plural cinéfilos, feminine cinéfila, feminine plural cinéfilas)

cinéfilos (plural)
cinéfila (feminine)
cinéfilas (feminine plural)

cinephile, filmaholic, filmgoer, moviegoer, movieholic (enthusiast of films and cinema)


magnéto

* (magneto): From English magneto.
* (other senses): Shortened form of magnétophone or magnétoscope.

videocassette recorder
videocassette recorder


blue screen

A compound of blue + screen, from the historical film-making technique of using blue backgrounds.

(film) The filmmaking technique of shooting foreground action against an evenly-lit monochromatic background for the purpose of removing the background from the scene and replacing it with a different image or scene.

(film) The visual effect resulting from this technique as well as the colored screen itself, especially blue.


maquilleur

fr-noun

maquilleur m (plural maquilleurs, feminine maquilleuse)

maquilleurs (plural)
maquilleuse (feminine)

→ Greek: μακιγιέρ (makigiér)

→ Romanian: machior

→ Turkish: makyör


Charlot

From Charlie + -ot, after Charlie Chaplin.

[…] il était travesti en Charlot et tenait à la main une petite moustache noire qu’il enduisait de colle.

[…] he was dressed up as Charlie Chaplin and holding a small black moustache, which he was coating with glue.

(theater, film) the Tramp (character portrayed by Charlie Chaplin)


péplum

→ English: peplum

→ Spanish: péplum

Borrowed from Latin peplum, from Ancient Greek πέπλων (péplōn), neuter of πέπλος (péplos).


péplum

Borrowed from French péplum, from Latin peplum, from Ancient Greek πέπλων (péplōn), neuter of πέπλος (péplos). Doublet of peplum.


smoxploitation

"Smoxploitation" films with titles like Smoky Kisses and Sorority Girls Smoke now exist that show nothing but conventionally attractive (what else?) women smoking.

1998, Sharon Bohn Gmelch, Gender on Campus: Issues for College Women, Rutgers University Press, →ISBN, page 178:

A genre of fetish films that focus on a person smoking a cigarette.


postsynchronisation

postsynchronisation f (plural postsynchronisations)

From post- + synchronisation or from postsynchroniser + -ation.

(film, sound engineering) dubbing (adding sound to a film)


audio commentary

en-noun

audio commentary (countable and uncountable, plural audio commentaries)

According to the audio commentary on “Treehouse of Horror III”, some of the creative folks at The Simpsons were concerned that the “Treehouse of Horror” franchise had outworn its welcome and was rapidly running out of classic horror or science-fiction fodder to spoof.

2012 April 29, Nathan Rabin, “TV: Review: THE SIMPSONS (CLASSIC): “Treehouse of Horror III” (season 4, episode 5; originally aired 10/29/1992)”, in (Please provide the book title or journal name):

An audio track on a video recording, timed to the footage of a film, that typically consists of one or more people commenting about the film being shown.


postsynchroniser

postsynchroniser (infinitive)
avoir + past participle (infinitive multiword-construction)
postsynchronisant (gerund participle present)
ayant + past participle (gerund multiword-construction participle present)
postsynchronisé (participle past)
postsynchronise (first-person indicative present singular)
postsynchronises (indicative present second-person singular)
postsynchronise (indicative present singular third-person)
postsynchronisons (first-person indicative plural present)
postsynchronisez (indicative plural present second-person)
postsynchronisent (indicative plural present third-person)
postsynchronisais (first-person imperfect indicative singular)
postsynchronisais (imperfect indicative second-person singular)
postsynchronisait (imperfect indicative singular third-person)
postsynchronisions (first-person imperfect indicative plural)
postsynchronisiez (imperfect indicative plural second-person)
postsynchronisaient (imperfect indicative plural third-person)
postsynchronisai (first-person historic indicative past singular)
postsynchronisas (historic indicative past second-person singular)
postsynchronisa (historic indicative past singular third-person)
postsynchronisâmes (first-person historic indicative past plural)
postsynchronisâtes (historic indicative past plural second-person)
postsynchronisèrent (historic indicative past plural third-person)
postsynchroniserai (first-person future indicative singular)
postsynchroniseras (future indicative second-person singular)
postsynchronisera (future indicative singular third-person)
postsynchroniserons (first-person future indicative plural)
postsynchroniserez (future indicative plural second-person)
postsynchroniseront (future indicative plural third-person)
postsynchroniserais (conditional first-person singular)
postsynchroniserais (conditional second-person singular)
postsynchroniserait (conditional singular third-person)
postsynchroniserions (conditional first-person plural)
postsynchroniseriez (conditional plural second-person)
postsynchroniseraient (conditional plural third-person)
future of avoir + past participle (future indicative multiword-construction perfect)
conditional of avoir + past participle (conditional multiword-construction perfect)
postsynchronise (first-person present singular subjunctive)
postsynchronises (present second-person singular subjunctive)
postsynchronise (present singular subjunctive third-person)
postsynchronisions (first-person plural present subjunctive)
postsynchronisiez (plural present second-person subjunctive)
postsynchronisent (plural present subjunctive third-person)
postsynchronisasse (first-person imperfect singular subjunctive)
postsynchronisasses (imperfect second-person singular subjunctive)
postsynchronisât (imperfect singular subjunctive third-person)
postsynchronisassions (first-person imperfect plural subjunctive)
postsynchronisassiez (imperfect plural second-person subjunctive)
postsynchronisassent (imperfect plural subjunctive third-person)
postsynchronise (imperative second-person singular)
postsynchronisons (first-person imperative plural)
postsynchronisez (imperative plural second-person)

(transitive, film, sound engineering) to dub (add sound to a film)


plasmatic

From Ancient Greek πλάσμα (plásma, “anything formed or molded”) (genitive πλάσματος (plásmatos)) + -ic.

uder

This dual function should be no surprise, for, as Eisenstein argues of animated films featuring plasmatic metamorphosis It's natural to expect that such a strong tendency of the trransformation of stable forms into forms of mobility could not be confined solely to means of form: this tendency exceeds the boundaries of form and extends to subject and theme.

2015, Cynthia Lucia, Roy Grundmann, Art Simon, American Film History: Selected Readings, 1960 to the Present, page 364:

From these points, we can construct a model for analysing how animation's 'plasmatic' capacity to shape and mould both existing and future (better or darker) worlds might be applied across deep ecological, posthuman and social-ecological perspectives:

2015, John Parham, Green Media and Popular Culture: An Introduction:

Plasmatic characters are most radically in evidence in the early cartoon shorts of Disney, but even in the relatively realist feature films, plasmatic moments and characters still occur, and may be significant when they do.

2017, Kevin J. Donnelly, Contemporary Musical Film:

The first of these is plasmatic in an obvious way; it suggests a delight in the impossible power of an ocean wave becoming something else.

2019, Ryan Pierson, Figure and Force in Animation Aesthetics, page 35:

(film, more specifically) Involving the transformation from one form to another; metamorphic.


castworthy

en-adj

castworthy (comparative castworthier or more castworthy, superlative castworthiest or most castworthy)

castworthier (comparative)
more castworthy (comparative)
castworthiest (superlative)
most castworthy (superlative)

As had Wilfrid Lawson and it is pleasant to record that, after The Devil's General, he was once again considered castworthy and went on to play several other roles.

1987, Vivienne Knight, Trevor Howard: a gentleman and a player: the authorized biography:

That's what we're promoting here, the more he's in the casts, the more castworthy he is.

2001, Gardner Dozois, The Year's Best Science Fiction: Eighteenth Annual Collection:

(film, theater, entertainment) Worthy or fit for being part of a cast or of being cast.


Poochie-fication

From Poochie, a character added to boost the ratings of the fictional Itchy and Scratchy Show in The Simpsons episode "The Itchy & Scratchy & Poochie Show", + -fication.

In case you're wondering, that extra, 3rd dimension they're going to be adding to the bears is going to be made entirely out of neon, sunglasses, and highlights for the fur of Mama and Sister. Basically, it's Poochie-fication of the Berenstain Bears.

2009 November 3, Amelie Gillette, “Berenstain Bears Movie To Change The Way You Think About Anthropomorphic Bears”, in The Onion AV Club:

In the 90s, this Poochie-fication of comics — wherein many titles grew consistently and thoroughly EXTREEEEME — reached its zenith.

2010 September 29, Glen Weldon, “In Praise of M.O.D.O.K: Why Gleefully Goofy Beats Broodingly Brutal”, in National Public Radio:

It’s rare when the Poochie-fication of a character actually works, but it totally did with Kyle Rayner. Rather than the earnest, Silver Age Hal Jordan, backed up by thousands of Corps members, and knowing what his job and destiny was, Rayner was given a ring by a dying Guardian, left alone as the last Green Lantern.

2011 June 16, Alex Zalban, “The 10 Best Green Lanterns Of All Time”, in MTV, archived from the original on 2011-12-26:

(entertainment, derogatory, uncommon) The process of adding a new character to a work of fiction, or altering characters already present, in a bid to make the work cooler or more extreme.


kwyjibo

Taken from a nonsense word (supposedly meaning "A big, dumb, balding North American ape with no chin and a short temper") used in the 1990 episode "Bart the Genius" of the TV show The Simpsons.

On the Kwyjibo.... On steps 2-4, I've been raising my left (free) hand, swinging the yo overto^([sic]) the right and then bringing my right hand over under it.

1999, mike, “pocket rocket....”, in alt.sport.yo-yo (Usenet):

I have been yo-yoing for just over 1 year now, I have just recently learned kwyjibo, white buddha, and other tricks but I can't sleep a yo-yo for over a minute, without an amazing throw […]

2000, Allen MacInnis, “Anyone know how to sleep a yo-yo for a long time??”, in alt.sport.yo-yo (Usenet):


kaiju

LL-Q1860 (eng)-Flame, not lame-kaiju.wav

From Japanese 怪獣 (かいじゅう, kaijū), from Middle Chinese 怪 (kˠuɛiᴴ, “strange, fantastic”) + 獸 (ɕɨuᴴ, “beast”) (compare Mandarin 怪獸／怪兽 (guàishòu)).

bor

かいじゅう, kaijū

compound

The resurrections of Mothra, the giant butterfly in Japanese kaiju movies, are treated as colourful religious events, glitter falling upon fat children as the fluffy-faced behemoth dries its wings.

2015, Steve Aylett, Heart of the Original, Unbound, page 117:

A giant monster, particularly of the kind found in Japanese science fiction films, like Godzilla or Gamera.


above the line

(film) Who guide and influence the creative direction, process, and voice of a given narrative in a film, such as the screenwriter, producer, director, and actors.


tracking shot

A long, late-night tracking shot from one end of the Neon Boot bar to another actually tracks along the surface of the bar itself—and when there is a drunk passed out on the bar, the camera simply lifts up and flies over him, then continues on its route.

1984 October 12, Janet Maslin, “Blood Simple, A black-comic romp”, in New York Times, retrieved 2012-07-09:

In a long tracking shot at the start of the film, a feral cat prowls this wasteland until it is felled by a slow-motion arrow.

2010 January 25, Richard Corliss, “American Savior: Denzel Washington in Book of Eli”, in Time:

The lead-up to the battle was wonderfully done, starting with the long tracking shot that followed Sam and then Tyrion as they nervously took up their places for the fight.

2019 April 28, Alex McLevy, “Game Of Thrones Suffers the Fog of War in the Battle against the Dead (Newbies)”, in The A.V. Club, archived from the original on 2021-05-31:

(cinematography, film) A continuously recorded segment containing no edits, in which the camera is moved (often mounted on a dolly rolling on tracks) so as to sweep through an extensive area or to follow the physical movement of characters or events.

pla seqüència

a continuously recorded segment containing no edits


two-hander

In May 2011, Chéreau came to the Young Vic theatre in London to direct I Am the Wind, a 70-minute two-hander written by the Norwegian Jon Fosse, which Michael Billington in the Guardian found "hypnotic", admiring the production's "visual bravura".

2013 October 8, Ronald Bergan, “Patrice Chéreau obituary”, in The Guardian:

With a screenplay by Carax and Ron and Russell Mael of Sparks (who also wrote the music and lyrics), the film is largely a two-hander about a famous couple and their talented daughter — the title character.

(theater, film) A play, film, or television programme with only two main characters.


gobo

Uncertain; possibly from go-b(etween) (“intermediary, middleman”) + -o (suffix forming informal terms).

suffix

At the other extreme, with limitless budgets all they have to do is dream up amazing lighting rigs to be constructed and operated by the huge team of gaffers and sparks, with their generators, discharge lights, flags, gobos and brutes.

1999, Des Lyver, Graham Swainson, Basics of Video Lighting, page 103:

(film, photography, television) A screen (often in disc form) placed between a light and an illuminated actor or object in order to diffuse the glare.

filtro

screen placed between a light and an illuminated actor or object in order to diffuse the glare


cárta leide

head

cárta leide m (genitive singular cárta leide, nominative plural cártaí leide)

cárta leide (genitive singular)
cártaí leide (nominative plural)
cárta leide
chárta leide
gcárta leide


leidchárta

leidchárta m (genitive singular leidchárta, nominative plural leidchártaí)

leidchárta (genitive singular)
leidchártaí (nominative plural)
nominative (indefinite)
leidchárta (indefinite singular)
leidchártaí (indefinite plural)
vocative (indefinite)
a leidchárta (indefinite singular)
a leidchártaí (indefinite plural)
genitive (indefinite)
dative (indefinite)
nominative (definite)
an leidchárta (definite singular)
na leidchártaí (definite plural)
genitive (definite)
dative (definite)
leis an leidchárta (definite singular)
don leidchárta (definite singular)
leis na leidchártaí (definite plural)


antifilm

(film) A film that deliberately avoids or subverts the usual characteristics of films.

antyfilm

a film that deliberately avoids or subverts the usual characteristics of films


幕布

/mu⁵¹⁻⁵³ pu⁵¹/

/mɔːk̚² pou̯³³/

/bɔ²²⁻²¹ pɔ²¹/

/bɔ⁴¹⁻²² pɔ⁴¹/

/bɔ²²⁻²¹ pɔ²¹/

/bɔ³³⁻¹¹ pɔ¹¹/

/bɔ³³⁻²¹ pɔ²¹/

/mu⁵¹⁻⁵³ pu⁵¹/

/mɔːk̚² pou̯³³/

/bɔ²²⁻²¹ pɔ²¹/

/bɔ⁴¹⁻²² pɔ⁴¹/

/bɔ²²⁻²¹ pɔ²¹/

/bɔ³³⁻¹¹ pɔ¹¹/

/bɔ³³⁻²¹ pɔ²¹/


చలనచిత్రము

te-noun

చలనచిత్రము • (calanacitramu) n (plural చలనచిత్రములు)

calanacitramu (romanization)
చలనచిత్రములు (plural)

Compound of చలనము (calanamu, “moving”) + చిత్రము (citramu, “picture”).


cineamatagrafaíocht

head

cineamatagrafaíocht f (genitive singular cineamatagrafaíochta)

cineamatagrafaíochta (genitive singular)
nominative (indefinite)
cineamatagrafaíocht (indefinite singular)
vocative (indefinite)
a chineamatagrafaíocht (indefinite singular)
genitive (indefinite)
cineamatagrafaíochta (indefinite singular)
dative (indefinite)
nominative (definite)
an chineamatagrafaíocht (definite singular)
genitive (definite)
na cineamatagrafaíochta (definite singular)
dative (definite)
leis an gcineamatagrafaíocht (definite singular)
don chineamatagrafaíocht (definite singular)
cineamatagrafaíocht
chineamatagrafaíocht
gcineamatagrafaíocht

From English cinematography + -acht, or Ancient Greek κῑ́νημᾰ, κῑνήμᾰτος (kī́nēma, kīnḗmatos) + -grafaíocht.

der

κῑ́νημᾰ, κῑνήμᾰτος


superproduction

fr-noun

superproduction f (plural superproductions)


spagettiwestern

spagetti (“spaghetti”) + western (“western”)


DVD oynatıcısı

head

DVD oynatıcısı (definite accusative DVD oynatıcısını, plural DVD oynatıcıları)

DVD oynatıcısını (accusative definite)
DVD oynatıcıları (plural)
DVD oynatıcısı (nominative singular)
DVD oynatıcıları (nominative plural)
DVD oynatıcısını (accusative definite singular)
DVD oynatıcılarını (accusative definite plural)
DVD oynatıcısına (dative singular)
DVD oynatıcılarına (dative plural)
DVD oynatıcısında (locative singular)
DVD oynatıcılarında (locative plural)
DVD oynatıcısından (ablative singular)
DVD oynatıcılarından (ablative plural)
DVD oynatıcısının (genitive singular)
DVD oynatıcılarının (genitive plural)


DVD-Spieler

de-noun

DVD-Spieler m (strong, genitive DVD-Spielers, plural DVD-Spieler)

DVD-Spielers (genitive)
DVD-Spieler (plural)
DVD-Spieler (nominative singular)
DVD-Spieler (definite nominative plural)
DVD-Spielers (genitive singular)
DVD-Spieler (definite genitive plural)
DVD-Spieler (dative singular)
DVD-Spielern (dative definite plural)
DVD-Spieler (accusative singular)
DVD-Spieler (accusative definite plural)


sinematograf

head

sinematograf (definite accusative sinematografı, plural sinematograflar)

sinematografı (accusative definite)
sinematograflar (plural)
sinematograf (nominative singular)
sinematograflar (nominative plural)
sinematografı (accusative definite singular)
sinematografları (accusative definite plural)
sinematografa (dative singular)
sinematograflara (dative plural)
sinematografta (locative singular)
sinematograflarda (locative plural)
sinematograftan (ablative singular)
sinematograflardan (ablative plural)
sinematografın (genitive singular)
sinematografların (genitive plural)
sinematografım (first-person nominative singular)
sinematograflarım (first-person nominative singular)
sinematografın (nominative second-person singular)
sinematografların (nominative second-person singular)
sinematografı (nominative singular third-person)
sinematografları (nominative singular third-person)
sinematografımız (first-person nominative plural)
sinematograflarımız (first-person nominative plural)
sinematografınız (nominative plural second-person)
sinematograflarınız (nominative plural second-person)
sinematografları (nominative plural third-person)
sinematografımı (accusative definite first-person singular)
sinematograflarımı (accusative definite first-person singular)
sinematografını (accusative definite second-person singular)
sinematograflarını (accusative definite second-person singular)
sinematografını (accusative definite singular third-person)
sinematograflarını (accusative definite singular third-person)
sinematografımızı (accusative definite first-person plural)
sinematograflarımızı (accusative definite first-person plural)
sinematografınızı (accusative definite plural second-person)
sinematograflarınızı (accusative definite plural second-person)
sinematograflarını (accusative definite plural third-person)
sinematografıma (dative first-person singular)
sinematograflarıma (dative first-person singular)
sinematografına (dative second-person singular)
sinematograflarına (dative second-person singular)
sinematografına (dative singular third-person)
sinematograflarına (dative singular third-person)
sinematografımıza (dative first-person plural)
sinematograflarımıza (dative first-person plural)
sinematografınıza (dative plural second-person)
sinematograflarınıza (dative plural second-person)
sinematograflarına (dative plural third-person)
sinematografımda (first-person locative singular)
sinematograflarımda (first-person locative singular)
sinematografında (locative second-person singular)
sinematograflarında (locative second-person singular)
sinematografında (locative singular third-person)
sinematograflarında (locative singular third-person)
sinematografımızda (first-person locative plural)
sinematograflarımızda (first-person locative plural)
sinematografınızda (locative plural second-person)
sinematograflarınızda (locative plural second-person)
sinematograflarında (locative plural third-person)
sinematografımdan (ablative first-person singular)
sinematograflarımdan (ablative first-person singular)
sinematografından (ablative second-person singular)
sinematograflarından (ablative second-person singular)
sinematografından (ablative singular third-person)
sinematograflarından (ablative singular third-person)
sinematografımızdan (ablative first-person plural)
sinematograflarımızdan (ablative first-person plural)
sinematografınızdan (ablative plural second-person)
sinematograflarınızdan (ablative plural second-person)
sinematograflarından (ablative plural third-person)
sinematografımın (first-person genitive singular)
sinematograflarımın (first-person genitive singular)
sinematografının (genitive second-person singular)
sinematograflarının (genitive second-person singular)
sinematografının (genitive singular third-person)
sinematograflarının (genitive singular third-person)
sinematografımızın (first-person genitive plural)
sinematograflarımızın (first-person genitive plural)
sinematografınızın (genitive plural second-person)
sinematograflarınızın (genitive plural second-person)
sinematograflarının (genitive plural third-person)


redskirt

LL-Q1860 (eng)-Flame, not lame-redskirt.wav

From red + skirt. Patterned after redshirt, which derived from the tendency for male security officers, who wore red shirts, to die on episodes of Star Trek: The Original Series. Female crew members wore minidresses, but only one red-uniformed female character was killed during the series' run, in the episode "By Any Other Name."

Wasn't there that episode where the aliens turned everyone into little blocks of styrofoam, and one of the aliens turned a redskirt and a redshirt into cubes and crumbled one of them? And then Scotty got really drunk. I seem to recall that the redskirt bought it that time.

2007 February 10, Marc Goodman, “Re: Response to Steven Pinker's 'The Mystery of Consciousness'”, in alt.religion.kibology (Usenet):

(fiction, fandom slang, rare) An unimportant or expendable female character, especially one introduced only to be killed in order to underscore the peril faced by important characters.


vidéaste

fr-noun

vidéaste m or f by sense (plural vidéastes)


dog

en-noun

dog (countable and uncountable, plural dogs)

Australian Kriol: dog

Bislama: dog

Gullah: dog

Sranan Tongo: dagu

Tok Pisin: dok

Torres Strait Creole: dog

desc

→ American Sign Language: Kop@Inside-PalmForward 1o@Inside

→ Dutch: dog

→ Esperanto: dogo

Ido: dogo

→ French: dogue

→ German: Dogge

→ Italian: dogo

→ English: dogo

→ Portuguese: dogue

→ Russian: дог (dog)

→ Spanish: dogo

→ Volapük: dog, doeg

Inherited from Middle English dogge (akin to Scots dug), from Old English dogga, docga, of uncertain origin.
The original meaning seems to have been a common dog, as opposed to a well-bred one, or something like 'cur', and perhaps later came to be used for stocky dogs. Possibly a pet-form diminutive with suffix -ga (compare frocga (“frog”), *picga (“pig”)), appended to a base *dog-, *doc- of unclear origin and meaning. One possibility is Old English dox (“dark, swarthy”) (compare frocga from frox). Another proposal is that it derives from Proto-West Germanic *dugan (“to be suitable”), the origin of Old English dugan (“to be good, worthy, useful”), English dow, Dutch deugen, German taugen. The theory goes that it could have been an epithet for dogs, commonly used by children, meaning "good/useful animal". Another is that it is related to *docce (“stock, muscle”), from Proto-West Germanic *dokkā (“round mass, ball, muscle, doll”), whence English dock (“stumpy tail”).
In 14th-century England, hound (from Old English hund) was the general word for all domestic canines, and dog referred to a subtype resembling the modern mastiff and bulldog. By the 16th century, dog had become the general word, and hound had begun to refer only to breeds used for hunting. In the 16th century, the word dog was adopted by several continental European languages as their word for mastiff.
Despite similarities in forms and meaning, not related to Mbabaram dog.

hond

morally reprehensible person — see also scoundrel

it is easy to find a stick to beat a dog

on the Internet nobody knows you're a dog

the quick brown fox jumps over the lazy dog

Blue was released, and as Redford had predicted, it was a dog.

1969, Ski, volume 34, number 4, page 121:

"When The Alamo was coming out, the word of mouth on it was that it was a dog," Chase said.

2012, Ronald L. Davis, Duke: The Life and Image of John Wayne:

(informal) Something that performs poorly.

(film) A flop; a film that performs poorly at the box office.


Sandalwood

From the word sandalwood, a local product, as a reference to Bollywood.

(informal) The Kannada film industry located in Bangalore, Karnataka, India.


slasher movie

Two girls, watching a slasher movie about a psycho in an Edvard Munch Scream mask who calls girls at home and then stabs them to death, get a call from a psycho who shows up in a Scream mask and stabs them to death.

2011 April 15, Richard Corliss, “Movies: Scream 4 — The Ultimate Shriekquel”, in Time:

(film) A horror movie which depicts gory, murderous violence, often including scenes of torture.


irising

Irising is frequently used instead of the fade to indicate the completion of a scene sequence and the beginning of a new series of scenes.

1920, Frances Taylor Patterson, chapter 4, in Cinema Craftsmanship: A Book for Photoplaywrights, New York: Harcourt, Brace and Howe, page 120:

Throughout the film [The Cabinet of Dr. Caligari] circular patterns are symbolic of chaos. Where irising began and ended a happy carnival sequence, an underlying feeling of chaos was created.

1976, Allan Casebier, Film Appreciation, New York: Harcourt Brace Jovanovich, Part 1, p. 22:

The screen is black at first, till a brightly lit hole opens in it and an all-black silhouette stands at what we see, in a moment, is a doorway. This is the wide-screen equivalent of irising in Ford’s silent films.

1998, Garry Wills, chapter 20, in John Wayne’s America, New York: Simon & Schuster, page 254:


tentpole movie

An allusion to the manner in which a supporting tentpole holds up the structure of a tent.

United Artists hasn't prospered in recent years, so a box office hit from its tentpole movie franchise is essential.

1995 August 11, Steve Persall, “Critic's Notebook: Previews whet our cinematic appetites”, in St. Petersburg Times, page 6:

Just coincidentally, it also provides the opportunity for the sorts of extravagant computerized effects that create tentpole movie attractions these days.

2005 December 3, Todd McCarthy, “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe”, in Variety, retrieved 2012-09-28:

The tentpole movie is an attraction popular and exploitable enough to prop up the entire moviegoing tent for several weeks or even months.

2007 May 25, “The 1997 Summer Movie Review”, in Washington Times, retrieved 2012-09-28:

“We've never seen a high-profile film—a film of this budget, a tentpole movie with this box office potential—leak in any form this early,” he said.

2009 April 1, Brian Stelter, “Piracy Puts Film Online One Month Before Open”, in New York Times, retrieved 2012-09-28:

Variety is reporting that del Toro will direct the flick with Watson cast as its titular Beauty. . . . So we’re thinking big tentpole movie versus introverted indie.

2012 February 14, “Guillermo del Toro to direct Emma Watson in “Beauty and the Beast””, in IFC, retrieved 2012-09-28:

(US, idiomatic, film) A major motion picture which is expensive to produce but expected to generate significant revenue for its studio and investors.


flash cut

Peter Weir's The Cars That Ate Paris (1974), for example, begins with two brothers driving through the small town of Paris, Australia, only to suddenly encounter — via flash cut — a blinding white light in the road.

2004, David Scott Diffrient, “A Film is Being Beaten: Notes on the Shock Cut and the Material Violence of Horror”, in Horror Film, →ISBN, page 231:

Essential in music videos and common in flashbacks and dream sequences, the flash cut flickers many images across the screen over a period of a second or two. The effect passes quickly, but creates a visually intense moment.

2006, Chris Kenworthy, Digital Video Production Cookbook, →ISBN, page 79:

There is a flash cut, and suddenly he is in alien gear instead, inside the alien Sarcophagus. This is a visual attempt on the part of the production team to suggest that the energy wraith from a distant world is re-shaping existence and reality on the Liberator.

2006, John Kenneth Muir, A History and Critical Analysis of Blake's 7, the 1978-1981 British Television Space Adventure, →ISBN, page 121:

(cinematography) An fast cut, often as short as one frame, used to create a subliminal effect on the viewer.


sight gag

Dragged suddenly before a formal dinner honoring the women's dean of Toledo University, he wowed his audience with a sight gag—he kissed the guest of honor.

1947 October 31, Gene Handsaker, “Hollywood Sights and Sounds: Bob Hope”, in Prescott Evening Courier, retrieved 2012-10-01, page 2:

In the good old ricky-tick days when movie directors wore riding breeches, a favorite cinematic sight gag was to reverse the film, which suddenly sent the actors waddling backwards through doors that closed behind them, putting their hats on instead of taking them off, and shoveling food out of their mouths instead of in.

1969 June 28, “Cinema: Happy End”, in Time:

In the opening sight gag, a guy in leisure wear shows up at his office only to find everyone in S&M clothes.

2005 March 10, Virginia Heffernan, “TV Review: The Hollow Men—Four Well-Groomed Britons, Trying Hard to Be Naughty Boys”, in New York Times, retrieved 2012-10-01:

As he uttered these words, a PowerPoint image of Dr. Möller's face morphed into that of a smiling Pope Benedict. The sight gag had the psychiatrists roaring.

2008 October, Paul Scott, “Was the Prozac revolution all in our heads?”, in Men's Health, volume 23, number 8, →ISSN, page 146:

(film, television, stage performance) A visually presented action or device which causes a humorous response without requiring any accompanying commentary or other speech.


αστέρας

astéras (romanization)
αστέρες (plural)
αστέρας (nominative singular)
αστέρες (nominative plural)
αστέρα (genitive singular)
αστέρων (genitive plural)
αστέρα (accusative singular)
αστέρες (accusative plural)
αστέρα (singular vocative)
αστέρες (plural vocative)

Inherited from Byzantine Greek ἀστέρας (astéras), from the ancient singular accusative τὸν ἀστέρα (tòn astéra) of Ancient Greek ἀστήρ (astḗr). The modern senses, semantic loan from English star.

inh+

διάσημος κινηματογραφικός αστέρας


VFX

Where is the main visual effects shot in that movie?? Hint: There are five VFX shots, four of them are modifications of the fire in the scene. One of them is something else, what is it?

1991 May 30, Marty Brenneis, “Backdraft”, in misc.emerg-services (Usenet), retrieved 2018-10-05, message-ID <9105301502.AA04808@snootles>:

Believe me, I *know* how much effects cost or don't. They can even be inexpensive with CGI -- we managed to turn out over 150 VFX shots for SUPER MARIO BROTHERS (script and editing: NOT MY FAULT) for about $4M. But the cost of the SETS still pushed it up into the $30-40M range. And on-set effects and construction costs were also behind the exorbitance of T2 (Visual Effects: ~$18M) and the "other" L.A.Hero (Total ~$130M).

1993 July 14, Kevin Bjorke, “Re: Live Action AKIRA (Was: Live Action Macross)”, in rec.arts.anime (Usenet), retrieved 2018-10-05, message-ID <1993Jul14.181330.17785@pixar.com>:

Digital re-composite: assuming Lucas saved all the original film shot in the making of the trilogy, it would be theoretically possible to digitize each element (footage of indivdual spacecraft, pyrotechnic shots, backgrounds) and reassemble the VFX seamlessly using the computer instead of the ever-twitchy optical printer that was the state of the art 10-15 years ago.

1994 October 28, Allen G. Newman, “How will they go (VFX revisions)?”, in rec.arts.sf.starwars (Usenet), retrieved 2018-10-05, message-ID <CyEnII.8w6@sunfish.usd.edu>:


VFX

en-verb

VFX (third-person singular simple present VFXs, present participle VFXing, simple past and past participle VFXed or VFX'd)

VFXs (present singular third-person)
VFXing (participle present)
VFXed (participle past)
VFXed (past)
VFX'd (participle past)
VFX'd (past)

When we were filming all the scenes in Charlie’s house, I had a huge scab. I think they VFX’d it out and that’s where most of the budget went.

2024 September 20, Sam Damshenas, quoting Joe Locke, “Joe Locke and Jenny Walser on Heartstopper’s darkest (and horniest) season yet”, in Gay Times:

(transitive, film) To create or manipulate (something) using visual effects techniques.


found footage

Shrewdly mixing found footage, historical record and dramatized re-creation, One Day in People's Poland is an intriguing curio.

2006 May 30, Joe Leydon, “One Day In People's Poland”, in Variety, retrieved 2012-10-16:

Austrian director Gustav Deutsch complicates this witty, deceptively simple formula with a wealth of found footage (material shot by others for other purposes) borrowed from film archives from around the world.

2009 December 1, Manohla Dargis, “Movie Review: Film ist a Girl & a Gun (2009)”, in New York Times, retrieved 2012-10-16:

(film) Misplaced, forgotten, archived, or privately-owned motion picture recordings which document past events and which are subsequently rediscovered and made available for public viewing.

Yes, they knew it was only a movie—one that, like The Blair Witch Project and Cloverfield and plenty others before it, used "found footage" to give a patina of realism to the fanciful events.

2009 October 10, Richard Corliss, “Paranormal Activity: A Horror Phenomenon”, in Time:

(film) A motion picture, or a segment of one, photographed in the style of an amateurish or unedited documentary.


senaryo

From English scenario, from Italian scenario, borrowed from Late Latin scaenarium, from Latin scaena.

an outline of the plot of a dramatic or literary work

a screenplay itself, or an outline or a treatment of it

an outline or model of a hypothetical event


senaryo

head

senaryo (definite accusative senaryoyu, plural senaryolar)

senaryoyu (accusative definite)
senaryolar (plural)
senaryo (nominative singular)
senaryolar (nominative plural)
senaryoyu (accusative definite singular)
senaryoları (accusative definite plural)
senaryoya (dative singular)
senaryolara (dative plural)
senaryoda (locative singular)
senaryolarda (locative plural)
senaryodan (ablative singular)
senaryolardan (ablative plural)
senaryonun (genitive singular)
senaryoların (genitive plural)
senaryom (first-person nominative singular)
senaryolarım (first-person nominative singular)
senaryon (nominative second-person singular)
senaryoların (nominative second-person singular)
senaryosu (nominative singular third-person)
senaryoları (nominative singular third-person)
senaryomuz (first-person nominative plural)
senaryolarımız (first-person nominative plural)
senaryonuz (nominative plural second-person)
senaryolarınız (nominative plural second-person)
senaryoları (nominative plural third-person)
senaryomu (accusative definite first-person singular)
senaryolarımı (accusative definite first-person singular)
senaryonu (accusative definite second-person singular)
senaryolarını (accusative definite second-person singular)
senaryosunu (accusative definite singular third-person)
senaryolarını (accusative definite singular third-person)
senaryomuzu (accusative definite first-person plural)
senaryolarımızı (accusative definite first-person plural)
senaryonuzu (accusative definite plural second-person)
senaryolarınızı (accusative definite plural second-person)
senaryolarını (accusative definite plural third-person)
senaryoma (dative first-person singular)
senaryolarıma (dative first-person singular)
senaryona (dative second-person singular)
senaryolarına (dative second-person singular)
senaryosuna (dative singular third-person)
senaryolarına (dative singular third-person)
senaryomuza (dative first-person plural)
senaryolarımıza (dative first-person plural)
senaryonuza (dative plural second-person)
senaryolarınıza (dative plural second-person)
senaryolarına (dative plural third-person)
senaryomda (first-person locative singular)
senaryolarımda (first-person locative singular)
senaryonda (locative second-person singular)
senaryolarında (locative second-person singular)
senaryosunda (locative singular third-person)
senaryolarında (locative singular third-person)
senaryomuzda (first-person locative plural)
senaryolarımızda (first-person locative plural)
senaryonuzda (locative plural second-person)
senaryolarınızda (locative plural second-person)
senaryolarında (locative plural third-person)
senaryomdan (ablative first-person singular)
senaryolarımdan (ablative first-person singular)
senaryondan (ablative second-person singular)
senaryolarından (ablative second-person singular)
senaryosundan (ablative singular third-person)
senaryolarından (ablative singular third-person)
senaryomuzdan (ablative first-person plural)
senaryolarımızdan (ablative first-person plural)
senaryonuzdan (ablative plural second-person)
senaryolarınızdan (ablative plural second-person)
senaryolarından (ablative plural third-person)
senaryomun (first-person genitive singular)
senaryolarımın (first-person genitive singular)
senaryonun (genitive second-person singular)
senaryolarının (genitive second-person singular)
senaryosunun (genitive singular third-person)
senaryolarının (genitive singular third-person)
senaryomuzun (first-person genitive plural)
senaryolarımızın (first-person genitive plural)
senaryonuzun (genitive plural second-person)
senaryolarınızın (genitive plural second-person)
senaryolarının (genitive plural third-person)

Borrowed from French scénario, from Italian scenario.


dublör

dublör (definite accusative dublörü, plural dublörler)

dublörü (accusative definite)
dublörler (plural)
dublör (nominative singular)
dublörler (nominative plural)
dublörü (accusative definite singular)
dublörleri (accusative definite plural)
dublöre (dative singular)
dublörlere (dative plural)
dublörde (locative singular)
dublörlerde (locative plural)
dublörden (ablative singular)
dublörlerden (ablative plural)
dublörün (genitive singular)
dublörlerin (genitive plural)
dublörüm (first-person nominative singular)
dublörlerim (first-person nominative singular)
dublörün (nominative second-person singular)
dublörlerin (nominative second-person singular)
dublörü (nominative singular third-person)
dublörleri (nominative singular third-person)
dublörümüz (first-person nominative plural)
dublörlerimiz (first-person nominative plural)
dublörünüz (nominative plural second-person)
dublörleriniz (nominative plural second-person)
dublörleri (nominative plural third-person)
dublörümü (accusative definite first-person singular)
dublörlerimi (accusative definite first-person singular)
dublörünü (accusative definite second-person singular)
dublörlerini (accusative definite second-person singular)
dublörünü (accusative definite singular third-person)
dublörlerini (accusative definite singular third-person)
dublörümüzü (accusative definite first-person plural)
dublörlerimizi (accusative definite first-person plural)
dublörünüzü (accusative definite plural second-person)
dublörlerinizi (accusative definite plural second-person)
dublörlerini (accusative definite plural third-person)
dublörüme (dative first-person singular)
dublörlerime (dative first-person singular)
dublörüne (dative second-person singular)
dublörlerine (dative second-person singular)
dublörüne (dative singular third-person)
dublörlerine (dative singular third-person)
dublörümüze (dative first-person plural)
dublörlerimize (dative first-person plural)
dublörünüze (dative plural second-person)
dublörlerinize (dative plural second-person)
dublörlerine (dative plural third-person)
dublörümde (first-person locative singular)
dublörlerimde (first-person locative singular)
dublöründe (locative second-person singular)
dublörlerinde (locative second-person singular)
dublöründe (locative singular third-person)
dublörlerinde (locative singular third-person)
dublörümüzde (first-person locative plural)
dublörlerimizde (first-person locative plural)
dublörünüzde (locative plural second-person)
dublörlerinizde (locative plural second-person)
dublörlerinde (locative plural third-person)
dublörümden (ablative first-person singular)
dublörlerimden (ablative first-person singular)
dublöründen (ablative second-person singular)
dublörlerinden (ablative second-person singular)
dublöründen (ablative singular third-person)
dublörlerinden (ablative singular third-person)
dublörümüzden (ablative first-person plural)
dublörlerimizden (ablative first-person plural)
dublörünüzden (ablative plural second-person)
dublörlerinizden (ablative plural second-person)
dublörlerinden (ablative plural third-person)
dublörümün (first-person genitive singular)
dublörlerimin (first-person genitive singular)
dublörünün (genitive second-person singular)
dublörlerinin (genitive second-person singular)
dublörünün (genitive singular third-person)
dublörlerinin (genitive singular third-person)
dublörümüzün (first-person genitive plural)
dublörlerimizin (first-person genitive plural)
dublörünüzün (genitive plural second-person)
dublörlerinizin (genitive plural second-person)
dublörlerinin (genitive plural third-person)
dublörüm (first-person singular)
dublörlerim (first-person singular)
dublörsün (second-person singular)
dublörlersin (second-person singular)
dublör (singular third-person)
dublördür (singular third-person)
dublörler (singular third-person)
dublörlerdir (singular third-person)
dublörüz (first-person plural)
dublörleriz (first-person plural)
dublörsünüz (plural second-person)
dublörlersiniz (plural second-person)
dublörler (plural third-person)
dublörlerdir (plural third-person)


romantic comedy

en-noun

romantic comedy (countable and uncountable, plural romantic comedies)

Judging from his new movie, the sublimely silly They Came Together, director and co-writer David Wain is a closet connoisseur of the modern romantic comedy.

2014 June 26, A. A. Dowd, “Paul Rudd and Amy Poehler Spoof Rom-com Clichés in They Came Together”, in The A.V. Club, archived from the original on 2017-12-07:

(uncountable) A genre of fiction, especially film, that presents love stories in a humorous and light-hearted way.


Bollywoodian

en-adj

Bollywoodian (comparative more Bollywoodian, superlative most Bollywoodian)

more Bollywoodian (comparative)
most Bollywoodian (superlative)


masterisation

(film, sound engineering) mastering (uniting sound and vision on a film etc)


ܒܝܬ ܚܙܘܢܐ

aii-noun

ܒܹܝܬ ܚܸܙܘܵܢܹ̈ܐ

ܒܵܬܲܝ̈ ܚܸܙܘܵܢܹ̈ܐ

ܒܹܝܬ ܚܸܙܘܵܢܹ̈ܐ • (bēt ḥizwānē) m sg (plural ܒܵܬܲܝ̈ ܚܸܙܘܵܢܹ̈ܐ (bāttay ḥizwānē))

ܒܹܝܬ ܚܸܙܘܵܢܹ̈ܐ (canonical)
bēt ḥizwānē (romanization)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢܹ̈ܐ (plural)
ܒܹܝܬ ܚܸܙܘܵܢܝܼ̈ (first-person possessed-form singular)
bēt ḥizwānī (first-person possessed-form singular)
ܒܹܝܬ ܚܸܙܘܵܢܲܢ̈ (first-person plural possessed-form)
bēt ḥizwānan (first-person plural possessed-form)
ܒܹܝܬ ܚܸܙܘܵܢܘܼ̈ܟ݂ (masculine possessed-form second-person singular)
bēt ḥizwānūḵ (masculine possessed-form second-person singular)
ܒܹܝܬ ܚܸܙܘܵܢܵܟ݂ܝ̈ (feminine possessed-form second-person singular)
bēt ḥizwānāḵ (feminine possessed-form second-person singular)
ܒܹܝܬ ܚܸܙܘܵܢܵܘ̈ܟ݂ܘܿܢ (plural possessed-form second-person)
bēt ḥizwānāwḵōn (plural possessed-form second-person)
ܒܹܝܬ ܚܸܙܘܵܢܹ̈ܐ (emphatic singular)
bēt ḥizwānē (emphatic singular)
ܒܹܝܬ ܚܸܙܘܵܢܘܼ̈ܗܝ (masculine possessed-form singular third-person)
bēt ḥizwānūh (masculine possessed-form singular third-person)
ܒܹܝܬ ܚܸܙܘܵܢ̈ܘܿܗ̇ (feminine possessed-form singular third-person)
bēt ḥizwānōh (feminine possessed-form singular third-person)
ܒܹܝܬ ܚܸܙܘܵܢܗ̈ܘܿܢ (plural possessed-form third-person)
bēt ḥizwānhōn (plural possessed-form third-person)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢܝܼ̈ (first-person possessed-form singular)
bāttay ḥizwānī (first-person possessed-form singular)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢܲܢ̈ (first-person plural possessed-form)
bāttay ḥizwānan (first-person plural possessed-form)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢܘܼ̈ܟ݂ (masculine possessed-form second-person singular)
bāttay ḥizwānūḵ (masculine possessed-form second-person singular)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢܵܟ݂ܝ̈ (feminine possessed-form second-person singular)
bāttay ḥizwānāḵ (feminine possessed-form second-person singular)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢܵܘ̈ܟ݂ܘܿܢ (plural possessed-form second-person)
bāttay ḥizwānāwḵōn (plural possessed-form second-person)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢܹ̈ܐ (emphatic plural)
bāttay ḥizwānē (emphatic plural)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢܘܼ̈ܗܝ (masculine possessed-form singular third-person)
bāttay ḥizwānūh (masculine possessed-form singular third-person)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢ̈ܘܿܗ̇ (feminine possessed-form singular third-person)
bāttay ḥizwānōh (feminine possessed-form singular third-person)
ܒܵܬܲܝ̈ ܚܸܙܘܵܢܗ̈ܘܿܢ (plural possessed-form third-person)
bāttay ḥizwānhōn (plural possessed-form third-person)

aii-infl-noun

ܒܹܝܬ ܚܸܙܘܵܢܹ̈ܐ

ܒܵܬܲܝ̈ ܚܸܙܘܵܢܹ̈ܐ

ܒܹܝܬ ܚܸܙܘܵܢܝܼ̈

ܒܹܝܬ ܚܸܙܘܵܢܘܼ̈ܟ݂

ܒܹܝܬ ܚܸܙܘܵܢܵܟ݂ܝ̈

ܒܹܝܬ ܚܸܙܘܵܢܘܼ̈ܗܝ

ܒܹܝܬ ܚܸܙܘܵܢ̈ܘܿܗ̇

ܒܹܝܬ ܚܸܙܘܵܢܲܢ̈

ܒܹܝܬ ܚܸܙܘܵܢܵܘ̈ܟ݂ܘܿܢ

ܒܹܝܬ ܚܸܙܘܵܢܗ̈ܘܿܢ

ܒܵܬܲܝ̈ ܚܸܙܘܵܢܝܼ̈

ܒܵܬܲܝ̈ ܚܸܙܘܵܢܘܼ̈ܟ݂

ܒܵܬܲܝ̈ ܚܸܙܘܵܢܵܟ݂ܝ̈

ܒܵܬܲܝ̈ ܚܸܙܘܵܢܘܼ̈ܗܝ

ܒܵܬܲܝ̈ ܚܸܙܘܵܢ̈ܘܿܗ̇

ܒܵܬܲܝ̈ ܚܸܙܘܵܢܲܢ̈

ܒܵܬܲܝ̈ ܚܸܙܘܵܢܵܘ̈ܟ݂ܘܿܢ

ܒܵܬܲܝ̈ ܚܸܙܘܵܢܗ̈ܘܿܢ

cinema, movie theatre (theatre where films are shown for public entertainment)


feature-length

(film) Having the length of a feature film, generally in the range of about 1½ to 3 hours.


klaps

klaps (nominative singular)
klapsy (nominative plural)
klapsa (genitive singular)
klapsów (genitive plural)
klapsowi (dative singular)
klapsom (dative plural)
klapsa (accusative singular)
klapsy (accusative plural)
klapsem (instrumental singular)
klapsami (instrumental plural)
klapsie (locative singular)
klapsach (locative plural)
klapsie (singular vocative)
klapsy (plural vocative)


kitchen sink

The noun is derived from kitchen + sink. Sense 2.1 (“miscellaneous item or miscellany”) is probably from everything but the kitchen sink.
The adjective is derived from the noun. Sense 1 (“of or pertaining to a realist style of painting characterized by scenes of dull or untidy domestic interiors of urban working-class people”) was coined by the British art critic David Sylvester (1924–2001) in a December 1954 article entitled “The Kitchen Sink”: see the quotation.
The verb is a back-formation from kitchen-sinking (noun), which is derived from the noun.

back-formation

(by extension, drama, fiction, film, television, originally derogatory) Of or pertaining to a mid-20th-century (especially 1950s–1960s) genre of drama, fiction, etc., in Britain depicting the harsh lives of working-class people; also, of or pertaining to a film, novel, play, etc., of this genre.

työväestön arkielämää käsittelevä

of or pertaining to a genre of drama, fiction, etc., depicting the harsh lives of working-class people; of or pertaining to a film, novel, play, etc., of this genre


スーツアクター

ja-noun

スーツアクター • (sūtsu akutā)

Wasei eigo (和製英語; pseudo-anglicism), derived from suit + actor


Statistin

de-noun

Statistin f (genitive Statistin, plural Statistinnen, masculine Statist)

Statistin (genitive)
Statistinnen (plural)
Statist (masculine)
Statistin (nominative singular)
Statistinnen (definite nominative plural)
Statistin (genitive singular)
Statistinnen (definite genitive plural)
Statistin (dative singular)
Statistinnen (dative definite plural)
Statistin (accusative singular)
Statistinnen (accusative definite plural)

(theater or film) extra (background actress / actor) (female)


Dreh

Dreh m (strong, genitive Drehs or Drehes, plural Drehs or Drehe)

Drehs (genitive)
Drehes (genitive)
Drehs (plural)
Drehe (plural)
Dreh (nominative singular)
Drehs (definite nominative plural)
Drehe (definite nominative plural)
Drehs (genitive singular)
Drehes (genitive singular)
Drehs (definite genitive plural)
Drehe (definite genitive plural)
Dreh (dative singular)
Drehe (dative singular)
Drehs (dative definite plural)
Drehen (dative definite plural)
Dreh (accusative singular)
Drehs (accusative definite plural)
Drehe (accusative definite plural)

Deverbal from drehen, after Low German Dreih m (compare Dutch draai). Chiefly since the 19th century, earlier attestations are isolated. Widely displaced the earlier feminine Drehe. The sense “trick” is from Rotwelsch (thieves’ cant).


Bondian

en-adj

Bondian (comparative more Bondian, superlative most Bondian)

more Bondian (comparative)
most Bondian (superlative)

Produced near the end of the blaxploitation cycle, Cleopatra Jones (Jack Starrett, 1973) and Cleopatra Jones and the Casino of Gold (Charles Bail, 1975) are two excellent examples of Bondian influence on spy thrillers.

2000, Xavier Mendik, Shocking Cinema of the Seventies: Necronomicon Presents, page 121:

Of or relating to the fictional British secret agent James Bond, the protagonist of a series of books and glamorous action films.


каскадёр

kaskader (romanization)
каскадёр (nominative singular)
каскадёрлер (nominative plural)
каскадёрдің (genitive singular)
каскадёрлердің (genitive plural)
каскадёрге (dative singular)
каскадёрлерге (dative plural)
каскадёрді (accusative singular)
каскадёрлерді (accusative plural)
каскадёрде (locative singular)
каскадёрлерде (locative plural)
каскадёрден (ablative singular)
каскадёрлерден (ablative plural)
каскадёрмен (instrumental singular)
каскадёрлермен (instrumental plural)

kk-decl-noun

каскадёрлердің

каскадёрлерге

каскадёрлерді

каскадёрлерде

каскадёрлерден

каскадёрлермен

Borrowed from Russian каскадёр (kaskadjór), from French cascadeur.


каскадёр

ru-noun+

каскадёр • (kaskadjór) m anim (genitive каскадёра, nominative plural каскадёры, genitive plural каскадёров)

kaskadjór (romanization)
каскадёра (genitive)
каскадёры (nominative plural)
каскадёров (genitive plural)
каскадёр (nominative singular)
каскадёры (nominative plural)
каскадёра (genitive singular)
каскадёров (genitive plural)
каскадёру (dative singular)
каскадёрам (dative plural)
каскадёра (accusative singular)
каскадёров (accusative plural)
каскадёром (instrumental singular)
каскадёрами (instrumental plural)
каскадёре (prepositional singular)
каскадёрах (plural prepositional)

→ Kazakh: каскадёр (kaskader)


aaghlackey

head

aaghlackey m (genitive singular [please provide], plural [please provide])


كىنوخانا

ug-noun

كىنوخانا • (kinoxana) (plural كىنوخانىلار (kinoxanilar))

kinoxana (romanization)
كىنوخانىلار (plural)


Oscarologist

Or maybe it was sheer irritation at the four solid months of feverish speculation from Oscarologists as to what they would do?

2013 January 11, Tom Shone, The Guardian:


экшн

ru-noun+

экшн • (ekšn) m inan (genitive э́кшна, nominative plural э́кшны, genitive plural э́кшнов)

ekšn (romanization)
э́кшна (genitive)
э́кшны (nominative plural)
э́кшнов (genitive plural)
э́кшн (nominative singular)
э́кшны (nominative plural)
э́кшна (genitive singular)
э́кшнов (genitive plural)
э́кшну (dative singular)
э́кшнам (dative plural)
э́кшн (accusative singular)
э́кшны (accusative plural)
э́кшном (instrumental singular)
э́кшнами (instrumental plural)
э́кшне (prepositional singular)
э́кшнах (plural prepositional)

(colloquial) action movie (a type of motion picture)


álomgyár

álomgyárak (plural)
álomgyár (nominative singular)
álomgyárak (nominative plural)
álomgyárat (accusative singular)
álomgyárakat (accusative plural)
álomgyárnak (dative singular)
álomgyáraknak (dative plural)
álomgyárral (instrumental singular)
álomgyárakkal (instrumental plural)
álomgyárért (causal-final singular)
álomgyárakért (causal-final plural)
álomgyárrá (singular translative)
álomgyárakká (plural translative)
álomgyárig (singular terminative)
álomgyárakig (plural terminative)
álomgyárként (essive-formal singular)
álomgyárakként (essive-formal plural)
álomgyárban (inessive singular)
álomgyárakban (inessive plural)
álomgyáron (singular superessive)
álomgyárakon (plural superessive)
álomgyárnál (adessive singular)
álomgyáraknál (adessive plural)
álomgyárba (illative singular)
álomgyárakba (illative plural)
álomgyárra (singular sublative)
álomgyárakra (plural sublative)
álomgyárhoz (allative singular)
álomgyárakhoz (allative plural)
álomgyárból (elative singular)
álomgyárakból (elative plural)
álomgyárról (delative singular)
álomgyárakról (delative plural)
álomgyártól (ablative singular)
álomgyáraktól (ablative plural)
álomgyáré (possessed-single possessive predicative singular)
álomgyáraké (plural possessed-single possessive predicative)
álomgyáréi (possessed-single possessive predicative singular)
álomgyárakéi (plural possessed-single possessive predicative)
álomgyáram (first-person possessed-single possessive singular)
álomgyáraim (first-person possessed-many possessive singular)
álomgyárad (possessed-single possessive second-person singular)
álomgyáraid (possessed-many possessive second-person singular)
álomgyára (possessed-single possessive singular third-person)
álomgyárai (possessed-many possessive singular third-person)
álomgyárunk (first-person plural possessed-single possessive)
álomgyáraink (first-person plural possessed-many possessive)
álomgyáratok (plural possessed-single possessive second-person)
álomgyáraitok (plural possessed-many possessive second-person)
álomgyáruk (plural possessed-single possessive third-person)
álomgyáraik (plural possessed-many possessive third-person)


Disneyesque

en-adj

Disneyesque (comparative more Disneyesque, superlative most Disneyesque)

more Disneyesque (comparative)
most Disneyesque (superlative)

This place is EPCOT Center at Walt Disney World, a theme park cum world exposition, a kind of world's fair that allows for a continual Disneyesque rewriting of history, a Distory, as Stephen Fjellman has called it. Disney World offers its guests multiple pleasures within the context of Disneyesque representations of race and gender.

1995, Ramona Fernandez, “Pachuco Mickey”, Elizabeth Bell, Lynda Haas, Laura Sells (ed.), From Mouse to Mermaid: The Politics of Film, Gender, and Culture, Indiana University Press, part 3, chapter 15, 236

In Ms. Murray’s mature work, eccentrically shaped or multipanel canvases fused Cubism’s shattered forms and Surrealism’s suggestive biomorphism with the scale and some of the angst of Abstract Expressionism and more than a touch of Disneyesque humor and motion.

2007 August 13, Roberta Smith, “Elizabeth Murray, 66, Artist of Vivid Forms, Dies”, in New York Times:

Reminiscent of the work or style of the animator Walt Disney or his Walt Disney Company.


Disneyan

Disneyan (comparative more Disneyan, superlative most Disneyan)

more Disneyan (comparative)
most Disneyan (superlative)

Of or relating to the American animator Walt Disney or his Walt Disney Company.

迪士尼的

of or relating to Walt Disney or his Walt Disney Company


rear projection

en-noun

rear projection (plural rear projections)


asynchron

asynchron (nominative singular)
asynchrony (nominative plural)
asynchronu (genitive singular)
asynchronów (genitive plural)
asynchronowi (dative singular)
asynchronom (dative plural)
asynchron (accusative singular)
asynchrony (accusative plural)
asynchronem (instrumental singular)
asynchronami (instrumental plural)
asynchronie (locative singular)
asynchronach (locative plural)
asynchronie (singular vocative)
asynchrony (plural vocative)

(film) asynchronicity (a lack of synchronizing between sound and image in a movie)


Synchronisation

de-noun

Synchronisation f (genitive Synchronisation, plural Synchronisationen)

Synchronisation (genitive)
Synchronisationen (plural)
Synchronisation (nominative singular)
Synchronisationen (definite nominative plural)
Synchronisation (genitive singular)
Synchronisationen (definite genitive plural)
Synchronisation (dative singular)
Synchronisationen (dative definite plural)
Synchronisation (accusative singular)
Synchronisationen (accusative definite plural)


Star Trekkish

en-adj

Star Trekkish (comparative more Star Trekkish, superlative most Star Trekkish)

more Star Trekkish (comparative)
most Star Trekkish (superlative)

When her predatory lovers die — first with crystal shards embedded in their skulls and then just vanishing in a sparkly Star Trekkish mass of bubbles — she believes that she is killing them with her deadly vagina.

1984, Florida Atlantic University, Science Fiction Research Association, Fantasy review, Volume 7, Issues 64-74, page 43

AT&T Microelectronics and Go Corp. envision future "personal communicators" that will include devices ranging from tablet computers with fax transceivers and wireless data transmission to a "Star Trekkish" communicator with a writing pad.

1992, InfoWorld, volume 14, number 29, page 31:

Biosphere 2, that very real quasi-scientific experiment in the Arizona desert in which seven men and women donned Star Trekkish jumpsuits and sealed themselves inside a domed ecocosm, is an eerie parallel to the Alternative 3 plot.

2004, Jonathan Vankin, Joh Whalen, The 80 Greatest Conspiracies Of All Time, page 137:

"Not to get too Star Trekkish," Miriam said. "But I'm also an empath".

2008, John Ringo, Travis S. Taylor, Claws That Catch, page 271:

Originally developed in the 1950s, the square tomato, officially known by the Star Trekkish designation “Cultivar VF-145,” was designed solely with machines in mind.

2011, Rebecca Rupp, How Carrots Won the Trojan War, page 329:

Especially of style or technology: like that of the fictional world of the Star Trek media franchise.


picsou

From Balthazar Picsou, the European French name of Scrooge McDuck.


A-I

...the bishops also decided to break with the past and have the Legion recommend films in the A-I category...


A-II

For movies with a U.S. Conference of Catholic Bishops rating of A-II, show only pre-selected scenes.

2009, Alan J. Talley, Christian Morality and Justice Catechist Guide:

(US, film) Rated for adults and adolescents only.


A-IV

...rated the film A-IV (for adults, with reservations)...

2008, Barry Keith Grant et al., American Cinema of the 1960s:


A-III

...and sent the Roman epic into theaters with an A-III rating...

2001, Leonard J. Leff, Jerold L. Simmons, The Dame in the Kimono:


stomme film

nl-noun

stomme film m (plural stomme films, diminutive stom filmpje n)

stomme films (plural)
stom filmpje (diminutive neuter)


наплыв

ru-noun+

наплы́в • (naplýv) m inan (genitive наплы́ва, nominative plural наплы́вы, genitive plural наплы́вов)

наплы́в (canonical)
naplýv (romanization)
наплы́ва (genitive)
наплы́вы (nominative plural)
наплы́вов (genitive plural)
наплы́в (nominative singular)
наплы́вы (nominative plural)
наплы́ва (genitive singular)
наплы́вов (genitive plural)
наплы́ву (dative singular)
наплы́вам (dative plural)
наплы́в (accusative singular)
наплы́вы (accusative plural)
наплы́вом (instrumental singular)
наплы́вами (instrumental plural)
наплы́ве (prepositional singular)
наплы́вах (plural prepositional)


anticinema

(film) Any form of cinema that defies cinematic conventions.

anticinema

any form of cinema that defies cinematic conventions


anticinema

(film) anticinema (any form of cinema that defies cinematic conventions)


Star Warsy

en-adj

Star Warsy (comparative more Star Warsy, superlative most Star Warsy)

more Star Warsy (comparative)
most Star Warsy (superlative)

There's undoubtedly a grain of truth in that view — like most snippets of technojargon, the word "modem" may sound needlessly Star Warsy.

1983, Ms. Magazine, Volume 12, Issues 1-6, unknown page

He came back from death, not as a spooky, Star Warsy, flickering, ghostly image but in real flesh and blood.

2007, Peter Downey, Ben Shaw, Everything You Want to Know about Jesus: Well ... Maybe Not Everything but Enough to Get You Started, Zondervan, published 2007, →ISBN, page 27:

“We're back to the battle again? The war between light and dark? Kind of Star Wars'''y, don't you think?"

2010, Lisa Gardner, Live to Tell, Bantam Books, published 2010, →ISBN, page 151:

(informal) Of, pertaining to, or characteristic of the science fiction franchise Star Wars.

stel-milita

Of, pertaining to, or characteristic of Star Wars.


Star Trekky

Star Trekky (comparative more Star Trekky, superlative most Star Trekky)

more Star Trekky (comparative)
most Star Trekky (superlative)

Tom's little black box enables you to speak to a computer in a voice that it recognizes and obeys. It's all very "Star Trekky" and terribly exciting to see in action.

1982, Robert Daniel Fierro, The New American Entrepreneur: How to Get Off the Fast Track into a Business of Your Own, Morrow, published 1982, →ISBN, page 31:

Karla began talking all Star Trekky again—the best thing about her. She said, "I don't believe human beings store memory in our brains exclusively—there simply aren't enough storage slots or interconnective possibilities. And so if not in the brain, then where? […]

1995, Douglas Coupland, Microserfs, Harper Perennial, published 2008, →ISBN, page 66:

"Mobile phones, computers — a whole lot of Star Trekky kind of technology" is how Jeanine, my new supervisor, explained it.

2005, Linda Armstrong Kelly, Joni Rodgers, No Mountain High Enough: Raising Lance, Raising Me, Thorndike Press, published 2005, →ISBN, page 264:

(informal) Of, pertaining to, or characteristic of the science fiction franchise Star Trek.

stel-vojaĝa

Of, pertaining to, or characteristic of Star Trek.


teensploitation

LL-Q1860 (eng)-Flame, not lame-teensploitation.wav

From teen + -sploitation (from exploitation film). From 1980s.

We sat down to watch a teensploitation slasher flick.

With 1955's Blackboard Jungle—the first film to traffic heavily in youth rebellion and sex, the twin pillars of any teenager's existence—a brilliant, if obvious, new genre of film was born: teensploitation, movies about teenagers made for teenagers but watched by everybody.

1999 February, Bill Sienkiewicz, “Forever Young”, in SPIN, SPIN Media, page 64:

1999, Edmond Grant, The Motion Picture Guide: 1999 Annual (The Films of 1998), CineBooks, page vii,
Adrian Lyne's LOLITA was more notable for the terror it struck in controversy-shy American distributors than for its content, reducing taboo subject matter to a teensploitation film with a literary pedigree.

The influence of Rebel Without a Cause is difficult to underestimate.^([sic]) Despite what appeared to be just another entry in the burgeoning teensploitation trend, the film distinguished itself for a variety of reasons.

2005, Rob McInnes, Timothy Shary, Teen Movies: American Youth on Screen, Columbia University Press (Wallflower), page 21:

(film) A genre of exploitation films, starring teenage actors with teen-oriented plots involving drugs, sex, alcohol or crime.


negr

negr (nominative singular)
negry (nominative plural)
negra (genitive singular)
negrů (genitive plural)
negru (dative singular)
negrům (dative plural)
negr (accusative singular)
negry (accusative plural)
negre (singular vocative)
negře (singular vocative)
negry (plural vocative)
negru (locative singular)
negrech (locative plural)
negrem (instrumental singular)
negry (instrumental plural)

(film slang) flag (piece of film equipment used to block light)


གློག་བརྙན

/loː˥˥.ȵɛ̃˥˥/

གློག (glog, “electricity”) + བརྙན (brnyan, “image, reflection”). Possibly a calque of Chinese 電影／电影 (diànyǐng, “film, literally "electricity-image"”).


триллер

ru-noun+

три́ллер • (tríller) m inan (genitive три́ллера, nominative plural три́ллеры, genitive plural три́ллеров)

три́ллер (canonical)
tríller (romanization)
три́ллера (genitive)
три́ллеры (nominative plural)
три́ллеров (genitive plural)
три́ллер (nominative singular)
три́ллеры (nominative plural)
три́ллера (genitive singular)
три́ллеров (genitive plural)
три́ллеру (dative singular)
три́ллерам (dative plural)
три́ллер (accusative singular)
три́ллеры (accusative plural)
три́ллером (instrumental singular)
три́ллерами (instrumental plural)
три́ллере (prepositional singular)
три́ллерах (plural prepositional)

thriller (a suspenseful, sensational genre of fiction)


cinnématographie

head

cinnématographie f (plural cinnématographies)


desempenho

Deverbal from desempenhar (“to perform”).


desempenhar

pt-verb

desempenhar (first-person singular present desempenho, first-person singular preterite desempenhei, past participle desempenhado)

desempenho (first-person present singular)
desempenhei (first-person preterite singular)
desempenhado (participle past)
desempenhar (impersonal infinitive)
desempenhar (first-person infinitive singular)
desempenhares (infinitive second-person singular)
desempenhar (infinitive singular third-person)
desempenharmos (first-person infinitive plural)
desempenhardes (infinitive plural second-person)
desempenharem (infinitive plural third-person)
desempenhando (gerund)
desempenhado (masculine participle past singular)
desempenhados (masculine participle past plural)
desempenhada (feminine participle past singular)
desempenhadas (feminine participle past plural)
desempenho (first-person indicative present singular)
desempenhas (indicative present second-person singular)
desempenha (indicative present singular third-person)
desempenhamos (first-person indicative plural present)
desempenhais (indicative plural present second-person)
desempenham (indicative plural present third-person)
desempenhava (first-person imperfect indicative singular)
desempenhavas (imperfect indicative second-person singular)
desempenhava (imperfect indicative singular third-person)
desempenhávamos (first-person imperfect indicative plural)
desempenháveis (imperfect indicative plural second-person)
desempenhavam (imperfect indicative plural third-person)
desempenhei (first-person indicative preterite singular)
desempenhaste (indicative preterite second-person singular)
desempenhou (indicative preterite singular third-person)
desempenhamos (Brazil first-person indicative plural preterite)
desempenhámos (first-person indicative plural preterite)
desempenhastes (indicative plural preterite second-person)
desempenharam (indicative plural preterite third-person)
desempenhara (first-person indicative pluperfect singular)
desempenharas (indicative pluperfect second-person singular)
desempenhara (indicative pluperfect singular third-person)
desempenháramos (first-person indicative pluperfect plural)
desempenháreis (indicative pluperfect plural second-person)
desempenharam (indicative pluperfect plural third-person)
desempenharei (first-person future indicative singular)
desempenharás (future indicative second-person singular)
desempenhará (future indicative singular third-person)
desempenharemos (first-person future indicative plural)
desempenhareis (future indicative plural second-person)
desempenharão (future indicative plural third-person)
desempenharia (conditional first-person singular)
desempenharias (conditional second-person singular)
desempenharia (conditional singular third-person)
desempenharíamos (conditional first-person plural)
desempenharíeis (conditional plural second-person)
desempenhariam (conditional plural third-person)
desempenhe (first-person present singular subjunctive)
desempenhes (present second-person singular subjunctive)
desempenhe (present singular subjunctive third-person)
desempenhemos (first-person plural present subjunctive)
desempenheis (plural present second-person subjunctive)
desempenhem (plural present subjunctive third-person)
desempenhasse (first-person imperfect singular subjunctive)
desempenhasses (imperfect second-person singular subjunctive)
desempenhasse (imperfect singular subjunctive third-person)
desempenhássemos (first-person imperfect plural subjunctive)
desempenhásseis (imperfect plural second-person subjunctive)
desempenhassem (imperfect plural subjunctive third-person)
desempenhar (first-person future singular subjunctive)
desempenhares (future second-person singular subjunctive)
desempenhar (future singular subjunctive third-person)
desempenharmos (first-person future plural subjunctive)
desempenhardes (future plural second-person subjunctive)
desempenharem (future plural subjunctive third-person)
desempenha (imperative second-person singular)
desempenhe (imperative singular third-person)
desempenhemos (first-person imperative plural)
desempenhai (imperative plural second-person)
desempenhem (imperative plural third-person)
não desempenhes (imperative negative second-person singular)
não desempenhe (imperative negative singular third-person)
não desempenhemos (first-person imperative negative plural)
não desempenheis (imperative negative plural second-person)
não desempenhem (imperative negative plural third-person)

From des- + empenhar (“to commit, pledge”).

A sorte desempenha um importante papel na vida.

Luck plays an important part in your life.

(film, theater) to play (a role or part)


カチンコ

かちん (kachin, “the sound of a small hard object hitting another hard object”) + こ (-ko, “nominalisation suffix”)


票房

/pʰi̯ɑʊ̯⁵¹ fɑŋ³⁵/

/pʰiːu̯³³ fɔːŋ²¹/

/pʰio²¹⁻⁵³ paŋ²⁴/

/pʰio⁴¹⁻⁵⁵⁴ paŋ²⁴/

/pʰio²¹⁻⁵³ paŋ¹³/

/pʰio¹¹⁻⁵³ paŋ²⁴/

/pʰiɤ²¹⁻⁴¹ paŋ²³/

/pʰie²¹³⁻⁵⁵ paŋ⁵⁵/

/pʰi̯ɑʊ̯⁵¹ fɑŋ³⁵/

/pʰiːu̯³³ fɔːŋ²¹/

/pʰio²¹⁻⁵³ paŋ²⁴/

/pʰio⁴¹⁻⁵⁵⁴ paŋ²⁴/

/pʰio²¹⁻⁵³ paŋ¹³/

/pʰio¹¹⁻⁵³ paŋ²⁴/

/pʰiɤ²¹⁻⁴¹ paŋ²³/

/pʰie²¹³⁻⁵⁵ paŋ⁵⁵/

(uncountable, film) box office (the total amount of money paid by people worldwide to watch a movie at cinemas/movie theaters)


K/S

Initialism from the names of James T. Kirk and Spock, separated by a slash (/).

(fandom slang, often attributively) Fan fiction where the characters James T. Kirk and Spock from the science fiction media franchise Star Trek are shown in a homosexual relationship.


realizador

pt-noun

realizador m (plural realizadores, feminine realizadora, feminine plural realizadoras)

realizadores (plural)
realizadora (feminine)
realizadoras (feminine plural)


Darstellerin

de-noun

Darstellerin f (genitive Darstellerin, plural Darstellerinnen)

Darstellerin (genitive)
Darstellerinnen (plural)
Darstellerin (nominative singular)
Darstellerinnen (definite nominative plural)
Darstellerin (genitive singular)
Darstellerinnen (definite genitive plural)
Darstellerin (dative singular)
Darstellerinnen (dative definite plural)
Darstellerin (accusative singular)
Darstellerinnen (accusative definite plural)

(theater, film) A female actor, player, performer.


Darsteller

Darsteller m (strong, genitive Darstellers, plural Darsteller)

Darstellers (genitive)
Darsteller (plural)
Darsteller (nominative singular)
Darsteller (definite nominative plural)
Darstellers (genitive singular)
Darsteller (definite genitive plural)
Darsteller (dative singular)
Darstellern (dative definite plural)
Darsteller (accusative singular)
Darsteller (accusative definite plural)

/ˈdaːɐ̯ʃtɛlɐ/

(theater, film) actor, player, performer


cinéphage

From ciné- + -phage; a consumer of films.

(film) moviegoer; film buff, movie junkie


rodagem

[χoˈda.ʒẽɪ̯̃]

[ʁuˈða.ʒɐ̃j̃]

From rodar (“to roll, to film”) + -agem.


Dreharbeit

Dreharbeit f (genitive Dreharbeit, plural Dreharbeiten)

Dreharbeit (genitive)
Dreharbeiten (plural)
Dreharbeit (nominative singular)
Dreharbeiten (definite nominative plural)
Dreharbeit (genitive singular)
Dreharbeiten (definite genitive plural)
Dreharbeit (dative singular)
Dreharbeiten (dative definite plural)
Dreharbeit (accusative singular)
Dreharbeiten (accusative definite plural)

principal photography
principal photography

(cinematography) shooting, principal photography


nghệ sĩ

[ŋe˧˨ʔ si˦ˀ˥]

[ŋej˨˩ʔ ʂɪj˧˨]

[ŋej˨˩ʔ sɪj˧˨]

[ŋej˨˩˨ ʂɪj˨˩˦]

[ŋej˨˩˨ sɪj˨˩˦]

nghệ sĩ hài

(chiefly film, television) a specialist in humanities; an artist, painter, musician, actor, comic, etc.


roteiro

Ele escreve roteiros para a TV.

(film) screenplay, script (script for a movie or a television show)


plansza

planszowy (adjective)
plansza (nominative singular)
plansze (nominative plural)
planszy (genitive singular)
plansz (genitive plural)
planszy (dative singular)
planszom (dative plural)
planszę (accusative singular)
plansze (accusative plural)
planszą (instrumental singular)
planszami (instrumental plural)
planszy (locative singular)
planszach (locative plural)
planszo (singular vocative)
plansze (plural vocative)

Borrowed from French planche. Doublet of falanga and planka.

(film, television) board (static or moving film or television image that contains subtitles or a specific graphic composition)


smash cut

(film, television) An abrupt cut from one scene to another without a transition.


ეფექტი

ka-noun

ეფექტი • (epekṭi) (plural ეფექტები)

epekṭi (romanization)
ეფექტები (plural)
ეფექტი (nominative singular)
ეფექტები (nominative plural)
ეფექტნი (archaic nominative plural)
ეფექტმა (ergative singular)
ეფექტებმა (ergative plural)
ეფექტთ (archaic ergative plural)
ეფექტთ (archaic ergative plural)
ეფექტთაt) (archaic ergative plural)
ეფექტთაta) (archaic ergative plural)
ეფექტს (dative singular)
ეფექტს (dative singular)
ეფექტსაs) (dative singular)
ეფექტსაsa) (dative singular)
ეფექტებს (dative plural)
ეფექტებს (dative plural)
ეფექტებსაs) (dative plural)
ეფექტებსაsa) (dative plural)
ეფექტთ (archaic dative plural)
ეფექტთ (archaic dative plural)
ეფექტთაt) (archaic dative plural)
ეფექტთაta) (archaic dative plural)
ეფექტის (genitive singular)
ეფექტის (genitive singular)
ეფექტისაs) (genitive singular)
ეფექტისაsa) (genitive singular)
ეფექტების (genitive plural)
ეფექტების (genitive plural)
ეფექტებისაs) (genitive plural)
ეფექტებისაsa) (genitive plural)
ეფექტთ (archaic genitive plural)
ეფექტთ (archaic genitive plural)
ეფექტთაt) (archaic genitive plural)
ეფექტთაta) (archaic genitive plural)
ეფექტით (instrumental singular)
ეფექტით (instrumental singular)
ეფექტითაt) (instrumental singular)
ეფექტითაta) (instrumental singular)
ეფექტებით (instrumental plural)
ეფექტებით (instrumental plural)
ეფექტებითაt) (instrumental plural)
ეფექტებითაta) (instrumental plural)
ეფექტად (adverbial singular)
ეფექტად (adverbial singular)
ეფექტადაd) (adverbial singular)
ეფექტადაda) (adverbial singular)
ეფექტებად (adverbial plural)
ეფექტებად (adverbial plural)
ეფექტებადაd) (adverbial plural)
ეფექტებადაda) (adverbial plural)
ეფექტო (singular vocative)
ეფექტებო (plural vocative)
ეფექტნო (archaic plural vocative)
-ზე (postpositional with-dative)
ეფექტზე (singular)
ეფექტებზე (plural)
-თან (postpositional with-dative)
ეფექტთან (singular)
ეფექტებთან (plural)
-ში (postpositional with-dative)
ეფექტში (singular)
ეფექტებში (plural)
-ვით (postpositional with-dative)
ეფექტივით (singular)
ეფექტებივით (plural)
-თვის (postpositional with-genitive)
ეფექტისთვის (singular)
ეფექტებისთვის (plural)
-ებრ (postpositional with-genitive)
ეფექტისებრ (singular)
ეფექტებისებრ (plural)
-კენ (postpositional with-genitive)
ეფექტისკენ (singular)
ეფექტებისკენ (plural)
-გან (postpositional with-genitive)
ეფექტისგან (singular)
ეფექტებისგან (plural)
-დან (postpositional with-instrumental)
ეფექტიდან (singular)
ეფექტებიდან (plural)
-ურთ (postpositional with-instrumental)
ეფექტითურთ (singular)
ეფექტებითურთ (plural)
-მდე (postpositional with-adverb)
ეფექტამდე (singular)
ეფექტებამდე (plural)


вестерн

Borrowed from Russian ве́стерн (vɛ́stɛrn), from English western.


вестерн

ru-noun+

ве́стерн//vɛ́stɛrn

ве́стерн//véstɛrn

ве́стерн • (vɛ́stɛrn, véstɛrn) m inan (genitive ве́стерна, nominative plural ве́стерны, genitive plural ве́стернов)

ве́стерн (canonical)
vɛ́stɛrn (romanization)
véstɛrn (romanization)
ве́стерна (genitive)
ве́стерны (nominative plural)
ве́стернов (genitive plural)
ве́стерн (nominative singular)
vɛ́stɛrn (nominative singular)
véstɛrn (nominative singular)
ве́стерны (nominative plural)
vɛ́stɛrny (nominative plural)
véstɛrny (nominative plural)
ве́стерна (genitive singular)
vɛ́stɛrna (genitive singular)
véstɛrna (genitive singular)
ве́стернов (genitive plural)
vɛ́stɛrnov (genitive plural)
véstɛrnov (genitive plural)
ве́стерну (dative singular)
vɛ́stɛrnu (dative singular)
véstɛrnu (dative singular)
ве́стернам (dative plural)
vɛ́stɛrnam (dative plural)
véstɛrnam (dative plural)
ве́стерн (accusative singular)
vɛ́stɛrn (accusative singular)
véstɛrn (accusative singular)
ве́стерны (accusative plural)
vɛ́stɛrny (accusative plural)
véstɛrny (accusative plural)
ве́стерном (instrumental singular)
vɛ́stɛrnom (instrumental singular)
véstɛrnom (instrumental singular)
ве́стернами (instrumental plural)
vɛ́stɛrnami (instrumental plural)
véstɛrnami (instrumental plural)
ве́стерне (prepositional singular)
vɛ́stɛrne (prepositional singular)
véstɛrne (prepositional singular)
ве́стернах (plural prepositional)
vɛ́stɛrnax (plural prepositional)
véstɛrnax (plural prepositional)

→ Kazakh: вестерн (vestern)


вестерн

вѐстерн (canonical masculine)
vèstern (romanization)
вестерн (nominative singular)
вестерни (nominative plural)
вестерна (genitive singular)
вестерна (genitive plural)
вестерну (dative singular)
вестернима (dative plural)
вестерн (accusative singular)
вестерне (accusative plural)
вестерне (singular vocative)
вестерни (plural vocative)
вестерну (locative singular)
вестернима (locative plural)
вестерном (instrumental singular)
вестернима (instrumental plural)


вестерн

uk-noun

ве́стерн<pr>

ве́стерн • (véstern) m pers (genitive ве́стерна, nominative plural ве́стерни, genitive plural ве́стернів)

ве́стерн (canonical)
véstern (romanization)
ве́стерна (genitive)
ве́стерни (nominative plural)
ве́стернів (genitive plural)
ве́стерн (nominative singular)
ве́стерни (nominative plural)
ве́стерна (genitive singular)
ве́стернів (genitive plural)
ве́стернові (dative singular)
ве́стерну (dative singular)
ве́стернам (dative plural)
ве́стерна (accusative singular)
ве́стернів (accusative plural)
ве́стерном (instrumental singular)
ве́стернами (instrumental plural)
ве́стернові (locative singular)
ве́стерні (locative singular)
ве́стернах (locative plural)
ве́стерне (singular vocative)
ве́стерни (plural vocative)

uk-ndecl

ве́стерн<pr>

Borrowed from English western.
Sense 2 was popularised from the Russian invasion of Ukraine in 2022.

ве́стсплейнер

a; , someone who disregards legitimate Ukrainian concerns


ディズニー

ja-pos

ディズニー • (Dizunī)

A transliteration of the English surname Disney


προβολέας

head

προβολέας • (provoléas) m (plural προβολείς)

provoléas (romanization)
προβολείς (plural)
προβολέας (nominative singular)
προβολείς (nominative plural)
προβολέα (genitive singular)
προβολέων (genitive plural)
προβολέα (accusative singular)
προβολείς (accusative plural)
προβολέα (singular vocative)
προβολείς (plural vocative)

el-decl-noun

προβολέως is also accepted for a singular genitive form

προβάλλω (provállo, “to project”) + -έας (-éas)

suffix

προβολέα διαφανειών (slide projector)


特殊撮影

ja-noun

特(とく)殊(しゅ)撮(さつ)影(えい) • (tokushu satsuei)

特殊撮影 (canonical)
tokushu satsuei (romanization)

(cinematography) special effects (abbr. 特撮 (とくさつ, tokusatsu))


特技

/tʰɤ⁵¹⁻⁵³ t͡ɕi⁵¹/

/tiɪk̚¹²¹⁻²¹ ki⁴⁴/

/tiɪk̚⁴⁻³² ki⁴⁴/

/tiɪk̚¹²¹⁻²¹ ki²²/

/tiɪk̚⁴⁻³² ki²²/

/tʰɤ⁵¹⁻⁵³ t͡ɕi⁵¹/

/tiɪk̚¹²¹⁻²¹ ki⁴⁴/

/tiɪk̚⁴⁻³² ki⁴⁴/

/tiɪk̚¹²¹⁻²¹ ki²²/

/tiɪk̚⁴⁻³² ki²²/

(film, television, cinematography) special effect


προβολή

head

προβολή • (provolí) f (plural προβολές)

el-noun

προβολή • (provolí) f (plural προβολές)

provolí (romanization)
προβολές (plural)
προβολή (nominative singular)
προβολές (nominative plural)
προβολής (genitive singular)
προβολών (genitive plural)
προβολή (accusative singular)
προβολές (accusative plural)
προβολή (singular vocative)
προβολές (plural vocative)

Learned borrowing from Ancient Greek προβολή (probolḗ) with semantic loan from French and English projection.


bat'leth

From Klingon betleH, short for batlh'etlh (“sword of honor”).

It is a bat'leth. It belonged to my father... It has been in our family for ten generations.

1990 November 5, “Reunion”, in Star Trek: The Next Generation, season 4, episode 7, spoken by Worf (Michael Dorn):

The U.K. is looking to clean up its streets with a knife amnesty program, so you can imagine their surprise when a Klingon, er, excuse me, a Klingon fan, turned in a replica Bat’leth over the weekend.

2008 August 25, Jack Loftus, “U.K. Knife Amnesty Program Turns Up Klingon Bat’leth, No Sign of Worf”, in Gizmodo Australia, archived from the original on 2016-03-04:

Officers searched the area but didn't find the robber or the weapon, which was described as a "bat'leth."

2009 February 4, Kieran Nicholson, “Klingon sword used in two Colorado Springs heists”, in Denver Post:

Howard: Why did you bring that?
Sheldon: No weapon strikes more fear into a man's heart than a Klingon bat'leth.
Leonard: OK, let's get clear on something. We just gonna tell this guy to transfer all your stuff back into your account and then be on our way. No one's bat'lething anybody.

2011 March 31, “The Zarnecki Incursion” (15:59), in The Big Bang Theory, season 4, episode 19, spoken by Howard Wolowitz, Sheldon Cooper, and Leonard Hofstadter (Simon Helberg, Jim Parsons, and Johnny Galecki):

(science fiction) A double-ended curved blade weapon with spiked protrusions, controlled by grips along its back, used by Klingons in Star Trek.


dolly zoom

(film) A camera effect that appears to undermine normal visual perception, achieved by using the setting of a zoom lens to adjust the field of view while the camera dollies towards or away from the subject in such a way as to keep the subject the same size in the frame throughout.


imzadi

From the American science-fiction television series Star Trek: The Next Generation, in which it is a term of endearment used by the Betazoid race, said to mean "beloved."

I have a 2 year old son, and my major interests include science fiction TV (Star Trek, X-Files), music, books and movies. […] I am looking for my imzadi, and hope to meet her someday.

1994 August 30, djsst22 [username], “GWF ISO SF”, in pgh.singles (Usenet):

So I'll probably run about the neighborhood with my imzadi (what I've decided to call my 'best-friend-person' now. It's a Star Trek term, Betazoid stuff.) […]

1999 October 28, Lisa: DreaManiChicKuriousStarfire [username], “Re: Halloween: What are your plans?”, in alt.drugs.psychedelics (Usenet):

I push beyond my body
I push beyond this world of mine
Drunk without wine
myself my imzadi

2001, Cari Lynn, “To Touch The Face of God”, in Journey Without a Map, Writers Club Press, →ISBN, page 20:

(fandom slang) A person with whom one shares a profound spiritual bond; a soulmate.